Bob Ross's

The Joy of Painting

S27E01 - Twilight Beauty

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Hello, I'm Bob Ross.

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And I'd like to welcome you to the

27 series of the joy of painting.

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If this is your first time with us,

allow me to extend a personal invitation

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for you, drag out your paints and

some big old unorthodox brushes.

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And I'll show you how to do some fantastic

little landscapes that you can do.

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So I tell you what the data started out

and having run all the colors across the

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screen that you need to paint this little

painting with us while they're doing that.

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Let me show you what

I've got done up here.

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Today, I've taken an 18 by 24

double prime pre-stretch canvas.

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And I've just covered the entire

canvas with black Jessel in black

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Jesso is just an acrylic paint

that makes the canvas black.

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I've allowed that to dry completely.

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On top of that, take a little piece of

contact paper here, any sticky back paper.

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Cut a novel, stuck it on there.

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They don't the insight here.

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After we have the contact paper on,

I've taken a little bit of liquid

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clear, covered the entire inside.

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Then we've taken a lizard Crimson,

just plain old alizarin Crimson

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covered the entire canvas.

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And on the corner of here, I put

a little bit of fail-over blue.

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Just what sort of a

lavender color over here?

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I know it sounds complicated, but believe

it or not, it is extremely simple.

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Black Jesso, liquid clear Lisbon

Crimson, a little thalo blue in

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the corner and just blend it out.

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And with that, let me show

you how much fun we can have.

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Let's start today with a least

little bit of Indian, yellow.

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I just want a very small amount.

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Just a small amount, you know,

go right up in here and get a

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little bit of white on there.

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So we have a little Indian, yellow,

and a little bit of titanium white

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on the little two inch brush.

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Let's go right up in here.

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Now let's decide where our light area be.

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And right in here, let's start

making little Xs, little crisscross

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strokes, something like that.

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It we'll just begin letting that blend.

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Outward and upward.

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I want this to be the

lightest arrogant Musk guy.

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So with that, all we have to do is

start making little Xs, a little

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more paint on the brush and we

just continue to blend in that.

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Fantastic.

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I love these black canvases.

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Because you put the

transparent color on there.

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They still look black.

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Yeah.

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But when you start painting, you

had a little white or yellow or

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something in there and they come alive.

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Notice I'm always taking the

pure color back to the lightest

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area and working outward.

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That way we assure that the

light is color is right in there

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and that's where we want it.

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All right.

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Look at all those beautiful colors

that just, they happen automatically.

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This is a very, very

easy style of painting.

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Anybody can do this.

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I get letters every day from

people all over the country.

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I'd say I never believed I

could paint, but I've tried what

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you're showing on television.

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And it works works for me.

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It works.

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All right.

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I want to make that a little brighter yet.

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Someone to take.

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Some more the titanium white and

a little bit now cadmium yellow.

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It's very bright yellow,

very strong yellow.

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Just a little, no, go right up in here.

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And just above there.

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Yeah.

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I had a little bit of that there chest.

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I'm still making a little Xs

of the crisscross strokes.

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Something about like, it ended up

blend up once again, always start in

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the lightest area and work outward

because you're going to pick up this

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transparent, color this on the canvas and

automatically it'll get darker and darker

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as you work away from that center area.

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Something about like, so there we'll take

the little blender brush and come back

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and smooth, all that out in a second.

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In the meantime, I'm going

to grab another brush.

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I have several of them going, so I don't

have to spend all my time just washing

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the brushes, take a little weight.

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And let's get crazy.

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Shoot.

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Let's get a little bit of this bright red.

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That's a gorgeous color,

but it's very strong.

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Be careful with it.

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Then just tap it a

little into the bristles.

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That's all we're doing.

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Just tapping and maybe

appear in our world.

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Maybe.

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Yep.

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There's some, just some happy little

things that happen, appear in the sky.

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Just a little.

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Thanks.

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I guess we'll dance a few little

colors in here and your world.

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You put any color or

any shape that you want.

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The painting is a very individual thing.

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Everybody will see nature

through different eyes and

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that's the beauty of it.

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You can paint any world

that you want here.

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Any world that you want, maybe

there's a little Dewar comes out here.

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I don't know.

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Doesn't really matter.

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You decide, take a little blue, a

little Crimson, just mix them on

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the breast here and make a mixed,

sort of a little lavender color.

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But to the ready side.

