Bob Ross's

The Joy of Painting

S19E10 - After The Rain

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As a whole, I'm certainly

glad you could join us today.

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Cause I thought today we

just have a fantastic time.

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So I tell you what, let's start it out

today and have him run all the colors

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across the screen that you need to paint

along with us while they're doing that.

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Let me show you what

I've got going up here.

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I have my standard old

18 by 24 inch canvas.

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But you use any size that you want and

I've just taken black Jesso and I've

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just sort of painted a little design.

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I thought today I would do a scene

where maybe you're deep in the woods

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and walking through a little path.

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So I'm just paying that basic design,

that idea on here with black Jesso, and

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then we've allowed the Jesso to dry.

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Totally.

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On top of that, then I've added

a little bit of liquid clear.

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It's very, very small amount

of liquid clear, and then we've

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taken a little transparent color.

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And I just made that from SAP green,

fallow blue and little Vandyke

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Brown and covered the entire canvas.

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So we have, uh, SAP, green,

yellow, blue, and Vandyke Brown,

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and then a very thin coat.

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We put the liquid clear on there

so that you just have to put

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a very small amount of paint.

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If you don't have the clear,

it takes a lot of color.

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To cover the entire canvas, but

use it sparingly one can probably

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last you the rest of your life.

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It takes very little.

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So let's have some fun today.

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She will take your two inch brush and

let's start out in some titanium, white.

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I'm just going to put a little

color into the bristles, be

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right back, be right back.

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And, but at least little

touch of CAD yellow.

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Let me be a little bit more.

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There we go.

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See, but very little color.

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Let's go right up here.

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Now I want to have a light

source coming out from here.

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So we'll start with this white with a

little yellow in it and just begin making

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little crisscross strokes, just like,

so I love these little scenes where

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the light's coming from behind, or it's

coming from behind a tree or something

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and just projecting through to me.

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Those are so beautiful and it's

unbelievable what you can do with them.

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Yeah, then just blend it outward,

outward, outward, but you want it

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to get darker and darker as it moves

away from that light source there.

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There somewhere, and you can make

this as bright as you want it.

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So you could go back and pick up a

little more of that same color and come

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right back in here and do it again.

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You can make it as bright as

you want to do it several times

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there and already, it looks like

here's a glow happening back here.

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And that's what we're looking for.

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Can you and very lightly, we'll just

brush it a little, take out the brush

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strokes sometimes when you're doing these.

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It's interesting.

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If you want to put indication of

light rays, you can just pull.

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I don't know if you can see

they're not, but it'll make the

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indication of little rays of light

zinging through the woods or.

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Wherever it happens to be,

this is an excellent way to

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make those types of scenes.

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Just like, so say it looks just like

here's a glow backer, big lantern.

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Let's wash the old brush.

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That's the fun part of all this.

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And just beat the devil out of it.

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Now, then let's go into that same color.

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I'm going to take a little, a little

white and add to that same color

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that we covered the canvas with.

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And this was just a mixture of SAP,

green, they little blue and Vandyke Brown.

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The Brown is in there only

to dull the color down.

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Otherwise it'd be very bright.

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I'm just going to tap a

little that into the bristle.

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So you just give it a

little tap, little push.

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Okay.

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Now then let's begin thinking

about little shapes back in here.

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So we'll just take his

brush, use the corner of it.

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So you just tap, but begin thinking

about how maybe tree branches and

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stuff would be hanging over here.

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Just let it go.

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Like yet.

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There we are.

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Thank you about shape though.

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How do you want your tree to look.

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And all we're really interested

in is just the very basic shape.

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We're going to cut back and put

a few little highlights on it.

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So we're just looking for some

little basic shapes that easy.

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There we go.

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All right.

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A little more color.

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Okay.

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Maybe a few more little thanks.

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And already it begins to giving

the impression that it's layered

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and that's what we're looking for.

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We want to make it look like it's

just layer after layer, after

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layer, beautiful trees hanging over.

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I say, maybe we'll have a little

path in this, or maybe when you

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do yours, maybe you want to.

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Turn it path into maybe a happy

little stream or a little pond.

