Bob Ross's

The Joy of Painting

S04E01 - Purple Splendor

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Okay.

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hello, I'm Bob Ross.

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And I'd like to welcome you to the fourth

joy of painting series, but the next 13

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shows I'll be your host as we explore

this fantastic method of painting.

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And this, this is your first time with us.

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I think you'll find this a very

exciting method of oil painting.

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We're going to take here and use

some very simple tools, a dozen

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colors, and I'm going to show

you how to do fantastic things.

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So let's start out here and I'm

going to cover the entire canvas

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with a thin even coat of magic.

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Quite now, magic white is a liquid

paint that makes the canvas wet,

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makes it slick and allows things

to happen right here on the canvas.

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We allow color to blend on the

canvas rather than worrying

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about mixing it on the canvas.

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So that's go here, use long, horizontal,

and vertical strokes to make sure

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you have a nice even distribution

and magic quite across the canvas.

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There we go.

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And we're ready to go.

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And today I'm going to use

a very, very limited pallet.

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We're only going to use about four colors

and I'm going to have them graphically

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run those colors across the screen so you

can pick them up at home and they will

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come across your screen in the same order.

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That I have them on my palette, starting

with a titanium white and working

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around, okay, let me wash the brush.

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And we wash our brushes with odorless

paint thinner, and I have a screen

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in the bottom of my candidate.

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I scrubbed the brush against to remove

the paint, shake off the excess.

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Here we go.

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S most fun part of it.

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Okay.

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Today let's mix up a purple color

and I'll take a lesbian Crimson.

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I might as well mix up

a pretty good batch.

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We're going to be using it all through

this little painting and they low blue.

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Now the blue is many, many times

stronger than the lizard and Crimson.

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So use very little, very little in

comparison to the Crimson there.

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And we'll mix this pretty thoroughly.

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Okay.

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Pick the paint up off the pallet and

turn it over when you're mixing it.

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That assures that it's mixed.

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Very thorough.

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That's very hard to tell

what color you have here.

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It just looks black.

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So let me wipe off the knife and we'll

take a little bit of white and then

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we'll touch that and we'll check it.

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We'll see what we have here.

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And if that's the color that we're

looking for and that's pretty good color.

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So we'll use it.

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So now with a large two

and a half inch brush.

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I want to take just a little bit

of the color on the brush and

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really work the paint into the

bristles, work it into the bristles.

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So you have a nice even

distribution of color and let's

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go right up here to the canvas.

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And I'm gonna start right at the

top of the canvas and make little

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crisscross strokes, little Xes.

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Now, if your color is not right, when you

get to this point, stop and correct it.

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Okay.

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Yeah.

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It's easy to make a sky darker, but

as a son of a gun to make it lighter.

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So he was very little paint.

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You could always add more, go

all the way across the top, using

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the little crisscross strokes

and begin blending downward.

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Now your colors mixing with a magic

white and automatically it gets

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lighter as it goes toward the horizon.

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And that's what we're

looking for in a landscape.

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Things should get darker in

value as they get closer to you.

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Can you move?

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Take a little more color.

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Let's go right up here.

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Still making the little crisscross strokes

and blend downward so that it gets much,

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much lighter right here at the horizon.

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Okay,

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there we go.

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And very gently.

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We'll just plan that out now.

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Hold on.

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I've got the color on the brush.

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I'm going to load a little

bit more and we'll have some

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water down here at the bottom.

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And one thing about water.

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If it's still water, it's always flat.

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So Paul from the outside, in,

outside in, and keep these

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strokes as straight as possible.

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It'll make you water

flat, make it lay down.

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Okay.

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Now we'll come from the other

side, do the same thing.

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There we go

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and very gently, very, very

gently or blend all this together.

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This is three hairs and some air

just very early caressing the canvas.

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And as I say, if this is your first

time joining us, you'll notice that we.

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We do not do any tracings.

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We use no patterns.

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We just sort of let these paintings flow

right out of her heart and you can too.

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That's what makes it so fantastic.

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Okay.

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Let's clean the brush.

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Once again, we use odorless paint thinner.

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There we go.

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Alrighty.

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Let's use the fan brush

some today and I'm gonna go.

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Right back in here and I'm gonna use this

same, same dark color and figure it out.

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Maybe there's a free line

that lives right there.

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There it is.

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And all I'm doing here is

touching the canvas and pulling

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down touch and pull down.

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I'll try to hold the bright

sideways so you can see that

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close up touch and pull down.

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Okay.

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And we just sort of let

this wander head on back.

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And we're still using the same

purple color lavender color.

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Purple there.

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Just let it fade right on

into nothing over here.

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Let's bring his little Hill.

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I know this is going to be

a little Hill right here.

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I see a little Hill, bring it down, just

like, so, and then lift gently upward.

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I'm just touching, lifting

straight up, straight up.

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Good.

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Now I want to create the illusion of mist.

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So we'll take the large

brush and very gently.

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I'm going to tap the bottom of this.

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Just happy.

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There we go.

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Okay.

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Now after you get a tabbed

and have it very Misty lift,

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gently, upward, very checklist.

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And that'll soften it to make it look just

like it was missed in this far, far away.

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And you can solve that to any degree that

you want it, any value that you want.

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Okay.

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Now, good several fan brushes going a day.

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So I don't have to stop and clean

them in between each operation.

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And I'm going to take a fan brush

and go right into some titanium white

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and we'll begin deciding where our

little Hill's going to be back here.

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And maybe let's go right up here.

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Maybe the little Hill comes right here

and we'll just use a fan brush today.

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You can put this on with a knife,

you could do it with a fan brush

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and make it very, very soft.

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And you begin worrying about the lay

of the land, all of those angles.

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And we'll put a little white over here

and then take a little touch of that.

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They look blue and add to it.

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This will be some of our

shadow colors in the snow.

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Probably with the brush full

of paint, lots of paint.

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Now, very lightly.

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Just lay some of this in just

tearing there, create some, some

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shadows in yourself, fairly, very

soft, very gentle, or very far away.

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And just visualize this in your mind.

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This is your world.

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You create the illusions that you want.

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so you already had, it looks like you're

something far, far away, back here.

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We've only been working for a second and

sometimes when you're painting, do you

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allow paintings to get so complicated

that they bother you work with simplicity?

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Sometimes, sometimes simplicity is a city.

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There we go.

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Maybe, maybe we back here in the distance.

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Maybe there's a little cabin.

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And so let's take, we'll use a knife

here, a little bit of titanium white

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and get a small roll of paint on the

knife right out here on the edge.

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There we go.

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And figure out where you want the

roof for your little cabin to be.

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And let's say, let's say

maybe the cabin is going to be

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right here, right about here.

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So you touch and pull.

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Just touch it and pull gives

you, gives you the roof for

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your cabin touch and pull.

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Just let that paint slide

right off your knife.

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Go.

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Now we need to do the other side of the

Kevin, the other side of the Eve of Paris.

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So we'll use the small edge.

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Yeah.

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And we can just that easy.

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But the other side though, Okay.

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Now let's go into some Vandyke Brown and

we can begin working with some detail here

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that maybe there's an Eve right there.

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One stroke going across, and

we need a front on this little

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cabin near we, our other side.

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And this is where you

begin to straighten him up.

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Getting like you want him and side here.

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That'll be it.

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Okay, now we can straighten out the front

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and we'll take a little bit of little

bit of Brown and white and we'll make the

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front of the cabin a little bit lighter.

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Barely, barely touch.

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Barely, barely touch.

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Let's make it look like a wood and

we'll go back with a little bit

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of the dark, put some shadows in.

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I, it look very old.

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And we need a door in that cabin.

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So I'll take just a tiny bit of the

Vandyke Brown on the knife, and we'll

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put a little door, just pull across.

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That's all there is to it.

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And we need some highlight

around the door so that easy

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we'll highlight around the door.

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Maybe this is an old slab cabin, so we'll

just cut some slabs in here that simple.

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All right.

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And we got a pretty good looking

little cabin going there.

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Now we can straighten the bottom out

by just scraping off this excess paint.

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This is sort of how you shape you.

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Kevin can check your angles,

make sure they're just right.

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And you can take an adult a little bit of

paint just to make nice firm edges here.

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This is just a little bit

of the titanium point.

