Bob Ross's
The Joy of Painting
S19E08 - Scenic Seclusion
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I am glad you could join us today.
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It's a fantastic day here.
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I hope it is wherever you're at.
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I tell you what let's
get right to it today.
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Let's have him run all the colors across
the screen that you need to paint along
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with me, I thought today would just do a
beautiful little painting, and I want to
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show you how to use some of the liquid
black and liquid white mixed together.
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So.
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Let's see what I've done up here.
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The bottom of this canvas, I've covered
with a little bit of the liquid black
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and the top of the liquid white and
just sort of blended them together.
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Like, so it's the liquid widened
blacker, basically the same thing.
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Only one is dark and one is light.
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This is excellent.
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When you're going to have big areas in
your painting that are going to be dark.
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So it does the work for you.
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So let's see, let's have some fun today.
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Every series needs a painting.
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It's just fun.
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And I thought today we'd just
do one that has a lot of color,
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beautiful little painting.
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We'll start with little Indian,
yellow, little Indian, young,
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not much two inch brush.
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We'll go right up in here and let's
just drop in a happy little sky.
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Just bring it right on over like, so.
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There.
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Nice.
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Maybe without even washing the
brush, we'll add a little bit of
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yellow ochre to that, and just let
that sort of bounce around and play.
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And this is where you
really just have fun.
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Just let your brush dance through the sky.
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Let it dance.
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It's yellow ochre, sort of a gold color
there hit home when you're painting alone.
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Maybe you, maybe you want to change,
maybe you want a pure blue sky and you
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could certainly do it using the same
exact procedures, just a different color.
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There we go.
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And I'll tell you what, let's go
into a little touch of the bright
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red, beautiful little red color.
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So we'll use that and we'll come right
along in here and we just danced some
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of that and let it just come right on
down in here and blend with all those
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other beautiful colors that we have.
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And we'll just keep blending here
for a little bit until we blend them
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together and it'll make sort of a
peachy color, sort of a peach, I guess
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that's a good word for it as any, just
this letter, let it blend together.
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And the more that you've worked this,
and the more that you go back and forth,
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even these little crisscross strokes,
of course, the more it'll blend.
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And you can make this so soft that
it's unreal, but you want to blend
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it until you can't tell her one color
stops and the next color starts.
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And when it gets to that
point, then it's just right.
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And sometimes when you're doing
this stand back and take a look,
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see at your painting, because it's
very hard to tell when you're real
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close, if it's blended or not.
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So step back there.
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All right.
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I think we've got a nice
little sky that easy.
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Bad easy.
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Let's put us a little mountain
in this today for that.
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I'm going to take black, Advantech
Brown, just black and Brown today,
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or Brown and black, black, and Brown.
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It doesn't matter whichever
way you want to pull it out.
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As flat as you can get it cut across.
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We get our little roll of paint and it
lives right out on the edge of the blade.
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Hope you can see that.
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There you go.
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Now that make a big decision.
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Where does your mountain
live in your world?
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Maybe?
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There's a peak that lives right there.
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Another one there, just
wherever you want them.
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Just sort of, maybe that
just comes right on down
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around.
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Yeah.
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We'll just let this flow
right off into nothing.
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Maybe we'll just have a very
simple little mountain today
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and we'll just play with that.
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Okay.
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Scrape off all the excess paint.
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We'll grab it.
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Clean two inch brush or one that's
not real dirty and pull it, just pull
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it just because the canvas is wet.
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You can move that color.
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You can create all kinds of effect.
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If you were on a drag canvas and
you did this, you would be in
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agony city right now, probably.
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Probably you'd be upset with
me, but because the canvas is
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wet, you can do all that there.
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And we want the bottom of it to
blend out to, it looks like it's
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just sort of floating in the mist
and the big old mountains in the sky.
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It's all happy.
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And having a good day.
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Let's use a small knife today.
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Take a little weight, a little dark
Sienna, maybe a little of the Vandyke
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Brown, but leave it marbled like yet.
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So there's a lot of things happening.
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Don't just mix it to one.
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Oh, flat did color.
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They will cut off our little roll
of paint, just like we did before.
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Only with a small knife, let's have
our light coming from the left.
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What the heck?
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And in your world, you decide maybe you
want to cover from the other direction.
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I think you'll find if you're,
right-handed, it's a lot easier to
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have it coming from the right, but as
a practice exercise, every once in a
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while, you're try one of these left ones.
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So you don't, it's sort of easy to get
into a habit of having them all in all
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your mountains, highlighted on one side.
