Bob Ross's

The Joy of Painting

S23E10 - Falls in the Glen

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:29,520 --> 00:00:30,479

Hey, welcome back.

00:00:30,659 --> 00:00:32,460

Certainly glad you could join us today.

00:00:32,910 --> 00:00:35,370

And today let's do a fantastic

little painting together.

00:00:35,519 --> 00:00:38,370

Tell you what let's start out and have

them run all the colors across the screen.

00:00:38,655 --> 00:00:41,235

That you need to paint along

with us while they're doing that.

00:00:41,295 --> 00:00:42,825

Let me show you what

I've got going up here.

00:00:43,125 --> 00:00:46,815

I have my standard old pre-stretch

canvas up here and I've taken a foam

00:00:46,815 --> 00:00:51,165

brush and a little bit of black Jesso,

and I've just painted the bottom of

00:00:51,165 --> 00:00:55,305

this canvas, basically with a black

Jesso and allowed it to dry completely.

00:00:55,905 --> 00:01:00,375

On top of that, I've had a little bit

of liquid clear and then I've put a

00:01:00,375 --> 00:01:04,485

mixture of midnight black fellow green.

00:01:04,920 --> 00:01:07,590

And a little bit of Vandyke Brown

just to dull it down a little bit.

00:01:07,830 --> 00:01:11,730

And I've covered the entire black

area with that up on the top here.

00:01:11,730 --> 00:01:14,460

I've just put a little bit of the

liquid white as we normally do.

00:01:15,110 --> 00:01:19,610

So it's already, and so I think we'll do a

fantastic little painless start out today.

00:01:20,220 --> 00:01:24,870

With a small, small amount of the

Indian, yellow, little bit of the

00:01:24,870 --> 00:01:26,340

Indian, yellow, we don't need much.

00:01:26,400 --> 00:01:31,740

We'll just go up in here and just

using little crisscross strokes.

00:01:32,550 --> 00:01:36,920

Jen, let's put in maybe a

little area about like that.

00:01:37,935 --> 00:01:40,455

And make it a little larger

than you actually want it to be.

00:01:40,664 --> 00:01:44,145

Because as we work on this, the

other colors will eat up the yellow.

00:01:44,235 --> 00:01:47,744

It's a very, quite weak when it's

mixed with the liquid white, like

00:01:47,744 --> 00:01:51,735

this, make it a little tiny, tiny

bit larger than you want it to be.

00:01:52,655 --> 00:01:56,955

And without cleaning the brush, I'm going

to add that at least little touch, these

00:01:56,955 --> 00:01:59,384

little touch of the bright red, not much.

00:02:00,780 --> 00:02:03,149

And a moment I'm going to have

some blue in this guy thing.

00:02:03,539 --> 00:02:07,440

So I put a little bit of red right around

the edges and it acts as a barrier.

00:02:08,519 --> 00:02:11,070

It keeps the blue and the

yellow from mixing together.

00:02:11,130 --> 00:02:12,990

That's really the only

thing that we're doing here.

00:02:13,470 --> 00:02:15,000

You won't hardly see this when it's done.

00:02:15,990 --> 00:02:17,070

It's just a barrier.

00:02:17,519 --> 00:02:21,240

Cause you know, if we get that blue

up against the yellow, we're going

00:02:21,240 --> 00:02:23,100

to have a bright, bright green sky.

00:02:23,730 --> 00:02:25,859

And I'm not looking for that

in this particular painting.

00:02:26,579 --> 00:02:28,500

Sometimes we do, but not today.

00:02:29,190 --> 00:02:29,910

Not today.

00:02:30,600 --> 00:02:32,010

So there's a little bit of bright red.

00:02:32,820 --> 00:02:34,470

Once again, acts as a barrier.

00:02:35,750 --> 00:02:36,440

There we go.

00:02:36,829 --> 00:02:38,119

And we'll just blend that together.

00:02:39,644 --> 00:02:40,815

Something like that.

00:02:42,765 --> 00:02:43,364

All right.

00:02:44,305 --> 00:02:47,865

Thought maybe today we'll do a

painting that well, let's just

00:02:47,865 --> 00:02:48,945

have some fun and see what happens.

00:02:48,945 --> 00:02:50,715

I think we'll have some nice trees.

00:02:50,715 --> 00:02:51,855

Like we have shapes here.

00:02:52,155 --> 00:02:54,475

Just all kinds of beautiful

little things happening.

00:02:55,334 --> 00:02:56,475

Just let it go from there.

00:02:59,775 --> 00:03:00,375

There we go.

00:03:01,484 --> 00:03:01,965

Now then.

00:03:03,375 --> 00:03:08,054

I'm going to take a small amount of the

failed blue, very, very small amount.

00:03:08,054 --> 00:03:10,394

Doesn't take much strong color.

00:03:10,394 --> 00:03:11,475

It's a beautiful blue though.

00:03:12,435 --> 00:03:14,325

Very bright, shiny blue.

00:03:16,005 --> 00:03:20,415

And we'll just fill in the sky right

down to that little reddish color.

00:03:21,704 --> 00:03:23,565

There and then stop.

00:03:25,394 --> 00:03:25,815

Okay.

00:03:27,605 --> 00:03:27,785

Yeah.

