Bob Ross's

The Joy of Painting

S20E07 - Autumn Fantasy

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Hi, welcome back.

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Certainly glad you could join me today.

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It's a fantastic day here.

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I hope it is wherever you're at.

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Let's start out Dan, having run all

the colors across the screen that

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you'll need to paint along with us.

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And I thought today we'd do the

little opening painting that you

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see that Jerry Morton put together.

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And it's so fantastic.

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So tell you what I've got going up here.

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Get my standard old 18 by 24 inch

canvas and it's covered with a

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thin even coat of the liquid white.

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And it's all ready to go.

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So let's go, let's start out today

with a little touch of the bright

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red, just a little don't need much.

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It's a very strong color.

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Just a little kiss.

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Go up here.

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Let's just go right in here.

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Just using our little crisscross strokes

with Jess Lee and a half day loose guy.

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Just like, so a little more color.

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And I've started at the

horizon and working up today.

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I wanted to get lighter and lighter

toward the top there, but just use

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little X's little exes, like self.

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Here we go, man, maybe a little

over in this corner here.

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Don't want it left out.

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And that's about all we need right now.

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Let's have a little lit pink

right down here and what's

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going to end up being water.

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And for that, we'll just

use nice horizontal strokes.

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There we are.

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That little opening that you said it only

takes a few minutes to paint the painting,

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but it takes a lot of fantastic people,

a very long time to put it together.

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And I'm really proud of them.

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They've done a beautiful job and we

call that little character, the little

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painter man, little painter, man.

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I like it.

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Yeah.

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It was a little painter suit.

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And if you like it, you'll drop us a line.

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Let us know what they wouldn't

do some other things with

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that little character there.

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Right.

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I'm just going to retry.

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That's here.

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Use the same old, dirty brush.

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Get a little touch, the Vandyke Brown

and mix a little dark Santa with it.

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What the heck don't need

a lot of color though.

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Just a little screw out up here.

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Yeah, up in here indication or

just a happy little cloud that's

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floating around in the sky.

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And when you're doing this, I'm

exaggerating, but make strokes like that,

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it makes all those little things happen

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wherever you want it.

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Thank you.

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It was a little door that hung

down, something like that.

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Okay.

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A little more of the color over in here,

wherever, wherever you can even tap in

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some little stringy ones, if you want us.

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Yeah.

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Sometimes it's fun to take a

little white, just a little of

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the titanium white, pure white.

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And go right up in here and put

in a nice light, bright area.

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It really makes the painting

sparkle affair there.

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That's one, just one nice spot.

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It makes you, makes you feel

good when you look up in that.

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All right.

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And that's about all we

had in that little sky.

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That simple.

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Let me see here.

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Just blend this out for you.

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Have a nice.

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Clean brush in business.

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Now it's building this

little mountain in here.

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Tell you what let's mix up.

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I'm going to use some Elysium,

Crimson and SAP green in

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about equal proportions equal.

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Now you can mix this to the green side

or to the radish side, just depending

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on what kind of effect that you want.

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You can change the flavor either way,

but it makes it quite thoroughly there.

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All right, let me clean

off the old knife here.

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Now let's build us a little mountain.

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We'll take a little bit of that

color and come right up in here.

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Decide where you big mountains going

to live and using very firm pressure.

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Very fun.

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Just come right along here.

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Ride along ride alone, decide

where your Mountain's going to

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live and begin dropping it in.

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Just begin dropping it in over here.

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We need a little bump.

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I think there would be one there.

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We can do that, that easy and really,

really push that right into the fabric.

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You can probably hear how hard

I'm scraping and pushing there.

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That makes application of the next layer.

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Much easier.

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If there's not much paint

on the canvas here now, then

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we'll take a two inch brush.

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And we pull that because, because there's

liquid white on there, you can literally

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move this paint all over the canvas.

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If you want to.

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There we go.

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And by watching the breaststrokes,

it's a nice way of laying out a lot

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of your highlights and shadows and

mountains when you're doing them.

