Bob Ross's
The Joy of Painting
S19E12 - Evening's Peace
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Hi, welcome back.
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Certainly glad you could join me today.
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Tell you what today.
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Do a little scene that maybe
is nighttime in winter.
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That that'd be something
a little different.
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And we get a lot of letters,
people asking, how do you do
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a nighttime winter type scene?
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So I show you how easy that is to do.
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Let's start out having brought all
the colors across the screen that
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you need to paint this little picture
at home while they're doing that.
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Let me show you what I've done up here.
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As you can see, I have
a black canvas today.
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And we make it black by
painting it with black Jesso.
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And that's an acrylic paint.
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All you do is put it all the way
over it, let it dry completely.
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Then I've taken and
covered it with a thin.
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Let me repeat that word.
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Thin coat of liquid clear.
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And on top of that, I've covered
the entire canvas with a mixture of.
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Fellow blue and midnight
black, more black than blue.
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I just want to sort of a blue, gray color.
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Okay.
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That's all there is to it.
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And we put the clear on there only
to make it easy to put, to apply this
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from dry color over the top of it.
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And that way we also don't have to put as
much paint as you normally would on there.
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Okay.
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Let's start off the day
with the old two inch brush.
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What the heck?
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Be brave and we'll go right into
a little titanium white, and we
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don't need a lot of color today.
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Just a little titanium white,
and let's go right up here, have
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to make a decision right off.
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If it's going to be a night scene, maybe
we're going to have a little moon up here.
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So you have to decide where that's
going to be, because that's going
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to be the lightest spot in your sky.
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And we'll just start making
little crisscross strokes, like,
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so start in that light area.
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In Flint outward, always blending,
outward, outward, outward there,
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and I want it to get darker
and darker and darker as we
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move away from that light area.
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See how it's picking up at
color underneath and all
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these beautiful things happen.
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As I've mentioned in several other
series before, if you're painting for
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family or friends, and you're going
to do one of these black canvases with
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a black Jess on it, put the color on
before you start doing your demonstration
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for your family or your friends.
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And when he touch it with white,
all these colors will appear.
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My gosh, people think it's,
they think it's magic.
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We do that a lot of times when we're doing
demonstrations in public and people are
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so excited when they see this happen.
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So spectacular there, something about
like, so can you wash the old brush
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off and did you know we who wash
her brushes with odorless thinner,
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odorless thinner, and I really,
really recommend you use odorless.
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Fair, shake it off.
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There we go.
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I get letters all the time from people
and they say, I went to the hardware
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store and I bought some odorless
thinner, the art store, and I got
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home opened it and it stunk bad.
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Even if it says odorless, I
would suggest you take the lid
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off before you purchase it.
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And give it a good sniff and
see that we can go back and
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make this as light as we want.
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You can, you can go back in here several
times, if you wanted to and make this as
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light as you want, or you can leave it as
dark as you want, depending on what your
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mood is or what you think it ought to look
like there, but always start with a clean
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brush in the light area and work outward.
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There we go.
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No, I really don't want it
much brighter than that.
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If it gets much brighter than that.
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It's going to look like it's high noon.
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Okay.
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Now I'm going to wash the brush
one more time and wound more time.
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I just like to wash this brush.
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They're happy.
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Sure.
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It's as dry as possible.
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Now, then I just want to
blend all this together.
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Just blending there.
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So it's quite dark around the edges here.
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Okay.
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You sure your brush is dry.
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It's not.
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If you hit this with a wet brush, it's
going to cut right through your paint
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and expose all the black it's underneath.
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All right.
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We'll just take the brush, strokes out.
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I like that right here in this light
area, let's just take her finger.
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It would just finger paint a little bit.
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We'll come right up here and just
make a little circle, like so
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everywhere all you have to do then
with a clean, dry brush, very gently.
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Just go over that and you can blend
it once again to any degree of
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lightness or darkness that you want.
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I think that's good enough
for today now, then.
