Bob Ross's

The Joy of Painting

S25E06 - Oriental Falls

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I, Hey, welcome back.

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I'm glad to see you today.

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You know, I get a lot of letters

from people saying handle world.

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You come up with ideas for new paintings.

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And one of the ways I

think I'll show you today.

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So let's start out in the head and

run a list of colors across the

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screen that you'll need to play

along with me today because I don't

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know exactly what we're going to do.

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And let me show you what I've got up here.

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I've got my standard old 18 by 24 inch.

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Pre-stretch double prime canvas.

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Now say all that with a

mouth full of rocks and.

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I've covered the entire canvas

today was just a thin, very

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thin coat of liquid clear.

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And I think we'll just play a little

bit, a lot of times when I'm trying

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to develop a new painting, I'll start

out with just a blank canvas and

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I'll begin to play on it and sort

of let the creative process happen.

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So I think that's what we'll do today.

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I'll show you exactly the kind of

messes that we get into some time.

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So let's say the entire canvas

has covered the, the liquid clear,

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so let's just have some fun.

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And we'll just start out and

maybe we'll take a little, I don't

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know, a little SAP green, what?

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Have a little Vandyke Brown, maybe

even a little black in there.

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We'll just mix this up

a nice last dark color.

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Maybe even put a little dark Santa too.

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We don't care.

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Cause I really don't know what we're

going to do except have some fun.

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Okay, let's go to the canvas.

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Now, this liquid clear.

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Is fantastic because it does so

many things, but one of the things

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that it's it does is it has a very

violent reaction with paint thinner.

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So let's just put in some basic

little shapes and forms here.

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Maybe we'll start with just a little bit.

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Maybe the indication of a little evergreen

tree that lives we back somewhere.

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We don't know where it lives.

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Something about like cat, and this

is also a good experience to just

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practice making little evergreens,

start with a fan brush, like a lion.

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And I take just the corner of

the brush and began touching.

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See.

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From the center out, working from the

center out like, so, and as you work

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down the tree and more and more pressure

push harder and harder, something

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like that, we just sort of lifted

feed right into nothing down here.

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So there's just some good practice

on making a little evergreen tree.

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Now, then.

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I want to, I want to cause these

to sorta missed and blend together.

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Maybe you can give it a

little water color look.

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So I'll take an old two inch brush.

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I'm going to dip it in some paint thinner

and just shake it off a little bit.

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They're still thinner in the bristles.

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I have not taken it all out, but

I've taken the majority of it out.

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You can always add a little more.

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Now, when you begin touching

this with a paint thinner.

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Against that beautiful little

things began happening.

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Be careful that you don't

give too much thinner.

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Initially you can always add more.

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But it's a sign of a gun

to take it off there.

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Now we'll just take that color

and let's just begin playing here.

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I want to, I want to create the

illusion of beautiful little

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Misty areas, far, far away.

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They're just little soft things that lift

we back in the distance I'm going to.

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I'm just going to sort of blend this out.

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It's very fuzzy, very quiet.

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Just a gentle little place back here.

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There we go.

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Let's see how all these little things

begin happening and we can just let

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this go wherever you want it to go.

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Maybe just add the least little

touchy paint, thinner to the brush.

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Shake off all the excess though.

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Don't get too much.

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Once again, you can always add more.

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Just touch it and it takes just a second

for the reaction to take place, but you

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can create beautiful, beautiful effects, a

little more of the thinner and just touch

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very little though, once again, experiment

a little and you'll find marvelous things

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that happen, but see, it almost looks like

a watercolor the way it flows in there.

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And maybe we can come back and maybe

we'll just do it, not the little tree.

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We'll put a little

layer of trees in there.

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I don't know.

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And so we save where this goes.

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We use the old fan.

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Okay.

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Let's go back up in here.

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Maybe there's one that lives

sort of in the foreground here.

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There once again, this is just

mainly SAP green and the Browns

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and a little black, both Brown.

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So maybe he's got a little friend

named Clyde that lives right there

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or whatever you want to name him.

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I give names to my little trees and

I started making friends with them.

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Of course people look at you.

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Like you're a little

strange, but that's okay.

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Painters are expected to be different.

