Bob Ross's
The Joy of Painting
S02E13 - Final Grace
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Hello.
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Welcome back again.
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This being the final show.
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Normally we devoted to a question and
answer period, but we've had so many
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cards and letters requesting that we
paint a little picture that you see
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on the introduction that I thought
we'd go ahead and do that today.
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I think most of the questions
in the problem areas we've went
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over somewhere during the series.
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If you have some questions that we
haven't answered, drop me a line and
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care of this station, and I'll be
glad to try to answer them for you.
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Okay.
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Let's paint.
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The one that you always see at the
beginning of the show, I'm going to start
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with a little bit of the little blue,
tiny bit of Vandyke Brown mixed with it.
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Okay.
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And we'll just start right up in here.
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Just making little crisscross patterns.
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This is a fun little picture.
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I think you'll really enjoy it.
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Just let it work down right here.
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Well, we have the brush dirty.
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I'm going to add a little
bit of fellow green to it.
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Just a small, small amount.
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Hey, we'll throw in some water.
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Okay.
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Now clean the brush.
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And we'll go back and
blend all this together.
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Okay.
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Start in the light area and
work upward into the darker
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areas and just move this out.
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This particular painting that
you've been watching has a
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lot of almighty clouds in it.
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There are a lot of fun to do.
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So I'm gonna go right into the
Prussian blue Vandyke Brown.
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Little touch of Crimson blue, Brown
Crimson, and we'll just taking it, just
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lay it all mighty cloud right in here.
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Just let it work around
and play and have fun.
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This may not be an exact duplicate of
what you see at the beginning of the
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show, because it's virtually impossible
to create an exact duplicate, but I'll
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try to show you all the steps in it.
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So you know how it was done and
you can do your own at home.
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All right.
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That gives us some nice cloud shapes.
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Clean the brush.
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Again, this is a nice one because
I get to clean the brush a lot.
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Okay.
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With a fan brush, titanium
white and a tiny, tiny, little
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bit of the permanent red image.
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Just to give it a little warmish
glow, a lot of pain in the brush.
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Now let's just.
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Go right above the dark
and lay in some highlights.
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There we are.
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No, hold on.
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I'm doing that one question.
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I will answer.
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We've got a lot of, a lot
of cards from the last show.
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My son was on that show in the last
one and he read the questions to me.
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So I'll tell you just
a little bit about him.
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He's just about 18 years
old, six foot four.
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He's a black belt in karate.
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It's bad when you have to ask
permission to spank him, but he
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couldn't be with us this time.
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He's getting ready to set up a class.
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He would travels with me and
teaches this fantastic method.
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So maybe if we come to your
town and demonstrate or
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teach, you'll get to meet him.
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I hope you enjoy him as much as I do.
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They're
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just.
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Outlining the clouds now very quickly
with a large brush, just blend the
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bottom out, leaving the tops on effected.
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Don't touch them.
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They're just the bottoms.
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Don't overwork these things.
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They're very, very easy to overwork.
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Now.
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Very gently.
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We lifted up just sort of fluff it
and don't worry if you pull some
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of these little stringy things
up in this guy, they'll go away.
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Clean dry brush, just gently blended.
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Very gently.
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Almost let her hair touch a canvas.
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There we go.
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Okay.
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Now we had a Ridge of mountains in
that painting, and this is probably the
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most complicated and hardest mountain
to do, and it looks the easiest.
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So that's, that's what tricks here.
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Blue Brown, little touchy
Crimson, and we'll just very
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quickly throw in the basic shape.
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Very, very little paint here.
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Very little paint,
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and really push it into the canvas.
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Okay.
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Now with a large brush, I'm just
going to take and pull it down just to
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take off all that excess loose paint.
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And to blame the color out on the canvas.
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There we are.
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Now we'll take a little bit of the
titanium white, pull it up very flat,
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tiny, tiny, tiny, little bit of paint.
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And just begin thinking where
you think light will strike this.
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Almost no pain on the life.
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Very very little just where you
think the light will strike.
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We are maybe a little bit over in here.
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Yeah.
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For the shadow.
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I'll use a little bit of
blue and Brown and white.
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There we go.
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Just to make sort of a bluish gray color.
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And then we can lay some of that
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in there once again, very little paint.
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And we just sorta bring all this
together that all these little
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things start happening in here.
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You're doing this at home.
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You can put all kinds of
little details in here.
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They sorta get upset.
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If I go over 30 minutes
here and yell at me a lot.
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So just want to give you a
brief idea of how this was done.
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Yeah.
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Maybe there's a little something
that plays right along in here,
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just like, so, and you can put these
little peaks and stuff wherever you want.
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This one.
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You're very quiet, soft little
mountain as far, far in the distance.
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Okay.
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Maybe a little shadow right in
here somewhere now with a clean,
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dry brush, I'm going to just
tap the bottom here and diffuse.
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It don't want to destroy it.
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Just diffuse it just like in all
the other mountains, we've done.
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Always follow your ankles
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and then lift up.
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We're still following the angles most
important that you follow those angles.
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Just bring all this together.
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And that gives us a nasty little
Ridge of mountains back here.
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Okay.
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Let's come forward and I'll use the
same colors that was pressuring blue.
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Bandag Brown, a little bit of lizard
Crimson and let's take and put an
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all mighty mountain right up in here.
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Just let it go.
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Push that paint into the canvas, get
strong with it and really push it in.
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I want this one to be darker
because it's closer to us.
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So I use a little bit more paint
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and then pull it just to get
that excess paint off here.
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Right?
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Okay now clean up the brush.
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Okay.
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Yeah, a little bit more of the
titanium white and we can lay some
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little highlights right along here.
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Just let it flow with the mountain.
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Follow the angles in your mountain.
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and this is a very, very delicate touch.
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Very delicate too.
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Gotcha.
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It'll snow laying right along there.
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And for the shadow color, we'll
take some impression blue.
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Vandyke Brown.
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Let me make us up a shadow color.
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We want this shadow color to be lighter
in value than the base coat that
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we've put on it so that it stands out.
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And we can just lay in some happy
little shadows here and there.
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Just let them roll off your knife.
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All right.
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Okay.
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Now once again, with a clean dry
brush will diffuse the bottom
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lift upward to create the Misty effect.
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We're ready to move right along.
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Now,
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I'll take just a little bit of the
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Prussian blue Vandyke Brown
and SAP green, and about equal
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parts, blue, Brown, and green.
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There we are.
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That'll be our base color
for our trees and stuff.
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And let's take the fan brush loaded,
full of paint, and we can begin laying
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in just little indications here.
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Yeah, there we go.
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Just keep the brush moving,
keep them moving there.
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Okay.
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We'll make a little
Foothill right through here.
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Just drop the exam
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in wherever you think they should be.
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That's where they should be.
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There's one.
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And it's funny how you can do this and
it looks like just hundreds of little
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trees back here, and it's so simple.
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And if you want to make it look like
they're getting farther and farther
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away overall, let them get a little bit
smaller and we can begin putting in some
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ground area underneath them, just like, so
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now we had a few of them.
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It was a little bit closer,
a little more detail in them.
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That looks like a good one
to bring a little closer.
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So we'll just take it, give him some
little branches, just back and forth with
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a fan brush, making it bend downward.
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Maybe, maybe, maybe you can,
you can put one right there.
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there we go.
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Just bring him right on down the forward.
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And it helps create the illusion
of distance in the painting.
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With the large brush, grab the
bottom of this and begin pulling
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downward down, down, down, down.
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And this is where you make your
reflections and have a general
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idea of where your shoreline
is going to be come across.
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Okay.
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We'll take a little bit of magic right
now with a touch of Vandyke Brown in it.
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Just mix it up.
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Good.
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And we can begin laying a
little water line in here.
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Keep these lines basically straight.
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So your water didn't
run out of the painting.
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Nothing's worse than having a wet floor.
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Cause the water run out of your painting.
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Now I want to, I want to make a separate
little projection right out here.
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So all I do is take a little
dark, just bring it right on out.
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I can see how easy that is.
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Grab a hold of it, pull a little bit down.
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So we have some reflections for that part.
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Cross back to our magic weight.
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We can throw a happy little
water line right in there.
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Maybe there's a couple little
ripples on the water here and there.
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There we go.
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Yeah, let's take a little.
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The magic, a little
yellow and some SAP green.
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It makes a lot on your brush and we can
put a few little highlights in here.
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Just touch it, follow right down that
angle that you have darker, darker,
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darker as it comes around the Hill.
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You want to talk to be the brightest
and gets darker as it comes around.
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So it makes it look round this way.
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Maybe there's a little back in here.
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There we go.
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Now we can begin putting
in some trees and stuff.
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Let's have a nice treat right here.
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I think I'll just continue to
use a fan brush today since
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I've already got it dirty.
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Just lay it in.
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Here we are.
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These little trees live right there.
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And your fan brush, you just got
to outsmart them, push them out.
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Maybe there's one right there,
back and forth with a fan brush.
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I use the same corner of the brush
all the way through the tree.
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Just to add more pressure
as we work downwards.
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Okay.
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Don't want this one to get lonely.
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We'll give him a friend
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here we are.
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And I think, I think we had a large
one on the other side, so let's
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come right over in here and would do
an almighty tree right along here.
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There we go
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there.
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A lot of paint on the brush.
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Just let it work off your brush
and it flow right on down.
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Okay.
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Hi bro.
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She's getting too slow.
250
00:16:32,865 --> 00:16:34,545
Let's let's get into whole brush here.
251
00:16:34,605 --> 00:16:38,415
I'll use the large one and just go right
through this same color and let's just
252
00:16:38,415 --> 00:16:45,405
pop us in some new bushes and trees
and stuff, just like, so, and while we
253
00:16:45,405 --> 00:16:50,595
have paint on the brush, just reverse
it and drop some right into the water.
254
00:16:50,655 --> 00:16:55,275
That'll end up being our
reflections, a little more paint.
255
00:16:56,280 --> 00:16:58,920
And we'll let this one just
wander right on down the canvas.
256
00:17:01,250 --> 00:17:01,459
So,
257
00:17:08,480 --> 00:17:09,169
okay.
258
00:17:09,919 --> 00:17:10,849
Clean the brush up.
259
00:17:17,929 --> 00:17:18,440
Give it a good one.
260
00:17:19,879 --> 00:17:22,310
Now let's put some trunks in those trees.
261
00:17:22,310 --> 00:17:23,389
I'll use some burn number.
262
00:17:24,105 --> 00:17:30,975
A little touch your white in it, and
let's go right up here and let's put
263
00:17:30,975 --> 00:17:32,445
a happy little trunk here and there.
264
00:17:37,415 --> 00:17:38,495
Just touch here and there.
265
00:17:45,455 --> 00:17:45,784
Okay.
266
00:17:46,145 --> 00:17:47,495
Let's scratch a few little limbs.
267
00:17:51,585 --> 00:17:52,135
Okay.
268
00:17:52,545 --> 00:17:57,165
Let's have a little SEF green and
yellow mixed on the fan brush.
269
00:17:57,765 --> 00:17:59,835
And let's highlight these
trees just a little bit.
270
00:18:01,425 --> 00:18:04,365
Now, if your light's coming from the
right, you want the right side of the tree
271
00:18:04,365 --> 00:18:05,595
to be a little brighter than the left.
272
00:18:07,775 --> 00:18:08,075
Okay.
273
00:18:09,035 --> 00:18:10,895
Don't kill all that beautiful dark color.
274
00:18:13,565 --> 00:18:14,885
Leave that dark in there.
275
00:18:15,845 --> 00:18:17,105
Otherwise it'll be flat.
276
00:18:19,350 --> 00:18:21,480
You want to mention the
depth in these paintings?
277
00:18:25,500 --> 00:18:25,650
Okay.
278
00:18:25,660 --> 00:18:28,530
Let's go over to this whole big
one over here and give him some
279
00:18:28,530 --> 00:18:29,940
nice little shiny highlights
280
00:18:34,450 --> 00:18:35,100
everywhere.
281
00:18:39,660 --> 00:18:40,950
Clean up the pan brush.
282
00:18:46,340 --> 00:18:51,950
now clean brush would just pull
these reflections down to drop
283
00:18:51,950 --> 00:18:54,290
them in the water, go across
284
00:18:58,100 --> 00:19:01,910
and we'll use a one inch brush,
a little bit of the yellow
285
00:19:03,950 --> 00:19:07,280
and SAP green and mixed load.
286
00:19:07,280 --> 00:19:08,660
A lot of pain into the bristles.
287
00:19:10,460 --> 00:19:10,930
Push those.
288
00:19:11,355 --> 00:19:13,155
Pretty little leaves right off the brush.
289
00:19:19,235 --> 00:19:20,555
There's another one right there.
290
00:19:20,945 --> 00:19:22,625
If you wanted to reflect
him into the water.
291
00:19:22,655 --> 00:19:25,835
So all you gotta do is drop him in.
292
00:19:28,265 --> 00:19:29,355
Maybe not a nice one, right?
293
00:19:29,405 --> 00:19:29,515
Yeah.
294
00:19:29,515 --> 00:19:30,065
I'm here.
295
00:19:31,625 --> 00:19:36,545
Like, so now let's go over in
the other side of the canvas.
296
00:19:40,980 --> 00:19:43,320
And let's put a happy
little Bush right there.
297
00:19:48,740 --> 00:19:51,560
Yeah, just a touch, more within paint.
298
00:19:54,830 --> 00:19:56,330
Just so it sticks a little easier.
299
00:19:57,800 --> 00:19:59,240
Put a little Bush right in here.
300
00:20:00,649 --> 00:20:01,610
Oh, there's a nice one.
301
00:20:04,340 --> 00:20:05,000
Just let them.
302
00:20:05,625 --> 00:20:06,705
Fall right off your brush.
303
00:20:09,875 --> 00:20:10,475
Okay.
304
00:20:10,865 --> 00:20:15,995
Now with the fan brush, we've used
a little, the magic, quiet, little
305
00:20:15,995 --> 00:20:18,335
yellow, and a little SAP green.
306
00:20:19,835 --> 00:20:21,935
Maybe we'll even throw a little
old crew in there just to break
307
00:20:21,935 --> 00:20:25,655
it up a little and we can put some
nice little grassy areas in here.
308
00:20:32,105 --> 00:20:33,725
She has little soft things happening.
309
00:20:35,370 --> 00:20:40,440
Maybe maybe, maybe we need a little
stone, some dirt showing through, so
310
00:20:40,440 --> 00:20:43,860
we'll just take some Bandag Brown,
let it break and play through there.
311
00:20:46,740 --> 00:20:51,240
And we'll highlight it with some Brown,
white and blue, very little blue.
312
00:20:51,240 --> 00:20:52,650
The light blue is strong.
313
00:20:54,330 --> 00:20:56,040
Just enough to give us
a little bit of color
314
00:21:00,530 --> 00:21:01,550
and then bring it together.
315
00:21:03,735 --> 00:21:05,205
Just bring it all together.
316
00:21:12,785 --> 00:21:13,025
Okay.
317
00:21:13,025 --> 00:21:14,465
Now, same thing over here.
318
00:21:14,525 --> 00:21:15,605
Let's just bring them together.
319
00:21:23,075 --> 00:21:25,865
Let's take and put some little
reflections into the water.
320
00:21:29,820 --> 00:21:34,860
Now with a clean dry brush and the
lightest touch imaginable, pull straight
321
00:21:34,860 --> 00:21:40,740
down and very, very gently go across to
make those nice mirrored reflections.
322
00:21:43,650 --> 00:21:50,040
We can take a little bit of
the Vandyke Brown, put us a
323
00:21:50,040 --> 00:21:51,240
bank over here on this side.
324
00:22:00,555 --> 00:22:04,805
Little touch of highlight here
and there, just here and there.
325
00:22:07,715 --> 00:22:10,295
Now with the fan brush, we can
bring all that back together.
326
00:22:16,595 --> 00:22:17,825
It's coming along quite well.
327
00:22:18,705 --> 00:22:21,254
A little bit of magic white to
make us a waterline underneath it.
328
00:22:26,764 --> 00:22:33,004
once again, if there's something that
you want to see in future series, please
329
00:22:33,004 --> 00:22:34,895
drop us a line, let us know what you are.
330
00:22:36,365 --> 00:22:37,895
And we'll certainly
try to come up with it.
331
00:22:40,325 --> 00:22:44,105
If it's not within my knowledge
to do it, we'll should go see if
332
00:22:44,105 --> 00:22:45,395
we can find somebody that can.
333
00:22:48,510 --> 00:22:48,900
Okay.
334
00:22:48,990 --> 00:22:50,940
We'll just scratch a few
little trunks here and there.
335
00:22:57,780 --> 00:22:58,440
Like, so
336
00:23:03,270 --> 00:23:09,990
one or two over here and there
now with the liner brush and
337
00:23:09,990 --> 00:23:11,640
a little bit of the Brown.
338
00:23:14,070 --> 00:23:15,450
Little bit of oil on the brush.
339
00:23:15,960 --> 00:23:16,560
There we go.
340
00:23:18,060 --> 00:23:21,510
Let's just throw a quick
little happy tree right there.
341
00:23:22,020 --> 00:23:22,260
Mr.
342
00:23:22,260 --> 00:23:23,760
Volvo, still slay in there.
343
00:23:27,620 --> 00:23:30,470
I think we had one in the painting
that you see in the opening.
344
00:23:35,120 --> 00:23:35,810
There we are.
345
00:23:36,300 --> 00:23:37,160
Something like that.
346
00:23:50,975 --> 00:23:55,625
I think we're about ready for a
signature on this one, a little
347
00:23:55,625 --> 00:23:59,855
bit of an oil permanent red.
348
00:24:01,054 --> 00:24:03,905
Bring the brush to a nice sharp
point with very thin paint.
349
00:24:06,075 --> 00:24:07,635
And let's just go right up in here.
350
00:24:10,215 --> 00:24:11,774
Put a happy little signature in here.
351
00:24:25,655 --> 00:24:27,754
once again, it's very
nice to have a short name.
352
00:24:28,385 --> 00:24:30,274
Only takes a second to
sign these paintings.
353
00:24:31,905 --> 00:24:33,795
And I think we'll call
that painting finished.
354
00:24:35,295 --> 00:24:40,055
And I'd like, I'd like to take a few
minutes of your time if I may and tell you
355
00:24:40,265 --> 00:24:44,915
how very much we appreciate you allowing
us into your home, we hope you've enjoyed
356
00:24:44,915 --> 00:24:48,815
this series and something that you never
see that I'd like to take a minute.
357
00:24:49,385 --> 00:24:52,535
I'd like to thank all the fantastic
people here at this TV station
358
00:24:53,075 --> 00:24:54,395
that have made this possible.
359
00:24:55,025 --> 00:24:57,305
You don't see all the people
that are behind the cameras.
360
00:24:57,990 --> 00:25:00,810
That worked very hard to bring
you a quality production show
361
00:25:01,889 --> 00:25:03,270
and they too deserve credit.
362
00:25:03,929 --> 00:25:07,979
So right here in publicly now, I would
like to tell each and every one of them
363
00:25:08,129 --> 00:25:11,370
from the bottom of my heart to that, thank
them for everything they've done for us.
364
00:25:12,600 --> 00:25:17,070
And I thank you more than anyone
for enjoying and watching our show.
365
00:25:17,070 --> 00:25:19,649
We sincerely hope that we
teach you something here.
366
00:25:20,370 --> 00:25:23,459
And once again, let us hear from you,
let us know what you want to see.
367
00:25:24,750 --> 00:25:29,879
And on behalf of all of us
here, We really hope to see you
368
00:25:29,879 --> 00:25:31,530
again in the very near future.
369
00:25:32,550 --> 00:25:35,639
We wish you the absolute
best that life has to offer.
370
00:25:37,379 --> 00:25:40,050
Once again, have a super day.
371
00:25:40,530 --> 00:25:41,220
God bless.
372
00:25:41,460 --> 00:25:42,960
We look forward to seeing you again.
373
00:25:43,889 --> 00:25:44,310
Bye-bye.
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