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Let's take her.
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We use a fan brush.
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Let's go right in that scene color.
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We put on a canvas.
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That's just a mixture of fallow blue and
midnight black, more black than blue.
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And maybe we have some little
clouds floating around here.
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This various little cloud lifts her
right about there and all we do, and
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she was in the corner of the brush
and making tiny little circles.
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Tiniest little circles or you
can just do it, like, yes.
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Just make little rocking,
strokes, little strokes there.
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Maybe the clouds we go all
the way up in here somewhere.
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We don't know where they go.
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Don't know that we even
care at this point.
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This is just fun painting.
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So let it, let it be fun.
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Enjoy painting should make you happy.
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It shouldn't make you happy.
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The other thing is so fantastic about
painting is it teaches you to see
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it teaches you to, to notice nature
and to see things that I've had
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people write over and over again.
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They say Bob has been a tree living
out here in my front yard for 25 years
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and never paid any attention to it.
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And I, I started painting a
little bit and son of a gun.
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Now I noticed that tree and they're
shaping his form and it's a whole
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new world that's opened up just
because of stress painting teaches
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you that to really see things there.
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Yeah.
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Then we just take clean dry brush.
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I'm just going to sort of
blend that a little, basically.
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All we're doing here is
taking off loose color.
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And blending it together.
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All right.
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And you can pull and move
that paper because it's weird.
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It has the clear underneath and the wet
paint underneath and you can move it.
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Now.
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I have several old fan brushes going, so
we'll take another one here, take a little
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white, a little blue and black on it.
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A little more white.
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Ooh.
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Something like so nice.
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Okay.
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Let's go right up here.
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Maybe we'll put a little
highlight on some of these.
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Now remember on these black canvases
color shows up much, much stronger
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than it does on a white canvas.
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I don't overdue.
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Be careful.
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Be careful.
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It'll just jump right up here
and eat up your whole world.
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There we are a little bit right in here.
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Decide where you think.
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A little light would strike on
these clouds, drop them in streaks
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here and there all kinds of
little beautiful things happening.
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Just to follow your imagination there.
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Maybe, maybe right under here,
little lights under here.
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Highlights.
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Shoot, maybe there's
even a big old fluffer.
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It lives up in here,
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but just by making these tiny
little circles, you can create
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all that fat, easy, easy.
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This one here and wants a little highlight
on it needs to be a little brighter there.
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It shows
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just enough to get it, to show
that's all we're looking for.
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Okay.
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Good.
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Clean, dry brush.
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And we can go back and we can
stir this up a little bit.
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Just stirred up.
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And then we'll blend it.
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Blended, blended, blended, any degree
of darkness that you want, because
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the more you blend this, the darker
it's going to get, you can continue
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to blend it till it goes away.
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Just leaves you.
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There we go.
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And that gives us a just
pretty nice little evening sky.
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And that's one of the easiest ways that
I know to make a nighttime sky is a very
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effective using these black canvases.
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Now that may be back here.
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Let me find.
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Yeah, we use the go round brush day.
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What the heck, I'll go
right into that dark car.
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Maybe there's some little bushes
and stuff that live right back here.
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Just going to tap right into the paint.
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See tap firmly, tap firmly.
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This is my new gold brushes.
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See that nice gold hair.
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And I'm a beautiful.
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Beautiful now, then let's just go
right in here and let's just put in
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some very basic little Bush shapes.
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Dark color was standing
right out against that.
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Maybe there's a little
bullshit lives, a little tree.
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He lives right here.
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There we go.
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Easy.
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Hope you get to see all the paintings
we showed in the earlier show.
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This series that people have sent
in, I'm just, I'm always tickled to
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death to see what people are doing.
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They send us some of the
most fantastic photographs.
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So if you're painting, if
you have time drop us a line.
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Shoot.
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I'd love to hear from me anyway, but
since then, since we have photographs
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and of what you're doing, I read every
letter that comes in and we answer
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every letter that requires an answer.