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Yeah.

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And maybe we'll have a snowbank

coming down the side here.

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So let's get rid of some of this Brown.

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I can't.

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And we'll go back to our fan brush and

back into some titanium, white with

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a little bit of halo blue into it.

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We'll put a shadow right here.

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Let it come right down

the side of the cabin.

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I be careful right in here.

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You don't want to hit that Brown and pull

a big bunch of Brown down into snow Brown.

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Snow is worse than yellow snow.

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Here we go.

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shadow right in there.

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You want to put the indication

that there's a little

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path coming from the door.

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So we just take a little blue and

just sort of scrub it back and forth.

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Fourth, call it.

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And we don't know where this goes.

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Just let it go.

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But it have fun.

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Don't follow that lives here needs

a way to get up to his cabin.

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And maybe, maybe he had a few little

animals here and had to have a fence.

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So let's build a little fence and I'm

going to take my liner brush and dip it

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into a thin oil and go right into the van.

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Dyke Brown.

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I want the paint to be very, very thin.

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Normally we work with a paint it's

very thick and consistency because

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one of our golden rules at then

paint will stick to a thick paint.

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So we've got a thick paint on

the canvas and I can take this

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thin paint and stick it on top.

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And I turned the brush

to bring it to a point.

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The liner brush has a very long

bristles, holds a lot of paint.

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So let's go right up here.

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And maybe the little cap,

little fence, maybe, maybe,

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maybe, maybe it's right there.

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And we put in some little posts and

this is far away and maybe there's a

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little Hill right here and it just goes.

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Just come on over.

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I dunno where to heal and we need some,

some boards across the old fence posts.

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And these are just indications.

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This is far away.

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Don't want to get too much detail

it around the illusion of distance.

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Now we can go back with a little bit

of titanium white on the fan brush.

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and justifying that looks like at fence

goes right over the Hill somewhere

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and we don't know where it goes.

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We just let it go.

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Okay.

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And while I got the Brown on the little

liner brush, maybe there's a little

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chimney right here, so we can just

throw in a little chimney that simple.

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So there's two, it gives the

indication of a chimney and maybe,

249

00:14:35,925 --> 00:14:37,485

maybe there's a touch of red on that.

250

00:14:37,485 --> 00:14:41,925

Chimney at least little touch,

just enough to brighten it

251

00:14:41,925 --> 00:14:45,255

up a little clean the brush.

252

00:14:46,365 --> 00:14:51,615

And we're ready to go again and maybe,

maybe we'll go back to the fan brush.

253

00:14:51,615 --> 00:14:54,495

It had the dark purple on it

and let's load it full of paint,

254

00:14:55,785 --> 00:14:57,225

really loaded, full of paint.

255

00:14:59,265 --> 00:15:02,594

It may be maybe right in here.

256

00:15:02,805 --> 00:15:05,444

Maybe there's a tree, it

lives, or right there.

257

00:15:05,985 --> 00:15:06,525

There he is.

258

00:15:07,035 --> 00:15:10,214

Now we're going to use just the corner

of the fan brush to make this tree.

259

00:15:10,245 --> 00:15:16,385

This is a nice evergreen, just go

back and forth, back and forth,

260

00:15:20,255 --> 00:15:20,735

like, so.

261

00:15:24,780 --> 00:15:24,870

Okay.

262

00:15:24,969 --> 00:15:29,839

That simple, that simple, you could make

a fantastic tree and no, you could do it.

263

00:15:31,760 --> 00:15:32,930

And this is what makes it fun.

264

00:15:33,050 --> 00:15:34,040

These things happen.

265

00:15:34,969 --> 00:15:36,079

You really don't plan them.

266

00:15:36,290 --> 00:15:37,459

You just sort of let them happen.

267

00:15:39,079 --> 00:15:41,870

Just let them flow right out of

your mind, right onto the canvas.

268

00:15:44,540 --> 00:15:45,680

That's what makes it fun.

269

00:15:45,680 --> 00:15:48,260

When you can create on the canvas,

you don't have to spend a great deal

270

00:15:48,260 --> 00:15:49,189

of time trying to figure it out.

271

00:15:49,605 --> 00:15:50,505

What you're going to paint.