00:03:28,295 --> 00:03:32,135

Now, if you want to darken the edges,

we've had a little bit of pressure and

00:03:32,135 --> 00:03:35,105

blue right on the edges and blend that in.

00:03:36,065 --> 00:03:39,454

And that way it gets darker and darker

as it goes away from the slide area.

00:03:40,005 --> 00:03:43,275

And it'll happen automatically for you by

adding a little bit pressure and Bluth.

00:03:44,235 --> 00:03:52,055

We can clean our brush to shake off

the excess and beat the devil out

00:03:52,055 --> 00:03:56,465

of, and the bottom of that canvas

grip that brush there's a coated wire

00:03:56,465 --> 00:03:59,645

screen down there that you scrubbed

the brush against that allows the

00:03:59,645 --> 00:04:01,445

solid material to settle to the bottom.

00:04:01,445 --> 00:04:03,935

And it keeps your paint

thinner, relatively clean.

00:04:05,735 --> 00:04:07,745

If you don't have that

wire screen in there.

00:04:07,900 --> 00:04:09,940

All you do each time

is just mix it all up.

00:04:10,000 --> 00:04:11,920

And pretty soon you have a nice mix.

00:04:11,940 --> 00:04:15,330

It's driven mud in there and

have them with a clean brush.

00:04:15,900 --> 00:04:19,290

Let's just gently, gently

blend all this together.

00:04:19,589 --> 00:04:25,980

So you can't tell where one color

stops and the next color starts there.

00:04:28,470 --> 00:04:29,790

Something about like, yeah.

00:04:31,165 --> 00:04:32,925

See that pressure in blue keeps that side.

00:04:32,925 --> 00:04:35,645

If there dark in comparison,

00:04:40,955 --> 00:04:42,395

just knock off the excess paint.

00:04:42,395 --> 00:04:48,125

They're feeling come right over here

and blend this side a little bit.

00:04:50,735 --> 00:04:51,545

There we go.

00:04:54,155 --> 00:04:55,955

Now we have a nice, shiny area.

00:04:56,895 --> 00:04:59,745

With a little bit of color, it

just flows right up through there.

00:05:02,235 --> 00:05:06,615

Knock off that excess paint again,

hidden very lightly one hair in some air.

00:05:06,675 --> 00:05:10,305

Just go across and take out all the

brushstrokes and bring it together.

00:05:11,775 --> 00:05:12,645

Something like that.

00:05:14,835 --> 00:05:15,375

All right.

00:05:16,455 --> 00:05:19,455

Now that today let's just

really have some fun.

00:05:19,929 --> 00:05:22,650

I'm going to show you a nice way to

make a little, little tiny mountain.

00:05:22,830 --> 00:05:26,130

It's very simple, very, very simple.

00:05:26,729 --> 00:05:27,359

Let's start.

00:05:28,049 --> 00:05:32,340

I see some pressure and blue

oppression, blue and lizard and Crimson.

00:05:32,909 --> 00:05:37,919

I want this to be to the blue side,

so we're pretty close to equal

00:05:37,919 --> 00:05:41,070

proportions because the blue is

much, much stronger than the Crimson.

00:05:42,270 --> 00:05:43,830

Many, many times stronger.

00:05:45,180 --> 00:05:47,670

Yeah, we cut off a little

roll of paint like that.

00:05:48,420 --> 00:05:49,500

We don't much color.

00:05:50,160 --> 00:05:50,640

That's cool.

00:05:50,850 --> 00:05:51,930

Come right up in here.

00:05:52,800 --> 00:05:58,530

We're going to put it in a shape of a

mountain here, and I'm really, really

00:05:58,560 --> 00:06:00,630

trying to push that right into the fabric.

100

00:06:01,800 --> 00:06:06,990

You can probably hear how hard we're

scraping, just get mean with it.

101

00:06:07,380 --> 00:06:11,730

Take out all your frustrations,

all your hostilities right here.

102

00:06:12,225 --> 00:06:17,655

Just to really, really try to push

right through the fabric narrow.

103

00:06:21,515 --> 00:06:24,575

It will stay in the canvas

and it will be there forever.

104

00:06:25,535 --> 00:06:29,135

Probably couldn't get it out if

we want it out now with a clean

105

00:06:29,375 --> 00:06:35,255

and very dry brush, we want to

grab this and begin pulling there.

106

00:06:36,785 --> 00:06:39,095

I want to take out all of it that I can.

107

00:06:40,470 --> 00:06:43,740

Just act like you're trying to pull

it right off the canvas, get it all

108

00:06:43,740 --> 00:06:49,950

out there possible because I want

a very, very soft little mountain

109

00:06:49,950 --> 00:06:51,900

that lives far, far away, back here.

110

00:06:56,340 --> 00:07:01,200

I'm just knocking off excess paint that

I'm picking up now, then just begin

111

00:07:01,560 --> 00:07:06,420

blending the entire thing right over it.

112

00:07:07,635 --> 00:07:10,995

And just keep blending it until

it gets as soft as you want it.

113

00:07:11,535 --> 00:07:16,755

And if you have scraped off all the

paint, you can blend this to any

114

00:07:16,755 --> 00:07:18,855

degree of softness that you desire.