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So you have time drop us a line.
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It's nice to hear from people who were
watching and who are enjoying some success
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with this, but take a little bit of
a, the same black, blue, little white.
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Got another brush going here.
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I have several DC, but I'm just
going to tap firmly, tap some of
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that color right into the bristles.
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All right.
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Just reach over here
and get a little more.
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Just tap it.
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So there's two it, now
that I've been here.
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Here's her light source.
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Very gently go right above
that dark and begin laying in
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just some little highlights.
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Look at that son of a gun sparkle that
easy, you can make a beautiful little
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tree and I'm painting it a little
bit brighter than I normally would.
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So it shows up better.
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So at home, when you're doing
this, you painted any degree of
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lightness or dark that you want.
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So I say, I want it to show up when
you said, so I'm painting a little
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brighter than I normally would.
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As we work away from the light
area here, I'm going to start
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adding more dark to that.
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So it gets darker and darker
little individuals back here.
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There we go.
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This Brown brush is fantastic
though for making these type of
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trees and little distant things.
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All right.
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And you can create the illusion of layers.
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It's gone the other side for
a minute, right over in here.
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There we go.
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We don't want this little tree left out.
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He'd get angry with us.
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Nothing worse than an angry tree.
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Okay.
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Tree chased all over the yard.
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One time with one.
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I see there, create layers.
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See that tree is definitely
in front of that one.
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And you do that just by leaving
little dark areas in between there.
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Maybe it is another
little tree right there.
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It looks like thousands of little
snow covered leaves or ice fog.
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If you're from Alaska.
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It's a beautiful country, got to go
back and see all my friends are pretty
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soon, but just layer after layer,
after layer, look at the depth that's
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already in there just from doing that.
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You can just take a knife and scrape
through, let a little black show through.
244
00:13:02,625 --> 00:13:05,295
If you want to make the indication
of a few, little trucks are in there.
245
00:13:06,315 --> 00:13:07,035
Just like so.
246
00:13:09,195 --> 00:13:10,005
Wherever you want them?
247
00:13:11,325 --> 00:13:14,085
Maybe we find a, yeah,
we use a two inch brush.
248
00:13:14,085 --> 00:13:14,565
What the heck?
249
00:13:14,745 --> 00:13:15,765
Pick a little titanium.
250
00:13:15,795 --> 00:13:20,165
White, just pull the brush right through
there and get a little white on it.
251
00:13:20,605 --> 00:13:24,705
Doesn't matter if it even has a
little blue and black in it, just
252
00:13:24,705 --> 00:13:26,265
like, so can I ask you a pair?
253
00:13:26,795 --> 00:13:28,095
Got to make a big decision here.
254
00:13:28,125 --> 00:13:29,775
Where does our snow live?
255
00:13:30,585 --> 00:13:31,725
Let's just come right in here.
256
00:13:31,875 --> 00:13:32,685
Put a little snow.
257
00:13:34,095 --> 00:13:37,995
See that's going to pick up all of those
fantastic colors that are on the canvas.
258
00:13:39,255 --> 00:13:42,165
And beautiful things will
happen automatically.
259
00:13:43,145 --> 00:13:43,655
Look at that,
260
00:13:47,464 --> 00:13:49,255
starting out smaller and
letting it disappear.
261
00:13:49,265 --> 00:13:50,194
Been here already.
262
00:13:50,194 --> 00:13:54,454
It gives the impression of depth
and distance in the painting sneaky.
263
00:13:54,454 --> 00:13:54,665
Huh?
264
00:13:57,064 --> 00:13:57,545
There we go.
265
00:13:58,415 --> 00:14:01,175
And the more you work, this, the
darker it's going to become of course.
266
00:14:02,224 --> 00:14:02,854
Okay.
267
00:14:04,185 --> 00:14:06,375
Now that maybe there's
a big tree in our world.
