Bob Ross's

The Joy of Painting

S17E07 - Spectacular Waterfall

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Hi, I'm certainly glad you could

join me today because today

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let's do a fantastic painting.

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Let's do the little painting that

you see at the little animated

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opening beginning of each show.

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So I'll tell you what, let's start out

and run all the colors across the screen.

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And let me show you

what I've done up here.

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I've taken my standard old pre

stretched 18 by 24 inch canvas

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or whatever size you want.

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It doesn't matter.

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And I've taken and painted the basic

scene on here with black Jesso.

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And I've just very rough, just sort of

late in the night idea here and there.

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And on top of that, on the black

part here, I've covered all that

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with a thin coat of liquid clear.

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And then on top of the liquid clear.

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I've covered all of this black area

with a lavender color made from

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alizarin, Crimson, and a little touch.

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If they low blue the top, we just

got a little liquid white down.

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So let's get started.

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I have a good time.

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It's a beautiful little painting and

we'll just see what we can do with it.

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We'll take a little, a

little touch of that.

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They load blue and let's just drop in

a very quick little sky up here using

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little crisscross strokes and just

go read across like so like, so, and

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these little shapes that we've painted

in here, don't worry about them.

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Just paint right over them.

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Right over they, low blue is so

transparent that it'll just it'll

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allow those to show right through.

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Don't even worry about them there.

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Now that I got several brushes

go, I'm gonna take another brush.

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And put the corner of it and to titanium

white, that teeny white don't go away.

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We'll be right back the least

little touch of CAD yellow.

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Okay.

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Now the corner of the brush that

has the yellow, I'm going to tip

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to the bottom down here, right

here, and just blend that upward.

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Now that'll turn a slight, very slight.

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Greenish hue.

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It'll look like a little

bright spot right there.

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Doesn't do much right now.

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But later on in this painting,

you'll love what it does now.

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Then now I'm going back to the brush that

I use to put the lavender color on, take

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a little bit of that same lavender color

and just cover up my dark shapes here.

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That's all we're doing.

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Allow some that lavender just to,

just to flow right into the sky here.

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It makes a very soft Misty

effect far, far away.

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That's what I liked so much about these

paintings over here on the other side,

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just a little bit there, like Jessica

was fantastic because it'll paint a large

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portion of the painting for you there.

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As you have to go ahead and fill in

all those big dark areas in advance.

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Okay, now that we can come

back here and have some fun.

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Maybe today we'll have us a little

mountain tell you what I'll just

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use that same basic lavender color.

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Maybe add a little touch of crams

into it a little bit more to the

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radish side, same lavender color.

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We painted the whole canvas with.

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Okay.

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Cut off for a little roll of paint.

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Let's go right up here.

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You have to make your

first major decision.

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Where does your mountain?

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I live right up there.

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I think so, maybe it's got some

bumps and all kinds of little

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things and they go right over.

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But it doesn't matter where you are.

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Every scrape off all the excess paint.

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Just you can hear how hard I'm

scraping, probably just really get

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in there and raise cane with it.

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With a large brush.

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We want to grab this and

let it blend downward.

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Just let it blend right on down.

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I don't want to kill all this area here.

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It's most important to me.

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I want to say that because later on,

it's going to look like a beautiful

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little area that's lit right in there.

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It'll make sense.

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There we go.

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Now that mistake.

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Let's take her knife here.

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We'll take titanium, white, least

little touch of bright red in it,

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least little touch, maybe a little

touch to that lavender in there too.

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Just to dull it down.

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Something I am still too

bright, a little more lavender.

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There we go.

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There.

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Okay.

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That'll be our highlight color.

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And then I'll take some more of that

lavender and we'll set it right here and

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we'll put less white into that much less.

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And that'll be our shadow color.

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Now we have highlight and shadow both.

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Tell you what, since we get the

shadow color on a knife, this will

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start with that little roll of paint.

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Let's go right up here.

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Maybe the light's coming

from the left today.

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What the heck?

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And we'll go right in here.

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And I just want to put a little

bit of shadow indication.

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Don't much justice, very small amount.

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And don't worry about these trees

cause anything we don't like,

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we'll just paint right over there.

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Now then back to her highlight color,

I began looking at this began picking

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out little individual things in here.

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Maybe this comes right down like,

so absolutely no pressure at all.

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No pressure, let it just

sort of float through here.

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Maybe it comes down and

they just disappear.

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Man.

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Back here, I change the small knife

and get back in these little places.

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A little, little small

knife really works wonders.

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There we go.

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And we can drop a few little

shadows here and there.

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Just a few, the few, maybe

there's another little peak.

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It lives right there.

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Wherever you want them into your

world, you place them wherever

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you feel that they shouldn't.

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There we go.

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A bit of a shadow color.

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We need a distinct shadow behind here.

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Yeah, there

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it'll touch more here and there.

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There now then that'd be

cleaner brush here, dirty dip.

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All my brushes, wash it off with a good

shake and is beat the devil letter.

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Now very lightly, very lightly.

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I want to tap this following the ankles

and then upward, upward, upward, upward.

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This will make it very soft

and very distant over here.

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Follow these angles.

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There we go and we haven't

destroyed this light area.

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It looks like a little glow there.

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Hmm.

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Kay.

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That's enough for a mountain.

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It's not very important in this painting.

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It's just there just

because it looks nice.

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That's tank, let's take some

black little pressured and blue,

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some fellow green, little more

thing, little green hair like yo.

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Just looking for very dark colors.

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Let me wipe off the old

knife, grab the fan brush.

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This is a beautiful painting.

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And unlike most of them, I know

exactly what this one's going to

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be since we used it in the opening.

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Only takes a few minutes to, to paint

those little Rascals in the opening,

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but it takes a lot of fantastic people.

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A long time that together, we just make

that indication of some distant trees.

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Far, far away.

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There we go.

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There, they are, see how

that little area right there.

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Isn't that beautiful.

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It just makes those trees

jump out at you there,

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maybe a few of these trees, maybe they

got a little more sunlight, a little more

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water, and they got a little bigger and

you can see a little more detail on them.

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Just a few here and there one or two or

in your painting, maybe you want more

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than one or two, whatever it's up to you.

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Now then let me find a clean brush.

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I want to create the illusion down

here of mist, and this is going

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to be our waterfall right in here.

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So I want that to have missed

right up here on top of it.

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Let's take, we just go into a light

color white or whatever you got just

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a very light color, tap, a little

bit of paint into the bristles.

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And just very gently here,

begin tapping in some color.

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Just tap it.

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Okay.

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Let me.

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I beat the brush just

to remove excess paint.

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I just want to start

living it all together.

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Let me clean the brush.

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Just beat the devil out of it.

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That's.

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Most fun part of this.

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Now we can very gently see how soft radius

clean brush that will begin creating

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the illusion of missed here, but it

just sort of float around, have fun.

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There it goes.

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However you want.

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Maybe there'll be a little bit in here.

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I don't know wherever you want, where

we can add more missed as we go.

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Maybe, maybe over in here,

there's some big rocks.

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Let's do some big rocks.

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Get a fan brush.

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Let's take, we'll use some Vandyke,

Brown, blue, dark Sienna in it.

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What the heck?

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Little Crimson too.

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I like Crimson.

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That's a nice color load.

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A little in the fan brush.

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Now we have to make some major decisions.

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Where does our rocks live here?

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Maybe, maybe.

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Okay.

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Let's come right in here.

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Maybe our rock lives right there.

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This is going to be very difficult

to see because it's so dark.

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All I'm doing is just painting

in a basic shape of the rock.

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That's on the other side of the waterfall.

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That's all I'm trying to do.

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Just very basic.

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Then we're going to put the

waterfall in front of it.

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So for that, let's take a little white,

little Crimson, little touch of blue.

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Just sort of mix them together.

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We just use a fan brush and it.

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Go up here, touch and begin shaping

your rock, just using the old fan brush.

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And we'll come back with a knife and

highlight some of this and then brush it.

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All I'm doing is just putting in some

very basic little shapes right now.

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Very, very basic there you can

begin separating these rocks

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and you can almost sculpt them.

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Now that must take, we use the

knife here, a little touch of the

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dark Sienna, all those nice colors.

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Get a tiny little roll of paint.

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I want very little color on this very

little color, and I'm just going to

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leave it sort of skip bounce and play.

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Okay.

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Barely touching the canvas.

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Almost nothing is happening

there with a nice clean brush

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and one hair and some air just.

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Light, very light, barely touch it

and pull it in the shape of the rock.

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In other words, if the rock comes this

way, you don't want to pull it across.

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It'll mess up your rock, nothing

worse than a messed up rock.

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Maybe anywhere you want to put a

little bump so you can just drop it in,

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give it a little pool and that easy.

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That easy.

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Okay.

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Let's really, let's, let's get down

to the fun part of this, that today

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I'm going to dip this one inch brush

right into some of the liquid clear

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and take it right into titanium white.

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Now this will send the paint and

make it smooth and make it flow

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very, very smooth, very smooth.

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Okay, let's go ahead.

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Up here.

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Now, major decision has

to be made at this point.

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Come right up here.

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You have to make a decision on where your

waterfall lips, maybe right here, touch.

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Go see there.

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That's all there is to it.

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Touch.

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Okay, here we go.

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If you don't make those little

noises though, it won't work.

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Touch now maybe, maybe, maybe

in our world, maybe this

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little stone lives right here.

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I tried here.

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See if you wanted to place a little

stone here, we just take a little bit

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of the band Dyke Brown or whatever,

dark color, put a little stone there.

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We'll come back and very lightly up on

top here where the light would strike.

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We'll put a little touch, a

highlight, and now we have a happy

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little stone that lives out there.

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And he watches the waterfall

and he has a good time cause

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he can watch all the creatures.

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Anyway, let's go back up here

now touch, see there it goes.

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Or waterfall again, touch

just wherever you want it.

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And you could do this

with a two inch brush.

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If you wanted to.

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I like to use a little one inch brush.

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It gives you a little more control.

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Cool there, but no to standing here,

I'm not putting a lot of color.

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I want the color to be up here where the

light would strike and down here and be

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00:13:45,975 --> 00:13:55,125

softer much softer down in here, darker,

darker there, but you see how that liquid

252

00:13:55,125 --> 00:14:00,675

clear, which is it allows that paint just

to slide just as smooth as glass, and you

253

00:14:00,675 --> 00:14:08,265

can just keep to your shape and form here

is most, most important, most important.

254

00:14:08,265 --> 00:14:09,105

Then we can come back.

255

00:14:10,770 --> 00:14:14,130

Well, you'll find the old fan

brushes come right up in here.

256

00:14:14,130 --> 00:14:16,920

Maybe I've been here, lives big rock too.

257

00:14:17,640 --> 00:14:23,360

He comes down and all we're doing here

is just applying some nice dark color.

258

00:14:25,880 --> 00:14:27,830

So we have something

for a rock to live on.

259

00:14:29,880 --> 00:14:30,900

Let me get the knife out.

260

00:14:30,959 --> 00:14:35,430

Pile up little color, a little bit of

Crimson and blue creams and a little blue.

261

00:14:36,569 --> 00:14:38,010

We'll throw some bite into it.

262

00:14:38,640 --> 00:14:39,150

There we are.

263

00:14:41,100 --> 00:14:42,480

Don't overmix the paint.

264

00:14:42,540 --> 00:14:45,150

Leave it, leave it sorta marbled.

265

00:14:45,150 --> 00:14:48,600

And that way you have a multitude

of effects happening automatically.

266

00:14:49,260 --> 00:14:49,590

Okay.

267

00:14:50,130 --> 00:14:53,550

Come up here just like we did

before and how we begin forming

268

00:14:53,550 --> 00:14:55,709

this big rock lives right in here.

269

00:14:57,300 --> 00:15:04,260

Just dropping me, use a fan brush to put

in some very basic little shapes there.

270

00:15:04,860 --> 00:15:06,720

Maybe there's a big ledge.

271

00:15:07,079 --> 00:15:07,319

Yep.

272

00:15:07,380 --> 00:15:07,770

Right there.

273

00:15:07,800 --> 00:15:08,310

You're right.

274

00:15:08,640 --> 00:15:09,540

He heard man.

275

00:15:11,189 --> 00:15:15,329

Now that back knife, take

some of these counters and

276

00:15:15,329 --> 00:15:16,920

just let them skip and bounce.

277

00:15:17,819 --> 00:15:18,930

Just barely touch.

278

00:15:19,079 --> 00:15:22,680

Barely quiet.

279

00:15:24,255 --> 00:15:27,555

Barely barely touching and touching.

280

00:15:28,064 --> 00:15:31,064

Just want to create a few little

highlights here and there.

281

00:15:31,995 --> 00:15:37,425

Don't overdo babies rocks quite dark

now than with her two inch brush.

282

00:15:37,455 --> 00:15:39,735

Once again, falling

the angles in the rock.

283

00:15:40,545 --> 00:15:43,605

One hair in some air that's light in it.

284

00:15:45,855 --> 00:15:46,515

There we go.

285

00:15:48,465 --> 00:15:51,645

And that easy, we can

create a rock big, maybe.

286

00:15:52,230 --> 00:15:53,970

Maybe there's a big ledge comes out here.

287

00:15:55,980 --> 00:15:57,060

Just let him go.

288

00:15:57,450 --> 00:15:59,130

Where ever you think they should live.

289

00:16:00,750 --> 00:16:04,830

Just drop them in one after the other, as

many as you want, or as few as you want,

290

00:16:07,100 --> 00:16:10,910

this might be one of the simplest ways

I've ever come up with just to create

291

00:16:10,910 --> 00:16:17,880

the illusion of a lot of stones, large

stones, back to a knife, a little bit

292

00:16:18,500 --> 00:16:19,820

ran out of color there a little bit of.

293

00:16:20,640 --> 00:16:23,880

Dark Sienna, a little yellow

ochre, lavender, whatever,

294

00:16:25,229 --> 00:16:26,490

and just barely touching you.

295

00:16:27,229 --> 00:16:28,189

Whisper whisper.

296

00:16:29,420 --> 00:16:30,380

It's a little more paint.

297

00:16:30,620 --> 00:16:32,120

I think just drop right along.

298

00:16:33,680 --> 00:16:34,189

There we go.

299

00:16:37,160 --> 00:16:37,550

Okay.

300

00:16:37,670 --> 00:16:38,599

That'll get right in here.

301

00:16:40,099 --> 00:16:42,079

Like all of those little

colors just happen.

302

00:16:43,040 --> 00:16:48,860

And back to her two inch brush

and Caressa chose Caressa.

303

00:16:49,380 --> 00:16:57,940

There it goes now, maybe in our world,

maybe, maybe, maybe I just had an idea.

304

00:16:57,960 --> 00:17:00,680

Maybe that'll get a little SAP green.

305

00:17:03,590 --> 00:17:04,220

There we go.

306

00:17:04,819 --> 00:17:08,750

Let's tap a little bit of

color right into the tip of the

307

00:17:08,750 --> 00:17:10,790

bristles, maybe right in here.

308

00:17:11,565 --> 00:17:13,244

Maybe there's a little

Bush lives right here.

309

00:17:14,805 --> 00:17:16,935

There he is just a happy little Bush.

310

00:17:18,494 --> 00:17:19,514

He sits right down here.

311

00:17:19,605 --> 00:17:22,694

He gets a lot of water because

this water fall, it creates all

312

00:17:22,694 --> 00:17:24,014

kinds of little Misty things.

313

00:17:24,194 --> 00:17:31,185

When he's busy down here, there

we are just, just going to let

314

00:17:31,185 --> 00:17:32,325

me clean another brush here.

315

00:17:32,325 --> 00:17:33,615

I got too many dirty brushes.

316

00:17:37,620 --> 00:17:38,160

Here you go.

317

00:17:38,850 --> 00:17:44,190

Now back to my large brush for the

little white, I'm gonna come down here

318

00:17:44,310 --> 00:17:45,720

and just tap in a little bit of color.

319

00:17:46,810 --> 00:17:49,170

We want to create the

illusion of the mist.

320

00:17:50,670 --> 00:17:51,240

There we go.

321

00:17:54,179 --> 00:17:55,409

Knock off all that excess.

322

00:17:57,270 --> 00:17:59,189

We can come back and begin softening.

323

00:18:00,810 --> 00:18:02,790

Very soft, very quiet.

324

00:18:03,750 --> 00:18:05,040

Just sort of blends up here.

325

00:18:07,020 --> 00:18:10,350

It's always a lot of missed when

waterfalls this far, you can bet

326

00:18:10,350 --> 00:18:13,979

this mist can just absolutely.

327

00:18:13,979 --> 00:18:16,620

Without question, you know,

there's going to be missed in here.

328

00:18:18,225 --> 00:18:19,485

Just sort of floats around

329

00:18:26,055 --> 00:18:26,595

a little layer,

330

00:18:30,975 --> 00:18:35,745

just using the top corner of a two inch

brush and you can create that effect.

331

00:18:40,785 --> 00:18:43,305

Maybe just find a fan brush.

332

00:18:44,415 --> 00:18:44,925

That'll touch it.

333

00:18:44,925 --> 00:18:45,765

The liquid clear.

334

00:18:46,385 --> 00:18:53,895

Right into the titanium, white, maybe

down here, maybe the water hits and

335

00:18:53,895 --> 00:18:55,455

you can see it coming out of the mist.

336

00:18:55,455 --> 00:18:59,205

And maybe there's some stones down here.

337

00:19:00,435 --> 00:19:00,765

Shoot.

338

00:19:00,795 --> 00:19:02,445

Maybe you want to show

there's a stone there.

339

00:19:02,655 --> 00:19:03,075

Sorry.

340

00:19:03,135 --> 00:19:06,765

If you want a stone there, take

a little Brown, put your little

341

00:19:06,765 --> 00:19:08,685

stone in there or two or 10.

342

00:19:09,285 --> 00:19:09,885

It's up to you.

343

00:19:11,475 --> 00:19:14,115

But as many or as few stones

as you want in your waterfall.

344

00:19:14,774 --> 00:19:16,004

That'll highlight on that stone.

345

00:19:16,004 --> 00:19:16,845

So it stands out.

346

00:19:18,014 --> 00:19:22,665

There was a small edge tonight

and give him shake texture.

347

00:19:24,665 --> 00:19:29,075

Maybe that water sneaks right around

comes right down around that stone.

348

00:19:29,075 --> 00:19:30,995

It's splashing right

down in the front here.

349

00:19:32,075 --> 00:19:33,485

We don't know where it comes from.

350

00:19:33,695 --> 00:19:35,315

It's coming from the mist back in here.

351

00:19:36,305 --> 00:19:38,254

Just all kinds of little

things are happening.

352

00:19:41,375 --> 00:19:42,004

There we are.

353

00:19:43,905 --> 00:19:44,625

Okay, here we are.

354

00:19:47,435 --> 00:19:50,014

Take a clean brush and just

tap it a little bit here

355

00:19:50,044 --> 00:19:52,114

around the edges to mist it up.

356

00:19:54,274 --> 00:19:54,995

Okay.

357

00:19:56,165 --> 00:19:58,445

Now to creep splashes, push up.

358

00:19:58,445 --> 00:20:02,284

We'd been at Berkshire, had bins

up and it will create the illusion.

359

00:20:02,614 --> 00:20:04,534

That's flashes going on all down in here.

360

00:20:09,095 --> 00:20:12,145

See that color just jumps alive

because we have all that underneath

361

00:20:12,155 --> 00:20:13,265

is liquid clear under there.

362

00:20:13,265 --> 00:20:14,645

And then is that lavender color?

363

00:20:16,025 --> 00:20:19,275

And it's really just comes alive.

364

00:20:19,415 --> 00:20:22,955

It the very bottom I put a

little bit of dark Sienna.

365

00:20:22,985 --> 00:20:23,165

Hope.

366

00:20:23,165 --> 00:20:26,195

I mentioned that a little bit of

dark Sienna just to change the

367

00:20:26,195 --> 00:20:27,545

flavor as it comes on down here.

368

00:20:29,165 --> 00:20:29,735

There we go.

369

00:20:30,485 --> 00:20:31,445

We're getting crazy here.

370

00:20:32,405 --> 00:20:32,495

Okay.

371

00:20:32,910 --> 00:20:33,629

So nice.

372

00:20:35,040 --> 00:20:35,639

All right.

373

00:20:35,700 --> 00:20:38,820

Let me, except some color

here, whatever dark it was.

374

00:20:38,820 --> 00:20:44,580

And they look green and blue and

black, all those nice colors.

375

00:20:45,990 --> 00:20:46,410

Yeah.

376

00:20:48,090 --> 00:20:49,170

Take the old fan brush.

377

00:20:49,440 --> 00:20:50,610

Let's go back up top here.

378

00:20:51,720 --> 00:20:52,230

That's time.

379

00:20:52,230 --> 00:20:53,790

We start making some big decisions.

380

00:20:55,350 --> 00:20:57,840

This tree lives right here

in front of the mountain.

381

00:20:59,040 --> 00:21:01,740

It has a spectacular view.

382

00:21:03,419 --> 00:21:04,860

Spectacular view.

383

00:21:05,189 --> 00:21:06,330

She was a corner of the brush

384

00:21:10,500 --> 00:21:11,429

right on down.

385

00:21:12,800 --> 00:21:14,780

And I'm not putting a

lot of branches on it.

386

00:21:14,810 --> 00:21:17,300

I want to leave some areas so I

can see through that and still see

387

00:21:17,300 --> 00:21:18,800

that beautiful mountain back here.

388

00:21:19,669 --> 00:21:24,320

And then this tree right

in here, there we are.

389

00:21:27,020 --> 00:21:29,720

And we'll just let him work

his way or I don't know.

390

00:21:31,035 --> 00:21:32,295

Right on down in there.

391

00:21:32,745 --> 00:21:38,535

I ended up in here, but that blank Jesso

has most of that already painted for you.

392

00:21:38,895 --> 00:21:40,095

So it really works well.

393

00:21:41,915 --> 00:21:42,515

Okay.

394

00:21:44,195 --> 00:21:44,795

Works well.

395

00:21:45,425 --> 00:21:49,745

Let's go on the other side over here

and we'll decide what's over there.

396

00:21:51,635 --> 00:21:53,645

We'll take a little Brown,

little white lavender.

397

00:21:53,645 --> 00:21:55,625

Just mix them all up

on the fan brush here.

398

00:21:55,745 --> 00:21:56,255

It doesn't matter.

399

00:21:56,375 --> 00:21:59,645

Whatever you got over here.

400

00:22:00,735 --> 00:22:06,284

That's come right in here,

make some big cliffs and rocks

401

00:22:06,284 --> 00:22:07,665

and all kinds of happy things.

402

00:22:07,665 --> 00:22:10,365

There is right in front of the waterfall.

403

00:22:11,235 --> 00:22:19,504

Gotta make those little noises

and it comes right on down there.

404

00:22:19,504 --> 00:22:22,685

We are just all kinds of little

things going on in there.

405

00:22:25,355 --> 00:22:28,115

They're just think about

form and shape of your rocks.

406

00:22:30,855 --> 00:22:32,175

Don't kill all this dark area.

407

00:22:32,195 --> 00:22:33,975

It's so, so important here.

408

00:22:35,715 --> 00:22:40,335

There's maybe another little thing

right in there where ever and your

409

00:22:40,335 --> 00:22:46,185

world, you decide to take the little

knife and let's come back in here.

410

00:22:46,215 --> 00:22:50,504

And once again, I just want to let it

barely touch is tap a little color.

411

00:22:52,065 --> 00:22:54,014

It follows basic angles

that you put in there.

412

00:22:56,554 --> 00:22:57,605

Follow those angles.

413

00:23:02,335 --> 00:23:06,875

There we go write 'em

down wherever you want.

414

00:23:08,524 --> 00:23:14,794

And we take our big brush and very

lightly, barely touching again.

415

00:23:16,895 --> 00:23:18,665

And just move that paint blended.

416

00:23:18,695 --> 00:23:19,745

Create a big rock.

417

00:23:21,750 --> 00:23:22,320

There we go.

418

00:23:23,330 --> 00:23:23,480

Yeah.

419

00:23:23,480 --> 00:23:24,290

Back to our breasts.

420

00:23:24,290 --> 00:23:27,800

It had that we made the little Bush with,

maybe we want to push on this side too.

421

00:23:27,800 --> 00:23:32,419

I don't want him to lift that little

green, yellow to come back in here.

422

00:23:33,199 --> 00:23:35,000

And there's a happy little

Bush that lives here.

423

00:23:35,750 --> 00:23:40,669

Maybe he's got a friend is right there and

all I'm doing is tapping down where the

424

00:23:40,669 --> 00:23:43,429

top corner was a big old two inch brush.

425

00:23:45,060 --> 00:23:45,689

Okay.

426

00:23:48,705 --> 00:23:52,605

Here and there a little bit more of

the white paint, very little paint.

427

00:23:52,605 --> 00:23:56,175

I want to create that Misty illusion and

just sort of let these blend together.

428

00:23:58,260 --> 00:24:00,870

And I'm beating the brush

only to remove excess paint.

429

00:24:00,929 --> 00:24:03,990

That's all there.

430

00:24:04,530 --> 00:24:08,040

Now you can sort of gives the impression

that you can see through there and see

431

00:24:08,040 --> 00:24:12,540

some of that green, little bit of mist

over in here that sort of floating around.

432

00:24:14,580 --> 00:24:15,330

Fantastic.

433

00:24:16,320 --> 00:24:16,919

There we are.

434

00:24:17,940 --> 00:24:19,350

Maybe in our big tree up here.

435

00:24:19,935 --> 00:24:20,475

Tell you what?

436

00:24:21,075 --> 00:24:24,195

We can just use a fan brush since I

have it already dirty using that same

437

00:24:24,195 --> 00:24:30,645

green color, put out a few little

lambs and there we go, wherever

438

00:24:30,645 --> 00:24:33,645

you want them, wherever you are.

439

00:24:34,575 --> 00:24:36,014

I need a trunk in this big tree.

440

00:24:36,014 --> 00:24:39,135

So we just take the fan brush

a little Brown and white on

441

00:24:39,135 --> 00:24:41,835

it soon can right on them.

442

00:24:42,044 --> 00:24:43,004

Maybe it was a big old tree.

443

00:24:43,514 --> 00:24:46,065

He lives right there and right up there.

444

00:24:47,970 --> 00:24:50,760

Take a liner brush with some of that

same color, a little paint thinner

445

00:24:51,360 --> 00:24:52,830

put in the indication here and there.

446

00:24:53,220 --> 00:24:57,140

Not happy, little happy little limb.

447

00:24:58,040 --> 00:25:07,220

Now, then we can take, take a little

white and we'll use a little, a little

448

00:25:07,220 --> 00:25:08,870

bit of this color right in here.

449

00:25:09,950 --> 00:25:11,540

Don't want it to get too bright.

450

00:25:11,760 --> 00:25:13,190

Want this to remain sort of dark.

451

00:25:14,295 --> 00:25:15,495

Add a little yellow to it all.

452

00:25:15,495 --> 00:25:16,005

There we go.

453

00:25:16,065 --> 00:25:18,525

That turns a beautiful dark, dark green.

454

00:25:18,525 --> 00:25:19,365

That's what I'm looking for.

455

00:25:20,765 --> 00:25:21,095

Okay.

456

00:25:21,695 --> 00:25:26,705

Up in here now, then we'll just put the

indication of a few highlights that we

457

00:25:26,705 --> 00:25:34,055

can see just using the old fan brush when

you could very well, I've done this for

458

00:25:34,055 --> 00:25:36,215

the one inch brush or a two inch brush.

459

00:25:36,245 --> 00:25:40,835

I just happened to have this

dirty didn't really matter.

460

00:25:45,270 --> 00:25:49,610

Yeah, you have the indication of some nice

limbs and some branches hanging out here.

461

00:25:51,590 --> 00:25:52,340

There we go

462

00:25:55,880 --> 00:25:56,240

there.

463

00:25:56,840 --> 00:25:58,070

Little more rock things here.

464

00:25:58,070 --> 00:26:02,780

Just, it really helps if you're sorta

nervous, darken that up just a wee bit.

465

00:26:04,040 --> 00:26:06,200

If you're a little nervous,

it's an asset here.

466

00:26:08,930 --> 00:26:09,260

Okay.

467

00:26:10,370 --> 00:26:11,540

Clean off the little knife.

468

00:26:13,035 --> 00:26:19,785

Let me wash off a fan brush here and

we'll take, we will take a little touch

469

00:26:19,785 --> 00:26:26,025

of the liquid clear titanium, white, the

clear isn't there only to thin the paint.

470

00:26:27,195 --> 00:26:29,985

And let's bring us all these

things right out in here.

471

00:26:30,975 --> 00:26:33,525

Let it begin picking up all of

those little beautiful colors.

472

00:26:34,755 --> 00:26:37,905

Maybe this just sort of ripples,

float, tread on the way.

473

00:26:38,695 --> 00:26:40,575

We don't know where it goes

wherever you want it to go.

474

00:26:41,235 --> 00:26:45,075

But now it's beginning to

hit that dark Sienna, little

475

00:26:45,075 --> 00:26:46,125

Indian, yellow in there too.

476

00:26:46,125 --> 00:26:52,035

Dark Sienna, Indianola, all those

little things just happen automatically.

477

00:26:53,100 --> 00:26:55,290

This really makes us spectacular painting.

478

00:26:56,429 --> 00:26:59,520

I hope you've enjoyed this one because

the old clock on the wall tells me

479

00:26:59,520 --> 00:27:05,280

it's time for us to leave you for

today, but we will be back next time.

480

00:27:05,760 --> 00:27:07,530

Hopefully we'll have

another surprise for you.

481

00:27:08,750 --> 00:27:10,010

I really hope you try this one.

482

00:27:10,280 --> 00:27:13,550

And if you do drop me a line, send

me a photograph of head comes out.

483

00:27:13,550 --> 00:27:15,770

I'd love to hear from you

and from all of us here.

484

00:27:16,280 --> 00:27:17,030

Happy painting.

485

00:27:17,659 --> 00:27:18,860

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S17E07 - Spectacular Waterfall

Bob Ross's

The Joy of Painting

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