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Now, the blue is many, many

times stronger than the Crimson.

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So proportionately, you need much,

much more Crimson than you do blue.

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And I'm just gonna begin laying in some

little colors underneath here and wherever

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we want them just have fun with this.

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I didn't happen.

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Let it happen.

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We, we don't, we don't do

any drawings or tracings.

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We really learned to create here.

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We let our imagination take us to worlds.

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We never knew existed.

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And then those worlds, we find

peace and we find happiness.

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Good things happen here.

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Little blender brush.

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It's a very soft brush, very soft,

make a nice, nice makeup brush even.

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But with that, because the

paint we use here is very firm

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and very dry, very thick paint.

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You can take as little

blender and go right over it.

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Just like it in that something that easy.

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There, we can just work on this a

little and the more you blend this,

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the more, it just goes right into those

background colors and gorgeous things

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happen automatically, automatically

put little white paint on there.

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Maybe we'll brighten that

a little right in there.

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Want that to stand up something

about like it part, right.

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Okay.

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Nothing.

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It's time to time to

have some fun back here.

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Let's get a little fan brush, a fan brush.

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I'm going to mix up.

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I'm going to take some alizarin,

Crimson, a little bit of that.

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They look blue, maybe a

little black like that.

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We get a little titanium white.

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I'm looking for sort of a, that

color, that color right there.

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Sort of a gray.

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Great to the blue side.

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Okay.

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Let me wipe the knife off.

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We just wiped the knife and a little

paper towel, take the fan brush

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and we'll load both sides full of

color just by going back and forth.

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All right.

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Nothing up in here, maybe in our world,

back in here, live some little evergreen

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trees and sometimes you can make gorgeous

little tree indications, just taking a

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little fan brush and pushing it upward.

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Just push it up or we'll make

all kinds of little trees.

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I want to add a little

touch of white there.

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So it stands out a little better.

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So for television, it shows up there

and it shows up a little better, but

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in your world, you make up any degree

of darkness or lightness that you have.

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There we go, wherever, wherever.

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And as you know, if you've painted

with me before we don't make

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mistakes, we have happy accidents.

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And all that means is it very soon

you learn to work with anything that

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happens on this piece of canvas?

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Literally anything it happens

because sometimes things that

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you think are big mistakes.

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And you're really worried about when

the paintings finished, they ended

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up being the highlight of the entire

painting there, and each painting will

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teach you something, learn from it.

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As long as you learn from an

experience, then it's not wasted.

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It's not wasted.

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It's only wasted when you, when

you accepted as failure and we

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don't have any failure here.

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We don't have any.

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That's against the rules in Bob's world.

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That's against the rules.

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Now then I'll go back to a two inch

brush, be sure it's clean and dry.

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And I want to create the illusion

of mist down at the base of this.

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All we do firmly for the top corner

of the brush, this tap, just tap it.

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That's really, truly all there is to it.

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Then we're going to lift slightly upward.

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Just enough to take out the little

tap marks and sort of blend everything

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together and make it very straight.

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It looks like a little row of trees.

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It lives we'd back here in a day,

somewhere, just happy little trees.

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Now I'm going to go into Crimson

blue and black same colors, but

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this time I'm going to add much,

much less of the white color to it.

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Much less there.

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I want to be quite a bit

darker and landscape painting.

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As you know, as things get

closer to you, they should get

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darker and darker and value.

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This is sort of a lavender color.

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Load both sides of the old fan brush.

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And let's put another row of trees.

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Another thing that you find when

you're doing landscapes, the more

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planes or the more areas that you

have in here, the deeper that your

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painting will look, that's what

gives a painting depth distance.

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That's what will make your

painting very, very special.

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When people look at it, they'll say, Oh,

I can look in there and see forever there.

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And that's what does it, maybe this

comes, yeah, we're not wrapped up in here.

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Something like that.

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And we're just looking

for indications for trees.

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These are too far away

to see a lot of detail.

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We'll put a little detail on

them, but not much, not much.

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We get too much detail.

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It'll return that illusion

of distance in your painting.

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And that's a good friend.

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We want that.

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All right.

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Now, if you only give a few of

these trees, the indication of a

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little more detail, just do that.

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Take the corner of the fan brush

and make it look like here and there

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and there in here, there's a big,

strong tree that lives up in here.

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Maybe he got more sunlight and

more water and he grew big just

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wherever you think they should be.

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Just drop them in.