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They may not show too much here,

but when you're paying, you'll

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understand exactly what I'm saying.

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You can see every little stroke.

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You need to blend that right

off to nothing like that.

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Now let's take, let's take a little

bright red, little titanium, white,

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and we're going to mix it together.

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And I want just a light pinkish glue

in my, my white, I don't want to

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set the world on fire right here.

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Pull it out as flat as we can get it.

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It takes a very little, that

bright red and all right.

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Can we go in and cut off

a little roll of paint?

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There it is.

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Now then let's make a big decision

today where their highlights live.

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Maybe, maybe somewhere along in

that, and this will not be an exact

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duplicate of the painting that you saw

at the beginning, because it's almost

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impossible to paint another painting.

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It's identical, but it'll give you a

good idea of how this one was made.

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Yeah, here we are.

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I like that little painter guy though.

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That's really, really cute.

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It took nearly a full day to

make that one little opening.

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But we had a lot of fun with it

and did a lot of crazies and it's

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really, the outtakes would be even

cuter sometimes in what you see here.

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Let me tell you, hold on, I'm gonna

take a little flight, put a little

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touch of a fellow blue into it.

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Just a little don't need much and reach

over here and grab a little black, a

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little touch of Crimson just to dial it.

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Just want to dial it down there.

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That's nice.

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Let me clean the knife off.

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I cleaned the knife only.

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So it shows up a little better how we're

loading it when we come right in here and

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you can see that nice closeup, see that

little Ridge of paint, little roll of

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paint right on the edge is so important.

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If you get in the habit of loading

a knife, that way it'll save you.

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A lot of agony make things

work much better for you.

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Now we'll just come right along here,

put in little shadows, very delicate.

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Caressing the canvas barely touching.

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Barely, barely touching, barely touch.

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I think this is such a gentle touch.

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Just Chantal, Chantal,

gentle there over here.

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We need some right there.

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Don't want that one left out

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once again, though.

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Just barely, barely touching the

canvas and you can come back.

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And now we can begin adding in all those

little special things, sort of looks

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and crannies, little mountain goats got

to have a place to live too, you know?

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So I'll give you maybe a little

place to have him a little house.

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He wants to live up here where

he's safe and nobody bothers him.

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That's what we all want.

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We want a place to live, where we safe.

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So does that little mountain goat see when

you make a new mountain, think about him.

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Shoot.

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Might find out you like a little guy.

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There we go.

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We'll just sort of let those blend

together right in there, right in there.

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Maybe we're right down in there, but

just sort of look at your painting

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and each one's going to be different

and you can bring all these little

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things together and make up little

valleys and Hills and bumps and.

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Crevasses and all those things

that you want in your painting

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there, and each, and every painting

will be different and unique.

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One of a kind, and

that's what makes it fun.

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That's really what makes

it fun is individuality.

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Can you hear in there, let me take this

the least little touch, a Crimson and

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blue make sort of a lavender color.

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Least little touch, mostly Crimson though.

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And you put the indication here and

there, but some little dark areas

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I'm using the small, the knife where

you could just use a small knife

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there, straighten up the edges the

way you want them to trim business.

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Pick a corner.

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Very dry brush and then just come and

tap this being very sure to follow the

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angles, lift upwards, always following

those angles most, most important.

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Otherwise you'll destroy

everything that you've done.

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We don't want to destroy.

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We only want to diffuse.

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All we want to do is just a fuse.

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You can grab a little touch of that

for quite some time, pull it down.

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It looks like there's a little light

that spilled over the edge there.

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It's so pretty.

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That's what mountains.

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If, if you've ever seen

my son, Steve, paint them.

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One of these shows here,

mountains are his specialty.

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He makes some of the most beautiful

mountains of anybody I've ever known.

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And this technique, that's his forte

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there.

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And that's probably one of the areas

that he absolutely puts me to shame.

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He's better.

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Mountain painter there.

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Okay, let's wash your brush.

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We've got to get that

camera man over there.

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This almost fell asleep.

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We'll get him.

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All right.

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Now then let's take, we'll

use some of that Brown color,

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like, so why did we paint?

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Let's use fan brush, pick a fan brush.

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We go right in there and

load a little color on it.

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Maybe, maybe.

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Right there.

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Their lives are happy.

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Little evergreen tree.

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There he is.

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There he is.

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Let's see, we gave him

a little friend friend.

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Maybe shoot.

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No, what happens if there's two trees,

pretty soon, it's going to be three

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and then there's going to be four.

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And you're going to have a

forest maybe back in here.

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We just take the brush and just

tap in some little indications

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of some things in there.

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Not a great deal.

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Just a little there, maybe over

here, have a few more of these

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little indications at this Brown.

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Once again, that I'm using here was

made from SAP green and lizard Crimson.

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And this is a little

touch to the green side.

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A little bit to the green side.

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Not a lot.

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Maybe right there, right there.

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We got a bigger one.

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There he is.

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So you can just put as many or as few

little trees in your world as you want,

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and everybody sees nature differently.

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So you make it the way that you see it.

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Don't just try to copy.

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And down here, I'm going

to have some reflections.

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All we're looking for is just some

dark areas underneath right now.

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We'll come back and work

on those in a minute.

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There let's take a one

inch brush, same old color.

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Let's go right in here and just push

him some little bushy areas there.

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Once again, this is still to

the green side, a little bit

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to the greeny side there.

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Right?

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I don't have to nothing.

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Katie, take a two-inch brush.

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Grab it and pull straight down.

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It's important that you pull

straight down though, straight

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down there very gently come across

and we have instant reflections.

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I like it.

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The sort of neat reflections

of one of the neatest thing

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that happens in this technique.

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Now then.

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Let's begin putting some color in there.

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We'll take a little liquid white.

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We'll go right into some CAD yellow.

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Maybe I'll grab a little SAP green.

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Oh yeah.

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That's nice.

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Little SAP.

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Green lit a lot of color into the brush.

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Go up in here and right in here.

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Yep.

255

00:13:51,590 --> 00:13:53,150

Lives happy little Bush.

256

00:13:53,330 --> 00:13:55,460

There it is there.

257

00:13:55,460 --> 00:13:56,030

Yes.

258

00:13:56,510 --> 00:13:58,160

Maybe he's got a little friend over here.

259

00:13:59,990 --> 00:14:00,410

There.

260

00:14:00,830 --> 00:14:01,820

Go into a little touch.

261

00:14:01,820 --> 00:14:02,570

The yellow ochre.

262

00:14:03,435 --> 00:14:07,905

We'll put another one there and

just change these colors any

263

00:14:07,905 --> 00:14:09,765

way that makes you feel good.

264

00:14:10,125 --> 00:14:10,785

Little red there.

265

00:14:10,845 --> 00:14:15,195

I guess, red in this particular

painting, going to put a few

266

00:14:15,195 --> 00:14:16,395

little red things here and there.

267

00:14:17,465 --> 00:14:19,385

Let them bounce in there.

268

00:14:20,525 --> 00:14:20,945

Yeah.

269

00:14:21,005 --> 00:14:23,555

Back to our two inch brush touch.

270

00:14:23,585 --> 00:14:25,055

Just the least little

amount of that color.

271

00:14:25,055 --> 00:14:26,945

I want a little bit of it

reflecting in the water.

272

00:14:27,755 --> 00:14:28,505

Oh, that's nice.

273

00:14:29,915 --> 00:14:31,175

Yeah, that is so nice.

274

00:14:34,950 --> 00:14:40,200

Can you now we can take a little touch

of our Brown and we come back in here.

275

00:14:40,320 --> 00:14:43,590

Just put a little land and to listening.

276

00:14:43,610 --> 00:14:44,620

It's a little bit of land.

277

00:14:44,930 --> 00:14:47,270

Don't want these little trees to

fall off in the water and make a

278

00:14:47,270 --> 00:14:48,680

big splash, scared a little Beaver.

279

00:14:48,680 --> 00:14:49,400

It lives out here.

280

00:14:51,230 --> 00:14:54,020

They're little white, little dark Santa.

281

00:14:55,380 --> 00:14:58,970

We can come back, but the indication

of a few highlights here and there.

282

00:14:59,460 --> 00:15:00,090

Not a lot.

283

00:15:01,020 --> 00:15:06,150

It's too far away to see a lot

of detail, just a little, and

284

00:15:06,150 --> 00:15:08,490

you can take a fan brush with

some of those same colors on it.

285

00:15:08,490 --> 00:15:12,810

The Indian, yellow, yellow ochre,

red and pop in a few little things.

286

00:15:12,810 --> 00:15:19,710

And it breaks up this line here sorta

brings everything together, a little touch

287

00:15:19,710 --> 00:15:25,980

of the liquid white and the liquid white

we'll use to cut in a little waterline.

288

00:15:27,540 --> 00:15:30,900

Jews act like you're trying to cut a

hole right through the canvas, just

289

00:15:31,770 --> 00:15:36,870

Sol back and forth and tilt the knife

up and down, back and forth like that.

290

00:15:37,500 --> 00:15:42,180

And you'll be surprised at how well these

little waterlines just slip right off

291

00:15:42,180 --> 00:15:43,710

their few little ripples here and there.

292

00:15:45,194 --> 00:15:45,824

All right.

293

00:15:46,574 --> 00:15:49,334

Tell you what we had some

little trees on the sides.

294

00:15:49,365 --> 00:15:49,905

Let's do them.

295

00:15:49,905 --> 00:15:52,425

I use that same old Brown

color that we have going here.

296

00:15:53,775 --> 00:15:54,944

We'll use a two inspiration.

297

00:15:55,005 --> 00:15:58,785

You can use a one inch brochure,

anything, but we'll, we'll use this.

298

00:15:58,785 --> 00:15:59,444

It's just handy.

299

00:16:00,675 --> 00:16:01,665

We'll take just the corner.

300

00:16:02,475 --> 00:16:06,495

Begin tapping in a

happy little tree there.

301

00:16:07,695 --> 00:16:10,515

That's like, so just a basic shape.

302

00:16:10,545 --> 00:16:12,375

This is going to be

behind those other trees.

303

00:16:12,615 --> 00:16:18,615

So we don't really, we don't really

care, you know, it's interesting.

304

00:16:19,515 --> 00:16:22,785

I have so many little creatures that I

like to share with you about the day.

305

00:16:22,795 --> 00:16:25,005

I'd show you just a little bit

oil, cause I'm going to do another

306

00:16:25,005 --> 00:16:27,825

tree on the other side, just like

this one while I'm doing that.

307

00:16:27,825 --> 00:16:29,775

Let me, let me show

you my little pal here.

308

00:16:30,375 --> 00:16:32,625

It's a little, little girl

squirrel that lives with me.

309

00:16:33,525 --> 00:16:36,225

She is the cutest little

devil that you've ever seen.

310

00:16:37,275 --> 00:16:41,615

She's my friend and she

is absolutely precious.

311

00:16:43,395 --> 00:16:47,325

And just a few more weeks, he's going

to be ready to go back to the wild

312

00:16:47,325 --> 00:16:49,605

and I won't turn her loose right.

313

00:16:49,605 --> 00:16:50,415

In my backyard.

314

00:16:51,825 --> 00:16:55,575

Maybe she'll build a nest and have some

little kids back here and maybe she'll

315

00:16:55,575 --> 00:16:57,505

bring them to see me and little squirrels.

316

00:16:57,695 --> 00:16:58,635

They like middle kids.

317

00:16:58,875 --> 00:16:59,985

They get into everything.

318

00:17:00,465 --> 00:17:02,835

Absolutely everything here, here.

319

00:17:02,835 --> 00:17:05,295

She wanted to look at, look at

the headset and see what kind

320

00:17:05,295 --> 00:17:06,525

of music we were listening to.

321

00:17:07,125 --> 00:17:09,795

That this is true stereo I had on me.

322

00:17:10,050 --> 00:17:11,520

This is getting into your music.

323

00:17:12,839 --> 00:17:15,690

I thought my son, Steve really got

into his music, but compared to that

324

00:17:15,690 --> 00:17:20,609

squirrel, no, he just sets her on the

list and she literally gets into it.

325

00:17:22,440 --> 00:17:23,640

She was very cute though.

326

00:17:26,370 --> 00:17:27,780

I'm just tapping into a tree over here.

327

00:17:28,800 --> 00:17:31,020

Maybe I think there was

some land area here.

328

00:17:31,020 --> 00:17:35,700

We can just use the same color and

put in some, just some basic shapes.

329

00:17:36,810 --> 00:17:38,730

All we're doing here is

just covering up the ground.

330

00:17:43,370 --> 00:17:43,730

Okay.

331

00:17:44,990 --> 00:17:45,830

Maybe something works.

332

00:17:45,830 --> 00:17:51,379

So can you just push

it, stay brushed there.

333

00:17:52,010 --> 00:17:54,710

Now, before I cleaned that brush, I'm

just going to go right into a little

334

00:17:54,710 --> 00:17:58,700

bit of the radish color and just tap

on a few highlights on these trees.

335

00:17:59,060 --> 00:18:02,210

Just a few, go on the other side.

336

00:18:03,149 --> 00:18:04,530

And we'll tap in a couple over here.

337

00:18:04,530 --> 00:18:05,399

Don't want it left out.

338

00:18:06,750 --> 00:18:11,240

I bet you won't see much of this, but

if you look through the, you gave her

339

00:18:11,240 --> 00:18:14,030

greens that we're going to put on there

and you see some of this people will

340

00:18:14,040 --> 00:18:18,280

think you really spent a great deal

of time trying to make that district,

341

00:18:18,280 --> 00:18:19,760

which you don't tell them any different.

342

00:18:20,450 --> 00:18:25,250

That's our secret let's mix up

a little green and black, maybe

343

00:18:25,250 --> 00:18:28,129

even a little blue Crimson.

344

00:18:29,060 --> 00:18:31,790

There's a Crimson wipe off the old knife.

345

00:18:34,395 --> 00:18:35,895

I'll grab a fan brush here.

346

00:18:36,425 --> 00:18:41,435

There's one, there's one load, a

lot of colored to the bristles.

347

00:18:41,735 --> 00:18:42,365

Let's go pair.

348

00:18:43,355 --> 00:18:43,445

Okay.

349

00:18:43,475 --> 00:18:45,635

We had a couple of evergreen

trees and one of them we're

350

00:18:45,635 --> 00:18:46,835

going to have her right there.

351

00:18:47,955 --> 00:18:50,325

And when you're doing this, if you

have trouble getting your paint to

352

00:18:50,325 --> 00:18:53,315

stick over the top of everything

that you have behind, like all the

353

00:18:53,315 --> 00:18:55,715

mountains and everything at the least.

354

00:18:55,745 --> 00:18:56,435

Let me say that again.

355

00:18:56,915 --> 00:18:59,225

The least little amount of paint thinner.

356

00:19:00,304 --> 00:19:03,965

There's that little

evergreen C but very little.

357

00:19:04,054 --> 00:19:04,925

Let's give him a friend.

358

00:19:05,825 --> 00:19:11,405

Very, very little of the paint, thinner,

a little goes a long way, long, long way.

359

00:19:11,585 --> 00:19:12,095

There we are.

360

00:19:12,125 --> 00:19:13,475

It's going the other side over here.

361

00:19:14,385 --> 00:19:20,595

We had one large evergreen here that went,

it does now, right there for right there.

362

00:19:21,510 --> 00:19:22,470

Why it is a big hole.

363

00:19:22,500 --> 00:19:27,060

So I never got, he lives up here and looks

out over the mountain and the Lake and

364

00:19:27,600 --> 00:19:32,340

all the little creatures, probably several

little squirrels live in here, too.