268
00:14:06,855 --> 00:14:07,995
We'll find a round brush here.
269
00:14:08,895 --> 00:14:10,485
Go right back into that dark color.
270
00:14:12,735 --> 00:14:13,545
Yeah, right here.
271
00:14:15,475 --> 00:14:16,064
Come right here.
272
00:14:16,665 --> 00:14:17,835
Right up into the sky.
273
00:14:17,835 --> 00:14:20,055
There lives in our world.
274
00:14:20,145 --> 00:14:21,314
Great, big old tree.
275
00:14:28,050 --> 00:14:30,810
Shoot just drop them in wherever
you think they should live.
276
00:14:37,079 --> 00:14:37,949
Let's go on the other side.
277
00:14:37,949 --> 00:14:39,390
Maybe there's a bigger one over here too.
278
00:14:39,390 --> 00:14:42,300
This sorta bring everything
in and there's a nice one.
279
00:14:42,390 --> 00:14:43,020
There's right here.
280
00:14:43,050 --> 00:14:46,920
Maybe he's not quite as big,
but substantially bigger
281
00:14:46,920 --> 00:14:47,579
than the rest of them.
282
00:14:50,969 --> 00:14:51,750
You know what we're gonna do?
283
00:14:51,750 --> 00:14:54,150
Maybe tell you what I got an idea.
284
00:14:54,870 --> 00:14:55,439
Got an idea.
285
00:14:55,650 --> 00:14:56,430
Maybe back here.
286
00:14:57,300 --> 00:14:58,080
Let's just do this.
287
00:14:58,290 --> 00:15:00,000
Maybe there's a little cabin back here.
288
00:15:00,900 --> 00:15:01,980
Sit here, watch how you use it.
289
00:15:01,980 --> 00:15:04,080
You can do this on these canvases.
290
00:15:06,120 --> 00:15:09,780
I just scrape out a basic shape
and it removes that excess paint.
291
00:15:11,250 --> 00:15:11,670
Okay.
292
00:15:12,330 --> 00:15:19,500
Take a little Brown, make the back
edge like, so come straight down.
293
00:15:22,060 --> 00:15:23,340
Gives us a front.
294
00:15:26,715 --> 00:15:32,385
What did she use that same blue,
quite colored, a little highlight on
295
00:15:32,385 --> 00:15:36,525
there, there just a little highlight
296
00:15:40,275 --> 00:15:40,935
little door.
297
00:15:41,055 --> 00:15:44,895
Can I have a place to get around there?
298
00:15:45,315 --> 00:15:48,675
And that's super the little Kevin,
maybe there's, maybe there's
299
00:15:48,675 --> 00:15:49,875
a light on the window, too.
300
00:15:50,005 --> 00:15:51,645
Little yellow, a kid yellow.
301
00:15:53,025 --> 00:15:54,255
Put a little window in there too.
302
00:15:54,705 --> 00:15:55,395
The one over here.
303
00:15:57,435 --> 00:15:58,395
And there's somebody at home.
304
00:16:00,765 --> 00:16:01,725
Somebody is at home.
305
00:16:01,755 --> 00:16:03,045
Maybe they got the dinner cooking.
306
00:16:03,105 --> 00:16:03,855
We don't know.
307
00:16:04,325 --> 00:16:04,475
Okay.
308
00:16:07,325 --> 00:16:07,865
Okay.
309
00:16:07,865 --> 00:16:13,535
A little bit of titanium, white,
a little snow on the roof.
310
00:16:14,895 --> 00:16:16,185
A little bit on the other side.
311
00:16:18,155 --> 00:16:21,335
And that just gives us a
very simple little cabin.
312
00:16:21,335 --> 00:16:25,925
We back here and put a few little
bushes right around the bottom.
313
00:16:25,925 --> 00:16:26,285
There
314
00:16:30,185 --> 00:16:30,455
that'll help.
