Bob Ross's

The Joy of Painting

S22E08 - Deep Winterness Home

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:29,474 --> 00:00:31,035

Hi, welcome back.

00:00:31,155 --> 00:00:32,744

Certainly glad you could join us today.

00:00:33,165 --> 00:00:36,254

Thought today would just do a fantastic

little painting, but I think you'll enjoy.

00:00:36,555 --> 00:00:39,045

So let's start out and have run

all the colors across the screen

00:00:39,285 --> 00:00:41,715

that you need to paint along

with us while they're doing that.

00:00:41,745 --> 00:00:43,455

Let me show you what I've

got done up here already.

00:00:44,235 --> 00:00:46,515

We have our standard old

pre-stretch canvas up here.

00:00:47,205 --> 00:00:50,085

And as you can plainly see,

I've covered the bottom of it

00:00:50,114 --> 00:00:51,375

with a little bit of black Jess.

00:00:51,375 --> 00:00:52,245

So a little bit.

00:00:53,040 --> 00:00:56,070

Mm, that's so high, you know, not

quite half, you don't want it divided.

00:00:56,070 --> 00:00:56,490

Totally.

00:00:57,300 --> 00:00:57,960

The black Jess.

00:00:57,960 --> 00:00:59,910

So then I put a little

bit of liquid clear on it.

00:01:00,360 --> 00:01:03,720

And on top of that, I've just

put a mixture of midnight.

00:01:03,720 --> 00:01:06,990

Black had little SAP green in

it, just sort of a real gray

00:01:07,230 --> 00:01:08,550

color, but little green in it.

00:01:09,090 --> 00:01:11,460

And the top is just covered

with liquid white, like normal.

00:01:11,460 --> 00:01:12,150

It's all wet.

00:01:12,180 --> 00:01:14,460

Don't let it drive before you start now.

00:01:14,460 --> 00:01:17,250

The black Jesso had dried before

we put the transparent paint

00:01:17,250 --> 00:01:18,780

on, but everything's wet now.

00:01:19,320 --> 00:01:21,060

So let's just keep

playing those same colors.

00:01:21,060 --> 00:01:24,539

We'll use black little

bit of SAP green beer.

00:01:25,260 --> 00:01:25,700

Right back.

00:01:25,700 --> 00:01:28,820

I have to sneak up here and get

the green and just load a little

00:01:28,820 --> 00:01:30,140

color right into the bristles.

00:01:31,280 --> 00:01:34,370

Now then today let's just

do a fun little painting.

00:01:34,840 --> 00:01:36,430

Just, just enjoy.

00:01:37,630 --> 00:01:40,360

I'm just going to take the brush

and just make a little circles,

00:01:40,600 --> 00:01:42,730

little circular patterns all over.

00:01:42,730 --> 00:01:43,450

Let it go.

00:01:44,230 --> 00:01:45,580

Just wherever you want it.

00:01:46,660 --> 00:01:50,050

This is really a nice way of just

taking out your frustrations.

00:01:50,350 --> 00:01:51,250

You're having a bad day.

00:01:51,250 --> 00:01:53,770

This is a nice painting to do

because it'll make you feel good.

00:01:54,779 --> 00:02:00,479

You can just work out all your

hostilities, a little more of color.

00:02:00,630 --> 00:02:02,220

It's just black SAP green.

00:02:02,250 --> 00:02:04,770

Once again, not a great

deal of green though.

00:02:04,780 --> 00:02:06,929

Mostly black one.

00:02:06,929 --> 00:02:09,660

If you just sort of a greenish

gray color, when it mixes with a

00:02:09,660 --> 00:02:17,120

liquid white that's on the canvas,

there ever kind of little pattern.

00:02:17,120 --> 00:02:20,540

Just, just try to mix it up and

make it look different all over.

00:02:22,995 --> 00:02:23,325

Okay

00:02:27,415 --> 00:02:27,815

there.

00:02:28,175 --> 00:02:30,905

And you begin seeing things

in there just by doing this.

00:02:31,775 --> 00:02:34,805

I think I'll make a scene that

has a lot of trees far away.

00:02:35,165 --> 00:02:37,955

Like you're looking,

looking deep into the woods.

00:02:38,135 --> 00:02:40,385

And so we just need some

background cover there.

00:02:40,655 --> 00:02:45,635

We had a little Vandyke Brown, little

dark Santa to the brush and here and

00:02:45,635 --> 00:02:49,115

there, not everywhere, but just here

in there, add a little bit of that.

00:02:50,925 --> 00:02:53,895

Maybe even touch a little bit of

a Lisbon Crimson here and there.

00:02:54,795 --> 00:02:55,575

Not much though.

00:02:55,605 --> 00:02:57,795

Just a little just to change the flavor.

00:02:58,845 --> 00:03:04,145

So it's not all exactly the

same, a little more of the

00:03:04,145 --> 00:03:05,645

black, maybe a little more dark.

00:03:05,645 --> 00:03:05,825

See?

00:03:05,845 --> 00:03:05,915

Yeah.

00:03:05,954 --> 00:03:06,665

That mixed with it.

00:03:08,345 --> 00:03:13,685

Come right in here and drop in some

little, just little circular patterns.

00:03:16,365 --> 00:03:16,875

All right.

00:03:16,875 --> 00:03:17,115

I bet.

00:03:17,365 --> 00:03:19,515

I bet you say Bob, you've

really done it this time.

00:03:19,515 --> 00:03:20,445

It's a total mess.

00:03:20,445 --> 00:03:21,615

You've got started already.

