Bob Ross's

The Joy of Painting

S16E04 - Mountain Mirage Wood Shape

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hi, welcome back.

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Certainly glad you could join me today.

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I brought my little friend

who don't one more time.

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So you could see him.

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We've got so many cards and people

have called asking about him.

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I just wanted to show him again.

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He's a little baby Al.

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And he's one of the cutest little devils.

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So if we can get him, put his

wings out here, look at there.

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And the beautiful he's about three weeks

old now, two and a half weeks or so.

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And very, very cute.

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Yeah.

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You're going to talk a little bit.

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He really is a beauty.

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I am so fascinated with these little

creatures and I hope you are too,

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because I like to show them to

you, but credit there and you see.

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There we go.

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And he's just nothing but down.

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As I mentioned earlier, him and

I have the same hairdresser.

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We both get the fuzz top up here.

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Okay.

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Tell you what, it's time

for us to go to work.

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So I'm going to set him down.

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I'll have them run all the colors across

the screen that you need to paint along

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with me today and we'll get started.

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So I'll send him right over

here in his little basket.

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Now this son of a gun has some

talents owning this just on real.

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Even at his age, they must be a half

an inch long and he will get you.

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Not on purpose, but

that's just what happens.

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Tell you what, I've got something

a little different up here today.

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I've had so many letters come in

from people who like to paint a

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wooden objects, asking if this

technique can be done on wood.

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I thought today I would show that.

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So what I've done here is taken just

a piece of plywood and I've just

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sort of cut out a little design and.

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When you're at home, you can cut

out any design that you want.

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One thing you might do is when

you cut it, cut it at an angle.

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So this slants outward on the sides all

the way around, and then maybe paint

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that a flat black, when you're all done.

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And it's like a frame.

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So I've cut this out and then I've covered

it with a thin coat of white Jesso.

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Let that dry, then I've just put a

thin coat of liquid white over it.

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So it's ready to go.

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Basically.

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It's the same way we do

a canvas on his own wood.

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And I thought that they would just

do a very simple little painting

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just to show you how it works.

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We'll start out with a little touch of

a lizard Crimson on the two inch brush.

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Just pull a little bit of the color out,

small amount, tap it into the bristles.

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And let's put a little pink in

the sky, maybe right in here.

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There we are.

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Now we don't want to set this gown fire.

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All we want to do is put a

little pinkish glow in the sky.

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Just making little crisscross strokes.

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But now in yours, you can make it

as bright for his Dell, as you want.

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It's up to you totally up to you.

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Anything that you want to do there

to be a little more right in here

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without cleaning the brush, I'm going

to go right into a small amount of

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the thalo blue, they a little blue and

just tap a little into the bristles.

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Very easy.

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Let's go right back up here now,

right at the very top, still using

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our little crisscross strokes.

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Just begin putting in a happy little sky.

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There we are.

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Just let it blend right on

down to the pink and painting

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on this wood is very nice.

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It's very solid and it works well.

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You can also paint on

Masonite if it has a.

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Oh a code or to a Jesso on it.

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We've just rang some little streaky

things in here just by tapping

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and giving it a little blend.

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You can make all kinds of little

effects wherever you want them.

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Um, as I was saying though, Mason

night makes a very nice surface to

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paint on the only thing that's really

different about wood or Mason night

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is when you're using the knife.

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This is very hard.

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There's no give to it.

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Unlike canvas, when you.

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Paint with a knife on canvas.

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It, it gives it bends to

the shape of the knife.

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This has no bend to it.

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Of course, maybe we put a

happy little cloud in there.

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What the heck?

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Let's go into titanium white.

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We use the old fan brush,

just titanium white.

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Be right back.

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Oh, go away.

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A little bit of bright red in it.

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We'll just sparkle this up

a little Kings go up here.

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Maybe in our world is their lives,

a happy little cloud here and you

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can put them anywhere you want.

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Just any old place, tiny little

circles, tiny little circles.

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Okay.

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Let me put, brightened

them up just a wee bit.

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I hope you enjoy seeing hoot

and all the other little

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creatures that are bringing you.

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They are really very special

to me and they're some of the

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best friends in the world.

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I love little animals, all

kinds of little animals.

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There and with a large brush, I'm

just going to blend the bottom out.

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Just exactly the same way

we would do on canvas.

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Just like, so I still have a little

squirrel that lives with me in my

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home and he lives in a great big cage.

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We call it squirrel Hilton,

where that little son of a gun.

