Bob Ross's

The Joy of Painting

S18E03 - Wintertime Discovery

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Hi, welcome back.

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Certainly glad you could join me today.

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You ready to do a

fantastic little painting?

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Good.

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Tell you what, let's start off the

day and have him run all the colors

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across the screen that you need to

paint along with us, and they'll come

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across as usual in the same order as

we have them on the pallet, starting

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with a white and working around.

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Let me tell you what

I've already done today.

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Today, as you can plainly see,

we have a black canvas up here.

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Now we, we get this by just taking a

white canvas and covering it with black.

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Jessel letting that drag completely.

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Then on top of that, I've taken today and

I've covered the whole canvas with a thin.

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Let me say that again.

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I thin coat of liquid clear, and

then over top of that, I've just

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put a tiny, tiny bit of fellow blue.

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So we have liquid clear

and then fallow blue.

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I put the clear on there only

to make the blue go much easier.

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And I want a very thin

coat of the blue in there.

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I don't want a whole bunch today.

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And I thought maybe today we do a

fantastic little winter scene and

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I'll show you how easy that can be.

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Let's start out with little

titanium, white, just a small amount.

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We use the one inch fresh, but

we could use any old thing.

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Two inch brush would work just as well.

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Since we picked this one

up, we will use it now.

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Then I wouldn't make the indication here.

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Just happy little cloud things

that are happening there.

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And we just sort of gonna bounce

this around and let it play.

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Just make all kinds of little shapes,

but always keep the brush moving.

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I don't want a lot of color in one place

and you can see that whites picking up all

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that beautiful blue that's underneath, and

these things will just happen if you paint

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with me before, you know, I mentioned

quite frequently when you're doing these

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black canvases with a transparent color on

them, that if you put the color on before

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you start painting in front of someone,

And then you see, then you start this and

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you'd take your brush and go into a little

bit of white paint and then touch this.

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People will think it's magic because they

won't understand why this is happening.

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There we go.

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And it really makes a it's

a sensation when it happens.

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People just go crazy over it.

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So if you're ever out painting for

someone, think about these, there are

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a lot of fun on the black canvases.

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You'll find the color stands out much,

much more than it does on a white canvas.

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Just jumps out at you.

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Use that to your advantage.

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I love these black canvases.

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You can create some of the

most striking effects and

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they're very simple to do this.

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Black was one of the neatest things

that I've ever came up with there.

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No, there, if we left a lot of

these holes in here, though,

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don't just cover it all up.

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Maybe spots.

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Now, watch, we'll take.

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We'll take a good clean, dry

two inch brush, and let's just

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begin blending this together.

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And you can blend this to any degree

of lightness or darkness that you

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want, the more that you work it.

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And I'm just using the

corner of the brush.

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The more that you work, this,

the darker it'll become.

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Cause it'll pick up that

color it's underneath.

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So you have to make a big decision

right off in this painting.

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How dark do you want

your sky or how light.

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And you can always go back and add more

of the titanium white, anytime that

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you desire and you can make it shoot.

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You can make it some right at

her CI eyes, if you want to.

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And that's an individual

thing you make it anyway.

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Just makes you happy.

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There we are quick.

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We have a very nice, effective little sky.

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And just very gently will blend

the brushstrokes about putting

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this liquid clear on here.

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Then you can put a very, very

small amount of fallow blue.

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So when you put the white, it's

not, it's not so bright blue.

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That is, it hurts the eyes that way.

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It's almost like a glaze on there.

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Tell you what let's have some fun.

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Let's take some black where, or

use some black little pression

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blue lizard and Crimson.

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Um, a little van Dyke Brown,

what the heck it doesn't matter.

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Whatever you want.

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Let's build us a little

mountain in this one.

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Pull the paint out as

flat as you can get it.

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Go right down here with a knife, cut

across and get that small roll of pink

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lives right down to the end of the blade.

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There we go.

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And then come right up in here.

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You have to make a big decision.

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So we start writing here, decide

where you want your mountain to live.

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And all we're looking

for is a nice top shape.

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We're not worried about the bottom of the

mountain or anything else at this point.

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The only thing we're trying to do

is get us a basic shape in here.