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There, but I like your small knife.
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You're doing these little things.
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Like, yes, it's one of the
neatest things I ever invented.
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There we go.
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Just let it go.
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And if you just let it blend,
it is nothing that Misty area
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right here will show through and
automatically it'll make the mist
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at the bottom of the mountain there
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bagel rough mountain that lives up here.
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They're very gentle.
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No pressure.
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Absolutely no pressure.
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Just like an Angel's wing.
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Very soft, very gentle
float and let it float.
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Sure.
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If you've watched the series before,
you've heard me mentioned that
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when I was teaching my son, Steve,
to paint, I used to tell him just
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to pretend he was a whisper and
he floated across the mountain.
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And I think that's one of the neatest
ways to sort of get the feel of this.
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Just, just pretend you're a whisper
and you just float through the air
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and float right across this mountain.
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Very gentle.
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There we go.
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Okay.
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Now they're gonna take a little touch up.
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Then I'll touch you up.
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We will use a little bit of
fallow blue and mix it over here.
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A little bit of a lizard
Crimson, just mixed together.
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Make a nice lavender.
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Be right back, a little touch, a
little touch of white in one area.
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So now I've got light areas and
dark areas in the same pile.
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Okay.
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Now then I'm going to
use that lavender color.
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To go up in here.
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I began creating some nice shadow areas.
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We don't need too many,
just a few here and there.
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Just a few sort of bring all these
things together, give them a little
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shadow so they don't feel left out there.
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Here we go.
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Right here.
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This little peak needs its own shadow.
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If he doesn't have his own
shadow, he won't stand down.
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He won't come out and play.
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He'll just sort of hide back here.
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Little touch in here.
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There we go.
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That little shadow area though.
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It separates it's you're separated.
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All right, Adam, if you want to make
this rascal really sparkle, you can
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take a little bit of titanium white
and hearing there, here and there.
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Just barely touch, barely touch
look like it's a little light is
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just as thing and right down through
there, but don't do a great deal.
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If you do too much, it's going
to lose its effectiveness.
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Maybe up in here, a little
touch of that dark color Jessa.
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There's a deep shadow area in there.
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Use that little edge on the little knife.
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That's great for getting
in tiny little spots there.
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That's not a bad looking
little mountain shoot.
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He sort of cute.
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Cute.
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Let me find a clean toothbrush.
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It's coming right up in here.
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Now.
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I want to create more mist.
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So I'm going to tap this being
very careful to follow the
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angles that are in that mountain.
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Very careful.
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Tap it and gently, very gently two
hairs and some air just blend that.
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Now that old mountain is just
floating around the fair over here.
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Well, there's a little
bit in that direction.
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All right, good.
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Yeah, we said it was going to have
a lot of color and get crazy today.
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So let's do that.
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Let's do that.
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I wouldn't take, we'll just use some
black and Brown, all these colors.
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I got mixed.
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Some that lavender.
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We'll just put it in a pile here.
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So let's take some pressure and blue,
a little fallow green in there too.
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Prussian blue, little Vandyke, Brown
shoes, maybe even alizarin Crimson.
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We don't care.
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I'm looking for a very dark color,
has a little bluish green based to it.
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Okay.
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Let me clean off my knife.
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We'll grab a, let's use
a one inch brush today.
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What the hell I want to go in here?
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Pull it in one direction.
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Just load some color onto this
brush, but pull it in one direction.
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Then we're going to turn this brush over.
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So the rounded corner is to the top.
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Let's go up here now make a
decision major decision time.
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Where did you little
bushes back here live.
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I think they live right in there.
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Just begin pushing them in like, so
think about basic shape and form, and
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that's really, truly all that we're
worried about at this time later on.
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We'll worry about a lot of things, but no.
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Just push it in some basic shapes and
push that brush outward, make it better.
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Be careful.
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Don't let it do that.
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See the difference there.
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It slides there pushes and bands and I
was going to be a taller Bush right there.
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These bushes and trees cover
up a multitude of sins there.
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Okay.
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I have several of each brush go, so
I don't, so I don't have to spend
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all of my time cleaning brushes.
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Take a one inch brush, dip it
into a little bit of liquid white.
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We'll go in totally yellow.
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Grab some SAP green.
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Well, I get a lot of SAP greener.
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We're going to have all kinds of colors.
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There's going to be some greens in
here in some of the brighter colors.
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Pull it in one direction again,
one direction, say their most
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important and turn it over.
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Always turn it over.