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He is something else, but he's

a little bit too uncontrollable

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to, to bring on the show.

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Maybe I'll take a picture of

him and show you in one of

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the next series of something.

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I couldn't keep him still along

enough to bring him out here.

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He lives in, he lives in Florida.

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I have a home in Florida and

the squirrel stays there.

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He knows about this cold weather.

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Okay.

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Maybe tell you what.

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Let's just take us a little black

little pressure to blue, little

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Crimson, the Vandyke brand.

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What the heck?

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Just start colors, pull it out very flat.

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Really get tough with it.

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When you pull it out like this, pull it

out as flat as you can get it, go straight

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down with a knife touch and just pull it.

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This knife has a straight edge on it, so

it's very easy to load a roll of paint

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right out on the edge of the blade.

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Okay.

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And maybe.

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In our world here, there lives a happy

little mountain and we will do this

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just like we do when you're painting on

wood, but you can hear the difference

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of course, and really push that color.

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Now hair, there's a little bump

there wherever you want to.

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Just any kind of mountain that

you want and maybe where you

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live, or maybe in your painting.

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You don't want a mountain.

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If you don't leave it

out, just leave it out.

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There we go.

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Now we'll just take the large brush and

begin blending that color down because

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there's liquid white on this wood.

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The paint will move.

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It'll slide.

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It's just fantastic.

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And these wooden things are pretty in

your house, or you can paint such things

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as cabinet doors or whatever you want.

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Just hang them around the house.

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They're beautiful decorations.

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And you can cut any shape that you want.

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I used to live in Alaska

for years and years.

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I lived in Alaska and I used to cut out

maps of the state of Alaska and onto that.

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Then I would paint beautiful scenes

and sometimes maybe even Mount a little

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clock up here in the corner of something

just you can buy a court's movement to

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put on the back for only a few dollars.

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And you can have a clock

here with your painting.

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And of course nobody's interested in

selling paintings, but if you're looking

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for that happy book, little things like

that, sometimes sell like hotcakes.

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I'm going to take just straight

titanium, white with a little bit of

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little tiny bit of bright red in it.

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Cut off my little roll of

paint again, just like before.

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And let's just go up in here.

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Touch no pressure, no pressure at all.

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Just let it glide soon,

make little noises.

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See, it can just glide right

down the side of the mountain.

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You go anywhere that

you want to go with it.

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There is another one there barely,

barely touching, barely touching.

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Just caress it there.

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Maybe.

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Yeah, over in here.

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There's a little bit of

light playing through there.

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Take some white, we'll put

a little bit of blue in it.

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Little blue, little touch of black,

just to dull it down a little bit.

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So we have sort of a blue, gray color.

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Once again, get our little roll of paint

right out on the edge of the knife.

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Then with that camera had a pair of touch

and follow the mountain right down soon.

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No pressure though.

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All you're doing is just allowing

the knife to float that easy.

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And it's easier to do it fast

than it is to do it slow.

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One of the things we do when we're

training instructors, we have

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instructors that travel around and

teach when I train these instructors

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and one of them, one of the.

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Tests that we give them.

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We make them paint very, very

fast because you find that they

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can paint better fast sometimes.

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And they can slow when you're

doing things like, yes, it's

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hard to do it slow like this.

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If you just do it, it happens

much faster, much easier.

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And the paint breaks better by breaking.

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We mean it has all these little

holes in it and you can do that.

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See anywhere you want to shadow.

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You just drop in a little lit blue.

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And the opposing or opposite direction,

and you can make some mean rugged looking

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mountains with a clean, dry brush.

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I'm just going to tap the

base of this just happened.

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So, and very lightly blended

upward by blending upward.

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All it does is take out the little

tap marks, brings everything together

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and creates that illusion of mist

at the base of your mountain.

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It's very soft and very

delicate, far away over here.

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You follow these ankles.

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It's most important when you're

doing this tapping that you follow

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the angles in your mountain.

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I'll take a little more

of that blue on my brush.

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Just tap a little and sometimes

it's fun just to take this and maybe

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we'll just bring it over and create

a whole new plane in the mountain.

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These planes are what create the

illusion of depth and distance.

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And we'll put some, no

shadows back in here.

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Oh, Kevin's a little happy.

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Thanks.

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There we go,

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okay, let me go wash the old brush.

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No, we wash her brushes as you

know, with odorless thinner, shake

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it off, beat the devil out of it.

