Bob Ross's

The Joy of Painting

S26E12 - Sunset Aglow

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Hey, welcome back.

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Certainly glad you could join us today.

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I thought today we'd do a painting.

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It just has a lot of color in it.

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One that'll make you feel good inside.

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So let's start out and have him

run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Let me tell you what

I've got done up here.

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Have my standard old 18

by 24 inch double prime.

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Pre-stretch canvas.

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But you use any size that you want, and

I've just covered the entire canvas with

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a very thin even coat of liquid white.

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So the canvas is all wet and, and we

can literally blend color up there.

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So.

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Let's do it.

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We'll start with our little

tiny two-inch brush today.

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I go right into a small amount of

the Indian, yellow, just a very small

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amount will go out, appear in the sky

and just, just do something like that.

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That's all there is to it.

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Just, just make a little, little

crisscross strokes, something like that.

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Okay.

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Now, without cleaning the brush, I'll go

right into a little bit of yellow ochre.

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Just right into it.

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Don't even have to clean the

brush little yellow ochre.

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It's sort of a golden color there.

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Once again, without cleaning the brush.

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A little touch of the bright red.

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Be careful with a bright red it's

a gorgeous, gorgeous color, but it

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is so strong one too, but turned

the whole Atlantic ocean red.

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Be very careful with it.

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Don't need much.

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There we go.

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Let me just sort of blend

that around like that.

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There that's pretty already shoot.

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I like that.

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Yeah, then the rest of the sky,

let's let's do the rest of the sky

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and let's use a lavender color.

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We'll just brush mixing here.

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I'll use a little thalo blue lizard,

Crimson proportionately, much more Crimson

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than blue because it's Crimson is a

weak color compared to the, to the blue.

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All right, let's go up in here now, then.

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I just want to sort of dance

this around a little bit.

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Just let it play bounced here and there.

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And they're in here.

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They're just wherever, wherever.

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Sometimes it goes to the red

side sometimes to the blue.

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It doesn't matter.

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There we are gorgeous colors now.

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Maybe I'll touch a little

fatal blue and just hit it here

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and there up toward the top.

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I don't want that blue against

the green or the yellow hero.

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We'll get green and we'll wash the brush.

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That's the most fun part

of this whole procedure.

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Shake it off.

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Just beat to death.

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A lot of it now, then clean, dry brush.

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Let's begin blending

these colors together.

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Just blend them together there because

the liquid whites under there, you

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can literally move and blend color.

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And that's exactly what we're doing.

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And just beating the brush to,

to remove any paint that I've

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picked up without going through

the whole cleaning procedure.

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And in layman terms,

that's called laziness.

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There just didn't want to

bother cleaning the whole brush,

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maybe something about my cat.

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Now then today let's put some

clouds up here in the sky.

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We're going to have a sky.

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That's just, just gorgeous, shiny,

bright, a lot of color in it.

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There we go.

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I usually wipe the old brush against,

uh, a paper towel to be sure I've got

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all the excess paint removed off of it.

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Let's have a big cloud for that.

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I'm going to go into the titanium white.

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I'll be right back.

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Don't go away there.

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A little bright red with it.

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Shoot.

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Let's make a firecracker sparkler go

up in here, maybe in our world, their

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lives, big old cloud right up in here.

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It just sort of floats around.

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Has a good time.

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All day.

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No clouds are one of the

freest things in nature.

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I believe so.

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Just let them go.

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Shoot.

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Let them have fun.

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Let them have fun wherever you want them.

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Let them go there.

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Maybe, I don't know, just, just

decide where these clouds live in your

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world and put them in, put them in.

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And don't just, don't just try

to copy what we're doing here.

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Shoot.

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This is a very free style of painting.

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We don't use any patterns.

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We don't trace anything.

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We just let it happen.

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And that really is the beauty of all this.

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I just put a little bit down in

here, but notice I'm not covering

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up all this nice yellow color.

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I want some of it to show through

the cloud there, maybe over in here,

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there's some more, whatever . Now,

today I won't get our little, our

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little soft blender brush, very gentle,

soft little brush, and just blend

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the base of that out a little bit.

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Gentle, gentle, gentle.

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Barely touching.

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Just caress the canvas a little.

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There we go.

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Something about like it and

you can fluff it a little bit.

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Blended there.

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Little cloud or shoot is a big old cloud.

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It's just sitting right

up there in the sky.

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Now then we can take on the

shoes, the blender, because

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it's splendor sorta unique.

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You can paint with it.

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I'm gonna put a least little touch

of that, of that bright red on there.

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A little bit of white with it, just

begin putting in all kinds of gorgeous

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little things that just float around.

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There they go.

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There they go.

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Reach over here and get a touch of

that lavender color we were using

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just at least little touch there.

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See this blender is so soft.

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You can just get in here and work all this

color without it all blending together.

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Of course, if you blend it long

enough, it will just blend together.

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But you can put all these things in there.

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Just put doing that.

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Maybe there's one, go back to

my pinks every once in a while.

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It's up to you up to you wherever,

wherever you think it should be.

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There we go.

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It's like all kinds of little

things, least, least little

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touch of the little blue.

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Maybe that's nice.

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Be careful that you don't

hit that yellow though.

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Oh, we'll have a brilliant green

sky and we're not looking for that.

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Not in this particular painting

maybe sometimes, but not now.

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Not now.

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There's a nice little

cloud floating right there.

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All right.

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Bright, red and white again,

and maybe appear in our sky.

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Let's just put all we have is

old birth working so well, let's

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just put the indication of some

little floaters around in here.

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Just enough to break it up and

see just, just little floaters

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there, something like that.

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Wherever, wherever.

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You make the decision?

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I didn't have brush fantastic for

doing things like him, or you can

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paint right over that from paint

that we already have up there.

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Maybe over in here, we got a little

more, very soft, gentle, quiet there.

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All right.

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I get carried away sometime.

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Okay.

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And maybe I tell you what, maybe

in our world, maybe, maybe, maybe,

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maybe I'm grandpa fan brush.

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There's one.

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Let's take a little bit

of that lavender color.

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That was just the little

blue lizard Crimson.

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I don't have a fan brush here.

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Maybe let's go up in here.

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All right, let's do this.

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Let's put a nice dark cloud in here.

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I'd contrast will it'll sparkle.

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It'll absolutely sparkle there.

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Maybe we'll put a wow shape on this one.

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There we go.

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Got a little bump lives right there.

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Hmm.

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When I was a kid, I used to sit around

and w my brother and I we'd look at clouds

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and we'd pick out all kinds of shapes.

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We'd see the Mino, which are the,

are the candy man or whatever.

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And they all lived in the clouds.

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You can see all kinds of shapes in there.

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If you just spend a little time and study

it, and you got a good imagination, all

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kinds of things back to my little blender.

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Now, then just softly,

softly, blend this a little.

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Don't have to do it much and you

can just bring it all together.

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Looks like an old cloud.

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Just sort of floats right

around the corner there.

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Just like it.

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There we go.

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All right.

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shoot.

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Maybe there's some nice

things happening down here.

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Just take that color to

pick it up and use it.

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That these things happen.

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Let them happen.

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Thank you very lightly.

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That's where the blender

brush really works well.

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And sometimes you can take, you take

a little bit bright red and white, and

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you can put a few little highlights

up here just to dull everything down.

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So it's not quite as distinct few little

areas right along in here somewhere.

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So you can make out a

little detail in this clap.

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Don't want much though, but don't

want to lose that gorgeous darkness.

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It really, it really

works in this painting.

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I like it.

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Darkness there, something about like

Kevin now sometimes let's take some

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pure Tanium white, maybe in our world.

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Maybe the son lives right

behind that big cloud.

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There.

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So we can just take pure titanium white,

and I'm just going to use the knife.

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You can take your finger or you can take

a brush, but I want to push forcibly

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some white paint right into there.

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I want this to be very bright.

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I'm just going to read over

that and I'll put it back in.

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If I decide I want it.

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Cause we don't make mistakes there.

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Now we can take our blender brush.

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It very gently just blend that

right in and that'll end up being

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a nice, gorgeous, bright spot

in her painting when it's done.

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So you just blend it all together.

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Look at that and see that contrast

had just jumped right out at you.

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And that's what we're looking for

there to tell you what, Oh, we got the

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old blender brush going watch here.

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Let's take a little bit of that.

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Nice lavender color.

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And that's painting, maybe the

indication of just a happy cloud

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that lives right here, very

soft, very soft, very, very soft.

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So you were just working in layers.

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I want this cloud to look

like it's in front of that.

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So put the other thing, and the thing

is felt as to weigh in first and then

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begin working forward, forward forward.

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All you have to do.

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There it is.

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There it is.

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We just let it work right on around.

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See there.

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I get excited when I see

these, they turned me on there.

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I like to play with color.

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Little bit of the bright red and

white, just very, these colors

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just vary back and forth and around

and around and around something.

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I can, I will put in

several little clouds here.

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You know, one of the earlier

shows I showed the biggest

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squirrel that I had ever seen.

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I'm gonna put him up, let you see him

again while I'm just, I'm just gonna be

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dropping in some of these little things.

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I won't, I won't do anything you don't

see, but this rascal is something else.

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I have never seen a squirrel this big.

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This is called a Sherman Fox squirrel

and he's as big, well, he's as

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big as a small kitty cat and very

docile, very quiet little squirrel.

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And this one is, is quite a pet.

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He belongs to my friend, Cindy, one of

the rehab ladies that lives around Orlando

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there, and she's takes care of him.

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She's turned him loose several

times and he won't go away.

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He's sort of like one of my

sons girls that I have, I have

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to keep turning him loose too.

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And he comes back.

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But now this girl is big enough.

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He knocks on the door and comes on in.

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There we go.

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Isn't he something I liked these

animals I really liked to play with.

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I'm just Kevin right along here

and putting in all kinds of

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little things that we can just

sort of blend this entire thing.

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Okay.

254

00:13:43,985 --> 00:13:44,795

All right.

255

00:13:46,205 --> 00:13:47,735

But didn't have a dynamite guy.

256

00:13:49,475 --> 00:13:52,715

I tell you what if you take, if

you have a room in your home,

257

00:13:53,040 --> 00:13:54,780

That's sort of dull and blahzay.

258

00:13:55,319 --> 00:13:57,599

You do a painting like this and

hang it it, and when you walk in

259

00:13:57,599 --> 00:13:59,430

the room, the color will jump on.

260

00:13:59,430 --> 00:14:00,900

You makes you feel good.

261

00:14:02,925 --> 00:14:03,584

I get carried away.

262

00:14:03,584 --> 00:14:04,035

I'm sorry.

263

00:14:05,464 --> 00:14:07,655

That's have a little something

down here on the bottom shoot.

264

00:14:07,685 --> 00:14:11,345

We've wasted all of our

time appearing in the sky.

265

00:14:11,375 --> 00:14:12,814

Let's let's put a little something.

266

00:14:12,814 --> 00:14:15,305

I'll just take a little that

lavender since it's going so nice.

267

00:14:16,324 --> 00:14:17,225

And that's good down here.

268

00:14:19,385 --> 00:14:24,055

Let's just put some of that nice

lavender color down here about like

269

00:14:24,055 --> 00:14:28,265

that little more of that lavender color.

270

00:14:29,880 --> 00:14:30,210

There.

271

00:14:31,590 --> 00:14:33,270

I just put that right down in here.

272

00:14:36,030 --> 00:14:36,600

There we are.

273

00:14:37,080 --> 00:14:38,490

I think we just go all

the way across with it.

274

00:14:39,510 --> 00:14:42,900

Doesn't matter the hair.

275

00:14:45,060 --> 00:14:48,810

Maybe, maybe we'll have

a little mountain lens.

276

00:14:48,820 --> 00:14:51,060

We back in the distance here.

277

00:14:52,935 --> 00:14:53,505

Let's do that.

278

00:14:54,104 --> 00:14:55,125

Let me find my knife.

279

00:14:56,444 --> 00:14:58,125

Just take that same lavender color.

280

00:14:58,155 --> 00:15:03,045

Put it out here and put

some white with it, maybe.

281

00:15:03,885 --> 00:15:04,395

Oh yeah.

282

00:15:04,635 --> 00:15:08,385

Sometimes I like it there.

283

00:15:08,444 --> 00:15:08,954

I like it.

284

00:15:08,954 --> 00:15:10,244

And you just sorta just the color.

285

00:15:10,244 --> 00:15:11,204

Tell us what you want.

286

00:15:11,775 --> 00:15:15,615

Cut off a little roll of pink and

let's have a little mountain first

287

00:15:16,005 --> 00:15:16,964

and we'll do a couple of rounds.

288

00:15:16,964 --> 00:15:18,464

We'll have one that lives far away.

289

00:15:20,055 --> 00:15:20,775

This little mountain.

290

00:15:20,775 --> 00:15:21,194

He lives.

291

00:15:21,204 --> 00:15:27,074

We back here almost, almost

to the edge of nowhere there.

292

00:15:27,104 --> 00:15:29,745

We just drop him on drop your own.

293

00:15:30,765 --> 00:15:32,834

Grab a two inch brush.

294

00:15:33,915 --> 00:15:40,574

And I want to grab that and firmly

pull it, just pull it and then

295

00:15:40,574 --> 00:15:41,865

just blend the base of it out.

296

00:15:41,865 --> 00:15:46,935

So all you see is a nice silhouette

setting there, cause this one's far away.

297

00:15:47,025 --> 00:15:48,074

Quiet, little mountain.

298

00:15:48,660 --> 00:15:49,740

Quiet little dude.

299

00:15:49,740 --> 00:15:54,360

And he lives we out there now let's

take some Prussian blue alizarin

300

00:15:54,360 --> 00:15:58,230

Crimson, much more Crimson than

blue, but a little black in there.

301

00:16:00,300 --> 00:16:01,520

Maybe even a little Vandyke Brown.

302

00:16:01,560 --> 00:16:04,860

I like it to cut off

a little roller paint.

303

00:16:04,890 --> 00:16:06,720

It should live right on

the edge of your knife.

304

00:16:07,770 --> 00:16:10,410

Then we go up here and here's a mountain.

305

00:16:11,130 --> 00:16:12,420

I don't want it to get too big.

306

00:16:14,085 --> 00:16:18,555

I liked to paint big mountains and I

sorta have to physically restrain myself

307

00:16:18,555 --> 00:16:24,285

sometime because I'll just let them out

and get right out of run out of painting.

308

00:16:24,315 --> 00:16:25,515

It just keeps on going.

309

00:16:29,189 --> 00:16:30,449

I do like to paint mountains,

310

00:16:34,069 --> 00:16:37,609

but I've got one young fellow that out

paints me when it comes to mountains.

311

00:16:37,640 --> 00:16:42,050

That's my son, Steve, you might've

saw in some of the other shows.

312

00:16:42,109 --> 00:16:46,520

He's just one of the most dynamite

mountain painters ever seen.

313

00:16:48,530 --> 00:16:49,189

There we go.

314

00:16:50,270 --> 00:16:50,729

Pull that.

315

00:16:53,325 --> 00:16:54,525

And he was out teaching.

316

00:16:54,525 --> 00:16:55,935

We didn't get him on this series.

317

00:16:56,565 --> 00:16:58,815

Maybe, maybe next series

are getting back in here.

318

00:16:59,805 --> 00:17:00,795

We rent Steve out.

319

00:17:00,795 --> 00:17:04,964

He traveled all over the country and

teaches classes to literally hundreds and

320

00:17:04,964 --> 00:17:09,515

hundreds of people he's tied up right now.

321

00:17:10,954 --> 00:17:11,645

There we go.

322

00:17:13,475 --> 00:17:14,405

Explaining that out.

323

00:17:14,975 --> 00:17:16,745

Anyway, let's put a

little bit of highlight.

324

00:17:16,825 --> 00:17:19,295

I use a little bit of that

bright red, little white.

325

00:17:20,285 --> 00:17:22,204

I don't want much highlight just enough.

326

00:17:22,680 --> 00:17:27,540

So we see a little sun zinging right

across there, tiny little amount.

327

00:17:29,100 --> 00:17:29,610

There it goes.

328

00:17:31,830 --> 00:17:34,770

There, it goes a little

bit more soon right there.

329

00:17:37,200 --> 00:17:39,840

And I'm just going to

blend it down by down.

330

00:17:39,840 --> 00:17:41,250

I mean, just work it in.

331

00:17:41,250 --> 00:17:42,480

So it's not so distinct.

332

00:17:42,480 --> 00:17:43,650

I want it to be very quiet.

333

00:17:43,650 --> 00:17:48,480

Don't want much, that's really,

really about all we're going to do.

334

00:17:49,365 --> 00:17:52,185

Just enough to give the indication

of a little highlight here and there.

335

00:17:54,795 --> 00:17:56,925

Maybe there's another little

peninsula right there.

336

00:17:56,925 --> 00:18:01,035

I don't know wherever you want

it and then grab it and go down.

337

00:18:02,085 --> 00:18:04,155

And that's good enough, Jesse.

338

00:18:04,275 --> 00:18:07,635

I don't, I don't want much back

here or it'll burn that illusion

339

00:18:07,635 --> 00:18:11,385

of distance maybe in our world.

340

00:18:11,775 --> 00:18:13,065

We can have a little, yep.

341

00:18:14,115 --> 00:18:14,715

Just touch.

342

00:18:14,775 --> 00:18:15,315

Pull down.

343

00:18:16,710 --> 00:18:19,770

Maybe there's just a little footy

Hill that lives back here right below

344

00:18:19,770 --> 00:18:23,130

that mountain, somewhere like that.

345

00:18:23,130 --> 00:18:28,140

Just pull straight down and right

below it, same color, decide where

346

00:18:28,140 --> 00:18:30,890

you want reflection to pull them down.

347

00:18:32,780 --> 00:18:35,500

I can't see.

348

00:18:35,630 --> 00:18:40,250

And then go gently across and we

have instant reflections of a white

349

00:18:41,060 --> 00:18:42,140

put a little bright red in it.

350

00:18:42,290 --> 00:18:42,890

Just a little.

351

00:18:44,685 --> 00:18:45,885

Just enough to warm it up.

352

00:18:46,755 --> 00:18:51,135

And it was all right up here and we'll

just put in a happy little Waterland

353

00:18:53,145 --> 00:19:00,915

lives, right along in there, there

that little bit of pink that you put

354

00:19:00,915 --> 00:19:05,895

in that just sort of makes it go with a

painting, sort of makes it just stand out.

355

00:19:05,895 --> 00:19:06,495

I like that.

356

00:19:08,985 --> 00:19:09,645

There we go.

357

00:19:10,530 --> 00:19:12,600

All right, shoot.

358

00:19:12,629 --> 00:19:13,830

We come in red alone here.

359

00:19:15,360 --> 00:19:16,110

Let's have some fun.

360

00:19:16,350 --> 00:19:19,020

You know, me, I like trees.

361

00:19:19,350 --> 00:19:23,160

Let's make a tree clean

off a spot to work here.

362

00:19:24,480 --> 00:19:32,610

Take some black precious blue Vandyke

Brown, put some Crimson in there.

363

00:19:33,780 --> 00:19:35,820

All those good dark rich colors.

364

00:19:36,150 --> 00:19:37,710

Let me clean the old knife off here.

365

00:19:39,540 --> 00:19:39,900

Good.

366

00:19:40,230 --> 00:19:46,200

Dark color should look black on the

pellet and I'll take a fan brush today.

367

00:19:46,950 --> 00:19:47,040

Okay.

368

00:19:47,300 --> 00:19:48,410

Loaded, full of color.

369

00:19:48,530 --> 00:19:49,430

Lots of paint.

370

00:19:50,750 --> 00:19:51,530

Lots of paint.

371

00:19:51,710 --> 00:19:52,460

Let's go over here.

372

00:19:53,810 --> 00:19:55,220

Maybe in our world.

373

00:19:56,150 --> 00:19:59,900

There is now maybe there's a

little tree happy little tree

374

00:19:59,930 --> 00:20:00,920

and he lives right there.

375

00:20:01,190 --> 00:20:01,790

There he comes.

376

00:20:03,050 --> 00:20:05,600

This would be very Darko

with this kind of sky.

377

00:20:05,600 --> 00:20:07,190

You'd almost have silhouettes here.

378

00:20:07,520 --> 00:20:08,330

Very dark.

379

00:20:09,825 --> 00:20:10,935

Very very dark.

380

00:20:11,085 --> 00:20:17,925

And that dark contrast is gorgeous

against the sky there maybe.

381

00:20:18,274 --> 00:20:18,675

Yeah.

382

00:20:19,514 --> 00:20:22,754

Why not have another

one lives right there?

383

00:20:23,385 --> 00:20:24,135

There he is.

384

00:20:25,305 --> 00:20:28,365

When a tree looks a little sickly, we

may have to work on him, but sickly.

385

00:20:28,365 --> 00:20:30,675

I mean, he, he looked

like he had a bad year.

386

00:20:32,430 --> 00:20:37,310

Didn't get much water one year

or something times over there.

387

00:20:38,960 --> 00:20:40,370

She would probably have it color there.

388

00:20:41,900 --> 00:20:43,880

Just take a little of it

and just put down here.

389

00:20:43,880 --> 00:20:46,460

I'm going to have some

reflections in the water and you

390

00:20:46,460 --> 00:20:47,480

can put them in any other way.

391

00:20:47,480 --> 00:20:47,870

You want them.

392

00:20:50,310 --> 00:20:50,700

Shoot.

393

00:20:50,970 --> 00:20:54,210

See you just take the brush

and pull straight down for

394

00:20:54,210 --> 00:20:57,419

cross instant reflections.

395

00:20:58,470 --> 00:21:01,680

And we just use that brush and

go ahead and put in a little

396

00:21:01,680 --> 00:21:02,730

bit of land from the settle.

397

00:21:02,790 --> 00:21:03,270

What the heck?

398

00:21:05,159 --> 00:21:08,129

They're all some trees on the other side.

399

00:21:09,450 --> 00:21:14,159

Can you show me, uh, like

whole tree here in there?

400

00:21:14,440 --> 00:21:15,419

Maybe in our world.

401

00:21:15,419 --> 00:21:17,129

There's a couple of

trees live right there.

402

00:21:18,120 --> 00:21:18,840

Now there's three.

403

00:21:21,600 --> 00:21:26,100

Just put in the top spot in a

few little indications, it looks

404

00:21:26,100 --> 00:21:27,210

like a whole bunch of trees.

405

00:21:29,235 --> 00:21:35,564

Maybe maybe, maybe too big one

kind of have one big tree there.

406

00:21:37,574 --> 00:21:38,415

There we go.

407

00:21:38,504 --> 00:21:40,094

Big old tree, big, strong tree.

408

00:21:40,094 --> 00:21:41,235

He lives right up here.

409

00:21:42,274 --> 00:21:45,405

Looks out over this

gorgeous, gorgeous scene.

410

00:21:47,294 --> 00:21:48,135

Something like that.

411

00:21:49,935 --> 00:21:53,385

Maybe back here, we can see the indication

of a couple of more little trees.

412

00:21:54,705 --> 00:21:56,084

They're sort of hid behind.

413

00:21:57,000 --> 00:22:00,480

And all we're doing right now is

just putting on the background color.

414

00:22:00,480 --> 00:22:01,950

I'm going to cut along

with a few highlights.

415

00:22:03,780 --> 00:22:05,040

We'll bring all those together.

416

00:22:05,880 --> 00:22:06,360

Okay.

417

00:22:07,710 --> 00:22:08,550

Let me see here.

418

00:22:08,760 --> 00:22:11,070

There's one got too many

brushes go on today.

419

00:22:12,810 --> 00:22:14,130

I won't take a two inch brush.

420

00:22:15,270 --> 00:22:16,470

Yeah, cause that's what was handy.

421

00:22:17,220 --> 00:22:19,080

Maybe there's a Bush

that lives right there.

422

00:22:21,750 --> 00:22:24,750

A lot of nice bushy areas, really.

423

00:22:24,750 --> 00:22:26,520

And truly what you can

just put anything in here.

424

00:22:26,520 --> 00:22:28,440

I just wanted to show you mainly today.

425

00:22:28,920 --> 00:22:30,720

I have to do a fantastic sky.

426

00:22:30,900 --> 00:22:32,460

Very easy, very quick.

427

00:22:34,200 --> 00:22:36,330

There, we just fill that up with color.

428

00:22:40,305 --> 00:22:43,365

All right, I'll take a one inch brush.

429

00:22:44,765 --> 00:22:48,605

Let's go into, we get a little quiet,

a little bit of that same color.

430

00:22:49,985 --> 00:22:52,475

They're just looking for a little

highlight color, but I want it to be

431

00:22:52,475 --> 00:22:56,375

mostly in the lavender hues there.

432

00:22:57,524 --> 00:22:58,245

Well, that's nice.

433

00:22:58,245 --> 00:23:02,774

It's not too bright, but it's just

enough, just enough to pull it out.

434

00:23:03,014 --> 00:23:07,844

So it shows a little bit, maybe

that Bush lives in the background.

435

00:23:07,995 --> 00:23:09,465

If that's all we have to do, if it does.

436

00:23:10,845 --> 00:23:11,324

All right.

437

00:23:13,264 --> 00:23:13,745

Let me see.

438

00:23:13,745 --> 00:23:16,115

There's one looking for a clean brush.

439

00:23:16,115 --> 00:23:16,445

Again.

440

00:23:17,254 --> 00:23:20,735

I won't take a little SAP green, a

little yellow, little yellow ochre.

441

00:23:20,855 --> 00:23:21,754

This is CAD yellow.

442

00:23:22,445 --> 00:23:23,615

Grab the Indian, yellow too.

443

00:23:24,544 --> 00:23:26,405

Now what this get a

little black in there too.

444

00:23:26,465 --> 00:23:29,524

I want this to be a dark

green, dark green, dark green.

445

00:23:30,754 --> 00:23:32,044

I'm going to come right along in here.

446

00:23:33,395 --> 00:23:34,235

Dark green though.

447

00:23:34,785 --> 00:23:38,115

Don't make them a bright, shiny

thing, this dark and pretend

448

00:23:38,115 --> 00:23:39,165

dictation here and there.

449

00:23:39,165 --> 00:23:39,915

And they're in here.

450

00:23:40,755 --> 00:23:43,335

Some little highlights,

same thing over here.

451

00:23:45,495 --> 00:23:48,435

Something like Adam, see there.

452

00:23:49,515 --> 00:23:50,175

All right.

453

00:23:51,870 --> 00:23:56,720

A little bit of liquid white, we'll

put in a little indication of some

454

00:23:56,720 --> 00:23:58,160

waterline right underneath there.

455

00:23:59,480 --> 00:24:05,390

Something I don't need much to put a

little bit green on a fan brush here.

456

00:24:06,440 --> 00:24:09,050

And I'm just going to put the

indication here and there not much,

457

00:24:09,710 --> 00:24:13,520

not much a little bit of highlight

on some of these trees just enough.

458

00:24:13,520 --> 00:24:15,350

So, you know, there's a

little green over here, too.

459

00:24:17,630 --> 00:24:18,440

Harris, a little bit.

460

00:24:19,980 --> 00:24:25,260

There's a little bit,

just drop it in there.

461

00:24:25,560 --> 00:24:27,690

Darker, darker, darker

down here toward the base.

462

00:24:29,070 --> 00:24:29,610

All right.

463

00:24:29,640 --> 00:24:34,230

Maybe we will have a

little paths right there.

464

00:24:35,550 --> 00:24:36,540

Just a little path.

465

00:24:38,670 --> 00:24:39,240

All right.

466

00:24:39,840 --> 00:24:41,340

Let's take a little bit

of that green color.

467

00:24:42,450 --> 00:24:43,110

Fill that up.

468

00:24:44,670 --> 00:24:49,340

Just to finish up the little

painting, to give you an idea.

469

00:24:49,730 --> 00:24:52,520

As I say, the big thing in this

painting is a gorgeous guy.

470

00:24:52,700 --> 00:24:53,450

I hope you try it.

471

00:24:53,540 --> 00:24:57,380

Cause you'll like it, the old clock

on the wall tells me it's about time

472

00:24:57,380 --> 00:24:59,660

to finish this one, call it a day.

473

00:25:00,770 --> 00:25:02,480

I've certainly enjoyed our time together.

474

00:25:03,020 --> 00:25:05,960

And I hope you try this

one from all of us here.

475

00:25:06,350 --> 00:25:07,730

I'd like to wish you happy painting.

476

00:25:08,210 --> 00:25:09,350

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S26E12 - Sunset Aglow

Bob Ross's

The Joy of Painting

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