115

00:07:20,415 --> 00:07:23,865

Now take just the least little touch

of titanium white on the brush.

116

00:07:25,185 --> 00:07:27,195

Just tapping the corner

into a little titanium.

117

00:07:27,255 --> 00:07:32,865

White began tapping in nice

little Misty areas here.

118

00:07:34,275 --> 00:07:36,015

Very soft little Misty areas.

119

00:07:37,725 --> 00:07:40,215

I want this mountain to just

sort of float back here.

120

00:07:41,625 --> 00:07:42,615

Very soft.

121

00:07:43,890 --> 00:07:49,570

Knock off the excess paint again, and

just gently, gently, gently go over

122

00:07:53,250 --> 00:07:58,200

and you can keep doing this to get it as

soft and as distant looking as you desire.

123

00:07:59,490 --> 00:08:00,630

So you make a decision.

124

00:08:01,230 --> 00:08:05,430

You make a decision when you do yours,

where your mountain is, how soft it

125

00:08:05,430 --> 00:08:08,250

is, or you can make it very distinct.

126

00:08:08,250 --> 00:08:08,880

It's up to you.

127

00:08:10,170 --> 00:08:11,040

I just want one.

128

00:08:11,040 --> 00:08:14,100

It, it just sorta hangs around

back here in the midst and

129

00:08:14,610 --> 00:08:15,900

nice, quiet little mountain.

130

00:08:16,980 --> 00:08:18,810

It's not a loud, loud mountain.

131

00:08:20,470 --> 00:08:21,960

I'm going to add to that same color.

132

00:08:22,470 --> 00:08:23,880

Add a little bit more of the Crimson.

133

00:08:23,880 --> 00:08:27,810

I want to, I want to go a little more to

the richest side of lavender this time.

134

00:08:28,740 --> 00:08:34,110

Just so there's a little change in

flavor can make clean off the old knife.

135

00:08:35,324 --> 00:08:36,434

We use that same old breasts.

136

00:08:36,434 --> 00:08:40,604

It's not too dirty and just a

little bit of this color to it.

137

00:08:42,255 --> 00:08:45,734

And let's go up in here and maybe we have

some trees back here in the distance.

138

00:08:46,305 --> 00:08:50,805

I'm going to start off by just

tapping in a basic, very basic

139

00:08:51,614 --> 00:08:53,084

idea of where the trees live.

140

00:08:54,495 --> 00:08:57,465

Just a very, very basic idea

of where these trees live.

141

00:08:58,605 --> 00:08:59,925

I'm not looking for detail.

142

00:09:00,615 --> 00:09:05,945

All I'm doing is making fuzzy

edges, just a little fuzzy as it.

143

00:09:06,375 --> 00:09:09,585

At the same time, it's picking up

the liquid white that's on the canvas

144

00:09:09,645 --> 00:09:11,085

and it's creating a miss down here.

145

00:09:11,085 --> 00:09:12,225

Can you see that in this theory?

146

00:09:13,130 --> 00:09:17,990

It will happen automatically just sort of

tap up and down and you're just pulling a

147

00:09:17,990 --> 00:09:20,839

little tiny bit of that color right there.

148

00:09:20,870 --> 00:09:21,410

Maybe let's go.

149

00:09:22,640 --> 00:09:23,990

Well, we just have a goal way up here.

150

00:09:25,790 --> 00:09:28,400

We can do anything in this

world here that we want to do.

151

00:09:29,689 --> 00:09:34,670

I just decided these trees live

all the way off the canvas all

152

00:09:34,670 --> 00:09:36,020

the way off the canvas there.

153

00:09:38,605 --> 00:09:39,235

Just tap.

154

00:09:39,995 --> 00:09:43,085

And the more you tap, the more the

liquid white you'll pull down in here.

155

00:09:43,505 --> 00:09:44,915

And the more MIS that you'll create.

156

00:09:45,575 --> 00:09:48,755

So you have to make a decision how

much Mister you want in your world.

157

00:09:50,225 --> 00:09:56,385

And we'll use that same color,

same, or take a fan brush lit a

158

00:09:56,385 --> 00:09:57,755

little color into the bristles.

159

00:09:58,625 --> 00:09:59,045

Now, then.

160

00:09:59,745 --> 00:10:00,615

We can go back.

161

00:10:00,765 --> 00:10:05,355

And here's where we begin putting the

indication of a little detail in here,

162

00:10:07,215 --> 00:10:10,355

but you leave some of those little things

that you tapped in with a two inch brush.

163

00:10:10,355 --> 00:10:13,905

So it looks like little trees that

are farther back than these, and it

164

00:10:13,905 --> 00:10:18,885

creates another whole plane, another

whole layer in your painting there.

165

00:10:20,700 --> 00:10:21,750

And that's what we're looking for.

166

00:10:21,750 --> 00:10:26,220

These layers are what create the illusion

of depth and distance and paintings.

167

00:10:27,720 --> 00:10:30,060

And to me, that's very, very desirable.

168

00:10:30,180 --> 00:10:31,770

I like paintings that have depth.

169

00:10:33,200 --> 00:10:35,370

A lot of times you see

paintings that are very flat.

170

00:10:35,850 --> 00:10:36,780

They have no depth.