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Any of those things you can do

that very, very easily there.

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Okay.

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Yeah.

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Let me grab my little liner brush.

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We'll take a little paint thinner.

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Garrette into that same color.

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This is the same identical color.

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And I'm going to thin that too.

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It's almost like anchor water.

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Turn the bristles as sharp point.

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Nothing.

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Let's go up in here and we'll put

the indication here and there,

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few little sticks and twigs

that live here up here, there.

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Okay.

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Don't want these to be very dark though.

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They're there, we out here in this light.

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So they also would be

very subdued and quiet.

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Don't don't get too strong with them yet.

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We'll make some on the other part

back here that is a little further

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away and they'll be a little stronger.

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But initially we want

these to be very subdued.

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You almost can't see them there,

but we know they're there.

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You know, they're there.

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If you have trouble making it flow,

add a little more of the paint thinner,

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because a thin paint will slide

right over the top of a thick paint.

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All right.

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Yeah.

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Just wash it off with a little thinner.

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Just use that same old brush.

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What the heck?

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I want to just have this right

into some white and it still

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has the other color on it.

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So it's going to make it a, sort of

a light greenish color here, greenish

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blue, but push that creates that

little Ridge right out on the edge

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of the, on the age of the bristles.

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Now we can come back in here and

create the indication that sunlight's

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just zinging right through sparkling.

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These there.

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There we go, but think about

shape and form once again, most

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important, most, most important.

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There we go.

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Little individual things.

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I like these little paintings.

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I hope you do too.

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They're so interesting.

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And they're very easy to do, even for

people who've never painted before

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these little paintings are so nice.

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They're great.

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Maybe, but once again,

don't just hit it random.

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Think about form and shape

what's going on up here.

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Okay.

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There's one maybe right there, darker,

darker, darker back on this side.

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And you've just creed layer

after layer, after layer.

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There

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did you get excited when you do this

and just want to cover everything up?

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Cause it works so well.

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And it's so beautiful.

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Maybe you want to add at least

little touch of yellow to that.

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They're

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just begin changing the flavor.

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Tiny bit, tiny bit.

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There may be even a little like

yellowish color here and there.

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Okay.

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Because that's, couldn't begin turning

green now, as it touches all the blue

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that's underneath at yellow colors,

going to begin having a green cast to it.

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And we want these, we want

these little trees to be fast

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and green and full of life.

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Beautiful.

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There we go.

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But look how deep that looks already.

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And that's.

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You've done, basically nothing.

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Alright, tell you what, let's

start on the other side over here.

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I have several brushes go and I'm

just going to go right back into that

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dark color with a two inch brush.

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Get a little color on it.

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Now then let's go up here.

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I want to make this a big tree.

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That's hanging over this side.

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That'll push that light area we back.

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So we just take the basic shape it's

on there with a, with the black Jesso

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and we'll just improve it a little bit.

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So it looks like yours nicely.

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I'm just hanging out over and that

dark, dark color against that light.

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Why is it show up?

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I had is spectacular.

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That's what makes your painting special?

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So you could put a Bush here

and there that hangs out over

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easy to get carried away with this though.

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All right.

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Now, back to our brush that

has the lighter colors on it.

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And it's time.

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We started getting into some nice green.

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So what takes some midnight

black go out into some yellow,

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grab a little SAP green too.

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What the heck I'd makes beautiful

green color when you sort of mix

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them up that way, you have a variety

of things happening in there.

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Not just one detto color.

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Once again, push that brush.

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You can see that little Ridge of paint.

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Super good.

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Close-up shot right there.

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Good.

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Let's go up here.

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All right.

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In here.

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We can begin just dropping in the

indication, all kinds of little

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leaves and stuff that are happening

once again, they'll think about

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form and shape and all those things

that make your tree so interesting.

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Add a little yellow ochre and

Indian yellow here and there.

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Once in a while, a little little at the

bright red sort of sneak KIPP, believe

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you're not red, those your color because

red and green is, you know, makes Brown.

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So red is a dollar in

this particular incidence.

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And maybe, maybe this is a

different little, little Dewar here.

