Bob Ross's

The Joy of Painting

S24E06 - Mirrored Images

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Hey, welcome back.

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Certainly glad you could join us today.

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I thought today was just to a fantastic

little painting that I think you'll enjoy.

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So let's start out in having run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I

get going up here today.

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Today I have my standard old

pre-stretch double prime canvas,

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and I've just covered it with a

thin even coat of the liquid white.

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And as you know, the liquid white

is there just to make the canvas

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slick so we can literally blend.

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The color right up here on the canvas.

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So let's start out today with a little too

hinted brush and just see what we can do.

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We'll take a little bit of the thalo blue.

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Just take a poll, a little bit

of it out, very small amount and

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just tap the bristles into it.

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This is sure is a nice even distribution

of color all the way through the bristles.

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And that's what we're looking for.

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So let's go right up in here.

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Maybe we'll just start up here and just

make little crisscross strokes there.

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Blue was continually mixing

with the liquid white.

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So you get all the different variations

and it's very slick and it just, it

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slides right onto the canvas, the air

and make it a little more of the color.

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And we'll go over here on the other

side, we'll put some over here.

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We don't want it left.

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Yeah.

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Just making little Xs that

a little crisscross strokes,

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something about like that.

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Tell you what?

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Maybe, maybe today we'll

put a little cloud in there.

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I'm just going to leave little

areas, sorta open and that'll end

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up being a little, little cloud.

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Maybe.

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There we go.

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Now all I have that

all color on the brush.

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Let's have a little

water in this painting.

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If you've paid with me before,

you know, that water is one of my

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favorite subjects and I hope it

is your so let's, let's take that.

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Same blue is coming from the

outside toward the centers.

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Psych cells we'll have

somewhere down here.

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We don't really care

anything that we don't like.

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We'll just cover it up.

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Let's go on the other side.

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Paul from the outside there.

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If we leave her a little area unpainted

right in here, it looked like a sheen

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of light coming across the water.

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Now, this one thing that I'd

like to do in this painting is

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dark the edges a little bit.

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So it brings your eye into the

center of the painting for that.

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I'm going to use a little fallow glue

or I'm sorry, a little Prussian blue.

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Prussian blue is a darker blue there, a

little bit red over in the corners here.

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I'm going to put a little bit.

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Basically in all four corners just to

darken the corners up once again, that

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that will help bring everything when

you're looking at it in toward the center.

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All right.

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A little bit in the water also.

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We don't want him left out.

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There we go.

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Just a little.

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Over here is a little bit in there.

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Sad.

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And let's watch the old bricks.

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That's the fun part of

this whole technique.

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Scrubber brush with odorless

paint thinner and shake it off

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and just cover the whole room.

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Yeah, that's cover the whole row.

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That really is the fun part of this.

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Now with a clean dry brush, I

just want to begin blending this.

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I'm going to start in the light area

and blend outward toward the dark area.

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That way we will retain the

dark out on the outside edges.

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Now you can just beat the brush to

knock off excess paint that you pick

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up and you don't have to go through

the whole cleaning procedure again.

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There something about like on the bottom,

just very gently go all the way across

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something like, so, and we're ready now

then today, let me show you just a very

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simple, easy, little way of making some.

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Very effective clouds.

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I'm gonna use another two inch

brushes clean, and I'm just going to

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tap the corner just half the corner.

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You see it there until a little

bit of the titanium white.

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Okay.

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Now then using that same corner and just

the corner of the brush, I'm just going

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to tap in some very basic little shapes.

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Just tap.

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Just tap and the more you tap,

the more diffused it will become.

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So you have to make a decision about how

much you want or how little that you want.

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And this is a very individual

way of painting since we use

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no tracings or no patterns.

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Everybody's going to see it

a little bit different and

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that's what makes it wonderful.

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You don't want to just copy

what somebody else has done.

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See how easy that is.

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All you have to do is just tap.