315
00:16:30,485 --> 00:16:33,185
I lied on those bushes and he
pushed that cabin right back into
316
00:16:33,185 --> 00:16:35,195
the right back into the woods.
317
00:16:35,315 --> 00:16:37,415
That easy little white grab it.
318
00:16:37,655 --> 00:16:37,925
Cool.
319
00:16:39,990 --> 00:16:41,760
Bring a little snow right up to the cabin.
320
00:16:44,100 --> 00:16:44,550
Look at that.
321
00:16:44,790 --> 00:16:48,810
See how easily you can just put your
little house in wherever you want.
322
00:16:56,460 --> 00:16:56,610
Now.
323
00:16:56,610 --> 00:16:59,580
Maybe tell you what possess and farm.
324
00:16:59,580 --> 00:17:02,160
We'll take a little touch
of their lizard and Crimson.
325
00:17:02,189 --> 00:17:05,910
Mix it with a little
touch of the blue blue.
326
00:17:07,814 --> 00:17:11,175
Let me just make some on the
brush, a little bite, Crimson,
327
00:17:11,175 --> 00:17:16,724
white blue, when to make a very
dark lavender color, the Crimson.
328
00:17:16,724 --> 00:17:17,234
Okay.
329
00:17:17,385 --> 00:17:21,844
Just to change the flavor a
little let's right up here.
330
00:17:22,629 --> 00:17:25,180
We'll put some highlight
some of this tree.
331
00:17:25,240 --> 00:17:26,560
I want it to stay a little darker though.
332
00:17:26,859 --> 00:17:31,889
Cause it's, it's further
away from the light source.
333
00:17:33,480 --> 00:17:34,710
I want it to be darker.
334
00:17:36,450 --> 00:17:37,110
There he is.
335
00:17:39,570 --> 00:17:40,139
Big old tree.
336
00:17:40,139 --> 00:17:41,639
He just hides back here and watch it.
337
00:17:41,639 --> 00:17:42,310
Everything is good.
338
00:17:42,330 --> 00:17:42,389
Yeah.
339
00:17:46,230 --> 00:17:47,100
All right.
340
00:17:49,710 --> 00:17:52,640
We can put, maybe there's a
little snow behind back here,
341
00:17:53,720 --> 00:17:55,010
but it's going to be much darker.
342
00:17:57,150 --> 00:17:58,430
Don't want to get too bright on you.
343
00:17:59,870 --> 00:18:01,550
Set that tree right down in the snow.
344
00:18:07,850 --> 00:18:10,010
He may be over here on this
one on the other side, maybe
345
00:18:10,010 --> 00:18:13,100
that's Oh yeah, go ahead.
346
00:18:14,925 --> 00:18:21,825
Good Rascals just live right there
in the brush I can't do was just
347
00:18:21,825 --> 00:18:25,245
sort of tap them out sometimes.
348
00:18:25,245 --> 00:18:26,865
It's nice to take some dark color.
349
00:18:27,885 --> 00:18:31,485
If you have some black, it's put a
little pressured and blue in there.
350
00:18:31,995 --> 00:18:33,044
That'll really darken it up.
351
00:18:33,585 --> 00:18:34,455
Maybe in our world.
352
00:18:34,935 --> 00:18:35,685
Let's go right here.
353
00:18:36,225 --> 00:18:36,945
Maybe in our world.
354
00:18:36,945 --> 00:18:38,625
There lives little evergreen tree.
355
00:18:42,105 --> 00:18:44,985
You're just pushing upward
with a corner of the fan brush.
356
00:18:46,875 --> 00:18:47,534
There we go.
357
00:18:47,865 --> 00:18:49,725
Just a very dark little evergreen
358
00:18:53,835 --> 00:18:54,165
there.
359
00:18:57,615 --> 00:19:00,705
Let's see, we can take another
fan brush, take a little white,
360
00:19:01,665 --> 00:19:02,835
little blue, little black.
361
00:19:03,735 --> 00:19:03,825
Okay.