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I kept them.

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Shoot.

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I think we about have that maybe a couple

over in this side, but that easy, we can

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make a pretty nice little background.

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Go back to our little two inch brush

here, tap a little on the bottom.

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Just enough to create that Misty illusion.

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Again, very lightly, very lightly,

very lightly something my kid.

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Okay.

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You know, for many years

I was traditional painter.

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And one of the things when I was

traditional painter, that was extremely

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difficult, was making reflections.

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And in this technique, it's one

of the easiest, nicest, most

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effective things that happen.

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Watch here, come right up in here.

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All you have to do is touch the

canvas with a little titanium white.

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We have color on the canvas already.

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And pull it straight down.

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It's important to come straight

down though, straight down.

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It'll pick up all of those gorgeous,

transparent colors that we had

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underneath there that easy and very

gently we go across just like it.

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See you there.

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And instantly it begins looking like

water time to wash the old brush.

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Hmm.

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If you paid with me before, you know, this

is really the whole thing, it's the most

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fun part of the entire procedure, shake

it off and just beat the devil out of it.

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I thought maybe today would

have a little snow scene.

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I'll show you a very

easy way of making snow.

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Very easy way.

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We'll just take titanium white.

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We use it.

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Same old two inch brush.

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This is one of the simplest

ways of making very nice snow.

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Tap it.

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If you've painted with me before, this is

the way we make a little grassy areas, but

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I want to make snow that looks powdery,

like your little skiers call it powder.

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So sometimes snow looks like it.

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All you do is just tap GS, tap

something like so very gently there.

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See that's all there is to it.

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All there is to it.

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00:13:18,314 --> 00:13:20,295

All you're doing is

just tapping the canvas.

249

00:13:21,435 --> 00:13:22,185

Then we'll go back.

250

00:13:22,545 --> 00:13:24,795

Did this very, very soft blender brush.

251

00:13:24,855 --> 00:13:31,055

It's very soft to get a clean one

and gently just, just graze it

252

00:13:31,085 --> 00:13:34,235

just enough to bring it together.

253

00:13:34,745 --> 00:13:37,925

And it'll give that

indication of very soft snow.

254

00:13:37,955 --> 00:13:38,345

Watch here.

255

00:13:38,375 --> 00:13:39,005

Watch out here.

256

00:13:39,575 --> 00:13:40,295

I get excited.

257

00:13:40,295 --> 00:13:42,155

I've probably painted a

million pictures of, Hey, can

258

00:13:42,545 --> 00:13:44,015

I still get excited with this?

259

00:13:44,765 --> 00:13:47,075

Maybe in our world, maybe this tree.

260

00:13:47,805 --> 00:13:51,465

Watch here, you can grab trees

and pull them into the foreground.

261

00:13:51,975 --> 00:13:52,635

This easy.

262

00:13:53,685 --> 00:13:55,694

It's going to take that

tree, bring it right on down.

263

00:13:56,785 --> 00:13:57,795

We'll bring it right here.

264

00:13:58,125 --> 00:14:00,135

So it pushes that little snowbank back.

265

00:14:00,704 --> 00:14:01,725

It goes back behind it.

266

00:14:01,725 --> 00:14:03,635

Now it worked so good.

267

00:14:03,675 --> 00:14:04,875

Maybe we'll have one over here too.

268

00:14:04,905 --> 00:14:05,505

I like that.

269

00:14:07,365 --> 00:14:07,995

I like that.

270

00:14:07,995 --> 00:14:08,835

And this is your world.

271

00:14:08,835 --> 00:14:10,725

So you can do anything that you want here.

272

00:14:11,295 --> 00:14:13,155

Any old thing too off there it goes.

273

00:14:14,350 --> 00:14:16,230

Have one there let's give him a friend.

274

00:14:16,260 --> 00:14:17,820

I like to make evergreen trees.

275

00:14:18,810 --> 00:14:19,860

They work so well.

276

00:14:20,310 --> 00:14:25,140

And there are a lot of fun and

of course, absolutely gorgeous.

277

00:14:26,280 --> 00:14:30,120

And we can go back to her old

brush here that has the titanium

278

00:14:30,120 --> 00:14:32,940

white on it load a little bit.

279

00:14:33,780 --> 00:14:34,980

And you work in layers.

280

00:14:35,550 --> 00:14:37,710

See, we did the thing, it

was in the background first.

