Bob Ross's

The Joy of Painting

S25E13 - The Property Line

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Hi, welcome back.

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Certainly glad you could join

us today because here we are the

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last show of the 25th series.

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So I thought today we'd

just do a little painting.

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It's a lot of fun and I

think you'll enjoy it.

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So let's start out and have him

run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Let me show you what I get done up here.

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I have my regular old 18 by 24 inch

pre-stretch double prime canvas, or we

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put you use any sizes convenient for you.

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And I've covered the entire

canvas today with just a very thin

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even coat of the liquid clear.

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So it's all wet and slick

and it's ready to go.

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So let's just do a fun

little painting today.

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Oh, maybe I do one today.

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Just, just using the old two inch brush,

basically in a few nice colors and,

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and just, just start to let it happen.

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Just sorta let it happen.

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A little bit of the Prussian blue.

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Very little.

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When you're using this liquid

clear, you use very little

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paint, normally very little.

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Okay, let's go up in here and

maybe we'll just take that blue.

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And we just danced in a, just

a happy little sky, takes

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very little color, though.

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Very little color.

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It almost looked like a

wash when it's done there.

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Maybe I'll add a little black

to my brush and blue little.

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Blue and black and yeah, just change

the flavor a little bit here and

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there, there, maybe we'll do a little

winter scene today and put that on,

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make it, make it just a little grayer.

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But on the other hand, it misled a little

Crimson and make it sparkle a little bit.

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This piece of canvas truly is your world.

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And in your world, you paint anything

you want, you use any colors that you

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want, just whatever makes you happy.

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Just something like that.

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This is a very, very transparent color

on top of the clear, but if you wanted

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to make the indication of maybe a

happy little cloud up here, you could

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just take the corner of the brush of

a very small amount of titanium white.

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For example and just spinning using top

corner, just spinning rounded around,

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around, just like so, and create the

illusion of just maybe a happy little

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cloud shape that's far, far away.

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Just barely can see it.

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And it just sort of floats around

there and has a good time something

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about like, all right know, maybe.

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Okay, tell you what let's

make us a nice Brown color.

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We'll use some of lizard Crimson and

SAP green in about equal proportions.

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I think this is one of

the nicest Browns made.

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I like making Brown out

of these two colors.

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There we go.

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Cause you can sort of take it to

the ready side or the green side,

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depending on the mood or, or what you're

trying to achieve in your painting.

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Can you let me wash the

old knife off there?

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We just wiped the knife on a paper towel.

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At breast seems to be doing okay.

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We'll just keep using that tap

just a very small amount of it.

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Very, very small amount into the bristles.

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Like, so I'm just tapping the top corner.

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Can you maybe might even

wipe off any excess?

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I want very little color.

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That's good.

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Maybe wipe it a little more.

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Very, very little color

it here on just makeup.

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Indication that just a happy little

tree that bears far far back here in the

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distance or away, they're going to let

a detail too far away, which is going

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to put some very gentle little shapes.

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Just bear that they're looking

to make up what they are.

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They're too far away.

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There we go.

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So sometimes it's nice when

you're using this clear.

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To give the indication

of light coming through.

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So for that, and we'll take a

little Indian, yellow, little

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yellow ochre, once again, very, very

small amount of paint down in here.

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I'm just going to tap some of this.

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I'm going to have some trees in here.

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This hopefully will come out, looking

like this, this backlight coming through

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there, you could also do this using.

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Jeff.

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So with a little bit of yellow acrylic and

putting down before you start the painting

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today, I thought we'd just do it this way.

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It doesn't matter.

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Doesn't matter.

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Doesn't matter.

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Maybe we put a little sky up in here too.

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What the heck?

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Oh, I got that old brush.

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Maybe some of that will show through.

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I'm not sure exactly where we're

going to have trees or we're not.

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So we'll just put a little

color on the canvas in case.

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Nah, I'm going to use all kinds of

Elysium, Crimson, little touch of black.

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But once again, I can't say it enough.

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I'm using such a small amount of paint.

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It's almost not worth talking about.

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It's so small.

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There we go and change

the flavor a little bit.

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So it stands out there.

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Very, very small amount of paint there.

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I want this to be very soft,

almost like a watercolor.

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Sometimes I like to do oil paintings

that have a watercolor look to them.

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And this is one of the ways that we do.

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Maybe over in here, a little more of that

Brown that we made and we just happen,

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just happen, indication of a little Bush

and we just let them fade right on down

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to nothing right on down to nothing.

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When you do your painting, you may

want it to be a little brighter.

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Let him stronger.

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It's up to you.

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I'm sure he's a little tricky.

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This is fun.

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Take a liner brush, shake

off all the excess paint.

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You might even wipe it on a paper towel

and then very lightly just touch the

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canvas and we'll make the indication of

all kinds of little sticks and twigs,

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just with a clean brush and you just

paint thinner on there, reacts it,

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reacts with the liquid clear, and you

can make all these things using nothing.

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It's just removing paint.

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Sometimes we apply paint and

sometimes we remove it depending

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on what we want to accomplish.

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It takes a minute for it

to come up and look at.

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Yeah.

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See, but you think you should

be one that's the right place.

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And if you want to make it look like a

watercolor payment, sometimes you can also

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take fan brush, put some paint thinner

on it, shake off all the excess dinner.

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Just really shake it off.

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Then go up here.

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And flick it just flick a little

paint than array it on to that color.

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And once again, the paint thinner and

the liquid clear we'll have a violent

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reaction and you'll get all these

gorgeous little things right in there.

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I will flick him a little up here.

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You decide where you want it.

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Something like, so I like to put it

right down at the base of all these

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trees and bushes and stuff, and I

sort of liked that effect and you can

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work in layers when you're doing that.

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You can put, put some in and put a layer.

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Underneath it and just keep

working layer after layer.

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It helps create that illusion of

depth and distance in your painting.

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And to me, that's what

makes your painting special?

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Maybe there's another little

tree I've lived right here.

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There we go.

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This is a nice way of making the

indication of new trees and bushes.

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If you've had problems, making them

any other way, that was here, all

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you do is add a little color to the

tip top of your brush and just hap

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and they almost happen automatically.

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There we go.

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Maybe this is a winter scene.

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This have some nice snow in here.

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I like to do winter scenes and

tend to have a lot of warm colors

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and winter scenes can get so cold.

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You almost have to wear

a coat to work on it.

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So let's take old fan brush,

a little bit of the titanium.

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White.

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Maybe I'll put a little, touch it

up a little touch of depression,

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blue in there just to blue it down.

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See you there, but just a little,

I want it to look like maybe

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as a little tiny bit of shadow.

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That's snap.

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Let's go up in here.

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And then we can take a little brush and

go back in here and begin picking out

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areas that we're looking for that easy.

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It's going to lift up.

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So it just disappears back here.

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See, there just worked right around that.

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Bush.

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Just put things wherever you want them.

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Just lift it up, lift up that easy hair.

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It looks sorta cold already.

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Sorry, cold already.

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There we go.

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Wherever you think these things should be.

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Let's take a little blue and

black, put some white in it.

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Don't want it too strong, blue and

black, and maybe, maybe right in here.

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I'll do something about like

that, but I would just be curving

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these strokes, curving them.

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I don't have to go red on

off and what I'm doing.

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I want to make maybe the indication.

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Yeah.

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I have a little bank here.

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Maybe there's a little stream

that lives right in here.

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Maybe it's all frozen and all we can see

is this little, little area right here.

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They're saying something like, so.

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Now we can go back to her wife,

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put in all kinds of little things.

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Then you could do this with, you

could do this with a two inch brush.

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If you want to.

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I'm just using the little fan brush

cause it happens to be available.

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It doesn't matter.

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Doesn't matter there.

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Wake up a little more titanium

white on the brush and come

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right up to the edge here.

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Maybe occasionally it slides over.