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Now back to the paint there on the brush.

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And I want to begin pulling

that out a little bit.

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So it makes like another layer of this

one's in the front and you can make

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as many or as few layers as you want.

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Pretty soon here, we might have to decide

where we're going with this though.

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You can get carried away.

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I'm going to add a little more

paint thinner to the brush.

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That's just knocking off any

paint that I've picked up.

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I just beat the bristles

against the ease a little bit.

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Now see the paint center.

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Isn't that fantastic, but

beautiful effects you can create.

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Once again, it takes a moment

or two for this to work for

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the reaction to take place.

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So give it a little time to set.

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And is it sets for an hour or two?

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It'll continue.

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To sort of spread even a little bit more,

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but already it's beginning to

give that appearance of maybe

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just a little water color.

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There we go.

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Just have to splash the

camera man one time.

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So he, he doesn't feel neglected, man.

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Let's take a little Filbert brushing.

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I'm going to just use a little Filbert.

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I'm going to go into the little

SAP green, some of these colors.

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It's not a lot of paint

on the brush though.

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Just both sides right in there.

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Little Brown, little dark Santa.

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They be a little black.

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It's still not a lot of paint.

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Kim.

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Let's go up in here.

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I see you.

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Can I hold the Filbert brush?

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Sort of like a pencil and you can

just take, and let's begin making

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some big decisions in our world.

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Maybe there's.

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Yeah.

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Maybe there's something that lives we

back in here and we just began laying

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in some very basic little, some little

ideas, some little feelings there, and you

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could even take your fingers and work with

this to create all kinds of illusions.

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If you don't want to use your fingers,

cause it will get some pain on them.

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You know, you can still use your brush.

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I like to use the finger

sometime just to create.

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Affects that are a little different,

a little, a little unique there, but

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you better remember where your finger's

been before you scratch your nose hair.

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Cause I do things like that.

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I'll forget that I've been painting

on my finger and scratch my ear or

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something and people will begin to laugh.

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And then cause you got all these funny

colors on your face, but that's all right.

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As long as you enjoy what you're

doing and have a good time.

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see that easy.

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You can begin creating illusions

of all kinds of little things

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that are happening in there.

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Just using a finger.

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Maybe got it more color on the old

brush here, Pat, a little more dark.

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And I like that dark Sienna.

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That's a beautiful, warm color.

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You can use this brush sidewards straight

on any way you want just practice

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with it and scrubbed it, paying him.

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And it creates all kinds

of different effects.

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Once again, I like to take the finger

and just work that out a little bit.

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I didn't go over here.

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We're beginning to have something that

looks like maybe this is a side of a

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mountain or a Hill, or I don't know.

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It looks pretty neat too.

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I sorta like it sorta like that.

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A little bit more of a dark color.

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We can outline and make some of these

a little stronger if you want to.

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That's a nice way of making a lot

of little rocks and stone areas.

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Very simply shoot.

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I like it.

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It's already a lot of

distance and depth in there.

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Let's go back to their old fan

brush, got a little paint thinner

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on it, and I'm going to flick

a little paint then and there.

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I want to keep this feeling of like a

water color going throughout the painting.

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I think I like that.

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Very soft, gentle little

painting, but you can see how

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that instantly starts coming up.

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All those little things.

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Isn't that fantastic.

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As I've mentioned before in this series,

I've got a lot of letters when I had

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a little pressure blue in there, a

lot of letters from people saying hand

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the world, you use this liquid clear.

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It seems like it ought to be

fantastic, but I don't know

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exactly what to do with it.

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And this series, we've really

tried to show you some, some

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paintings that you can do.

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Using liquid clear there, cause we have

clear black and white and all these

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things do gorgeous, gorgeous effects,

but they're all different and unique.

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There we go.

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See, now I'm gonna make this one darker,

maybe just trying to vary these colors

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wherever you want them to go next.

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Like a big old stone lives right there.

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I want to sorta fade

the edges out a little.

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And I say, I like using my finger, but

if you want to use it, just the Filbert

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that'll work just as well, just as well.

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I sort of find this to be fun once

in a while, just to get in there and

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play like pick up a little touch.

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Maybe it's like, Ooh, a

little lizard in Crimson.

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We get a little crazy here.

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Nice little stone lives right in there,

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but you just put as many or as few

things in your painting as you want.

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But this is a super way just beginning

to come up with ideas, started with a

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blank canvas and begin playing with it.

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Just begin playing.

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You can create all kinds

of gorgeous things there.

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Don't be afraid to experiment.

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Don't be afraid to, don't be afraid to

go out on a limb once in a while, because

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you know, if you go out on a limb once

in a while, that's where the fruit is.

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It never grows close to the tree.

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It's always out on the, on the lamb.

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If you want to get the fruit from

the painting, go out on a limb,

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take chances with your art, enjoy it

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there.

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You know, I gotta, I gotta do this.

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You know, me, I began

seeing things in these.

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I'm going to take up a little bit

of the liquid clear, just a little

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liquid clear on the fan brush

and go right into titanium white.

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Maybe I'll get a little more

clear up here, right back here.

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Let me get just a touch more there.

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I want to make this, I want to make

this paint thin, very thin with a

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clear, I'm only using the clear to

thin the color look up there now.

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Right in here.

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I know.

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I don't know.

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I know, watch here, watch here.

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So a little, a little watery followed.

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It was right there.

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There he comes.

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So you look at that.

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This is the way paintings come about.

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This is the way that you create a

whole new ideas, new concepts there.

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Look at that.

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I'm sorry.

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I just, I get excited

about things like, yes.

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Just want to go crazy with it.

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Maybe there we go.

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All kinds of court, just little things,

weigh up, just put the indication of

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the more things that are happening

up above this little watery fall.

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All right.

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Just let your imagination take you

to any place that you want to go,

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because this truly is your world here.

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We'll take my fan brush a

little paint and, and it again.

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Just flick a little, little more of

the paint than her right up there.

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Just to sort of bring all that together.

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Maybe even a little down here at

the base of this waterfall, let's

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see, had to soften those edges

and brings them right together.

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And that night I used to work like crazy

to do things like yes, and this will allow

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you to do it almost effortlessly there.

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There we go.

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And we got to make some big decisions.

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Where are we going with this?

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Where to do them, the

Filbert, there it is.

246

00:13:38,115 --> 00:13:40,275

Let's go back and get some color.

247

00:13:40,275 --> 00:13:42,675

I told you this was going to be one

of those days where we just played

248

00:13:42,675 --> 00:13:48,075

and had fun, but I want to, I want

to get you to try being creative on

249

00:13:48,075 --> 00:13:52,515

canvas, just to take your time and,

and sit down and have nothing in mind.

250

00:13:52,515 --> 00:13:56,745

When you start, just have a good

feeling and be happy and in love

251

00:13:56,745 --> 00:13:58,045

with the life and your world.

252

00:13:58,045 --> 00:13:58,155

And.

253

00:13:58,470 --> 00:13:59,970

And sat down and began playing.

254

00:14:01,110 --> 00:14:05,220

And if you feel good about yourself and

the world, it'll show in your painting and

255

00:14:05,220 --> 00:14:08,250

all these little things will happen there.

256

00:14:08,310 --> 00:14:12,060

I'm just putting in some little, maybe

some more little stones over here.

257

00:14:12,420 --> 00:14:15,060

Cause we have to contain this

little waterfall or it'll, it'll

258

00:14:15,060 --> 00:14:16,830

get out and run all over the place.

259

00:14:17,010 --> 00:14:17,340

We don't know.

260

00:14:23,900 --> 00:14:24,430

We don't even.

261

00:14:24,765 --> 00:14:26,415

We don't even know where that goes yet.

262

00:14:26,505 --> 00:14:29,835

We'll decide that later on right

now, we're just putting some little

263

00:14:29,835 --> 00:14:31,635

stones in there to contain all this.

264

00:14:33,015 --> 00:14:33,795

Okay.

265

00:14:35,595 --> 00:14:36,075

My fault.

266

00:14:36,075 --> 00:14:44,445

The old brush, nah, I'm just going

to take my finger and feed that back.

267

00:14:44,475 --> 00:14:48,795

Just blend these edges out and

you can create the illusion of

268

00:14:48,795 --> 00:14:51,735

highlights and shadows and all

kinds of things that are happening.

