Bob Ross's

The Joy of Painting

S22E05 - Russet Winter

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Hi, welcome back.

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Certainly glad you could join us today.

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Let's do a fantastic

little painting together.

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So tell you what, let's start out and

have him run all the colors across the

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screen that you need to paint along with

us, and they'll come across as usual

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in the same order as I have them on

the pallet, starting with a white and

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working around while they're doing that.

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Let me show you what

I've got done up here.

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Have my standard old pre stretched

double prime canvas up here.

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I use an 18 by 24, but you use

whatever size is convenient.

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Now, today I've covered the

entire canvas with a thin.

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And let me say that again, a thin.

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Then even coat of liquid clear.

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Now, when you're using this clear, I

say to them several times, because you

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need such a very, very small amount.

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It's transparent.

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You can't see it.

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There's a tendency to put

too much on very little.

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Okay.

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And with that, let's just

have a good time today.

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I'm going to take a little

yellow ochre, maybe.

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Little bit of yellow ochre.

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Let's just do a winter scene today.

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That's very nice.

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It's not be right back.

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I can get a little, a little

dark sand and mixed in with it.

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Little winter scene that is warm.

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Let's go up here.

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Sometimes winter scenes

can become so cold.

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They're almost unpleasant.

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So let's do one today that

has a lot of just beautiful

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little things happening in it.

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We'll just start out and

use a two inch person.

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Just make little circles, middle

patterns, let, to let all these

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little things just happen.

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There you go.

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This is a time to have fun.

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Just enjoy this, let it work and to play.

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But try not to, I don't want

to have go flat sky today.

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I want to have something

that has movement life in it.

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And it's interesting and it's fun.

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So by doing these little circles,

go on one way of one and go the

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other way of looking what happens.

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Look at all the forms and shapes that are

happening just automatically came a little

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more color, but a little over in here.

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There and try not to stay in

one area and keep working it.

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Cause it'll just, it'll just look like

it's dead and it's not interesting.

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There we are.

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And this clear does not dilute the color.

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If you had liquid white on the canvas,

like we normally use it would dilute

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the color cause it would blend with it.

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And the white would

continually mix in today.

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I thought we'd just do

something where we don't mix.

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All right.

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Maybe just a touch, more color.

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We'll put a little

something right up in here.

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All right.

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Go ahead.

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Is a fantastic way of making

a very effective little scout.

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Nah, yeah, it comes the fun part.

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Let's wash the old brush.

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If you've paid the way to me before,

you know, that's the most interesting

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part of this whole technique.

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And we wash our brushes as usual

with odorless paint thinner, just

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shake off the excess and cut for

everybody in about a two block radius.

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When you're doing this at home, you

might want to get a little brush

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beader rack that you put down from

the bottom of a wastepaper basket,

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and it'll, it'll save your happy home.

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Okay.

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Now.

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How much can we take a little bit

of titanium white right on that

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same old two inch brush, just

a little, we don't need much.

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And let's go up in here

and let's just start.

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Maybe this'll be our light area and

let's just sort of bounce that around.

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Just bounce it around.

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Let it play there.

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I'm using just the corner

of the brush though.

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Can, you know, sometimes

it's nice to leave the sky.

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Like we had it a minute ago.

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Sometimes it's nice to take like

this and add highlights to it.

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It's up to you.

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This piece of canvas is truly your world.

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You can do anything here

that makes you happy.

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It's such a fantastic day here.

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I thought I'd put a little, little

bright spot in the sky and I hope the

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painting brings a little, a little

brightness to your life when you do

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it, but we don't need a great deal.

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I just want a little, cause I don't want

to lose hardens that we have up here.

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More weight.

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You can make us as bright.

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As you want it.

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And the more you blended, of

course, the more the dark sand and

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yellow ochre, we'll mix them there.

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maybe just the least

little touch right in here.

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Just so there's a little

contrast in there.

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Maybe in our world, there's

a little bit of light.

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This is aims right

through that little cloud.

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Okay.

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Very lightly.

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Two hairs and some air.

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We can just blend that out.

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All right.