00:03:22,725 --> 00:03:26,525

They may be right there.

00:03:30,285 --> 00:03:32,115

Notice how everything is going on.

00:03:32,115 --> 00:03:36,455

There's light spots up in here and there

spots right beside it that are very dark.

00:03:37,025 --> 00:03:40,265

And that way you have a

variety of, of patterns going.

00:03:40,265 --> 00:03:42,995

So when we begin putting all of

our little trees and stuff in the

00:03:42,995 --> 00:03:45,845

foreground, it will give the feeling

of being deep, deep, back in the room.

00:03:47,435 --> 00:03:49,265

Now, thicker liner brush.

00:03:49,745 --> 00:03:51,125

We'll go right into some of that.

00:03:51,935 --> 00:03:53,795

I'm just going to use

that black and SAP green.

00:03:53,795 --> 00:03:54,305

That's fine.

00:03:54,825 --> 00:03:55,385

Doesn't matter.

00:03:56,285 --> 00:03:58,715

Get the paint very thin

with paint thinner.

00:04:00,165 --> 00:04:05,475

Let's go up in here and maybe, and these

light spots here and there we'll begin

00:04:05,475 --> 00:04:11,835

putting the indication of all kinds of

little tree limbs and branches and twigs.

00:04:12,555 --> 00:04:15,765

And it doesn't matter if you can't see all

of them, if he can't see where it starts

00:04:15,765 --> 00:04:19,815

or where it stops, because they're going

to be looking between a lot of foliage.

00:04:21,015 --> 00:04:23,205

And most of these probably

will end up being covered up.

00:04:24,810 --> 00:04:27,120

But some of them will show

through and people will think you

00:04:27,160 --> 00:04:30,120

literally worked for days putting

all these little things in here.

00:04:31,530 --> 00:04:32,730

We don't tell them any different.

00:04:33,600 --> 00:04:38,150

There we are just a few just to feel.

00:04:38,180 --> 00:04:39,860

We don't have to get too

carried away with them.

00:04:41,780 --> 00:04:42,410

There we go.

00:04:47,090 --> 00:04:48,200

That's enough to get us started.

00:04:48,200 --> 00:04:49,820

We can add some more later if we want to.

00:04:51,180 --> 00:04:51,690

We'll just use it.

00:04:51,690 --> 00:04:52,590

Same old, dirty brush.

00:04:52,590 --> 00:04:53,880

What the heck is working pretty good.

00:04:53,880 --> 00:04:55,740

And they'll use no use messing with it.

00:04:55,740 --> 00:04:57,630

If it's working, I'm going

to go right into the yellow.

00:04:57,630 --> 00:04:58,710

Be right back here.

00:04:59,640 --> 00:05:01,409

Grab a little bit of SAP green.

00:05:01,680 --> 00:05:08,010

So we have yellow and SAP, green, little

yellow ochre, Indian yellow, once in a

00:05:08,010 --> 00:05:09,479

while, a little touch of the bright red.

100

00:05:09,900 --> 00:05:12,750

And the bright red is really

in there to dull the green.

101

00:05:13,830 --> 00:05:14,370

All right.

102

00:05:15,120 --> 00:05:18,060

Now let's begin picking out little things.

103

00:05:18,060 --> 00:05:21,480

Now, if you sort of look at your painting

and each one will be different, you can

104

00:05:21,480 --> 00:05:23,820

begin picking out little shapes and forms.

105

00:05:24,960 --> 00:05:25,799

And things happening.

106

00:05:25,830 --> 00:05:30,780

He was just the corner of the brush

and just start picking up individuals

107

00:05:31,739 --> 00:05:36,090

just begin picking out individuals

wherever you think they should be.

108

00:05:38,219 --> 00:05:39,000

There we go.

109

00:05:40,950 --> 00:05:42,440

Can change the flavor a little.

110

00:05:42,530 --> 00:05:44,929

I'm going to add a little more of

the yellow ochre maybe to this one.

111

00:05:46,190 --> 00:05:48,830

So it looks like there's a,

a different Bush right there.

112

00:05:49,880 --> 00:05:49,969

Okay.

113

00:05:51,255 --> 00:05:53,055

Let's see, it covers up

the base of that one.

114

00:05:54,735 --> 00:05:57,705

We don't want to kill all this background

because all those little patterns that

115

00:05:57,705 --> 00:06:02,505

you put in there by themselves nearly

look like all kinds of little things.

116

00:06:03,505 --> 00:06:08,775

I need a little more of the greens and the

yellows and I'll color his hair and just,

117

00:06:09,945 --> 00:06:11,505

just sort of let these things happen.

118

00:06:13,155 --> 00:06:16,935

But once again, every buddy's

painting will be totally different.

119

00:06:17,025 --> 00:06:17,895

Totally unique.

120

00:06:18,945 --> 00:06:23,474

So don't just try to copy when you're

doing yours, look at what happens,

121

00:06:24,224 --> 00:06:25,815

take advantage of what happens.

122

00:06:27,044 --> 00:06:30,914

And as you know, if you've painted

with this before we do not make

123

00:06:30,914 --> 00:06:33,794

mistakes, we have a happy accident.

124

00:06:33,794 --> 00:06:38,315

And every once in a while, we

make mistakes because we learned

125

00:06:38,315 --> 00:06:41,445

to work with anything that

happens on this piece of canvas.

126

00:06:42,885 --> 00:06:44,895

You're truly the master

of your world here.

127

00:06:47,075 --> 00:06:48,005

There we go.