281

00:14:38,745 --> 00:14:44,175

And that will begin working forward,

forward forward, always starting with the

282

00:14:44,175 --> 00:14:46,845

most distant object and working forward.

283

00:14:47,795 --> 00:14:48,425

There we go.

284

00:14:50,314 --> 00:14:52,745

On the other side, we'll do the

same thing, but bring it right

285

00:14:52,745 --> 00:14:56,855

underneath this tree just to ride

on out, let them join the game.

286

00:14:58,205 --> 00:15:01,595

They're all right.

287

00:15:02,735 --> 00:15:04,355

But isn't that a super easy way.

288

00:15:04,709 --> 00:15:10,860

We're doing a very effective illusion,

just making snow back to our little

289

00:15:10,920 --> 00:15:16,560

blender brush, very lightly, two

hairs and some air very lightly.

290

00:15:16,589 --> 00:15:17,310

Just blend that.

291

00:15:19,100 --> 00:15:20,480

Now, will we have that white on the brush?

292

00:15:21,020 --> 00:15:23,480

Let's go back and

reinforce this reflection.

293

00:15:23,990 --> 00:15:25,040

I'll make it a little brighter.

294

00:15:25,040 --> 00:15:32,719

So it jumps out at you just like

it can go across just like that.

295

00:15:33,800 --> 00:15:34,010

Hmm.

296

00:15:34,905 --> 00:15:39,015

Now let's take a little bit

of the liquid white liquid.

297

00:15:39,015 --> 00:15:45,105

White is it's just an oil base,

medium, and we use it to thin paint.

298

00:15:45,105 --> 00:15:49,215

We use it to cover the canvas and we use

it to make water lines, just cut across.

299

00:15:49,215 --> 00:15:49,815

Can you see that?

300

00:15:49,965 --> 00:15:54,495

Just cut across with a knife and we

can go right up in here and let's

301

00:15:54,495 --> 00:15:58,425

just cut in a little waterline

is right there, right there.

302

00:15:59,835 --> 00:16:00,645

So all there is to it.

303

00:16:01,725 --> 00:16:02,685

These water lines.

304

00:16:03,235 --> 00:16:06,495

It should be basically straight though

by that, I mean, going back and forth

305

00:16:06,495 --> 00:16:10,815

across how's that for not straight,

your water looked like it's going

306

00:16:10,815 --> 00:16:11,955

to run right out of the painting.

307

00:16:13,905 --> 00:16:18,645

You might have to tie a bucket on the

side of, to catch the overflow there.

308

00:16:20,715 --> 00:16:26,925

Maybe Dan, I'm hearing this little

ripple, whatever, whatever it's up to you.

309

00:16:28,005 --> 00:16:28,425

Totally.

310

00:16:28,665 --> 00:16:31,185

I'm completely there.

311

00:16:31,185 --> 00:16:38,954

We are like them, then

you ready to get crazy?

312

00:16:39,885 --> 00:16:40,395

Let's do it.

313

00:16:40,605 --> 00:16:41,745

Let's have some big fun.

314

00:16:42,405 --> 00:16:45,824

That's the little blue

and the lizard Crimson.

315

00:16:46,334 --> 00:16:48,464

And no white, it's just blue and Crimson.

316

00:16:48,464 --> 00:16:51,074

I'm making a very deep lavender

that should look black.

317

00:16:51,885 --> 00:16:54,435

Tap the bristles of the

brush firmly into the paint.

318

00:16:55,230 --> 00:16:59,150

Give it a little push

and going to get crazy.

319

00:16:59,150 --> 00:17:00,410

This is your brave retest.

320

00:17:01,069 --> 00:17:02,000

Maybe we've got a big tree.

321

00:17:02,000 --> 00:17:02,360

You know me?

322

00:17:02,360 --> 00:17:03,110

I like big trees.

323

00:17:03,620 --> 00:17:03,860

Yep.

324

00:17:04,220 --> 00:17:04,670

There it is.

325

00:17:06,079 --> 00:17:06,890

There it is.

326

00:17:06,890 --> 00:17:07,879

Lives right up here.

327

00:17:09,050 --> 00:17:13,730

And I'm using just mainly the corner

of the brush metal of that tree.

328

00:17:14,939 --> 00:17:15,419

That's all right.

329

00:17:15,419 --> 00:17:16,379

We know he's back here.