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That makes a very good, very

effective little sky that you can

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do in just a couple of minutes.

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And once again, we get

to watch the old brush.

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All right.

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Okay.

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I tell you what let's do.

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Let's mix up.

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Let's make them a little lavender color.

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We'll use a little alizarin,

Crimson, a little touch of a

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Tayloe blue proportionately, much,

much, much, much, much more of

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the blue than the Crimson cam.

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We'll put a little white out

here and dilute that color down.

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Just value it down.

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Ooh, that's a nice lavender color.

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All right, let me grab

a two inch brush here.

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Let's just take a two inch operation.

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Tap the corner.

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I'm just going to tap the corner.

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See right into a little bit of that color.

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We're not getting a great

deal of paint on the brush.

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We can go up in here.

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And maybe in our world, our lives,

just the indication of some very,

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very soft little bushes back in here.

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Now we're using is the top

corner, the two inch brush.

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And with this, we can form basic shapes

and that's all we're looking for.

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I don't want these to be too

distinct because then they'll

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look like they're too close to us.

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I want these to be.

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Or back in the distance.

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Very basic little shapes.

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All right.

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Very good.

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Yeah.

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Wherever you think they should be.

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And you can vary these a little bit.

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Some of them be a little darker

than others and the ones that are

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lighter like that when the painting

is finished, we'll look back.

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They're much, much farther away.

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So if you put one in front of it,

this a little darker, it'll help.

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It'll help strengthen that illusion.

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Sometimes we need to take the

brush and just push sidewards.

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Like it.

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It'll make it look like a little,

little tree that's far back in there.

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Maybe a little bit more of a color,

a little darker one right here in

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the foreground, whatever you want.

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Just let your imagination

go when you're doing these.

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Sometimes let me, I'll

show you a little trick.

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Let me show you something.

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That's a great deal of fun.

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Okay, let me get a clean brush.

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Sometimes it's fun to just diff just

the corner of the brush, just the

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corner to a little paint thinner.

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Cause we have liquid clear up here.

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Paint thinner liquid clear, have

almost a violent reaction when you

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put them together and you can take and

just flick a little thinner on there.

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Just like, so let me get just a

touch more and you can do this

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with a fan brush or whatever.

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But everywhere that paint thinner touches,

it'll begin to remove the paint and these

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little, little dots will appear and it

looks like little leaves and stuff there.

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We back here on your little trees

and all that, but it's just a very

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neat little way of making a lot of

effects very quickly, very easily.

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And people will go crazy trying to figure

out how you've done this, but be careful

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that you don't get too much paint thinner.

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There should be a better

nut for what we're doing.

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Isn't that sneaky?

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That you'll be absolutely amazed.

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And it takes a couple of minutes

as this painting progresses.

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You'll begin to see these

little spots appear.

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Okay.

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Let's take, put another layer of

little things neighborly for that.

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We'll use yellow ochre be right back

and dark Sienna, just yellow ochre

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and dark Sienna mixed together.

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Like that let's go back up here now, then

right in front of these lavender little

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bushes, I'm going to begin to, she has to

put in the indication of some happy little

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things that live right in here that are

this color such as just varying the colors

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back and forth here, back and forth,

little Indian, yellow here and there.

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There.

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Okay.

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Now I'm going to go back to the lavender.

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And all I'm doing, I'm not

even cleaning the brush.

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I'm just sorta working back and forth.

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So you have all kinds of

different little things happen.

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You can hear at least a little

touch of the CAD yellow.

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This is cadmium yellow.

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Make that a little bit brighter

right here, because here's our

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light source right above it.

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That way.

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It's a little bit brighter right in there.

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Be careful with the cadmium yellow.

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It'll eat up your whole

world here in a minute.

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We don't want too much of it.

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Going back to the lavender color,

lavender and yellow get together.

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It just makes Brown and in this

painting, that's wonderful.

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We don't mind at all.

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Don't mind at all,

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man.

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There's one that's a little bit lighter,

but see all the different layers that

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you can create just for the top corner.

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The great big old brush nail

touch, where the end in yellow.

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That's gorgeous.