128

00:06:50,645 --> 00:06:53,825

But is that beginning to give you the

feeling of being deep in the woods?

129

00:06:54,305 --> 00:06:54,785

I hope so.

130

00:06:56,885 --> 00:06:57,395

There.

131

00:07:00,060 --> 00:07:02,040

Just layer after layer after layer.

132

00:07:03,780 --> 00:07:04,380

There we go.

133

00:07:04,470 --> 00:07:07,650

And these layers work on one layer

at a time and keep coming forward.

134

00:07:07,980 --> 00:07:10,980

That's what will create the illusion

of distance in your painting.

135

00:07:12,660 --> 00:07:17,550

And I know I say that so much, but to

me, it is a very, very important in a

136

00:07:17,550 --> 00:07:20,040

painting to have depth and distance in it.

137

00:07:24,930 --> 00:07:26,850

And maybe we'll go back up here.

138

00:07:27,645 --> 00:07:29,835

We need some little things over

here on the other side too, we

139

00:07:29,835 --> 00:07:31,155

don't want it totally left out.

140

00:07:33,535 --> 00:07:34,695

Just sort of let them overlap.

141

00:07:34,725 --> 00:07:36,345

Maybe they just come together right there.

142

00:07:38,415 --> 00:07:42,375

We don't know all kinds of

things happened in the woods.

143

00:07:43,885 --> 00:07:46,575

Used to be a fantastic place

for my little squirrel to live.

144

00:07:47,265 --> 00:07:49,095

I got to show you

another, another picture.

145

00:07:49,095 --> 00:07:52,695

That little rascal, if you've been

with us during this series, I've

146

00:07:52,695 --> 00:07:54,975

showed you two or three times,

our little squirrel that we call.

147

00:07:55,395 --> 00:07:57,045

Pea pod, the pocket squirrel.

148

00:07:57,825 --> 00:07:59,985

And he's one of the most

precious little creatures.

149

00:08:01,155 --> 00:08:04,185

And while I'm doing this, we'll

just put him up here now, after he

150

00:08:04,185 --> 00:08:09,075

eats that little rascal we'll sleep

anywhere, he's a laziest little devil.

151

00:08:10,365 --> 00:08:10,965

Watch him though.

152

00:08:10,995 --> 00:08:14,565

He just clams up sometime

I have an old towel here.

153

00:08:14,594 --> 00:08:19,125

He just clammed up and hit and sort of

made himself at home and kicked back in.

154

00:08:20,955 --> 00:08:24,794

Oh, Tommy's fall and it's a

nice warm day and off to sleep.

155

00:08:24,794 --> 00:08:25,304

We'll go.

156

00:08:27,094 --> 00:08:27,965

But then he cute.

157

00:08:29,104 --> 00:08:32,105

And after he goes to sleep, you can,

you can literally just pick him up.

158

00:08:32,135 --> 00:08:32,645

Look at that.

159

00:08:33,184 --> 00:08:34,865

It looks like he's at the beach.

160

00:08:34,895 --> 00:08:37,895

Then he kick back there

and getting a few rays.

161

00:08:38,985 --> 00:08:42,255

But that's how lazy at little rascal

is after he gets his tummy filled.

162

00:08:43,515 --> 00:08:46,725

I think he's just one of the most

precious little creatures I've ever had.

163

00:08:48,075 --> 00:08:51,585

Let's say his name is pea pod and

he wants to live in your pocket.

164

00:08:52,665 --> 00:08:55,775

He's probably, Oh, he's

probably five weeks old.

165

00:08:55,775 --> 00:08:55,895

Now.

166

00:08:55,895 --> 00:08:59,855

Maybe it'll be another couple

of months before we can turn him

167

00:08:59,855 --> 00:09:04,985

loose and then off he'll go and

he'll have his own family there.

168

00:09:05,905 --> 00:09:08,175

And hopefully he'll stay around

my backyard when I turned him

169

00:09:08,175 --> 00:09:10,365

loose and still visit with me.

170

00:09:10,785 --> 00:09:17,535

But if he doesn't, I know he's happy and

he's doing what squirrel should do there.

171

00:09:19,425 --> 00:09:24,855

Can you maybe right in here while you

were watching this girl, I'll be done.

172

00:09:24,855 --> 00:09:29,385

It's just continue to add some little

bushes and tree things here and there.

173

00:09:31,425 --> 00:09:34,785

There we go, but isn't that

a neat way of doing it?

174

00:09:34,964 --> 00:09:39,765

A background that it looks like you're

was just layer after layer of woods

175

00:09:39,765 --> 00:09:42,854

and forest and all kinds of things.

176

00:09:44,204 --> 00:09:48,795

Years ago, when I was traditional painter,

I might've worked for two or three weeks.

177

00:09:49,425 --> 00:09:53,714

To produce an effect like this,

and chances are I would've

178

00:09:53,714 --> 00:09:58,425

worked at the death and it would

have been very muddy and muddy.

179

00:09:58,425 --> 00:10:00,135

I mean, you just work your Keller so much.

180

00:10:00,135 --> 00:10:03,555

They just sort of all turn gray

and Brown, get dirty looking.

181

00:10:04,725 --> 00:10:07,275

I had a lot of problems with that

when I was a traditional painter,

182

00:10:08,714 --> 00:10:10,635

but this is so fast, so fresh.

183

00:10:10,875 --> 00:10:12,824

She don't have time hardly

for it to get muddy.

184

00:10:13,935 --> 00:10:14,145

Yeah.

185

00:10:14,204 --> 00:10:16,155

As I mentioned earlier, we can take her.