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So we'll, we'll change the

color just enough to make him

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stand out as an individual.

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There we go, little more of the

black, darken it down over in here.

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Maybe there's a nice shadow area.

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So this color is quite a bit darker.

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I gonna push you back into the shadows,

but look right here, see these dark areas.

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They're very important.

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Don't kill all of them.

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If you kill all those dark areas, your

painting is going to look very flat.

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Yeah.

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You don't want that.

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There's a nice little

Bush that lives there.

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It looks out over the edge.

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You've got the best view in that forest.

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There we go.

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Little more of that green color and maybe

there's just a happy little bullshit list.

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Yep.

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Right there.

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It's layer.

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After layer, after layer,

do one bushes time.

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Don't get greedy.

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Sometimes we get in a hurry and

we try to do too many at once.

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Just do one at a time.

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Think about each one

as an individual shoot.

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If it helps give them names.

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Here's Carrie Charlotte, and

there's Jovan, you know, give

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them names, just make 'em up.

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All right.

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It's time to start having some fun back

in here now maybe, maybe, maybe, maybe.

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Come right down in here.

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Maybe we're beginning to get

into some nice things that are

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hanging right over the edge here.

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just let that hang out over.

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We said it was going to have a path here.

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We don't want to cover that totally up.

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So let's begin having

a little path for that.

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And for that, we'll take some

Vandyke Brown, little dark sand.

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I would just mix them together.

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Cut off a little roll of paint lives

right down the edge of the knife.

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And let's go back here just

very gently, just begin laying

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in the basic shape there, and

we'll just bring it right on out.

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You have to make some big decisions.

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Now, where does, where

does your little path live?

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He lives right along in there.

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Just has a good tech.

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00:12:48,180 --> 00:12:51,870

It takes some dark sand and white makes

it together, but don't, overmix it.

255

00:12:51,870 --> 00:12:52,890

Leave it in marble black.

256

00:12:52,890 --> 00:12:55,590

That then cut off a little bit of paint.

257

00:12:56,280 --> 00:12:57,209

Right on the edge.

258

00:12:58,020 --> 00:13:02,729

Now we can go up here and this is

delicate touch, barely touching, just

259

00:13:02,729 --> 00:13:04,920

let it graze that it barely gray.

260

00:13:04,920 --> 00:13:10,530

So it picks up on those high spots that

he grays and want his brighter back

261

00:13:10,530 --> 00:13:12,180

here, because that's where our light is.

262

00:13:13,500 --> 00:13:16,410

And as we move away from that, we're

going to get darker and darker.

263

00:13:18,209 --> 00:13:18,870

There we go.

264

00:13:19,620 --> 00:13:21,209

Just barely let it graze though.

265

00:13:22,350 --> 00:13:24,720

It's just like, if you've painted

mountains with me, this is just

266

00:13:24,720 --> 00:13:26,310

like putting snow on the mountains.

267

00:13:27,060 --> 00:13:27,360

Shoot.

268

00:13:27,360 --> 00:13:28,380

I tell you what, let me show you.

269

00:13:28,470 --> 00:13:30,390

Let me show you sometimes it's fun.

270

00:13:30,720 --> 00:13:32,130

Maybe there's a little puddle here.

271

00:13:32,730 --> 00:13:33,780

Maybe it rained last night.

272

00:13:33,780 --> 00:13:40,100

Let's take a little touch, your white

little touch, your weight there.

273

00:13:40,310 --> 00:13:41,450

Let's pull it straight down.

274

00:13:42,860 --> 00:13:45,800

So you see, when you do these

things, you start seeing all

275

00:13:45,800 --> 00:13:47,150

kinds of little things happening.

276

00:13:49,334 --> 00:13:53,775

And when you see them using public

straight down, I very gently go

277

00:13:53,775 --> 00:13:57,584

across very gently, go across.

278

00:13:58,635 --> 00:14:02,655

We're going to make us some

water back here, make us some

279

00:14:02,655 --> 00:14:05,984

water, and you can do that.

280

00:14:08,765 --> 00:14:12,395

You have unlimited power now decide

how your little puddle is going to

281

00:14:12,395 --> 00:14:13,775

be and just put some dirt around it.

