Bob Ross's

The Joy of Painting

S24E04 - Little Home In The Meadow

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Hi, welcome back.

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Certainly glad you could join us today.

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Today.

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I thought we'd just do a fantastic little

painting that I believe you'll enjoy.

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So I tell you what, let's start

out in here and run all the colors

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across the screen that you need

to paint along with us and they'll

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come across right about there.

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Come on up here.

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Let me show you what I've got done today.

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I've taken standard old 18 by 24

pre stretched canvas, but you use

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any sides as convenient and I've

taken a piece of contact paper.

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And cut an oval out, stuck it on there.

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Then I've painted the center,

but the little bit of black Jess,

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so, and allowed that to dry.

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Totally completely.

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On top of the black Jesso, I've

added a thin, let me say that again.

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A very thin coat of liquid clear, and

I have the canvas totally covered,

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but I want to remove all the excess.

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I'm going to start with just a clean paper

towel, and I'm going to wipe off every

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bit of the liquid clear that I can get.

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It'll still leave this very slick and

it allow us to move and blend paint.

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So just wipe off every bit that you didn't

get off something about like, and believe

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it or not, there's still a code on here.

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You might even be able to see

it shine and shimmer a little

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bit, but that's all you need.

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Now then on top of that, we can begin

playing and just have a good time.

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I thought today would start maybe

with a little titanium white and a

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little fallowed blue mixed together.

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Just.

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White and blue.

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And if we had liquid white on the

canvas, we could just use the pure

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blue color because it would dilute

the blue and make it this color.

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But since all we have is clear

up here, we have to mix our

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color a little bit on the pallet.

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So I'm just going to take the brush

and very gently making tiny, tiny

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little strokes, little Xs, just put in

the indication of a little sky here.

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Don't want a great deal of color.

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Just a little up here.

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Just, they look blue and

white, but color stands out so

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bright against the black there.

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See one of the things that I hear

over and over from people when they

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write letters is that they get too

much liquid clear on the canvas

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and it's very difficult to make.

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It's difficult to make paint,

stick made to make it work well.

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So if you'll take a paper

towel and wipe all the excess

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off, there's just enough left.

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Exactly enough lip there.

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Okay.

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That's about all we need.

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Just going to have a

little blue in his SCAD.

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I thought today, maybe

we just do a painting.

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That's maybe it's just

pretty, just very pretty cover

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everybody for two blocks here.

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Now, if you do that at home, I suggest

you get a thing called a brush.

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Beader racket goes down to the

bottom of a wastepaper basket and it

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allows you to shake the, the thinner

off into the wastepaper basket.

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Then you beat the brush

against that little rack and

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it'll save your happy home.

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There I'm gonna take a little

bit of bright red and titanium

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white, just a little of a bright

red, very little it's so strong.

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Just tap the corner of the brush

right into a little of that there.

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Now let's just put some, maybe

we'll put some just beautiful little

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clouds that float around up here.

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I'm just going to use a corner

of the brush and begin shaping

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little clouds that easy.

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Just the corner of the brush though.

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That's all I'm using.

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Maybe.

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Yep.

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It comes right down in here.

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Something like, so just sort

of floats across this guy.

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Just let them go wherever you

think they should be there.

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We're just looking for some nice,

basic little shapes, surreally

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really about all there we are

and we'll work in layers here.

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Okay.

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A little bit more there.

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And I tapped straight down when I'm

loading the brush and then turn inside

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words to paint the clouds, tap straight

down because it opens the bristles.

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There.

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Maybe it's a little cloud

just float right up in here.

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I don't know wherever you want it.

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And then I have several

of each brush going here.

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Make sure it's good and dry

and very lightly just using

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the top corner of the brush.

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I'm just going to tickle it

just barely, barely touch it.

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Trying to avoid touching

the top edge right now.

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Just tickle it a little bit.

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Now, if you want to shadow at the base of

your cloud here, all you gotta do is blend

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it a little firmer and the black will show

through and we'll put another layer on.

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And that will become the

shadow for your first class.

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I hope all that make sense.

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Sometimes I have a hard

time explaining things.

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There we go.

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Very gentle though, in just the top

corner of the brush, tiny little

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strokes, tiny, tiny, tiny little strokes,

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something about like, you know, I beat

the brush just to knock excess paint off.

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So I don't have to go through

the entire cleaning procedure.

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And then very lightly.

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We'll just blend that, but isn't that a

neat way of making some pretty nice little

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clouds with very little work now, then go

back and get a little more of the bright

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grid, a little more of the titanium white.

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Once again, I'm just going

to tap the corner of the

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brush into the pinkish color.

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Just tap, just tap.

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Okay.

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Now then maybe there's

layers of clouds here.

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We can begin forming more and more

clouds once again, tap straight

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down and then use the side of the

brush that opens the bristles.

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So they're not stuck together

in the chisel edge, cause

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I want them very fluffy.

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I want these clouds to be free looking.

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There we go.

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Nothing's worse than a stiff cloud.

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Clouds are very loose.

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They're free.

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They just float around and

have a good time all day.

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There, wake up something like, so

you can take these anywhere that you

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want to came back to my other brush,

be sure it's nice, clean and dry.

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If your brush is wet, you have paint

thinner on it and you go up there and you

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touch his with a liquid clear underneath.

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You're going to be an agony city and

you're going to be upset with me.

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Be very sure that your brush

is dry as you could be.

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If you don't have the facilities to

beat it and bang it like we do here,

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try it the best you can and rub it

real good against a paper towel or

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a nice soft rag there just blend the

base of it outside and very lightly.

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One hair in some air, Jess blended

just enough to make it nice and soft.

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Once again, see automatically we

have this nice dark base down here

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and you can just keep on and on and

on and make as many of the layers.

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As you want, it's up to you

to you wherever you think

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a little cloud should live.

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It's exactly the right place for it.

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Maybe something comes right down in there.

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I don't know.

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Just whatever.

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Okay.

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I think I'll put some trees in there.

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So maybe we don't need

too many more clouds.

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If you make this many clouds, it'll

give you plenty of practice doing

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clouds in this particular manner.

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And this is just one of

many ways of making clouds.

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We just try to show you

as many ways as possible.

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Then you try and you pick the way of

making each one of these little things

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that you like, because some people will

find that this way works great for them.

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Other people will find it.

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Some other way of making

clouds works even better.

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It's very individual.

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So whatever works for you, that's

exactly the one that you want to use.

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There we are.

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Okay.

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So as I say, I know I'm going to put

some trees here, so I'm not worried

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much about the side at this point.

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Let's go up here and now it's

make us what, make some Brown.

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I'm going to use alizarin, Crimson

and SAP green, and about equal

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proportions and equal proportions.

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Mix it up.

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Very good.

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It makes a gorgeous, gorgeous Brown

color just by mixing those two.

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So I'll take a little bit of that Brown.

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I mixed a lot, cause I'm going to

use it throughout the painting.

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I think I just liked that color.

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A little bit of black, a little bit

of depression, blue mixed with it.

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And I reach over here.

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I can get a little bit of white.

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I want to lighten it up.

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Ooh, that's nice.

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That's a nice color like that.

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All right.

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Let me wipe off the all night.

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I'm gonna go right into that color.

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Load a lot of pain into the bristles,

wiggled it, brush wiggle that I want

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to bring it to a nice sharp chisel

edge, wiggle it, and then sharpen

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it because sharp, you can make that.

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Okay.

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Now there may be up here.

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This is a simple, simple way

of making some nice trees.

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Just take the brush and give

it a little sidewards push

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that you make the other side.

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See that's sneaky.

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Huh?

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It's a beautiful way of making little

delicate trees that live far, far

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away, little distant trees that

don't have a lot of detail in them.

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They're just using the breath side

words and you can put as many or

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as few in your world as you want.

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Maybe down in here, there's

a few more there, there.

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There and here and just everywhere.

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Make all kinds of happy little trees.

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And when you make these people come

along and look at your painting,

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they'll never believe you made all these

little trees with a two inch brush.

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That's our secret.

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Don't tell him.

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There.

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That's one of the things that I hear

over and over again, and letters

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that people write me, they'll say

they did a painting and they showed

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it to their family and friends and

nobody believes they'd done it.

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And I bet that if you've painted and

showed your paintings after, after

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they were dried and everything,

and people will say, you didn't

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do that, where's the numbers.

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Somebody else did that.

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But, you know, you did there something

maybe about like, so now I want to create

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the illusion of a little miss down here.

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Yes.

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It's Bernie still has a

little white on the bottom.

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I'll tap a little of that

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with a clean brush.

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I just want to blend this together.

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That'll create an illusion of

the mist right down at the base.

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Something about like you can lift upward,

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but in a nice way of making

some little distant tree shapes

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that are very, very simple.

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You can do that.

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You can do that.

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Make another layer because layers in

a painting, as you've heard me say,

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so many times creates the illusion of

depth makes your painting look deep.

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So to do that, I'm going

to use the same color only.

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I'm going to darken it a little.

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Okay.

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Now then.

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Maybe there's some little bushy

things that live right here.

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I'm just using the top corner of

the brush, but see that little

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Misty area becomes your separator.

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It's a good friend.

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It's what separates the layers between

the Misty area and the darker color.

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That's what separates.

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There we go.

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Maybe we'll put a few more over here.

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What the heck?

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And once again, I'm on tap a little bit

of that lighter color in something about

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like, can very lightly lift up her fist

enough to sort of blend it together.

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Once again, creates that

illusion of mist there.

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Now let's get crazy.

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You know, me?

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Yeah.

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I like to, I like to paint trees

and stuff like that and see how many

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different ways we can come up with.

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Let's use the old two inch brush.

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What the heck?

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We make some trees back

here in the backyard.

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I'm using the same colors, blue,

black, and that Brown that we've

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made from Crimson and SAP green only

darker each time, a little darker.

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Okay.

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Let's go back up here.

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Maybe in our world, their lives,

a little tree right there.

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Now, if the two inch brush scares

you, you can do this with a fan

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brush or the one inch bread.

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It doesn't matter.

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I just have it going here and it's dirty.

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So might as well put the

little rascal to use.

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There, if you're doing paintings,

demonstrations for France, the two

249

00:13:58,905 --> 00:14:01,935

inch brush always excites people

because they just don't believe you

250

00:14:01,935 --> 00:14:03,465

can paint such a delicate little thing.

251

00:14:03,465 --> 00:14:07,775

So using a brush this big it's going

on the other side here, but in a couple

252

00:14:07,775 --> 00:14:10,325

of little, little happy trees, maybe.

253

00:14:10,715 --> 00:14:10,895

Yep.

254

00:14:11,135 --> 00:14:14,095

But right there, just make a decision.

255

00:14:14,490 --> 00:14:15,720

Dropped a little dabble in there

256

00:14:20,710 --> 00:14:22,880

place for my little creatures

to live up in that tree.

257

00:14:22,910 --> 00:14:26,690

I like that tree just using the

corner of the brush initially.

258

00:14:26,690 --> 00:14:32,390

And as you work down the tree and

more pressure and the bristles

259

00:14:32,390 --> 00:14:36,410

harder, and it'll make the branches

wider, larger, bigger, automatically,

260

00:14:37,250 --> 00:14:39,080

automatically let the brush work for you.

261

00:14:41,450 --> 00:14:42,440

The brush work for you.

262

00:14:43,605 --> 00:14:45,135

Maybe there's an old leaner over here.

263

00:14:46,485 --> 00:14:48,855

If you've painted with me before,

you know, I like old trees that

264

00:14:49,005 --> 00:14:50,415

sort of have some character.

265

00:14:51,555 --> 00:14:56,675

It's not just a future

telephone pole there.

266

00:15:02,345 --> 00:15:06,815

So each layer now just creates that

illusion of depth in your painting.

267

00:15:07,815 --> 00:15:08,955

Maybe, right.

268

00:15:08,955 --> 00:15:13,125

There's one more tyrosine

you want in your world.

269

00:15:13,215 --> 00:15:14,475

Truffle man, throw up on that.

270

00:15:14,505 --> 00:15:17,355

Don't be afraid of it

because you can do this.

271

00:15:17,385 --> 00:15:19,965

You can do anything that

you believe you can do.

272

00:15:22,709 --> 00:15:24,900

Maybe there's a few more little

bushy areas right in here.

273

00:15:26,640 --> 00:15:27,689

Something about like, yeah.

274

00:15:30,719 --> 00:15:31,439

All right.

275

00:15:32,610 --> 00:15:32,969

Yeah.

276

00:15:34,110 --> 00:15:38,069

I'll take the brush with a little bit of

white, a little bit of that Brown color.

277

00:15:38,069 --> 00:15:38,520

We made.

278

00:15:40,829 --> 00:15:44,670

Just want to put the indication

here and there of a few little

279

00:15:44,670 --> 00:15:45,750

tree trunks that you can see.

280

00:15:45,750 --> 00:15:47,640

I don't want a great deal of detail.

281

00:15:47,640 --> 00:15:48,000

These are.

282

00:15:48,630 --> 00:15:49,560

They sort of back away.

283

00:15:49,560 --> 00:15:54,480

So not too much detail, just enough to

give the indication that there's some

284

00:15:54,480 --> 00:15:55,920

trunks in there to hold little Rascals.

285

00:15:58,370 --> 00:15:58,940

There we go.

286

00:16:03,050 --> 00:16:04,340

And I just use that same old brush.

287

00:16:04,340 --> 00:16:08,930

I don't go right into a little bit of the

yellow ochre in the CAD, yellow richer and

288

00:16:08,930 --> 00:16:10,280

get little Indian yellow once in a while.

289

00:16:10,880 --> 00:16:12,590

Mixed various colors on the brush though.

290

00:16:12,620 --> 00:16:13,730

I want a dark green.

291

00:16:14,760 --> 00:16:15,719

Maybe I'll reach up in here.

292

00:16:15,750 --> 00:16:16,530

Ooh, that's nice.

293

00:16:16,530 --> 00:16:17,430

I'll get a little black.

294

00:16:17,430 --> 00:16:20,209

That'll make it very dark.

295

00:16:20,240 --> 00:16:21,319

Yeah, it's nice.

296

00:16:23,120 --> 00:16:23,599

Okay.

297

00:16:24,650 --> 00:16:27,650

Now then let's just a touch

of highlight on this tree.

298

00:16:29,020 --> 00:16:31,310

Still just using the corner

of the two inch brush.

299

00:16:31,640 --> 00:16:34,370

Just the car there.

300

00:16:36,359 --> 00:16:39,800

I say, sometime people have a tendency

to be afraid of this because it's a big.

301

00:16:40,905 --> 00:16:44,205

When an Aetna, we used to travel all

over the country and teach people.

302

00:16:45,285 --> 00:16:48,945

That was one of the things that we would

get students to do is to use this brush.

303

00:16:48,945 --> 00:16:52,815

And once they got over the fear of

it, they couldn't believe what you

304

00:16:52,815 --> 00:16:57,945

could do with it, but you have to

get over that sort of intimidate

305

00:16:57,945 --> 00:17:01,635

you because it's so big there.

306

00:17:03,105 --> 00:17:04,275

Just a few on these.

307

00:17:05,025 --> 00:17:05,925

Don't want them left out.

308

00:17:08,535 --> 00:17:10,214

That went in my mind is in the background.

309

00:17:10,245 --> 00:17:11,385

I'm not going to put any on it.

310

00:17:11,444 --> 00:17:12,944

I want it to stay we'd back here.

311

00:17:14,025 --> 00:17:17,565

Sometimes it's better to leave some

of them just the way you paint them.

312

00:17:18,735 --> 00:17:21,795

So they look like they're far, far

away, way back in the background.

313

00:17:22,724 --> 00:17:24,885

And then, Oh, we have an old

brush go into tests working

314

00:17:24,885 --> 00:17:27,815

pretty good there let's get crazy.

315

00:17:29,465 --> 00:17:29,825

Maybe.

316

00:17:31,004 --> 00:17:31,485

Tell you what?

317

00:17:32,415 --> 00:17:34,995

Maybe there's a nice little

grassy area, right there.

318

00:17:35,955 --> 00:17:36,465

There it is.

319

00:17:37,544 --> 00:17:38,655

All we're doing is tapping.

320

00:17:40,034 --> 00:17:44,175

So just using that same old

green color, just tamping.

321

00:17:45,555 --> 00:17:51,795

Yellow ochre, Indian, yellow,

CAD yellow here and there.

322

00:17:51,975 --> 00:17:55,485

The least little touch to the bright

red and the bright red X is a dollar.

323

00:17:55,515 --> 00:18:00,405

It makes the color doll because

grid red and green make Brown.

324

00:18:02,824 --> 00:18:03,215

There

325

00:18:06,274 --> 00:18:12,625

something about like him, that's

fun sometime to, to make a

326

00:18:12,685 --> 00:18:13,885

bright spot in your painting.

327

00:18:13,915 --> 00:18:18,865

I want to take a little titanium, white

Reynolds, same brush and just sparkle.

328

00:18:20,754 --> 00:18:22,735

Like there's a little light

zinging right through there.

329

00:18:23,905 --> 00:18:25,165

Just sparkle a little bit.

330

00:18:25,675 --> 00:18:25,855

Hm.

331

00:18:26,514 --> 00:18:29,185

Uh, don't overdo this or you'll

kill the effectiveness of it.

332

00:18:29,185 --> 00:18:29,814

Just a little.

333

00:18:30,960 --> 00:18:34,170

Just a little, it gets, it gets feeling

good and you want to do it all, but

334

00:18:34,800 --> 00:18:36,930

it'll absolutely kill the effect.

335

00:18:38,370 --> 00:18:40,410

So be conservative with it.

336

00:18:41,180 --> 00:18:42,260

That's why settle, brush.

337

00:18:43,580 --> 00:18:45,380

Just start with some new dark color here.

338

00:18:50,540 --> 00:18:51,770

I just like to beat the brush.

339

00:18:52,100 --> 00:18:53,780

That's really the fun part.

340

00:18:53,780 --> 00:18:54,350

Let's get it.

341

00:18:54,680 --> 00:19:00,220

Let's go back into black and

pressured and blue, very dark colors.

342

00:19:00,230 --> 00:19:01,610

I want more of the black and blue.

343

00:19:01,700 --> 00:19:02,960

Just a very little bit of Brown here.

344

00:19:02,960 --> 00:19:05,630

I wanna change the flavor a

little bit, but I'm loading

345

00:19:05,630 --> 00:19:07,190

it back to a Nash chisel edge.

346

00:19:07,910 --> 00:19:11,420

Nice chiseled edge,

James, go back up in here.

347

00:19:12,495 --> 00:19:15,645

In our world, maybe there's a darker tree.

348

00:19:15,705 --> 00:19:17,055

That's a little closer to us.

349

00:19:18,525 --> 00:19:20,985

There is a little more into the blue hue.

350

00:19:22,815 --> 00:19:23,295

Blue.

351

00:19:23,355 --> 00:19:24,675

You can make a nice song.

352

00:19:26,385 --> 00:19:27,045

There we go.

353

00:19:29,235 --> 00:19:29,505

All right.

354

00:19:29,535 --> 00:19:30,795

Maybe there's a big old tree.

355

00:19:30,795 --> 00:19:32,745

It lives, we don't even

know where it lives.

356

00:19:33,555 --> 00:19:35,895

It's just got some arms that

are coming right down in here.

357

00:19:36,285 --> 00:19:37,095

Something like that.

358

00:19:39,195 --> 00:19:39,615

We don't know.

359

00:19:39,915 --> 00:19:40,935

I know that we even care.

360

00:19:42,375 --> 00:19:43,574

Don't know that we even care.

361

00:19:43,574 --> 00:19:46,905

I'll take that same brush right

back into our greens and yellows.

362

00:19:48,764 --> 00:19:52,534

Just come right along in here maybe,

and make it a little brighter.

363

00:19:52,534 --> 00:19:55,024

So it'll stand out, CAD yellow.

364

00:19:55,865 --> 00:19:56,764

That's better.

365

00:19:56,945 --> 00:19:58,655

Now we can see it against that other one.

366

00:20:00,455 --> 00:20:07,385

There just changed its flavor, a

little something like, so can you

367

00:20:07,445 --> 00:20:08,554

let's do the other one over here.

368

00:20:13,305 --> 00:20:13,455

Nope.

369

00:20:13,545 --> 00:20:15,635

Afraid of this old two-inch

brush use that rascal.

370

00:20:15,995 --> 00:20:20,525

You can do entire paintings

with it easily, very easily.

371

00:20:21,095 --> 00:20:21,545

You know what?

372

00:20:21,695 --> 00:20:22,745

I just had a brainstorm.

373

00:20:24,215 --> 00:20:26,735

We got a minute or two left

here, maybe in my mind.

374

00:20:27,335 --> 00:20:27,935

I see.

375

00:20:28,415 --> 00:20:28,595

Yep.

376

00:20:29,315 --> 00:20:32,135

What if we had a little cabin

lived right out here in the woods?

377

00:20:33,179 --> 00:20:37,110

This would be such a fantastic place to

live and watch all the little creatures.

378

00:20:39,320 --> 00:20:40,129

Let's just do that.

379

00:20:40,699 --> 00:20:44,179

What the heck, take some of

that Brown color that we made.

380

00:20:45,470 --> 00:20:47,679

Start with the back Eve two.

381

00:20:50,149 --> 00:20:52,010

Now we can do the front June.

382

00:20:53,510 --> 00:20:54,080

We're already doing it.

383

00:20:54,080 --> 00:20:55,129

Just blocking it in here.

384

00:20:55,159 --> 00:20:57,679

I would just basically lay in color now.

385

00:20:58,965 --> 00:21:00,705

We're still not committed at this point.

386

00:21:00,855 --> 00:21:05,595

I'll take a little yellow ochre, a little

bit of that Brown color, a little bite.

387

00:21:07,155 --> 00:21:08,895

Just sorta mix them together.

388

00:21:09,885 --> 00:21:10,575

Come right along.

389

00:21:10,575 --> 00:21:14,715

Say we'll make us look like old wood.

390

00:21:17,565 --> 00:21:19,455

Something like somebody

will make a log cabin.

391

00:21:20,385 --> 00:21:21,195

Didn't much matter.

392

00:21:22,395 --> 00:21:23,205

Take a little dart.

393

00:21:25,455 --> 00:21:28,485

But some do to do, to do, to do,

to do, to do right across there.

394

00:21:29,205 --> 00:21:38,985

And then maybe the logs come here

and a bit of Brown to see there.

395

00:21:45,675 --> 00:21:46,905

The Brown and white.

396

00:21:48,105 --> 00:21:50,774

Then we come along and put a little

highlight on some of those logs

397

00:21:53,835 --> 00:21:56,745

we have to do on the other side.

398

00:21:57,014 --> 00:21:58,274

It's much darker over here.

399

00:21:58,605 --> 00:22:05,835

Not much light here, just the least

little hint, something like so

400

00:22:06,495 --> 00:22:07,875

that we need a roof on that house.

401

00:22:09,645 --> 00:22:11,504

Otherwise that fellow, that lives there.

402

00:22:12,465 --> 00:22:14,895

Well, he's in for it and let's

take some black and some white

403

00:22:14,955 --> 00:22:21,195

with a nice grayish color and I'll

use the little edge of the knife.

404

00:22:22,065 --> 00:22:27,165

It would just come right here

to make it look like his fuel

405

00:22:27,165 --> 00:22:28,784

shingle, still hanging on this roof.

406

00:22:28,935 --> 00:22:30,014

It's an old cabin

407

00:22:33,225 --> 00:22:33,615

there.

408

00:22:34,274 --> 00:22:36,675

Work in layers, starting at the

bottom and working up just like

409

00:22:36,675 --> 00:22:38,294

you put real shingles on the house.

410

00:22:40,469 --> 00:22:42,600

There years ago, I used to be a carpenter.

411

00:22:43,500 --> 00:22:46,320

I guarantee you it's not

this easy to shingle a roof.

412

00:22:48,300 --> 00:22:49,679

My friend Dana gesture.

413

00:22:49,679 --> 00:22:52,050

Who's one of our instructors

that you've probably seen before.

414

00:22:52,620 --> 00:22:54,540

He was a carpenter, alpha four.

415

00:22:54,540 --> 00:22:56,280

He became an instructor.

416

00:22:57,060 --> 00:23:02,610

Rascal travels all over the country now

teaches literally thousands of people.

417

00:23:02,610 --> 00:23:06,659

The joy of painting let's have

a door in our cabin right there.

418

00:23:08,265 --> 00:23:15,255

And just have a window, something like,

so maybe just a little indication.

419

00:23:15,255 --> 00:23:20,865

We can see the end to some logs, a

little touchy, a highlight, right

420

00:23:20,865 --> 00:23:24,675

around the edge, some around the window.

421

00:23:24,885 --> 00:23:29,125

Nobody's home when the

lights on no lights.

422

00:23:29,125 --> 00:23:31,695

So, all right.

423

00:23:31,725 --> 00:23:33,975

Let's just, we'll find a to integration.

424

00:23:33,975 --> 00:23:34,905

It's halfway clean.

425

00:23:35,355 --> 00:23:35,445

Okay.

426

00:23:35,790 --> 00:23:38,070

Tap a little more of her

grassy color in there.

427

00:23:39,600 --> 00:23:43,380

And let's just start putting all kinds

of little layers of grass, right?

428

00:23:43,380 --> 00:23:43,860

Upper room.

429

00:23:45,440 --> 00:23:49,050

I can't, maybe this is

a nice little meadow.

430

00:23:49,060 --> 00:23:50,070

He lives in out here.

431

00:23:51,990 --> 00:23:52,470

There.

432

00:23:54,390 --> 00:23:57,060

Sometimes it's fun to play

some little games here.

433

00:23:57,060 --> 00:23:57,450

Watch here.

434

00:23:57,510 --> 00:23:57,990

What's your watch.

435

00:23:57,990 --> 00:23:59,070

We get a second left.

436

00:24:00,210 --> 00:24:06,000

Maybe there's a Hill right here,

sorta overlooking this whole thing.

437

00:24:06,840 --> 00:24:12,720

So we put some dark color in first and

we come back with our lighter colors to

438

00:24:12,730 --> 00:24:21,840

highlight colors and we begin forming this

just a little Hill right here in there.

439

00:24:26,250 --> 00:24:28,190

There we go just enough.

440

00:24:28,190 --> 00:24:29,030

So it stands out.

441

00:24:29,659 --> 00:24:33,500

Maybe even tell you what, take a

little bit Brown color with me.

442

00:24:34,220 --> 00:24:36,530

Maybe there's even a little path comes up.

443

00:24:36,530 --> 00:24:40,550

This Hill, take a little white.

444

00:24:41,120 --> 00:24:43,879

And on top of that Brown,

give it a little highlight

445

00:24:49,190 --> 00:24:50,659

little grass area on this side.

446

00:24:51,540 --> 00:24:52,980

Just to sort of bring it all together.

447

00:24:54,000 --> 00:24:57,630

See, now he walks down and goes back

into his little house here they live in

448

00:24:57,630 --> 00:25:01,970

case there it's a nice place to live.

449

00:25:02,210 --> 00:25:07,880

Now let's take a little liner, brush,

little liner brush and paint thinner.

450

00:25:09,080 --> 00:25:11,090

I go right into her good Brown color.

451

00:25:11,090 --> 00:25:15,980

We made want this paint to

be thin, like ink, very thin.

452

00:25:18,015 --> 00:25:20,205

Maybe we got a big tree

that lives right here.

453

00:25:22,695 --> 00:25:23,025

Great.

454

00:25:23,055 --> 00:25:23,865

Big, nice tree.

455

00:25:23,945 --> 00:25:24,125

Yeah.

456

00:25:28,505 --> 00:25:29,585

And he's got a big arm.

457

00:25:29,595 --> 00:25:33,485

It comes over here, maybe an old crooked.

458

00:25:33,485 --> 00:25:34,385

He wasn't right.

459

00:25:34,415 --> 00:25:38,795

It's in there a little highlight color.

460

00:25:38,795 --> 00:25:41,975

That's just a little, a little

Brown and white come down and just

461

00:25:42,275 --> 00:25:43,745

make it, so it stands out a little.

462

00:25:45,400 --> 00:25:51,680

Blended in June was wanting

to stand out a little there

463

00:25:54,830 --> 00:25:59,570

and we can put all cans, a little arms on

here wherever you think they should live.

464

00:25:59,780 --> 00:26:01,430

It's exactly where they should be.

465

00:26:02,780 --> 00:26:02,870

Okay.

466

00:26:02,960 --> 00:26:03,230

Yeah.

467

00:26:05,120 --> 00:26:08,720

I'll tell you what, let's take the old

contact paper off and see what we get.

468

00:26:08,990 --> 00:26:10,100

That's the moment of truth.

469

00:26:10,100 --> 00:26:10,940

So we just grabbed it.

470

00:26:13,920 --> 00:26:15,150

. And take a little look, see you there.

471

00:26:16,290 --> 00:26:17,100

And what's fun.

472

00:26:18,010 --> 00:26:18,480

Watch here.

473

00:26:19,110 --> 00:26:23,040

I like to let things extend out of the

borders at this old tree to sort of

474

00:26:23,760 --> 00:26:30,740

grow ride on up arms, just come right on

out of this oval, something like that.

475

00:26:32,630 --> 00:26:33,320

There they go.

476

00:26:33,890 --> 00:26:35,180

Wherever you think they should be.

477

00:26:35,930 --> 00:26:41,570

I like these paintings were part of the,

part of the painting breaks the borders.

478

00:26:42,595 --> 00:26:44,325

Really gives a very nice effect.

479

00:26:45,225 --> 00:26:46,095

Hope you try these.

480

00:26:46,095 --> 00:26:48,075

I think you'll find them just fantastic.

481

00:26:48,795 --> 00:26:51,195

And would that take, we'll call

that one finished hope you've

482

00:26:51,195 --> 00:26:52,605

enjoyed it from all of us here.

483

00:26:52,695 --> 00:26:55,755

I'd like to wish you happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S24E04 - Little Home In The Meadow

Bob Ross's

The Joy of Painting

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