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That one we're just going to tap

this at breastfeeding is so much fun.

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It's not too crazy about it though.

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It sort of shakes him up.

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He thinks he's next.

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There we go.

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And while I have blue stone in

that brush shoot, we just go right

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into a little touch-up Crimson and.

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Come right across here.

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So in a nice little color, like, so

the lavender color in the middle,

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and we'll go right into a little bit.

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If they look blue and do the

edges, like, so we'll just put

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a little bit of water down here.

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What the heck?

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But once again, this is mixing with

the liquid white and it's very smooth.

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And it just flows.

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If you had a dry board here that you

were trying to paint on, you would

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really be an agony city right now.

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And you'd be very unhappy with me.

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You'd be calling me names.

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By having the liquid white on

there, that's just slick as it can

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be your colors, continually mixing

with it and all these beautiful

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things just happen automatically.

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Okay.

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Maybe back here we have

some little foothills.

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We all take, we've got some black here

and a little bit of pressure and blue,

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Brown, little SAP green be right back.

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I'll get a little, little white.

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Little bit of white.

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There we go.

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Maybe a little more Brown.

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I want to dull that.

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Getting a little too bright.

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Oh, that's nice.

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That's nice to have a little

color into the bristles.

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Let's go right up here.

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Now.

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There may be back in here.

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Okay.

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Just live some beautiful little

foothills, all kinds of little trees.

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Are we back here in the distance?

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Yeah.

249

00:13:07,485 --> 00:13:08,775

I'm using the brush up, like, yes.

250

00:13:08,775 --> 00:13:12,045

So it makes it look like a tops

of just hundreds and hundreds

251

00:13:12,045 --> 00:13:13,455

and hundreds of little trees.

252

00:13:14,865 --> 00:13:17,955

I used to set with little one haired

brush and try to do these one at a time.

253

00:13:22,325 --> 00:13:23,465

This is certainly easier.

254

00:13:24,840 --> 00:13:25,350

Okay.

255

00:13:25,410 --> 00:13:29,010

Now we can just take a clean brush

and I want to create the illusion

256

00:13:29,280 --> 00:13:31,080

of this down the base of it here.

257

00:13:32,850 --> 00:13:36,930

So all we're doing here is just

tapping the bottom, just the bottom.

258

00:13:38,280 --> 00:13:39,840

So you had it just sort

of floats around them.

259

00:13:40,550 --> 00:13:44,180

Fair, very lightly, very easily.

260

00:13:44,180 --> 00:13:45,290

Just lift a little bit upward.

261

00:13:46,875 --> 00:13:50,025

And that creates a beautiful

Misty area right in there.

262

00:13:50,445 --> 00:13:54,255

Now maybe there's more than one little

Foothill because all you do is use the

263

00:13:54,255 --> 00:13:56,805

same color, only darker, less white in it.

264

00:13:58,635 --> 00:14:01,365

As things get closer to

you in the landscape, they

265

00:14:01,365 --> 00:14:02,865

should get darker and darker.

266

00:14:04,005 --> 00:14:05,505

All right, let's go right up here.

267

00:14:06,255 --> 00:14:07,305

I have to make a big decision.

268

00:14:07,305 --> 00:14:08,505

Where's your little footy Hill live.

269

00:14:08,865 --> 00:14:09,345

There he is.

270

00:14:10,725 --> 00:14:10,845

Now.

271

00:14:10,845 --> 00:14:12,525

We don't want to lose

all this missed in here.

272

00:14:12,555 --> 00:14:13,875

See, there's missed between them.

273

00:14:15,690 --> 00:14:16,110

There you go.

274

00:14:16,110 --> 00:14:17,580

Now you can see, see the mist in there.

275

00:14:17,700 --> 00:14:18,660

That's important.

276

00:14:18,720 --> 00:14:19,770

You don't want to lose it.

277

00:14:20,520 --> 00:14:21,660

There you lose that.

278

00:14:21,990 --> 00:14:23,550

They just to sort of blend together.

279

00:14:23,550 --> 00:14:24,690

We just let that run right out.

280

00:14:24,690 --> 00:14:28,910

My cat or color, maybe shoot.

281

00:14:28,910 --> 00:14:29,990

Maybe it just goes right on up here.

282

00:14:29,990 --> 00:14:31,040

We don't know where it goes.

283

00:14:33,080 --> 00:14:33,740

There we are.

