Bob Ross's

The Joy of Painting

S23E12 - Crimson Tide

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Hey, welcome back.

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A lot of letters requesting a

very simple little seascape that

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could show a nice sunset type sky.

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So I thought today, that's what we'd do.

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So let's start out and have run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what

I've got done up here.

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The easiest way to do a sunset seascape

that I've ever found is on a black canvas.

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So I've covered this entire

canvas with black Jesso and

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allowed it to dry completely.

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Then I've taken liquid clear and I've

put liquid clear over the entire canvas.

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And we've started here with a

little alizarin Crimson, and we

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slowly started adding thalo blue

all the way up in the same thing

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down here, which will be the water.

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And this is just a piece of masking tape.

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So we'll have a nice straight horizon.

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So we have a lizard Crimson and it blends

up to fallow blue and the same going down.

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And that's really all there is to it.

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I thought they would use a little,

the little small round brush.

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And I'm just going to put a

little bit of that, a little

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bit of the titanium white on it.

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Don't need a great deal.

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And you could do this with a fan

brush or two inch Bryce from whatever.

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I just, I like this little

brush decide where your light

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source is going to be here.

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And we'll just begin

bouncing in a little color.

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Just a little white and it'll pick

up those colors that are already

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on the canvas and automatically,

automatically you don't even,

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you have to worry about it.

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I think about it.

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This'll begin happening and just sorta

think about little cloud shapes and

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formations and work upward here, there.

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So your brightest color is down here

and this is a fantastic little painting

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to do for friends or relatives.

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But don't tell them that you put color

on the black canvas and all they'll do

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is they'll just say you add white paint

to your brush and then touch the canvas.

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And it's like, it's like magic happens.

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We have instructors that travel

all over the country doing

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demonstrations and stuff.

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And a lot of times this is the

way they'll do demonstrations.

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Right.

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It's unbelievable.

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Yeah.

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It happens.

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And it excites people.

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So if you're ever doing a

demonstration for friends, try that.

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I guarantee you that you will certainly

get a positive response from it.

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There you'll be the local hero for days.

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Oh, okay.

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Of course everybody will want

the painting and then you have

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to make the big decision, which

person gets the, gets the painting.

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Here we go.

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All we're doing is just thinking of

some basic little shapes that we're

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looking for and just doing little

circles, just sort of winding it up.

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Just winding it up, just mixing it.

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This is our little Mixmaster here

and we just blend it and carry on.

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I'm going to come back with a large brush

in a minute in blended even more, but

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this is just applying a little color.

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To the canvas there.

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Let me wash the little brush here.

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Just why should kick it off,

beat the devil out of it too.

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At this time, I won't add the least

little touch of CAD yellow, maybe

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even a little yellow ochre, right to

my white little tiny bit of yellow.

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Great there too.

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And I'm gonna go right back in here.

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This is going to be my brightest area.

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And just work a little that color out

just a little, not much, not much.

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It's easy to overdue.

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Not much color shows up so much stronger

on this black canvas than it does

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on a white canvas is almost unreal.

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Now, then a good driver, two inch brush.

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Be sure it's dry.

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If it's wet and you touch this,

you're going to be an agony city.

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We don't want that using

just the corner of the brush.

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And just sort of winded up making little,

little, tiny circles, little tiny circles.

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There we go.

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There we go.

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Just keep it going there.

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And the more you blend this, the

software will become, and you have

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to decide when it's blended to the

degree one and it is then you stop.

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And it's just exactly right.

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And you can use any color here.

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I just decided today to use the Crimson

into the little blue, but you can use

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any color that your heart desires,

any color, and it makes some of the

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most gorgeous things you've ever seen.

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Try this, even if you've never done a

sunset, this one will work so well for

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you so well, and you don't want to blend

all these little patterns and stuff out.

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You can just blend it

until it's too smooth.

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I like some of those little

rough things in there.

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It looks like the little, little floater

clouds that just sort of sneak around

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in there and just play little windblown

things that are back in the sky.

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They just sorta make it nice.

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There we go.

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Yeah.

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More you blend blended once again,

more to pick up that color, the darker

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it'll become the color picks up.

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I mean, it's the color that's

already owned the canvas.

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All right.

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That's a good arm exercise, too.

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Very good arm exercise.

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Okay.

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And then very gently, we just started

blending that something like, so

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there we are.