362
00:19:05,295 --> 00:19:09,375
Go back in here, put in just
indication here and there a few
363
00:19:09,375 --> 00:19:10,515
little highlights on a tree.
364
00:19:10,515 --> 00:19:13,475
I don't want a whole bunch too dark there.
365
00:19:13,955 --> 00:19:19,655
Something like, so you can put as many
or as few trees in there as you wanted
366
00:19:23,345 --> 00:19:25,415
and begin creating the
lay of the land here.
367
00:19:31,105 --> 00:19:36,615
As I say, as I mentioned earlier, I hope
you got a chance to see all this pictures
368
00:19:36,615 --> 00:19:38,275
of the paintings that people had sent him.
369
00:19:38,385 --> 00:19:41,865
They'd done at home, just from
watching the show every once in
370
00:19:41,865 --> 00:19:45,105
a while, we pick out a few of
these and Sean and our newsletter.
371
00:19:45,645 --> 00:19:49,305
So another way that you get an opportunity
to see what other people are painting.
372
00:19:50,370 --> 00:19:53,130
Super super job that a
lot of people are doing.
373
00:19:58,990 --> 00:20:02,250
If you want to ever change the lay of the
land when you're painting snow, like, yes,
374
00:20:02,250 --> 00:20:04,350
I got to do is take a little bit of color.
375
00:20:04,350 --> 00:20:05,370
It's a little bit lighter.
376
00:20:06,030 --> 00:20:07,920
Maybe, maybe you want a
little Hill right here.
377
00:20:08,040 --> 00:20:10,450
Just go, gotta make the noise.
378
00:20:10,450 --> 00:20:13,740
So you put a little Hill.
379
00:20:14,865 --> 00:20:19,915
Let it flow right off, over there,
and that's all there is to it.
380
00:20:19,925 --> 00:20:21,655
And it creates another
plane in your paying.
381
00:20:24,185 --> 00:20:25,115
It's that simple.
382
00:20:26,945 --> 00:20:27,725
You want to get crazy?
383
00:20:28,325 --> 00:20:31,685
Tell you what, maybe this was a
little farm, something setting out
384
00:20:31,685 --> 00:20:35,795
here and maybe back in here, the
old farmer has his, has his barn.
385
00:20:35,795 --> 00:20:39,155
Once again, I think I'll just
scrape that a basic shape.
386
00:20:43,860 --> 00:20:44,850
Very very basic.
387
00:20:46,159 --> 00:20:47,459
This is much closer to you.
388
00:20:47,520 --> 00:20:49,050
So it's perspective wise.
389
00:20:49,050 --> 00:20:52,560
It's going to look much
bigger, much, much bigger.
390
00:20:54,149 --> 00:20:58,530
I think that'll give us enough paint
removal so we can get this to stick.
391
00:20:59,489 --> 00:21:02,459
We'll put in little Vandyke Brown.
392
00:21:02,459 --> 00:21:07,229
First of all, then we can begin with
just putting in the front of this barn.
393
00:21:09,330 --> 00:21:11,340
Maybe this is old farmers like me.
394
00:21:11,340 --> 00:21:14,729
He's not, he's not too good
at keeping, keeping things up.
395
00:21:15,179 --> 00:21:18,270
Not, not real keen on
that maintenance stuff.
396
00:21:18,870 --> 00:21:20,310
I let mine sort of get behind.
397
00:21:21,750 --> 00:21:26,030
I don't have a barn, but I let
my maintenance get by there,
398
00:21:29,209 --> 00:21:31,310
there, then we take a little bit of.
399
00:21:32,355 --> 00:21:38,055
Dark Sienna, little titanium, white,
like sit together and leave it marble,
400
00:21:38,085 --> 00:21:39,495
cut off our little roll of paint.
401
00:21:40,575 --> 00:21:41,535
Then we can go right up here.
402
00:21:42,675 --> 00:21:43,815
No pressure.
403
00:21:43,875 --> 00:21:46,725
Just allow that to just sorta graze it.
404
00:21:48,345 --> 00:21:49,725
Just allow it to graze it.
405
00:21:52,275 --> 00:21:53,805
Slide right down like that.
406
00:21:55,315 --> 00:22:00,014
Now I'm going to use some white with
some of the blue and black in it,
407
00:22:00,105 --> 00:22:03,014
and very carefully come down too.
408
00:22:04,145 --> 00:22:04,504
Yep.
409
00:22:10,295 --> 00:22:18,125
And just begin putting in the basic shape
for our roof over and down and over.
410
00:22:18,125 --> 00:22:21,275
And this side, of course, we have to
have a little snow showing over there.
411
00:22:22,715 --> 00:22:23,225
Here we go.
412
00:22:26,025 --> 00:22:28,065
Just like so many of you
tell you what you got.
413
00:22:28,065 --> 00:22:28,665
We got that going.
414
00:22:28,665 --> 00:22:29,265
Let's get crazy.
415
00:22:29,265 --> 00:22:30,405
Maybe there's a little shit at it.
416
00:22:30,425 --> 00:22:30,605
Yeah.
417
00:22:33,905 --> 00:22:37,505
So all you had to do is just come
right in there and then a little white
418
00:22:38,825 --> 00:22:41,585
go back to our Brown come underneath.
419
00:22:44,705 --> 00:22:46,565
How you can add on to buildings.
420
00:22:46,865 --> 00:22:47,435
It's that easy.
421
00:22:48,300 --> 00:22:49,050
That easy.
422
00:22:49,230 --> 00:22:50,970
You can do anything on this canvas.
423
00:22:53,250 --> 00:22:59,610
And I can't add any on
there that highlight color.
424
00:23:01,300 --> 00:23:04,080
If you want to show a little
indication over here, be very little,
425
00:23:04,200 --> 00:23:05,909
be too dark to show much anything.
426
00:23:06,540 --> 00:23:10,590
Very, very dark, very dark.
427
00:23:14,129 --> 00:23:19,740
You to make it look like old boards, just
take a little dark Sienna, go like, so
428
00:23:21,600 --> 00:23:29,730
create the illusion of boards a little bit
over here and we need a door, gotta have
429
00:23:29,730 --> 00:23:36,870
a place for the old cow to get maybe the
doors right there, like, so, and we can
430
00:23:36,870 --> 00:23:39,000
just make out a little edge on that door.
431
00:23:41,610 --> 00:23:43,470
Here we are, outline it a little bit.
432
00:23:43,470 --> 00:23:47,070
So it shows up to learn business.
433
00:23:47,070 --> 00:23:49,740
Now we can come right down
here, do a bar and act to me,
434
00:23:50,820 --> 00:23:52,020
cut it off where we want it.
435
00:23:53,610 --> 00:23:54,840
Just wherever we want it.
436
00:23:56,659 --> 00:24:02,580
Go back to our titanium white, go
right up to the bottom and pull.
437
00:24:04,800 --> 00:24:05,909
And then you just blend it.
438
00:24:06,300 --> 00:24:07,379
Just blend it out.
439
00:24:10,350 --> 00:24:10,770
There,
440
00:24:13,830 --> 00:24:16,290
sit there a little bit right here.
441
00:24:20,550 --> 00:24:25,290
Once again, the more you blend
this, the darker it'll be Kevin.
442
00:24:25,300 --> 00:24:26,360
Cause it picks up the color.
443
00:24:29,440 --> 00:24:30,070
And there we go.
444
00:24:30,270 --> 00:24:34,470
Just take a clean, dry brush
and just blend that there.
445
00:24:38,550 --> 00:24:39,750
That's a rough looking old barn.
446
00:24:39,750 --> 00:24:41,040
They've had a bad winter here.
447
00:24:41,040 --> 00:24:44,610
I can tell bad winter
448
00:24:48,149 --> 00:24:57,750
now then maybe, maybe, maybe we'll
get a little liquid white right here.
449
00:24:58,169 --> 00:25:03,959
I'm going to take some of that dark
Sienna, maybe a little, a little touch
450
00:25:03,959 --> 00:25:07,850
of the Crimson in there too much Crimson.
451
00:25:08,270 --> 00:25:14,240
Let me start over the liquid
white little dark Sienna.
452
00:25:15,435 --> 00:25:16,245
That's better.
453
00:25:16,274 --> 00:25:17,895
Just wanted to touch it at Crimson.
454
00:25:19,345 --> 00:25:20,085
I've mentioned before.
455
00:25:20,085 --> 00:25:22,935
Sometimes that Crimson or red
will just eat up your whole
456
00:25:22,965 --> 00:25:24,825
world and just a heartbeat.
457
00:25:25,905 --> 00:25:26,385
Okay.
458
00:25:26,445 --> 00:25:30,645
We'll take our liner
brush go right into here.
459
00:25:31,905 --> 00:25:37,845
I can get a lot of Vandyke Brown on the,
on the liner brush, so it's very dark.
460
00:25:38,595 --> 00:25:40,935
And then we'll take him go one side.
461
00:25:41,864 --> 00:25:43,155
Right to that thin color with me.
462
00:25:43,185 --> 00:25:48,495
So we have dark on one side, light
on the other, maybe right up here.
463
00:25:48,935 --> 00:25:51,245
Maybe there's an old fence,
part of an old fence.
464
00:25:51,995 --> 00:25:54,544
So just touch and pull down.
465
00:25:55,985 --> 00:25:57,514
And then here's another rail.
466
00:25:58,455 --> 00:25:59,165
Another one.
467
00:25:59,524 --> 00:26:03,574
How many won't want to go over the
Hill can do that, but just making
468
00:26:03,574 --> 00:26:04,625
them look like you're shorter.
469
00:26:05,495 --> 00:26:06,844
It'll go right over the Hill.
470
00:26:09,330 --> 00:26:10,860
Put some old rails across here.
471
00:26:14,280 --> 00:26:18,660
Put a little more color on
her brush and here we go.
472
00:26:19,770 --> 00:26:20,490
Just let them go.
473
00:26:21,780 --> 00:26:23,040
It goes right on over somewhere.
474
00:26:23,130 --> 00:26:24,060
We don't know where it goes.
475
00:26:25,500 --> 00:26:26,670
Maybe here's one that's broke.
476
00:26:26,700 --> 00:26:27,240
Who cares?
477
00:26:28,920 --> 00:26:31,590
Cal broke out one, one day
when he was having a bad day,
478
00:26:33,180 --> 00:26:34,350
a little touch of liquid white.
479
00:26:35,969 --> 00:26:37,590
A little snow right up on top of these.
480
00:26:42,979 --> 00:26:44,179
Take a little dark Sienna.
481
00:26:44,659 --> 00:26:48,469
No, wait, maybe there's a few little weeds
that live right around the bottom here.
482
00:26:49,969 --> 00:26:56,000
Something like, so just here and
there, few around the old barn and
483
00:26:56,840 --> 00:26:58,100
we about got a finished painting.
484
00:26:58,550 --> 00:26:59,300
We'll sign that one.
485
00:26:59,985 --> 00:27:00,675
Call it done.
486
00:27:00,975 --> 00:27:02,115
Hope you've enjoyed this one.
487
00:27:02,595 --> 00:27:06,435
It'll show you how to use the black canvas
to create some very nice night scene.
488
00:27:06,435 --> 00:27:07,095
So try it.
489
00:27:07,515 --> 00:27:07,865
Thank you.
490
00:27:07,885 --> 00:27:11,505
Like it from all of his hair,
I'd like to wish you happy
491
00:27:11,505 --> 00:27:13,665
painting and God bless my friend.
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