330

00:17:18,179 --> 00:17:21,510

Maybe, maybe, maybe in our

world, maybe there's a big Bush.

331

00:17:22,200 --> 00:17:22,649

You're right.

332

00:17:22,679 --> 00:17:23,460

He lives right there.

333

00:17:25,800 --> 00:17:30,840

Just sort of make these things up in your

mind and let them go wherever you want to.

334

00:17:30,840 --> 00:17:33,960

Maybe there's maybe there's a whole

little group of bushes that live here.

335

00:17:34,439 --> 00:17:34,919

I don't know.

336

00:17:36,780 --> 00:17:40,590

A little bunny rabbit has to

have a place to hide and that's

337

00:17:40,590 --> 00:17:41,730

a pretty good one right there.

338

00:17:43,380 --> 00:17:44,610

We can take our liner brush.

339

00:17:45,780 --> 00:17:47,070

He was a little bit of dark Sienna.

340

00:17:48,350 --> 00:17:51,440

I'm thinning the paint because

one of our golden rules is a thin

341

00:17:51,440 --> 00:17:54,380

paint will stick to a thick paint.

342

00:17:54,470 --> 00:17:58,940

Then we'll stick to thick taking

this dark Sienna a little bit of

343

00:17:58,940 --> 00:18:02,480

white in it, just enough to dilute

it a little and hearing there.

344

00:18:02,780 --> 00:18:06,050

We're going to just put in the

indication of a, of a few little tree

345

00:18:06,050 --> 00:18:09,770

trunks and sticks and twigs that laid

back, not looking for a lot of detail.

346

00:18:10,940 --> 00:18:11,510

Not yet.

347

00:18:11,805 --> 00:18:15,165

We're going to put some detail

in foreground, but not yet.

348

00:18:16,635 --> 00:18:18,855

I mean, we'll probably cover most

of those up, but a few of them is

349

00:18:18,855 --> 00:18:21,285

going to show through and it'll look

like you worked yourself to death

350

00:18:21,285 --> 00:18:22,455

up there trying to get all those.

351

00:18:23,295 --> 00:18:26,505

That's going to a little

white, but a little touch or

352

00:18:26,505 --> 00:18:28,515

touch a fellow blue with it.

353

00:18:29,295 --> 00:18:30,165

Just enough to cool.

354

00:18:30,165 --> 00:18:33,795

It, not much titanium white, but push it.

355

00:18:34,365 --> 00:18:34,905

Push it.

356

00:18:35,790 --> 00:18:37,590

You can see that little

Ridge of paint right there.

357

00:18:37,650 --> 00:18:39,180

There's one just like it on your brush.

358

00:18:39,180 --> 00:18:40,740

And that's what we ended up painting with.

359

00:18:40,770 --> 00:18:42,600

Push it about a 45 degree angle.

360

00:18:43,620 --> 00:18:46,140

Now, very lightly using just

the corner of the brush.

361

00:18:47,460 --> 00:18:51,510

Just begin tapping in all kinds

of little things in there.

362

00:18:52,860 --> 00:18:53,160

Okay.

363

00:18:53,190 --> 00:18:55,020

I mean, it would load a little

more paint on the brush.

364

00:18:56,520 --> 00:19:03,270

Now, if you have trouble making a stick at

the least little touch of liquid white or

365

00:19:03,270 --> 00:19:10,139

paint thinner, Liquid white will make your

color a little brighter paint thinner.

366

00:19:10,139 --> 00:19:11,460

We'll leave it the same color.

367

00:19:11,790 --> 00:19:13,290

They both work very well.

368

00:19:13,350 --> 00:19:15,480

Make up your mind what you want to do.

369

00:19:16,439 --> 00:19:19,080

If you want it to be a little

brighter than had the liquid wipe.

370

00:19:19,199 --> 00:19:23,129

If you want to stay the same color,

paint thinner, but very little, no

371

00:19:23,129 --> 00:19:27,870

matter what very little, the secret to

this painting technique is to keep your

372

00:19:27,870 --> 00:19:31,470

oil paints as firm and dry as possible.

373

00:19:31,470 --> 00:19:32,699

That way you can continually.

374

00:19:33,765 --> 00:19:36,045

Paint over the top of it

without a mixing together.

375

00:19:36,135 --> 00:19:37,635

You don't want to become a mud mixer.

376

00:19:39,225 --> 00:19:42,135

And if you've painted, we've

all mixed a little mud.

377

00:19:43,685 --> 00:19:44,345

There we go.

378

00:19:45,095 --> 00:19:48,155

See, I think about, about

little individual bushes

379

00:19:48,155 --> 00:19:49,325

and stuff that live in here.

380

00:19:50,325 --> 00:19:52,565

I'm going to dip the brush into

a little touch the liquid wipe

381

00:19:52,565 --> 00:19:54,875

myself, just to thin that down.

382

00:19:54,875 --> 00:19:56,255

So it sticks easier.

383

00:19:58,025 --> 00:19:58,835

There we go.

384

00:19:59,525 --> 00:20:00,725

Think about shape and form.

385

00:20:00,725 --> 00:20:02,225

Don't just throw these in at random.

386

00:20:02,730 --> 00:20:06,030

One at a time, do the one that

you think is fathers to way and

387

00:20:06,030 --> 00:20:07,470

work forward, forward, forward.

388

00:20:08,520 --> 00:20:09,960

Oh, he's working forward.

389

00:20:10,850 --> 00:20:11,480

There we go.

390

00:20:13,010 --> 00:20:15,370

One at a time, one at a time.

391

00:20:15,440 --> 00:20:15,620

Okay.

392

00:20:15,980 --> 00:20:18,860

I know you get tired of hearing

that, but, but it works for you.

393

00:20:18,950 --> 00:20:19,670

And I want this.

394

00:20:20,090 --> 00:20:25,250

I want you to enjoy success

with this because if you enjoy

395

00:20:25,260 --> 00:20:28,399

success, you'll get hooked on it.

396

00:20:29,180 --> 00:20:31,879

I enjoyed some success

with this many years ago.

397

00:20:33,600 --> 00:20:36,060

And it has become my

entire life and I love it.

398

00:20:36,570 --> 00:20:39,270

Let's go into Vandyke

Brown and some dark Sienna.

399

00:20:39,270 --> 00:20:40,170

We'll just mix them together.

400

00:20:40,170 --> 00:20:46,320

Vandyke Brown, dark Sienna, bravery, test

time, maybe an hour world their lives.

401

00:20:46,950 --> 00:20:47,670

You ready for this?

402

00:20:48,630 --> 00:20:49,830

Their lives right here.

403

00:20:50,040 --> 00:20:54,840

So in one stroke, that's

put a nice tree trunk.

404

00:20:55,350 --> 00:20:56,610

All right, let's give him a friend.

405

00:20:58,260 --> 00:21:03,360

Yeah, no, I think everybody should

have a friend, even the tree, the

406

00:21:03,360 --> 00:21:05,639

Manolo tree, a little titanium white.

407

00:21:06,649 --> 00:21:07,550

This is a Birch tree.

408

00:21:07,550 --> 00:21:09,290

I've decided touch.

409

00:21:09,409 --> 00:21:11,510

Give it a little, little round word pool.

410

00:21:11,689 --> 00:21:13,490

Let me exaggerate that way.

411

00:21:14,449 --> 00:21:18,020

You got to make a little

noise to say there.

412

00:21:18,409 --> 00:21:19,320

Just make it look.

413

00:21:19,820 --> 00:21:24,320

No pressure that the knife just

barely barely touch the paint breaks.

414

00:21:24,990 --> 00:21:27,780

And by breaking, I mean, it leaves

all those little open holes in

415

00:21:27,780 --> 00:21:34,320

it there on the other side of it

a little bit in other direction.

416

00:21:35,030 --> 00:21:41,240

Like, so they're wherever you think

they should be something like,

417

00:21:41,240 --> 00:21:42,830

so we can go back to the dark.

418

00:21:43,485 --> 00:21:46,605

CNN Vandyke Brown mixture, add a

little bit right in the middle.

419

00:21:47,235 --> 00:21:52,034

And when this dries and it dries,

it will feel like real birchbark

420

00:21:52,034 --> 00:21:53,595

it'll project off the canvas.

421

00:21:53,715 --> 00:21:54,524

The paint's thick.

422

00:21:54,555 --> 00:21:55,274

There's a lot of it.

423

00:21:56,745 --> 00:22:00,254

It really, really jumps right off there.

424

00:22:01,335 --> 00:22:02,835

Let's go back to our little liner brush.

425

00:22:03,225 --> 00:22:05,475

Let me get a little less

Vandyke Brown paint, thinner.

426

00:22:06,465 --> 00:22:09,735

The thinner is there only, only to

thin the paint, make it very thin.

427

00:22:10,889 --> 00:22:12,959

Very thin and here and there.

428

00:22:14,129 --> 00:22:14,189

Yeah.

429

00:22:14,389 --> 00:22:18,229

Let's just put in an indication

of a few, little limbs, little

430

00:22:18,229 --> 00:22:19,280

things that live out here.

431

00:22:20,510 --> 00:22:22,100

So tree needs some arms on him.

432

00:22:22,429 --> 00:22:22,699

Shoot.

433

00:22:22,699 --> 00:22:24,560

He's got to reach out

and talk to this guy.

434

00:22:25,850 --> 00:22:26,570

There we go.

435

00:22:27,740 --> 00:22:31,129

Just a few, just a few.

436

00:22:33,310 --> 00:22:36,020

Well, I think it's time

to really get crazy.

437

00:22:36,020 --> 00:22:37,250

Let me put a little Bush down here.

438

00:22:37,550 --> 00:22:38,659

I want to cover up his foot.

439

00:22:39,915 --> 00:22:41,145

Down here at the base of this.

440

00:22:41,385 --> 00:22:44,084

Just want to cover his

foot's up right now.

441

00:22:44,084 --> 00:22:45,435

They're sorta just hanging there.

442

00:22:45,995 --> 00:22:48,855

We'll make them come right out of that

little Bush right there, right there.

443

00:22:50,115 --> 00:22:53,774

I'm going back into my

Brown, big, brave retest

444

00:22:57,095 --> 00:22:57,605

right there.

445

00:22:58,595 --> 00:22:59,225

Right there.

446

00:22:59,405 --> 00:23:01,715

Maybe this is a different

kind of tree here.

447

00:23:02,805 --> 00:23:04,095

Just to break it up a little bit.

448

00:23:05,295 --> 00:23:08,235

Let's take some white and a little

dark Sienna, mix it together.

449

00:23:08,295 --> 00:23:09,525

Put a little band Dyke in there too.

450

00:23:09,555 --> 00:23:14,205

What the heck, take a little bit

of paint and all we're going to do

451

00:23:14,595 --> 00:23:20,385

is just begin touching, just touch

something like, so there we are.

452

00:23:21,945 --> 00:23:23,265

Just touch it, touch it.

453

00:23:24,285 --> 00:23:27,075

That's all touch and.

454

00:23:27,555 --> 00:23:27,675

Okay.

455

00:23:27,885 --> 00:23:31,065

As you work around, we're going

to let it get darker and darker

456

00:23:31,065 --> 00:23:34,455

and darker and darker as it goes

around the tree, put a little Brown

457

00:23:34,455 --> 00:23:37,905

with you color, let Vandyke Brown.

458

00:23:37,905 --> 00:23:39,435

See it gets darker automatically.

459

00:23:41,024 --> 00:23:46,485

Once again, when this is dry, it'll

actually feel like bark on a tree, right?

460

00:23:46,485 --> 00:23:52,905

White the knife off back to the paint,

thinner a little bit Vandyke Brown

461

00:23:52,935 --> 00:23:54,435

with paint there, just to thin it.

462

00:23:55,845 --> 00:23:57,524

And let's put an arm on this tree.

463

00:23:57,585 --> 00:24:00,824

Maybe it lives in our

world right out in here.

464

00:24:02,925 --> 00:24:08,024

Why this would be a gorgeous

place for a tree to live gorgeous

465

00:24:08,024 --> 00:24:09,014

place for a tree to live.

466

00:24:10,514 --> 00:24:12,435

Maybe there's another arm right here.

467

00:24:13,185 --> 00:24:13,784

It's up to you.

468

00:24:14,385 --> 00:24:18,764

You decide how many arms are on

your tree or how few maybe your

469

00:24:18,764 --> 00:24:20,595

tree died last year sometime.

470

00:24:21,105 --> 00:24:23,564

And it's just about, just about Uber.

471

00:24:24,600 --> 00:24:28,170

Make up little stories when you're

painting little stories just in

472

00:24:28,170 --> 00:24:32,880

your mind, and then you actually

project yourself into that scene.

473

00:24:33,480 --> 00:24:39,960

And when you do this becomes a reality

sorta and you know, painters, painters are

474

00:24:39,960 --> 00:24:42,030

expected to be a little, little strange.

475

00:24:42,030 --> 00:24:42,960

So that's all right.

476

00:24:42,960 --> 00:24:46,140

If you stand around and talk to

yourself about this scene and the

477

00:24:46,140 --> 00:24:50,010

old guy that lived out here or

whatever, and that's all right.

478

00:24:50,010 --> 00:24:51,660

If people look at you a little strange.

479

00:24:53,055 --> 00:24:54,615

Painters is supposed to be that way.

480

00:24:56,355 --> 00:24:58,545

Maybe out in here, there's

just a little old stick.

481

00:24:58,545 --> 00:24:59,115

It lives.

482

00:25:00,315 --> 00:25:05,055

He was a little light color here

wherever you think they should be.

483

00:25:07,065 --> 00:25:09,855

It's up to you up to you.

484

00:25:10,425 --> 00:25:13,935

I tell you what, maybe there's

an old lady on right there.

485

00:25:14,865 --> 00:25:15,555

Something like that.

486

00:25:15,555 --> 00:25:16,545

He's tired of them.

487

00:25:18,405 --> 00:25:20,655

Now you can take, you can take the knife.

488

00:25:22,140 --> 00:25:26,280

Get that brush clean and you can

scrape through this and allow

489

00:25:26,550 --> 00:25:28,110

the black canvas to show through.

490

00:25:28,500 --> 00:25:30,900

And it looked like little sticks

and twigs that laid back in here.

491

00:25:30,900 --> 00:25:33,990

I hope you can see those when you do

your own painting, you'll see them.

492

00:25:34,050 --> 00:25:40,350

They'll be there something

about like, so, all right.

493

00:25:40,470 --> 00:25:41,400

That's all there is to it.

494

00:25:42,600 --> 00:25:44,960

I think we're about ready to

take the contact paper off here.

495

00:25:46,095 --> 00:25:48,435

And see what we have, this

is the moment of truth.

496

00:25:48,435 --> 00:25:52,125

So we just grabbed the

paper, pull it right off.

497

00:25:53,385 --> 00:25:56,745

And all of a sudden you have a painting

that's right there in that oval.

498

00:25:57,315 --> 00:25:58,785

And it comes out so gorgeous.

499

00:25:58,785 --> 00:26:01,305

And it just, these

paintings excite people.

500

00:26:01,485 --> 00:26:04,725

I know none of us are interested in

those happy bucks, but if you're out

501

00:26:04,725 --> 00:26:06,645

selling paintings, these are different.

502

00:26:06,945 --> 00:26:08,805

You'll be surprised how

people will come along.

503

00:26:08,805 --> 00:26:10,965

And they'll Marvel at how you did this.

504

00:26:11,415 --> 00:26:12,495

It's very, very nice.

505

00:26:13,635 --> 00:26:17,445

Like it's time to sign this old

painting where that would take

506

00:26:17,445 --> 00:26:22,125

a little bit of the bright red

signatures are as unique as painters.

507

00:26:22,335 --> 00:26:24,495

Each person will develop

their own signature.

508

00:26:25,065 --> 00:26:26,265

So find your own signature.

509

00:26:26,265 --> 00:26:29,025

I've had people that signed

with initials, their whole name.

510

00:26:29,595 --> 00:26:32,415

Um, I've even known people who

signed with a little symbol.

511

00:26:32,565 --> 00:26:33,195

It's up to you.

512

00:26:34,170 --> 00:26:38,150

But pick a signature and stick with

it because it becomes yours, trademark

513

00:26:38,150 --> 00:26:39,950

and people a hundred years from now.

514

00:26:39,950 --> 00:26:43,550

We'll look at your painting and

recognize exactly that it was you.

515

00:26:44,570 --> 00:26:46,700

All right, let's go ready now

hearing, just sign this one.

516

00:26:46,700 --> 00:26:50,030

I have a very short

name, so it's quite easy.

517

00:26:50,480 --> 00:26:54,290

Well, sign it, call it done there.

518

00:26:54,740 --> 00:26:57,500

And I hope you enjoyed this

one very easily painting.

519

00:26:57,800 --> 00:27:00,620

I'd love to see some photos of

your work from all of us here.

520

00:27:00,920 --> 00:27:02,270

I'd like to wish you happy painting.

521

00:27:03,120 --> 00:27:04,260

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S27E01 - Twilight Beauty

Bob Ross's

The Joy of Painting

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