186

00:10:16,935 --> 00:10:19,454

Are black with little green and

we can go back here and there.

187

00:10:20,354 --> 00:10:23,954

And we can head in a couple more

little sticks and twigs, and you can

188

00:10:23,954 --> 00:10:26,834

sort of look at little patterns that

happened here and where you think

189

00:10:26,834 --> 00:10:30,255

there should be some little, some

little things to hold all these up

190

00:10:31,814 --> 00:10:33,104

there, just wherever you want them.

191

00:10:33,555 --> 00:10:38,744

We don't want too many don't want

too many, maybe even right in here.

192

00:10:39,045 --> 00:10:42,344

Just once again, every painting

is going to be different and

193

00:10:42,344 --> 00:10:43,395

that's what makes it great.

194

00:10:44,265 --> 00:10:47,625

But look at yours and see where you

think a little stick should live a little

195

00:10:47,625 --> 00:10:49,755

twig or whatever you need to hold up.

196

00:10:49,785 --> 00:10:51,224

All your branches on your trees.

197

00:10:52,454 --> 00:10:53,115

Okay.

198

00:10:55,834 --> 00:10:58,145

Today it's such a good day.

199

00:10:58,984 --> 00:10:59,734

Let's get crazy.

200

00:11:00,604 --> 00:11:01,685

Let's get crazy.

201

00:11:02,734 --> 00:11:03,245

Maybe.

202

00:11:05,084 --> 00:11:05,615

Here we go.

203

00:11:05,915 --> 00:11:07,204

Maybe there's a big cliff here.

204

00:11:08,125 --> 00:11:09,094

Big drop off.

205

00:11:09,454 --> 00:11:10,084

Big gully.

206

00:11:11,265 --> 00:11:14,685

So I'm going to put a little,

I know you can't see this, but

207

00:11:14,685 --> 00:11:16,545

it's just straight Vandyke Brown.

208

00:11:17,625 --> 00:11:22,575

And I'm putting that there because I want

to have a nice and bank book right there.

209

00:11:22,605 --> 00:11:27,045

Nice cliff or drop off or Gorge

or whatever you want to call it.

210

00:11:28,065 --> 00:11:28,155

Okay.

211

00:11:28,635 --> 00:11:29,805

I know it's going to be there.

212

00:11:29,864 --> 00:11:34,724

And to that, I say, I'm, I'm having

one of those days when you just feel

213

00:11:34,724 --> 00:11:39,645

sort of flaky and you just do nice

things and have fun with painting.

214

00:11:39,944 --> 00:11:42,974

A little dark Sienna, a little

Vandyke, Brown, little white don't

215

00:11:42,974 --> 00:11:46,185

overmix it it's most important

that it stay marbled like that.

216

00:11:46,785 --> 00:11:48,314

I mean, you cut off that

little roll of paint.

217

00:11:48,344 --> 00:11:50,895

All those different mixtures

are right there in that role.

218

00:11:51,255 --> 00:11:52,425

You can even see them in there.

219

00:11:52,425 --> 00:11:53,805

See there's white on the bottom.

220

00:11:54,795 --> 00:11:55,365

Right there.

221

00:11:55,425 --> 00:11:57,555

And then down here,

there's a nice Brown color.

222

00:11:58,425 --> 00:12:00,345

So it gives you all those

little things happening.

223

00:12:00,855 --> 00:12:04,125

Now I want to show, this is

why I put the Brown there.

224

00:12:04,725 --> 00:12:06,945

Rarely touch just grace.

225

00:12:08,025 --> 00:12:10,005

This is just like you were

laying in snow in the mountain.

226

00:12:12,045 --> 00:12:12,645

Here we go.

227

00:12:12,735 --> 00:12:17,475

Just putting a few little

things, something like that.

228

00:12:18,345 --> 00:12:22,405

Probably makes no sense at all yet, but

I have, I have something in mind at that.

229

00:12:23,375 --> 00:12:24,395

All right, let's go back.

230

00:12:25,055 --> 00:12:28,145

We go back to the old brush here

that had the greens and stuff on it.

231

00:12:28,685 --> 00:12:33,065

Greens, yellow, yellow, or Indian, yellow

touch a bright red once in a while.

232

00:12:34,775 --> 00:12:35,755

Let's see how we're loading it.

233

00:12:35,765 --> 00:12:36,665

Brush it's actually okay.

234

00:12:36,815 --> 00:12:38,255

Pushed through it real slow.

235

00:12:38,255 --> 00:12:41,885

So you can see it's being pushed

in right there on the tip.

236

00:12:41,885 --> 00:12:43,475

You can see that little Ridge of paint.

237

00:12:43,685 --> 00:12:43,835

Okay.

238

00:12:43,835 --> 00:12:44,465

Let's go up here.

239

00:12:45,660 --> 00:12:48,960

Now with that little Ridge of

paint, I want to make some little

240

00:12:49,410 --> 00:12:52,500

grassy areas back here, but that's

actually all you're painting with.

241

00:12:52,560 --> 00:12:52,890

See it.

242

00:12:55,340 --> 00:13:00,770

And yeah, we'll have some little grassy

areas and they come right up here and

243

00:13:00,770 --> 00:13:03,319

this is a very sharp drop off in my mind.

244

00:13:03,829 --> 00:13:06,890

So maybe there's some nice things

that just literally hang right

245

00:13:06,890 --> 00:13:11,750

over the edges and that easy,

that easy you can make these.

246

00:13:12,449 --> 00:13:16,949

I like to do doing, I like doing banks

like this, where you have all these

247

00:13:16,949 --> 00:13:21,079

little grassy things that hang on there.