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Can school up here, decide which
little Bush you want it to be green
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and we'll go right in here and just.
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Push in some color, but
don't let the brush slide.
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Don't let it slide.
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If it slides you're in trouble.
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Kane, let's see here.
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Maybe we'll take some yellow and yellow
ochre shoot, same old thing here.
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Pulling that brush in one direction.
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Get a little touch of that bright red.
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That's nice.
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That's nice.
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One direction.
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Maybe this one lives right here.
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Oh, that's beautiful.
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Nice orangy color Bush.
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Okay.
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And each time just draw it through
some more color and you can change the
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color a little, and we'll just have all
kinds of little things right in there.
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Think about one little Bush at a time.
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Don't get greedy.
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I know, I know.
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Sometimes it's, it's tempting
just to get in there and sock
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in about 50 of them at once.
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Take your time.
244
00:12:00,330 --> 00:12:03,689
Speed book come automatically
hit really well.
245
00:12:04,830 --> 00:12:05,460
There we go.
246
00:12:07,110 --> 00:12:13,020
She asked all kinds of little happy things
in there now, then that's really good.
247
00:12:13,020 --> 00:12:13,439
Crazy.
248
00:12:14,730 --> 00:12:17,189
We need some land and there's
all those bushes don't fall over.
249
00:12:18,480 --> 00:12:19,710
Take a little Vandyke Brown.
250
00:12:21,555 --> 00:12:24,855
And I don't know exactly where the
land's going to be yet, but we'll
251
00:12:24,855 --> 00:12:25,875
just put a little dark in there.
252
00:12:25,875 --> 00:12:27,285
Cause I know it's going to be underneath.
253
00:12:27,405 --> 00:12:28,665
Other than that, I don't much care.
254
00:12:30,045 --> 00:12:31,094
Don't much care.
255
00:12:31,814 --> 00:12:36,464
Maybe at all there, look at that.
256
00:12:36,855 --> 00:12:37,515
See what happened?
257
00:12:38,265 --> 00:12:40,064
Isn't that a super place
to have a waterfall.
258
00:12:40,574 --> 00:12:41,115
Let's do that.
259
00:12:41,175 --> 00:12:41,685
Let's do that.
260
00:12:43,545 --> 00:12:45,615
As you paint these, you
begin to see things in them.
261
00:12:46,380 --> 00:12:50,520
Don't fight that when it happens,
all you need is just a basic idea
262
00:12:50,520 --> 00:12:51,780
in your mind of what you want.
263
00:12:52,290 --> 00:13:00,240
But when things happen, enjoy them, little
gifts or little gifts or big gifts there.
264
00:13:00,240 --> 00:13:02,370
We just scratch in a few
little tree trunks and stuff.
265
00:13:05,439 --> 00:13:11,069
A little bit, a little bit of
dark Sienna and white still left
266
00:13:11,069 --> 00:13:15,000
there just we'll put a little
indication of some highlight up here.
267
00:13:16,140 --> 00:13:20,790
Something like, so don't want a
lot at this point, I'm to grab
268
00:13:20,790 --> 00:13:24,390
it all that in the dark down.
269
00:13:24,810 --> 00:13:28,829
So it would make a bank looking to
put us a little waterfall in there.
270
00:13:29,880 --> 00:13:33,959
We need something to hold a water
on it far, say that's awesome.
271
00:13:34,699 --> 00:13:35,869
Let's have some more fun.
272
00:13:36,680 --> 00:13:42,650
Seeing a little dark color, the black
and blue little halo, green Crimson.
273
00:13:42,739 --> 00:13:43,489
Just mix them up.
274
00:13:43,910 --> 00:13:44,420
Didn't matter.
275
00:13:45,105 --> 00:13:46,965
Which might as well mix a
pretty good pile of color.
276
00:13:47,235 --> 00:13:47,505
Okay.
277
00:13:47,564 --> 00:13:48,465
Let me clean knife.
278
00:13:50,145 --> 00:13:51,015
You ask clean ball.
279
00:13:51,045 --> 00:13:53,685
We just wiped the knife
on, on old paper towel.
280
00:13:55,905 --> 00:13:59,805
She was the fan brush fan brush is one of
the most versatile brushes that we have.
281
00:14:00,345 --> 00:14:02,085
You can do whole paintings with it.
282
00:14:02,985 --> 00:14:03,705
A lot of color.
283
00:14:03,885 --> 00:14:04,335
Let's go ready?
284
00:14:04,385 --> 00:14:04,655
Yeah.