269

00:14:52,350 --> 00:14:52,980

Right here.

270

00:14:53,130 --> 00:14:57,900

Just, just using your

finger that easy there.

271

00:15:00,720 --> 00:15:01,350

Okay.

272

00:15:02,130 --> 00:15:03,360

I went back to my little fan brush.

273

00:15:03,360 --> 00:15:04,800

It just has paint around it.

274

00:15:05,610 --> 00:15:07,860

And once again, I'm going to flick

a little right along the edges

275

00:15:07,860 --> 00:15:15,780

here, something like, like, so, and

maybe, maybe in our world, maybe

276

00:15:15,780 --> 00:15:17,430

there's a whole nother layer here.

277

00:15:17,490 --> 00:15:19,890

Look at all the layers and the

depth that we've done in here.

278

00:15:22,125 --> 00:15:27,285

And you can do this as you see, this is

so easy, even if you've never painted,

279

00:15:27,614 --> 00:15:30,734

you can do this, you can do this

280

00:15:33,824 --> 00:15:38,834

there, something like,

so we just let it fade.

281

00:15:38,834 --> 00:15:39,045

Right.

282

00:15:39,074 --> 00:15:40,125

We don't know where that goes.

283

00:15:41,984 --> 00:15:42,704

There we are.

284

00:15:43,574 --> 00:15:43,905

Yeah.

285

00:15:43,915 --> 00:15:44,114

Then.

286

00:15:45,660 --> 00:15:46,199

Let's go back.

287

00:15:46,439 --> 00:15:47,670

I have to keep wiping my finger off.

288

00:15:47,699 --> 00:15:50,100

If you're painting with it, you're

going to end up with a dirty finger.

289

00:15:50,780 --> 00:15:53,300

I we'll have a, let's have a

little tree in our, where we can

290

00:15:53,300 --> 00:15:54,439

just keep using this Filbert.

291

00:15:54,439 --> 00:15:54,860

I like it.

292

00:15:55,160 --> 00:15:58,339

Some black, some SAP green,

some of the Browns Crimson.

293

00:15:58,339 --> 00:15:58,850

It doesn't matter.

294

00:15:58,850 --> 00:16:02,780

Maybe even a little bit of

pressure and blue, whatever.

295

00:16:02,990 --> 00:16:03,410

Okay.

296

00:16:03,680 --> 00:16:06,500

Let's go up in here maybe in our world.

297

00:16:07,790 --> 00:16:07,880

Okay.

298

00:16:08,420 --> 00:16:10,400

Let's do a little

evergreen tree right here.

299

00:16:10,640 --> 00:16:11,689

We'll just paint it with this.

300

00:16:11,689 --> 00:16:12,170

It doesn't matter.

301

00:16:12,170 --> 00:16:13,400

You can just take his brush in it.

302

00:16:14,505 --> 00:16:18,695

Just begin putting all kinds of

little limbs and just sort of drop

303

00:16:18,695 --> 00:16:21,255

them on we'll come back and put

a few little highlights in there.

304

00:16:23,015 --> 00:16:23,315

Yeah.

305

00:16:24,975 --> 00:16:27,605

I start tree that lives

right up here at all this.

306

00:16:30,125 --> 00:16:30,875

There we go.

307

00:16:32,795 --> 00:16:38,135

Maybe let's put a little, let's just put

a little color in here for background.

308

00:16:38,135 --> 00:16:39,905

I didn't even pick up a

little that tree color.

309

00:16:40,905 --> 00:16:42,275

Just sort of want this to feed out.

310

00:16:42,275 --> 00:16:42,695

I think.

311

00:16:42,695 --> 00:16:42,875

Yeah.

312

00:16:45,000 --> 00:16:50,460

Something about like cat, we just let

that feed right on him for nothing there.

313

00:16:53,850 --> 00:16:57,950

I really do enjoy doing

this, uh, for a long time.

314

00:16:57,950 --> 00:17:00,800

I've wanted to show you some of the

ways that we create new paintings.

315

00:17:01,580 --> 00:17:05,870

And this is one of the ways

right here, right here.

316

00:17:09,980 --> 00:17:10,530

Okay.

317

00:17:10,530 --> 00:17:11,360

I'm back to my little.

318

00:17:12,450 --> 00:17:12,990

Fan brush.

319

00:17:12,990 --> 00:17:13,980

It has the paint thinner.

320

00:17:14,200 --> 00:17:15,060

I'm going to flick this.

321

00:17:15,220 --> 00:17:20,550

There's really not much here, but

I want to flick it a lot and just

322

00:17:20,550 --> 00:17:24,810

let it sorta just let it sort of

be a nice, soft little background.

323

00:17:26,210 --> 00:17:26,690

Look at that.

324

00:17:28,490 --> 00:17:28,970

See there.

325

00:17:30,680 --> 00:17:34,340

It just sorta gives up, it gives

a hint or, or a suggestion of

326

00:17:34,340 --> 00:17:35,480

something going on in there.

327

00:17:36,530 --> 00:17:37,390

Let's take a little.

328

00:17:38,250 --> 00:17:40,590

We'll use the little blue and

a little lizard and Crimson.

329

00:17:41,160 --> 00:17:43,020

Maybe I'll make a little lavender color.

330

00:17:43,050 --> 00:17:44,970

And once again, I'm just using

my finger here, but the brush

331

00:17:44,970 --> 00:17:45,930

should work just as good.

332

00:17:48,210 --> 00:17:49,620

I've got into the, using the finger.

333

00:17:49,860 --> 00:17:50,670

That's gorgeous.

334

00:17:51,150 --> 00:17:52,140

And I like that today.

335

00:17:52,770 --> 00:17:54,000

Just like doing that,

336

00:17:57,660 --> 00:18:03,210

you know, this, this painting already

almost has an Oriental flare to it.

337

00:18:05,310 --> 00:18:07,379

Sorta has like an Oriental flare.

338

00:18:08,750 --> 00:18:13,280

It's interesting, because talking

about, about that, our show now is

339

00:18:13,280 --> 00:18:15,230

being played all over the world.

340

00:18:15,710 --> 00:18:21,530

And recently it started playing in

Japan and it's just, uh, it's fantastic.

341

00:18:21,530 --> 00:18:25,250

We have so many fantastic friends

there and they're enjoying the

342

00:18:25,250 --> 00:18:26,720

show and it's working well for me.

343

00:18:27,070 --> 00:18:28,610

And we had one lovely lady.

344

00:18:29,774 --> 00:18:31,575

Who decided she wanted

to be an instructor.

345

00:18:31,575 --> 00:18:37,264

And she came here all the way from Japan

just to learn, to be okay, an instructor.

346

00:18:37,985 --> 00:18:42,395

And this is me Sukkot ta-da and

she's our first Japanese instructor.

347

00:18:42,965 --> 00:18:45,335

I have to show you some of her

classes that she has going back.

348

00:18:45,355 --> 00:18:47,554

We had some photographs here and

I wanted to show these to you.

349

00:18:48,245 --> 00:18:51,935

She has some fantastic classes and she's

teaching hundreds of pounds, people

350

00:18:52,115 --> 00:18:54,725

all over Japan, the joy of painting.

351

00:18:56,955 --> 00:18:57,705

Isn't that something.

352

00:18:58,935 --> 00:19:01,605

So people all over the world,

there's a common denominator.

353

00:19:01,935 --> 00:19:04,835

One loves to paint everyone.

354

00:19:05,105 --> 00:19:06,095

Even the young people.

355

00:19:06,125 --> 00:19:09,395

We have so many young friends

and that they too enjoy this.

356

00:19:10,865 --> 00:19:11,525

There we go.

357

00:19:13,235 --> 00:19:14,645

I have to go to Japan pretty soon.

358

00:19:14,645 --> 00:19:16,775

We're thinking, meet some

of these fantastic painters

359

00:19:16,775 --> 00:19:18,815

or they're just so excited.

360

00:19:19,715 --> 00:19:23,795

They're like, can we go back

to the brush out and maybe.

361

00:19:24,210 --> 00:19:27,960

We'll put something right in here

and we don't know what it is.

362

00:19:27,960 --> 00:19:31,410

Maybe I'm just going to sort of let

this fade off from the side over here,

363

00:19:33,170 --> 00:19:39,680

like that maybe, maybe, maybe, maybe

there's another old tree up here.

364

00:19:39,980 --> 00:19:43,100

I'm just sort of bouncing around in

sort of deciding what looks right

365

00:19:43,100 --> 00:19:44,570

and wrong and where I want these.

366

00:19:44,570 --> 00:19:49,400

And when you do yours, just

sort of watch it and look at it

367

00:19:49,400 --> 00:19:50,630

and see what's happening in it.

368

00:19:51,390 --> 00:19:55,200

Because everybody's painting will

look different, especially if you're

369

00:19:55,200 --> 00:20:00,960

doing a painting like this, because

we really don't have any set idea

370

00:20:00,960 --> 00:20:01,860

of where we're going with this.

371

00:20:01,860 --> 00:20:03,150

We just sort of letting it happen.

372

00:20:04,500 --> 00:20:05,610

Take a little Brown and white.

373

00:20:06,150 --> 00:20:08,430

Maybe just put the indication

here and there of a little tree.

374

00:20:08,640 --> 00:20:08,970

Okay.

375

00:20:11,630 --> 00:20:14,030

Looking for a lot of detail,

but just a little, take a little

376

00:20:14,060 --> 00:20:17,360

yellow ochre, little, little caddy.

377

00:20:18,780 --> 00:20:20,810

Like a little green, just

to put a touch of highlight.

378

00:20:20,820 --> 00:20:22,230

You don't want this to be too strong.

379

00:20:22,260 --> 00:20:25,889

I think I'll keep these

colors quite muted.

380

00:20:27,709 --> 00:20:28,429

There we go.

381

00:20:30,770 --> 00:20:32,330

Just enough to give it a hint.

382

00:20:32,720 --> 00:20:37,189

Just a hint shoot, maybe an hour, maybe.

383

00:20:37,250 --> 00:20:38,510

Hey, there's another old trunk.

384

00:20:39,169 --> 00:20:39,800

This old treat.

385

00:20:39,800 --> 00:20:43,610

Maybe he had a battle bedtime and

pooped out on us, but he still

386

00:20:43,610 --> 00:20:46,939

lives up here on the rock and.

387

00:20:47,640 --> 00:20:50,490

Let's see, maybe there's a little

light shot in through their

388

00:20:51,990 --> 00:20:55,980

little arm sticking out there.

389

00:20:59,490 --> 00:21:00,060

All right.

390

00:21:03,810 --> 00:21:05,520

Down in here, I'm going

to go back to the thinker.

391

00:21:05,520 --> 00:21:06,570

I like to blend with that.

392

00:21:08,400 --> 00:21:11,670

You can make some most interesting

shapes and color combinations.

393

00:21:14,250 --> 00:21:14,940

There we go.

394

00:21:18,120 --> 00:21:21,330

I want it to fade right on out,

down here almost to nothing.

395

00:21:30,590 --> 00:21:34,490

something about like that by

changing the angle of some of these

396

00:21:34,490 --> 00:21:38,600

trucks, you can create the illusion

of highlights and shadows and all

397

00:21:38,600 --> 00:21:39,860

of these gorgeous little things.

398

00:21:40,620 --> 00:21:41,910

Just practice a little with it.

399

00:21:42,210 --> 00:21:47,550

I think you'll find this is a unique

way of painting bacteria, little

400

00:21:47,550 --> 00:21:50,100

paint, thinner on the brush, and I'm

going to flick the bottom of this.

401

00:21:50,580 --> 00:21:52,620

So I say, I'm going to do this

through the entire painting.

402

00:21:52,620 --> 00:21:58,230

I think just, just to keep this feel

sort of a, a watery color field,

403

00:21:58,230 --> 00:22:02,010

once in a while, I'll put a lot on an

area and allow it to actually drip.

404

00:22:03,565 --> 00:22:08,264

Cause it makes a very nice effect

and it'll drive people crazy that

405

00:22:08,264 --> 00:22:09,405

you show your paintings to them.

406

00:22:09,825 --> 00:22:13,274

They'll go nuts trying to figure out how

in the world did you do such a thing?

407

00:22:14,625 --> 00:22:15,225

There we go.

408

00:22:16,815 --> 00:22:19,485

Now then let's take an old two inch brush.

409

00:22:19,485 --> 00:22:23,655

I'm going to go right into a little bit

of titanium white, maybe the least little

410

00:22:23,655 --> 00:22:27,315

touch of this is a little lavender color.

411

00:22:27,315 --> 00:22:30,015

It's sort of got a little

Crimson in it and a little bit

412

00:22:30,015 --> 00:22:32,205

of blue, but not much color.

413

00:22:32,265 --> 00:22:33,015

Mostly white.

414

00:22:33,585 --> 00:22:34,425

Let's go up in here.

415

00:22:35,375 --> 00:22:39,275

And let's just take that

and begin bouncing in.

416

00:22:39,275 --> 00:22:43,565

Like maybe there's just the indication

of some foamy water back here.

417

00:22:44,885 --> 00:22:46,235

A little bit of depression and blue.

418

00:22:47,555 --> 00:22:49,085

Just sort of bury this a little bit.

419

00:22:51,125 --> 00:22:51,725

There we go.

420

00:22:51,905 --> 00:22:53,135

Just sort of bounce it in.

421

00:22:57,810 --> 00:22:58,350

All right.

422

00:23:00,780 --> 00:23:01,950

All these little things happen.

423

00:23:03,480 --> 00:23:04,770

I don't want a lot of detail here.

424

00:23:04,770 --> 00:23:06,600

I don't really want to

know where this goes.

425

00:23:07,650 --> 00:23:14,160

Retain the salt, water

color, something like that.

426

00:23:16,710 --> 00:23:18,750

Very soft, very Misty.

427

00:23:21,875 --> 00:23:23,795

Sort of a secret little place.

428

00:23:24,995 --> 00:23:26,705

This is just a lot of myths out here.

429

00:23:31,415 --> 00:23:35,285

Maybe, maybe, maybe, maybe let's

go back to over old colors.

430

00:23:35,285 --> 00:23:38,525

We had the Browns and the

black maybe over in here.

431

00:23:38,645 --> 00:23:38,885

Yep.

432

00:23:38,945 --> 00:23:39,425

You're right.

433

00:23:40,445 --> 00:23:43,985

It lives in another big

old stone right there.

434

00:23:45,005 --> 00:23:46,675

That's worked the bottom

of him out a little.

435

00:23:49,305 --> 00:23:53,445

Maybe, maybe he's got her

friend is right there.

436

00:23:55,475 --> 00:23:56,795

Well, with that, just sort of fade off.

437

00:23:56,795 --> 00:23:57,815

We don't know where that goes.

438

00:23:57,815 --> 00:24:00,485

I don't, I don't want

very sharp edges on here.

439

00:24:02,135 --> 00:24:04,385

I like the softness that

just sort of happens.

440

00:24:04,955 --> 00:24:05,315

Okay.

441

00:24:06,365 --> 00:24:06,905

All right.

442

00:24:06,905 --> 00:24:07,265

Maybe.

443

00:24:08,075 --> 00:24:08,135

Yeah.

444

00:24:08,375 --> 00:24:11,375

And we're just varying these colors

back and forth and back in front of,

445

00:24:11,375 --> 00:24:12,605

Hey Dale for you over on this side,

446

00:24:15,605 --> 00:24:15,935

there.

447

00:24:18,605 --> 00:24:20,865

Neato how you can do things like that.

448

00:24:24,254 --> 00:24:25,215

There we go.

449

00:24:26,385 --> 00:24:27,524

Be behind in here.

450

00:24:29,205 --> 00:24:29,625

All right.

451

00:24:30,635 --> 00:24:36,845

You know, me, you know me, I got,

I got to have a big tree with this.

452

00:24:36,845 --> 00:24:37,805

Continue to use this.

453

00:24:38,225 --> 00:24:39,695

Maybe our big tree lives.

454

00:24:40,715 --> 00:24:45,004

It's right here in front of

her, right there, right there.

455

00:24:46,815 --> 00:24:48,495

And I don't want my

old tree to get lonely.

456

00:24:49,514 --> 00:24:51,945

Shoot let's let's give him a friend.

457

00:24:53,115 --> 00:24:56,475

He has a friend now lives, right there.

458

00:24:58,245 --> 00:25:01,575

Take a little bit of sort of a gray color.

459

00:25:01,575 --> 00:25:04,514

We'll just put a little touch of

highlight right down the edge.

460

00:25:06,615 --> 00:25:09,105

So it looks like he's a little

light Shannon through there,

461

00:25:11,024 --> 00:25:12,405

something about like, so.

462

00:25:14,490 --> 00:25:15,930

And we can just work this on out.

463

00:25:19,290 --> 00:25:20,340

Something like that.

464

00:25:22,050 --> 00:25:24,120

I really hope you try

these kinds of paintings.

465

00:25:24,120 --> 00:25:29,730

It will, it will allow you freedom

to just experiment and don't be

466

00:25:29,730 --> 00:25:31,410

afraid to experiment once again.

467

00:25:31,440 --> 00:25:35,970

That's where some of the best ideas in the

world come from, it's just experimenting

468

00:25:35,970 --> 00:25:39,750

and having fun and enjoying your art

and enjoying your time with yourself.

469

00:25:40,679 --> 00:25:44,399

Or if you do it with a friend or your

spouse, it's a good time together.

470

00:25:46,260 --> 00:25:46,439

Okay.

471

00:25:46,439 --> 00:25:48,209

Back to our brush that has

the paint thinner on it.

472

00:25:48,510 --> 00:25:50,490

And let's just flick all this to shoot.

473

00:25:50,610 --> 00:25:54,389

I like it flicking,

just giving them flick.

474

00:25:57,949 --> 00:26:01,909

Maybe, maybe our tree goes

into some SAP green here.

475

00:26:02,929 --> 00:26:05,689

Maybe there's a few little Liam's

hanging out here on our tree.

476

00:26:05,720 --> 00:26:06,230

Yeah.

477

00:26:09,880 --> 00:26:12,030

Just a few, I don't want too

many because I don't want to

478

00:26:12,030 --> 00:26:13,500

lose all this nice background.

479

00:26:15,300 --> 00:26:21,210

Something about like it just here

and there, just in case maybe we

480

00:26:21,210 --> 00:26:24,510

even have a few little indications of

some little bushy things that live at

481

00:26:27,560 --> 00:26:27,860

there.

482

00:26:29,780 --> 00:26:33,450

As I say, this is something that

I really hope you try because it's

483

00:26:33,470 --> 00:26:35,480

so much fun and it works so well.

484

00:26:35,570 --> 00:26:36,470

And it's so easy.

485

00:26:37,649 --> 00:26:38,610

Maybe on our tree here.

486

00:26:38,610 --> 00:26:40,620

There are a few old limbs

that are hanging out.

487

00:26:42,960 --> 00:26:46,020

Like, so wherever you think they

should be a couple of hanging out

488

00:26:46,020 --> 00:26:51,090

in here, a few little sticks and

twigs that live right back in here.

489

00:26:53,750 --> 00:26:54,139

Stay there.

490

00:26:54,440 --> 00:26:56,000

Just all kinds of little things.

491

00:26:57,379 --> 00:27:00,409

Take a little little touch with

the yellow ochre, just to spice

492

00:27:00,409 --> 00:27:02,000

it up a little right in here.

493

00:27:03,530 --> 00:27:04,980

Maybe a little touch of the bright red.

494

00:27:05,460 --> 00:27:07,470

Ooh, just to give it a

little fire in there.

495

00:27:09,230 --> 00:27:09,620

Shoot.

496

00:27:09,620 --> 00:27:10,399

I sort of liked that.

497

00:27:11,179 --> 00:27:12,860

I think we're going to

call that pain done.

498

00:27:13,100 --> 00:27:16,580

I really hope you try this because it'll

teach you creativity and that allow you

499

00:27:16,580 --> 00:27:19,010

to express yourself from all of us here.

500

00:27:19,100 --> 00:27:22,250

I'd like to wish you happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S25E06 - Oriental Falls

Bob Ross's

The Joy of Painting

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