171

00:10:37,995 --> 00:10:40,635

And to me, once again,

that's just my opinion.

172

00:10:40,635 --> 00:10:45,045

They're very, they're very, I don't

want to say real unpleasant, but they

173

00:10:45,045 --> 00:10:49,995

bother me if they don't have a lot in

depth in them because our world, the

174

00:10:49,995 --> 00:10:55,665

way I see it has a lot of depth and

that's the way I like to see paintings.

175

00:10:58,185 --> 00:11:00,345

But once again, everybody

has their own idea.

176

00:11:02,175 --> 00:11:03,314

And that's the way it should be.

177

00:11:05,595 --> 00:11:08,204

There we go in here and there,

I'm going to touch a little bit

178

00:11:08,204 --> 00:11:11,355

of SAP green, a little bit of

CAD yellow on that same brush.

179

00:11:11,365 --> 00:11:13,155

Not much, not much.

180

00:11:14,714 --> 00:11:14,925

Right.

181

00:11:14,925 --> 00:11:15,545

You might have know.

182

00:11:15,545 --> 00:11:16,605

I guess you can see a little bit.

183

00:11:18,075 --> 00:11:18,855

I don't want much.

184

00:11:18,855 --> 00:11:22,755

I just want to hear in there and

they're in here, but the indication

185

00:11:22,755 --> 00:11:27,915

that you can make out a little green

back in here, not much yet as we get

186

00:11:27,915 --> 00:11:33,375

into the foreground, Dan will begin

doing things back here, and we're just

187

00:11:33,375 --> 00:11:41,095

working with illusions illusions, going

to go back into that lavender color.

188

00:11:41,095 --> 00:11:45,525

And when you do yours, you do

it the way you want to though.

189

00:11:46,845 --> 00:11:51,615

I only want to show you how to make

affects what you make is totally and

190

00:11:51,615 --> 00:11:56,775

completely up to you completely now.

191

00:11:56,835 --> 00:12:03,345

Just take a clean, dry two inch

brush, gently lift that gently.

192

00:12:03,345 --> 00:12:06,795

Lift it now then.

193

00:12:10,620 --> 00:12:13,140

You want to get crazy already

tell you what let's do.

194

00:12:14,280 --> 00:12:15,530

Tell you what let's do.

195

00:12:15,930 --> 00:12:16,800

Let's have some fun.

196

00:12:17,490 --> 00:12:19,290

I'm going to take the little fan brush.

197

00:12:19,290 --> 00:12:24,120

Number three, fan brush, a little

bit of liquid white and the least

198

00:12:24,120 --> 00:12:25,500

little touch of the titanium white.

199

00:12:25,710 --> 00:12:32,340

I'm just using that liquid white

to thin the titanium way down.

200

00:12:32,340 --> 00:12:32,850

There we go.

201

00:12:33,270 --> 00:12:34,560

Now then let's go up here.

202

00:12:35,430 --> 00:12:39,480

Maybe in our world there

lives right in here.

203

00:12:39,840 --> 00:12:41,920

We're going to touch and go shoot.

204

00:12:42,630 --> 00:12:45,060

We back in there is a

tiny little waterfall.

205

00:12:45,420 --> 00:12:48,120

Don't make it too bright, too distinct.

206

00:12:48,120 --> 00:12:49,110

It's too far away.

207

00:12:49,210 --> 00:12:50,460

Just the indication.

208

00:12:51,420 --> 00:12:56,330

Now, when you do yours, if it comes out

too bright, just very gently work over

209

00:12:56,340 --> 00:12:59,940

time and that'll soften it because it'll

pick up the color that's underneath

210

00:13:00,210 --> 00:13:03,840

and it'll get darker and darker until

five minutes just goes totally away.

211

00:13:06,225 --> 00:13:10,005

All right now we can go

back to our two inch brush.

212

00:13:10,995 --> 00:13:15,225

And in our world, we're going to

have a lot of myths down here.

213

00:13:15,285 --> 00:13:18,225

That's created by that

waterfall back in there.

214

00:13:18,255 --> 00:13:24,755

And all I've done is just barely touched

with just the corner, the least, least

215

00:13:24,765 --> 00:13:26,324

little mouth at the titanium white.

216

00:13:27,580 --> 00:13:32,380

Well, I can't say that enough, that the

least little amount, because against

217

00:13:32,380 --> 00:13:35,200

this black will show up so strong.

218

00:13:35,260 --> 00:13:35,870

It's unreal.

219

00:13:35,900 --> 00:13:36,910

Be very careful.

220

00:13:38,020 --> 00:13:38,770

Very careful.

221

00:13:40,120 --> 00:13:44,110

You can always add more, but it's

sometimes a son of a gun to take it off.

222

00:13:45,220 --> 00:13:48,430

So had just tiniest bit initially.

223

00:13:48,520 --> 00:13:50,710

And then you can always go back and

add a little more if you want to.

224

00:13:52,270 --> 00:13:52,480

Yes.

225

00:13:52,480 --> 00:13:52,960

A little bit.

226

00:13:55,020 --> 00:13:59,760

There we are very gently, very

gently can fluff it and bend it.

227

00:14:01,080 --> 00:14:01,830

Just go over it.

228

00:14:04,650 --> 00:14:07,260

I didn't have a nice, easy

and effective way of making

229

00:14:07,270 --> 00:14:08,700

little Misty areas down here.

230

00:14:09,960 --> 00:14:11,550

All those things just set in there.

231

00:14:15,150 --> 00:14:17,190

I lived in Alaska for about a dozen years.

232

00:14:17,190 --> 00:14:20,760

And you see sites like, yes,

they're absolutely gorgeous.

233

00:14:22,290 --> 00:14:23,550

Absolutely gorgeous.

234

00:14:24,900 --> 00:14:28,380

I've always believed that God was

having a good day when he made Alaska.

235

00:14:29,010 --> 00:14:31,560

Cause some days, you know, things

just go better than other days.

236

00:14:32,430 --> 00:14:37,110

I think he was having a spectacular

day when he made Alaska everything

237

00:14:37,110 --> 00:14:39,990

was working well for him there.

238

00:14:41,760 --> 00:14:43,140

Hm, K two.

239

00:14:45,150 --> 00:14:48,480

And that makes a very, very

effective little background.

240

00:14:48,840 --> 00:14:49,560

Very simply.

241

00:14:50,340 --> 00:14:52,920

Now they must get into the

foreground here and have some fun,

242

00:14:52,950 --> 00:14:55,830

I mean, move this lavender color

we made over there somewhere.

243

00:14:56,580 --> 00:15:01,320

Let's just take black midnight,

black midnight, black cut

244

00:15:01,320 --> 00:15:02,490

off a little roll of paint.

245

00:15:02,850 --> 00:15:03,780

It was go right up in here.

246

00:15:04,320 --> 00:15:05,160

Come right down in here.

247

00:15:05,160 --> 00:15:05,720

I want to make,

248

00:15:09,530 --> 00:15:14,360

maybe there's a nice cliff going to be

right in there somewhere right in there.

249

00:15:16,859 --> 00:15:20,520

And I'm just sort of laying out

in my mind where I think some of

250

00:15:20,520 --> 00:15:22,530

these, there comes one right there.

251

00:15:22,530 --> 00:15:23,459

That's it come like that?

252

00:15:23,489 --> 00:15:25,949

Maybe something like that.

253

00:15:25,979 --> 00:15:27,060

I don't know where it's going to go.

254

00:15:27,810 --> 00:15:32,880

Just want to have a basic idea of

what kind of things we'll have in here

255

00:15:36,569 --> 00:15:40,140

there, and you know, me, I love water.

256

00:15:41,069 --> 00:15:43,920

And if you had these nice

cliffs there, chances are,

257

00:15:43,920 --> 00:15:44,969

you'd have a little waterfall.

258

00:15:44,969 --> 00:15:45,630

So let's do that.

259

00:15:46,455 --> 00:15:49,035

I'm going to dip the brush into

a little bit of the liquid clear.

260

00:15:50,115 --> 00:15:54,765

And then with that, we're going to

some white little titanium point,

261

00:15:55,225 --> 00:16:02,145

least little touch of Tayloe blue

and the fellow green leased a little

262

00:16:02,145 --> 00:16:07,965

touch takes a very, very little, I

don't want a lot of bright color here.

263

00:16:08,535 --> 00:16:10,605

In fact, I might add a little

black just to Bel it though.

264

00:16:10,665 --> 00:16:12,105

That's what I'm looking for right there.

265

00:16:13,185 --> 00:16:17,145

It has a blue and green dish hemp

to attack, but it's mostly gray.

266

00:16:17,305 --> 00:16:18,314

All right, let's go up here.

267

00:16:19,365 --> 00:16:23,344

Make a big, maybe our waterfall

is right here, comes over.

268

00:16:23,795 --> 00:16:24,454

It goes beyond.

269

00:16:25,895 --> 00:16:29,285

And if you make that stroke

quickly, you will find, and that

270

00:16:29,285 --> 00:16:33,574

it works better than trying to go

real slow and it make it quickly.

271

00:16:35,194 --> 00:16:37,925

Watch your fucking back

one there be right back.

272

00:16:38,675 --> 00:16:38,915

Yeah.

273

00:16:39,125 --> 00:16:39,574

Take a little.

274

00:16:40,215 --> 00:16:40,875

Don't touch it.

275

00:16:40,875 --> 00:16:43,605

The black on the knife, maybe

there's a stone is right in there.

276

00:16:44,954 --> 00:16:50,765

Maybe a little stone and we'll take

a little white, little blind, little

277

00:16:50,865 --> 00:16:57,194

lavender colored mix, sort of a

grayish greatest lavender highlight.

278

00:16:57,194 --> 00:16:59,475

And we'll just drop a little

highlight right there on that stone.

279

00:17:03,125 --> 00:17:03,814

All right.

280

00:17:05,639 --> 00:17:08,670

Add a little more of

that color, same color.

281

00:17:09,780 --> 00:17:12,270

And the waterfall is on this side to see.

282

00:17:13,290 --> 00:17:15,599

And now you have a little stone that

lives up here in the middle of the

283

00:17:15,599 --> 00:17:20,069

waterfall and he gets to watch all

this beautiful water just fall right

284

00:17:20,069 --> 00:17:23,280

over in there, something like that.

285

00:17:25,139 --> 00:17:28,470

They're all right.

286

00:17:30,120 --> 00:17:33,870

And we'll take a two inch brush,

grab the bottom and lift up or

287

00:17:33,899 --> 00:17:35,159

that'll blend it all together.

288

00:17:35,729 --> 00:17:39,330

And I want it to be darker down here

because in my mind there would not

289

00:17:39,330 --> 00:17:41,070

be as much light striking down here.

290

00:17:41,370 --> 00:17:43,020

So this will calm it down.

291

00:17:43,740 --> 00:17:45,870

And the liquid clear the side of

there, we'll be getting mixing

292

00:17:45,870 --> 00:17:48,260

with it and it all come together.

293

00:17:49,669 --> 00:17:57,080

Now let's take, we decided

where cliffs were now.

294

00:17:57,090 --> 00:17:58,340

Let's bring them right out here.

295

00:17:58,710 --> 00:18:04,400

In front of our waterfall, but

decide where you clips are, put

296

00:18:04,400 --> 00:18:07,130

your water in and then put the

waterfall in front of the clip.

297

00:18:07,460 --> 00:18:08,420

Make that old jacket.

298

00:18:08,420 --> 00:18:08,510

Right?

299

00:18:17,300 --> 00:18:19,280

Well, I'm doing this every year.

300

00:18:19,725 --> 00:18:23,775

Our little newsletter has, uh, has an art

contest where we get people to send in

301

00:18:24,735 --> 00:18:29,415

entries and, and Patrick, to share with

you this year's winners, because I'm so

302

00:18:29,415 --> 00:18:30,975

proud of what these people have done.

303

00:18:31,935 --> 00:18:34,065

It's absolutely fantastic.

304

00:18:34,845 --> 00:18:37,305

But can you believe some of

these paintings that are being

305

00:18:37,305 --> 00:18:38,835

done all over the United States?

306

00:18:39,930 --> 00:18:44,220

And a lot of them are done strictly

from just watching the show, just

307

00:18:44,220 --> 00:18:46,830

from watching the show here and there.

308

00:18:46,830 --> 00:18:51,810

You see my young friend, Earl Glenn

Russell, that little rascal can paint.

309

00:18:52,110 --> 00:18:53,100

Do you just can't believe?

310

00:18:53,160 --> 00:18:54,450

And he's about 10 years old.

311

00:18:54,450 --> 00:18:57,270

Now I had the opportunity to

meet him when I was in college.

312

00:19:00,170 --> 00:19:00,260

Okay.

313

00:19:00,470 --> 00:19:02,840

Tenuously amazes me at some of his ideas.

314

00:19:03,140 --> 00:19:05,960

Do you see that silhouette he made

of his, his mother is a photographer.

315

00:19:06,345 --> 00:19:09,435

And she took a picture of Amy and

they cut out a silhouette and he

316

00:19:09,435 --> 00:19:11,895

painted a picture edit, and that's

something you might want to try.

317

00:19:11,925 --> 00:19:17,235

It makes a very unique and wonderful

gift and Earl, thanks for that idea.

318

00:19:17,475 --> 00:19:20,865

And for sharing it with people all

over the country, I'm going to take a

319

00:19:20,865 --> 00:19:24,075

little black little flight, a little

dark Sienna, mix them together.

320

00:19:24,075 --> 00:19:27,345

So they're marbled cut off

a tiny little roll of paint.

321

00:19:29,665 --> 00:19:32,765

Let's go up in here and begin

thinking about a little color

322

00:19:32,765 --> 00:19:34,145

laying up here on top of this.

323

00:19:35,370 --> 00:19:37,470

You have to make some big

decisions though, about your

324

00:19:37,470 --> 00:19:39,090

clips, where do they live?

325

00:19:40,260 --> 00:19:41,280

Maybe they come like here.

326

00:19:42,380 --> 00:19:42,980

We don't know.

327

00:19:43,880 --> 00:19:46,850

Don't know that we even care there.

328

00:19:48,080 --> 00:19:48,290

Yeah.

329

00:19:48,290 --> 00:19:50,300

Let's put the little Rascals in there.

330

00:19:51,470 --> 00:19:58,580

Something like, so, and with

almost no color, just grab it.

331

00:19:59,390 --> 00:20:00,140

I sort of pulled out.

332

00:20:00,170 --> 00:20:02,630

It's just the least little

touch of color on the knife.

333

00:20:02,900 --> 00:20:03,710

Almost nothing.

334

00:20:04,455 --> 00:20:05,985

You want to keep it dark under there?

335

00:20:08,355 --> 00:20:09,015

Keep it dark.

336

00:20:09,015 --> 00:20:11,265

See there that cliff just

jumps right out at you.

337

00:20:13,545 --> 00:20:20,595

Something might get that's just black,

little white, little dark sand, but

338

00:20:20,595 --> 00:20:22,575

it should be a very nice gray color.

339

00:20:23,325 --> 00:20:24,645

Very nice grayish color.

340

00:20:25,965 --> 00:20:27,165

Let's go back to her black.

341

00:20:27,195 --> 00:20:29,565

Maybe we have a projection

that comes out here.

342

00:20:30,565 --> 00:20:32,805

Maybe it comes all the way over like that.

343

00:20:34,500 --> 00:20:37,379

There, these are ruffle cliffs.

344

00:20:39,810 --> 00:20:40,830

There we go.

345

00:20:41,310 --> 00:20:45,060

Bring a little highlight down like that.

346

00:20:45,570 --> 00:20:49,260

Lisa touched downward, not

much though, just a tiny little

347

00:20:49,260 --> 00:20:54,419

bit tiny, little bit there.

348

00:20:56,129 --> 00:20:58,740

And, and Dan and they're safe.

349

00:20:59,790 --> 00:21:01,290

Just sort of let these things happen.

350

00:21:02,510 --> 00:21:03,530

Just let them happen.

351

00:21:03,590 --> 00:21:08,149

Make layer after layer,

wherever you, there we go.

352

00:21:09,980 --> 00:21:13,070

But see, you don't have to put anything

on that blank, just so it just makes

353

00:21:13,070 --> 00:21:15,260

all your little dark areas for you.

354

00:21:15,320 --> 00:21:15,710

Automatic.

355

00:21:21,679 --> 00:21:23,659

Wasn't there some

fantastic paintings in it.

356

00:21:24,495 --> 00:21:25,635

It's unbelievable.

357

00:21:25,635 --> 00:21:27,465

What signing the letters.

358

00:21:27,465 --> 00:21:31,905

I get some of the paintings that I see, we

should have an award for the most improved

359

00:21:31,935 --> 00:21:36,435

painter, because I have a very, very

special friend that he lives in Louisiana.

360

00:21:36,435 --> 00:21:40,635

Young fellow has been painting

and his painting has improved

361

00:21:40,635 --> 00:21:43,695

so much and his name is Mark.

362

00:21:45,014 --> 00:21:49,245

And he has really come a long way

and he's a very special friend.

363

00:21:51,360 --> 00:21:54,090

We should mention that he

also gave us a painting.

364

00:21:54,090 --> 00:21:57,510

That was, uh, I've watched him

since he first started painting and

365

00:21:57,510 --> 00:21:59,310

his painting has improved so much.

366

00:22:00,090 --> 00:22:05,970

It's nice to see that let's take, let's

take some black, let's come back in here

367

00:22:06,659 --> 00:22:13,080

and grab some that fellow green look

Crimson, some Brown, just dark colors.

368

00:22:13,120 --> 00:22:14,899

We'll put some it's

crushing blue in there too.

369

00:22:14,960 --> 00:22:15,470

What the heck?

370

00:22:16,850 --> 00:22:17,360

All right.

371

00:22:20,504 --> 00:22:21,825

Back to my fan brush.

372

00:22:22,695 --> 00:22:25,215

We need some nice evergreens up in here.

373

00:22:25,245 --> 00:22:28,485

Maybe, maybe in our world.

374

00:22:28,665 --> 00:22:28,995

Yep.

375

00:22:29,325 --> 00:22:30,765

We're going to have a big evergreen.

376

00:22:32,054 --> 00:22:32,804

That's right there.

377

00:22:32,834 --> 00:22:39,094

And today I'm going to push upward,

pushing upward there, and we'll

378

00:22:39,094 --> 00:22:40,475

just put in a basic shape here.

379

00:22:40,504 --> 00:22:41,314

And then we'll come back here.

380

00:22:41,324 --> 00:22:43,115

We'll put a few little highlights on him.

381

00:22:43,115 --> 00:22:44,495

So he stands out a little better.

382

00:22:46,054 --> 00:22:48,695

We're looking for right now

is a very basic little shape.

383

00:22:48,695 --> 00:22:49,445

Something like that.

384

00:22:50,344 --> 00:22:51,784

We better have one on the other side too.

385

00:22:51,784 --> 00:22:54,245

I don't want it left out right there.

386

00:22:55,395 --> 00:22:59,645

Push upward, start with a corner of

the brush and just push it up for

387

00:23:03,255 --> 00:23:04,035

productive effort.

388

00:23:05,625 --> 00:23:06,405

There we go.

389

00:23:07,515 --> 00:23:09,465

Maybe, maybe, yeah.

390

00:23:09,495 --> 00:23:11,415

What the heck, a little

friend lives right there.

391

00:23:13,545 --> 00:23:14,595

Push up for this mix.

392

00:23:14,595 --> 00:23:19,215

Very nice evergreens and some parts of

the country that evergreen seemed to

393

00:23:19,215 --> 00:23:22,275

grow with limbs that sort of protrude

upward in other parts of the country.

394

00:23:22,275 --> 00:23:22,695

They sort of.

395

00:23:23,460 --> 00:23:24,120

Go downward.

396

00:23:24,270 --> 00:23:26,730

Just depends on where you're from

and what you're used to seeing.

397

00:23:27,480 --> 00:23:29,879

And we try to show you different ways

of doing them and you pick the one,

398

00:23:30,070 --> 00:23:35,450

like a little bit yellow added to that

same color would make a beautiful green.

399

00:23:36,139 --> 00:23:38,810

And then we can come back in

here and put in a few details.

400

00:23:39,200 --> 00:23:43,760

I don't want this to be too bright,

just enough so that it stands out.

401

00:23:43,760 --> 00:23:44,000

Good.

402

00:23:45,230 --> 00:23:46,850

You can see that rascal in there.

403

00:23:51,900 --> 00:23:55,350

There we go darker,

darker toward the base.

404

00:23:55,410 --> 00:23:56,820

Let's do this one on the right over here.

405

00:23:56,820 --> 00:24:03,600

We don't want him left down

something like it there.

406

00:24:06,240 --> 00:24:11,520

Now then let's go back to

inter brush, create a little

407

00:24:11,520 --> 00:24:13,110

Misty area right down in here.

408

00:24:14,725 --> 00:24:18,074

Takes very little, like, we'll

just let that miss float all

409

00:24:18,074 --> 00:24:20,115

up around these big cliffs.

410

00:24:21,824 --> 00:24:23,054

We don't know where it goes.

411

00:24:23,415 --> 00:24:26,375

Sound for a nightcap, a

little more of the white.

412

00:24:27,155 --> 00:24:28,895

Maybe the water comes there.

413

00:24:28,895 --> 00:24:30,665

It is right out there.

414

00:24:32,915 --> 00:24:36,935

take a little white and just pull it

straight down and then very gently

415

00:24:37,504 --> 00:24:40,895

Fisco across and we have instant water.

416

00:24:42,185 --> 00:24:46,215

And now that she was at same old

brush and go into the little yellow,

417

00:24:46,305 --> 00:24:51,305

little SAP, green, yellow ochre

engine yellow here in their own touch.

418

00:24:51,305 --> 00:24:52,745

A little bit of the bright red.

419

00:24:54,125 --> 00:24:54,365

Yep.

420

00:24:54,725 --> 00:24:55,115

Thank you.

421

00:24:55,115 --> 00:24:57,065

As a little grassy thing,

it lives right there.

422

00:24:58,965 --> 00:25:00,435

Just a little grassy thing.

423

00:25:02,415 --> 00:25:03,105

There we go.

424

00:25:05,655 --> 00:25:08,855

There, stay there.

425

00:25:11,504 --> 00:25:11,925

Right?

426

00:25:13,365 --> 00:25:16,605

Maybe we'll get the small

little small round brush.

427

00:25:19,875 --> 00:25:21,915

Maybe we have a happy little tree.

428

00:25:22,004 --> 00:25:22,185

Yep.

429

00:25:23,145 --> 00:25:25,245

Since we have a dark in there,

all we need is highlight.

430

00:25:25,245 --> 00:25:27,975

Basically see that little tree

431

00:25:31,024 --> 00:25:33,855

comes this little round breath,

testers, beautiful little details.

432

00:25:33,855 --> 00:25:37,095

Like it, a little more color.

433

00:25:37,095 --> 00:25:40,064

Maybe there's another little

Bush and he lives right in there.

434

00:25:41,324 --> 00:25:42,885

Wherever you think a

little Bush should live.

435

00:25:43,274 --> 00:25:46,274

That's where you were to be parents.

436

00:25:46,274 --> 00:25:46,814

Another one.

437

00:25:49,110 --> 00:25:52,500

Take a little bit more of that

titanium white come right in here

438

00:25:53,280 --> 00:25:57,090

and we'll put the least little

touch of color right in there.

439

00:25:57,120 --> 00:26:04,409

Just pull straight down to the white

though, and then go across and let's take

440

00:26:05,129 --> 00:26:08,429

the old liner brush a little bit of white.

441

00:26:09,659 --> 00:26:11,580

I want to make a little

tree that lives right here.

442

00:26:11,669 --> 00:26:14,850

Just a little happy tree right there.

443

00:26:16,020 --> 00:26:20,520

Right there back to

her little round brush.

444

00:26:21,090 --> 00:26:22,740

Let's put a few little highlights on him.

445

00:26:23,130 --> 00:26:27,360

Don't want too many,

just a few, just a few.

446

00:26:28,900 --> 00:26:31,470

Maybe over here on this side,

you can see a little grassy area.

447

00:26:31,470 --> 00:26:32,520

This is where we were standing.

448

00:26:32,520 --> 00:26:36,150

When we saw this scene right there.

449

00:26:38,190 --> 00:26:41,520

A few little bushes with issues,

a fan brush pocket, a few little

450

00:26:41,520 --> 00:26:42,660

bushes over here on this side.

451

00:26:42,690 --> 00:26:43,090

Push up.

452

00:26:44,939 --> 00:26:51,840

Just a couple of little things like it,

and a little touch of the liquid pipe,

453

00:26:53,490 --> 00:26:56,850

put in a little shoreline, and then

we about to have a finished painting.

454

00:26:58,320 --> 00:27:01,200

I didn't have a nice little

pain and it's easy to do.

455

00:27:01,290 --> 00:27:03,210

Give it a try and let me

know how it works for you.

456

00:27:03,960 --> 00:27:04,320

Thank you.

457

00:27:04,320 --> 00:27:05,100

Really enjoyed it.

458

00:27:05,659 --> 00:27:08,179

You could even put a few little

rocks in the water and things like

459

00:27:08,179 --> 00:27:11,899

it to bring up the detail until

next time from all of us here.

460

00:27:11,960 --> 00:27:12,620

Happy painting.

461

00:27:13,315 --> 00:27:14,355

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E10 - Falls in the Glen

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse