Bob Ross's
The Joy of Painting
S08E03 - Warm Winter Day
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All right.
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Glad you could join me today.
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Today.
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I thought we'd do a nice,
beautiful little winter scene.
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It's sort of warm and has a
beautiful little glue in, I
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think it will make you happy.
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So let's have him start off and run
all the colors across the screen
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that you need to do this painting
and they'll come across in the same
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order as I have them on my palette.
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Now I've already covered the
canvas with a thin coat of the
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liquid white it's wet and slick.
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It's all ready to go.
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Let's have some fun.
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Okay.
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Start today with a little one inch brush,
go into a little bit of CAD yellow.
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And the tiniest, tiniest little amount
of the bright, red, tiny little amount.
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Can you say that enough?
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Just work a little bit into the bristles.
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Screw it up here.
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I'm going to have a son in this painting,
so we'll have the sun right about there.
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Okay.
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Well, we started off just
making a little circle.
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So you got to do like, so, okay.
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Now I'm going to wash the brush.
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And we, you wash her brushes and odorless
thinner, just beat the devil out of it.
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Okay.
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Now then I'm going to go into
titanium white and we'll come right
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down here and get a little touch.
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Of a lizard Crimson, just like, so, okay.
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Ask her right up in here.
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And we'll work this in using little,
little crisscross strokes, a little Xs
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after you'll use these little crisscross
strokes rather than drawing a big circle.
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It's much, much easier to blend
all of these colors together.
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I'd really recommend use
these little strokes.
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Like, so maybe I'll add the least little
touch here, Crimson here and make it a
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little bit brighter so you can see it
better on, you said anytime some of these
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colors are so soft, it's hard to see.
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We'll bring it right on out like that.
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Normally, when we're doing these
paintings for television, do you paint
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a little brighter than we would at home?
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So when you're painting at home, do you
paint in any way that makes you happy?
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Like, okay, I'm going to
go to a two inch Bryce.
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It's a little bit faster now
go right into the Crimson
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tiniest little bit tiny, so bed.
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And I'm going to add just a small amount.
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Of the dark Sienna to the Crimson,
make a very warm Brown case.
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Go back up here.
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Yeah, very lightly.
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Right around here.
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Still making the little crisscross
strokes, very soft, quiet, gentle
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little sky, but it's very effective.
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Very effective.
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This was a type painting that
people put in their living rooms.
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Just make it look warm.
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They're good sellers.
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If you're interested in selling paintings.
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So many people write and tell me that
they're selling paintings, that they
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didn't believe they could paint with.
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It really makes me happy when people write
and tell me that, and it's not the money.
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The money is not important.
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It's what it does to your ego and inside
here, because if somebody is willing
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to pay you for something you painted
with your hand, Oh, makes you want to
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go home and paint 10 more paintings.
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That's what's important.
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It's not the money going
right into Vandyke Brown.
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Sometimes I talk too much.
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I have to hush get excited.
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Vandyke Brown, still
making a little crisscross.
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Now this is mixing with the liquid white
and all of these beautiful little things.
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Just happen a little
bit more of the Brown.
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And right there, right there.
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Look at that
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looks just like an egg cook this morning.
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Bad news.
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I'm not much of a cook.
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I'll take lay a little tiny bit of
this Brown is covered out in here
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and without, including the brush,
at least little touch of the little
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blue daddy, tiniest little mountain.
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Okay.
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And we'll just lay off
a little bit of that.
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Just hearing, just hearing there.
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Then you can add others in Crimson.
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I'm just putting some colors down here.
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Don't worry about blending them
together or mixing them at this point.
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All right.
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Let's lay that brush down.
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And I have several of these two inch
brushes going, and I'm going to go
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right up here and again, blending,
still using little crisscross strokes,
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and you really want to blend this out.
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Blended blended working outward.
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You don't want to bring the
dark color in toward the center.
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and you want to blend this too.
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You can't tell where one color
stops and the next one starts
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very soft and very gentle.
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Maybe very lightly just
take out the breast strokes.
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And if you happen to get a hair on the
canvas, like I did there to take the
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corner of the brush and pop it off.
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Now, then now let's have some fun.
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We'll put a sun up in here and for
that, I'm going to use my finger.
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Let's go right here, take a little white
and I'm just gonna rub it right in.
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Just make a little circle.
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Sun looks a little better.
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If it's round and square
sun sort of bother you.
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There you go see you just
push that right in there.
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Make a little circle.
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And if you tried blending
that it would smear.
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So take your knife.
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Come right up here and watch, take your
knife and just go take it right off.
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What's the value or the
color remains in the canvas.
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Now you can come along here and see,
you can blame that and head easy, easy.
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You have a happy little side.
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All right.
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And had complete source guy.
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Now we can have some fun and
begin painting, or you have
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to make a decision here.
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Okay, I'm going to use the round
brush, go into van Dyke, Brown,
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little dark Sienna, and I'm just
going to mix them on the brush.
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Just tap it.
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Just tap.
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There we go.
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Let's go ahead.
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Up here.
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Maybe there's a happy little
tree that lives right here.
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And then we'll start at the base
of this tree and work upwards.
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So automatically, automatically,
it's going to mix with the liquid
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white and it's going to be darker
at the bottom and it is on the top.
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And you have your shadows
without even trying.
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Darker darker, darker
down towards the bottom.
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There we go.
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Maybe there's a happy little tree
or Bush that lives there begin
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thinking about the lay of the land
or the way that the ground flows.
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I'm going to have a little Hill here.
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So that's what I'm going to be working on.
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We're not worried a great deal
about detail at this point.
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But all we're interested in is
the general lay of the land.
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Oh, there's another one.
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So you just put these little things,
just sort of fall out of your brush.
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They live in there.
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Sometimes you have to tap them
out a little bit, but they live in
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there and we'll pull a little bit
of that color down just the bottom.
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Cause that'll end up being
our shadows in the snow.
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See fuse, all these things
where you got so dark cover on
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the brush, you can use it now.
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Then I am going to take, put a little bit
of a liquid blackout here on my palette.
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Take my liner brush, add a little
paint thinner, and then work at
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brush in there and turn it, turn
it, bring it to a super sharp point.
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Let's look at that.
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Very sharp.
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All right.
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Now that in here.
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In here for just the indication
of a few you little trunks, little
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stems, whatever you want to call
them, Liam's arms, whatever.
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Okay.
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Now, one of the questions I get
asked a great deal is, do you
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pull it down or do you go up?
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It doesn't matter.
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Try it both ways.
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And most people will find it works
better one way than it does the other.
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Uh, normally I pulled down because
it's easier for you to see it that way.
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When I'm painting at home, a
lot of times I'll pull it up.
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I don't think there's any rule.
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You just sort of practice and find
which way works for you there.
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We try to show you as many
ways as possible and then
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turn you loose on the world.
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Okay.
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Now then I'm going to take.
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They will round brush and dip it
right into a little touch of a
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liquid white, just a little touch.
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I'm going to add the least, least little
touch, bright red here at the tire.
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And he is a little bit tapped up.
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Brush, tap it, Tampa.
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Tap it.
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Okay, let's go up here now, then
let's put some beautiful little
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highlights up here on these trees.
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Just use just the top corner
of the brush and begin tapping.
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See you there.
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But think about shapes in here.
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Don't just throw this on at random.
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Leave some of those
nice dark areas in here.
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See the patterns.
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That's what gives you tree shape and form.
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Now, if you have trouble making
it stick, add a little bit
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more of the liquid white to it.
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I'll put a little more red in
there wanting to stand out.
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Oh, there we go.
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There we go.
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Beautiful.
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You can see that much better.
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I think.
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Okay, just go right along
here, make some decisions.
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How many trees, how many bushes?
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Oops.
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There's wide river right there.
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See layer that creates depth.
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This is where the little bunny
rabbit hides is behind that Bush.
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And then up here all winter long,
the little tree or chin stays.
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I bet you wonder how to treat your Junius.
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That's what I call a little squirrel.
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I have a big Walnut tree in my
yard and the little squirrels come
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and they eat walnuts and we have
little, little power struggles over.
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Who's going to get to walnuts,
be at a squirrel guess who wins?
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Squirrels, got a nest full of nuts.
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And I have none growing up here.
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There.
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I got one in little Rascals.
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It decided he liked my garage better.
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He did out during a cold,
he moved into my garage.
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Can you get that little devil out?
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So I put some moth balls in his nest.
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Now it stinks.
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Now once again, while I have this.
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All my brush.
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I'm going to begin pulling in some basic
shapes and I'm not worried at this point
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about much of anything, except the labels,
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just like soccer.
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All right now, then we can take
the old fan brush the whole fan
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brush with a little white on
it, and we can begin working on
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some nice shapes and stuff here.
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This is where again, laying in the
snow and you can go into a tiny little
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bit of the blue and add shadows.
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It doesn't matter.
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In fact, it's desirable.
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If you pick up a little bit of this Brown
and begin working it in here, here we go.
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Always, always paying attention
to the lay of the land and
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thanked where the light would hit.
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Snow is very real or really smooth.
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It has little bumps, colors, rocks,
and stones, and all kinds of little
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happy things that are underneath this.
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No, you may not see them, but
they, they call it bumps into snow.
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Okay, maybe tell you
what must go right here.
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Push in there.
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It was a happy little, little grassy area.
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It just runs right down the Hill
there and just make all kinds
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of little things happen here.
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All right.
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I like to do these little winter scenes.
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There's a lot of fun.
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Easy.
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Thank you.
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Happy.
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Okay.
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Are you what?
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Maybe years ago, old trapper.
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Maybe he built him a little,
a little house right there.
245
00:12:51,645 --> 00:12:55,515
So I'll take some, some of the
Vandyke Brown cut across and get a
246
00:12:55,515 --> 00:12:56,745
little roll of paint on the knife.
247
00:12:57,270 --> 00:12:59,610
There you can see right out
on the edge is most important.
248
00:12:59,610 --> 00:13:00,810
It's right out on the edge of the knife.
249
00:13:00,840 --> 00:13:01,440
Let's go up here.
250
00:13:02,460 --> 00:13:02,730
Okay.
251
00:13:03,060 --> 00:13:06,120
Maybe the little house lives does now.
252
00:13:06,180 --> 00:13:07,020
Right there.
253
00:13:07,500 --> 00:13:08,130
There it is.
254
00:13:08,550 --> 00:13:11,220
I see paint that little backy first.
255
00:13:12,540 --> 00:13:15,330
I tell you what to put a front on him.
256
00:13:18,720 --> 00:13:23,460
Fred, on the other side, say,
just sort of in your mind, think,
257
00:13:24,180 --> 00:13:25,440
think what a house looks like.
258
00:13:26,205 --> 00:13:30,995
And he needs a little
side over here too, or
259
00:13:35,745 --> 00:13:37,295
take a little white and a little Brown.
260
00:13:40,655 --> 00:13:44,095
Get us a little roll of paint and
that's, let's put that at least
261
00:13:44,105 --> 00:13:45,455
little touch, a highlight on there.
262
00:13:46,145 --> 00:13:50,825
Barely touching, barely
touching, just caress the canvas.
263
00:13:52,535 --> 00:13:52,955
Okay.
264
00:13:52,985 --> 00:13:53,225
Now.
265
00:13:55,185 --> 00:13:56,985
See, we can see that the
light's coming from here.
266
00:13:56,985 --> 00:13:58,425
So this side is going to be a brighter.
267
00:13:58,724 --> 00:14:02,714
This one over here, this one's going
to be almost dark, almost pure Brown.
268
00:14:02,805 --> 00:14:04,545
Don't worry about too
much color over that.
269
00:14:04,545 --> 00:14:09,285
Say boy, that guy lives in
there is freezing because
270
00:14:09,285 --> 00:14:10,635
there is no roof on his house.
271
00:14:11,175 --> 00:14:14,415
Let's give him a roof and
let's give him a roof.
272
00:14:15,015 --> 00:14:15,704
There we go.
273
00:14:17,865 --> 00:14:18,645
Just that easy.
274
00:14:19,545 --> 00:14:20,594
Now he's got a half a roof.
275
00:14:20,729 --> 00:14:23,449
Um, let's feel sorry for him.
276
00:14:23,459 --> 00:14:24,229
Give him the other half.
277
00:14:27,209 --> 00:14:28,380
Don't want him to freeze.
278
00:14:30,270 --> 00:14:30,719
Okay.
279
00:14:30,780 --> 00:14:32,010
A little snow on the other side.
280
00:14:32,040 --> 00:14:36,479
Just sort of bring all that
together and that easy.
281
00:14:36,870 --> 00:14:40,199
She got a little cabin door.
282
00:14:40,439 --> 00:14:44,189
Don't want him to get locked in there
and can't get out all winter here.
283
00:14:44,189 --> 00:14:48,479
You got a little door, take a
little white, go around edges.
284
00:14:50,100 --> 00:14:51,840
They're making the rascal stand down.
285
00:14:52,620 --> 00:14:53,790
I'm gonna take the small knife.
286
00:14:53,790 --> 00:14:57,480
Now we'll put a little window right there.
287
00:14:57,510 --> 00:15:02,070
Just a little blue and white,
just to give the indication of
288
00:15:02,070 --> 00:15:05,750
a happy little window like that.
289
00:15:08,950 --> 00:15:12,770
Chimney, we use a small edge
of the small knife again.
290
00:15:13,770 --> 00:15:16,950
Put a little chimney, take a
little tiniest little touch to the
291
00:15:16,950 --> 00:15:18,420
bright red skews more on there.
292
00:15:20,310 --> 00:15:24,180
Maybe he don't have his fireplace lit a
little snow lane up here on his chimney.
293
00:15:25,020 --> 00:15:25,590
Here we go.
294
00:15:26,010 --> 00:15:26,460
That easy.
295
00:15:27,510 --> 00:15:31,470
I'll tell you what I think a little
bit of the liquid black, maybe
296
00:15:31,920 --> 00:15:34,050
that's what remains of an old fence.
297
00:15:34,800 --> 00:15:35,700
And it went right.
298
00:15:35,700 --> 00:15:37,260
I don't know care.
299
00:15:37,270 --> 00:15:38,850
This is just straight liquid black.
300
00:15:39,600 --> 00:15:40,290
There it goes.
301
00:15:41,550 --> 00:15:41,910
There.
302
00:15:43,905 --> 00:15:46,005
And there's a few old rails left on it.
303
00:15:47,745 --> 00:15:53,305
I don't know, off into the
distance that need to do, do to
304
00:15:57,365 --> 00:15:58,115
wash the brush.
305
00:16:00,035 --> 00:16:01,805
I take a little bit of
the liquid white out.
306
00:16:01,865 --> 00:16:04,025
Look at their little snow
laying up here on his fence.
307
00:16:06,575 --> 00:16:07,655
A little up here on top.
308
00:16:08,735 --> 00:16:08,945
There.
309
00:16:12,210 --> 00:16:13,890
And you can just make all
turns a little things.
310
00:16:16,400 --> 00:16:21,890
All right, here, we can take the fan brush
and grab just a touch that blended here.
311
00:16:23,450 --> 00:16:23,930
All right.
312
00:16:23,960 --> 00:16:26,330
Now we can fix up the foot of this cabin.
313
00:16:26,870 --> 00:16:28,490
Take it and work on your perspective.
314
00:16:28,520 --> 00:16:28,970
Look at there.
315
00:16:29,060 --> 00:16:31,280
You can just cut it right
off wherever you want it.
316
00:16:33,110 --> 00:16:33,740
However you want it.
317
00:16:35,970 --> 00:16:37,410
Take a little white little touch.
318
00:16:37,410 --> 00:16:38,310
It blew into it.
319
00:16:39,900 --> 00:16:42,300
And the camera down here, and
there's a big, old bunch of
320
00:16:42,300 --> 00:16:43,860
snow land right along in there.
321
00:16:48,210 --> 00:16:50,240
even created the illusion.
322
00:16:50,630 --> 00:16:52,910
He's been walking right here and
the shoes and the little, little,
323
00:16:52,910 --> 00:16:55,460
tiny, tiny bit, if were blue light.
324
00:16:59,390 --> 00:17:01,850
Yeah, we go back to her pink, her colors.
325
00:17:01,850 --> 00:17:03,020
It's got a little pink in there.
326
00:17:03,380 --> 00:17:04,850
They begin building all this sand.
327
00:17:06,825 --> 00:17:10,875
Still paying very close
attention to the lay of the land.
328
00:17:13,014 --> 00:17:16,474
Most important that you always keep in
mind the way you want this land to flow.
329
00:17:19,385 --> 00:17:23,254
If you don't, they will get away from
you front right out of your paving.
330
00:17:23,885 --> 00:17:26,194
Pretty soon you'll have land
going in every which direction.
331
00:17:26,194 --> 00:17:27,244
So pay attention to that.
332
00:17:27,244 --> 00:17:28,745
That's that's important.
333
00:17:28,745 --> 00:17:32,975
So little details that make you think
your paintings better make you happier.
334
00:17:34,365 --> 00:17:37,365
And when you get done with your
painting, it's nice to step back and
335
00:17:37,365 --> 00:17:40,215
look at it and feel good about it.
336
00:17:40,965 --> 00:17:42,045
You want to feel good about it?
337
00:17:44,865 --> 00:17:45,795
Just put that right back.
338
00:17:45,795 --> 00:17:46,005
Yeah.
339
00:17:47,025 --> 00:17:49,785
See, got to get a little larger down here.
340
00:17:49,785 --> 00:17:52,845
Cause perspective wise,
it's getting closer to you.
341
00:17:53,925 --> 00:17:54,435
All right.
342
00:17:56,055 --> 00:17:56,625
All right.
343
00:17:56,625 --> 00:17:58,965
Let me get one side done here.
344
00:18:06,210 --> 00:18:06,600
Okay.
345
00:18:07,040 --> 00:18:08,060
Let's get serious.
346
00:18:09,310 --> 00:18:10,250
Let's get serious.
347
00:18:10,250 --> 00:18:10,640
Fine law.
348
00:18:11,010 --> 00:18:14,070
Round brush here and let's put something
over here on the other side and have
349
00:18:14,070 --> 00:18:19,020
some fun back into my dark Sienna,
Vandyke Brown tap pedal brush in there.
350
00:18:19,460 --> 00:18:21,770
So you're really beat that son of a gun.
351
00:18:21,890 --> 00:18:23,570
This is where you take
out all your frustrations.
352
00:18:24,500 --> 00:18:25,790
I said it better and kicking your dog.
353
00:18:27,080 --> 00:18:28,190
Of course fees like mine.
354
00:18:28,190 --> 00:18:28,580
You kick him.
355
00:18:28,580 --> 00:18:29,210
He'll okay.
356
00:18:29,885 --> 00:18:30,695
Take your leg off.
357
00:18:31,895 --> 00:18:32,495
Here we go.
358
00:18:33,365 --> 00:18:34,625
Right on up.
359
00:18:37,024 --> 00:18:37,655
Work it up.
360
00:18:37,815 --> 00:18:39,425
See, once again, we're
starting from the bottom.
361
00:18:39,534 --> 00:18:40,415
I can working upward.
362
00:18:41,284 --> 00:18:43,865
So it's darker at the bottom is on top.
363
00:18:45,185 --> 00:18:46,925
Maybe that comes right up into there.
364
00:18:53,360 --> 00:18:59,840
I like these very soft
earth tone Browns and stuff.
365
00:19:00,899 --> 00:19:02,870
So striking so effective.
366
00:19:04,850 --> 00:19:05,449
There we go.
367
00:19:07,730 --> 00:19:08,449
That's it right there.
368
00:19:08,510 --> 00:19:08,949
Right there.
369
00:19:09,470 --> 00:19:11,629
Let's do we got this whole
brush going to so much fun?
370
00:19:12,379 --> 00:19:13,610
Let's go right over on this side.
371
00:19:14,300 --> 00:19:16,070
And maybe right here, I'm
just going to push upward.
372
00:19:16,139 --> 00:19:21,230
See, just push look at all of the
thousands of little leaves and stuff.
373
00:19:21,230 --> 00:19:21,770
It makes there.
374
00:19:23,010 --> 00:19:23,580
And that easy.
375
00:19:25,000 --> 00:19:26,190
It looks like old dead Bush.
376
00:19:26,340 --> 00:19:27,480
There's one right there too.
377
00:19:28,230 --> 00:19:29,940
You'll have a couple
of these whole Rascals.
378
00:19:31,740 --> 00:19:33,930
Just drop them in wherever you want them.
379
00:19:35,370 --> 00:19:39,750
And you take off the old fan brush
and go right back in here and we
380
00:19:39,750 --> 00:19:44,460
can working some of these out,
create all kinds of pretty things.
381
00:19:44,820 --> 00:19:47,550
So you can make like the
lay of the land go anywhere.
382
00:19:47,550 --> 00:19:48,210
You want to go.
383
00:19:51,810 --> 00:19:52,290
Wherever
384
00:19:55,620 --> 00:19:58,260
I go st.
385
00:19:58,260 --> 00:20:00,240
Mike's all kinda little
snow drifts up there.
386
00:20:02,850 --> 00:20:03,899
There we are.
387
00:20:05,550 --> 00:20:06,720
Sometimes it's just so pretty.
388
00:20:06,720 --> 00:20:07,200
It hurts.
389
00:20:09,659 --> 00:20:10,409
Okay.
390
00:20:12,899 --> 00:20:13,770
Let's let's change.
391
00:20:13,830 --> 00:20:16,080
Let's change the flow of
the land here at the Layla.
392
00:20:16,190 --> 00:20:16,860
Watch right here.
393
00:20:17,430 --> 00:20:17,700
See.
394
00:20:18,030 --> 00:20:23,040
Take it this way and bring it up in here
automatically grab some of that Brown,
395
00:20:23,070 --> 00:20:27,510
pull it down in there automatically
you can change the lay of the land.
396
00:20:28,290 --> 00:20:31,620
So now you can see
there's a separate entity.
397
00:20:33,890 --> 00:20:37,490
It goes back farther,
pushes everything back.
398
00:20:39,770 --> 00:20:40,550
There we go.
399
00:20:42,520 --> 00:20:43,200
Okay.
400
00:20:50,175 --> 00:20:55,455
Yeah, then let's take, I don't
use the whole knife here.
401
00:20:56,355 --> 00:20:58,485
Let's just flip that quick
little indication here.
402
00:20:58,485 --> 00:20:59,895
Have a little tree trunk in there.
403
00:21:02,355 --> 00:21:03,014
It's like it.
404
00:21:03,314 --> 00:21:08,804
If your little Liam's here and there,
little Brown and white little highlight.
405
00:21:09,270 --> 00:21:10,260
Just a tiny touch.
406
00:21:10,550 --> 00:21:13,590
Like you take just the point of knife.
407
00:21:14,400 --> 00:21:17,520
Look at that straight through and
make all kinds of little doers in
408
00:21:17,520 --> 00:21:20,430
their little dams and stems and twigs.
409
00:21:21,480 --> 00:21:22,080
It's that easy.
410
00:21:23,340 --> 00:21:23,790
Okay.
411
00:21:26,730 --> 00:21:28,500
Yeah, that's fine.
412
00:21:29,040 --> 00:21:30,000
No, that's fine.
413
00:21:30,060 --> 00:21:30,540
There it is.
414
00:21:31,290 --> 00:21:32,040
The round brush.
415
00:21:32,310 --> 00:21:33,060
Let's have some fun.
416
00:21:33,090 --> 00:21:33,930
Let's get crazy here.
417
00:21:33,930 --> 00:21:38,250
I'm going to take a little, the bright
red, little yellow ochre, little
418
00:21:38,250 --> 00:21:41,670
Indian, yellow, but very small amount.
419
00:21:41,670 --> 00:21:46,170
Don't don't get too wild
on this very small amount.
420
00:21:46,230 --> 00:21:47,100
Can you screw right up here?
421
00:21:47,820 --> 00:21:49,050
Maybe this tree here.
422
00:21:49,410 --> 00:21:50,910
It's got a little bit of color on it.
423
00:21:50,910 --> 00:21:51,930
The steel for the fall.
424
00:21:54,000 --> 00:21:56,520
Just drop in some happy little things.
425
00:21:57,030 --> 00:21:59,100
Once again, worry about patterns.
426
00:21:59,160 --> 00:21:59,790
Shapes.
427
00:21:59,910 --> 00:22:01,200
Think about limbs in there.
428
00:22:01,260 --> 00:22:03,540
And I'm just using the very
top corner of the brush.
429
00:22:04,920 --> 00:22:10,920
Just the very, very top corner that
though see all the little things.
430
00:22:14,264 --> 00:22:16,215
And this creates a little
warmth in the painting.
431
00:22:17,445 --> 00:22:21,735
Sometimes I paint winter scenes that
are so cold, who, gosh, you almost
432
00:22:21,735 --> 00:22:23,025
have to put on a coat to look at them.
433
00:22:24,585 --> 00:22:29,475
These are very warm and very soft
and they go well in people's homes,
434
00:22:31,715 --> 00:22:33,245
people like these kind of paintings.
435
00:22:35,105 --> 00:22:39,004
These are the type paintings I do
for special friends and as gifts for
436
00:22:39,004 --> 00:22:40,715
Christmas and birthdays and weddings.
437
00:22:40,715 --> 00:22:40,835
And.
438
00:22:42,060 --> 00:22:48,570
All kinds of things like, yeah, no,
that's, it brings up another thing.
439
00:22:48,810 --> 00:22:51,960
A lot of people ask us what we do with
all these paintings that we do on TV.
440
00:22:53,440 --> 00:22:59,670
Most of them are used to go into
the books that we do, but all
441
00:22:59,670 --> 00:23:01,110
the rest of them, we donate.
442
00:23:01,950 --> 00:23:06,060
We don't even do PBS stations all around
the country and to charity organizations
443
00:23:07,170 --> 00:23:08,700
for them to make a happy buck with.
444
00:23:09,870 --> 00:23:13,530
So, if you would like to have one,
one of the easiest ways to get it
445
00:23:13,530 --> 00:23:16,410
is to call your PBS station and
say, Hey, you know, get one of Bob's
446
00:23:16,410 --> 00:23:17,670
paintings for your next auction.
447
00:23:19,470 --> 00:23:20,940
And we'll be glad to donate one to him.
448
00:23:22,380 --> 00:23:23,520
And it helps everybody out.
449
00:23:23,520 --> 00:23:25,140
You get better programming that way.
450
00:23:25,140 --> 00:23:30,300
In the PBS station, he puts a happy
book in his pocket and you get him.
451
00:23:30,689 --> 00:23:30,959
You're good.
452
00:23:30,959 --> 00:23:31,409
A painting.
453
00:23:31,770 --> 00:23:33,629
So keep that in mind.
454
00:23:33,629 --> 00:23:36,030
If you want one, just
let your station know.
455
00:23:37,830 --> 00:23:40,409
Just drop in a few, little blue
and white grassy areas here.
456
00:23:43,830 --> 00:23:45,810
Oh, kinds of little
things going on in here.
457
00:23:46,800 --> 00:23:48,120
Oh, kinds of things.
458
00:23:50,310 --> 00:23:54,629
Now that I tell you what let's use
the knife, maybe this what remains.
459
00:23:54,899 --> 00:23:56,310
There is an old fence right here.
460
00:23:56,370 --> 00:23:58,979
There's a post put one there.
461
00:23:59,159 --> 00:23:59,550
Take what?
462
00:24:00,405 --> 00:24:06,485
Three, three looks better, a little bit of
Brown and white for some highlight, dude.
463
00:24:07,215 --> 00:24:07,845
There we go.
464
00:24:08,835 --> 00:24:11,805
Maybe there's still one Oh one
old posters hanging across there.
465
00:24:12,615 --> 00:24:14,145
Just like that.
466
00:24:14,145 --> 00:24:14,475
Easy.
467
00:24:16,095 --> 00:24:16,515
Okay.
468
00:24:16,635 --> 00:24:17,535
Let's have some fun.
469
00:24:17,565 --> 00:24:19,185
Let me get an old fan brush here.
470
00:24:19,365 --> 00:24:25,245
Go right into the Vandyke Brown
little dark Sienna, I think.
471
00:24:25,395 --> 00:24:26,025
Uh, yep.
472
00:24:26,715 --> 00:24:27,135
Look it there.