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So make up a shape or look at mountains

in your area or get a nice book.

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It has mountains in it, whatever

mountains coming, all shapes and sizes.

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Some big, some small, some dark sunlight.

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There's like people, they

have personalities that are,

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that are different and unique.

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So when you make your mountain,

don't just try to coffee.

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This one, make any kind of

mountain that makes you happy.

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There.

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All we're interested in.

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Once again, is this nice edge up on top.

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We don't care what's happening in here.

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But scrape off all the excess paint.

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Now with a clean, dry brush, we want

to grab this and begin moving it.

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You can literally pull this paint around.

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The canvas is wet from the clear

and the color that we have on there.

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So we can move this color.

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This was a dry canvas.

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It'd be very difficult.

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There's very little color on the canvas.

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Very little, we have scraped it very

hard and now we're brushing it out.

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So all we have left on here is just

basically a stain in the canvas.

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Very, very little color.

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There we go.

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Very little paint now today to

listen, have some fun today.

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Let's come up here.

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We'll take a little white, a little bit

of white, little white reach over here,

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get a little dark Sienna and put in there.

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Maybe even a little Vandyke is up to you.

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We want to make a color bad.

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Like so, whatever, whatever.

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It's a very small role of paint

right out on the edge of the knife.

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Now to start making

some decisions in here.

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First thing you have to decide is

where your light's coming from.

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I think maybe today let's have a light

coming from the left side, but you can

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change that in your painting if you

want it coming from the right doesn't

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matter and begin thinking about little

ideas and basic shapes and how you

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want things to be in your world here.

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Same.

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Maybe there's a little thing.

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It comes right down.

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We don't know.

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Maybe it comes down like

they're just sort of let it go.

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Maybe it comes right on down.

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Mountains are a great deal of fun and

mountains will teach you how to use the

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equipment, teach you how to use the knife.

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And that's, that's fantastic.

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If you learn to use this knife, you

can't believe what it'll do, but

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you have to make friends with it.

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You have to devote a little time to

working with it, but very quickly,

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you'll be doing things with it too.

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You didn't believe was possible

to do with a big old thing.

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It looks like a putty knife here.

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They're just begin thinking about

this shapes that you want in there.

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Maybe out here, just a little indication.

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Yeah.

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Barely touch the canvas.

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Allow the knife, just to sort

of raise it to slide along.

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Just float through here.

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The lightest touch that you

can come up with is just right.

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Absolutely just whisper.

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Absolutely whisper.

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Probably one of the biggest questions

that I hear over and over again is

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why can't I make his paint break?

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Like yes.

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Two things normally

caused the problem either.

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The paint is too thin because you need

a very dry, thick paint to do this.

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Or the other thing is

applying too much pressure.

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Very little pressure, a

little bit right there.

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Just, just enough to let a little

light tweak right through there.

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And then we can take, we're gonna

take a little white, a little white,

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maybe a little of the pressure

and the blue little lizard Crimson

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will make us a nice lavender color.

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But very dark.

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This is going to be the shadow.

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So we want it to be quite dark once

again, our little roll of paint.

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Now, then we can begin coming back in

here and we don't want too much, but here

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and there, just put the indication of

some little highlights that live in here.

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That's very easy to get

carried away with ease.

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Once again, we don't want too

many, just a few, just a few.

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Keep them quite dark.

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There.

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And you can begin putting in indications

of individual little things in here,

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all kinds of little things, just

wherever you think they should be.

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Just a few of them.

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Once again, this would get

too bright on you very easily.

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So don't overdue.

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It gets to feel good sometime and you just

keep going and going and going and then

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it's and you have to go back and put your

dark back in, but you can do that too.

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That's not a big deal.

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You can go back and.

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Put your dark right back.

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Yeah, there we go.

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See, there's a lot of different

things happening up here in this

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mountain and it's just not Plano.

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Mountain is a lot of things.

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Maybe let me take a little bit

of titanium white with a least

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little touch of blue in it.

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Just the least little touch.

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Just want to cool it off a little,

just a little, pull it out flat.

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And once again, our little roll of paint.

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And maybe there's a little,

maybe there's some snow laser.

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I didn't hear a little, maybe it was

a little glacier shoot who knows, just

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begin thinking about the shape and

form and how it would lay in there.

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There we'll just put it here very lightly,

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a little bit more of the

blue and white there.

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And that blue gives it sort of a

cold feeling is a very cool color.

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Maybe it comes right down there.

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I said, we don't know where it goes.

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Isn't it, it sort of bend around and play

in there, climbs up the side of that.

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You can go back into your Browns,

just sort of bring it all together,

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but it's unbelievable what you can

make here back into the Browns.

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As we get farther down this mountain,

let's see how that color stands

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out against that black background.

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It's fantastic.

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Absolutely.

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Fantastic.

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Maybe I've been here a little,

just a little too sharp for Allen.

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Break it up a little.

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So it's not quite as sharp there.

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We can go back to our original dark color.

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Just pull in a few very dark recessed

shadow areas, but very, very dark,

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see, grab a little that color and

let them just sort of blend together.

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But it's very dark

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okay.

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That you can make just

unbelievable mountains, but devote

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a little time to practicing.

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Shoot.

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You will not believe what

you can make very soon.

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There we go.

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And here I'm just rubbing very

hard just to, just to push all

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that color right into the fabric.

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There we go with this camera.

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We don't know where that goes.

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I got put a big tree right over there.

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Okay.

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To do that one fantastic

mountain going right there.

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Yeah, we can take a two inch brush and

the least little touch of white paint,

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titanium, white least little touch.

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Oh, just barely touch it.

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And I want to just begin

blending a little that white.

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I want to create the illusion of nice

soft Misty areas down here at the base.

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So we take that white and just do

little circles, tiny little circles.

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And we can tap.

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That'll bring it all together,

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but you can create areas that are so

Misty and soft and quiet that easy.

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There we go.

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That's easy to overdo.

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Once again, color stands out

so strong against this black.

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That is a very easy to overdo.

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So don't, don't get carried away.

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Here we are.

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We're not worried about the bottom.

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I think I'll put some

little trees down there.

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What the heck trees, the

base of the mountain.

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They're always very pretty.

247

00:14:09,045 --> 00:14:14,295

And over in here, we'll just tap

a little, just to soften right in

248

00:14:14,295 --> 00:14:15,464

here, where they come together.

249

00:14:18,425 --> 00:14:18,935

Fair.

250

00:14:21,510 --> 00:14:24,150

Now just like making clouds

here, you can put several layers.

251

00:14:24,150 --> 00:14:27,600

If you want, you can create

the illusion of layers of mist.

252

00:14:27,630 --> 00:14:29,670

Laying here can do very easy.

253

00:14:32,600 --> 00:14:34,910

Just let your imagination take

you wherever you want to go.

254

00:14:36,380 --> 00:14:42,650

So you have to do all ready now.

255

00:14:45,045 --> 00:14:46,125

Let's get the whole knife.

256

00:14:47,265 --> 00:14:48,615

Let's take this.

257

00:14:48,615 --> 00:14:48,745

Use.

258

00:14:48,745 --> 00:14:51,015

This dark colored is using

that's the mountain color.

259

00:14:52,725 --> 00:14:57,615

Maybe, maybe I'll add a little

bit more black to that on it.

260

00:14:57,615 --> 00:14:59,295

Gray, maybe a little bit.

261

00:14:59,385 --> 00:15:00,765

They love blue, black.

262

00:15:00,775 --> 00:15:04,545

They look blue and some Brown and Crimson.

263

00:15:04,545 --> 00:15:06,045

That's all it is there.

264

00:15:06,195 --> 00:15:06,525

Okay.

265

00:15:06,795 --> 00:15:07,875

Let me wipe off my knife.

266

00:15:09,135 --> 00:15:10,605

I'll grab an old fan brush today.

267

00:15:11,970 --> 00:15:15,660

This is a number six fan brush, but the

number three would work just as well.

268

00:15:16,260 --> 00:15:19,560

And some people like a number three,

because it gives you maybe a little

269

00:15:19,560 --> 00:15:23,189

more controls, a little smaller,

maybe back here in this mist.

270

00:15:23,640 --> 00:15:26,699

We have some happy little

trees that live back in here.

271

00:15:28,560 --> 00:15:34,829

Just the indication of little distant

trees that are far away seeing that

272

00:15:34,829 --> 00:15:36,090

little Misty or we put in there.

273

00:15:36,090 --> 00:15:36,840

That's the only thing.

274

00:15:37,390 --> 00:15:39,310

It makes those little

Rascals pop out at you.

275

00:15:39,430 --> 00:15:42,850

Otherwise they would just hide

back here in that dark area.

276

00:15:44,980 --> 00:15:48,579

But because we put that little

mist now they come alive.

277

00:15:50,469 --> 00:15:52,870

Another little trick you can do is

take a little bit of light color.

278

00:15:53,410 --> 00:15:54,400

Doesn't matter what it is.

279

00:15:55,089 --> 00:15:58,810

Grab the bottom in that word

and make it look like hundreds.

280

00:15:58,810 --> 00:16:01,000

A little tree trunks that

are far away back here.

281

00:16:02,829 --> 00:16:03,579

I sneaky here.

282

00:16:05,895 --> 00:16:09,285

That's a lazy way of putting in a

bunch of tree trunks, very simply.

283

00:16:10,245 --> 00:16:12,915

And then I have several fan brush is gone.

284

00:16:12,915 --> 00:16:14,775

So we're just taking that with

no mix up some color here.

285

00:16:14,775 --> 00:16:18,075

We'll take some white, some fellow blue.

286

00:16:20,805 --> 00:16:23,655

I want to make several

different grades or of this.

287

00:16:24,705 --> 00:16:26,265

So we'll take.

288

00:16:27,300 --> 00:16:29,520

White here and I'll just

bring a little light into it.

289

00:16:30,870 --> 00:16:36,420

So now we have a much darker value up

here than down here, but it's all the

290

00:16:36,420 --> 00:16:41,250

same color so we can have different

variations of the same color in one power.

291

00:16:41,550 --> 00:16:42,450

I clean off my knife.

292

00:16:44,430 --> 00:16:44,940

Okay.

293

00:16:45,000 --> 00:16:46,260

We'll grab another fan brush.

294

00:16:46,740 --> 00:16:49,260

And as I say, I have hair,

several of them going here.

295

00:16:51,210 --> 00:16:51,990

That one's clean.

296

00:16:52,020 --> 00:16:56,910

So we'll use him take a little that

blue, just loaded into the bristles,

297

00:16:57,690 --> 00:16:58,650

a little bit of the light color.

298

00:16:59,540 --> 00:17:01,400

See, there's all kinds of

things happening in there.

299

00:17:01,400 --> 00:17:04,700

It's not one old color,

maybe right in here.

300

00:17:04,850 --> 00:17:10,760

There's some bigger trees that

live me live right about here.

301

00:17:10,880 --> 00:17:12,110

And I push upward today.

302

00:17:13,409 --> 00:17:15,119

See, give it a little upward push.

303

00:17:15,450 --> 00:17:18,149

We can make just all kinds

of happy, little evergreens.

304

00:17:18,149 --> 00:17:18,930

These are a little bigger.

305

00:17:19,619 --> 00:17:20,849

They're a little closer to us.

306

00:17:22,589 --> 00:17:23,369

Make a decision.

307

00:17:23,369 --> 00:17:25,649

How many live in your

world and drop them in.

308

00:17:26,250 --> 00:17:28,379

Just push upward with a corner

of the fan brush though.

309

00:17:29,370 --> 00:17:32,250

Maybe there's a little one lives

right here, and this is just

310

00:17:32,250 --> 00:17:35,610

playing lights against dark darks

against light, et cetera, et cetera.

311

00:17:37,064 --> 00:17:39,314

And that's what gives you all

these beautiful little effects.

312

00:17:41,145 --> 00:17:44,294

Now, when you're doing this, make

a decision, once again, decide

313

00:17:44,294 --> 00:17:47,595

how many trees live in your

world here and just pop them in.

314

00:17:48,074 --> 00:17:50,955

Maybe back in here, we'll put

some little bushes right there at

315

00:17:50,955 --> 00:17:53,475

the base of this sitting there.

316

00:17:55,935 --> 00:17:56,895

Just pocket and smooth.

317

00:17:57,105 --> 00:17:59,024

All I'm doing is pushing

upward with a fan rush.

318

00:17:59,754 --> 00:18:00,584

So obvious to it.

319

00:18:02,625 --> 00:18:05,294

Now I want to create some mist at

the base of these little trees.

320

00:18:05,324 --> 00:18:11,024

I'll take two inch brush and very

firmly tapping where the top corner

321

00:18:11,024 --> 00:18:13,965

of the brush tap those trees.

322

00:18:17,145 --> 00:18:18,794

And you can distort that diffuse.

323

00:18:18,794 --> 00:18:23,054

It you'll create that illusion of missed.

324

00:18:24,245 --> 00:18:26,645

Right on the base of this, we

can do the same thing if we want.

325

00:18:28,295 --> 00:18:31,655

We can just make all kinds of beautiful

little Misty effects that easy.

326

00:18:33,515 --> 00:18:34,175

There we go.

327

00:18:36,035 --> 00:18:38,705

Now we'll just use that same old brush.

328

00:18:38,705 --> 00:18:39,215

Doesn't matter.

329

00:18:39,245 --> 00:18:44,075

We'll go right into titanium white with

it, just put some titanium white on it.

330

00:18:45,004 --> 00:18:50,645

There we are like, so now that decide

where you snow is going to live.

331

00:18:50,825 --> 00:18:51,515

Let's come right here.

332

00:18:52,080 --> 00:18:53,220

We can watch right in here.

333

00:18:53,760 --> 00:18:53,970

Okay.

334

00:18:54,030 --> 00:18:57,899

Now just pull C just make a big decision.

335

00:18:58,470 --> 00:19:03,750

Give it a poll wherever you

want it to go in a super way

336

00:19:04,590 --> 00:19:05,880

to put some snow in your pain.

337

00:19:06,240 --> 00:19:07,050

It's that easy though?

338

00:19:09,150 --> 00:19:09,450

Easy.

339

00:19:10,830 --> 00:19:15,150

And once again, look how this stands

out against that black or Chaz.

340

00:19:15,150 --> 00:19:19,110

If you're not careful, just

stands right out there.

341

00:19:19,470 --> 00:19:23,790

Maybe, maybe there's a little river or

something that lives in our painting.

342

00:19:24,570 --> 00:19:26,280

Make a decision where you think it lives.

343

00:19:26,980 --> 00:19:29,169

Pull it down, straight down.

344

00:19:30,699 --> 00:19:31,030

Okay.

345

00:19:31,060 --> 00:19:32,320

Now take a clean brush.

346

00:19:34,419 --> 00:19:36,070

This is clean and very dry.

347

00:19:36,399 --> 00:19:37,659

Be sure it's clean and dry.

348

00:19:39,620 --> 00:19:41,709

That's mixing with the blue

that's underneath here.

349

00:19:42,070 --> 00:19:50,290

Very gently go across and that

quick we have instant reflections

350

00:19:50,290 --> 00:19:51,639

at a nice shimmer on the water.

351

00:19:53,080 --> 00:19:53,409

Okay.

352

00:19:53,409 --> 00:19:53,770

Maybe.

353

00:19:54,750 --> 00:19:57,060

Maybe, let me find another fan brush.

354

00:19:57,060 --> 00:19:57,510

There it is.

355

00:19:57,510 --> 00:19:58,679

I knew I had one somewhere here.

356

00:20:00,389 --> 00:20:04,050

We'll take the blue and the

white just mix them together.

357

00:20:05,010 --> 00:20:07,830

Maybe there's a larger evergreen

tree that lives here in our world.

358

00:20:09,330 --> 00:20:11,100

I want to add a little

dark color to that too.

359

00:20:11,159 --> 00:20:12,240

Just to build it a little.

360

00:20:12,480 --> 00:20:12,990

There we go.

361

00:20:13,689 --> 00:20:15,570

Little black into it just to dial it down.

362

00:20:15,689 --> 00:20:16,560

Thought that's nice.

363

00:20:16,830 --> 00:20:17,429

That's nice.

364

00:20:17,429 --> 00:20:19,110

I don't want it too bright.

365

00:20:19,500 --> 00:20:20,639

Maybe our tree lives.

366

00:20:21,690 --> 00:20:23,100

Right there just make a decision.

367

00:20:23,190 --> 00:20:25,440

But once he gave her, we're

going to take the corner of the

368

00:20:25,440 --> 00:20:27,270

brush and begin pushing upward.

369

00:20:29,010 --> 00:20:31,890

Sometimes we make evergreen trees

by pushing down where the brush

370

00:20:31,980 --> 00:20:34,680

sometimes upward, just sort of

depends on how your mood is.

371

00:20:36,240 --> 00:20:40,980

Look around at trees and your

area and see how they look or how

372

00:20:40,980 --> 00:20:42,720

you're feeling that day, whatever.

373

00:20:44,490 --> 00:20:47,310

They're individuals just like painter.

374

00:20:47,310 --> 00:20:50,490

So you make them any way

that you want them there.

375

00:20:50,580 --> 00:20:53,280

Just want to show you different

ways of making them in a new, you

376

00:20:53,280 --> 00:20:57,600

decide maybe some little grassy

things coming down through here.

377

00:20:58,590 --> 00:20:59,160

I don't know.

378

00:21:00,870 --> 00:21:05,790

Now we can take the fan brush and begin

making big decisions where all this

379

00:21:05,790 --> 00:21:08,100

lifts very gently, barely touching.

380

00:21:09,300 --> 00:21:10,650

Just caress the canvas.

381

00:21:11,385 --> 00:21:12,465

Smooth, all that out.

382

00:21:13,915 --> 00:21:14,925

See here that counts.

383

00:21:16,155 --> 00:21:18,225

We'll make a distinct little

peninsula that comes right

384

00:21:18,225 --> 00:21:22,415

down to the water there, there,

385

00:21:27,334 --> 00:21:28,534

but just barely touching.

386

00:21:28,534 --> 00:21:29,824

You can make this so smooth.

387

00:21:29,975 --> 00:21:33,304

It looks like silk where

you leave it a little rough.

388

00:21:33,304 --> 00:21:35,435

It's up to you up to you.

389

00:21:36,334 --> 00:21:37,084

And you know me.

390

00:21:39,060 --> 00:21:41,340

I always think these are such

beautiful places to live.

391

00:21:41,340 --> 00:21:43,560

Maybe let's have a little

cabin lives right here.

392

00:21:44,070 --> 00:21:49,080

Easiest way that I found, make a cabin

and start creeping out a basic shape.

393

00:21:49,110 --> 00:21:50,310

This does two things.

394

00:21:50,790 --> 00:21:53,670

First of all, it allows you to

lay out your cabin without being

395

00:21:53,670 --> 00:21:56,460

committed, maybe most important.

396

00:21:56,610 --> 00:22:02,280

It removes the excess paint and

that makes you laugh a lot easier.

397

00:22:02,640 --> 00:22:07,170

Find me a spot to work, pick some Vandyke

Brown, and let's go right up here.

398

00:22:08,280 --> 00:22:11,130

We'll do the back Eve,

how we have it Brown.

399

00:22:11,190 --> 00:22:12,360

We can just fill this in.

400

00:22:12,810 --> 00:22:15,720

All we're doing here is

just blocking in color.

401

00:22:15,810 --> 00:22:17,100

That's really all we're doing.

402

00:22:18,780 --> 00:22:20,010

Just blocking in color.

403

00:22:20,010 --> 00:22:20,790

We're not committed.

404

00:22:20,790 --> 00:22:21,870

We're not worried about it.

405

00:22:22,710 --> 00:22:24,960

Just putting some color on the canvas.

406

00:22:26,340 --> 00:22:29,850

Now, then put a roof, a little white.

407

00:22:30,150 --> 00:22:30,690

There it is.

408

00:22:31,830 --> 00:22:32,790

See how easy that is.

409

00:22:33,240 --> 00:22:34,140

You can do that.

410

00:22:35,925 --> 00:22:36,314

Yeah.

411

00:22:38,375 --> 00:22:40,054

Oh, you have to do just drop it down.

412

00:22:40,115 --> 00:22:41,405

Pay attention to your angles.

413

00:22:41,405 --> 00:22:44,794

So angles are very important

when you're doing buildings.

414

00:22:46,865 --> 00:22:47,165

Okay.

415

00:22:47,245 --> 00:22:49,804

Little snow on the other

side, they're over here.

416

00:22:50,774 --> 00:22:55,685

Cute little house, take a little Brown

and white, barely touching the canvas.

417

00:22:57,845 --> 00:23:01,205

Make us look like Oh, wood tired or wood.

418

00:23:03,360 --> 00:23:08,190

Now the other side, if you put anything

over here at all, very dark, very dark,

419

00:23:09,450 --> 00:23:10,920

because it's going to be in shadow.

420

00:23:13,320 --> 00:23:13,530

Okay.

421

00:23:13,550 --> 00:23:14,850

Maybe there, you know what?

422

00:23:15,389 --> 00:23:17,970

I have a little door here,

so that's all you gotta do.

423

00:23:19,500 --> 00:23:22,560

Take a little color on the

knife, a little dark color.

424

00:23:22,570 --> 00:23:25,680

You cut through

communication of some boards.

425

00:23:25,740 --> 00:23:26,909

We'll do a cabin ectomy.

426

00:23:27,240 --> 00:23:27,480

Hmm.

427

00:23:28,290 --> 00:23:28,710

There you go.

428

00:23:29,310 --> 00:23:32,790

Just cut it off to

whatever size you want it.

429

00:23:32,790 --> 00:23:35,540

Easy with our fan brush.

430

00:23:35,810 --> 00:23:36,649

Come back in here.

431

00:23:37,190 --> 00:23:39,649

I got a little snow down

here too at the bottom.

432

00:23:41,030 --> 00:23:43,159

Take a little blue and white.

433

00:23:43,669 --> 00:23:45,950

I think the indication maybe of

a little path coming out there.

434

00:23:45,980 --> 00:23:48,139

I don't know, whatever.

435

00:23:48,560 --> 00:23:50,540

Just make up little stories in your mind.

436

00:23:50,570 --> 00:23:51,649

Maybe there's an old trapper.

437

00:23:51,680 --> 00:23:54,560

I lived here maybe one day.

438

00:23:54,560 --> 00:23:55,700

He maybe.

439

00:23:56,610 --> 00:23:57,990

Fell off in here in the river.

440

00:23:58,530 --> 00:23:58,890

True.

441

00:23:58,920 --> 00:23:59,400

Who knows?

442

00:23:59,910 --> 00:24:00,360

We don't know.

443

00:24:01,560 --> 00:24:02,760

Tell you what let's get crazy.

444

00:24:03,210 --> 00:24:04,140

Let's take some dark color.

445

00:24:04,140 --> 00:24:10,410

We'll take some black, some they little

blue Prussian blue lizard Crimson.

446

00:24:10,410 --> 00:24:10,950

It don't matter.

447

00:24:10,950 --> 00:24:13,350

As long as it's good, dark

color on two inch pressure.

448

00:24:14,520 --> 00:24:16,440

You know me, I love these old big trees.

449

00:24:16,590 --> 00:24:17,430

Let's do a big tree.

450

00:24:19,260 --> 00:24:21,660

Let's go right over here

on this left side, maybe.

451

00:24:22,260 --> 00:24:25,080

And our world lives a

big tree right there.

452

00:24:25,590 --> 00:24:26,990

I'm gonna do them the same

way I did the little ones.

453

00:24:27,010 --> 00:24:28,050

Take the corner of the brush.

454

00:24:28,440 --> 00:24:30,210

Just give it a little upward.

455

00:24:30,210 --> 00:24:31,950

Push is all there is to it.

456

00:24:32,610 --> 00:24:33,060

Stay there.

457

00:24:34,530 --> 00:24:35,970

Think about shape and form.

458

00:24:36,150 --> 00:24:37,380

Don't just hit it random though.

459

00:24:38,805 --> 00:24:44,295

And you can create a beautiful tree

just using this great big old brush.

460

00:24:45,635 --> 00:24:46,215

There is to it.

461

00:24:47,655 --> 00:24:48,255

Big tree.

462

00:24:48,825 --> 00:24:49,695

Let's go on the other side.

463

00:24:49,695 --> 00:24:50,685

We don't want it left out.

464

00:24:51,585 --> 00:24:53,895

Maybe this tree over here is a monster.

465

00:24:54,165 --> 00:24:55,965

Maybe it went clean off the canvas.

466

00:24:57,465 --> 00:24:57,945

All right.

467

00:24:58,095 --> 00:24:58,905

We can do that too.

468

00:25:00,555 --> 00:25:02,175

We have no limits to our world.

469

00:25:03,645 --> 00:25:05,445

Only limited by your imagination.

470

00:25:07,455 --> 00:25:09,525

Only limited by your imagination.

471

00:25:11,095 --> 00:25:13,785

Good Lord puts no boundaries

on that so we can go anywhere.

472

00:25:13,785 --> 00:25:15,195

We want to go with our imagination.

473

00:25:16,305 --> 00:25:18,525

Don't even have to see your

friendly travel agent for that

474

00:25:20,115 --> 00:25:22,515

there anywhere you want to go.

475

00:25:23,085 --> 00:25:25,635

Maybe this tree lives right out here.

476

00:25:26,655 --> 00:25:28,065

Shoot right in the front of our house.

477

00:25:29,025 --> 00:25:29,535

There we go.

478

00:25:31,229 --> 00:25:36,209

Just coming to ride over like

that, that pushes that cabin

479

00:25:36,209 --> 00:25:37,229

way back here in the woods.

480

00:25:40,419 --> 00:25:45,120

Maybe, maybe there's some bushes

and stuff lived down in here now

481

00:25:45,120 --> 00:25:47,850

then without cleaning the brush,

I'm just going to go into a little

482

00:25:47,850 --> 00:25:50,490

tattoo, white and little blue.

483

00:25:51,479 --> 00:25:56,310

Now they go right back up here and very

lightly decide where your highlights

484

00:25:56,310 --> 00:25:58,379

are and just push up the same way.

485

00:26:00,405 --> 00:26:01,185

But don't overdo.

486

00:26:01,425 --> 00:26:06,825

You want this tree to stay quite dark

and just put in the indication of a few

487

00:26:06,825 --> 00:26:08,595

happy little highlights here and there.

488

00:26:10,335 --> 00:26:14,085

Say there, and then something

here's some right here.

489

00:26:16,305 --> 00:26:16,725

Okay.

490

00:26:17,445 --> 00:26:18,855

And we go to the other side.

491

00:26:19,815 --> 00:26:26,045

And give his little tree, so we don't

want to have left down there he is, but

492

00:26:26,045 --> 00:26:29,825

still thinking about shapes and form and

all those half-day little things that go

493

00:26:29,825 --> 00:26:32,165

on in there it's most, most important.

494

00:26:33,425 --> 00:26:39,485

And yeah, back to her fan brush,

let's put it over here so you can

495

00:26:39,485 --> 00:26:42,875

use this fan brush, maybe there's big

stones and stuff all underneath here.

496

00:26:42,875 --> 00:26:43,955

We don't know where it is.

497

00:26:45,005 --> 00:26:48,965

See, you can put all kinds of things by

just jiggling and wiggling that brush.

498

00:26:50,275 --> 00:26:55,475

Looks like this is rough, a dog

sat and he sat down on the sand

499

00:26:55,475 --> 00:27:01,265

paper, said rough on the other

side, little touch her right there.

500

00:27:03,525 --> 00:27:04,025

Okay.

501

00:27:05,945 --> 00:27:08,615

Fantastic lady to have a

beautiful little winter scene.

502

00:27:10,175 --> 00:27:11,915

Put a few little finishing

touches in there.

503

00:27:12,335 --> 00:27:12,835

Shoot.

504

00:27:12,845 --> 00:27:14,045

That's all done.

505

00:27:15,175 --> 00:27:16,295

Hope you've enjoyed this one.

506

00:27:17,675 --> 00:27:18,425

It'll really give you.

507

00:27:19,155 --> 00:27:21,044

Give you a nice painting to do so.

508

00:27:21,044 --> 00:27:23,925

I think we'll call that one finished

and from all of us here, happy

509

00:27:23,925 --> 00:27:25,574

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S18E03 - Wintertime Discovery

Bob Ross's

The Joy of Painting

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