248

00:13:22,640 --> 00:13:23,660

Those are fun to me.

249

00:13:25,819 --> 00:13:30,469

And people love these kinds of

little paintings versus flag Jesso.

250

00:13:30,949 --> 00:13:34,339

To me is one of the neatest things

that has ever been invented.

251

00:13:34,819 --> 00:13:38,060

I don't know why somebody

didn't do it before I did, and

252

00:13:38,060 --> 00:13:40,250

I everybody's doing it there.

253

00:13:41,145 --> 00:13:41,985

But isn't that neat.

254

00:13:43,925 --> 00:13:45,845

Maybe back here, we'll have

that one hang over too.

255

00:13:45,845 --> 00:13:49,445

I just like to see them weeds hanging

over that, but look, what a beautiful

256

00:13:49,445 --> 00:13:50,885

effect that creates right in there.

257

00:13:51,245 --> 00:13:55,055

My gosh, you could slip off in there

and be there for ever and never

258

00:13:55,955 --> 00:13:57,185

nobody would ever find you down.

259

00:13:57,185 --> 00:13:57,905

And that's a big thing.

260

00:14:00,155 --> 00:14:00,965

There we go.

261

00:14:01,745 --> 00:14:06,215

Tell you what you, if I'm going

to fall off in there, I want

262

00:14:06,215 --> 00:14:07,475

to land on something soft.

263

00:14:08,145 --> 00:14:13,545

I find a fan brush and dip it in

the liquid white into the titanium.

264

00:14:13,545 --> 00:14:17,775

White I'm get a touch, be right

back a fellow blew right in there.

265

00:14:18,735 --> 00:14:23,025

So we have liquid white to thin the

paint, titanium, white, a little touch.

266

00:14:23,025 --> 00:14:29,405

If they look blue and maybe

here we go right here.

267

00:14:29,675 --> 00:14:30,395

I see it.

268

00:14:30,785 --> 00:14:34,205

There's a little waterfall

lives right in there that easy.

269

00:14:35,255 --> 00:14:36,545

And you can do that basically.

270

00:14:37,125 --> 00:14:39,665

Go over and down, over and down.

271

00:14:39,675 --> 00:14:40,335

It's most important.

272

00:14:40,335 --> 00:14:41,775

You have a flat edge appeared.

273

00:14:41,775 --> 00:14:42,314

I'll do it again.

274

00:14:43,395 --> 00:14:45,495

I'll just, I don't want him that

big, so I'll just cut him off

275

00:14:45,495 --> 00:14:46,725

later, but that's how it's done.

276

00:14:47,535 --> 00:14:50,775

And our waterfall maybe comes

down here and hits a rock.

277

00:14:50,775 --> 00:14:52,215

And does this,

278

00:14:55,275 --> 00:15:00,194

we'll put another rock in front here in

a minute and it'll all make sense there.

279

00:15:00,225 --> 00:15:02,595

And then we'll put some

splashes water falling that far.

280

00:15:03,285 --> 00:15:05,415

There would be some nice

splashes going on down here.

281

00:15:07,365 --> 00:15:08,085

There we go.

282

00:15:10,905 --> 00:15:15,665

Now let me grab a two inch brush, put

a little touch of titanium white on

283

00:15:15,665 --> 00:15:19,595

it and pull straight, straight down.

284

00:15:20,665 --> 00:15:21,415

Something like that.

285

00:15:23,135 --> 00:15:27,905

I can go across, see there,

and instantly we have water.

286

00:15:28,955 --> 00:15:32,735

That's one of the neatest, nicest things

about this whole technique is water.

287

00:15:33,845 --> 00:15:37,535

I think we could just take the fan

brush and come back in here and clean

288

00:15:37,535 --> 00:15:40,625

up the edges, put some little ripples

across the water where it's fluid now

289

00:15:40,694 --> 00:15:45,905

to here and whatever, it's all we need.

290

00:15:47,074 --> 00:15:53,255

Now back to old knife, take some

Vandyke Brown and in my mind is going

291

00:15:53,255 --> 00:15:58,444

to be, uh, maybe there's a projection

comes out here and you make any

292

00:15:58,444 --> 00:15:59,915

kind of little projection you want.

293

00:16:00,825 --> 00:16:01,695

Maybe there's a bump.

294

00:16:01,695 --> 00:16:02,955

There, it comes right down.

295

00:16:04,635 --> 00:16:05,715

Let's see, put that there.

296

00:16:06,015 --> 00:16:08,985

And we put a little highlight

on it and all of a sudden

297

00:16:09,045 --> 00:16:10,575

it will push that waterfall.

298

00:16:11,145 --> 00:16:14,655

We back here, watch what it does here.

299

00:16:15,705 --> 00:16:17,205

Lee's little touchy color.

300

00:16:17,335 --> 00:16:24,165

Just pulled out, barely parallel touching

the canvas, but it'll have a tendency

301

00:16:24,165 --> 00:16:28,875

to push all of that back and we can

bring this one right out in front of it.

302

00:16:34,110 --> 00:16:35,970

Now factoral brush.

303

00:16:35,970 --> 00:16:39,270

It has the yellows and the greens on it.

304

00:16:39,620 --> 00:16:41,120

We can come right back in here.

305

00:16:41,180 --> 00:16:42,380

Let me get a little more color.

306

00:16:43,280 --> 00:16:46,670

Come right back in here and just

let those things flow right over.