282

00:14:13,775 --> 00:14:14,104

See there.

283

00:14:18,270 --> 00:14:23,510

There he is last night

and there's puddles here.

284

00:14:23,780 --> 00:14:26,540

Now the little birds and everything

can come here and have a drink.

285

00:14:28,430 --> 00:14:28,880

Look at that.

286

00:14:32,329 --> 00:14:33,410

That's all there is to it.

287

00:14:33,410 --> 00:14:34,850

If you want to create that illusion,

288

00:14:39,260 --> 00:14:42,770

let these colors sort of work back and

forth the Browns, and then the highlights.

289

00:14:44,475 --> 00:14:45,225

There we go.

290

00:14:52,935 --> 00:14:55,155

That path just begins

coming right down there.

291

00:14:57,005 --> 00:14:57,155

Yeah.

292

00:14:57,155 --> 00:15:00,755

Then if you want to push that path back

a little further, we can take a little

293

00:15:00,755 --> 00:15:04,835

bit of our color that we use to make

all these little leaves and let some of

294

00:15:04,835 --> 00:15:06,425

it just come right over the top here.

295

00:15:07,875 --> 00:15:10,335

That'll push that pathway

back into the painting.

296

00:15:12,555 --> 00:15:13,275

There we go.

297

00:15:15,615 --> 00:15:19,845

Maybe over on this side, just let that

little Bush hang right over the path.

298

00:15:24,255 --> 00:15:26,565

It's time to get into some

nice big trees over on here.

299

00:15:27,675 --> 00:15:30,765

We'll go back to our brush that

has the dark color in it and begin

300

00:15:30,765 --> 00:15:32,505

thinking about some basic shapes here.

301

00:15:32,835 --> 00:15:34,215

Just let them come right out over.

302

00:15:35,655 --> 00:15:38,205

That'll help push all that

light area back in there.

303

00:15:41,775 --> 00:15:43,635

But you can do this

over and over and over.

304

00:15:43,655 --> 00:15:46,725

It just create tremendous amounts

of depth in your painting.

305

00:15:47,625 --> 00:15:49,125

That's what makes it so interesting.

306

00:15:50,715 --> 00:15:55,005

There, there was a time when doing

paintings like this were very,

307

00:15:55,005 --> 00:16:00,225

very difficult for me, but this,

this makes it so anybody can do it.

308

00:16:01,395 --> 00:16:02,385

Anybody can do it.

309

00:16:03,065 --> 00:16:08,025

Go back to her brush with some green

on it, back into her yellows, yellow

310

00:16:08,025 --> 00:16:11,475

ochre, CAD yellow, all those nice colors.

311

00:16:11,475 --> 00:16:15,405

Little, little bit of

the Indian yellow Kings.

312

00:16:15,405 --> 00:16:16,095

Go back up here.

313

00:16:16,875 --> 00:16:19,305

Now, then here it comes again.

314

00:16:20,055 --> 00:16:22,335

Putting on some nice little

highlights on these leaves.

315

00:16:24,015 --> 00:16:25,815

Little squirrels got to

have a place to live.

316

00:16:27,645 --> 00:16:28,305

There we are.

317

00:16:32,700 --> 00:16:34,110

Just layer after layer

318

00:16:38,760 --> 00:16:39,210

there.

319

00:16:40,040 --> 00:16:41,300

Think about little clumps.

320

00:16:41,300 --> 00:16:42,920

Don't just, don't just hit it random.

321

00:16:42,920 --> 00:16:43,160

I know.

322

00:16:43,160 --> 00:16:46,010

I keep saying that, but it's so important.

323

00:16:46,490 --> 00:16:48,470

Think about shapes, informing their

324

00:16:51,710 --> 00:16:52,220

bagels.

325

00:16:52,280 --> 00:16:53,060

And I slammed there.

326

00:16:55,575 --> 00:16:56,415

It's unbelievable.

327

00:16:56,445 --> 00:16:58,305

What you can do with a

big old two inch brush.

328

00:16:58,785 --> 00:17:01,965

If you'll just devote a little

bit of time to practice and

329

00:17:01,965 --> 00:17:03,165

it doesn't take a great deal.

330

00:17:04,125 --> 00:17:08,505

We get letters from people every day

that have never painted who are doing

331

00:17:08,505 --> 00:17:09,974

some of the most beautiful things.

332

00:17:11,444 --> 00:17:13,305

And they send me photographs

or what they're doing.

333

00:17:13,724 --> 00:17:16,095

In fact, while I'm doing this,

this is just sort of repetitious.

334

00:17:16,365 --> 00:17:18,825

Maybe I can get the director to

put a few of them up on the screen.

335

00:17:18,825 --> 00:17:22,335

We've we've put a few on the board

here, but look at some of these

336

00:17:22,335 --> 00:17:23,535

things that people are doing.

337

00:17:24,510 --> 00:17:28,800

And these come from all over the country,

they're doing just marvelous things,

338

00:17:28,800 --> 00:17:30,270

things that I've never dreamed of doing.

339

00:17:31,200 --> 00:17:32,159

And they're beautiful.

340

00:17:32,399 --> 00:17:34,440

And I'm so proud of

people who are doing this.

341

00:17:35,460 --> 00:17:36,540

Maybe you'll see your painting.

342

00:17:36,540 --> 00:17:39,480

Your, if you've sent me a photograph,

maybe yours will be there.

343

00:17:40,530 --> 00:17:43,110

If not send me a

photograph maybe next time.

344

00:17:43,740 --> 00:17:46,440

Cause we've put these together, put

them on the screen or Westworld.

345

00:17:46,440 --> 00:17:49,980

I like for people all over the

country to see what everybody's doing.

346

00:17:51,855 --> 00:17:56,895

Cause that's, that's super, that's

what makes all this worthwhile the

347

00:17:56,895 --> 00:18:01,065

fact that people are doing this and

enjoying tremendous amount of success.

348

00:18:02,175 --> 00:18:05,205

That really, really is

the joy of painting.

349

00:18:07,695 --> 00:18:12,285

We have, we have people here

that are, go from age four to 94.

350

00:18:14,085 --> 00:18:16,965

Look at that in that super.

351

00:18:18,225 --> 00:18:22,275

And once again, some of these individuals

had never painted before and a lot

352

00:18:22,275 --> 00:18:23,475

of them have never had a lesson.

353

00:18:23,565 --> 00:18:27,315

They've only watched the television shows

and from the television shows, they've

354

00:18:27,315 --> 00:18:29,895

learned to create their own masterpieces.

355

00:18:30,945 --> 00:18:35,205

And once again, we get so many

letters from people all over the

356

00:18:35,205 --> 00:18:36,975

country that this is working for.

357

00:18:37,995 --> 00:18:42,165

And a lot of the people that, that start

this way and enjoy some success, then they

358

00:18:42,165 --> 00:18:45,895

go on to colleges and universities all

over the country or take classes from.

359

00:18:46,620 --> 00:18:50,940

Super hard instructors and just, this

is just their way of getting started.

360

00:18:53,580 --> 00:18:58,530

And anything that gets people interested

in art is fantastic because it's

361

00:18:58,530 --> 00:19:01,440

one of the nicest ways of expressing

yourself that there ever was.

362

00:19:03,000 --> 00:19:08,220

And I think all of us have a

creative need inside of us there.

363

00:19:08,580 --> 00:19:11,250

Let's see how we're just letting

all those bushes hang over, tell you

364

00:19:11,250 --> 00:19:12,960

what if there's going to be puddles.

365

00:19:14,070 --> 00:19:17,730

Maybe we'll have a few more, take a

little more of the titanium white.

366

00:19:18,360 --> 00:19:19,890

Now there's color on the canvas.

367

00:19:20,985 --> 00:19:24,345

So when you pull this white

down automatically, you're going

368

00:19:24,345 --> 00:19:27,705

to get beautiful color change.

369

00:19:27,705 --> 00:19:28,095

See there.

370

00:19:28,155 --> 00:19:30,044

It's almost, it's almost like magic.

371

00:19:30,915 --> 00:19:33,735

If you do this in front of friends

and relatives and they don't

372

00:19:33,735 --> 00:19:36,284

know you've put any color on the

canvas, they will just be amazed.

373

00:19:36,284 --> 00:19:39,074

When you start pulling a little

white paint down, all these

374

00:19:39,074 --> 00:19:40,754

beautiful colors just appear.

375

00:19:41,804 --> 00:19:42,885

They think you're a magician.

376

00:19:43,754 --> 00:19:44,745

Don't tell them any different.

377

00:19:45,014 --> 00:19:45,735

That's our secret.

378

00:19:46,784 --> 00:19:48,195

Now then you come right back in here.

379

00:19:49,784 --> 00:19:55,995

And just put in a little dirt wherever

you want it, wherever you want it.

380

00:19:57,855 --> 00:19:58,395

There we go.

381

00:19:58,395 --> 00:20:00,554

Maybe it comes right down to my cabin.

382

00:20:01,784 --> 00:20:04,034

And with the old knife you didn't

take, but just a second time

383

00:20:04,335 --> 00:20:07,455

dropping a letter, a lot of color.

384

00:20:09,105 --> 00:20:09,825

There we go.

385

00:20:12,705 --> 00:20:14,175

Maybe that comes right along in there.

386

00:20:14,985 --> 00:20:17,415

I don't try to just copy

exactly what we're doing here.

387

00:20:17,835 --> 00:20:20,085

Cause your puddles won't

look like these puddles.

388

00:20:20,115 --> 00:20:20,895

They look better.

389

00:20:22,365 --> 00:20:28,215

Just everybody's painting is going

to be unique and different and

390

00:20:28,215 --> 00:20:30,735

individual and don't fight that.

391

00:20:30,735 --> 00:20:32,925

Don't don't just try to copy

what somebody else does.

392

00:20:34,185 --> 00:20:37,085

I'm not trying to teach, get a copy there.

393

00:20:38,925 --> 00:20:41,685

I just want to teach you a technique

and turn you loose on the world.

394

00:20:42,405 --> 00:20:45,585

Cause you ain't, you have unlimited power.

395

00:20:46,514 --> 00:20:49,125

Everybody does, and you can do anything.

396

00:20:49,965 --> 00:20:54,705

All you need is just a little

inspiration and knowledge, little

397

00:20:54,705 --> 00:20:58,425

practice take over the world.

398

00:20:58,455 --> 00:20:59,054

If you want to.

399

00:21:00,495 --> 00:21:02,504

I don't think any of us

want to, but should you

400

00:21:06,205 --> 00:21:06,784

all right.

401

00:21:09,585 --> 00:21:13,845

To me, the first step of accomplishing

anything is to believe that you can do it.

402

00:21:14,085 --> 00:21:15,135

And I know you can do it.

403

00:21:15,705 --> 00:21:18,345

So you certainly know you can,

let's have another puddle over here.

404

00:21:18,405 --> 00:21:20,055

I like these puddles come right in here.

405

00:21:21,975 --> 00:21:24,075

Maybe there's a happy little

puddle that lives right here.

406

00:21:24,445 --> 00:21:26,685

See, and you just, once again,

just pull it straight down.

407

00:21:28,065 --> 00:21:29,355

It picks up a little bit Brown.

408

00:21:29,535 --> 00:21:31,905

Wonderful, wonderful.

409

00:21:31,935 --> 00:21:32,475

Use it.

410

00:21:32,960 --> 00:21:33,230

Okay.

411

00:21:36,680 --> 00:21:37,970

You can always add a little blue.

412

00:21:38,060 --> 00:21:40,940

If it gets too bright, take a

little bit, they low blue it, add

413

00:21:40,940 --> 00:21:43,490

it in there and dial it right down.

414

00:21:44,510 --> 00:21:47,899

Cause you know, if you've painted

with us before we don't make mistakes,

415

00:21:48,850 --> 00:21:52,460

we have happy accidents because very

soon you learn to work with anything.

416

00:21:52,460 --> 00:21:53,270

It happens here.

417

00:21:54,680 --> 00:21:58,850

And when you get over that fear of

making a mistake, then it becomes fun.

418

00:21:59,835 --> 00:22:01,544

Then it really becomes fun.

419

00:22:01,784 --> 00:22:04,754

That's when you that's, when

you experienced the joy.

420

00:22:05,845 --> 00:22:06,014

Okay.

421

00:22:11,105 --> 00:22:14,135

And in your world, do you just put as

many years, few puddles as you want,

422

00:22:14,195 --> 00:22:15,455

maybe you don't want any puddles.

423

00:22:16,355 --> 00:22:18,605

Maybe the sun shines all

the time where you're at.

424

00:22:20,284 --> 00:22:21,995

You don't have any little rain puddles.

425

00:22:23,794 --> 00:22:24,274

It's up to you.

426

00:22:26,075 --> 00:22:27,845

If you do want to now, you know how.

427

00:22:30,060 --> 00:22:30,690

I get that though.

428

00:22:36,300 --> 00:22:37,080

And off we go,

429

00:22:40,620 --> 00:22:45,890

maybe, maybe in our world, maybe we can

see the indication here and there take a

430

00:22:45,890 --> 00:22:48,020

little Brown and white on a fan breath.

431

00:22:48,740 --> 00:22:52,160

Maybe back in here, you can make

out the indication of a little

432

00:22:52,160 --> 00:22:53,960

tree trunk lives back in here.

433

00:22:55,050 --> 00:23:02,480

Just a little there, just,

just a little indication.

434

00:23:02,480 --> 00:23:03,379

They were going to cover it up.

435

00:23:03,440 --> 00:23:07,940

We've taken a little that black SAP,

green CAD, yellow, yellow ochre.

436

00:23:07,940 --> 00:23:12,139

Just mix them on the brush and

we'll come right in here and let's

437

00:23:12,139 --> 00:23:15,860

just begin putting in all kinds

of leaves and things like that.

438

00:23:17,445 --> 00:23:21,705

Wherever we think they should

live, but layer after layer.

439

00:23:22,815 --> 00:23:24,465

Let a little bit of

that trunk show through.

440

00:23:24,585 --> 00:23:28,095

Don't want a whole bunch there.

441

00:23:33,705 --> 00:23:35,895

See, these are super little paintings.

442

00:23:36,270 --> 00:23:39,330

If you've never painted before,

cause they don't work for you

443

00:23:42,890 --> 00:23:46,220

when Annette and I used to teach all

over the country, a lot of times people

444

00:23:46,220 --> 00:23:49,220

would want to paint something that was

too difficult for their first painting.

445

00:23:49,880 --> 00:23:53,390

So look for a painting that

works pretty good the first time.

446

00:23:53,390 --> 00:23:57,950

So you'll have some success

wants you to have success on

447

00:23:57,950 --> 00:23:59,120

your first couple of paintings.

448

00:23:59,120 --> 00:24:02,060

And that way, that way you'll

know that you can do it and

449

00:24:02,060 --> 00:24:03,350

you'll do a million paintings.

450

00:24:04,740 --> 00:24:12,110

Or at least a hundred area, maybe

in our world, let's get crazy.

451

00:24:12,110 --> 00:24:18,440

We got a minute or so left here,

maybe in our world, their lives, big

452

00:24:18,470 --> 00:24:20,930

tree, you know, me and my big trees.

453

00:24:22,100 --> 00:24:23,840

We can see just the edge of him here.

454

00:24:23,840 --> 00:24:26,930

Maybe there's a big old root

that comes out too like that.

455

00:24:28,400 --> 00:24:28,910

There it is.

456

00:24:29,480 --> 00:24:30,140

There you go route.

457

00:24:31,575 --> 00:24:32,625

Hangs around down here.

458

00:24:33,795 --> 00:24:36,405

Take a little bit of our

Brown, white dark Sienna.

459

00:24:36,825 --> 00:24:37,305

Touch it.

460

00:24:39,405 --> 00:24:41,205

This is just going to

be the edge of the tree.

461

00:24:44,225 --> 00:24:44,735

There we are.

462

00:24:45,465 --> 00:24:47,825

Did it get darker and darker

as it works back in there?

463

00:24:51,065 --> 00:24:51,635

Okay.

464

00:24:53,775 --> 00:24:56,535

Maybe finding my brush there.

465

00:24:56,535 --> 00:24:58,995

This who brush with the greens on it.

466

00:24:59,985 --> 00:25:04,455

Now we can come right back in here

and begin putting all kinds of little

467

00:25:04,845 --> 00:25:06,105

leaves and highlights on there.

468

00:25:06,105 --> 00:25:09,285

A little paint that add to my

brush just to then the paint.

469

00:25:09,285 --> 00:25:13,025

So it'll stick right over

this other color there.

470

00:25:14,975 --> 00:25:17,585

See, he just begin dropping all

of these little Rascals in there.

471

00:25:21,000 --> 00:25:21,930

All right,

472

00:25:26,270 --> 00:25:26,840

where they go.

473

00:25:27,020 --> 00:25:30,080

I don't know that we even were even

worried about it at this point.

474

00:25:32,180 --> 00:25:35,720

Just a lot of beautiful leaves hanging

around on the edge of this tree.

475

00:25:37,160 --> 00:25:39,950

It's a nice way to do

the redwoods, California.

476

00:25:40,100 --> 00:25:43,129

If you want to, I'm making this one a

little brighter because it's bigger.

477

00:25:43,129 --> 00:25:46,040

I think it's projecting out and maybe

that light coming through is hitting it.

478

00:25:47,715 --> 00:25:50,775

When you're painting, just make up

little things in your mind like that.

479

00:25:51,585 --> 00:25:56,565

And it helps figure out where your light's

going to hit, where it's not going to hit.

480

00:25:58,095 --> 00:25:58,425

Okay.

481

00:25:59,525 --> 00:26:00,765

And add a little more black.

482

00:26:00,765 --> 00:26:04,545

I wanted to get a little darker,

maybe back over in here behind

483

00:26:06,075 --> 00:26:07,365

the treat is projected out.

484

00:26:07,425 --> 00:26:09,345

There's all kinds of little

things going on in here.

485

00:26:11,205 --> 00:26:14,445

There, they can just like, so.

486

00:26:16,754 --> 00:26:21,314

There as many or as few as you

want, but didn't that a super

487

00:26:21,314 --> 00:26:25,635

way to make a tremendous amount

of trees and bushes very easily.

488

00:26:25,725 --> 00:26:26,445

Very quickly.

489

00:26:26,925 --> 00:26:27,554

You can do it.

490

00:26:28,995 --> 00:26:30,074

You really can do it.

491

00:26:31,590 --> 00:26:32,790

Don't touch the yellow ochre.

492

00:26:32,790 --> 00:26:33,900

They're just a sparkle.

493

00:26:33,900 --> 00:26:35,880

This one that stands right

out here in front of the tree.

494

00:26:37,380 --> 00:26:39,540

There a few little things there.

495

00:26:40,770 --> 00:26:45,600

I can't just have them

hanging all over to.

496

00:26:45,600 --> 00:26:48,060

He watched the old clock on the

wall, says it's about time to go

497

00:26:48,060 --> 00:26:51,120

for the day as we finish up here.

498

00:26:51,120 --> 00:26:54,960

I'm going to take, maybe there's a

little, little lamb that hangs out here.

499

00:26:54,960 --> 00:26:58,710

Like yet we we'll put us a little

lamb, little paint, thinner Brown.

500

00:27:00,150 --> 00:27:02,790

And we can put as many or as

few as you want on your tree.

501

00:27:02,889 --> 00:27:03,450

Just a few.

502

00:27:03,450 --> 00:27:06,720

We're showing this to show

the old tree has an arm.

503

00:27:07,290 --> 00:27:10,800

I think with that, we'll call this

painting finish from all of us here.

504

00:27:10,889 --> 00:27:12,270

I'd like to wish you happy painting.

505

00:27:12,750 --> 00:27:13,950

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S19E10 - After The Rain

Bob Ross's

The Joy of Painting

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