284

00:14:34,070 --> 00:14:38,780

But as long as it's a little bit

darker, but then it'll show and it'll

285

00:14:38,780 --> 00:14:42,320

look like it's closer to you and I'm

intentionally letting some of it.

286

00:14:42,320 --> 00:14:43,310

Hang down here below.

287

00:14:44,235 --> 00:14:46,215

Cause we want a happy little

reflection under there.

288

00:14:46,905 --> 00:14:47,775

It's all we do now.

289

00:14:47,835 --> 00:14:49,574

It's decide where water and land meet.

290

00:14:50,204 --> 00:14:52,335

Pull straight down with a large brush.

291

00:14:53,055 --> 00:14:55,275

Just give it a little downward.

292

00:14:55,275 --> 00:14:56,204

Pull see there.

293

00:14:57,465 --> 00:15:01,995

And once again, because there's liquid

white on here, this is a wet surface.

294

00:15:02,055 --> 00:15:05,295

So color moves now just go gently across.

295

00:15:05,850 --> 00:15:11,730

And it'll give it a word, reappearance,

instant reflections, that easy little

296

00:15:11,730 --> 00:15:16,560

touch of the liquid white, like, so

we'll will put the least, little bit

297

00:15:16,560 --> 00:15:20,370

of blue into it, just to cool it down

a little, lose a very cool color.

298

00:15:20,490 --> 00:15:21,210

It's nice.

299

00:15:22,830 --> 00:15:26,310

Pull it out flat and then

take the knife and cut across.

300

00:15:26,490 --> 00:15:27,360

Let's do that one more time.

301

00:15:27,360 --> 00:15:30,780

So you can see it, pull it out

flat and cut across that loads.

302

00:15:30,780 --> 00:15:32,850

A little bit of paint right

on the edge of the knife.

303

00:15:32,940 --> 00:15:33,240

Okay.

304

00:15:34,320 --> 00:15:40,695

Now, Just push very hard and we'll

just cut in a happy little waterline.

305

00:15:41,265 --> 00:15:46,785

Now this is a little slicker than

work than a canvas because it's wood.

306

00:15:48,105 --> 00:15:51,765

So you have to hang on to your knife

a little tighter because it'll slide

307

00:15:51,765 --> 00:15:54,045

up and down and make you unhappy.

308

00:15:54,765 --> 00:15:56,595

And it'll run right on

off, down here somewhere.

309

00:15:57,375 --> 00:15:59,985

That's one of the disadvantages

of painting on wood or metal.

310

00:16:01,575 --> 00:16:03,945

You can paint on metal the

same as you do on wood.

311

00:16:03,945 --> 00:16:08,835

If you want to paint on metal, I

recommend you paint it first with

312

00:16:08,835 --> 00:16:14,775

something that'll stop the rust,

just a spray paint or something.

313

00:16:14,775 --> 00:16:17,565

If you're going to paint a

metal, then put your Jesso on it.

314

00:16:17,835 --> 00:16:18,765

Allow that to dry.

315

00:16:20,130 --> 00:16:24,090

And paint like normal, if you want,

if, when you're painting on metal, for

316

00:16:24,090 --> 00:16:25,500

example, if you want a little texture.

317

00:16:25,500 --> 00:16:26,760

So it's similar to canvas.

318

00:16:27,180 --> 00:16:32,400

I used to use a paint roller with a small

short nap on it, and it'll, it'll make

319

00:16:32,400 --> 00:16:34,380

it feel like there's little bumps on it.

320

00:16:34,650 --> 00:16:38,040

It'll give you a texture like canvas

and it makes it much easier when you go

321

00:16:38,040 --> 00:16:40,250

over it much, much easier to paint on.

322

00:16:41,010 --> 00:16:41,250

Okay.

323

00:16:41,370 --> 00:16:42,720

Let's do some little things back in here.

324

00:16:42,720 --> 00:16:43,920

Let me grab a few.

325

00:16:43,920 --> 00:16:48,360

We'll use a fan brush today,

clean off a spot to work.

326

00:16:50,444 --> 00:16:55,484

We'll take some black suppression

blue, uh, put some Brown here.

327

00:16:55,484 --> 00:16:55,844

What the heck?

328

00:16:55,875 --> 00:17:03,635

Anything you liked on the SAP green lizard

Crimson pick OGAP long as it's dark.

329

00:17:03,755 --> 00:17:05,464

Okay, let me clean my knife off here.

330

00:17:07,085 --> 00:17:08,554

I just wiped the knife on a paper.

331

00:17:08,554 --> 00:17:12,605

Tell you that are clean rag.

332

00:17:12,754 --> 00:17:13,565

All works fine.

333

00:17:14,370 --> 00:17:17,190

He was old number six fan, but

sometimes I use a number three.

334

00:17:17,370 --> 00:17:18,810

Sometimes I use number six.

335

00:17:19,770 --> 00:17:20,490

It doesn't matter.

336

00:17:21,120 --> 00:17:22,260

Whichever works well for you.

337

00:17:22,280 --> 00:17:22,490

Yeah.

338

00:17:23,930 --> 00:17:28,400

Can I just go up here maybe in

our world, maybe right there

339

00:17:29,030 --> 00:17:31,520

lives a happy little tree.

340

00:17:33,149 --> 00:17:33,379

All right.

341

00:17:33,379 --> 00:17:34,979

You guys just work back and forth.

342

00:17:36,659 --> 00:17:38,729

Look at that little son of a gun.

343

00:17:38,729 --> 00:17:42,510

He lives right there in

that brush right there.

344

00:17:43,260 --> 00:17:46,020

Can you let's give him

a friend, you know me?

345

00:17:46,620 --> 00:17:46,949

Thank you.

346

00:17:46,949 --> 00:17:48,090

Everybody needs a friend.

347

00:17:49,439 --> 00:17:51,479

Think they're the most

important thing in the world.

348

00:17:55,169 --> 00:17:55,770

There we are.

349

00:17:59,100 --> 00:18:01,290

This is a place for hoot

to sit right up here.

350

00:18:01,379 --> 00:18:04,919

The little owl kind of have

kind of have a place for him.

351

00:18:05,459 --> 00:18:06,659

He sits right up there.

352

00:18:08,340 --> 00:18:10,620

Maybe tell you what, maybe there's

a little baby tree since hoots.

353

00:18:10,649 --> 00:18:11,340

Just a baby.

354

00:18:11,370 --> 00:18:13,439

We'll give him a baby

tree over here to set in.

355

00:18:13,860 --> 00:18:16,770

Maybe he's not brave enough

yet to flatten that big one.

356

00:18:17,340 --> 00:18:21,280

So we'll just give him

a, just a little tree.

357

00:18:24,315 --> 00:18:26,565

I like, I like to show

off the little animals.

358

00:18:27,495 --> 00:18:30,555

We just had a whole thing in

the newsletter about animals

359

00:18:30,555 --> 00:18:32,865

and showing some of the little

squirrels and birds that I have.

360

00:18:34,215 --> 00:18:35,445

So I hope you enjoy those.

361

00:18:36,825 --> 00:18:37,034

There.

362

00:18:37,034 --> 00:18:37,335

We are.

363

00:18:37,965 --> 00:18:40,455

Tell you, what are we got

this old brush working here.

364

00:18:41,700 --> 00:18:43,290

I'm going to just watch right here.

365

00:18:43,410 --> 00:18:44,550

I'm just going to tap down.

366

00:18:44,970 --> 00:18:47,010

See, I was telling you

reflections are easy.

367

00:18:47,040 --> 00:18:47,310

Watch.

368

00:18:47,310 --> 00:18:48,990

You're just, there's a big tree.

369

00:18:49,590 --> 00:18:50,490

There's a big stick.

370

00:18:50,940 --> 00:18:51,180

Now.

371

00:18:51,330 --> 00:18:55,230

All we do is just put in some

very, very basic little ideas.

372

00:18:56,720 --> 00:18:59,310

That's a sad looking tree,

but that's all right.

373

00:19:00,510 --> 00:19:02,910

If you were upside down, you'd

probably look a little different too.

374

00:19:04,040 --> 00:19:04,700

There we are.

375

00:19:05,510 --> 00:19:08,600

Put his alarms on him

upside down now then.

376

00:19:10,605 --> 00:19:13,274

Very lightly, two hairs in some air.

377

00:19:14,745 --> 00:19:16,814

Just grab that and give it a little pull.

378

00:19:17,445 --> 00:19:20,774

And we have instant reflections

that easy look at that.

379

00:19:21,465 --> 00:19:22,215

Now watch right here.

380

00:19:22,215 --> 00:19:22,514

Watch.

381

00:19:22,695 --> 00:19:24,195

See, this is exciting.

382

00:19:24,225 --> 00:19:25,845

I love to see these reflections work.

383

00:19:25,915 --> 00:19:27,945

Just go across and you can push him.

384

00:19:28,514 --> 00:19:31,574

I say there, make it look just like water.

385

00:19:31,995 --> 00:19:32,895

See the shimmers.

386

00:19:34,125 --> 00:19:35,205

Not fantastic.

387

00:19:36,495 --> 00:19:38,715

You have unbelievable power here.

388

00:19:39,645 --> 00:19:43,455

Should I get carried away some

time tell you what, tell you what

389

00:19:44,535 --> 00:19:47,595

now, when I cut this out, I knew I

was going to put a big tree here.

390

00:19:47,685 --> 00:19:48,165

The rest of it.

391

00:19:48,165 --> 00:19:49,635

I didn't care about it,

but I wanted a big tree.

392

00:19:50,115 --> 00:19:57,765

So let's go right up in here and let's

just put in this big old tree there.

393

00:19:57,855 --> 00:19:59,565

I bet you knew from the

beginning, there was going to be

394

00:19:59,565 --> 00:20:00,735

a tree there when you saw that.

395

00:20:03,495 --> 00:20:04,125

There we go.

396

00:20:05,475 --> 00:20:06,945

We should have done that

with a two inch brush.

397

00:20:06,945 --> 00:20:09,555

It had been a little faster,

but it didn't matter.

398

00:20:10,985 --> 00:20:16,685

Whatever's handy, whatever you feel

comfortable working with sound.

399

00:20:16,685 --> 00:20:19,505

People like to do it with a two inch

brush some with a one inch brush.

400

00:20:20,675 --> 00:20:25,055

Some people like to do it with your

shoe, whatever it makes you happy.

401

00:20:25,385 --> 00:20:26,855

And it doesn't hurt

anybody else than it's.

402

00:20:26,855 --> 00:20:27,275

All right.

403

00:20:29,845 --> 00:20:30,175

Okay.

404

00:20:36,065 --> 00:20:37,475

Let's see how neat that is.

405

00:20:38,975 --> 00:20:42,605

And as I say, when this is all dry, if

you go around these edges and paint them

406

00:20:42,605 --> 00:20:44,465

black, you don't have to even frame it.

407

00:20:44,495 --> 00:20:48,605

It's already framed there.

408

00:20:50,465 --> 00:20:53,495

Maybe I'm having so much

fun making these evergreens.

409

00:20:54,754 --> 00:20:56,645

This will give you some

practice with evergreens.

410

00:20:57,195 --> 00:21:00,074

And maybe in your painting, if you

don't want to evergreen, you can put

411

00:21:00,074 --> 00:21:04,095

a different kind of tree and you can

cut out all kinds of different shapes.

412

00:21:04,245 --> 00:21:09,074

Sometimes it's fun if you're going to have

like maybe an old barn or something, cut

413

00:21:09,074 --> 00:21:13,574

the basic shape of the barn halfway out of

the piece of wood and then paint half of

414

00:21:13,574 --> 00:21:16,425

it in there and half of it out of there.

415

00:21:16,784 --> 00:21:17,564

And it's neat.

416

00:21:18,524 --> 00:21:19,064

You'll love it.

417

00:21:19,245 --> 00:21:21,855

Guarantee, guarantee.

418

00:21:21,855 --> 00:21:25,004

Let's take your big brush, pull it

through the paint in one direction.

419

00:21:25,950 --> 00:21:28,649

One direction that rounds one

corner, then we'll turn it over.

420

00:21:28,649 --> 00:21:30,240

So that rounded corners to the top.

421

00:21:30,300 --> 00:21:31,530

So you're up here on the top corner.

422

00:21:31,530 --> 00:21:34,020

It's round from putting

it in one direction.

423

00:21:34,020 --> 00:21:34,260

Okay.

424

00:21:34,260 --> 00:21:37,110

Let's go up here with that

rounded corner to the top.

425

00:21:37,635 --> 00:21:41,955

Push and bend the bristles and

just begin making some very basic

426

00:21:41,955 --> 00:21:43,635

little Bush and grass shapes.

427

00:21:44,745 --> 00:21:47,325

And you had to make some big

decisions now, where does this go?

428

00:21:47,625 --> 00:21:51,554

Maybe it comes down

here wherever you want.

429

00:21:51,554 --> 00:21:52,995

It doesn't matter.

430

00:21:55,125 --> 00:21:55,935

Doesn't matter.

431

00:21:57,764 --> 00:22:01,365

You could really put this on

with a paint roller start a

432

00:22:01,365 --> 00:22:02,504

whole new style of painting.

433

00:22:04,890 --> 00:22:07,770

It's the highlights account count,

but this is a good place to practice.

434

00:22:08,520 --> 00:22:11,910

Just making the brush work and

feeling how it feels when you push.

435

00:22:11,940 --> 00:22:15,090

Because so much of this as a

feel, I can show you how to do it.

436

00:22:15,090 --> 00:22:18,300

I can tell you exactly how to load

the brush, but so much of it comes

437

00:22:18,300 --> 00:22:19,710

from practice and just doing it.

438

00:22:19,710 --> 00:22:23,670

And very soon you feel

exactly what's happening.

439

00:22:23,670 --> 00:22:26,760

And you know, as soon as you touch the

canvas, if you have a Bush or you have

440

00:22:26,760 --> 00:22:31,380

a blog, so devote a little time to

practice, it'll pay you big dividends.

441

00:22:32,790 --> 00:22:37,650

Take some white, a little bit of the

dark Santa, leave it marble like that.

442

00:22:38,190 --> 00:22:42,390

Cut us off a little B-roll

of paint and maybe in our old

443

00:22:42,390 --> 00:22:43,500

tree here, here and there.

444

00:22:43,500 --> 00:22:47,700

You can see the indication of

a nice tree trunk is showing

445

00:22:47,700 --> 00:22:48,900

through just here and there.

446

00:22:48,900 --> 00:22:50,010

We won't see the whole thing.

447

00:22:51,660 --> 00:22:52,440

This little tree.

448

00:22:53,040 --> 00:23:01,280

Maybe he's got a little truck right there

over here, wherever you want them there.

449

00:23:02,295 --> 00:23:05,955

Just the indication, just the indication.

450

00:23:08,805 --> 00:23:11,085

Can you now I'll just

grab another fan brush.

451

00:23:12,135 --> 00:23:17,685

Let's take a little bit of that tree

color and mix it with some cadmium yellow.

452

00:23:17,775 --> 00:23:23,055

That'll make a very nice green or

a little SAP green, either one.

453

00:23:24,465 --> 00:23:26,445

Okay, let's go up here now.

454

00:23:26,445 --> 00:23:29,685

Then let's take this brush

and come right along here.

455

00:23:30,870 --> 00:23:34,470

Just put some highlights right

on these evergreens, right on

456

00:23:36,240 --> 00:23:37,770

there, wherever you want them.

457

00:23:38,640 --> 00:23:40,860

Think about where the light's

coming from in our mountain tells

458

00:23:40,860 --> 00:23:42,270

us a light's coming from the right.

459

00:23:42,930 --> 00:23:46,650

So we won't or the bright

highlight color on the right side.

460

00:23:47,220 --> 00:23:52,560

Then on the left side, there, that's

a nice place for the little birds.

461

00:23:54,540 --> 00:23:55,350

There we go.

462

00:23:56,490 --> 00:23:57,720

And they have a place to sit.

463

00:23:58,950 --> 00:24:01,440

These are beautiful little

things, these little wooden things

464

00:24:01,680 --> 00:24:05,220

to do and give to friends and

relatives as gifts or Christmas

465

00:24:05,220 --> 00:24:07,650

presents or for whatever occasion.

466

00:24:09,720 --> 00:24:11,430

And it's very special because you did it.

467

00:24:12,570 --> 00:24:18,420

People like people like gifts that,

that you make yourself for them.

468

00:24:18,930 --> 00:24:21,510

A lot of times, better than gifts, you

go out and spend a lot of money for,

469

00:24:21,510 --> 00:24:25,200

because then it's per anybody can go buy

something, but to make something with your

470

00:24:25,200 --> 00:24:29,160

own hands and your own heart and give it

to somebody because you care about them.

471

00:24:30,200 --> 00:24:30,980

That's special.

472

00:24:32,300 --> 00:24:33,620

That is really special.

473

00:24:34,490 --> 00:24:35,060

There we go.

474

00:24:35,690 --> 00:24:40,100

But Bush lives there and if you have

trouble making your paint stick,

475

00:24:41,000 --> 00:24:45,350

add a small amount, small amount of

the liquid white or paint thinner.

476

00:24:46,670 --> 00:24:46,810

What?

477

00:24:46,810 --> 00:24:47,540

Just put some middle.

478

00:24:48,315 --> 00:24:49,015

No bushes here.