473
00:24:29,580 --> 00:24:32,780
Big old tree, the big old tree.
474
00:24:32,780 --> 00:24:35,420
I put a big tree in a painting
one time and a lady screamed at
475
00:24:35,420 --> 00:24:39,020
me, absolutely screamed at me.
476
00:24:40,460 --> 00:24:43,340
So if you don't want a big tree
in your painting, don't put one
477
00:24:43,340 --> 00:24:44,840
in there and then scream at me.
478
00:24:46,860 --> 00:24:47,660
This is your world.
479
00:24:47,660 --> 00:24:49,520
So you do whatever you
want and you're painting.
480
00:24:50,780 --> 00:24:51,230
Okay.
481
00:24:51,940 --> 00:24:56,000
Then I'll take the liner brush
a little bit of liquid black.
482
00:24:57,149 --> 00:25:00,600
And we'll just put the indication
of a fuel Liam's here and there.
483
00:25:02,159 --> 00:25:02,460
Yeah.
484
00:25:03,000 --> 00:25:05,399
Sometimes I add a little paint
thinner to the liquid black
485
00:25:05,820 --> 00:25:07,560
to make it really flow easy.
486
00:25:08,939 --> 00:25:09,720
Just let it go.
487
00:25:10,350 --> 00:25:13,200
Just let it really work
right off your brush.
488
00:25:14,879 --> 00:25:16,320
Come right on around there.
489
00:25:17,730 --> 00:25:18,179
Look at there.
490
00:25:18,720 --> 00:25:22,520
See, and have somebody Liam's
would go up and across the tree.
491
00:25:22,700 --> 00:25:25,220
Don't have them all
just going out the side.
492
00:25:26,760 --> 00:25:29,159
See, and you can put all kinds
of little tiny things in there
493
00:25:29,159 --> 00:25:30,629
just by stroking the canvas.
494
00:25:31,230 --> 00:25:31,800
Can you see them
495
00:25:35,220 --> 00:25:42,110
just get sort of crazy and let them
go there, man, we'll take the knife
496
00:25:43,730 --> 00:25:46,280
and little bit of white Brown.
497
00:25:48,080 --> 00:25:51,649
Let's put a little touch of
highlight on this tree there.
498
00:25:52,100 --> 00:25:52,850
Barely touch.
499
00:25:52,970 --> 00:25:53,720
Give it a little pull.
500
00:25:54,780 --> 00:25:56,010
It's like the pink grab.
501
00:25:56,700 --> 00:25:58,139
This is a thick, thick paint.
502
00:25:59,159 --> 00:26:04,050
So it'll grab him, hang on the hair.
503
00:26:04,110 --> 00:26:05,850
Maybe this one comes right down in front.
504
00:26:06,540 --> 00:26:06,930
Okay.
505
00:26:09,030 --> 00:26:09,629
Stay there.
506
00:26:12,300 --> 00:26:15,360
You can just make all the
trees you want in your world.
507
00:26:16,830 --> 00:26:17,430
Okay.
508
00:26:20,040 --> 00:26:23,430
Take the old fan brush and put a
little snow down here on his foot.
509
00:26:26,220 --> 00:26:28,830
Take care of his old foot, big foot.
510
00:26:33,290 --> 00:26:38,090
the liner brush with a little
liquid white and just lay on
511
00:26:40,120 --> 00:26:41,240
little highlight here and there.
512
00:26:41,510 --> 00:26:43,070
Create the illusion of a little snow.
513
00:26:43,580 --> 00:26:43,700
Okay.
514
00:26:44,025 --> 00:26:46,215
And I think with that, we
bought him a finished painting.
515
00:26:47,295 --> 00:26:52,635
So let's take a little bit of the bright
red liner brush and we'll sign this one.
516
00:26:53,175 --> 00:26:56,745
The old clock on the wall tells
me I got to leave you for today,
517
00:26:57,555 --> 00:26:58,815
but I'll be back next time.
518
00:26:58,935 --> 00:27:02,475
Hope you have easel set up class
to T you already until then.
519
00:27:02,865 --> 00:27:03,525
Happy painting.
520
00:27:03,855 --> 00:27:04,455
God bless.
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