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Okay.

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Send, you can go back a little more

the color of your breast and you

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can add in little, little tiny.

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Individual type things.

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Let's keep this one quite simple.

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I don't want to get too carried away

here, but this is also an excellent

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sky for just doing landscapes where you

don't have to do seascapes only with it.

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You can do anything with it and

you can't believe some of the

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paintings that people are doing.

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In fact, I'll tell you what, let me,

let me show you some of the paintings.

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I'm just going to drop in a little

cloud here like this, but we get, we get

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pictures from people all over the country.

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And you would not believe

what they're painting.

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And a lot of these people have never had

any lesson other than the television show.

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Can you believe that parent, some

of the most gorgeous paintings

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you've ever seen and a lot of

these are by young people too.

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They're not all older people like me.

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A lot of them are very young people

that have basically had no art lessons

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other than the television show.

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I see.

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Just from watching this series,

they're producing some of the most

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gorgeous paintings and I'm so proud

of everybody that's able to do this.

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There.

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Because this is just the first.

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If you accomplished this, I got it.

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You can accomplish anything.

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All you have to do is just, just believe.

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You can just believe that you can

and success with painting leads

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to success with many things there.

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And that's why it's so fantastic to see

people have success because it carries

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over into every part of your life.

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You learn that you can do anything.

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Absolutely can.

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Hold on.

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I'm doing this blending the entire sky.

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Now, just to sort of take out some of

the little brush strokes and take a

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look, see maybe if you want a sparkle,

when you can just take a little

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paint on the corner of the brush.

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Maybe put a little sparkler up in there,

but very tight, little circular strokes.

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Very tight.

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Yeah.

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Hmm, but didn't that a very simple, easy

way to make a striking strike this guy.

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That's about all we need for a little

sunset sky and you could go back

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and you could put in clouds, you

can do all kinds of little things.

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Just sort of let your imagination

take you where you want to go.

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But, but once you stop, once you start

doing this, don't, don't just stop there.

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Keep going with it all.

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I want to show you as an idea to

get you started and to get you

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thinking it's you fired up and

then turn you loose on the world.

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Because once you learn this,

then you can do anything.

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Let's take our taste and that's just

plain old, ordinary masking tape.

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But now we have a very straight horizon

and I saved a little bit of that Crimson

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with the liquid and liquid clear mixture.

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Just took a little lick of clear and

put with some kind of, so I can fill

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this in right here, because naturally

there was nothing, there was no liquid

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clear under, there are no color.

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So we just fill that in, bring

it right up to the horizon.

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That easy.

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Now we're ready to go.

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We can start playing,

have to beat the brush.

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One more time.

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Let me just take a little fan brush,

put a little, little white on it.

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And when I'm doing seascapes, I

sorta like to lay out my major wave.

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And have an idea of where it goes, because

everything else is secondary to that.

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So just use a fan brush or

Filbert, Neo thing, decide who

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your major wave's going to live.

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Maybe here is going to be here and

crash over like that waves back here.

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We'll just sort of chorus bond, where

they had wherever you want them.

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So the I, or the transparency will

be right in here, right in that area.

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Okay.

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Maybe that'll help see there.

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It's going to crash over right there.

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And the rest of it's very easy.

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Once you determine where that waves yeah.

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Gonna live.

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Now, let's just take a little titanium

when I'm using a number three fan brush,

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but you could use whatever you have

and I'm gonna start right back here

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into the lightest area and just start

making little, little wave things.

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I mean, anxiety rate I'm doing like

that, and I'm really exaggerating.

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And that way you get these little

wave looking characters, weave back.

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He was mad.

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Don't just go straight across, make it.

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So, so it's got a little

wiggle in it there.

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See, and then we get

further along the pain.

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We'll go back and add a little detail

and son of a gun instant waves.

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This is a very easy, nice,

simple little seascape.

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That you can do without any

problems there, then we'll wipe

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all the excess paint off it.

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Brush, just wipe it on a paper towel.

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And I'm going to take this

light color and blend it back.

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Just blend it back.

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There we go blended.

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But once again, we're making

an angle stroke like that.

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Blend it back there.

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That's all there is to it, but try

to retain a dark area right along

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this line here, right along there.

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And it'll all make sense

here in just a second.

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I know sometimes it looks a little.

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A little strange when you start a

seascape like this, but of all the

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seascapes I've painted, this is probably

the easiest simplest method that I have

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found to paint a very effective seascape.

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And you can, we could paint one that

just has the little, you know, the little

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tiny waves, but everybody does that.

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This will come out.

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You can make a very nice, real

looking seascape, quite, quite easy.

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See there already.

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Should we beginning to give you the

impression of the water moving in there?

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All right.

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Let me grab a little Filbert here.

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We said the either way he

was going to be right there.

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Someone take a little titanium white

with the least, little bit, least

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a little bit of CAD yellow into it.

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Not much, not much CAD yellow

load the bristles full of color.

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Let's go up in here.

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If this is going to be the

transparency or the, I go right

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in here and start scrubbing some

color in just scrub it hard.

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You want to push it right into

the fabric, right into the fabric.

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And then we'll work outward

because a little light's going

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to play right along that way.

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They're there to sort

of blend that in my kit.

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And that'll give us an idea of where

our transparency's going to be.

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We'll wash and brush.

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Yeah.

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Okay.

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I'm going to go back to

our little, some reason.

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I keep picking up the number three

fan brush and it works just as well.

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Maybe it works better.

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Who knows, whatever,

whatever works for you.

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Let's make the top of the wave there.

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It comes.

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Say, just crash over kind of make

those little noises or just think

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about water crashing right over there.

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Yeah, there it comes right over the

top to add a little touch to that

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cat yellow to it just a little bit.

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Just so it separates it from

the background a little better.

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Oh, that's nicer.

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That's nicer.

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I can see.

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And that's basically all we need.

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Let me grab another fan brush here.

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I have several of them going.

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Let's take a little, very

fellow blue, little Crimson.

246

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Make a little lavender type color.

247

00:14:02,530 --> 00:14:03,870

Maybe leave a little black in there.

248

00:14:05,370 --> 00:14:05,970

There we go.

249

00:14:06,930 --> 00:14:08,880

Grab a little touch to the white.

250

00:14:09,750 --> 00:14:14,790

That'd make a nice shadow, color

and eye shadow color for foam.

251

00:14:14,790 --> 00:14:18,990

Here we go back up in here, decide

where your phone's going to live.

252

00:14:20,520 --> 00:14:23,850

And we can just begin scrubbing in

here just using the corner of the fan

253

00:14:23,850 --> 00:14:25,920

brush, or you could use a Filbert.

254

00:14:25,920 --> 00:14:27,330

Filbert might even work a little better.

255

00:14:29,110 --> 00:14:34,199

Depends on what you like, just try on both

and see which one works the best for you.

256

00:14:34,920 --> 00:14:37,920

After a while after you've painted

for a little while in this technique,

257

00:14:38,310 --> 00:14:39,750

you become so comfortable with it.

258

00:14:39,750 --> 00:14:45,180

You can literally just about pick

up any brush and do anything there.

259

00:14:45,180 --> 00:14:46,590

I'm going back to my little Filbert.

260

00:14:48,120 --> 00:14:48,990

We'll put a little more of that.

261

00:14:49,170 --> 00:14:51,420

White with touch a CAD yellow into it.

262

00:14:52,590 --> 00:14:55,380

And maybe, maybe, maybe right in here.

263

00:14:55,905 --> 00:15:00,194

Push upward and let's put a

little foam splashing, right

264

00:15:00,194 --> 00:15:01,635

on top of that shadow there.

265

00:15:03,495 --> 00:15:10,724

Just put it in something like,

so then we wipe that off, get

266

00:15:10,724 --> 00:15:12,435

some nice clean color on there.

267

00:15:12,645 --> 00:15:15,525

They're bringing it right on up.

268

00:15:16,185 --> 00:15:16,964

Something like that.

269

00:15:18,464 --> 00:15:18,944

Now then.

270

00:15:20,550 --> 00:15:24,630

I can do the one inch brush take just

the corner of it and very gently blend

271

00:15:24,630 --> 00:15:32,510

that till it's just as soft as silk,

just blend it very gently to, it's

272

00:15:32,520 --> 00:15:36,080

just very, very soft in there now.

273

00:15:38,540 --> 00:15:39,500

Clean, dry brush.

274

00:15:40,550 --> 00:15:43,910

And back, back to this transparency

that we were working on.

275

00:15:45,510 --> 00:15:46,800

We have an idea of where it's at.

276

00:15:46,890 --> 00:15:50,610

Sorry, I didn't hear, we have

our white, but a little bit of,

277

00:15:51,150 --> 00:15:52,440

a little bit of CAD yellow in it.

278

00:15:54,140 --> 00:15:55,610

Take the corner of the brush.

279

00:15:55,640 --> 00:16:01,670

I'm using the two inch, but you can

use whatever and just blend that tiny

280

00:16:01,670 --> 00:16:03,590

little circles and you can blend this.

281

00:16:03,590 --> 00:16:07,610

You will not believe how smooth

it'll become just blended

282

00:16:12,300 --> 00:16:12,680

there.

283

00:16:17,095 --> 00:16:22,395

Now we can begin thinking about the

shape of our wave there and grab that

284

00:16:22,455 --> 00:16:23,805

and begin pulling it a little bit.

285

00:16:26,325 --> 00:16:26,895

All right.

286

00:16:28,985 --> 00:16:32,705

And to make some time to make some

big decisions here, finding the

287

00:16:32,705 --> 00:16:37,415

liner brush, I'm gonna go into

a little white paint, thinner.

288

00:16:38,585 --> 00:16:41,405

This is the white that had a little

bit of yellow in it, and let's just.

289

00:16:41,940 --> 00:16:44,550

Let's just put a little highlight

right up here on top of this,

290

00:16:46,860 --> 00:16:48,000

just a little highlight.

291

00:16:48,630 --> 00:16:50,880

There comes a little bit

of splashing up here.

292

00:16:52,880 --> 00:16:56,660

They're back in here.

293

00:17:00,050 --> 00:17:00,710

There we are.

294

00:17:04,010 --> 00:17:04,610

All right.

295

00:17:04,610 --> 00:17:08,900

And all kinds of little, little foam

patterns that are living back here.

296

00:17:11,520 --> 00:17:11,970

Ended home.

297

00:17:11,970 --> 00:17:14,370

When you have a lot of time,

you can just go in here and put

298

00:17:14,370 --> 00:17:16,200

all kinds of little details.

299

00:17:17,610 --> 00:17:18,420

They yell at me here.

300

00:17:18,420 --> 00:17:19,470

If I go over 30 minutes.

301

00:17:19,470 --> 00:17:23,700

So we have to hurry a

little, no sense of humor.

302

00:17:25,770 --> 00:17:30,000

Don't understand that I'd like to

have our shows, show you a lot more.

303

00:17:36,350 --> 00:17:37,340

All right.

304

00:17:39,044 --> 00:17:41,625

But see how that makes

that little bit back here.

305

00:17:41,625 --> 00:17:42,825

Just pop right out at you.

306

00:17:44,495 --> 00:17:49,625

That easy seascapes really don't have to

be hard and you don't just have to do the

307

00:17:49,625 --> 00:17:52,235

little simple looking ones that we see.

308

00:17:52,235 --> 00:17:52,754

So often

309

00:17:57,215 --> 00:18:03,065

there, maybe that comes down, this is

where you begin forming all the little

310

00:18:03,065 --> 00:18:04,534

things that are happening in here.

311

00:18:07,004 --> 00:18:09,315

Add a little bit darker color.

312

00:18:09,585 --> 00:18:11,085

We'll put a line right into here.

313

00:18:12,135 --> 00:18:15,195

That line we'll separate it from the eye

314

00:18:18,635 --> 00:18:22,685

really makes it jumped

out in, back in here.

315

00:18:22,685 --> 00:18:26,795

A few little, few, little

things you can see through the

316

00:18:26,795 --> 00:18:28,595

wave, through the transparency.

317

00:18:32,705 --> 00:18:33,485

Let's get crazy.

318

00:18:33,695 --> 00:18:34,145

What the heck?

319

00:18:35,834 --> 00:18:40,955

The heck maybe, maybe I

just had another idea.

320

00:18:41,375 --> 00:18:42,845

Let's have it crashing against something.

321

00:18:43,504 --> 00:18:46,235

I won't go into my Vandyke

Brown, black dark Sienna.

322

00:18:46,235 --> 00:18:47,584

Just mix them up on the brush.

323

00:18:47,824 --> 00:18:49,534

All three of the very dark colors here.

324

00:18:50,855 --> 00:18:53,554

Let's have a great big stone

that lives out here in the water.

325

00:18:54,245 --> 00:18:58,054

Maybe this is off the coast of

California, Oregon somewhere.

326

00:18:58,745 --> 00:19:01,355

So just take the fan brace, decide

where you want this stone to

327

00:19:01,355 --> 00:19:02,615

live and come right up in here.

328

00:19:03,390 --> 00:19:08,040

Touch and let's just make a basic,

maybe this is one the big, beautiful

329

00:19:08,040 --> 00:19:10,340

rock, because it lives out in the water.

330

00:19:11,810 --> 00:19:16,790

Like, so just let it go wherever.

331

00:19:18,290 --> 00:19:21,470

And the old fan brush is good for

forming rocks, like is maybe it's got

332

00:19:21,470 --> 00:19:23,090

a little point out here who knows.

333

00:19:25,155 --> 00:19:27,135

Got to have a place for the

seagull of the set up here.

334

00:19:30,135 --> 00:19:33,014

I know I like seagulls

goes, what the heck?

335

00:19:34,935 --> 00:19:36,945

Like any kind of bird, a critter.

336

00:19:39,185 --> 00:19:40,325

They're all very special.

337

00:19:43,825 --> 00:19:45,455

We'll put a little projection out here.

338

00:19:46,055 --> 00:19:49,025

Maybe a Google almost

covered up on my phone.

339

00:19:49,025 --> 00:19:49,565

If that's all right.

340

00:19:49,565 --> 00:19:50,435

We know it's back here.

341

00:19:52,680 --> 00:19:53,850

We know it's back here.

342

00:19:53,910 --> 00:19:54,540

No big deal.

343

00:19:56,580 --> 00:19:58,080

A little left Brown down in here too.

344

00:19:58,120 --> 00:20:00,600

Maybe we'll have a little, maybe

we'll have a little beach down here.

345

00:20:00,600 --> 00:20:01,500

So we put a little Brown.

346

00:20:01,500 --> 00:20:02,460

So we put white on there.

347

00:20:02,490 --> 00:20:07,650

We'll have, we'll have some sand

and then I want to have that.

348

00:20:08,070 --> 00:20:11,430

That's going to reach up here and grab

a little bit white, little dark sand and

349

00:20:11,430 --> 00:20:14,790

to it, it's the same old dirty brush.

350

00:20:16,139 --> 00:20:18,300

And maybe there's a little

highlight on top of this stone.

351

00:20:19,815 --> 00:20:23,385

I don't want much because this,

this is almost a silhouette,

352

00:20:23,985 --> 00:20:25,185

but almost be a silhouette.

353

00:20:25,215 --> 00:20:29,085

If you have a sunset, there would

not be a lot of color appear.

354

00:20:30,165 --> 00:20:36,195

And just by changing strokes, you can make

us look rough and jagged and can actually

355

00:20:36,195 --> 00:20:43,515

almost like you're forming a rock just

by changing some of the strokes, make all

356

00:20:43,515 --> 00:20:46,215

kinds of little projections and stuff.

357

00:20:47,040 --> 00:20:49,590

Let's see how easy that is to

make our rough looking old rock.

358

00:20:50,790 --> 00:20:53,370

It looks like Siegel's been

living up there for a long time.

359

00:20:55,460 --> 00:20:59,690

Yeah, there, there we go.

360

00:20:59,690 --> 00:21:00,889

Maybe shoot.

361

00:21:00,889 --> 00:21:01,310

Who knows?

362

00:21:01,310 --> 00:21:02,899

Maybe there's another

big old rock right here.

363

00:21:02,899 --> 00:21:07,970

Now it's hurting the front and

you can just form, it says, decide

364

00:21:07,970 --> 00:21:13,760

what shape it is and just begin

forming the basic indication.

365

00:21:13,790 --> 00:21:14,300

Once again.

366

00:21:15,209 --> 00:21:16,739

Don't let this get too bright on you.

367

00:21:17,760 --> 00:21:22,409

Don't do too distinctive Iraq

because as dark as this is, this

368

00:21:22,409 --> 00:21:23,969

would basically be a silhouette.

369

00:21:24,750 --> 00:21:30,360

You would only make out a little tiny bit

of detail and it'll lose that illusion.

370

00:21:35,060 --> 00:21:35,300

True.

371

00:21:36,500 --> 00:21:40,129

You know, a lot of the, a lot of

the nice rocks and stuff that.

372

00:21:42,254 --> 00:21:43,844

Out around California and Oregon.

373

00:21:44,324 --> 00:21:49,264

Sometimes, maybe that seagull

drops a seed up there a little bit.

374

00:21:49,294 --> 00:21:52,445

They look blue, Brown, a Crimson.

375

00:21:53,794 --> 00:21:58,084

Maybe he drops a little seed

up there from his lunch.

376

00:21:58,774 --> 00:22:02,705

Maybe a little tree grew up

there, maybe a little Scraggles.

377

00:22:03,125 --> 00:22:04,205

Is that a word scraggly?

378

00:22:04,685 --> 00:22:05,735

Maybe a little scrambled.

379

00:22:05,975 --> 00:22:09,364

Evergreen tried to try to grow right

up here on the side of this rock.

380

00:22:10,725 --> 00:22:11,625

And there he comes.

381

00:22:12,284 --> 00:22:17,655

I want him to be pretty rough and

notice that most of the, most of the

382

00:22:17,804 --> 00:22:22,935

limbs here, I'm putting on one side,

because sometimes around that area,

383

00:22:22,965 --> 00:22:27,705

the wind blows so hard that limbs

on a girl on one side of the tree.

384

00:22:29,225 --> 00:22:29,554

Yeah.

385

00:22:29,764 --> 00:22:30,274

That's true.

386

00:22:32,375 --> 00:22:36,745

Ugly little thing sometime,

but, but they only have.

387

00:22:38,085 --> 00:22:41,715

Limbs and branches growing on

one side, the wind just sort

388

00:22:41,715 --> 00:22:42,705

of wraps them all around.

389

00:22:42,735 --> 00:22:47,445

I guess it's sort of strange

looking when you first see it, but

390

00:22:47,445 --> 00:22:48,645

that really is the way they look.

391

00:22:50,295 --> 00:22:53,805

When I first, I was born and raised

in Florida, so I'd never seen anything

392

00:22:53,805 --> 00:22:57,165

like Oregon and California when I

first went out there, I almost couldn't

393

00:22:57,165 --> 00:23:01,095

believe how funny some of the little

trees look, but they're beautiful.

394

00:23:02,805 --> 00:23:04,275

They're absolutely beautiful.

395

00:23:05,355 --> 00:23:06,015

There we go.

396

00:23:06,765 --> 00:23:10,155

Now let's put some, put

some water down there.

397

00:23:10,215 --> 00:23:13,485

I'm gonna take Hawaii and get a

little touch of that fellow blue.

398

00:23:13,515 --> 00:23:17,115

That's so pretty metal touch it.

399

00:23:17,115 --> 00:23:17,775

They look blue.

400

00:23:19,230 --> 00:23:19,709

Something.

401

00:23:19,800 --> 00:23:26,490

Yeah, maybe I can wipe the whole knife

off now I'll take and pick up a small roll

402

00:23:26,490 --> 00:23:28,290

of paint, right on the edge of the knife.

403

00:23:28,320 --> 00:23:28,469

There.

404

00:23:28,469 --> 00:23:31,800

A little knife got the little knife and

you have to make a big decision here.

405

00:23:31,800 --> 00:23:37,889

Maybe, maybe, maybe push

very hard, very hard.

406

00:23:38,370 --> 00:23:41,610

We don't have a little,

little Dewar right there.

407

00:23:44,685 --> 00:23:49,635

Just put it on with the knife,

something like, so they can take

408

00:23:49,695 --> 00:23:52,995

new wipe his fan brush off and

get the excess paint off of it.

409

00:23:54,375 --> 00:23:57,615

But to wash it, you really

need a clean fan brush.

410

00:23:57,735 --> 00:23:58,425

That's good and dry.

411

00:23:58,905 --> 00:24:04,754

And he grabbed that and sort of pull

it to shape and form your waves.

412

00:24:06,225 --> 00:24:10,065

Just like, so there.

413

00:24:14,175 --> 00:24:15,975

And a nice, easy way

of making a little way.

414

00:24:16,245 --> 00:24:17,865

And I'll show you, show

you something else here.

415

00:24:17,895 --> 00:24:18,705

Watch here, watch here.

416

00:24:19,755 --> 00:24:23,565

Sometimes you want

reflections in your water.

417

00:24:23,925 --> 00:24:25,035

This water is very thin.

418

00:24:25,035 --> 00:24:26,175

It's almost on the beach.

419

00:24:26,985 --> 00:24:32,385

So just by pulling down like that,

just pulling down and going across.

420

00:24:33,300 --> 00:24:35,430

Put a little right there to go across.

421

00:24:36,360 --> 00:24:42,720

It will create that shine like you

get when water's reflecting now,

422

00:24:42,720 --> 00:24:46,889

then let's take our small knife a

little bit more that blue and white

423

00:24:46,889 --> 00:24:48,210

come right up under that rock.

424

00:24:49,290 --> 00:24:52,200

And maybe there's another happy

little, little ripple right there,

425

00:24:53,340 --> 00:24:55,530

but push very hard with this knife.

426

00:24:55,620 --> 00:24:56,129

Very hard.

427

00:24:56,129 --> 00:24:58,970

Making the band, make it better.

428

00:25:00,780 --> 00:25:05,010

And then back to our little fan brush,

grab this and it needs to be straight

429

00:25:05,760 --> 00:25:07,080

because this is very flat here.

430

00:25:08,400 --> 00:25:09,990

So I just pull this back.

431

00:25:10,710 --> 00:25:15,390

Isn't that the easiest way you ever

seen them making that fair thing.

432

00:25:15,450 --> 00:25:16,080

So I got to do it.

433

00:25:16,090 --> 00:25:18,600

Just pull it back, shoot him.

434

00:25:18,600 --> 00:25:21,270

No something you want

one more for practice.

435

00:25:22,170 --> 00:25:23,340

One more for practice.

436

00:25:23,410 --> 00:25:24,990

Here's one right here.

437

00:25:27,960 --> 00:25:30,210

Really, really push hard though.

438

00:25:31,800 --> 00:25:34,050

So you get that little Ridge

of paint there, I guess, is

439

00:25:34,050 --> 00:25:35,190

what you'd call it on the Reed.

440

00:25:35,230 --> 00:25:37,110

Maybe there's some little

doers that come out in here.

441

00:25:38,340 --> 00:25:40,050

This one's really getting shallow in here.

442

00:25:42,480 --> 00:25:48,090

Really getting shallow, grab

it once again and pull it back.

443

00:25:50,820 --> 00:25:53,670

That's just one of the nicest

little ways of making that.

444

00:25:55,770 --> 00:26:00,800

Back to her little line of brush, a

little bit blue and white with paint

445

00:26:00,800 --> 00:26:02,810

thinner on it, make it very thin.

446

00:26:04,460 --> 00:26:06,950

And we can come in here and

just begin adding all kinds

447

00:26:06,950 --> 00:26:08,660

of little, little details.

448

00:26:09,560 --> 00:26:12,380

And the more of these that you put

in the better you're painting a

449

00:26:12,380 --> 00:26:16,850

look, just drop some of these little

doers in right around her rocks here.

450

00:26:19,070 --> 00:26:19,580

Say there.

451

00:26:21,285 --> 00:26:21,945

That easy though.

452

00:26:21,945 --> 00:26:30,395

You can make all kinds of, we could take,

we could take, just put a little rock

453

00:26:30,395 --> 00:26:35,465

here and there do use a Filbert brush,

dark on one side, a little bit of light

454

00:26:35,465 --> 00:26:42,365

on the other and just see the pop in a

little rock or two, something like that.

455

00:26:44,555 --> 00:26:48,305

Take her liner, brush that thin

blue and just clean up the edges.

456

00:26:49,695 --> 00:26:50,415

And that easy.

457

00:26:50,655 --> 00:26:52,635

He got some little rocks

land up here on the beach.

458

00:26:54,375 --> 00:26:54,885

All right.

459

00:26:55,545 --> 00:26:58,845

Is that say, this is one of the

nicest, easiest, simplest little

460

00:26:58,845 --> 00:27:00,735

seascapes that you've ever tried.

461

00:27:01,125 --> 00:27:03,075

You're like it from all of us here.

462

00:27:03,105 --> 00:27:06,165

I'd like to wish you happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E12 - Crimson Tide

Bob Ross's

The Joy of Painting

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