285
00:14:05,465 --> 00:14:08,615
And our world, their lives thing.
286
00:14:09,185 --> 00:14:12,125
Weather does now than great big tree.
287
00:14:12,479 --> 00:14:13,439
And he lives right here.
288
00:14:15,329 --> 00:14:19,829
Look at that, but look how this dark color
stands out against that bright background.
289
00:14:20,280 --> 00:14:21,030
Isn't that beautiful
290
00:14:24,030 --> 00:14:25,979
contrast that makes it so appealing.
291
00:14:26,609 --> 00:14:29,819
So beautiful blue right over by Bush.
292
00:14:31,589 --> 00:14:31,979
All right.
293
00:14:31,979 --> 00:14:32,939
I know he's still there though.
294
00:14:33,270 --> 00:14:36,150
He lives right there
behind the tree maybe.
295
00:14:36,660 --> 00:14:36,870
Yep.
296
00:14:37,229 --> 00:14:37,920
Let's have another one.
297
00:14:40,215 --> 00:14:45,855
To have another one back and
forth, back and forth there.
298
00:14:47,955 --> 00:14:50,055
See those little trees
just live right in there.
299
00:14:50,055 --> 00:14:52,125
I gotta do is just sort
of scare him out sometime.
300
00:14:53,205 --> 00:14:57,345
Maybe we'll put another
one right close there.
301
00:14:58,785 --> 00:15:00,015
Just sort of let him hang around.
302
00:15:00,375 --> 00:15:00,585
I see.
303
00:15:00,585 --> 00:15:01,605
It doesn't matter much.
304
00:15:02,595 --> 00:15:07,125
And I have another one there now watch,
even though there's three trees there.
305
00:15:08,055 --> 00:15:11,415
You really only have to paint a
couple because that other is just ate
306
00:15:11,415 --> 00:15:14,205
up by this one, but he's in there.
307
00:15:14,205 --> 00:15:14,925
We know he's in there.
308
00:15:16,955 --> 00:15:17,465
There,
309
00:15:21,135 --> 00:15:25,485
let's see, we'll have another one
there things sort of look better.
310
00:15:25,485 --> 00:15:29,175
If you have odd numbers, sometimes
intentionally I'll put even numbers
311
00:15:29,175 --> 00:15:31,485
just to, just to upset the critics.
312
00:15:31,485 --> 00:15:31,935
I guess.
313
00:15:33,765 --> 00:15:34,455
There we go.
314
00:15:36,960 --> 00:15:37,560
All right.
315
00:15:37,949 --> 00:15:45,470
Let's take, let's take, we use no, a
little bit of white little dark Santa.
316
00:15:46,430 --> 00:15:47,420
Cut us off a little row.
317
00:15:47,660 --> 00:15:49,340
Let's put the indication here and there.
318
00:15:50,390 --> 00:15:51,350
I have a little tree trunk.
319
00:15:51,350 --> 00:15:52,130
It lives in here.
320
00:15:52,220 --> 00:15:53,569
I don't want a big indication.
321
00:15:53,720 --> 00:15:54,710
Just a little here and there.
322
00:15:56,000 --> 00:16:02,060
Just a little do wherever
you think they should live.
323
00:16:03,450 --> 00:16:05,070
And you won't see the entire trunk.
324
00:16:05,220 --> 00:16:08,460
You're only going to see parts of
it through the, through the leaves.
325
00:16:08,460 --> 00:16:09,870
So don't worry about putting it on it.
326
00:16:11,370 --> 00:16:12,060
Oh, there it is.
327
00:16:12,090 --> 00:16:12,390
I've lost.
328
00:16:12,390 --> 00:16:17,150
My fan brush would take
we'll take its fan brace.
329
00:16:17,150 --> 00:16:20,360
It had the tree color on it and
go right into a little yellow and
330
00:16:20,360 --> 00:16:24,410
automatically, automatically because
it had blue in it and black and it
331
00:16:24,410 --> 00:16:25,970
will get a beautiful green load.
332
00:16:25,970 --> 00:16:26,600
The brush full.
333
00:16:28,170 --> 00:16:30,300
And that's go up in here and
you got to make some decisions,
334
00:16:30,300 --> 00:16:31,469
which trees in the foreground.
335
00:16:31,469 --> 00:16:32,610
We said that was in the back.
336
00:16:32,610 --> 00:16:38,870
Let him do it first, just begin
popping in some highlights on these
337
00:16:38,870 --> 00:16:42,229
trends, darker, darker, darker.
338
00:16:42,229 --> 00:16:47,270
So he worked down there more often.
339
00:16:47,329 --> 00:16:50,900
Facism left because I, we said that's
where our light was coming from.
340
00:16:53,070 --> 00:16:56,310
There we go darker, darker, darker,
darker, just barely touched on this.
341
00:16:56,310 --> 00:16:57,480
Let it fade into nothing.
342
00:16:58,290 --> 00:17:04,230
And this big boy here, this
must be the boss tree there.
343
00:17:06,990 --> 00:17:07,770
All right,
344
00:17:11,910 --> 00:17:13,020
right on down to nothing.
345
00:17:15,060 --> 00:17:18,750
Tell you what I've got several
little, two inch brushes here.
346
00:17:18,750 --> 00:17:19,380
Let's get one.
347
00:17:19,920 --> 00:17:20,010
Okay.
348
00:17:20,615 --> 00:17:21,525
A little, that dark color.
349
00:17:21,645 --> 00:17:23,055
Let's just fill this in right here.
350
00:17:24,405 --> 00:17:26,865
Maybe we'll have a big Bush
lives right here in front.
351
00:17:27,105 --> 00:17:28,545
So I just put some dark color in.
352
00:17:29,415 --> 00:17:30,915
So our lighter color will show
353
00:17:34,125 --> 00:17:40,475
maybe something like, so we'll make
those decisions later added and have,
354
00:17:40,475 --> 00:17:43,515
then we can start putting in all
the little, the little things here.
355
00:17:44,235 --> 00:17:46,575
Let's try making, let's try this.
356
00:17:46,665 --> 00:17:48,375
We'll take some SAP green and some yellow.
357
00:17:49,004 --> 00:17:50,205
Load the brush full of color.
358
00:17:50,655 --> 00:17:51,975
Now stay right there.
359
00:17:52,514 --> 00:17:53,535
I'm gonna go right over in here.
360
00:17:53,925 --> 00:17:57,645
And with a corner of the brush, look,
see, I've picked up a little bit of red.
361
00:17:57,645 --> 00:17:58,455
Let me turn the breasts.
362
00:17:58,485 --> 00:18:00,285
It's green, but little red on top.
363
00:18:00,975 --> 00:18:04,514
Now, if that works just right, we'll
make a green Bush with little red flags.
364
00:18:04,535 --> 00:18:07,415
Of course come right up here
and watch see you there.
365
00:18:07,715 --> 00:18:08,315
Oh, hidden that.
366
00:18:08,315 --> 00:18:09,125
Fantastic.
367
00:18:09,845 --> 00:18:12,545
And people will go crazy trying
to figure out how you'd done that.
368
00:18:13,235 --> 00:18:15,665
So you don't, you tell
them that's our secret.
369
00:18:16,890 --> 00:18:20,750
I heard a secret trusting you with it.
370
00:18:20,780 --> 00:18:23,120
It's about you telling
them buddy, enjoy it.
371
00:18:23,540 --> 00:18:30,710
Maybe there's a little Bush lives back
here wherever we don't care right here.
372
00:18:31,130 --> 00:18:31,760
There's another one.
373
00:18:34,010 --> 00:18:35,660
So you can just put these
wherever you want to.
374
00:18:35,960 --> 00:18:39,710
And as many as you want, or as
few as you want, doesn't matter.
375
00:18:40,410 --> 00:18:44,790
Pop them, man, push the brush up,
turn it sidewards, push it up.
376
00:18:44,790 --> 00:18:47,610
Or like it makes a nice effect.
377
00:18:49,170 --> 00:18:49,560
Okay.
378
00:18:50,399 --> 00:18:51,990
Let me find another fan brush.
379
00:18:52,500 --> 00:18:54,180
I think it's time we got in
here and started playing.
380
00:18:54,930 --> 00:18:59,600
We're going to have some water, but
notice that we've done the entire side.
381
00:18:59,600 --> 00:19:02,510
That's on the other side of
the water first, basically.
382
00:19:02,510 --> 00:19:05,960
It's it's finished over there and
then we'll do the water and then
383
00:19:05,960 --> 00:19:07,340
we'll do what's on this side.
384
00:19:07,730 --> 00:19:08,810
So you're always working.
385
00:19:10,215 --> 00:19:13,035
With the thing it's farthest
away first and then work forward.
386
00:19:13,045 --> 00:19:17,055
I've taken liquid white mixed with
titanium white, put a little touch.
387
00:19:17,055 --> 00:19:18,254
If they low blue into it.
388
00:19:19,035 --> 00:19:21,675
Just a little, just a little,
okay, let's go up here.
389
00:19:24,254 --> 00:19:25,695
Let's just pretend we're water.
390
00:19:25,695 --> 00:19:28,095
And we're just floating along
here and having a good time.
391
00:19:28,095 --> 00:19:30,585
It's a wonderful day, a wonderful day.
392
00:19:31,425 --> 00:19:34,185
And we get right down
in here and Oh goodness.
393
00:19:34,185 --> 00:19:35,685
Somebody had pulled the stopper out.
394
00:19:37,170 --> 00:19:38,850
And here we go, we fall right over.
395
00:19:39,990 --> 00:19:41,460
So just think about water.
396
00:19:41,460 --> 00:19:42,600
It's just falling over.
397
00:19:42,870 --> 00:19:44,340
That's why they call it a waterfall.
398
00:19:46,100 --> 00:19:46,730
There we go.
399
00:19:49,220 --> 00:19:51,860
All these comedians out of work
and me trying to be one of them.
400
00:19:54,350 --> 00:19:59,870
Now, then down here where it
hits, push, splash that all these
401
00:19:59,870 --> 00:20:02,510
little foam things just occur.
402
00:20:03,149 --> 00:20:05,129
And you can make it, see
if you want it wider.
403
00:20:05,220 --> 00:20:05,939
That's all you gotta do.
404
00:20:07,230 --> 00:20:07,949
It's your world.
405
00:20:08,100 --> 00:20:15,149
You can do anything in, you have total
and unlimited power on this canvas.
406
00:20:15,149 --> 00:20:17,909
You can create any kind of
universal world that you want.
407
00:20:20,220 --> 00:20:21,000
I've mentioned before.
408
00:20:21,000 --> 00:20:25,649
I think that's one of the things
that originally got me interested
409
00:20:25,649 --> 00:20:28,649
in painting is that I could create
any kind of world that I want to do.
410
00:20:30,344 --> 00:20:31,844
Let's take some liquid white.
411
00:20:32,115 --> 00:20:34,695
I'm going to use some dark Sienna in it.
412
00:20:35,145 --> 00:20:39,074
I want to make a thin light Brown paint,
maybe putting a little yellow ochre.
413
00:20:39,675 --> 00:20:40,245
Nice.
414
00:20:41,385 --> 00:20:41,895
Nice.
415
00:20:42,615 --> 00:20:42,824
Okay.
416
00:20:42,824 --> 00:20:48,344
Let me clean off my knife, but
use, let's use the Filbert today.
417
00:20:49,334 --> 00:20:51,044
I'll put a little paint
thinner in the bristles.
418
00:20:51,284 --> 00:20:56,115
Very little, very little go right into
some Vandyke Brown and dark Sienna.
419
00:20:56,115 --> 00:20:56,985
Just mix them together.
420
00:20:57,705 --> 00:20:58,304
Like so.
421
00:21:00,179 --> 00:21:01,889
Maybe I want a little
reddish tone to this.
422
00:21:01,889 --> 00:21:04,649
I'm going to grab at least a little
touch of Crimson and put in there too.
423
00:21:05,189 --> 00:21:05,340
Well.
424
00:21:05,340 --> 00:21:06,179
That's nice color.
425
00:21:06,300 --> 00:21:06,689
Hoping.
426
00:21:06,689 --> 00:21:07,889
See that let's go down here.
427
00:21:08,810 --> 00:21:10,169
I'll find you there you are.
428
00:21:10,590 --> 00:21:11,760
Now that thin color.
429
00:21:12,120 --> 00:21:13,649
See we have dark on both sides.
430
00:21:14,409 --> 00:21:16,919
I'm just going to go through
this very thin and I have white
431
00:21:16,919 --> 00:21:18,629
on one side, dark on the other.
432
00:21:18,780 --> 00:21:19,379
Let's go up here.
433
00:21:20,189 --> 00:21:23,610
And then back here in our world, there
lives some beautiful little stones.
434
00:21:23,639 --> 00:21:24,060
Look at them.
435
00:21:24,300 --> 00:21:27,209
So you see here how you can make those.
436
00:21:27,825 --> 00:21:29,535
And they live all along the bank here.
437
00:21:30,945 --> 00:21:35,235
However many you want and maybe right in
here lives, maybe there's a big stone.
438
00:21:37,005 --> 00:21:38,835
That's what holds that waterfall together.
439
00:21:39,225 --> 00:21:40,275
So it doesn't get away.
440
00:21:41,775 --> 00:21:45,465
There's another stone and you can make as
many or as few as you want in your world.
441
00:21:46,215 --> 00:21:51,585
Maybe there's even some out here in
the water right out there in the water.
442
00:21:53,055 --> 00:21:55,065
So just drop him in, take your fan brush.
443
00:21:55,065 --> 00:21:56,385
It has a 10 color on it.
444
00:21:57,840 --> 00:22:00,630
Poppy and all kinds of
little things right around
445
00:22:03,630 --> 00:22:04,080
watch here.
446
00:22:04,530 --> 00:22:06,420
Maybe there's another one.
447
00:22:06,840 --> 00:22:12,000
There's a note, but just do them in layers
and then put a little water splashing
448
00:22:12,000 --> 00:22:16,410
around them and let that go there.
449
00:22:17,820 --> 00:22:18,450
All right.
450
00:22:20,130 --> 00:22:23,910
Tell you what, let me find
new two inch brush here.
451
00:22:25,110 --> 00:22:28,590
I'll just go right into a little
bit of that color that we had.
452
00:22:29,220 --> 00:22:33,300
Maybe there's some nice little grassy
areas going right down to the edge
453
00:22:33,300 --> 00:22:39,000
of the water, right on down there.
454
00:22:39,000 --> 00:22:43,370
They are right down wherever you want.
455
00:22:46,080 --> 00:22:46,380
Okay.
456
00:22:46,560 --> 00:22:48,150
Take her knife a little bit of Brown.
457
00:22:50,475 --> 00:22:55,635
Put a little bit of Brown there to
indicate a little bag, just to touch
458
00:22:55,635 --> 00:22:56,834
a highlight on it here and there.
459
00:22:56,865 --> 00:22:57,004
Right?
460
00:22:59,885 --> 00:23:00,125
Yeah.
461
00:23:00,135 --> 00:23:04,324
Then we go back and find our
brush that has lose my brushes.
462
00:23:04,324 --> 00:23:08,735
Sometime when you get old of mine,
goose and Mayans going sometime
463
00:23:09,185 --> 00:23:14,074
there, we just let that little
water just travel right down here.
464
00:23:14,675 --> 00:23:17,675
See, basically all we're doing is
painting right over the liquid black.
465
00:23:18,405 --> 00:23:21,165
And because you had that dark
in there automatically, your
466
00:23:21,165 --> 00:23:22,514
little stream will just happen.
467
00:23:23,745 --> 00:23:24,165
Then you hide.
468
00:23:24,794 --> 00:23:29,354
Let's go into a little touch of the
dark Sienna with the two inch brush.
469
00:23:30,180 --> 00:23:31,800
I want a nice background tree here.
470
00:23:31,800 --> 00:23:33,120
So I'm just using dark Sienna.
471
00:23:35,990 --> 00:23:36,840
That's just put in there.
472
00:23:37,139 --> 00:23:38,550
This is going to live in the background.
473
00:23:38,550 --> 00:23:40,560
We won't see much of him.
474
00:23:42,389 --> 00:23:44,340
Won't see much, but you'll
see a little bit, I think I'll
475
00:23:44,340 --> 00:23:45,810
put a few big trees in there.
476
00:23:49,950 --> 00:23:53,370
Let me find a one inch brush,
put a little paint thinner in it.
477
00:23:54,480 --> 00:23:57,510
I'm going to go right through van Dyke,
Brenna, put the painting in there.
478
00:23:57,730 --> 00:23:59,129
Then this Brown down a little.
479
00:24:00,240 --> 00:24:03,810
Now I'm going to take it go right
through on one side, through that thin
480
00:24:04,379 --> 00:24:09,620
color, we had the light Brown and maybe
in our world right here, be brave.
481
00:24:10,460 --> 00:24:14,419
This is your brave retest there.
482
00:24:14,659 --> 00:24:16,250
Nash tree lives right there.
483
00:24:17,659 --> 00:24:22,310
And we'll give him a friend there so
you can make both sides of the tree.
484
00:24:22,665 --> 00:24:27,735
At one time, let's give up another
one here and in your world.
485
00:24:27,735 --> 00:24:28,605
Put as many as you want.
486
00:24:28,875 --> 00:24:29,175
Shoot.
487
00:24:29,915 --> 00:24:38,465
I have a fourth one there and take
her liner, brush some Brown and
488
00:24:38,465 --> 00:24:40,115
we'll just put a few Liam's in here.
489
00:24:41,945 --> 00:24:49,445
They're just a few big old lamps
to hold all this up few that hang
490
00:24:49,445 --> 00:24:51,185
down like the pair of you want them.
491
00:24:52,574 --> 00:24:56,865
Whoever I'm going to put
some leaves on these.
492
00:24:56,865 --> 00:24:58,485
So you don't have to be
very careful with them.
493
00:25:00,284 --> 00:25:00,764
Look at that.
494
00:25:03,155 --> 00:25:05,675
But now you see why the little
trees in the background, it shows
495
00:25:05,675 --> 00:25:07,955
through it's pretty bad care.
496
00:25:09,725 --> 00:25:10,084
There.
497
00:25:10,754 --> 00:25:16,205
Few little doers here and there,
and we will take several fan versus
498
00:25:16,205 --> 00:25:19,985
going, would take a little dark color
and let's just go right in here.
499
00:25:20,014 --> 00:25:20,465
Whoops.
500
00:25:21,030 --> 00:25:24,000
Too much of color and let's
just pop in indication.
501
00:25:25,020 --> 00:25:25,830
Oh, that's nice.
502
00:25:26,070 --> 00:25:26,280
Good.
503
00:25:26,280 --> 00:25:31,410
In contrast, these are some big evergreens
that live right out here in the front.
504
00:25:32,820 --> 00:25:33,120
That was you.
505
00:25:33,120 --> 00:25:38,220
This was crazy painting, but
it'll bring you a lot of fun.
506
00:25:38,820 --> 00:25:43,980
Lot of fun and a lot of
practice there we are.
507
00:25:46,560 --> 00:25:47,400
Okay.
508
00:25:48,240 --> 00:25:49,740
And we've got another fan brush here.
509
00:25:49,879 --> 00:25:50,820
It has green on it.
510
00:25:52,670 --> 00:25:53,360
Come right back.
511
00:25:53,810 --> 00:25:55,280
Pop in a few little highlights.
512
00:25:56,810 --> 00:25:57,950
Just hearing there.
513
00:26:00,460 --> 00:26:01,100
There we go.
514
00:26:01,790 --> 00:26:04,610
Sometimes I use the number
three fan brush for this.
515
00:26:04,610 --> 00:26:06,200
It seems to have a little more control.
516
00:26:06,200 --> 00:26:09,350
So Trevor, both see which one you like.
517
00:26:11,690 --> 00:26:13,240
Okay, man.
518
00:26:14,415 --> 00:26:14,895
That's good.
519
00:26:14,895 --> 00:26:17,445
Her one inch brush shoot.
520
00:26:17,535 --> 00:26:19,335
Let's put a nice Bush lives.
521
00:26:19,695 --> 00:26:20,175
Boom.
522
00:26:20,175 --> 00:26:20,535
Right there.
523
00:26:20,535 --> 00:26:21,735
We got to fill all this in here.
524
00:26:23,985 --> 00:26:24,735
There we go.
525
00:26:25,165 --> 00:26:29,805
Little green just begin putting
in all kinds of little bushes.
526
00:26:31,275 --> 00:26:32,595
Say they're, here they go.
527
00:26:33,735 --> 00:26:34,305
There they go.
528
00:26:34,305 --> 00:26:34,965
Back in here.
529
00:26:35,355 --> 00:26:38,445
There's a nice one, but look
how these colors on that
530
00:26:38,445 --> 00:26:40,275
liquid black just come alive.
531
00:26:40,965 --> 00:26:42,645
They just literally jump out at you.
532
00:26:44,445 --> 00:26:45,855
It's so, so nice.
533
00:26:48,785 --> 00:26:52,445
I think maybe this comes right
down here wherever you want it.
534
00:26:52,985 --> 00:26:53,675
Wherever.
535
00:26:53,705 --> 00:26:54,905
Maybe there's a nice little Berlin.
536
00:26:55,865 --> 00:26:56,495
Neil Clark.
537
00:26:56,495 --> 00:27:00,065
One of all tells me it's
about time to go for today.
538
00:27:01,355 --> 00:27:06,360
So as we finish this one up, Thank
think we're going to call this one done.
539
00:27:06,750 --> 00:27:08,010
I really hope you've enjoyed this.
540
00:27:08,010 --> 00:27:08,910
It's quite a painting.
541
00:27:09,360 --> 00:27:12,270
Give you a challenge and you'll
love it from all of us here.
542
00:27:12,480 --> 00:27:13,230
Happy painting.
543
00:27:13,770 --> 00:27:14,460
God bless.
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