365

00:19:34,320 --> 00:19:38,870

This is the kind of place I'd like

for my little squirrels to live fair

366

00:19:43,610 --> 00:19:44,120

night quick.

367

00:19:44,120 --> 00:19:45,470

We got some nice evergreens.

368

00:19:45,470 --> 00:19:46,160

We can take some Ms.

369

00:19:46,160 --> 00:19:48,650

Little Brown and white

color that we had left.

370

00:19:49,800 --> 00:19:54,120

But the indication here and

there on both of them that maybe

371

00:19:54,120 --> 00:19:55,680

there's a little trunk in there.

372

00:19:56,430 --> 00:19:58,230

Just a little trunk, not much.

373

00:19:59,970 --> 00:20:00,450

Okay.

374

00:20:00,450 --> 00:20:02,910

Back to my one inch brush

that has the Brown color.

375

00:20:04,034 --> 00:20:10,514

Let's just pop in some nice dark shapes

here for a little bushes there, reflect

376

00:20:10,514 --> 00:20:11,804

a little let down into the water.

377

00:20:14,324 --> 00:20:16,725

Key other side, we'll do the same thing.

378

00:20:16,875 --> 00:20:22,425

Just a few little things here and

there, wherever you want a little

379

00:20:22,425 --> 00:20:30,165

Bush to live, and then we can take

her purse that way we using too.

380

00:20:31,905 --> 00:20:35,715

Put the highlight color zone

and we put a little color on it.

381

00:20:37,004 --> 00:20:41,324

I go right up in here and we can begin

putting in all kinds of little bushes

382

00:20:41,324 --> 00:20:42,855

and stuff that live right along here.

383

00:20:44,625 --> 00:20:45,165

Wherever.

384

00:20:45,225 --> 00:20:47,745

Tell you what, tell you

what let's do have some fun.

385

00:20:47,834 --> 00:20:49,155

Let me find a clean fan brush.

386

00:20:49,155 --> 00:20:50,115

Got too many of them go in.

387

00:20:51,375 --> 00:20:53,655

Oh, there's one Scott Brown

and it already we'll use it.

388

00:20:53,745 --> 00:20:54,344

I'm lazy.

389

00:20:55,905 --> 00:20:56,925

They'll take some Brown.

390

00:20:57,765 --> 00:21:01,755

You gotta reach over here and get a

little touch of the liquid white to

391

00:21:01,755 --> 00:21:06,615

that kind of mixed dark Sienna, little

dark Sienna, maybe even a little

392

00:21:06,615 --> 00:21:12,465

bright red, but this is liquid whites,

very thin with a little color in it.

393

00:21:13,625 --> 00:21:16,805

And we're going to load this fan brush

with a Brown that we made from the

394

00:21:16,805 --> 00:21:18,995

Crimson and SAP green, both sides.

395

00:21:18,995 --> 00:21:22,595

And we'll take one side only,

just one side and go through

396

00:21:22,595 --> 00:21:23,885

this very thin light color.

397

00:21:24,005 --> 00:21:24,545

And with this.

398

00:21:25,699 --> 00:21:29,360

Two, got a little evergreens back here.

399

00:21:30,320 --> 00:21:31,070

Big evergreens.

400

00:21:31,070 --> 00:21:31,580

I'm sorry.

401

00:21:33,240 --> 00:21:39,199

Those are big with some giants, but

by double loading the brush like

402

00:21:39,199 --> 00:21:41,780

this, you can do, let's see there.

403

00:21:41,840 --> 00:21:44,810

You can do both sides

of the tree at one time.

404

00:21:44,870 --> 00:21:45,770

Maybe there's another one here.

405

00:21:45,800 --> 00:21:46,250

I don't know.

406

00:21:47,209 --> 00:21:50,840

You decide on the other side over here.

407

00:21:51,350 --> 00:21:52,250

We have one.

408

00:21:52,310 --> 00:21:53,030

Maybe it's going to live.

409

00:21:55,005 --> 00:21:58,185

Right there, right there.

410

00:21:58,605 --> 00:22:04,275

And one there, you don't

make those little noises.

411

00:22:04,275 --> 00:22:08,595

Now this won't work, maybe

a little one right there.

412

00:22:09,075 --> 00:22:09,165

Okay.

413

00:22:09,275 --> 00:22:10,985

Be careful that you

don't space all of them.

414

00:22:10,985 --> 00:22:16,265

Exactly the same distance apart,

because if you do, they just, they look

415

00:22:16,265 --> 00:22:20,045

too symmetrical, whatever that means.

416

00:22:21,360 --> 00:22:26,640

There we go tap in a few bushes

down here at the bottom here.

417

00:22:27,300 --> 00:22:28,410

Just a few little things.

418

00:22:30,000 --> 00:22:33,720

Now that we find another fan brush,

I got fan brushes going everywhere.

419

00:22:34,710 --> 00:22:39,210

That same greenish color that we

used to make the evergreen take that

420

00:22:39,360 --> 00:22:44,910

and I'll push upward, push upward

with a corner of the fan brush and

421

00:22:45,000 --> 00:22:49,590

just push in some nice little leaves

and stuff and some little branches.

422

00:22:50,460 --> 00:22:54,090

Wherever you think they

should live wherever.

423

00:22:54,150 --> 00:22:56,190

I like to leave a little, a trunk

show in here and there though,

424

00:22:56,190 --> 00:22:57,570

to me, that's quite interesting.

425

00:22:57,570 --> 00:23:00,600

This one goes right on off the canvas.

426

00:23:00,600 --> 00:23:03,480

There, there it goes.

427

00:23:05,010 --> 00:23:09,120

And it sort of gets lost, but you can't

tell which one's, which here, whatever.

428

00:23:10,080 --> 00:23:10,500

Here we go.

429

00:23:10,500 --> 00:23:12,060

We'll separate them

with a little highlight.

430

00:23:16,950 --> 00:23:17,610

Okay.

431

00:23:17,840 --> 00:23:19,640

Right here, maybe this one,

it goes all the way off.

432

00:23:21,080 --> 00:23:23,840

As I mentioned earlier, this is not

going to be an exact duplicate of

433

00:23:24,200 --> 00:23:28,280

what you saw in the opening, but it

will show you the way it was made.

434

00:23:33,280 --> 00:23:33,620

Right?

435

00:23:34,370 --> 00:23:34,640

Yeah.

436

00:23:34,640 --> 00:23:35,810

We take another fan brush.

437

00:23:35,840 --> 00:23:38,210

I say I have several, go

ahead and put a little, okay.

438

00:23:38,594 --> 00:23:45,044

Green on it here, there, we can

come along and put the indication

439

00:23:45,044 --> 00:23:46,695

of a few highlights on these trees.

440

00:23:46,695 --> 00:23:50,264

Don't want a lot, just

a few here and there.

441

00:23:52,485 --> 00:24:00,074

Just a few Sam, and this is where you pick

out your individual layers and separate

442

00:24:00,074 --> 00:24:03,195

them as with these highlights that alone.

443

00:24:03,195 --> 00:24:04,485

This one is doling left out.

444

00:24:06,540 --> 00:24:07,590

All right, let's go over here.

445

00:24:07,590 --> 00:24:10,920

And the other side, put a

few little ovens over here.

446

00:24:13,560 --> 00:24:14,310

There we go.

447

00:24:16,200 --> 00:24:18,780

See them some on this one.

448

00:24:21,690 --> 00:24:22,230

Okay.

449

00:24:24,870 --> 00:24:25,110

Good.

450

00:24:25,170 --> 00:24:27,150

That's pretty nice trees

being done that quick.

451

00:24:28,575 --> 00:24:33,195

We'll just take a two inch brush,

pull that straight down, create the

452

00:24:33,195 --> 00:24:35,115

illusion of a nice reflection in there.

453

00:24:35,565 --> 00:24:40,275

Just pull it gently across

chancellor cross gently.

454

00:24:40,335 --> 00:24:42,825

We find that grass that we

made this tree trunks out of.

455

00:24:43,185 --> 00:24:44,715

You can reflect those into the water.

456

00:24:44,715 --> 00:24:46,245

Also just like it.

457

00:24:47,475 --> 00:24:53,165

I didn't pull them to see

that they're there they are.

458

00:24:53,165 --> 00:24:56,105

They're a little bit of that Brown.

459

00:24:56,670 --> 00:24:58,590

Kind of have a little soil down here.

460

00:25:00,180 --> 00:25:04,470

It is little touch of Brown in height.

461

00:25:08,450 --> 00:25:08,930

Here we go.

462

00:25:10,580 --> 00:25:12,320

A little bit of liquid white under there.

463

00:25:19,530 --> 00:25:20,270

Okay.

464

00:25:21,465 --> 00:25:25,335

Yeah, let's go back into our brush

that has all the colors on it.

465

00:25:25,335 --> 00:25:29,075

The highlight colors, let's get a

little Skittles, little touch of red.

466

00:25:29,075 --> 00:25:29,795

I want a little red.

467

00:25:29,855 --> 00:25:31,205

Ooh, that's pretty.

468

00:25:31,835 --> 00:25:33,365

Sometimes these colors are so pretty.

469

00:25:33,365 --> 00:25:34,895

They, they almost hurt that.

470

00:25:37,445 --> 00:25:39,755

There's a mask little

Bush lives right there.

471

00:25:41,885 --> 00:25:46,145

And we'll give him a little, little

friend right down here and you

472

00:25:46,145 --> 00:25:49,835

decide how many you want and where

you want them over on this side.

473

00:25:50,820 --> 00:25:51,930

Maybe back in here.

474

00:25:52,080 --> 00:25:52,290

Yep.

475

00:25:52,380 --> 00:25:52,920

You're right.

476

00:25:53,460 --> 00:25:55,280

There's one here.

477

00:25:55,280 --> 00:25:55,740

There's one.

478

00:25:56,460 --> 00:25:57,510

Give him a little bit in there.

479

00:25:59,460 --> 00:26:00,990

A little bit of a nice red color.

480

00:26:00,990 --> 00:26:04,590

Like it ran into here's another one.

481

00:26:06,210 --> 00:26:07,680

And there's one in here.

482

00:26:09,150 --> 00:26:10,470

They had to do one Bush at a time.

483

00:26:10,560 --> 00:26:11,970

I don't get in too big of a hurry.

484

00:26:13,890 --> 00:26:17,120

There we are just use a side of the brush.

485

00:26:17,150 --> 00:26:19,370

We can put in all kinds of

little weeds and stuff in there.

486

00:26:20,930 --> 00:26:21,590

Wherever.

487

00:26:22,190 --> 00:26:22,910

What are your favorite?

488

00:26:25,220 --> 00:26:29,330

Let me take my old fan brush

and you can bring this down.

489

00:26:29,330 --> 00:26:30,290

Straighten this edge up.

490

00:26:32,280 --> 00:26:35,850

Make it look like there's a little

protrusion out into the water here,

491

00:26:37,050 --> 00:26:42,120

a little bit of soil, and that's

basically how we did the little

492

00:26:42,120 --> 00:26:43,320

painting that's in the opening.

493

00:26:44,640 --> 00:26:45,900

So I hope you try this.

494

00:26:46,110 --> 00:26:49,890

It'll give you a little challenge,

but it's a very, very nice little

495

00:26:49,890 --> 00:26:51,930

painting would make you happy.

496

00:26:51,930 --> 00:26:56,160

Scrap scraping a few little

sticks and twigs shoot.

497

00:26:56,190 --> 00:26:59,040

I think we have a finished painting.

498

00:26:59,490 --> 00:27:02,310

So from all of us here, I'd

like to wish you happy painting

499

00:27:02,790 --> 00:27:03,900

and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S20E07 - Autumn Fantasy

Bob Ross's

The Joy of Painting

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