307

00:16:47,330 --> 00:16:51,380

Now, if you have trouble making the

color stick, add the least little

308

00:16:51,380 --> 00:16:58,070

touch of paint, thinner to your brush,

but the least, least, little bit.

309

00:16:59,640 --> 00:17:02,460

And it'll thin the paint and it'll flow

right over the top of this thicker paint.

310

00:17:03,939 --> 00:17:06,200

No, over here.

311

00:17:06,200 --> 00:17:09,800

On the other side, we have to have

something to hold the other side under.

312

00:17:09,800 --> 00:17:12,920

It'll get away maybe right about here.

313

00:17:12,980 --> 00:17:17,569

Let's have a nice projection,

comes out, take what this comes

314

00:17:17,569 --> 00:17:19,280

right down and all that's way back.

315

00:17:20,569 --> 00:17:21,710

She hadn't changed your mind.

316

00:17:21,710 --> 00:17:26,210

Just put things in there and in

your world, you can do this any.

317

00:17:26,639 --> 00:17:32,399

Thing that you can imagine, you can

have at least on this piece of canvas.

318

00:17:34,910 --> 00:17:36,470

Well, he used on his piece of canvas.

319

00:17:36,470 --> 00:17:36,889

You can.

320

00:17:37,910 --> 00:17:38,570

I like that.

321

00:17:38,570 --> 00:17:40,010

That pushes all of it back.

322

00:17:41,420 --> 00:17:45,910

Put a little water splashing around

his foot's right down here and

323

00:17:45,910 --> 00:17:49,550

here, Lou Trek, if you want to share

water, dripping down, lifted up.

324

00:17:49,820 --> 00:17:52,280

Now it looks like the

water sea is dripping down.

325

00:17:52,700 --> 00:17:53,750

Touch up.

326

00:17:54,465 --> 00:17:55,485

And the water comes down.

327

00:17:55,545 --> 00:17:58,185

I know that sounds crazy, but it works.

328

00:17:59,025 --> 00:17:59,715

Trust me.

329

00:18:00,735 --> 00:18:03,015

But you heard that the last

time you went to buy a used car.

330

00:18:03,015 --> 00:18:05,865

Didn't here we are.

331

00:18:06,945 --> 00:18:11,085

I will take a little black, little,

little blue, little lizard and Crimson.

332

00:18:12,225 --> 00:18:13,305

Just make a dark color.

333

00:18:13,665 --> 00:18:14,805

I don't know, two inch brush.

334

00:18:15,285 --> 00:18:17,265

I want to have a nice Bush

setting out here on this.

335

00:18:17,295 --> 00:18:18,615

So I need some dark in here.

336

00:18:19,570 --> 00:18:23,680

Just so when I put some light

on it'll show, I want to make

337

00:18:23,680 --> 00:18:24,940

that waterfall a little smaller.

338

00:18:24,940 --> 00:18:26,470

So what we'll do is just cut him down.

339

00:18:26,530 --> 00:18:29,800

See, you can cut the waterfall

down to any size that you

340

00:18:29,800 --> 00:18:33,010

wanted, any size that you wanted.

341

00:18:34,440 --> 00:18:35,190

All right.

342

00:18:36,300 --> 00:18:39,450

Now then let's put, let's

make it a little brighter.

343

00:18:41,115 --> 00:18:41,835

I want us to stand up.

344

00:18:41,865 --> 00:18:42,765

Oh, that's better.

345

00:18:43,485 --> 00:18:46,665

So I just had a little bit more

of a CAD yellow to it, so it would

346

00:18:46,665 --> 00:18:48,135

stand out against the background.

347

00:18:52,745 --> 00:18:52,835

Okay.

348

00:18:52,895 --> 00:18:54,095

There's a lot of moisture.

349

00:18:54,155 --> 00:18:57,815

There's a waterfall here and usually

where there's a lot of moisture.

350

00:18:57,815 --> 00:18:59,465

The plants seem to hang more.

351

00:19:01,565 --> 00:19:04,865

They just get lazy because they don't

have to work for water, I guess.

352

00:19:08,995 --> 00:19:15,005

Okay, tell you what, maybe there's

another big rock right here.

353

00:19:15,515 --> 00:19:16,595

And some let's do this.

354

00:19:16,685 --> 00:19:17,135

Let's do this.

355

00:19:17,135 --> 00:19:18,965

Maybe we will just pull

it right on out here.

356

00:19:19,925 --> 00:19:24,425

It's just Vandyke Brown, little

touch of little touch of dark

357

00:19:24,425 --> 00:19:27,425

CNN to it, something like that.

358

00:19:31,895 --> 00:19:34,205

Back to our highlight

color Brown and white.

359

00:19:35,064 --> 00:19:39,854

I'm going to just come right in here, but

the indication of a few little highlights

360

00:19:41,564 --> 00:19:43,185

don't want too much he'll distract.

361

00:19:44,264 --> 00:19:47,324

And then right over this age, I want

to take a small knife and pulled down.

362

00:19:47,324 --> 00:19:48,165

So it's very dark.

363

00:19:48,165 --> 00:19:52,094

So it looks like there's a little overhang

there hoping see that that's sort of

364

00:19:52,094 --> 00:19:54,885

a sneaky little way of making like

an overhang where you could stand and

365

00:19:54,885 --> 00:19:56,534

watch this beautiful little waterfall.

366

00:19:57,854 --> 00:20:01,665

And we'll have maybe there's

a little Bush lives there.

367

00:20:02,910 --> 00:20:04,950

Little bushes live

everywhere in our world.

368

00:20:06,600 --> 00:20:11,220

Little things is growing all out

here, but when you're painting make

369

00:20:11,220 --> 00:20:16,320

up little stories, imagine that this

place is a real, at least in your mind.

370

00:20:18,110 --> 00:20:20,990

And mentally, if you can

see it, you can paint it.

371

00:20:22,215 --> 00:20:25,605

And people ask, cause we have

almost 300 half-hour shows and

372

00:20:25,615 --> 00:20:27,945

people say, where do you, where do

you come up with all these ideas?

373

00:20:28,805 --> 00:20:32,325

A lot of them come from people

sending photographs of things.

374

00:20:32,325 --> 00:20:33,405

They'd like to see painted.

375

00:20:34,004 --> 00:20:37,665

We get hundreds of photographs and I paint

a lot of pictures in those photographs,

376

00:20:38,504 --> 00:20:39,855

but a lot of them come from right here.

377

00:20:40,185 --> 00:20:43,155

I just sort of sit down

and make up little stories.

378

00:20:44,189 --> 00:20:45,600

And it helps to be a little crazy.

379

00:20:45,600 --> 00:20:53,689

So it gives me a sort of an advantage, but

in your world, just think about it things.

380

00:20:53,689 --> 00:20:56,419

And mentally, if you can

see them, you can do them.

381

00:20:56,689 --> 00:20:58,159

So it's just a little practice.

382

00:20:59,540 --> 00:21:00,080

Okay.

383

00:21:00,139 --> 00:21:01,399

We said we was going to get crazy.

384

00:21:01,610 --> 00:21:02,030

Shoot.

385

00:21:02,040 --> 00:21:03,050

I'd like to live right here.

386

00:21:03,050 --> 00:21:04,310

So I'm going to put me a house.

387

00:21:05,479 --> 00:21:07,580

I'm going to put me a house

that lives right here.

388

00:21:09,110 --> 00:21:11,120

Maybe an old rundown house out here.

389

00:21:12,510 --> 00:21:13,710

I want a big house today.

390

00:21:13,740 --> 00:21:18,639

I drove a little cabins

all the time today, today.

391

00:21:18,990 --> 00:21:20,129

I want a big house.

392

00:21:21,330 --> 00:21:22,950

Since this is our world.

393

00:21:22,980 --> 00:21:23,879

We can do that.

394

00:21:24,419 --> 00:21:25,950

We can do that.

395

00:21:27,240 --> 00:21:29,250

And you like that little

squirrel, wasn't he?

396

00:21:29,260 --> 00:21:30,990

That wireless thing.

397

00:21:32,639 --> 00:21:35,280

I like it when they, he just

sorta lays around like it.

398

00:21:37,560 --> 00:21:38,850

I just think it's so cute.

399

00:21:40,890 --> 00:21:41,280

There.

400

00:21:42,890 --> 00:21:46,760

Well, this is going to be a

big house, great big house.

401

00:21:48,770 --> 00:21:51,020

And all we're doing here is

just basically blocking it in.

402

00:21:52,400 --> 00:21:57,500

All we want to do is just come up with

the basic shape of this whole house.

403

00:21:59,390 --> 00:22:03,650

They're just Vandyke Brown,

a little dark Sienna here and

404

00:22:03,650 --> 00:22:05,030

there, but mostly Vandyke Brown.

405

00:22:06,110 --> 00:22:07,310

I have hit a little Sienna.

406

00:22:11,355 --> 00:22:11,955

Okay.

407

00:22:14,345 --> 00:22:15,995

We got to make some big decisions here.

408

00:22:16,355 --> 00:22:17,165

Tell you what miss do.

409

00:22:18,004 --> 00:22:20,615

I still have that same highlight

color I was using down here.

410

00:22:20,615 --> 00:22:21,455

It's just Brown and white.

411

00:22:22,024 --> 00:22:26,975

Maybe we'll just put some indication

here of some old boards going this way.

412

00:22:26,975 --> 00:22:31,534

We usually make them the other

way, but just, just touching and

413

00:22:31,534 --> 00:22:32,735

working your way across here.

414

00:22:33,064 --> 00:22:35,705

Give a little tiny little pull down.

415

00:22:40,170 --> 00:22:43,740

Okay is key, but going back and forth

416

00:22:46,890 --> 00:22:51,000

there and vary the colors a little

cause boards, some of them are

417

00:22:51,330 --> 00:22:54,629

lighter in color than others, and some

are darker in some weather better.

418

00:22:56,580 --> 00:23:01,620

Now then if we take a clean, dry

brush, one hair in some air and

419

00:23:01,620 --> 00:23:04,830

just gently, gently go across that.

420

00:23:06,180 --> 00:23:09,240

It makes a very nice old

wood effect that easy.

421

00:23:10,200 --> 00:23:15,420

Now, maybe this carpenter, maybe

he had a toddy or two on a job,

422

00:23:15,450 --> 00:23:19,140

you know, and happen sometimes.

423

00:23:19,140 --> 00:23:21,810

So let's take, where

does it happen sometime?

424

00:23:22,260 --> 00:23:28,110

Let's take dark Sienna, van Dyke

Brown, and just a little white and see

425

00:23:28,380 --> 00:23:29,790

there's the old color we were using.

426

00:23:30,180 --> 00:23:30,990

Here's the new color.

427

00:23:30,990 --> 00:23:32,070

See how much darker it is.

428

00:23:32,730 --> 00:23:34,380

This is going to be on the shadow side.

429

00:23:34,860 --> 00:23:35,850

So we'll come right over here.

430

00:23:36,210 --> 00:23:39,420

Maybe these boards on this side

of the building go this way,

431

00:23:39,420 --> 00:23:41,700

who knows it's our building.

432

00:23:41,700 --> 00:23:42,570

We can make it any way.

433

00:23:42,570 --> 00:23:45,690

We want it any way that we want it.

434

00:23:47,070 --> 00:23:49,850

And today I think you already go that way.

435

00:23:50,660 --> 00:23:51,290

What the heck?

436

00:23:51,350 --> 00:23:53,780

Back to our brushes, dry touch that.

437

00:23:54,230 --> 00:23:58,220

Give it a little pull now tell

you what let's really get crazy.

438

00:23:58,220 --> 00:24:02,180

It takes some white and some black mix it

together and make a gray nice gray color.

439

00:24:03,230 --> 00:24:04,620

Use a little edge of the knife.

440

00:24:05,290 --> 00:24:09,360

Start right here at the roof

and just begin pulling down

441

00:24:10,440 --> 00:24:11,520

and work in layers here.

442

00:24:11,520 --> 00:24:15,720

I want to create the illusion of some

nice little shingles, discord, gray

443

00:24:15,720 --> 00:24:19,590

shingles on this, but that's going to

mix with that Brown that's already on

444

00:24:19,590 --> 00:24:24,980

the canvas and give you all kinds of

little variations, which are very nice.

445

00:24:26,480 --> 00:24:27,230

Very nice.

446

00:24:29,120 --> 00:24:29,510

There.

447

00:24:30,200 --> 00:24:30,470

448

00:24:31,905 --> 00:24:38,435

They come, Shane left and shingle years

ago, I was a carpenter, not tell you this.

449

00:24:39,155 --> 00:24:41,735

It's not that easy to

put shingles on the roof.

450

00:24:43,085 --> 00:24:46,145

And if you've ever watched Dana

gesture, one of our teachers

451

00:24:46,145 --> 00:24:47,375

that's on the show frequently.

452

00:24:48,035 --> 00:24:49,865

He's the one that read

national staff of teachers.

453

00:24:50,745 --> 00:24:53,385

He's fantastic painter, but

if you ever watch him for many

454

00:24:53,385 --> 00:24:54,855

years, he too was a carpenter.

455

00:24:54,975 --> 00:24:58,455

So he can tell you it

was not that easy to do.

456

00:24:59,445 --> 00:25:00,615

Take a little light color.

457

00:25:00,705 --> 00:25:02,595

This can be just light gray.

458

00:25:03,764 --> 00:25:05,565

It was just sort of

highlight these edges here.

459

00:25:05,565 --> 00:25:10,155

So they stand up a little and maybe

let me grab the small knife here.

460

00:25:10,455 --> 00:25:11,955

Maybe this is a two story house.

461

00:25:11,985 --> 00:25:12,794

Let's get crazy.

462

00:25:13,665 --> 00:25:14,595

Put a window there.

463

00:25:14,925 --> 00:25:17,865

When did their end of their told you I

was going to have a big house this time?

464

00:25:19,110 --> 00:25:19,950

Just scrape it out.

465

00:25:20,970 --> 00:25:22,800

Let's use some black nobody's home today.

466

00:25:24,810 --> 00:25:29,220

You could put light in the window

if you wanted to, but light

467

00:25:29,220 --> 00:25:37,750

color, just sort of outline these

little I can wherever you want.

468

00:25:39,330 --> 00:25:41,490

But now we noticed some

windows may be up here.

469

00:25:41,490 --> 00:25:43,860

There's a little something for the attic.

470

00:25:45,690 --> 00:25:49,490

That's probably where

I'd have to live now.

471

00:25:49,500 --> 00:25:50,730

And I got that black on there.

472

00:25:50,910 --> 00:25:52,140

Let's put the door over here.

473

00:25:53,430 --> 00:25:55,700

You put your door wherever

you want it, but I thought

474

00:25:55,710 --> 00:25:56,880

today would put it over here.

475

00:26:01,635 --> 00:26:02,095

To me.

476

00:26:03,555 --> 00:26:05,835

Let's put, I've got a

minute remaining here.

477

00:26:05,835 --> 00:26:10,275

So let's have a little shed or, I

mean, not a shed, a little roof, a

478

00:26:10,275 --> 00:26:12,375

little porch stands right out here.

479

00:26:13,305 --> 00:26:17,205

I said she had, you could make a

shed the same way, but today we're

480

00:26:17,205 --> 00:26:21,855

just going to have a little porch to

hold, hold up everything and keep the

481

00:26:21,855 --> 00:26:23,625

rain off the guy that lives in here.

482

00:26:24,795 --> 00:26:26,385

I guess we need a little post to hold up.

483

00:26:27,660 --> 00:26:31,200

Poor chipper in the fall there.

484

00:26:32,760 --> 00:26:37,940

And then we can take, we can take,

but in little grass, right in here,

485

00:26:38,690 --> 00:26:40,430

shoot about having finished painting.

486

00:26:41,490 --> 00:26:42,860

Didn't have a super little thing.

487

00:26:44,210 --> 00:26:44,870

Try this one.

488

00:26:45,290 --> 00:26:46,310

I believe you'll like it.

489

00:26:46,850 --> 00:26:50,720

And if you have time, send us a photo

of what you're doing every once in a

490

00:26:50,720 --> 00:26:54,950

while we put them together and we show

them on TV until then happy painting.

491

00:26:55,830 --> 00:26:56,879

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S22E08 - Deep Winterness Home

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse