Bob Ross's

The Joy of Painting

S16E05 - Double Oval Fantasy

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hi, welcome back.

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I'm certainly glad you could

join me today because today is

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a very, very special day to me.

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And I'm glad that you're

here to share it with me.

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This marks the 200 joy

of painting show today.

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And it's.

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It does nice things to my heart to think

that we have made this many shows and

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that you've kept us on the air this long.

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And I tell you what, since this is

such a special show, I'd like to

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dedicate it to a very special lady, a

net Kowalski and net has been with me

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since we started the joy of painting.

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She's worked in every show and her and

I traveled for a lot of years teaching.

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In making all of this possible.

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So in net, I hope you enjoy this one,

tell you what, let's start out and

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have them run all the colors across

the screen that you need to paint

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along with me while they're doing that.

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Come on up here.

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Let me show you what I've already done.

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I thought we'd do a

special painting today.

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So I've taken a piece of contact paper

and I've cut two ovals out of it today.

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Son of a gun looks like two big guys.

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There may be just that little owl

we had on one of the earlier shows.

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Then I've covered this with

liquid white on both sides.

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So it's all slick.

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It's ready to go.

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So let's get started.

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Tell you what let's take

the old two inch brush.

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We'll go right into a small amount.

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Small amount of the Indian, yellow.

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Just tap a little into the bristles.

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Okay, let's go right up here.

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Maybe right along in here.

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We'll just put a little bit of yellow,

just a tiny bit, right over here.

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This is how you make

a giant cartoon vigor.

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Okay.

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Now I'm going to add a least little touch

of the yellow ochre least little touch.

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And we'll go right above that.

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You just want to put a little

gold hue in the sky here just

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to make it nice and pretty.

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And the same thing over here on

this side, just back and forth.

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There we are.

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Okay.

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Now I'm going to wash the old brush.

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And as you know, we wash your brushes

with odorless thinner, shake off the

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excess and cover everybody in the studio.

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And that's what makes it fun.

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Just enjoy.

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Now, when you're doing this at home, I

strongly suggest you get a brush beader

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rack or something and put it on the

bottom of wastepaper basket because

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you'll change the decor of your living

room in a heartbeat, a little thalo blue.

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Let's go right up here.

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Just bring this blue right down, almost

to that yellow right down like that.

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Over on the other side,

same thing in this.

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Have a little water in this shoot.

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I like water.

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We'll take a little, the little

blue, get a little thalo green.

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Just mix them on the brush.

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What the heck?

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All right, let's go up here.

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Maybe our is going to live for

right along in here somewhere.

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Just wherever you want it.

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Make a decision, drop it in.

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This is your world here.

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So you can do anything that you

want and anything that you want.

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There were very lightly go across.

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Okay.

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A little more that they low

green, they low blue mixture

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and we'll do the other side.

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This is like painting

two scenes at once only.

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We're going to let the scene just

continue right through there.

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We very lightly go across.

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Okay.

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And then we can wash the old brush again.

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I just liked the wash brushes there, shake

it off, just beat the devil out of now.

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Then I want to blend this together.

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Nice.

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Clean, dry brush, just blend it together

right there, where they, where they touch.

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They're going to go over to the

other side and the same thing

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again, just blend them together.

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All there is to it.

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And maybe sometimes you'd

like to have a little.

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Little stringy cloud.

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Now let's take a little touch

of the midnight black, just a

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very small amount of oppression,

blue on their own, the brush.

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Maybe there's a little happy cloud and

he just sort of floats right across here.

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Like, yes, maybe it comes

right over into this side.

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See, let him extend all the way through.

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And everybody knows that the

painting continues and very

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lightly just blamed just blender.

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That's all there is to it.

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Wash your old brush off again.

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There we are.

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Let's have some fun

with some clouds today.

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We'll grab an old fan brush

here, maybe for clouds.

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We'll take some, a lizard Crimson, a

little touch of the fatal blue in it.

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Maybe even a little black touch of white.

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That'd be right back.

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There we go.

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Make a nice lavender color.

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I want that lavender color because

when it touches the yellow, it

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won't turn bright green it'll,

it'll turn more of a brownish color.

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We'll just load up the old fan brush

here, both sides, lot of color,

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just really raking through there.

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And you have to make a decision.

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Now, where does the

clouds live in your world?

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I think there's a happy

little cloud lives right here.

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There's just the corner of the brush.

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And just sort of scrub it in there.

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Maybe he's got a little

friend lives right there.

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There we go.

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And maybe these clouds,

they come right on through.

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Well, there they are.

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Just wherever you want them.

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Clouds are very free.

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They just float around and

have a good time all day.

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So that's the way to paint them.

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That's the way to paint them.

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Good, clean, dry brush

and all I'm doing here.

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It's blending a little to

just remove excess paint.

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There we go.

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We're going to come back and put

some happy little things on those

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clouds and little highlights.

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And if you get all this excess

paint removed too, then it makes

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the next step much, much easier.

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Okay.

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Yeah.

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Then I have several fan brushes

going, so I'll just grab another

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one, take some titanium white.

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Be right back right back here.

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Grab a little of that bright red,

just a little, just to put a little

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pinkish glow in these clouds,

make them sing, kiss, go pear.

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Everybody needs to sing in the sunshine.

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There just come right along

here and right on the top.

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Just, just put some

little highlights up here.

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There we are.

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See you there.

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It's that dance right along

the top of the cloud there.

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Okay.

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There we go.

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See, all we're doing is just, just

putting some frosting up here.

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These are the good parts, but you

have to lay your base color in there.

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First, just like baking a cake.

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Got to put all the ingredients

in the pan before you can do it.

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And we're doing the same thing here.

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Same exact thing.

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There we are.

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And you just sort of decided where all

kinds of little things live and drop them.

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Yeah.

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Wow.

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That's again, with our good clean dry

brush use just the top corner of the brush

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and blend the bottom of the highlight.

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Just the bottom.

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Just blended, just winded up a little bit.

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Okay.

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Other cloud would go right

over here, like, so just

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continue to blend there we are.

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We're going to fluff these clouds.

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I beat the brush only to remove the

excess paint that I've picked up.

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It's easier than cleaning

the entire brush.

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I could they're that easy.

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We have some beautiful, beautiful

little clouds just floating around,

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left them, just blend them.

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Very, very effective, a nice way

to make some happy to the cloud.

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Okay.

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I'll tell you what, maybe we'll

have a, let's have a little

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mountain back here for that.

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And I'll use some black oppression,

blue Vandyke Brown, some Crimson,

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just mainly some nice dark colors.

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Very, very dark.

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Pull your paint out flat,

go down with a knife.

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Cut across, get a small roll of

paint, right on the edge of it.

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Let's go right up here.

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Now you got to make another decision.

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Where does your mountain

live in our world?

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There it is.

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It's right there.

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Maybe there's a bump there

wherever you want wherever.

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And all we're looking for

is a nice edge on the top.

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We could care less.

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What's happening down, down in here.

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We don't care about that.

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Let's go with the other side and

let these mountains continue.

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Maybe they come right on through.

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They're like, so what's I put them

right on up in that cloud shoot.

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That's a big mountain over here.

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It lives up here in the sky and has fun.

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Okay.

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Scrape off all the excess paint.

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Just pull it right off there.

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Get tough with it.

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This is where you take out all your

frustrations and hostilities and.

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That's where to do it.

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Cause you don't have to

make anybody else, man.

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Shoot, you can do, you can remove

all those negative feelings.

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Just pull them out.

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There was large brush.

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All I'm doing is blending that

color out, pull it in blended.

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This is also an excellent

way of laying out, highlights

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and shadows in your mountain.

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Now, this is continually mixing with

that liquid white this on the canvas.

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And you get all of these

different tonal values, just

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following radically automatically.

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All right, let's take some, we'll

just use some titanium white.

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We're going to pull it out.

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Very flat, cut across.

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And once again, our little roll of

paint looks like it was a little

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touch of that bright red in there too.

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That's all right.

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I don't just be very pretty on there.

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Looked like a little sun.

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Zinging we're right across the mountains.

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There we are.

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No pressure, no pressure at all.

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Display the knife, no

weight, no pressure there.

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And in your world, you figure out how

your little mountains are and just

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drop them in wherever you want in

whatever shape, maybe where you live.

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The mountains are different.

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Maybe there are no mountains.

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You can leave the mountains out of this.

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And it's still a beautiful painting still.

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Nice.

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Let's go up to the other side of

this rascal, a little roller paint.

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There we are, but no pressure.

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I know you get tired of hearing

that, but it's so important.

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That's probably one of the most often

asked questions that I receive in the

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mail is why am I having trouble making

that paint break and bounce like you do.

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The only problem is

normally one of two things.

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And normally it's too much

pressure sometimes it's because

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we use a paint that's too thin.

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If the paint's not very firm and very dry,

it'll just, you can become a mud mixer.

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I'm mixing up the little

fellow blue and white here.

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We'll make shadow out of that once

again, our little roll of paint,

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right on the edge of the knife.

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Okay.

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Give it a touch and a pole.

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Just follow your mountain right on down.

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That's fantastic.

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She can make a mountain that easy.

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You can do it.

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You can do anything in your thing.

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All you have to do.

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Number one is believe that you

can, if you believe you can

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do it, you're halfway home.

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Then all you need to do

is just a little practice.

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Become familiar with the equipment.

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You can do it.

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Let's put some shadows

over on this side too.

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Anyway, here a little bit right in here.

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So there maybe a little touch, just

follow the angles in your mountain there.

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Okay.

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And you can come back and you can

add all different planes in here

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if you want them or just anything.

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Anything as, you know, if you paid

with me before, we don't make mistakes

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here, we have happy accidents.

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You learn to work with

anything that happens.

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00:13:03,255 --> 00:13:08,055

Any annual thing it happens to now,

then with clean draft, two inch

257

00:13:08,055 --> 00:13:12,105

brush, I'm going to tap following

the angles in the mountain.

258

00:13:12,105 --> 00:13:17,735

I want to create that illusion of

that missed back here, lift upward.

259

00:13:17,735 --> 00:13:20,045

Now this takes out the little

tap marks brings everything

260

00:13:20,045 --> 00:13:21,455

together, smooths it out.

261

00:13:21,944 --> 00:13:22,605

Let's go over here.

262

00:13:24,314 --> 00:13:26,834

It's most important that you

follow those angles though?

263

00:13:27,204 --> 00:13:28,635

Most, most important.

264

00:13:29,895 --> 00:13:32,655

If you don't, you're going to just

chop the bottom, your mountain awful.

265

00:13:33,275 --> 00:13:36,765

You look like somebody took a big

razor blade that he zipped it off and

266

00:13:36,765 --> 00:13:39,855

the way it went and it's much nicer.

267

00:13:39,855 --> 00:13:41,985

If you can sort of look

through the mist and see it.

268

00:13:43,650 --> 00:13:43,890

Okay.

269

00:13:43,890 --> 00:13:46,380

Maybe we can bring a

little projection out here.

270

00:13:46,680 --> 00:13:49,319

Just putting a little that

shadow color on the brush.

271

00:13:50,370 --> 00:13:53,400

You can create a whole nother

plane in the mountain, whatever.

272

00:13:54,449 --> 00:13:57,540

Just let your imagination go here.

273

00:13:57,569 --> 00:13:59,069

We just want to show you how to do it.

274

00:14:00,060 --> 00:14:05,160

What you do is up to you

completely and totally up to you.

275

00:14:07,155 --> 00:14:13,575

Maybe over here, they just have a little

thing comes out here to wherever you want.

276

00:14:14,205 --> 00:14:17,835

However many you want tell you,

we just use the same old brush.

277

00:14:17,865 --> 00:14:19,815

I got a little bit of lavender color left

278

00:14:23,155 --> 00:14:26,955

was just a mixture of a lizard

Crimson and Thurlow blue and

279

00:14:26,955 --> 00:14:28,185

a little touch of white in it.

280

00:14:29,385 --> 00:14:30,315

Okay, let's go right up here.

281

00:14:30,945 --> 00:14:32,415

Maybe let's go right in here.

282

00:14:32,415 --> 00:14:33,525

Maybe there's a little footy Hill.

283

00:14:34,305 --> 00:14:35,835

Foothills lives right there.

284

00:14:36,165 --> 00:14:38,385

Just take the corner of the

brush or you can use a one inch

285

00:14:38,385 --> 00:14:40,005

brush or fan brush, whatever.

286

00:14:41,835 --> 00:14:42,465

There we go.

287

00:14:42,825 --> 00:14:46,965

See you then just put in just a

happy little background thing.

288

00:14:47,625 --> 00:14:49,155

They're far away.

289

00:14:50,775 --> 00:14:51,135

Okay.

290

00:14:51,314 --> 00:14:54,375

Maybe it just continues to sort of

see where it's at and continue it.

291

00:14:54,675 --> 00:14:55,185

There it is.

292

00:14:56,175 --> 00:14:56,714

There it is.

293

00:14:57,015 --> 00:14:59,505

You knew it was there all the time.

294

00:15:01,185 --> 00:15:01,694

There.

295

00:15:05,550 --> 00:15:12,410

Hmm, this is also a nice way to make

Hills and mountains from Oh, and

296

00:15:12,420 --> 00:15:13,800

North Carolina and all that area.

297

00:15:13,800 --> 00:15:16,050

They have some beautiful,

beautiful country there.

298

00:15:16,410 --> 00:15:18,810

And you could just leave the

mountain out and just put several

299

00:15:18,810 --> 00:15:21,449

rows of these little Foothill

looking things that I'm using here.

300

00:15:22,140 --> 00:15:25,380

And it makes beautiful,

beautiful little mountains.

301

00:15:25,620 --> 00:15:26,850

I'm gonna use a clean brush.

302

00:15:27,660 --> 00:15:31,320

I want to tap the base of this

and I'm tapping it very firmly.

303

00:15:32,850 --> 00:15:35,850

I want to create that illusion

of missed school over here.

304

00:15:37,690 --> 00:15:38,550

We'll tap this one,

305

00:15:42,450 --> 00:15:48,630

really get in there and tap on it and

it'll lift slightly upward, just like so.

306

00:15:50,010 --> 00:15:54,000

Now back to our same old brush, and

sometimes it's fun to put several

307

00:15:54,000 --> 00:15:57,600

layers of these in, and it helps,

it helps increase that illusion

308

00:15:57,600 --> 00:15:58,920

of distance in your painting.

309

00:16:00,120 --> 00:16:03,030

And you know, me, I like, I

like paintings that have a lot

310

00:16:03,030 --> 00:16:04,350

of distance and depth in them.

311

00:16:06,000 --> 00:16:10,200

And if you're interested in selling

paintings, Ooh, that's what sells.

312

00:16:11,820 --> 00:16:14,250

And that's what I'm bringing

that happy buck come, and we'll

313

00:16:14,250 --> 00:16:15,240

have some reflections here.

314

00:16:15,240 --> 00:16:17,280

So I'll just pull some of that

color right into the water.

315

00:16:18,480 --> 00:16:18,840

Look at there.

316

00:16:20,400 --> 00:16:23,400

Then lightly across instant reflections.

317

00:16:24,060 --> 00:16:25,320

Instant reflections.

318

00:16:26,730 --> 00:16:28,080

Maybe this goes right here.

319

00:16:28,080 --> 00:16:31,560

Maybe it comes over here

and drops right down there.

320

00:16:31,710 --> 00:16:33,150

We'll play a little watch here.

321

00:16:33,180 --> 00:16:33,510

Watch it.

322

00:16:34,770 --> 00:16:36,300

We'll create a little mist under this one.

323

00:16:40,230 --> 00:16:44,940

Now back to my other brush, maybe

there's another one that comes down here.

324

00:16:46,570 --> 00:16:49,590

It comes right in front, but

you need that Misty area.

325

00:16:49,620 --> 00:16:50,310

That is so.

326

00:16:50,730 --> 00:16:51,390

Vital.

327

00:16:51,510 --> 00:16:53,430

If you're going to make this

look like it's separate.

328

00:16:54,390 --> 00:16:56,340

If you don't have that Misty

area in there, they'll just,

329

00:16:56,700 --> 00:16:57,870

they'll just go right together.

330

00:17:00,480 --> 00:17:01,950

Tap in a little bit of mist here.

331

00:17:05,869 --> 00:17:10,339

Now, then we need some reflections

on this side to take a look, the

332

00:17:10,339 --> 00:17:12,170

left color puppet straight down.

333

00:17:12,589 --> 00:17:14,810

It's important that these

reflections come straight down

334

00:17:16,220 --> 00:17:18,109

and go right across just like so.

335

00:17:20,399 --> 00:17:21,990

Okay, tell you what let's do.

336

00:17:21,990 --> 00:17:22,740

Let's go up here.

337

00:17:23,190 --> 00:17:25,950

Get a little dark Sienna, white.

338

00:17:29,820 --> 00:17:30,570

I want that darker.

339

00:17:30,570 --> 00:17:31,830

I'll add some Vandyke Brown to it.

340

00:17:31,889 --> 00:17:32,820

Ooh, that's nice.

341

00:17:32,909 --> 00:17:37,409

That's nice to cut off a little

tiny, tiny roller paint, man.

342

00:17:37,740 --> 00:17:42,750

Just going to go back in here and just

sorta scrubbing indication of a little

343

00:17:42,750 --> 00:17:45,090

land and I don't want to put a lot of.

344

00:17:45,510 --> 00:17:47,130

Detailed back here is too far away.

345

00:17:49,270 --> 00:17:51,390

Want to chip in there?

346

00:17:53,310 --> 00:17:54,150

Tell you what let's do.

347

00:17:54,870 --> 00:17:55,950

I want to show you something else.

348

00:17:57,000 --> 00:17:57,750

Change my mind.

349

00:17:58,455 --> 00:17:59,115

Change my mind.

350

00:17:59,115 --> 00:18:01,155

Maybe there's a little there.

351

00:18:01,155 --> 00:18:01,605

Look at that.

352

00:18:02,675 --> 00:18:06,245

Sometimes you just see things

that it looks so fantastic.

353

00:18:06,514 --> 00:18:08,155

I want to, I want it here.

354

00:18:08,205 --> 00:18:08,975

Something right here.

355

00:18:10,205 --> 00:18:10,925

Watch here.

356

00:18:11,315 --> 00:18:15,185

Watch one of the most fantastic

things about this paintings technique.

357

00:18:15,585 --> 00:18:18,765

It was right in the middle of the stream,

as they say, you can change your mind.

358

00:18:20,625 --> 00:18:23,625

I have decided maybe we'll

have one more area back here.

359

00:18:24,015 --> 00:18:24,555

Let's do that.

360

00:18:25,845 --> 00:18:28,065

It'll help create that

illusion of distance.

361

00:18:30,905 --> 00:18:31,505

There we are.

362

00:18:33,845 --> 00:18:35,045

Hey, let me find a fan brush.

363

00:18:35,885 --> 00:18:37,745

Let's go right into it.

364

00:18:37,745 --> 00:18:42,275

We'll get a little black right in to some.

365

00:18:43,260 --> 00:18:46,050

Caddy yellow, little yellow

ochre, Linden yellow.

366

00:18:46,050 --> 00:18:47,070

Just mix them on a bracelet.

367

00:18:47,090 --> 00:18:49,290

Touch the bright red many, many colors.

368

00:18:49,980 --> 00:18:54,080

Let's go up here and this let's

begin putting some color back here.

369

00:18:54,200 --> 00:18:59,090

Shoot, let's make this a

little more interesting.

370

00:19:02,900 --> 00:19:03,650

That's nice.

371

00:19:04,905 --> 00:19:05,564

That's nice.

372

00:19:05,564 --> 00:19:06,854

I thought that would be better.

373

00:19:10,215 --> 00:19:10,814

There we go.

374

00:19:11,314 --> 00:19:13,905

I'm just pushing up with a fan

brush, make all those little

375

00:19:13,905 --> 00:19:16,695

grassy areas that are we back here.

376

00:19:19,094 --> 00:19:20,895

Maybe this one comes right out there.

377

00:19:20,895 --> 00:19:24,794

It is whole different plane.

378

00:19:25,544 --> 00:19:28,514

Now let's take a little, let's take

a little bit of a liquid light,

379

00:19:29,385 --> 00:19:32,385

pull it out flat and cut across.

380

00:19:32,415 --> 00:19:32,715

Okay.

381

00:19:33,450 --> 00:19:36,690

Now that we'll just have us a

little water line back here.

382

00:19:41,340 --> 00:19:43,950

Let's see how you can make

it by adding that in there.

383

00:19:43,950 --> 00:19:46,590

It creates another plane and

it's more distance and you're

384

00:19:46,590 --> 00:19:49,710

painting a lot more distance.

385

00:19:53,940 --> 00:19:57,840

As I mentioned at the beginning

of the show, this is the 200th joy

386

00:19:57,840 --> 00:20:01,980

of painting show and it just, I'm

just, I'm proud as a new pop over.

387

00:20:03,929 --> 00:20:08,100

And Annette and I traveled for many years

all across the country and we taught

388

00:20:08,159 --> 00:20:12,419

literally thousands of people, the joy

of painting, and we made just hundreds

389

00:20:12,419 --> 00:20:14,399

and hundreds of beautiful friends.

390

00:20:14,550 --> 00:20:18,179

And I hope they're watching and they share

in this cause they've made it possible.

391

00:20:19,110 --> 00:20:20,879

So many of you have made it possible.

392

00:20:21,740 --> 00:20:27,169

Let's go back into a dark color

old fan brush, maybe way back here.

393

00:20:27,169 --> 00:20:28,969

There's some NATO, tiny trees.

394

00:20:31,535 --> 00:20:33,015

You can set a little tree back here.

395

00:20:33,615 --> 00:20:34,125

There he is.

396

00:20:34,965 --> 00:20:40,155

I give my little friend just

the corner of the brush.

397

00:20:40,695 --> 00:20:42,795

Just a quarter, maybe here and there.

398

00:20:42,795 --> 00:20:45,465

You can just see the indication of

some little things that are too far

399

00:20:45,465 --> 00:20:46,875

away to really make out what they are.

400

00:20:48,345 --> 00:20:48,735

Okay.

401

00:20:48,745 --> 00:20:50,985

This is maybe one over

here, so it's not left out.

402

00:20:52,815 --> 00:20:55,305

Like, so they're what am trees are fun?

403

00:20:56,565 --> 00:20:57,375

Let me grab a knife.

404

00:20:57,915 --> 00:20:59,055

Let's mix up some more paint.

405

00:20:59,055 --> 00:21:04,965

Some black blue Vandyke Brown

lizard, Crimson, throw a little

406

00:21:04,965 --> 00:21:06,105

Tayloe green in there too.

407

00:21:06,105 --> 00:21:06,675

What the heck?

408

00:21:06,705 --> 00:21:13,055

Whatever you get, as long as it's

dark back to the old fan brush,

409

00:21:14,855 --> 00:21:16,115

just wipe it right through here.

410

00:21:17,135 --> 00:21:17,465

Maybe.

411

00:21:18,450 --> 00:21:18,840

Yep.

412

00:21:19,320 --> 00:21:23,280

Well, there goes my mountain that

I liked so well that's all right.

413

00:21:23,280 --> 00:21:24,240

We know he's back here.

414

00:21:25,440 --> 00:21:28,919

So if anybody ever asked you, you can

tell them it was a fantastic mountain.

415

00:21:29,040 --> 00:21:30,210

It was right behind this tree.

416

00:21:32,169 --> 00:21:34,139

Let's make a beautiful

little tree right there.

417

00:21:34,639 --> 00:21:37,100

Evergreen, maybe.

418

00:21:37,820 --> 00:21:38,030

Yep.

419

00:21:38,149 --> 00:21:38,570

Right there.

420

00:21:40,095 --> 00:21:40,725

Right there.

421

00:21:41,865 --> 00:21:45,645

Now that one shoot, we

don't want them left out.

422

00:21:46,065 --> 00:21:47,565

There's another one right there.

423

00:21:48,315 --> 00:21:50,295

Maybe when this one was

little, it gets stepped on.

424

00:21:52,155 --> 00:21:53,345

He's got a little crooked.

425

00:21:56,025 --> 00:21:59,055

We just put some little metal

landmasses right out here.

426

00:21:59,905 --> 00:22:01,455

We can bring some of that right down.

427

00:22:02,265 --> 00:22:04,005

And all I'm doing is

playing some color there.

428

00:22:05,445 --> 00:22:06,675

Take another large brush.

429

00:22:06,705 --> 00:22:11,175

Grab it, give it a little

downward pole to go across.

430

00:22:12,795 --> 00:22:13,605

There we are.

431

00:22:15,045 --> 00:22:21,135

Yeah, we can take, we can take

some black, some S some CAD yellow.

432

00:22:21,165 --> 00:22:22,635

Just mix it together on the brush.

433

00:22:22,905 --> 00:22:23,655

Go right up here.

434

00:22:24,915 --> 00:22:29,655

And let's put some highlights right

out here on these little trees.

435

00:22:31,260 --> 00:22:34,470

Just some national highlights

that there don't overdue.

436

00:22:35,010 --> 00:22:38,129

Keep these trees pretty dark, pretty dark.

437

00:22:39,300 --> 00:22:39,600

Okay.

438

00:22:39,600 --> 00:22:42,510

I'm gonna take a one inch brush, dip

it into a little bit of the liquid

439

00:22:42,510 --> 00:22:46,120

white and go right through the caddy.

440

00:22:46,120 --> 00:22:47,720

Yellow, a little SAP green.

441

00:22:47,990 --> 00:22:49,310

All the different yellow was here.

442

00:22:50,300 --> 00:22:52,940

Let's go right up here, out here.

443

00:22:53,450 --> 00:22:56,930

We're going to have beautiful

little Bush lays out here.

444

00:22:58,070 --> 00:22:58,970

Little yellow ochre.

445

00:22:59,879 --> 00:23:00,540

There we are.

446

00:23:02,370 --> 00:23:02,760

Okay.

447

00:23:03,690 --> 00:23:04,830

Just drop it right in.

448

00:23:06,420 --> 00:23:07,920

You can reflect a little

that down in here.

449

00:23:07,920 --> 00:23:12,420

If you want to give it

the most gentle Paul.

450

00:23:13,379 --> 00:23:15,990

They're very nice.

451

00:23:16,440 --> 00:23:17,159

Very nice.

452

00:23:18,580 --> 00:23:19,950

Little bit of Vandyke Brown.

453

00:23:20,100 --> 00:23:26,310

Put in a little land, take a little

flight, a little dark Sienna.

454

00:23:26,460 --> 00:23:27,270

That's a nice color.

455

00:23:27,450 --> 00:23:28,320

Beautiful color.

456

00:23:28,889 --> 00:23:30,179

Cut off that little roll of paint.

457

00:23:31,590 --> 00:23:34,649

Just put the indication out here,

but a little highlight on that

458

00:23:34,830 --> 00:23:36,149

little touch of the liquid white.

459

00:23:37,590 --> 00:23:43,530

Then we have a little waterline right

into their clean knife, scrape, a few

460

00:23:43,530 --> 00:23:46,560

little sticks and twigs and little

happy things that are happening.

461

00:23:49,020 --> 00:23:49,980

That's looking nice.

462

00:23:50,490 --> 00:23:50,969

Really.

463

00:23:52,005 --> 00:23:52,545

Coming along.

464

00:23:52,545 --> 00:23:56,055

Nice little indication here and

there of a stick and a twig.

465

00:23:56,955 --> 00:23:59,805

Now, then tell you what fun time

let's bring the camera right up here

466

00:23:59,805 --> 00:24:03,015

and we'll pull the contact paper

off and let you see what's happened.

467

00:24:04,365 --> 00:24:06,255

This is the moment of truth.

468

00:24:08,895 --> 00:24:09,375

Look at that.

469

00:24:09,435 --> 00:24:11,895

Now we have two great

big guys looking at us.

470

00:24:12,615 --> 00:24:13,905

Now, watch what we can do.

471

00:24:14,175 --> 00:24:15,255

Watch what we can do.

472

00:24:16,665 --> 00:24:18,765

Just go back to the fan

brush in that dark color.

473

00:24:20,850 --> 00:24:23,730

In the middle of here in our

world, there is going to lift.

474

00:24:24,420 --> 00:24:25,710

What is your is right now?

475

00:24:27,480 --> 00:24:29,490

Beautiful big tree right here.

476

00:24:31,020 --> 00:24:31,950

I love this idea.

477

00:24:31,950 --> 00:24:35,520

This idea was sent to

me by a fanatastic man.

478

00:24:35,520 --> 00:24:36,600

He's one of our teachers.

479

00:24:37,170 --> 00:24:41,490

He travels all over the country

and teaches people that this

480

00:24:41,490 --> 00:24:45,690

method of painting, he lives in

British Columbia, super friend.

481

00:24:45,690 --> 00:24:47,040

And his name is Nat Jose.

482

00:24:47,850 --> 00:24:53,790

And that comes up all kinds of ideas

when he makes some of the wildest things

483

00:24:53,790 --> 00:24:55,649

with this contact paper you've ever seen.

484

00:24:57,629 --> 00:24:58,260

Okay.

485

00:24:58,260 --> 00:25:00,959

Maybe tell you what, maybe

there's another tree lives there.

486

00:25:01,409 --> 00:25:03,120

Let's just say there's one in there.

487

00:25:03,449 --> 00:25:04,740

Maybe we'll have another one there.

488

00:25:05,159 --> 00:25:05,879

You don't get crazy.

489

00:25:06,000 --> 00:25:06,419

Okay.

490

00:25:07,350 --> 00:25:07,830

There it is.

491

00:25:08,730 --> 00:25:13,199

So you just put him trunks up here

that we can come back in here.

492

00:25:13,199 --> 00:25:14,610

You could care less what's happening.

493

00:25:14,939 --> 00:25:16,740

We'll separate that with highlights.

494

00:25:17,115 --> 00:25:20,325

All you're worried about

probably the nice tops.

495

00:25:22,905 --> 00:25:26,025

All right, here we go.

496

00:25:26,055 --> 00:25:26,685

Right there.

497

00:25:27,585 --> 00:25:28,995

You was just the corner of the brush.

498

00:25:29,055 --> 00:25:34,455

As you work down the tree applied more

and more pressure, more and more pressure.

499

00:25:35,879 --> 00:25:37,350

And this big enough here.

500

00:25:37,679 --> 00:25:38,219

There he is.

501

00:25:43,139 --> 00:25:45,240

He's really hanging out here.

502

00:25:46,979 --> 00:25:47,820

Big old tree

503

00:25:50,820 --> 00:25:51,270

there.

504

00:25:51,270 --> 00:25:51,659

Yes.

505

00:25:51,719 --> 00:25:54,060

Tell you what I tell you what I like.

506

00:25:54,060 --> 00:25:54,750

He's old crooked.

507

00:25:54,750 --> 00:25:55,290

He trees.

508

00:25:55,620 --> 00:25:59,399

There's another one right

about there wherever you want.

509

00:26:02,669 --> 00:26:03,330

There we go.

510

00:26:04,320 --> 00:26:04,620

Shoot.

511

00:26:04,620 --> 00:26:04,860

Listen.

512

00:26:05,415 --> 00:26:06,075

It's too slow.

513

00:26:06,165 --> 00:26:09,945

Let's get the big brush, pull it through

that dark colored, one direction,

514

00:26:09,975 --> 00:26:11,415

load, a lot of paint into the bristles.

515

00:26:11,415 --> 00:26:14,504

That's important that you load

a lot of paint and we can just

516

00:26:14,685 --> 00:26:18,735

give it a push, decide where we

want our land to live out here.

517

00:26:20,355 --> 00:26:21,825

And we're coming right along here.

518

00:26:21,855 --> 00:26:22,905

Maybe like that.

519

00:26:23,325 --> 00:26:30,455

Here's a little thing, wherever,

wherever I go back to some of

520

00:26:30,455 --> 00:26:32,825

this dark Sienna and white.

521

00:26:33,435 --> 00:26:38,415

Put us in an indication here and there

of a happy little tree trunk, just

522

00:26:38,685 --> 00:26:40,095

wherever you think they should live.

523

00:26:41,985 --> 00:26:42,675

There we go.

524

00:26:43,685 --> 00:26:44,615

However many.

525

00:26:46,775 --> 00:26:47,225

Okay.

526

00:26:47,855 --> 00:26:52,955

Yeah, we can take a little touch of the

liquid white, go into some of our colors

527

00:26:53,855 --> 00:26:57,965

and let's begin putting in a beautiful

little Bush or two here and there.

528

00:26:58,205 --> 00:26:58,835

There he is.

529

00:27:00,254 --> 00:27:02,535

There is a little yellow

ochre here and there.

530

00:27:02,535 --> 00:27:08,175

We can drop one in say there

just wherever you want them.

531

00:27:10,335 --> 00:27:16,545

Maybe tell you, tell you, maybe

there's a little land that here we

532

00:27:16,545 --> 00:27:19,125

just take a little Brown camera.

533

00:27:20,475 --> 00:27:23,415

And while I'm finishing this up,

the old clock on the wall tells me

534

00:27:23,415 --> 00:27:25,514

that about time to go for the day.

535

00:27:25,815 --> 00:27:27,004

I hope you've enjoyed this.

536

00:27:27,479 --> 00:27:28,860

So super little painting.

537

00:27:29,820 --> 00:27:31,020

It'll teach you a great deal.

538

00:27:31,649 --> 00:27:38,790

And I want to thank you once again

for sharing today with me, because

539

00:27:38,790 --> 00:27:40,139

this was a very special day.

540

00:27:41,459 --> 00:27:45,330

And from all of us here, I'd

like to wish you happy painting.

541

00:27:45,975 --> 00:27:46,785

And God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S16E05 - Double Oval Fantasy

Bob Ross's

The Joy of Painting

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