272

00:15:50,805 --> 00:15:52,755

You just learn how to

paint and you let it go.

273

00:15:53,475 --> 00:15:56,115

Maybe, maybe there's a

little Hill right there.

274

00:15:56,775 --> 00:15:59,205

So we'll put some little weeds

coming down from under this tree.

275

00:16:09,495 --> 00:16:13,865

That's left these little weeds, just

these create the lay of the land.

276

00:16:15,995 --> 00:16:16,565

There we go.

277

00:16:17,645 --> 00:16:18,605

Now take a little bit of the.

278

00:16:19,755 --> 00:16:22,484

This, the little blue and

white, once again, very limited

279

00:16:22,484 --> 00:16:23,625

palette we're using today.

280

00:16:24,765 --> 00:16:31,755

And let's take and put us a little Hill

right in here, and we don't care if it

281

00:16:31,755 --> 00:16:34,604

picks up a little bit of that purple

color, it helps add to the shadows.

282

00:16:40,354 --> 00:16:42,155

Pretty simple.

283

00:16:42,334 --> 00:16:44,525

This is a very, very easy painting.

284

00:16:45,875 --> 00:16:46,895

Very easy painting.

285

00:16:49,905 --> 00:16:50,775

And that's a lot of fun.

286

00:16:50,835 --> 00:16:51,625

Very rewarding.

287

00:16:57,515 --> 00:16:57,695

Yeah.

288

00:16:57,785 --> 00:16:59,555

Once again, follow the lay of the land.

289

00:17:00,215 --> 00:17:03,515

These brush strokes, determine

how you land is going to look,

290

00:17:03,515 --> 00:17:04,775

which direction is going to flow.

291

00:17:08,675 --> 00:17:09,275

Okay.

292

00:17:10,595 --> 00:17:10,715

Yeah.

293

00:17:10,715 --> 00:17:14,345

This side here and work a little bit

and see what we can come up with.

294

00:17:15,495 --> 00:17:18,885

Maybe over here, maybe there's a, I

think there's a whole group of trees.

295

00:17:19,185 --> 00:17:21,165

Let's start right there.

296

00:17:21,405 --> 00:17:22,695

And all you do is touch your canvas.

297

00:17:23,025 --> 00:17:26,105

Now, corner of the brush and

practice these little trees.

298

00:17:26,855 --> 00:17:27,905

It takes a little practice.

299

00:17:29,195 --> 00:17:32,425

They live in your fan brush and sometime

you have to, you have to sorta scare on my

300

00:17:32,425 --> 00:17:34,535

out, get them little Rascals out of there.

301

00:17:35,885 --> 00:17:36,905

Just go back and forth.

302

00:17:37,055 --> 00:17:40,025

And I use the same corner of the

brush all the way down the tree.

303

00:17:40,515 --> 00:17:43,125

Now these trees can be made with

a one inch brush two and a half

304

00:17:43,125 --> 00:17:49,335

inch brush all works on the same

principle, a lot of pain on the brush

305

00:17:49,335 --> 00:17:52,515

and a very firm paint, very firm.

306

00:17:52,515 --> 00:17:54,315

We're going to stick some

highlights on top of that.

307

00:17:57,945 --> 00:18:00,405

And once again, if this is your

first time watching our series,

308

00:18:01,065 --> 00:18:02,055

I hope you're enjoying it.

309

00:18:02,145 --> 00:18:03,165

I hope it's got you excited.

310

00:18:03,165 --> 00:18:06,135

You get your brush battery

ready to go with me and that you

311

00:18:06,135 --> 00:18:07,515

paint along with me each week.

312

00:18:09,389 --> 00:18:14,520

If you've been with us before, I'd like

to tell you how much we appreciate all

313

00:18:14,520 --> 00:18:16,080

the cards and letters that have came in.

314

00:18:17,850 --> 00:18:20,730

We read each and every one of

them and they make us very happy

315

00:18:20,730 --> 00:18:23,100

to know that you're watching our

shows and be like what we're doing.

316

00:18:23,850 --> 00:18:26,280

And you know, when, when this

series is finished, we have a

317

00:18:26,280 --> 00:18:27,629

complete year of television.

318

00:18:28,020 --> 00:18:28,230

Hmm.

319

00:18:28,350 --> 00:18:30,270

52 52 shows.

320

00:18:31,740 --> 00:18:32,520

Unbelievable.

321

00:18:32,820 --> 00:18:34,860

And I want to thank you for

allowing us into your home each

322

00:18:34,860 --> 00:18:37,889

week and for supporting us.

323

00:18:38,730 --> 00:18:40,740

You've made it happen

and we appreciate it.

324

00:18:42,570 --> 00:18:42,840

Okay.

325

00:18:42,930 --> 00:18:43,860

Maybe there's a little tree.

326

00:18:44,040 --> 00:18:44,730

That's right there.

327

00:18:45,290 --> 00:18:45,740

There we go.

328

00:18:48,920 --> 00:18:53,510

However many trees you want,

this is your world, your world.

329

00:18:53,510 --> 00:18:56,240

So you, you decided how

many trees in your world.

330

00:18:59,270 --> 00:18:59,960

There we go.

331

00:19:01,760 --> 00:19:02,300

I'll take you one.

332

00:19:02,330 --> 00:19:04,190

Let's have another tree right there.

333

00:19:06,225 --> 00:19:10,274

Maybe this is a little stand

of Pines, right on the corner.

334

00:19:14,014 --> 00:19:14,554

Fair.

335

00:19:21,034 --> 00:19:24,574

I think we're going to try to, we'll

bring in some of my friends, I have some

336

00:19:24,665 --> 00:19:28,774

fantastic friends that paint also that I'm

home, bring some of them in and let them

337

00:19:28,774 --> 00:19:32,735

show you some of the unbelievable things

that can be done in just a few minutes.

338

00:19:35,550 --> 00:19:40,350

Okay, maybe I'll tell you what, let's

have one more little tree right there.

339

00:19:48,020 --> 00:19:51,890

And maybe from there there's

some more little weeds.

340

00:19:52,010 --> 00:19:53,750

Maybe they come right down here.

341

00:19:54,140 --> 00:19:56,780

See that it's going to cut that

out and push everything back.

342

00:19:58,860 --> 00:19:59,280

The scale.

343

00:20:02,030 --> 00:20:02,300

Yeah.

344

00:20:02,300 --> 00:20:04,010

We just lay in some basic shapes first.

345

00:20:04,010 --> 00:20:07,159

Cause I want to pick up some of this

color and less snow to make shadows.

346

00:20:08,520 --> 00:20:12,679

We go back to the titanium, white with the

tiniest little bit of little blue in it.

347

00:20:13,580 --> 00:20:16,969

And we begin again, putting in

some basic shapes here for a Hill.

348

00:20:24,350 --> 00:20:26,030

Barely, barely touch the canvas.

349

00:20:27,495 --> 00:20:31,814

Let's see, pick up some of this purplish

color, but it become part of your shadows.

350

00:20:34,125 --> 00:20:38,294

And over here, we're just going to start

and let it fade away right into nothing.

351

00:20:44,475 --> 00:20:45,195

Here we go.

352

00:20:45,345 --> 00:20:47,264

Maybe this comes right down there it is.

353

00:20:48,585 --> 00:20:49,425

You knew it was there.

354

00:20:54,165 --> 00:20:56,354

And I hope this, this

painting gives you ideas.

355

00:20:57,074 --> 00:20:59,895

You know, we're not, we're not trying

to give you things just to copy.

356

00:20:59,895 --> 00:21:02,415

We're trying to give you ideas and

we're trying to teach your technique

357

00:21:02,985 --> 00:21:04,665

and then turn you loose on the world.

358

00:21:06,314 --> 00:21:06,554

Okay.

359

00:21:06,645 --> 00:21:12,615

Let's put a, let's put a few more little

grassy things in here and these paintings

360

00:21:12,615 --> 00:21:16,395

can be done in any color and they

don't have to be done in just purple.

361

00:21:16,905 --> 00:21:17,955

You could do them in any color.

362

00:21:19,725 --> 00:21:25,635

Yeah, maybe up in here show a little

bit of snow, a little bit of light.

363

00:21:27,935 --> 00:21:29,465

My home is in Fairbanks, Alaska.

364

00:21:29,465 --> 00:21:31,745

So I like to do snow paintings.

365

00:21:32,055 --> 00:21:33,515

I see a lot of snow where I live.

366

00:21:35,375 --> 00:21:35,645

Okay.

367

00:21:38,435 --> 00:21:41,855

We are just left these

fade right into nothing.

368

00:21:49,260 --> 00:21:49,860

Okay.

369

00:21:55,560 --> 00:22:02,160

See how easy that is now, then

let's go back over to this tree

370

00:22:02,160 --> 00:22:04,290

over here and finish this up.

371

00:22:05,580 --> 00:22:07,830

Lift up just a little bit here and there.

372

00:22:09,870 --> 00:22:13,080

Like, so Medi-Cal.

373

00:22:16,655 --> 00:22:22,685

they might bring in a little bit

of snow little highlight here and

374

00:22:22,685 --> 00:22:24,815

there that the sun play across.

375

00:22:27,575 --> 00:22:27,875

Okay.

376

00:22:27,875 --> 00:22:30,065

Now, while I've got this pressure

going with a little bit of the blue

377

00:22:30,065 --> 00:22:34,115

on it, let's put some indication of

a little bit of snow on the trees.

378

00:22:34,995 --> 00:22:36,065

We'll start with this one here.

379

00:22:36,255 --> 00:22:37,115

We don't want a great deal.

380

00:22:37,115 --> 00:22:39,005

I don't want to lose a dark values here.

381

00:22:39,875 --> 00:22:42,275

So let's just put some little

indications here and there.

382

00:22:44,125 --> 00:22:47,565

We are just a few.

383

00:22:48,845 --> 00:22:49,055

Yeah.

384

00:22:49,445 --> 00:22:52,655

Let's go over into the clump of

trees and do exactly the same thing.

385

00:22:52,745 --> 00:22:56,015

Just touch just here and there.

386

00:22:56,135 --> 00:23:04,655

Just a few, just a few drop on me,

dark down there, darker, darker, darker

387

00:23:04,655 --> 00:23:05,915

as it goes down towards the bottom.

388

00:23:07,775 --> 00:23:11,795

Very, very dark, very, very dark.

389

00:23:14,250 --> 00:23:17,010

If you appear on that one

and we're in business.

390

00:23:18,899 --> 00:23:19,169

Yeah.

391

00:23:20,899 --> 00:23:22,550

Let's put a little bit of

water in this painting.

392

00:23:23,120 --> 00:23:26,060

All we need to do is go right in here

with our large brush and pick up a

393

00:23:26,060 --> 00:23:29,570

little bit of the dark color, decide

where you want your water to be.

394

00:23:29,600 --> 00:23:34,310

Maybe it lives right there and post

straight down, even though you're

395

00:23:34,310 --> 00:23:40,460

going around the corner, still

pull straight down and that easy.

396

00:23:41,310 --> 00:23:41,820

And easy.

397

00:23:42,180 --> 00:23:45,240

We'll create some beautiful, beautiful

little reflection straight down.

398

00:23:47,880 --> 00:23:48,480

There we go.

399

00:23:49,350 --> 00:23:49,560

Yeah.

400

00:23:49,830 --> 00:23:51,420

Very lightly core cross.

401

00:23:51,990 --> 00:23:53,010

It makes it look like water

402

00:23:56,180 --> 00:24:00,800

and let's put a, let's put a few

little, little stones and stuff

403

00:24:00,800 --> 00:24:05,270

here back into the purple color and

decide where you want a little stone

404

00:24:05,270 --> 00:24:07,670

to be and just lay in some paint.

405

00:24:09,000 --> 00:24:09,420

I can't.

406

00:24:09,900 --> 00:24:14,700

So there's two, it maybe, maybe there's

a little stone lives right there areas.

407

00:24:15,360 --> 00:24:16,380

I think just lay at the end.

408

00:24:17,760 --> 00:24:20,130

I know let's have one right here.

409

00:24:21,900 --> 00:24:23,100

Just lay in your little stone.

410

00:24:24,930 --> 00:24:30,990

They we'll take a little bit of

the white titanium white and come

411

00:24:30,990 --> 00:24:32,310

right over the top of that stone.

412

00:24:38,295 --> 00:24:38,925

Very lightly.

413

00:24:39,705 --> 00:24:40,575

It's right over the top.

414

00:24:42,885 --> 00:24:43,665

Just like so

415

00:24:46,825 --> 00:24:52,685

point and let's lay some snow

on that stone and you can put as

416

00:24:52,685 --> 00:24:54,425

many stones in your, as you want.

417

00:24:58,695 --> 00:25:00,575

As many as you want, let them go.

418

00:25:03,335 --> 00:25:04,715

Let's add a little bit blue to this one.

419

00:25:04,745 --> 00:25:05,345

Put it over here.

420

00:25:05,345 --> 00:25:06,365

Maybe in the shadow.

421

00:25:06,930 --> 00:25:10,080

And there they come across.

422

00:25:10,410 --> 00:25:17,540

Like it, maybe, maybe

this comes right down.

423

00:25:18,260 --> 00:25:19,040

Just let it go.

424

00:25:22,150 --> 00:25:22,820

Here we are.

425

00:25:23,480 --> 00:25:26,810

Can you pick up a little that color

and it makes it look like a shadow?

426

00:25:28,850 --> 00:25:29,990

No, we don't make mistakes.

427

00:25:29,990 --> 00:25:33,490

We have, um, we have a happy

accidents to let it happen.

428

00:25:33,510 --> 00:25:34,400

Learn to use anything.

429

00:25:34,400 --> 00:25:34,970

It happens.

430

00:25:36,675 --> 00:25:42,045

All right now we need a water line

here to clean up the edges and

431

00:25:42,075 --> 00:25:43,245

finish this little painting up.

432

00:25:43,245 --> 00:25:46,215

So we'll take a little bit of the

magic white, and I'm going to put

433

00:25:46,215 --> 00:25:50,385

it on the pallet, pull it out very,

very flat and then cut across it.

434

00:25:50,865 --> 00:25:51,695

Just cut across that.

435

00:25:51,695 --> 00:25:54,885

You have a very thin line of paint

on the knife and we'll go right

436

00:25:54,885 --> 00:25:58,695

up here and act just like you're

trying to cut a hole in the canvas.

437

00:26:01,665 --> 00:26:03,014

Trying to solve a hole right through it.

438

00:26:03,585 --> 00:26:04,455

Push it very hard.

439

00:26:05,534 --> 00:26:09,554

We use it very, very

firm pressure here, Chaz.

440

00:26:09,764 --> 00:26:10,034

441

00:26:14,534 --> 00:26:19,455

here and just let these water

lines work right on the room.

442

00:26:23,355 --> 00:26:24,524

I hope you've enjoyed this.

443

00:26:24,524 --> 00:26:26,774

This is a very, very nice little painting.

444

00:26:26,804 --> 00:26:27,405

Easy to do.

445

00:26:27,735 --> 00:26:28,965

It's a good first project.

446

00:26:30,090 --> 00:26:33,870

Get you started get you

blood fired up next week.

447

00:26:33,870 --> 00:26:38,970

You have you, you almighty brush out the

easel, set up big glass of tea, sitting

448

00:26:38,970 --> 00:26:45,770

there and ready to go with me assigned

this one and we we'll call it finished.

449

00:26:45,770 --> 00:26:47,270

I'll take a little bit of the thin oil.

450

00:26:48,050 --> 00:26:53,180

And I did put some permanent red out here,

which was not on this screen just for

451

00:26:53,180 --> 00:26:55,310

signature and let's sign right here today.

452

00:26:56,570 --> 00:26:57,020

And.

453

00:26:58,889 --> 00:27:02,220

So all there is to it, then

paint go right on there.

454

00:27:03,679 --> 00:27:05,720

So, and we'll call that one finished.

455

00:27:06,080 --> 00:27:08,629

And from all of us here, we'd

like to wish you happy painting.

456

00:27:08,840 --> 00:27:09,439

God bless.

457

00:27:09,649 --> 00:27:10,490

See you next week.

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 22, 2020

S04E01 - Purple Splendor

Bob Ross's

The Joy of Painting

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