Bob Ross's

The Joy of Painting

S23E02 - Forest Edge

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Yeah, welcome back.

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Certainly glad you could join us

today because today I thought we'd

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do a fantastic little painting

that I think you'll enjoy.

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So I tell you what, let's start out and

have him run all the colors across the

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screen that you need to paint this little

painting that we're going to do today.

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And come on up here.

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Let me show you what

I've got done already.

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One of my favorite things in this

painting technique is black Jesso.

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And today let's do when it has a lot

of black Jeselo on it and I've put this

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on using nothing but a paper towel.

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I just watered up a paper towel and

just sort of dobbed it all over.

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And I wanted it darker at

the bottom than at the top.

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So I've really put a lot down here and

up in here, I've just started let it

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just play around and barely touched.

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Then I took a foam brush.

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I want a big tree in this painting.

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That's about all I knew.

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So.

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But the basic shape of a large tree, and

now we're going to take, and we're going

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to do something a little different today.

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Today, I'm covering this as you

call it, me doing with a mixture

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of liquid clear and SAP green,

and I've taken and made this too.

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It's very thin, almost like

liquid white normally is.

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It's almost, it's not quite a

liquid, but it's very, very thin.

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And instead of putting liquid white on the

canvas, like we normally do today, we'll

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put, well, let's call it liquid green.

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What the heck?

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And come on up here and

let's finish doing it.

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And all we're looking for is just like

with the liquid white, a very thin even

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coat all the way across the canvas.

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And just sort of scrub

it in it's that easy.

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And with this liquid clear, you can

make any liquid color that you want.

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I think it's better to use sort of

transparent colors, but you really can

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do this with any color that you desire.

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And you will not believe some of the

effects that you can achieve with this,

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but because it's sad during this so

transparent, all the little things

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that we did with the black Jesso

show through and already, it's

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beginning to give the illusion of a

lot of little bushes and trees that

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are far, far back in the distance.

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And I think I'll do a little scene that

looks like we're deep in the woods.

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I really like those kinds of scenes.

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There.

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And as I say, all we're looking for is a

nice stand even coat on the blank, just

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so of course is allowed to dry completely

before you put the liquid color on.

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So we don't want the liquid color

to drive before we start there.

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All right, let me wash the old brush.

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And we wash our brushes

with odorless paint thinner.

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Are you sure it's odorless?

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Otherwise you're going to be the

most unpopular person in the house.

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Shake off the excess and just

beat the devil out of it.

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All right.

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Now let's really have some fun.

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Let's take that same old brush.

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We'd want a little titanium

white be right back.

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And we get a little touch, a

little touch of CAD yellow, maybe,

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and put it in there with it.

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Now this is just titanium white, a

little bit of CAD yellow mixed together.

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Not much yellow, just a little.

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Okay.

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Let's go right up in here.

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And then you sort of have to decide

what's going to happen where.

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I'm just going to take the

corner of the brush and begin

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swirling in some little patterns.

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And the SAB green is very transparent,

but white is opaque said, now things

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are, things are going to start

happening a little more color on

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there, there you just swirl this.

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I don't want to cover up every

bit of the, of the green.

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I want some of it to show through in some

places the White's going to be so thin.

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That you literally can still see through

it, even though it's opaque and play

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with this, you'll be amazed if some

of the effects that you can achieve.

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Absolutely amazed.

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This is one of the neatest things

that we've ever come up with there,

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but you can just make it look like the sun

is zinging through there, and all kinds

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of beautiful little effects are happening

to sort of turn your imagination loose.

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Let it go.

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That's what painting is all

about there a little bit showing

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through the trees appear wherever.

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Okay.

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I have several of each brush

going, so I don't have to spend

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all of my time washing brushes.

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So we'll take a nice dry two inch brush

and very gently using just the corner.

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Just begin blending all that together,

and you can blend this to any

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degree of softness that you want.

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So as you're doing this step back

and take a look, see, cause it's

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very hard to see your painting

when you're right up against it.

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Just sit back and take a look and

see if it's blended as much as

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you wanted or we're not enough.

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And you could always add

more of the titanium white.

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To make it brighter if you want.

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Oh, you're not committed.

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You can do anything here

that you want to do.

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They're just gently blended and leave some

of these areas a little brighter when it's

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all done, it will begin looking like light

shining between trees, we in the distance.

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And it's oil paintings, dry.

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They'll lose a little

bit of their brilliance.

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Still double down just a little

bit, not much, but just a little.

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So you make it a little bit

brighter than you actually want it.

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And by the time the paintings

direct, then it'll calm down there.

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Not a fantastic way of

making just a background.

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It's almost unreal.

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I love these candles.

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Thanks.

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My mother loves these things.

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She really likes these paintings

that have deepened the woods.

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And right now she's not feeling too good.

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She's in the hospital while

we're making this show.

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So let's dedicate this one to my mother.

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She's my favorite lady in the whole world.

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It's a month.

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This one's for you.

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I hope you feel better soon.

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Okay.

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Now then, man, then I'm going to take,

take a little bit of the paint thinner.

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I'm going to take a little bit

of why we use a little black

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little SAP green be right back.

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Just mix them together on the brush.

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Here.

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We get a little more paint, thinner

need just to touch more of the thinner.

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There you want this to be very

thin, almost a consistency of ink.

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All right.

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Now then the scope in here, let's

begin thinking about all kinds of

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little tree trunks and sticks and

branches that live way back in here.

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If you have your paint thin enough, it'll

flow right over the top of this because

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of titanium white, you put in there,

it was a very thick, it's very thick.

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It's very dry paint, much drier

than traditional oil paints.

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And I know I hear this every day.

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People go to the art store to, to

get some very dry paint and they'll

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tell them it makes no difference.

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Just, just use whatever

they happen to have.

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It does make a difference.

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Really.

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If you have a soft paint, you just

absolutely can't paint over the

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top of it because it just blends

together and we become mud mixers.

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Hmm.

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There.

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And if you have a little, little

nervous Twitch to your hand, it

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makes much nicer tree branches.

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So just sort of let them

wiggling, jiggling, wherever

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you think they should live.

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All these little things wherever.

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And if it gets to where it doesn't

one slide easy, all you have to do.

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Add a little more paint

thinner to your brush.

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Okay.

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Now then tell you what, let me clean this.

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And then let's just clean this

liquid clear and SAP green

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also have a place to work.

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We've put a little of it over there.

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Maybe we'll use it in a minute.

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And let's take a little white,

a little bit of SAP green.

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This'll be our highlight color

when we get to it and I'll just

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mix it and set it over here.

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Luteal kid yellow, yellow ochre.

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Oh, we just leave it right there.

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That's our highlight color now then for

base color, I'll use black Sam green.

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Add a little touch of

yellow ochre into it.

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Just a little yellow ochre.

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Now we have two piles of

color or dark and our light.

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Let me clean the whole knife off here.

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And I just wiped the knife

on a paper towel today.

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Let me introduce you to

a brand new brush today.

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We have a half size round brush.

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This is a very small round brush

I've had, I've used other ones in

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the past, but they were quite large.

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This one's a half size.

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It's much easier to control, tiny little

brush and we loaded by just tapping,

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just tap a little color right into it.

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And the scope in here, and then maybe in

our world, their lives just use the brush.

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Like, so tap in.

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Maybe there's a happy little tree.

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He lives right there.

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Right there.

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There let a little trunk show through.

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Okay, then he's got a friend.

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There's this friend, you know me.

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I think everybody needs a friend.

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Everybody needs a friend and

a fantastic little brush.

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The rascal works, maybe.

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Yeah.

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Why not?

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Let's have some asshole things

that are living right over in here.

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There.

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Just have them think about general

shape and that's really all you

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have to worry about the breast.

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Does the rest of the work.

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Just tap, just tap, but do

think about basic shapes there

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a little bit in here because we

have the black Jesso under here.

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We don't have to worry much down here.

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Most of your dark color is already in.

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It's already in for you.

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Maybe we'll have a little,

something like that.

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And these little paintings

will just sort of happen.

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If you just start playing and looking

at them, they just really sort of

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happen because you began seeing

little things that live back in here.

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And the more that you paint and the

more that you practice, the more that

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you're able to visualize this, you

really don't have to trace and have

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patterns and all that stuff on here.

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You really can learn to

be creative as you can.

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And it's like anything else?

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It takes a little practice.

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Chances are you, he didn't

drive the car real well.

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The first time you tried.

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But with the middle practice,

got very good at it.

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Of course.

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The other day I met her driver, I

think had never done more than that.

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First time he almost ran me off the road.

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All right.

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Now that we'll just use that same

brush and I'm going to dip it into

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a little touch of the liquid clear.

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That'll be our thinning agent.

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Because as you know, a thin paint

will stick to a thick paint and

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the color that we put up there

was a very thick, very dry.

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Now then by just pushing, see the edge

of those bristles now has a little bit

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of that light color on there, and the

liquid clear has made it a little thinner.

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So let's go up in here.

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I think if this is our light source

right in here, think about light,

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just zinging, right through here.

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Just making all kinds of

beautiful little things in there.

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Okay.

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Wherever you think they should live there.

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Hello?

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You're dark.

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This starts working well.

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And yet you have a tendency

to get carried away.

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There sounds like so, and this

other little tree here, we'll

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give him just a touch up.

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Highlight right there.

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There.

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Okay.

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A little bit over in here.

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Think about shape and form.

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When you're doing this,

don't just hit it random.

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You won't be happy with me.

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And this one we'll put

a little bit on him.

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There were something like, so

this would be a fantastic place

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for my little creatures to live.

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I have all kinds of little creatures.

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Who'd I got squirrels.

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Crows and just everything.

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Tell you what I'm going to put on a few

more of these while they're doing that.

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Let me, let me show you

one of my little creatures.

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This is I haven't bring up a

little rat Coon here that, that

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I played, where this came from.

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One of our rehab ladies, we're

close to where I live named

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Carmen show and I borrowed him.

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He's a, he's a loner red Coon.

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But he's the cutest little devil and

he's so much fun to play with, but they

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do grow up and they get a little nasty

sometime when I'm in the Rascals can.

248

00:13:24,750 --> 00:13:28,320

So if you're, if you're raised in a

raccoon, be careful when they grow up,

249

00:13:29,430 --> 00:13:34,230

they're pretty tough little characters,

but when they're babies like this, God's

250

00:13:34,230 --> 00:13:35,970

never made a more delightful little thing.

251

00:13:37,260 --> 00:13:39,660

And they're just like feeding a

little baby and they just lay there.

252

00:13:39,690 --> 00:13:46,040

And then when they're done, you Pat them

on the back and they burst, I get sort of

253

00:13:46,040 --> 00:13:47,570

carried away with these little characters.

254

00:13:51,020 --> 00:13:54,710

My mother lives with me and her, and

I have all kinds of these little care,

255

00:13:54,800 --> 00:13:56,120

hidden that precious little devil.

256

00:13:56,240 --> 00:13:57,710

See the milk run up his mail.

257

00:13:57,770 --> 00:13:58,370

He's not very nice.

258

00:14:01,820 --> 00:14:02,180

Okay.

259

00:14:04,070 --> 00:14:04,610

There we are.

260

00:14:04,700 --> 00:14:06,560

We just put in some little

things here and there.

261

00:14:07,410 --> 00:14:08,490

And work in layers here.

262

00:14:08,490 --> 00:14:10,470

I'm just varying the

greens back and forth.

263

00:14:10,500 --> 00:14:14,280

Little CAD, yellow, little Indian,

yellow, little yellow ochre.

264

00:14:14,280 --> 00:14:17,010

Once in a while, and nine

then least little touch, a

265

00:14:17,020 --> 00:14:18,810

bright red and the bright red.

266

00:14:18,960 --> 00:14:21,270

Believe it or not is your dollar.

267

00:14:21,390 --> 00:14:23,220

It will make the green turn brownish.

268

00:14:23,430 --> 00:14:28,730

So use a little bright red when

you want to do the color there.

269

00:14:30,390 --> 00:14:32,580

But mostly greens in

this particular painting.

270

00:14:32,580 --> 00:14:37,200

I think there was a bit of a

dip back into the liquid clear,

271

00:14:37,410 --> 00:14:40,980

just to get a little more of the

thinner, just to make it thinner.

272

00:14:41,880 --> 00:14:43,170

You could use paint thinner.

273

00:14:43,740 --> 00:14:49,350

I liked sometime to use this clear because

when it dries any place that you put the

274

00:14:49,350 --> 00:14:54,000

clear will have a nice shine to it is

it's almost like the painting was glazed.

275

00:14:56,714 --> 00:14:57,645

There we go.

276

00:14:57,944 --> 00:15:01,604

But think about how the

little bushes and stuff.

277

00:15:01,964 --> 00:15:02,244

I know.

278

00:15:02,244 --> 00:15:03,275

I know, I know.

279

00:15:03,795 --> 00:15:04,635

I see something here.

280

00:15:05,704 --> 00:15:07,984

Let's take, you know, may I get crazy?

281

00:15:08,224 --> 00:15:11,525

Let's take a little dark Sienna

and the Vandyke Brown and white

282

00:15:11,525 --> 00:15:15,425

and mix it together and leave it

sort of marbled like it though.

283

00:15:15,484 --> 00:15:17,375

Don't overmix it just

leave it sort of like it.

284

00:15:17,675 --> 00:15:21,214

Get a little roll of paint, right

on the edge of the knife now, then.

285

00:15:21,814 --> 00:15:21,905

Okay.

286

00:15:22,260 --> 00:15:23,250

In my world.

287

00:15:23,550 --> 00:15:26,280

There's going to be a little path here.

288

00:15:27,449 --> 00:15:29,640

Just a little path right through here.

289

00:15:31,050 --> 00:15:34,949

I can't there.

290

00:15:35,040 --> 00:15:38,760

Just let it get wider and

wider as it comes towards you.

291

00:15:40,140 --> 00:15:40,620

Look at that.

292

00:15:40,920 --> 00:15:44,430

Let's see how that color just jumps out

at you against that dark background.

293

00:15:44,790 --> 00:15:45,210

At blank.

294

00:15:45,220 --> 00:15:47,730

Jessel was one of the neatest

things we've ever come up with.

295

00:15:48,630 --> 00:15:49,410

I really love it.

296

00:15:51,780 --> 00:15:54,870

And the more you rubbed this, the more

it'll pick up the green color underneath.

297

00:15:57,660 --> 00:15:59,040

There in the darker it'll get.

298

00:16:00,630 --> 00:16:02,010

So you have to make decisions.

299

00:16:03,989 --> 00:16:04,410

Maybe.

300

00:16:05,880 --> 00:16:07,349

I don't know where this past going to go.

301

00:16:07,589 --> 00:16:09,479

I guess we'd better make a

decision here pretty quick.

302

00:16:09,479 --> 00:16:10,410

Maybe it comes on that here.

303

00:16:10,410 --> 00:16:12,239

I don't know wherever you want it.

304

00:16:13,949 --> 00:16:17,219

And in your world, you decide where

you want your little path to be.

305

00:16:19,050 --> 00:16:20,699

And maybe you want to

paint little red Coons.

306

00:16:22,800 --> 00:16:23,459

You can do that.

307

00:16:25,005 --> 00:16:28,275

You can do anything that you want

to do on this piece of canvas?

308

00:16:28,755 --> 00:16:30,105

Absolutely anything.

309

00:16:31,035 --> 00:16:32,805

Let's make it a little more

of a highlight color here.

310

00:16:32,865 --> 00:16:35,745

And all I'm doing once again is

tapping sort of give it a little push.

311

00:16:36,344 --> 00:16:38,175

So there's a little touch

of paint right there.

312

00:16:38,255 --> 00:16:42,285

The end of the bristles and begin

thinking about, well, maybe right here.

313

00:16:42,705 --> 00:16:44,625

Maybe there's a happy little

boosted lose right there.

314

00:16:45,405 --> 00:16:47,565

Just think about the shape

of that little rascal.

315

00:16:47,775 --> 00:16:49,635

Let it come right on out to the path.

316

00:16:51,015 --> 00:16:53,355

Get darker and darker and

darker down toward the base.

317

00:16:53,445 --> 00:16:54,585

Use less pressure.

318

00:16:54,765 --> 00:16:55,435

Barely touch.

319

00:16:56,265 --> 00:16:56,805

Barely touch.

320

00:16:56,805 --> 00:16:57,645

Just let it grazed.

321

00:17:00,005 --> 00:17:02,675

There might be up in here.

322

00:17:03,240 --> 00:17:03,990

How about right there?

323

00:17:05,130 --> 00:17:10,560

This one is a little darker, little darker

it's back here, more in the shadows.

324

00:17:11,099 --> 00:17:16,050

So he's a little quieter, just a

happy little tree that lives back

325

00:17:16,050 --> 00:17:17,370

here and he watches everything.

326

00:17:19,675 --> 00:17:22,125

He's got a little friend right there.

327

00:17:22,815 --> 00:17:25,545

There is theories.

328

00:17:27,075 --> 00:17:28,275

I like landscapes so much.

329

00:17:28,275 --> 00:17:28,545

I think.

330

00:17:28,545 --> 00:17:31,965

Cause when I was a kid we lived, we

lived, we have in the woods, they

331

00:17:31,965 --> 00:17:37,935

had had a pipe sunlight and where we

live so far out and I spent a great

332

00:17:37,935 --> 00:17:41,775

deal of time in the woods and there

wasn't many other kids around them.

333

00:17:42,209 --> 00:17:45,990

And I had to learn to play with the

creatures that were in the woods.

334

00:17:46,139 --> 00:17:49,050

That's why I like animals and little

squirrels and raccoons and all those

335

00:17:49,050 --> 00:17:56,520

things so much because they're,

they're very special, very special.

336

00:17:57,540 --> 00:18:00,870

And when I got older, I guess I

didn't lose that still like them.

337

00:18:03,389 --> 00:18:04,919

I wish I could take them all home with me.

338

00:18:07,065 --> 00:18:09,045

You have to, Y you have to sort

of draw the line somewhere.

339

00:18:10,125 --> 00:18:11,625

Otherwise your house looks like a zoo.

340

00:18:13,595 --> 00:18:14,225

There we are.

341

00:18:17,285 --> 00:18:17,855

Okay.

342

00:18:19,025 --> 00:18:19,175

Yeah.

343

00:18:19,185 --> 00:18:22,325

Then we can take, just take

a little fan brush here.

344

00:18:22,595 --> 00:18:24,275

That's number three, fan

brush doesn't matter.

345

00:18:25,355 --> 00:18:28,145

And you can soften

these edges very gently.

346

00:18:29,225 --> 00:18:32,225

So it looks like you're in shadow

underneath some of these little bushes

347

00:18:32,225 --> 00:18:35,465

and stuff, and it's a nice way to

clean it all up and bring it together.

348

00:18:37,320 --> 00:18:38,700

They're very gently.

349

00:18:38,730 --> 00:18:39,480

Just soften.

350

00:18:42,510 --> 00:18:43,410

There we go.

351

00:18:50,250 --> 00:18:52,680

We got to start making some

big decisions here pretty soon.

352

00:18:56,520 --> 00:18:58,080

We'll put a couple more

little sticks in it.

353

00:18:58,080 --> 00:18:59,130

Think about it for a minute.

354

00:18:59,700 --> 00:19:03,510

He, a little bit of the midnight

black with paint thinner, maybe.

355

00:19:03,629 --> 00:19:06,810

Yeah, maybe there's a nice tree

trunk right there that we can see.

356

00:19:08,159 --> 00:19:09,810

Paint should be extremely thin though.

357

00:19:10,679 --> 00:19:13,790

Very, very thin there.

358

00:19:14,330 --> 00:19:14,419

Okay.

359

00:19:14,780 --> 00:19:21,080

Maybe there's a little tree right

here that we can make out and here

360

00:19:21,080 --> 00:19:24,770

and there, wherever, and you put a few

into the lighter color here and there.

361

00:19:24,770 --> 00:19:28,970

If you want to just look at your picture,

the color painting, because every painting

362

00:19:29,060 --> 00:19:31,550

that's ever done is going to be different.

363

00:19:31,820 --> 00:19:33,139

No two will ever look like.

364

00:19:33,660 --> 00:19:35,310

And that's what makes it so fantastic.

365

00:19:36,420 --> 00:19:39,450

You don't want your paintings

to just look alike there.

366

00:19:40,290 --> 00:19:42,660

All right, let's do, let's

start on this whole big tree.

367

00:19:42,990 --> 00:19:44,550

That's the fun part of

this whole painting.

368

00:19:45,720 --> 00:19:50,240

I'm going to load a fan brush,

which is midnight black to this

369

00:19:50,240 --> 00:19:54,740

midnight, black their cake.

370

00:19:54,740 --> 00:19:57,050

Now, then with the black Jess.

371

00:19:57,050 --> 00:19:58,730

So we have a basic shape in here.

372

00:19:58,760 --> 00:20:02,180

So all we have to do is just

sort of fill it in good and dark.

373

00:20:04,200 --> 00:20:04,710

There we go.

374

00:20:04,740 --> 00:20:06,750

Maybe it'll treat, maybe it

goes right on off like that.

375

00:20:09,140 --> 00:20:13,910

There, this is going to be a huge tree.

376

00:20:15,800 --> 00:20:18,230

I want to add this to be sorta gnarly.

377

00:20:18,770 --> 00:20:20,210

Is that a word gnarly?

378

00:20:20,990 --> 00:20:21,620

You know what I mean?

379

00:20:21,620 --> 00:20:22,280

All bumpy.

380

00:20:23,969 --> 00:20:26,459

Maybe it comes down, like maybe

there's yeah, let's do this.

381

00:20:26,520 --> 00:20:29,790

Maybe there's a big, old route to

comes re out here in the path nearly.

382

00:20:30,899 --> 00:20:33,300

Cause if you're walking down the

path here and you get tired of

383

00:20:33,300 --> 00:20:34,770

this, this is where you'd sit.

384

00:20:34,770 --> 00:20:36,540

And maybe you had a little picnic lunch.

385

00:20:36,540 --> 00:20:40,469

You could sit there and kick

back, put your foot up, watch

386

00:20:40,469 --> 00:20:41,459

the little squirrels play.

387

00:20:43,879 --> 00:20:46,790

Yeah, I like to do that.

388

00:20:47,689 --> 00:20:48,980

I'm a big time Hunter.

389

00:20:49,040 --> 00:20:50,449

I take my camera to the woods.

390

00:20:51,149 --> 00:20:54,389

Shoot him with a camera there.

391

00:20:56,389 --> 00:20:56,780

Okay.

392

00:20:57,020 --> 00:20:58,669

Do the other side of it would free.

393

00:20:58,939 --> 00:21:00,379

He comes down maybe like that.

394

00:21:01,909 --> 00:21:07,219

Maybe like, can this, tree's

got a lot of arms there.

395

00:21:09,949 --> 00:21:13,639

You decide how many arms you

want it to here and put them

396

00:21:13,639 --> 00:21:14,990

wherever you think they should be.

397

00:21:16,320 --> 00:21:19,080

And if you look around, maybe out in

your yard, you've got a big tree that

398

00:21:19,080 --> 00:21:20,250

you'd like to put in your painting.

399

00:21:20,260 --> 00:21:26,030

You can get a basic idea to basic shape

just from my tree and drop pet rascal

400

00:21:26,030 --> 00:21:30,200

in, and you're not committed trees grow.

401

00:21:30,470 --> 00:21:37,520

They're like people they grow just

about every way imaginable, every way

402

00:21:37,520 --> 00:21:43,100

imaginable and all are wonderful there.

403

00:21:43,550 --> 00:21:43,880

And then.

404

00:21:44,804 --> 00:21:46,784

I'd go back to my liner.

405

00:21:46,784 --> 00:21:49,544

Brush, put a lot of paint, thinner in it.

406

00:21:49,735 --> 00:21:54,645

Lot of paint thinner will

make us very thin, very thin.

407

00:21:55,395 --> 00:21:57,254

Now then maybe here and there.

408

00:21:58,034 --> 00:22:02,084

We'll just put the indication of a few

more little branches and stuff that

409

00:22:02,084 --> 00:22:04,304

are just sort of drip it off there.

410

00:22:04,824 --> 00:22:06,465

They just hang around

and have a good time.

411

00:22:08,314 --> 00:22:09,004

There we go.

412

00:22:11,405 --> 00:22:12,605

See wherever you want them.

413

00:22:14,070 --> 00:22:14,700

Wherever.

414

00:22:15,270 --> 00:22:19,200

And when you're doing this, don't just

try to copy, do what you want to do.

415

00:22:21,090 --> 00:22:26,370

Art painting should be very

individual, very individual.

416

00:22:26,370 --> 00:22:31,080

We all see nature through different

eyes and you should paint what

417

00:22:31,080 --> 00:22:34,140

you see, not what somebody else

tells you is right or wrong.

418

00:22:34,470 --> 00:22:36,150

Paint, what you want.

419

00:22:37,190 --> 00:22:40,520

Maybe there's a big old

fan that lives right there.

420

00:22:40,550 --> 00:22:42,290

Got to make those little

noises or it didn't work.

421

00:22:42,360 --> 00:22:44,310

Okay, there we go.

422

00:22:45,000 --> 00:22:46,169

See there he is.

423

00:22:49,460 --> 00:22:50,510

The more, the paint thinner.

424

00:22:51,050 --> 00:22:53,330

Maybe we'll have maybe

there's one over here.

425

00:22:53,330 --> 00:22:54,830

That just goes right on off the canvas.

426

00:22:55,909 --> 00:22:56,659

It doesn't matter.

427

00:22:58,699 --> 00:23:04,100

I say trees are so individual the way

that you want to that's the right way.

428

00:23:04,820 --> 00:23:04,970

Yeah.

429

00:23:04,970 --> 00:23:08,210

They will take a little dark Sienna

van Dyke Brown mix them together,

430

00:23:09,500 --> 00:23:11,000

but like, so we want it marbled.

431

00:23:11,669 --> 00:23:13,560

Pull across, get our little roll of paint.

432

00:23:13,980 --> 00:23:16,139

Now that this is the fun part.

433

00:23:16,139 --> 00:23:16,560

Touch.

434

00:23:16,889 --> 00:23:21,090

No pressure, no pressure that

it just float down the tree.

435

00:23:21,510 --> 00:23:22,200

Just float.

436

00:23:23,340 --> 00:23:26,250

Barely, barely touching, barely touching.

437

00:23:27,419 --> 00:23:32,490

Just float this whole tree lamb out here.

438

00:23:34,230 --> 00:23:35,070

Let him come down.

439

00:23:35,970 --> 00:23:36,540

I see you there.

440

00:23:38,490 --> 00:23:39,540

No pressure.

441

00:23:40,260 --> 00:23:42,510

I know you get tired of hearing

me say that over and over,

442

00:23:43,950 --> 00:23:45,060

but that's the secret to it.

443

00:23:45,090 --> 00:23:47,130

That's what makes it

paint break and look like.

444

00:23:47,130 --> 00:23:51,390

It is a fact that there is

no pressure on the knife.

445

00:23:52,920 --> 00:23:55,500

Just like, well, if you've

painted mountains with me in some

446

00:23:55,500 --> 00:24:01,530

of the previous shows to same

principle, no pressure at all.

447

00:24:03,149 --> 00:24:06,470

And if you learn to do that, then

you can use this knife to do well.

448

00:24:06,470 --> 00:24:09,570

You can do entire paintings from some

of the series we've done in the past.

449

00:24:10,290 --> 00:24:14,820

Entire paintings have been done using

nothing, but tonight I will take

450

00:24:14,820 --> 00:24:17,459

a little white and Prussian blue.