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Maybe, maybe back here in our world.

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Let's have a few little tree

branches and sticks and twigs.

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And for that, we'll just use

that same lavender color.

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What the heck?

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You can use anything that you like,

but fuck, we'll just use that lavender

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little paint thinner, go into that.

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Turn the brush.

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That brings it to a nice sharp point.

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Loads of bristles, full of paint.

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Okay.

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Now maybe in our world there

lives little tree, right?

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They're there put some arms zoning.

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There we go little sticks and twigs,

just wherever you think they should be.

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Let your imagination take you

anywhere that you want to go.

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There.

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We are and put them in the different

layers so that they they're all in

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different planes that help separate them.

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The different planes and your painting.

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Get a touch more of the

paint thinner maybe.

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Yep.

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Let's put a big one right here.

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Now the paint thinner is going

to react against the liquid

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clear it's on the canvas and

these will start turning whitish.

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So they'll look like they're highlighted

without you hardly doing the thing.

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It will take a few minutes

for that to happen.

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As the paint thinner in the

clear, begin to react, use this

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reaction to your advantage.

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Can make some fantastic things,

a little darker color, who knows?

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Maybe there's a, Oh, there we are.

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Oh bet.

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When it goes right over, like, yeah.

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If you've painted with me before,

you know, I don't like all my trees

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to just be perfectly straight.

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I like trees that have character and I

like trees that are like people they're

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all different and they're all wonderful.

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There we are.

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You just sometime have to look

for the good, but it's there.

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All right.

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Maybe on the other side, we

will have a couple over here.

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I'm going to add the least little

touch of dark Sienna to that too.

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So we just change the flavor a little

maybe where you could add a little

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of the Vandyke Brown, whatever.

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Just so we have some variety here.

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I don't want all of my little

trees to look exactly the same.

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Parents one.

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And however many you want, you could

even take a little, the titanium

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white, then it down in here.

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And there we have one that's white

because they're always a lot of little

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white sticks and twigs in the woods.

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Okay.

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00:13:35,180 --> 00:13:35,599

Good.

254

00:13:40,800 --> 00:13:46,380

Maybe down in here thinking about let's

do let's, let's take a little lizard,

255

00:13:46,410 --> 00:13:48,120

Crimson, little that they look blue.

256

00:13:48,120 --> 00:13:50,880

I'm just making some more,

lavender's all I'm doing, but

257

00:13:50,880 --> 00:13:52,050

I'm just making it on the brush.

258

00:13:52,140 --> 00:13:52,920

Cause I'm not help.

259

00:13:55,350 --> 00:13:58,920

Let's just put some color down

here, right on top of the clear.

260

00:13:59,460 --> 00:14:03,810

This will just end up being, maybe we'll

have snow and this will be shadows.

261

00:14:04,260 --> 00:14:06,660

Or if you wanted to have water,

this could end up being your water.

262

00:14:07,590 --> 00:14:09,180

But I think today I'll

just have some snow.

263

00:14:09,350 --> 00:14:14,150

Yeah, we'll grab a,

another two inch Bryce.

264

00:14:14,150 --> 00:14:17,450

I'm gonna go into just pure

titanium, white, nothing else.

265

00:14:19,580 --> 00:14:20,960

Piero, titanium white.

266

00:14:23,480 --> 00:14:24,860

And we'll start back here.

267

00:14:26,355 --> 00:14:29,655

Just begin laying in some snow,

I'm going to bring a snow all the

268

00:14:29,655 --> 00:14:31,454

way up here while I'm doing that.

269

00:14:31,605 --> 00:14:34,185

I want to share with you one

of the most fantastic little

270

00:14:34,185 --> 00:14:35,564

creatures that you've ever seen.

271

00:14:36,225 --> 00:14:37,635

Cause this will all be just the same.

272

00:14:38,115 --> 00:14:40,785

This is a little deer that Diana

Shaffer they're brought in.

273

00:14:41,415 --> 00:14:44,595

Brought here to the station for us to

say, she's the bird lady here in Muncie.

274

00:14:45,314 --> 00:14:50,204

This deer was found right outside

of Muncie and in a farmer's field.

275

00:14:50,505 --> 00:14:51,765

And it has been orphaned.

276

00:14:53,145 --> 00:14:57,375

And Diana has raised

this little deer today.

277

00:14:57,435 --> 00:15:01,935

It's been set free and he really is

doing fantastic, but I had such a

278

00:15:01,935 --> 00:15:03,225

good time with this little fellow.

279

00:15:04,155 --> 00:15:08,834

I spent several hours just playing with

him and I, for sure, sharing that with us.

280

00:15:09,735 --> 00:15:11,265

He is absolutely gorgeous.

281

00:15:12,495 --> 00:15:16,425

We didn't, we didn't even name him,

but it always looks like Bambi to me.

282

00:15:16,455 --> 00:15:17,564

When I see a little deer,

283

00:15:20,885 --> 00:15:26,355

he, something that has to be one of the

most gorgeous creatures God has ever made.

284

00:15:29,460 --> 00:15:33,330

I'd like to take him home and

just, just keep him as a pet, but

285

00:15:33,330 --> 00:15:34,530

that's not what he's meant to be.

286

00:15:34,530 --> 00:15:35,610

He's meant to be free.

287

00:15:39,480 --> 00:15:41,100

I say he's already been turned loose.

288

00:15:41,580 --> 00:15:43,320

This was shot about three months ago.

289

00:15:46,240 --> 00:15:47,970

I didn't need the most

beautiful little thing.

290

00:15:49,280 --> 00:15:49,990

I get to watch him.

291

00:15:49,990 --> 00:15:50,270

The deer.

292

00:15:50,270 --> 00:15:51,290

I have a monitor here.

293

00:15:51,710 --> 00:15:53,300

I get watching a deer and quit painting.

294

00:15:53,990 --> 00:15:58,700

Anyway, all I'm doing here is just taking

titanium white pay attention to the angle.

295

00:15:58,720 --> 00:16:01,160

So angles are very important

when you're doing snow.

296

00:16:03,110 --> 00:16:05,030

All I want to do is to make

it look like there's a little

297

00:16:05,030 --> 00:16:06,530

place right in here like that.

298

00:16:06,590 --> 00:16:06,920

And by.

299

00:16:07,515 --> 00:16:08,865

Paying attention to the angles.

300

00:16:08,955 --> 00:16:10,245

See how easy that is to do.

301

00:16:10,425 --> 00:16:13,125

And already you see the illusion

of distance coming through.

302

00:16:13,125 --> 00:16:13,335

Here.

303

00:16:14,435 --> 00:16:15,065

There we are.

304

00:16:15,785 --> 00:16:20,915

Jason, we could take,

we'll use a fan brush.

305

00:16:20,915 --> 00:16:21,365

What the heck.

306

00:16:22,115 --> 00:16:28,085

I'm looking at some of those same colors,

dark Sienna, yellow ochre, a little

307

00:16:28,085 --> 00:16:29,735

bit of Cadieux the Lindy and yellow.

308

00:16:29,735 --> 00:16:30,755

Just mix them together.

309

00:16:32,025 --> 00:16:34,215

Uh, I always liked to

mix color on the brush.

310

00:16:34,215 --> 00:16:36,765

That way you have a variety

of colors in the brush.

311

00:16:36,795 --> 00:16:38,265

It's just not one Detol color.

312

00:16:39,330 --> 00:16:43,350

We can go up here and here

and there and there and here.

313

00:16:44,090 --> 00:16:45,650

And they had a little

white that's too dark.

314

00:16:46,310 --> 00:16:47,090

Oh, that's much better.

315

00:16:48,410 --> 00:16:52,550

They're saying how we can begin

putting some little, little things

316

00:16:52,550 --> 00:16:54,290

here that breaks up that straight line.

317

00:16:54,350 --> 00:16:56,750

It looks like little, little weeds

that are growing right out here.

318

00:16:56,780 --> 00:16:58,160

Just push up with a fan brush.

319

00:16:58,220 --> 00:16:59,000

All you have to do.

320

00:17:00,290 --> 00:17:06,410

Just push up bird with a fan brush

there wherever you think they should be.

321

00:17:07,295 --> 00:17:11,165

I will take another fan brush

and I have several going just

322

00:17:11,165 --> 00:17:14,255

plain titanium white, and we can

clean these edges up right here.

323

00:17:14,255 --> 00:17:18,305

Just grab it, pull it, be sure

to follow the same angles though.

324

00:17:20,099 --> 00:17:24,329

But that easy snow is one of the

easiest things to paint in this method.

325

00:17:25,950 --> 00:17:26,730

No problem.

326

00:17:26,730 --> 00:17:29,070

When I was traditional painter,

I used to labor over things

327

00:17:29,070 --> 00:17:31,220

like snow and, and reflections.

328

00:17:31,260 --> 00:17:34,200

My gosh reflections are one of those

things that just drove you crazy.

329

00:17:35,159 --> 00:17:41,210

And this technique, it is absolutely

the easiest thing there is to do there.

330

00:17:41,600 --> 00:17:44,480

And then we can take a little bit more

of that lavender that we had on there.

331

00:17:45,120 --> 00:17:49,169

Liner brushing, maybe hearing there,

put the indication of some little sticks

332

00:17:49,169 --> 00:17:50,760

and twigs that live right out in here.

333

00:17:51,990 --> 00:17:53,430

They don't all live in the background.

334

00:17:53,430 --> 00:17:54,629

Some they've appeared a little closer.

335

00:17:54,710 --> 00:17:54,950

Sure.

336

00:17:57,590 --> 00:17:57,950

Shoot.

337

00:17:57,950 --> 00:18:02,210

You know me, you know me,

this is such a beautiful spot.

338

00:18:02,899 --> 00:18:04,570

I'd have to have me a

little cabin out here.

339

00:18:05,090 --> 00:18:06,230

This is where I'd like to stay.

340

00:18:06,950 --> 00:18:09,110

You can stay out here and

watch that little deer grow up.

341

00:18:10,610 --> 00:18:11,210

All right.

342

00:18:11,899 --> 00:18:14,060

Let's start with a little

bit of Vandyke Brown.

343

00:18:14,610 --> 00:18:18,240

On the knife, first decision, we have to

make us where's our cabin going to live.

344

00:18:19,350 --> 00:18:22,980

I think today we'll put a little cabin

right here, start a little Vandyke

345

00:18:23,000 --> 00:18:28,860

Brown and we'll paint the back Eve

of the little cabin first and we'll

346

00:18:28,860 --> 00:18:33,270

load the knife full of titanium

white and under snow on our roof.

347

00:18:33,330 --> 00:18:39,470

So we'll put in the other side

of the roof that easy, maybe our

348

00:18:39,470 --> 00:18:41,780

cabins going to be about there.

349

00:18:43,725 --> 00:18:44,745

Let's see how easy it is.

350

00:18:45,135 --> 00:18:47,075

Just drop back a little

rascal right in there.

351

00:18:48,455 --> 00:18:54,455

Now we just come back some wood

in here for the front and I'm,

352

00:18:54,455 --> 00:18:55,985

you're still using Vandyke Brown.

353

00:18:56,015 --> 00:18:57,095

This is just a base color.

354

00:18:57,095 --> 00:18:58,535

We'll come back to

highlight that little bit.

355

00:19:00,335 --> 00:19:02,075

Just touch Paul.

356

00:19:04,155 --> 00:19:07,325

Touch it probably doing it.

357

00:19:07,335 --> 00:19:08,805

Just blocking in color right here.

358

00:19:10,875 --> 00:19:11,235

Okay.

359

00:19:11,325 --> 00:19:12,345

A little bit right here.

360

00:19:15,514 --> 00:19:19,625

Now I'm going to take quite and dark

Sienna and a little bit of Advantech

361

00:19:19,625 --> 00:19:22,175

all mixed together, but not over mixed.

362

00:19:22,175 --> 00:19:25,235

I want it left marbled like

yet a very small roll of

363

00:19:25,235 --> 00:19:27,004

paint that we can go up here.

364

00:19:27,635 --> 00:19:27,725

Okay.

365

00:19:28,305 --> 00:19:29,565

And with no pressure.

366

00:19:29,625 --> 00:19:31,455

Just touch and pull down.

367

00:19:31,755 --> 00:19:32,475

No pressure though.

368

00:19:32,535 --> 00:19:33,135

No pressure.

369

00:19:34,305 --> 00:19:35,535

Absolutely no pressure.

370

00:19:35,535 --> 00:19:41,835

Let the paint break, make the wood look

old and you can play back and forth.

371

00:19:41,835 --> 00:19:42,855

Do you want a little shadow up here?

372

00:19:42,855 --> 00:19:46,115

You can take a little dark,

pull down, stay there.

373

00:19:47,525 --> 00:19:47,615

Okay.

374

00:19:48,095 --> 00:19:49,325

I would look so old.

375

00:19:49,325 --> 00:19:53,975

It's unreal and maybe pick

some more of the Vandyke Brown.

376

00:19:54,900 --> 00:19:58,650

Maybe we have in our cabin, maybe

there's a door, right there.

377

00:19:59,380 --> 00:20:00,270

Got to have way to get here.

378

00:20:01,980 --> 00:20:04,470

Maybe this is spectacular cabin.

379

00:20:04,530 --> 00:20:07,380

Maybe it has a window right

here and we can do that.

380

00:20:08,940 --> 00:20:12,000

Just take a little Brown land shoot.

381

00:20:12,000 --> 00:20:12,570

Who knows?

382

00:20:14,010 --> 00:20:15,210

Let me take the small knife.

383

00:20:15,720 --> 00:20:18,300

It's just the right size over here.

384

00:20:18,600 --> 00:20:19,650

Maybe there's another window.

385

00:20:19,920 --> 00:20:22,630

We can have as many windows

in our cabinet as we want to.

386

00:20:24,510 --> 00:20:27,870

Take a little light color,

just sorta outline this.

387

00:20:27,870 --> 00:20:30,980

So it stands out there.

388

00:20:34,970 --> 00:20:36,860

Same over here, just a little highlight.

389

00:20:36,890 --> 00:20:39,290

So it looks like a little lights

playing across the window there.

390

00:20:41,550 --> 00:20:42,170

See what you mean?

391

00:20:42,170 --> 00:20:42,320

Good.

392

00:20:42,320 --> 00:20:43,640

Crazy to put curtains in there.

393

00:20:43,640 --> 00:20:49,640

If you want to, now, then we can take a

little of the Vandyke Brown and make the

394

00:20:49,640 --> 00:20:51,950

indication of old boards just by touching.

395

00:20:53,700 --> 00:20:57,150

She asked about touching now

time to get her proportions?

396

00:20:57,150 --> 00:20:57,629

Correct.

397

00:20:58,020 --> 00:21:00,480

So we just take the knife

and do a cabin ectomy.

398

00:21:01,680 --> 00:21:07,050

So you can cut that old cabin off

anywhere you wanted to select.

399

00:21:07,050 --> 00:21:12,000

So fan brush a little

bit of titanium white.

400

00:21:12,930 --> 00:21:13,020

Okay.

401

00:21:14,250 --> 00:21:19,530

And we can bring it snow right up

to the door, right up to the door.

402

00:21:21,480 --> 00:21:22,350

Sometimes.

403

00:21:22,710 --> 00:21:23,370

It's nice.

404

00:21:24,330 --> 00:21:25,909

If you want to be sneaky,

take it, touch it up.

405

00:21:27,200 --> 00:21:31,760

Park lavender here a little bit in case

maybe somebody walked in and out of here

406

00:21:31,760 --> 00:21:35,360

a couple of times, just the indication

of little path that goes up in there.

407

00:21:36,350 --> 00:21:36,440

Okay.

408

00:21:36,764 --> 00:21:39,554

There hadn't been many people here, so

I don't want to do, I don't want to do

409

00:21:39,554 --> 00:21:43,304

a whole bunch if you had a lot of people

living here and that little deer would go

410

00:21:43,304 --> 00:21:47,355

away and we want to keep him all right.

411

00:21:47,385 --> 00:21:51,165

Let's take a little bit of dark

Sienna, a little bit of yellow ochre.

412

00:21:51,554 --> 00:21:52,605

Tap it together here.

413

00:21:53,925 --> 00:22:01,215

And let's go right up in here, right up

here and just tap the indication of some

414

00:22:01,215 --> 00:22:03,105

little bushes that live on this side.

415

00:22:04,680 --> 00:22:05,340

There we are.

416

00:22:08,700 --> 00:22:10,170

Maybe they come, I don't know.

417

00:22:11,160 --> 00:22:12,780

Maybe this little Bush

comes right down to here.

418

00:22:13,560 --> 00:22:16,440

This guy may be like me and he

didn't cut the yard very often

419

00:22:16,440 --> 00:22:20,790

and it's growing up over there.

420

00:22:22,500 --> 00:22:24,390

I'm not a very good yard keeper.

421

00:22:27,780 --> 00:22:30,420

Tell you if I'm, let's do, maybe

over here on the other side.

422

00:22:31,065 --> 00:22:32,415

We need something to fill this up.

423

00:22:32,475 --> 00:22:38,534

Let's just take still, just using the

top corner of the old two inch brush.

424

00:22:40,514 --> 00:22:43,395

You can do fantastic things

with very few brushes.

425

00:22:43,705 --> 00:22:45,705

You just practice and make

friends with them a little bit.

426

00:22:46,935 --> 00:22:48,045

Now I'm going back to the yellow.

427

00:22:48,045 --> 00:22:52,395

Ochres Indian, yellow, little

touchy, CAD yellow here in there.

428

00:22:54,000 --> 00:22:58,080

And also hearing there a little bit

of titanium white, just so you can

429

00:22:58,080 --> 00:23:00,000

see different layers just to lighten

430

00:23:03,120 --> 00:23:09,990

something like, so maybe down like Kim,

when you do yours, just sort of look at

431

00:23:09,990 --> 00:23:11,610

it and you'll see things happening in it.

432

00:23:12,090 --> 00:23:13,560

Use those little things that happen.

433

00:23:13,560 --> 00:23:18,450

Don't fight them, take a little white

on the two inch brush, put a little

434

00:23:18,750 --> 00:23:20,490

indication of snow right there.

435

00:23:22,200 --> 00:23:26,190

There you go push all that back in there.

436

00:23:26,400 --> 00:23:31,770

Same thing on the other side, maybe, maybe

the snowbank comes right down my cat,

437

00:23:32,490 --> 00:23:38,070

who knows on the YouTube in your world.

438

00:23:38,130 --> 00:23:39,360

You're the only one who knows.

439

00:23:42,480 --> 00:23:43,020

Okay,

440

00:23:48,720 --> 00:23:49,470

but that easy.

441

00:23:50,460 --> 00:23:54,000

And then like before we can take

the little fan brush and just

442

00:23:54,000 --> 00:23:59,100

tap into some little grassy areas

that have little living right out

443

00:23:59,100 --> 00:24:02,430

here, some over in this side too,

444

00:24:05,460 --> 00:24:06,240

just a few.

445

00:24:07,680 --> 00:24:10,649

Another fan brush with white, just

like before clean up the bottom

446

00:24:14,280 --> 00:24:15,570

and a little over here.

447

00:24:19,050 --> 00:24:19,530

All right.

448

00:24:20,399 --> 00:24:20,639

Thank you.

449

00:24:20,639 --> 00:24:22,560

It's time to time to have some fun.

450

00:24:22,590 --> 00:24:25,230

You know, me, I like those big trees.

451

00:24:25,230 --> 00:24:29,460

Let's go into, let's go into

Vandyke Brown, dark Sienna, just

452

00:24:29,460 --> 00:24:30,540

pick some together on the brush.

453

00:24:30,540 --> 00:24:31,230

It doesn't matter.

454

00:24:32,250 --> 00:24:36,885

And maybe in our world,

Here we go, I get letters.

455

00:24:36,885 --> 00:24:39,795

Sometimes people say you had the

most beautiful painting, and then

456

00:24:39,795 --> 00:24:41,415

you put that big old tree in it.

457

00:24:41,415 --> 00:24:45,315

And I don't like it anymore, but

when you're doing your painting,

458

00:24:46,275 --> 00:24:47,445

that's the beauty of this.

459

00:24:47,925 --> 00:24:51,035

If you don't want a big tree

in your world, Leave it out.

460

00:24:52,325 --> 00:24:53,135

That's the beauty.

461

00:24:53,705 --> 00:24:56,765

That's why we don't do any tracings

here, or we don't do any drawing

462

00:24:57,695 --> 00:24:59,105

when we're teaching our instructors.

463

00:24:59,165 --> 00:25:00,845

That's one of the things

that we emphasize.

464

00:25:00,845 --> 00:25:05,285

We want to teach people,

creativity, not just a copy.

465

00:25:06,405 --> 00:25:07,395

Not just a copy.

466

00:25:07,395 --> 00:25:10,515

That's very important to me that

you learn creativity because

467

00:25:10,515 --> 00:25:11,895

it makes you feel good in here.

468

00:25:12,735 --> 00:25:18,375

I'll take a little dark Sienna and white,

mostly white, and just tap right along

469

00:25:18,375 --> 00:25:21,285

this edge here and put the indication.

470

00:25:22,085 --> 00:25:27,355

I have a little highlight on

this old tree, but I like to

471

00:25:27,355 --> 00:25:29,035

tap this because it looks fuzzy.

472

00:25:29,125 --> 00:25:32,905

And to me, a lot of times, especially

evergreens look fuzzy and the

473

00:25:32,905 --> 00:25:35,245

ages and the bark are all ragged.

474

00:25:35,875 --> 00:25:38,785

If you want a straight tree, just

pull it straight with a knife.

475

00:25:40,105 --> 00:25:44,575

I just happen to like those kind

of trees now, paint thinner,

476

00:25:45,655 --> 00:25:46,825

get a little more paint there.

477

00:25:47,925 --> 00:25:52,725

Go right into those same two

Browns, make the paint thin like

478

00:25:52,754 --> 00:25:55,095

ink, and let's go right up in here.

479

00:25:55,965 --> 00:26:01,274

And maybe in our tree, there's a big

old Liam hangs or right down my kit.

480

00:26:02,805 --> 00:26:03,524

There is

481

00:26:06,705 --> 00:26:08,385

putting some little arms out here.

482

00:26:09,405 --> 00:26:14,055

Maybe this is an old evergreen Tran and

they have just a lot of little sticks and

483

00:26:14,055 --> 00:26:15,675

twigs and things that hang off of them.

484

00:26:17,834 --> 00:26:18,554

There.

485

00:26:21,044 --> 00:26:21,405

Okay.

486

00:26:21,435 --> 00:26:26,235

See all those little Rascals, maybe it

was a big old whale that was right there.

487

00:26:28,604 --> 00:26:31,365

But think like a tree when you're

doing this, if you were tree,

488

00:26:31,395 --> 00:26:32,385

where would you want an arm?

489

00:26:33,794 --> 00:26:39,435

Maybe something like so

many or as few as you want.

490

00:26:41,865 --> 00:26:46,605

Look at all them all Rascals, maybe

this one comes up and goes away.

491

00:26:46,655 --> 00:26:49,625

Yeah, well ever,

492

00:26:52,655 --> 00:26:54,425

but didn't that a

fantastic little painting.

493

00:26:55,055 --> 00:26:56,705

It's a good way to use the liquid clear.

494

00:26:57,125 --> 00:26:57,515

Try it.

495

00:26:57,875 --> 00:26:59,195

I think you'll really enjoy it.

496

00:26:59,315 --> 00:27:02,345

And from all of us here, I'd

like to wish you happy painting

497

00:27:02,915 --> 00:27:04,055

and God blessed my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S22E05 - Russet Winter

Bob Ross's

The Joy of Painting

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