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Little bit right in here.

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Maybe we'll have a huge cloud.

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This is a nice way of making

clouds for big seascapes, where

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you want, where you want the big

fluffy clouds out over the water.

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You can put all kinds of

little colors in issues.

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Let's take a little tiny, tiny amount of

Indian, yellow, just a very small amount.

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Just to give a little sparkle,

maybe a little sunlight.

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Right in there.

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Get that least little touch of lizard

and Crimson least little touch, but you

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can put all kinds of little flavors in

your clouds, all trends, a little colors.

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We just sort of let that disappear

right on, off into there somewhere.

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We don't care.

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But think about basic shapes

here just don't hit it random.

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And the more you tap once again, the

more diffused it becomes the softer.

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You can make clouds that are very

distinct this way, or just very,

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very soft that you hardly see.

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They almost blend into the sky.

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Now we'll take a little, take a little

Tayloe blue and a little dessert

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crims, and just mix it on the brush.

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Very, very small amount,

very small amount.

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And I'm just happy once again, maybe

at the base of this little cloud here.

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We'll just put it in a little bit

of color, something I'm going to

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tap to blend all that together.

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Just a little right in here.

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Okay.

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Now let me wash the old brush.

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I just like to wash the brush.

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All right.

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Shake it off and we'll

cover the whole crew again.

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Now, very gently.

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You can just tap and bring

all of these colors together.

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Something like, so they're

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this to sort of just disappear over here.

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So the more you tap once

again, the more diffuse it'll

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become the softer more gentle.

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Can we just disappears?

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Where the brush is clean

and dry, very lightly.

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Just tickle it.

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Just sort of make little tiny

using the top corner, little tiny

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crisscross strokes, just enough

to sort of blend it together.

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And it softens everything even more.

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There we are.

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Very very, very gently.

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We're just going to fluff.

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It lifted blended there.

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We got a little hair on there

with this, take the corner of

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the brush and lift him off,

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but didn't have a fantastic way

of making a gorgeous little cloud.

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And it's very easy.

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Even if you've never painted

before this one, you can do.

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All right.

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I thought today.

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We'd make some, some

little ranges of mountains.

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I've had quite a few requests for little

mountains that are soft and far, far away.

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And I want to show you an

extremely easy way to do it here.

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I'm going to mix the yellow, blue

and a little bit of a lizard.

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Crimson.

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Not much.

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I want this to stay mostly

blue, a little white with it.

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I want to make a, basically I'm

making a light blue with just a,

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just a hint of lavender in it.

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Something about like that.

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Cut off a little roll of paint.

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Let's go right up in here.

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And maybe back over in here, we

have a little mountain that lives

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weave back, something like that.

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They're very little paint and then

scrape the canvas just as firmly

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as you can take off all the excess.

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And we'll use a two inch brush

it's clean and dry and grab it.

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And you pull because the liquid whites

on the canvas, the paint will move.

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It will literally slide on there.

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And then we can just blend the base of

it out until it looks like it's just

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sort of floating around in the sky.

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That's what really makes it pretty.

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You always have missed at

the base of the mountain.

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And that's exactly what we're looking for.

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I'm just knocking off the excess

paint and then you can blend

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the entire thing very easy.

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And you can blame this to any degree

of softness that you want there.

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That old mountain just sets

up there in the clouds.

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And it really has a view and a K

and that's about all I'm going to

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do to that one, because if you put

a lot of detail, then it's not going

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to look like it's far away, it's

going to be come closer and closer.

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Same color.

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Just be a Crimson.

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They love blue and white, but now I'm

going into a little more of the Crimson.

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This has a little more purplish

hue, little roll of paint,

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right on the edge of the knife.

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Come right up in here.

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Let's come right here and do

another one right in there.

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We have a little mountain now

that lives right about there.

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This one's a little darker and a

little more into the lavender hue.