451

00:24:17,459 --> 00:24:18,600

I want a very dark blue.

452

00:24:19,590 --> 00:24:25,110

And over here on this side, I will put

just a little hint of blue and that's

453

00:24:25,120 --> 00:24:28,860

to indicate like a little reflected

light just plays through there.

454

00:24:30,240 --> 00:24:34,650

Just here and there and

go back, take her black.

455

00:24:37,760 --> 00:24:40,400

Then we can pull limbs over

the top of other limbs.

456

00:24:40,400 --> 00:24:44,180

You have to make decisions which

Lamb's in front, which one's behind.

457

00:24:45,080 --> 00:24:45,980

And you can do that.

458

00:24:47,240 --> 00:24:49,910

See that pulls that lamb

right directly in front.

459

00:24:49,910 --> 00:24:50,390

That easy.

460

00:24:52,095 --> 00:24:59,685

That is now fact, her little

half size, round brush, a little

461

00:24:59,685 --> 00:25:00,675

bit of the highlight color.

462

00:25:01,304 --> 00:25:04,905

And down here around his little

foot, we can begin putting in some

463

00:25:04,905 --> 00:25:09,435

little grassy things that live in

there, back in here, very dark.

464

00:25:10,425 --> 00:25:12,615

This is behind the tree

being a lot of shadow.

465

00:25:14,175 --> 00:25:16,395

Very dark go there.

466

00:25:18,990 --> 00:25:20,970

Just putting all kinds of,

I guess, a little brushwork.

467

00:25:20,970 --> 00:25:27,150

So, well, I don't know why I didn't

have it a long time ago there.

468

00:25:30,150 --> 00:25:31,890

I just let all those little things happen.

469

00:25:35,600 --> 00:25:39,050

And this is what began creating those

illusions of depth and distance,

470

00:25:41,420 --> 00:25:43,310

that air Waco, something like, so.

471

00:25:47,865 --> 00:25:50,715

We can take her line of brush a

little bit of that Brown and white,

472

00:25:51,435 --> 00:25:52,725

some of these larger Liam's here.

473

00:25:52,725 --> 00:25:54,554

You can put a little

touch of highlight on it.

474

00:25:56,175 --> 00:25:57,004

Something like Kevin,

475

00:26:01,985 --> 00:26:05,074

and sometimes you can get a little

crazy maybe right up in here.

476

00:26:06,754 --> 00:26:12,844

We just draw a little silhouette,

maybe little silhouette.

477

00:26:13,680 --> 00:26:19,470

Here's my little squirrel, but you

have a big bushy tail and he sits up

478

00:26:19,470 --> 00:26:21,210

here and he watches a whole world.

479

00:26:21,210 --> 00:26:23,160

Go by in this beautiful little forest.

480

00:26:24,450 --> 00:26:26,460

See just a little subtle light.

481

00:26:26,460 --> 00:26:28,320

That's probably Peapod

the pocket squirrel.

482

00:26:28,350 --> 00:26:30,180

We showed him in one

of the earlier series.

483

00:26:31,400 --> 00:26:32,060

All right.

484

00:26:32,180 --> 00:26:33,290

I think we're about to the point.

485

00:26:34,790 --> 00:26:35,660

We can sign this.

486

00:26:35,660 --> 00:26:39,230

We'll take a little red

come right down in here.

487

00:26:40,605 --> 00:26:41,355

And we'll sign it.

488

00:26:41,655 --> 00:26:43,335

Certainly hope you've

enjoyed this painting.

489

00:26:43,755 --> 00:26:45,225

Try these black Jesso paintings.

490

00:26:45,225 --> 00:26:47,955

I believe you'll find that

they work so fantastic.

491

00:26:48,585 --> 00:26:51,735

Even if you've never painted these

work for you from all of us here,

492

00:26:52,215 --> 00:26:53,535

I'd like to wish you happy painting.

493

00:26:54,225 --> 00:26:55,335

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E02 - Forest Edge

Bob Ross's

The Joy of Painting

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