479

00:24:49,015 --> 00:24:51,135

And maybe we reflect some of those

right down here until the water.

480

00:24:52,845 --> 00:24:53,805

What the heck?

481

00:24:57,065 --> 00:24:57,425

Okay.

482

00:24:57,545 --> 00:25:01,145

I'll take a large brush, two hairs

and some air, one hair in some air.

483

00:25:01,145 --> 00:25:07,055

This is very light down and across makes

those beautiful little mirror reflections.

484

00:25:07,565 --> 00:25:11,915

Now over on this side here, maybe there's

a happy little Bush lives right there.

485

00:25:15,785 --> 00:25:16,265

Okay.

486

00:25:17,745 --> 00:25:23,625

I want to add a touch of paint, thinner to

my brush, just to touch, take what's fun.

487

00:25:24,735 --> 00:25:29,475

I want to, I'm going to go through some

yellow and I'm going to go over here and

488

00:25:29,475 --> 00:25:34,215

I will put just the corner of the brush

and to some bright red, just the corner.

489

00:25:34,245 --> 00:25:35,085

So you can see it.

490

00:25:35,175 --> 00:25:36,165

Let me turn the brush around.

491

00:25:36,615 --> 00:25:38,325

See a top corners, got a little red on it.

492

00:25:38,355 --> 00:25:44,445

Now watch if this works just right, you'll

have a little green Bush with red flowers.

493

00:25:44,445 --> 00:25:44,925

Look at that.

494

00:25:46,425 --> 00:25:47,325

Isn't that sneaky.

495

00:25:49,635 --> 00:25:50,145

Look at that.

496

00:25:50,915 --> 00:25:51,665

That's beautiful.

497

00:25:51,905 --> 00:25:53,465

And so nice.

498

00:25:53,735 --> 00:25:56,195

Now we just put in all kinds

of happy little plants and

499

00:25:56,195 --> 00:25:59,465

stuff, wherever you want them.

500

00:26:01,115 --> 00:26:02,825

The other one may be right

here, working layers.

501

00:26:02,825 --> 00:26:06,725

They'll do the one that's furthest away

and always work forward forward, forward

502

00:26:07,325 --> 00:26:11,525

a little more of the paint thinner and.

503

00:26:13,455 --> 00:26:19,304

We'll just keep right on going here,

working layers though, work in layers

504

00:26:21,225 --> 00:26:22,784

and you vary your colors a little.

505

00:26:24,375 --> 00:26:26,895

And in your world, you pick out

the colors that you want, the

506

00:26:26,895 --> 00:26:30,165

colors that make you happy there.

507

00:26:30,735 --> 00:26:33,435

Add a little bit more of the

bright, red, little touch of

508

00:26:33,435 --> 00:26:35,534

Indian, yellow, yellow ochre.

509

00:26:37,274 --> 00:26:40,995

Very some of these little things, maybe.

510

00:26:41,430 --> 00:26:42,780

Ooh, there's a nice little Bush.

511

00:26:43,080 --> 00:26:53,129

He said, and right here, there we are

now with her knife, just a clean knife.

512

00:26:53,670 --> 00:26:57,480

We go up here and these dark areas,

just scraping our little sticks,

513

00:26:57,659 --> 00:26:59,760

twigs, all kinds of little things.

514

00:27:00,990 --> 00:27:02,730

I'm going to take a little van Dyke Brown.

515

00:27:03,210 --> 00:27:07,560

Let's go right over here and put

in a little bit of land there.

516

00:27:07,620 --> 00:27:09,659

Look at that little Brown and white.

517

00:27:10,770 --> 00:27:16,010

Oh, highlight for the liquid, quiet

on the knife or put in a waterline.

518

00:27:17,570 --> 00:27:22,520

Can we get that rascal just about finished

and I'll be showing you how you can

519

00:27:22,520 --> 00:27:27,650

take old piece of plywood and turn it

into a beautiful, beautiful painting.

520

00:27:28,430 --> 00:27:33,110

That once again makes a fantastic gift to

give to loved ones or just anybody you're

521

00:27:33,110 --> 00:27:34,520

looking for something and get for a gift.

522

00:27:35,240 --> 00:27:37,130

So with that, they will

call this one finished.

523

00:27:37,695 --> 00:27:40,455

For all of us here and from

old hoot, I'd like to wish you

524

00:27:40,455 --> 00:27:42,314

happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S16E04 - Mountain Mirage Wood Shape

Bob Ross's

The Joy of Painting

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