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And you put as many bumps and

ridges as you'd want on there.

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It's up to you.

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This piece of canvas truly is your world.

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And in your world, you have total power.

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Once again, scrape off

all the excess paint.

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The canvas is stained.

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You couldn't get that off

if you want it to now.

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So don't worry about

taking all the paint off.

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I don't believe you could, if you,

if you scraped all day there and once

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again, we'll begin pulling that out.

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But on this one, I want to begin

leaving some indications that

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there's highlights and shadows.

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It's a little closer.

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So maybe there's a little detail and you

can do that just with the brush strokes.

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Just using brush strokes, all it takes.

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You really don't have to do another thing.

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Other than the brushstrokes there

restaurants, that's an Hamburg newsletter.

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That's a lot of fun because in the

newsletter I'm allowed to talk and

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write about things that I'm not here.

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And I have unlimited time there, but see

how that sort of gives the indication.

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That you can see things happening in that

mountain without doing a thing there now.

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Shoot.

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Let's get crazy.

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We got a spot over here.

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I will take a little bit more of the blue

in the Crimson, same colors, same colors,

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more into the lavender hue now, but

darker each layer should get darker fact.

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You can add a little midnight

black in there if you really

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wanted to, to make it darker.

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If you've, if you've put white in

there and you want to save that color,

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our little reel of paint, once again.

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Let's get right up in here and maybe,

maybe I gotta make a big decision.

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Maybe there's a taller

one lives right there.

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It's up to you really.

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And truly it's up to you there.

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You just make them wherever you want

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there.

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This is a nice way of doing the mountains

and stuff that are in the Carolinas and

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all up through there, they are absolutely

gorgeous, absolutely gorgeous, especially

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up around Asheville, North Carolina.

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Ooh, you can get crazy there.

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This is a very simple way of

indicating those type of mountains.

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Once again, our large brush pool.

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Just pull it, but notice that it's darker.

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That's so important.

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I know you get tired of hearing me

say that, but if they're each, where

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does not get darker, as it gets closer

to you, you'll lose that illusion

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of distance and depth than you.

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Hey, did you know, I'm sort of

a fanatic for having distance

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in painting the depth in it?

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Okay.

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Once again, we can pull to

create those illusions of

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highlights and shadows in there.

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And sometimes you can take a

little bit of the original color.

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Maybe I leave Matt a little more

black that make it a little darker.

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Maybe you want to emphasize a

little thing here and there.

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Maybe there's another little thing,

little peak right here in the foreground.

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And you can do that just by adding

a little color in here and there,

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you can put a few little things.

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These are closer to you, so you would

see more and once again, take the

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big brush, grab it and just pull it.

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You're basically only worried

about this nice topic.

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Just what really makes it work there.

246

00:14:14,915 --> 00:14:15,845

Something about like,

247

00:14:22,110 --> 00:14:22,320

Ms.

248

00:14:22,320 --> 00:14:24,630

Can take a brush and tap it

right into the mountain color.

249

00:14:25,140 --> 00:14:28,320

Maybe, maybe there's a tree land or

where the trees grow up the side of

250

00:14:28,320 --> 00:14:29,610

the mountain here that we can see.

251

00:14:30,150 --> 00:14:34,620

So very lightly we can

just have just tap my cat.

252

00:14:36,540 --> 00:14:40,350

I want this to be a little fuzzy

on the top and then blend downward

253

00:14:40,890 --> 00:14:42,390

that you can lift slightly upward.

254

00:14:42,570 --> 00:14:45,450

It'll make it look like little trees

that live on the side of the mountain.

255

00:14:46,180 --> 00:14:47,940

We far away back here.

256

00:14:48,375 --> 00:14:50,265

Somewhere back in the distance.

257

00:14:51,555 --> 00:14:52,814

We don't even know where it's at.

258

00:14:53,895 --> 00:14:55,185

It's a secret little place.

259

00:14:55,785 --> 00:14:58,785

There it's a place for all

the little creatures hide.

260

00:14:59,444 --> 00:15:00,015

There we go.

261

00:15:03,240 --> 00:15:03,599

There.

262

00:15:04,349 --> 00:15:06,329

And sometimes you can watch here.

263

00:15:06,390 --> 00:15:09,689

You could just take this brush

form a whole nother little doer.

264

00:15:10,800 --> 00:15:12,959

Let your imagination take

you wherever you want to go.

265

00:15:14,310 --> 00:15:14,699

Take us.

266

00:15:14,699 --> 00:15:17,939

What's so fantastic about

painting is you can create any

267

00:15:17,939 --> 00:15:19,349

kind of world that you want here.

268

00:15:19,589 --> 00:15:20,280

It's up to you.

269

00:15:21,449 --> 00:15:22,709

There's no boundaries here.

270

00:15:24,319 --> 00:15:29,130

The reason I have so many young friends

that paint children have the most

271

00:15:29,130 --> 00:15:31,229

fantastic imaginations in the world.

272

00:15:32,295 --> 00:15:33,285

They're not restricted.

273

00:15:33,495 --> 00:15:40,215

They can do anything there,

something about like, so, and

274

00:15:40,215 --> 00:15:41,385

you can do layer after layer.

275

00:15:41,385 --> 00:15:42,135

Look at all the depth.

276

00:15:42,135 --> 00:15:43,035

This watch watch.

277

00:15:44,535 --> 00:15:44,954

I'm sorry.

278

00:15:44,954 --> 00:15:49,035

I get, I get carried away sometimes

with this, but it's exciting when

279

00:15:49,035 --> 00:15:57,045

you paint, you begin seeing so

many things, so many things there.

280

00:16:00,240 --> 00:16:04,980

Another whole plane, but now, maybe

this is getting closer to us and we were

281

00:16:04,980 --> 00:16:09,120

getting to the point now where we can

make out a little color, a little color.

282

00:16:09,120 --> 00:16:11,550

So I'll just take it same color

and go into a little bit of yellow

283

00:16:11,550 --> 00:16:13,620

Curry, a little bit CAD yellow.

284

00:16:13,980 --> 00:16:15,420

Maybe even get a little SAP green.

285

00:16:15,420 --> 00:16:16,070

Yeah, the brush.

286

00:16:17,270 --> 00:16:18,650

Just tap that right in there too.

287

00:16:20,030 --> 00:16:21,140

Maybe a little more of the green.

288

00:16:21,770 --> 00:16:22,610

Ooh, that's nice.

289

00:16:23,690 --> 00:16:24,290

That's nice.

290

00:16:24,320 --> 00:16:25,160

Let's go back up here.

291

00:16:26,075 --> 00:16:28,035

Maybe yes, right there.

292

00:16:28,695 --> 00:16:29,175

Right there.

293

00:16:29,205 --> 00:16:33,495

Look a little bit of

color green race growing.

294

00:16:33,525 --> 00:16:38,235

Oh, here they're beautiful little

Foothill that lives right down

295

00:16:38,235 --> 00:16:39,465

here at the base of this mountain.

296

00:16:42,875 --> 00:16:44,255

Come up my cabin right back there.

297

00:16:44,255 --> 00:16:47,675

So I can, I can look up and see

all of these gorgeous things.

298

00:16:49,385 --> 00:16:51,785

Cause you know, when you look across

a range of mountains, like yeah.

299

00:16:52,275 --> 00:16:54,405

Certainly God was having a

good day when he made it.

300

00:16:55,665 --> 00:16:57,885

And what's left on the

brush very little here.

301

00:16:58,305 --> 00:17:02,895

You can just take and put the indication

of a hint of color back in here.

302

00:17:03,165 --> 00:17:09,495

I don't want a great deal just to

hint, just a hint, a hint of green.

303

00:17:10,035 --> 00:17:10,545

There we are.

304

00:17:13,575 --> 00:17:14,175

Okay.

305

00:17:15,795 --> 00:17:17,745

But there's a tremendous

amount of depth in there.

306

00:17:17,745 --> 00:17:19,335

Now you can see back.

307

00:17:20,204 --> 00:17:23,415

All the way back to forever right there.

308

00:17:23,824 --> 00:17:27,425

Now let's reflect some of those

back into our water and I'll just

309

00:17:27,425 --> 00:17:28,564

use a little fan brush for that.

310

00:17:28,564 --> 00:17:31,294

I just want to show you

quickly how to, how to reflect

311

00:17:31,294 --> 00:17:32,314

some of those little things.

312

00:17:32,824 --> 00:17:33,845

Let's start with a fan brush.

313

00:17:33,845 --> 00:17:38,135

It has mostly the little blue on it,

and let's go back to this first one

314

00:17:38,135 --> 00:17:42,304

here, and we're just going to put

in a little basic shape idea here.

315

00:17:44,145 --> 00:17:48,255

I did a little color in very little.

316

00:17:48,555 --> 00:17:52,155

Can you now, the next one, we

went into a little more of the

317

00:17:52,455 --> 00:17:53,745

little more of the lavender hue.

318

00:17:53,745 --> 00:17:57,855

So I'll do the same thing with a fan

brush, get a basic idea of where this

319

00:17:57,855 --> 00:18:02,805

reflects there, something about like, so

320

00:18:06,285 --> 00:18:09,705

we just of play in a little

color right along like that.

321

00:18:13,920 --> 00:18:14,310

Okay.

322

00:18:14,310 --> 00:18:16,290

And then the last one was quite dark.

323

00:18:18,620 --> 00:18:21,379

So you just sort of, and these

have to be bigger, just like

324

00:18:21,379 --> 00:18:25,340

the ones on top of it are there.

325

00:18:26,840 --> 00:18:28,940

And if worse comes to worse, you

can always turn your painting

326

00:18:28,940 --> 00:18:30,110

upside down and do this.

327

00:18:30,110 --> 00:18:31,160

It might be a little easier.

328

00:18:32,850 --> 00:18:35,910

But we're not looking for an

exact representation cause I'm

329

00:18:35,910 --> 00:18:37,110

going to blend most of it out.

330

00:18:38,070 --> 00:18:40,260

I just want to reflect a

little bit into the water here.

331

00:18:40,740 --> 00:18:44,310

Not much just a little, but

there's very little paint here.

332

00:18:45,930 --> 00:18:49,590

Little paint here now then let me see.

333

00:18:49,590 --> 00:18:50,030

We'll take.

334

00:18:51,014 --> 00:18:53,355

There's I want to pull a little

of that color down into the water

335

00:18:53,355 --> 00:18:58,905

too, for that I'm just going to

pull straight down, straight down.

336

00:19:02,235 --> 00:19:06,915

I can brush with a little

bit of the green on it.

337

00:19:06,915 --> 00:19:09,345

So it has a hint of color

into the reflection.

338

00:19:09,345 --> 00:19:09,795

Also.

339

00:19:11,295 --> 00:19:13,725

Now, normally, who were doing

reflections, we pulled down.

340

00:19:15,150 --> 00:19:17,910

And we'll take a clean, dry

brush this time and pull upwards.

341

00:19:18,390 --> 00:19:20,460

Cause I don't want to pull all

those lines down into the water.

342

00:19:20,460 --> 00:19:25,560

I want to keep these fairly pure

on the edge and beat your brush off

343

00:19:25,890 --> 00:19:31,560

occasionally just to get rid of any

excess paint you can begin forming and

344

00:19:31,560 --> 00:19:33,840

shaping and it'll look like reflections.

345

00:19:34,110 --> 00:19:36,000

The whole range is reflected in there.

346

00:19:38,595 --> 00:19:42,185

I'm using quite a bit of pressure

and sorta experience a little

347

00:19:42,185 --> 00:19:43,835

bit, try a little pressure first.

348

00:19:43,985 --> 00:19:48,065

If I didn't work, try a little more,

it's easy to add more, but if you start

349

00:19:48,065 --> 00:19:52,385

off real firm and that's too much,

it's hard to go back and reverse that.

350

00:19:52,385 --> 00:19:53,225

So start with a little.

351

00:19:53,915 --> 00:19:58,775

And build up that very lightly

course cross very lightly.

352

00:20:03,385 --> 00:20:07,555

Just enough to ripple it a little

bit, give it a watery feel.

353

00:20:10,105 --> 00:20:10,525

Okay.

354

00:20:11,760 --> 00:20:15,360

And that's one of the simplest easiest

ways of reflecting things into the water.

355

00:20:16,379 --> 00:20:17,699

Let's take a little flight.

356

00:20:17,850 --> 00:20:21,629

I'm going to take a little dark

Sienna, maybe a little bit like

357

00:20:21,659 --> 00:20:23,010

Brown into, Oh, that's better.

358

00:20:23,220 --> 00:20:24,360

A little yellow ochre too.

359

00:20:26,490 --> 00:20:28,800

I want to make a little land

back here in the distance.

360

00:20:30,209 --> 00:20:32,220

So cut off her tiny little roll of paint.

361

00:20:32,429 --> 00:20:34,919

Very little come right along in here.

362

00:20:35,970 --> 00:20:42,270

And I'm just gonna put a hint of the

sand color back here, soil color,

363

00:20:42,300 --> 00:20:44,970

whatever you want to call it, there.

364

00:20:46,260 --> 00:20:46,980

Just what it looks like.

365

00:20:46,980 --> 00:20:48,000

It was a little bank.

366

00:20:48,030 --> 00:20:49,590

We back in a distance here

367

00:20:54,590 --> 00:20:56,660

in the little touch of the liquid white.

368

00:20:56,720 --> 00:21:00,170

I'll pull it out, very flat cut

across and here and there and

369

00:21:00,170 --> 00:21:02,840

there, and here we'll just put the

indication of a little waterline.

370

00:21:03,825 --> 00:21:06,735

And maybe even a few little things

that are sort of floating across

371

00:21:07,215 --> 00:21:08,504

right across the reflections.

372

00:21:09,945 --> 00:21:13,665

It helps look like you're something on

top and the reflections are underneath.

373

00:21:16,115 --> 00:21:16,745

There we go.

374

00:21:17,675 --> 00:21:20,465

Keep these lines basically straight

or to look like your water's

375

00:21:20,465 --> 00:21:21,935

going to run right out of canvas.

376

00:21:23,254 --> 00:21:25,625

Now, then let's get crazy.

377

00:21:26,935 --> 00:21:28,004

Let's get crazy.

378

00:21:28,455 --> 00:21:30,014

We got to put something

over here on this side.

379

00:21:30,764 --> 00:21:34,395

So let's take, let's take

clean off a spot to work.

380

00:21:34,395 --> 00:21:41,325

We're going to use some black

Prussian blue van Dyke will be even

381

00:21:41,325 --> 00:21:45,585

put some, put some alizarin Crimson

in there and a little set green.

382

00:21:45,615 --> 00:21:46,215

What the heck?

383

00:21:47,115 --> 00:21:48,524

Basically all your dark colors.

384

00:21:48,524 --> 00:21:52,125

Just throw them in your doesn't

matter, but might as well mix up a

385

00:21:52,125 --> 00:21:55,485

pretty good pile of paint now, then.

386

00:21:57,075 --> 00:21:58,335

So use the old fan brush.

387

00:21:58,365 --> 00:22:00,465

We'll go right into that and

then just load it full of color.

388

00:22:00,495 --> 00:22:02,025

We need a lot of color on the bristles.

389

00:22:02,715 --> 00:22:04,905

It's coming right up here in

the right corner, maybe in

390

00:22:04,905 --> 00:22:07,305

our world, their lives too.

391

00:22:07,875 --> 00:22:10,215

Maybe there's some little distant

trees we need back in here.

392

00:22:12,705 --> 00:22:14,265

And all we're doing is tapping downward.

393

00:22:14,355 --> 00:22:16,185

I just want the indication of trees.

394

00:22:16,185 --> 00:22:17,325

I don't want a lot of detail.

395

00:22:21,540 --> 00:22:24,270

Just indication of some

nice trees back in here.

396

00:22:26,100 --> 00:22:29,370

If you get too much detail it,

a remnant illusion of distance.

397

00:22:30,510 --> 00:22:36,570

So too much detail can also be

disturbing to the, I don't want

398

00:22:36,570 --> 00:22:37,560

to kill all the reflections.

399

00:22:37,560 --> 00:22:38,370

So let's go back.

400

00:22:40,890 --> 00:22:44,520

We'll fill all that up there

401

00:22:47,580 --> 00:22:49,170

and maybe it comes out on out here.

402

00:22:49,785 --> 00:22:55,645

Something about like, can

take a two inch brush.

403

00:22:55,705 --> 00:22:57,195

I'm just going to lift up it a little bit.

404

00:22:58,155 --> 00:22:59,775

Just sort of blends all that together.

405

00:23:02,175 --> 00:23:07,485

And while we have that colored board,

let's just pull straight down, pull

406

00:23:07,485 --> 00:23:09,105

the led color right into the water.

407

00:23:09,105 --> 00:23:13,185

It will reflect straight

down though, straight down.

408

00:23:16,410 --> 00:23:19,710

I didn't go across and that easy.

409

00:23:19,740 --> 00:23:21,210

We have instant reflections.

410

00:23:23,010 --> 00:23:23,940

Tell you what let's do.

411

00:23:24,090 --> 00:23:26,160

Shoot, maybe here in the foreground.

412

00:23:27,360 --> 00:23:28,860

There's some nice evergreens.

413

00:23:28,860 --> 00:23:33,330

We can see we'll take the all fan

brush, a little, little, little SAP,

414

00:23:33,360 --> 00:23:37,570

green, yellow, yellow ochre, Indian,

yellow touch, a bright red NAND.

415

00:23:37,570 --> 00:23:41,490

And the bright red is a

dollar makes colored dollar.

416

00:23:42,600 --> 00:23:44,820

And let's just put the

indication of something.

417

00:23:45,405 --> 00:23:48,285

Nice little evergreens that live

right here in the foreground and

418

00:23:48,285 --> 00:23:50,355

I'm making them a little lighter,

just so they'll stand out.

419

00:23:51,885 --> 00:23:53,895

Just so they'll stand

out in each one here.

420

00:23:53,895 --> 00:23:58,065

I'll vary the tone green a little.

421

00:23:58,305 --> 00:24:00,735

So they separate here and there.

422

00:24:00,735 --> 00:24:06,495

We'll add a little yellow ochre

stronger there, something like

423

00:24:06,495 --> 00:24:10,515

so saying maybe over in here.

424

00:24:13,155 --> 00:24:13,665

Isn't that neat.

425

00:24:14,070 --> 00:24:15,720

You can just put as many

as you want in here.

426

00:24:17,490 --> 00:24:20,160

Just to give that feeling

a little it down in here,

427

00:24:24,510 --> 00:24:32,050

maybe right there, something about

like yet reflect a little and would

428

00:24:32,050 --> 00:24:37,750

just sort of pull those down a little,

go across there, take her knife and

429

00:24:37,750 --> 00:24:42,020

back to that color we used for the

bank and let's just gently, gently.

430

00:24:42,570 --> 00:24:45,810

Laying the indication of a

little, little bank here too.

431

00:24:45,810 --> 00:24:48,209

We want some, for those little

trees to sit on back in there.

432

00:24:48,689 --> 00:24:49,350

They're too pretty.

433

00:24:49,350 --> 00:24:51,740

Not to have something back

here, hold them all up.

434

00:24:53,750 --> 00:24:58,310

Little touch of the liquid white,

clean up the edges, a little

435

00:24:58,669 --> 00:24:59,540

in here and there and there.

436

00:24:59,540 --> 00:25:01,970

And here you can scratch an

indication of some sticks and

437

00:25:01,970 --> 00:25:04,120

twigs and little things that live.

438

00:25:04,220 --> 00:25:04,790

I can there.

439

00:25:05,810 --> 00:25:09,350

Like, so now that I'm going

to have some real fun, we've

440

00:25:09,350 --> 00:25:10,520

got a minute or so left here.

441

00:25:10,875 --> 00:25:14,055

Take some Vandyke Brown and paint thinner.

442

00:25:14,325 --> 00:25:21,435

We'll put the paint thinner in it, make it

thin, make it then just defending Brown,

443

00:25:22,035 --> 00:25:27,075

put some black in it to own the dark,

but we're making this color point thing.

444

00:25:29,325 --> 00:25:30,105

There we go.

445

00:25:31,515 --> 00:25:37,425

And then I'm going to take white

and black to make a gray sort of a

446

00:25:37,425 --> 00:25:38,835

light gray and do the same thing.

447

00:25:39,645 --> 00:25:44,504

Put paint thinner in it to make

it quite thin, not real thin,

448

00:25:44,504 --> 00:25:46,965

but thinner that normally is

449

00:25:51,095 --> 00:25:51,935

okay.

450

00:25:54,305 --> 00:25:55,355

Show you what we're going to do with it.

451

00:25:55,355 --> 00:26:00,004

And just a second, maybe right out

here, there's a little land area.

452

00:26:00,485 --> 00:26:05,645

Take that same Brown color and just

dropping a little bit of land here.

453

00:26:07,260 --> 00:26:08,520

Something like, so

454

00:26:16,730 --> 00:26:16,910

yeah.

455

00:26:16,910 --> 00:26:21,500

Then I'm going to take an oval brush,

a little oval brush here, and I'm going

456

00:26:21,500 --> 00:26:26,210

to pull it through that dark color,

both sides, and then one side and we'll

457

00:26:26,220 --> 00:26:28,490

take right through that light color.

458

00:26:28,550 --> 00:26:34,040

And up in here, we're going to have maybe

some grade big stones that live here.

459

00:26:35,610 --> 00:26:41,189

Three big stones and we just put

several of them in here, but isn't

460

00:26:41,189 --> 00:26:44,879

that a fantastic way of making

a lot of beautiful big rocks.

461

00:26:45,719 --> 00:26:48,990

This is so you have a place to stand

and look at this gorgeous scene

462

00:26:50,669 --> 00:26:55,169

there, but in one stroke you can

make all the little goodies there.

463

00:26:57,060 --> 00:27:00,120

And maybe there's a few little grassy

things that have moved in out here.

464

00:27:00,510 --> 00:27:01,919

They live right out here on the rocks.

465

00:27:03,855 --> 00:27:06,405

It didn't have a nice little

painting shows you how you

466

00:27:06,405 --> 00:27:07,875

can do some super things.

467

00:27:08,055 --> 00:27:09,075

Hope you try this one.

468

00:27:09,735 --> 00:27:12,495

We're going to call that one

finished from all of us here.

469

00:27:12,735 --> 00:27:13,515

Happy painting.

470

00:27:14,175 --> 00:27:15,375

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S24E06 - Mirrored Images

Bob Ross's

The Joy of Painting

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