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See you there too.

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So.

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Down in here, we need a little

bit of the white color, something

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like that, but that'll help create

that illusion that maybe there's

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a little frozen bank right there.

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Something like that.

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These little paintings are a lot of fun.

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They're good paintings to just sit

down and, and experiment with, you

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know, we did one painting in this

series of sort of turned out to have

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an Oriental look to it, where we just

sit down and we started playing and

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just working with color, these little

paintings here, you can do the same way.

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Don't be afraid to experiment.

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That's really where the fun of

painting comes in the joy of

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painting it's in learning new things

and experimenting, doing things

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that you've never done before.

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That's, what's fun.

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Maybe there's some little

areas right in here somewhere.

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I don't know, just put a little

blue in there and bring the

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white right up to it like that.

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And it'll look like a little, there's

a little indentation there that easy.

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I've started sneaky,

but it works very well.

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Works very well.

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All right, let's go back and

play with some more trees.

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There are a lot of fun.

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I'm going to go back into that

nice Brown that I've made from the

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SAP green and the lizard Crimson.

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Just tap a little color

right onto the brush there.

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You can see very little color.

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Very little.

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No, you get tired of hearing that, but if

I don't say it too much, I'm afraid for,

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you're going to sock a big bunch of dark

color up here and be very unhappy with me.

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Because it takes such a small amount of

color to create this particular illusion.

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Sometimes you want to create other

illusions and you do use more color,

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but today I'm just trying to, I'm trying

to create softness, take a little blue

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and a little Crimson, mix it together.

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We'll make a little,

little lavender color.

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I mean, wipe off all that excess

again, I don't want much color.

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Maybe we have the indication

right here, the tree right there.

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There we go.

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I like doing all these

little trees and bushes.

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That really is some of

the most fantastic things.

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Cause I know there's all

kinds of little creatures.

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I got to show you one more little filler.

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We've showed you several

animals in this series.

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I want to show you one more,

one more little fellow that

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I think you will just love.

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This is a little baby Kuhn, just a

tiny little thing, but I think he's

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one of the neatest little characters.

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I'm just painting this tree

or we're watching that.

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I think he's just

absolutely darling there.

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By the time you see this

though, you'll probably be.

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Oh, he's probably going

to be grown in long gone.

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Cause it doesn't take too long for

these little devils to grow up.

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I grew up quite rapidly and then

we turned them loose because God

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intended for them to be free.

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And I'll tell you, that's

where they should be.

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All right.

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00:13:32,405 --> 00:13:36,665

Now then let's take a old fan rush

with just a little paint thinner on it.

247

00:13:36,965 --> 00:13:39,425

I want to flick it again like that.

248

00:13:40,110 --> 00:13:43,470

Just right down here at the base of that,

let all those little things just happen.

249

00:13:43,770 --> 00:13:44,130

Watch them.

250

00:13:44,850 --> 00:13:46,200

That's exciting when that happens.

251

00:13:46,200 --> 00:13:49,820

It just turns me on to

watch all that I see.

252

00:13:49,880 --> 00:13:52,880

And as you said that the camera

stated the second watch what happens.

253

00:13:52,880 --> 00:13:56,690

See, they just keep coming and

coming and you can do this and

254

00:13:56,690 --> 00:13:58,250

make great big ones or little ones.

255

00:13:58,460 --> 00:14:00,230

You can make them even run sometimes.

256

00:14:00,230 --> 00:14:01,130

And that's very pretty.

257

00:14:01,580 --> 00:14:02,030

That's good.

258

00:14:02,030 --> 00:14:02,450

Thank you.

259

00:14:04,140 --> 00:14:08,430

There now let's go.

260

00:14:08,440 --> 00:14:12,290

I want to take a little break, read and

put into my, into my titanium white,

261

00:14:12,340 --> 00:14:15,510

just to keep it a little pinky flavor,

but I don't want to set it on fire.

262

00:14:15,930 --> 00:14:20,490

I don't want to set it on fire and

we'll put a little touch of snow

263

00:14:20,490 --> 00:14:24,660

that lives right in here, there.

264

00:14:24,690 --> 00:14:25,440

Just lift it up.

265

00:14:27,060 --> 00:14:28,260

Something about my cat.

266

00:14:30,570 --> 00:14:31,200

There we go.

267

00:14:31,740 --> 00:14:31,890

Okay.

268

00:14:32,570 --> 00:14:35,790

I tell her I just taken lifted up

because it just blends it together.

269

00:14:37,680 --> 00:14:43,020

And you can't tell where one stops and

the next one starts, but very, very soft.

270

00:14:43,020 --> 00:14:46,140

This is a very gentle painting, very soft.

271

00:14:46,950 --> 00:14:47,400

Okay.

272

00:14:47,430 --> 00:14:48,450

Let me grab dual brush.

273

00:14:48,930 --> 00:14:49,950

Let's make another little layer.

274

00:14:49,950 --> 00:14:53,520

I'm having fun to make them all of these,

but notice that we complete one layer

275

00:14:53,520 --> 00:14:57,000

in this painting at a time, it didn't

come forward to one layer of time.

276

00:14:57,150 --> 00:14:57,770

Work forward.

277

00:14:58,260 --> 00:15:01,290

Always working forward,

maybe right in here.

278

00:15:01,910 --> 00:15:02,080

Yep.

279

00:15:03,120 --> 00:15:03,480

You're right.

280

00:15:04,830 --> 00:15:06,150

There's another happy little tree.

281

00:15:09,210 --> 00:15:09,870

Bushy devil.

282

00:15:12,060 --> 00:15:13,320

Wouldn't that little raccoon cute.

283

00:15:14,190 --> 00:15:16,830

I worked with a lot of the rehab

people all over the country.

284

00:15:18,300 --> 00:15:20,579

And these little creatures

are so important.

285

00:15:22,349 --> 00:15:27,270

I just think, I think you're so

much fun to work with and to enjoy.

286

00:15:28,500 --> 00:15:31,500

And maybe the greatest pleasure

of all is after you've raised

287

00:15:31,500 --> 00:15:32,849

one up and he's doing well.

288

00:15:32,979 --> 00:15:33,729

He was orphaned.

289

00:15:34,089 --> 00:15:34,920

He's grown.

290

00:15:34,920 --> 00:15:36,420

If he was hurt, he's repaired.

291

00:15:37,500 --> 00:15:41,520

And the greatest pleasure is when you

turn him loose and you see him go.

292

00:15:42,219 --> 00:15:43,989

Sometimes I'm a big old softie.

293

00:15:43,989 --> 00:15:47,469

So sometimes that's a little hard

for me to do because I sort of get

294

00:15:47,469 --> 00:15:52,540

attached to these Rascals, but you

have to remember, we take a little

295

00:15:52,540 --> 00:15:55,359

caddy, yellow, bright that's nice.

296

00:15:56,439 --> 00:15:59,500

You have to remember that's once

again, that's where God's meant for

297

00:15:59,500 --> 00:16:02,890

him to be out there playing in the

bushes and the trees and all that.

298

00:16:03,954 --> 00:16:05,714

But they don't do well if

you make pets out of them.

299

00:16:05,714 --> 00:16:09,015

Cause they don't make very good

pets, even raccoons as cute as they

300

00:16:09,015 --> 00:16:13,214

are from their little, usually when

they grow up, I get a little mean.

301

00:16:15,135 --> 00:16:16,724

So we let them go for, they get that mean.

302

00:16:17,355 --> 00:16:19,605

Cause when they get mean and they're

ready to take care of themselves,

303

00:16:21,015 --> 00:16:22,365

they don't need our help anymore.

304

00:16:24,795 --> 00:16:25,185

There.

305

00:16:28,275 --> 00:16:28,935

Okay.

306

00:16:29,985 --> 00:16:32,055

Let's look at all the

different layers of planes.

307

00:16:32,055 --> 00:16:34,755

If you want to call them

such in this painting.

308

00:16:36,464 --> 00:16:39,255

That's what creates that illusion

of depth and distance in it.

309

00:16:40,920 --> 00:16:41,250

Hold on.

310

00:16:41,250 --> 00:16:42,960

Take a little thing, a little blue.

311

00:16:42,990 --> 00:16:46,860

I keep saying, I meant Prussian blue,

who don't have any fatal blue in this

312

00:16:46,860 --> 00:16:50,960

painting oppression, but you could

use the low blue, if you want it a

313

00:16:50,960 --> 00:16:52,280

little bit on breakfast, go up here.

314

00:16:53,090 --> 00:16:55,940

I just wanted in this particular

painting, a little colder, but

315

00:16:59,040 --> 00:17:02,870

a little blue right in here just to make

some shadows with and we'll come back.

316

00:17:04,160 --> 00:17:04,940

We'll just widen.

317

00:17:05,270 --> 00:17:06,319

I go right back over it.

318

00:17:06,740 --> 00:17:08,720

And then those shadows

then will be underneath.

319

00:17:10,425 --> 00:17:15,515

And that meat, but work between

blues and some of your little

320

00:17:15,515 --> 00:17:19,745

pinks and whatever, you can just

do all kinds of wonderful things.

321

00:17:21,045 --> 00:17:23,055

Painting is so much fun.

322

00:17:23,265 --> 00:17:28,415

It really is one of those

things that a lot of fun there.

323

00:17:29,405 --> 00:17:33,365

And I think only nice people

paid and I have traveled for

324

00:17:33,365 --> 00:17:34,805

many years and that's my partner.

325

00:17:35,015 --> 00:17:39,305

She travels with me all over the

country and we, we do a lot of shows

326

00:17:39,305 --> 00:17:41,135

for PBS stations around the country.

327

00:17:41,145 --> 00:17:43,085

And even in some foreign countries.

328

00:17:45,060 --> 00:17:47,310

And I have never met a person who paints.

329

00:17:47,850 --> 00:17:49,170

It's not a very nice person.

330

00:17:49,170 --> 00:17:51,420

So I think it goes with,

with what you're doing.

331

00:17:52,260 --> 00:17:54,200

And maybe I'm just very

pretty, I don't know.

332

00:17:55,730 --> 00:17:58,310

I just, I nice people paying them.

333

00:17:58,310 --> 00:18:01,730

We'll put an indication here and

there, but it'll stick in a twig.

334

00:18:02,030 --> 00:18:04,150

It's using just a clean brush

with paint thinner on it.

335

00:18:05,210 --> 00:18:07,790

Don't want these to stand up

too much, just here and there.

336

00:18:08,900 --> 00:18:11,810

And they'll continue to work for

a little while after you go away.

337

00:18:12,700 --> 00:18:15,480

See that one it's getting bigger and

bigger as you sit there and watch it.

338

00:18:16,440 --> 00:18:18,150

All you're doing is removing paint.

339

00:18:18,600 --> 00:18:22,830

It's just, you're removing paint and

we can take a little paint and then

340

00:18:22,830 --> 00:18:25,800

there was a little Brown on it and

here and there, we can bounce him.

341

00:18:26,430 --> 00:18:27,690

Some that are a little darker.

342

00:18:28,470 --> 00:18:29,280

I don't want him to dark.

343

00:18:30,330 --> 00:18:30,570

No.

344

00:18:30,570 --> 00:18:31,290

I want them to dark.

345

00:18:33,060 --> 00:18:33,720

Keep them light.

346

00:18:34,575 --> 00:18:38,385

Yeah, take a little bit Brown.

347

00:18:38,385 --> 00:18:40,425

We made put a little

paint thinner with it.

348

00:18:40,965 --> 00:18:45,285

And maybe back here, there's an old

tree what's left of an old tree,

349

00:18:45,295 --> 00:18:50,415

or got to make those little noises

to get the crooks and the hurts

350

00:18:50,415 --> 00:18:51,975

and the pain it's in this old tree.

351

00:18:52,485 --> 00:18:53,715

Cause he's had a hard life.

352

00:18:55,115 --> 00:19:03,425

He's had a hard one times were tough

when he was just a little there.

353

00:19:04,064 --> 00:19:06,314

Poor thing, but he's okay.

354

00:19:06,314 --> 00:19:10,514

Now here, little squirrel

lives up here in his limbs.

355

00:19:11,024 --> 00:19:12,465

They get along fine.

356

00:19:14,655 --> 00:19:16,604

There got a little tree in there.

357

00:19:16,604 --> 00:19:20,054

Now get a little more wide on

the brush, reach out up here and

358

00:19:20,054 --> 00:19:21,465

grab a little bit, pull it out.

359

00:19:22,604 --> 00:19:27,314

So there's some snow right around

his foot, right around his foot.

360

00:19:27,675 --> 00:19:29,294

Maybe back in here, just here and there.

361

00:19:29,294 --> 00:19:32,205

You can make out a few more little things.

362

00:19:34,710 --> 00:19:36,090

I don't want these to be too dark.

363

00:19:36,090 --> 00:19:39,360

I don't want them to be just, almost

hidden back here, but they're there.

364

00:19:39,980 --> 00:19:40,610

They're there.

365

00:19:41,510 --> 00:19:41,929

All right.

366

00:19:42,050 --> 00:19:44,330

You know me, it's time.

367

00:19:45,260 --> 00:19:48,560

If you painted with me very long,

you know, I like big trees and

368

00:19:49,010 --> 00:19:51,860

this being the last show of this

series, we should not end without,

369

00:19:51,860 --> 00:19:53,570

uh, having at least one big tree.

370

00:19:54,350 --> 00:19:57,350

Let's take some Vandyke Brown

put on your bravery suit.

371

00:19:57,669 --> 00:19:58,970

Let's see where you're at today.

372

00:20:00,195 --> 00:20:04,065

Cause we're going to put us a

big tree right here using Vandyke

373

00:20:04,065 --> 00:20:06,435

Brown, little dark sea, and I'm

just sort of mixing them together.

374

00:20:06,465 --> 00:20:08,025

Using the old Filbert brush today.

375

00:20:09,775 --> 00:20:12,075

Think we'll do really a rough tree.

376

00:20:12,795 --> 00:20:18,825

This one, this one has really had a

tough life when he was little, maybe,

377

00:20:19,155 --> 00:20:20,955

maybe a big deer came through here.

378

00:20:21,015 --> 00:20:23,895

Big, big buck and stepped right on him.

379

00:20:24,345 --> 00:20:24,735

Hurt him.

380

00:20:26,595 --> 00:20:28,995

Really put some cooks

in his back, whatever.

381

00:20:30,435 --> 00:20:31,095

There we go.

382

00:20:31,405 --> 00:20:32,505

Give him some big foot.

383

00:20:32,585 --> 00:20:34,545

He need a big old foot to stand out here.

384

00:20:36,045 --> 00:20:37,065

Take all this abuse.

385

00:20:37,065 --> 00:20:39,015

He's getting, there we go.

386

00:20:40,595 --> 00:20:40,895

Same.

387

00:20:43,355 --> 00:20:46,775

I had a letter from a psychiatrist one

time and he said I had really lost it.

388

00:20:47,345 --> 00:20:51,815

I had even given the trees,

arms and foots, and I wrote

389

00:20:51,815 --> 00:20:52,955

him back and told him me out.

390

00:20:53,340 --> 00:20:58,670

I had what it was my world,

everything in my world was happy.

391

00:20:58,670 --> 00:21:04,340

And if I wanted my trees to have

arms and foots, it's okay there.

392

00:21:06,910 --> 00:21:08,210

I get several letters from him.

393

00:21:08,300 --> 00:21:09,260

Very nice gentlemen.

394

00:21:10,970 --> 00:21:13,430

And he finally agreed with me

if I wanted harms and foot.

395

00:21:13,430 --> 00:21:15,800

So my Tracy, I said, I guess that's okay.

396

00:21:17,565 --> 00:21:20,175

But in his world, he had a

little more sanity than I did.

397

00:21:20,175 --> 00:21:22,815

He, he didn't have arms and

foots on his, there we go.

398

00:21:23,145 --> 00:21:28,955

I'm just putting on some local

old limbs that live at okay.

399

00:21:29,675 --> 00:21:29,825

Why?

400

00:21:29,825 --> 00:21:30,785

These are tough.

401

00:21:30,785 --> 00:21:34,715

Look at all Rascals, but I

like a tree with character.

402

00:21:36,215 --> 00:21:40,625

I get tired of just trees that are

struggling, standing tall and telephone

403

00:21:40,625 --> 00:21:41,885

companies out, looking for them.

404

00:21:43,300 --> 00:21:44,280

I like trees.

405

00:21:44,280 --> 00:21:46,649

It really looked like my heads.

406

00:21:47,790 --> 00:21:49,919

Some interesting things

happened in their life.

407

00:21:52,189 --> 00:21:57,560

Fair and animals, all like

these kinds of trees because

408

00:21:57,560 --> 00:21:58,909

they had good places to hide.

409

00:22:00,199 --> 00:22:00,679

All right.

410

00:22:02,210 --> 00:22:05,300

We'll just take a little snow,

bring it right down from the foot

411

00:22:05,300 --> 00:22:06,439

here and we'll take it right up.

412

00:22:06,439 --> 00:22:09,290

Like Kevin, something like, so.

413

00:22:12,735 --> 00:22:13,365

Okay.

414

00:22:13,395 --> 00:22:16,365

A little bit of blue just

to make a little shadow.

415

00:22:16,575 --> 00:22:17,805

It goes right into there.

416

00:22:19,155 --> 00:22:19,755

Like that.

417

00:22:21,105 --> 00:22:25,695

Let's take a knife, makes up

a little Brown, a little dark

418

00:22:25,695 --> 00:22:28,995

Sienna, a little Fandango, a

little bike, mix them together.

419

00:22:30,255 --> 00:22:30,975

Doesn't matter.

420

00:22:32,805 --> 00:22:34,065

I'm going to wipe off this brush.

421

00:22:34,695 --> 00:22:36,675

I'll just keep using that

Filbert for the time being.

422

00:22:37,185 --> 00:22:39,495

I'm just going to let it

barely touch and graze.

423

00:22:39,900 --> 00:22:44,250

But the indication here and there

all kinds of things, not when

424

00:22:44,250 --> 00:22:46,350

this dries his pain is very thick.

425

00:22:46,830 --> 00:22:55,280

You can actually feel this bark on here,

there, let the brush bounce and play.

426

00:22:55,280 --> 00:22:56,140

Barely touched.

427

00:22:56,140 --> 00:22:57,920

Some of these limbs

it'll come right on out.

428

00:22:57,920 --> 00:23:00,530

So I'm at, well, it depends on what

side of the tree you put them on.

429

00:23:01,940 --> 00:23:02,810

It's up to you.

430

00:23:02,840 --> 00:23:05,300

You can put them anywhere,

any way that you want them.

431

00:23:07,875 --> 00:23:09,225

That's a ragged looking old tree.

432

00:23:09,225 --> 00:23:09,465

Isn't it?

433

00:23:10,905 --> 00:23:13,275

That's a rough, I don't even know

if my squirrel could climb it.

434

00:23:13,275 --> 00:23:13,845

Yeah, he could.

435

00:23:14,885 --> 00:23:18,275

I still have squirrely

girly Brown squirly girl.

436

00:23:18,815 --> 00:23:20,405

Who's lived with me for several years.

437

00:23:21,305 --> 00:23:22,655

I don't make a little fence, I think.

438

00:23:23,015 --> 00:23:23,795

All right, come right here.

439

00:23:24,245 --> 00:23:27,515

There's a little post squirly girl.

440

00:23:27,545 --> 00:23:30,875

The veterinarians have told

me has epilepsy and can

441

00:23:30,875 --> 00:23:32,825

never be, never be released.

442

00:23:34,455 --> 00:23:38,685

They told me about two years ago that

she would only live for six more months.

443

00:23:39,345 --> 00:23:44,025

And you know what squirrelly didn't

know that she's still hanging

444

00:23:44,025 --> 00:23:46,185

in there and she's doing fine.

445

00:23:46,605 --> 00:23:47,475

I'm gonna make his fence

446

00:23:52,035 --> 00:23:55,485

there comes right around, like, yeah.

447

00:23:56,085 --> 00:24:00,225

And maybe be on that side.

448

00:24:01,679 --> 00:24:04,860

Maybe over here, maybe this

one comes right on off.

449

00:24:04,919 --> 00:24:05,550

This is one of them.

450

00:24:05,550 --> 00:24:06,510

It goes around.

451

00:24:07,679 --> 00:24:07,919

Oops.

452

00:24:07,919 --> 00:24:10,590

We didn't make out and go all

the way through eight fall off.

453

00:24:11,940 --> 00:24:13,050

We can take a little white.

454

00:24:13,070 --> 00:24:15,600

I'm gonna put a little liquid white with

it, just to make it a little thinner.

455

00:24:16,940 --> 00:24:20,850

We can come along in here, but the

indication of some nice snow things that

456

00:24:20,850 --> 00:24:27,020

are hanging around up in here there,

you could do this with a liner brush.

457

00:24:27,050 --> 00:24:29,000

If you have trouble

controlling your brushes, big.

458

00:24:29,970 --> 00:24:34,200

It is a little easier, but

I got used in this today.

459

00:24:34,200 --> 00:24:36,210

So it, whatever doesn't much matter.

460

00:24:37,350 --> 00:24:39,120

Well, that's a rough

looking old fence too.

461

00:24:41,909 --> 00:24:45,629

I like, I like paintings of the

type of character style to him.

462

00:24:45,629 --> 00:24:52,950

Like this little bit of that blue and

white, but some snow under this old trees

463

00:24:52,950 --> 00:24:58,020

foot there you pick up a little bit color.

464

00:24:58,409 --> 00:25:02,520

That's just wonderful because it will

create the illusion of shadows in there.

465

00:25:02,520 --> 00:25:03,570

And that's what we're looking for.

466

00:25:04,620 --> 00:25:06,629

We're looking for some

shadows in our world.

467

00:25:08,659 --> 00:25:19,939

They're like that right now, then

something about like, so, Hey, we'll

468

00:25:19,939 --> 00:25:23,750

take our little script liner brush

a little bit of that Brown color.

469

00:25:25,920 --> 00:25:30,720

And maybe there's some weeds and grassy

little things that grow all out in here.

470

00:25:31,620 --> 00:25:34,500

Cause if this guy, he probably took

care of his fence about like I do

471

00:25:34,500 --> 00:25:40,170

mine, he left the weeds just about

eat it up, take a little fan brush.

472

00:25:40,170 --> 00:25:41,100

We use number three.

473

00:25:41,160 --> 00:25:41,820

It didn't matter though.

474

00:25:43,020 --> 00:25:48,510

Pop in a few little bigger weeds

wherever you think they should be.

475

00:25:50,250 --> 00:25:52,320

And you can put all kinds

of little details in here.

476

00:25:52,860 --> 00:25:53,400

It's up to you.

477

00:25:54,824 --> 00:25:56,594

You have to make these big decisions.

478

00:25:58,245 --> 00:26:00,735

You have to decide where all

these little things live.

479

00:26:03,574 --> 00:26:14,135

There's some more there and you just

drop them out little tweaks and sticks.

480

00:26:16,205 --> 00:26:16,804

They go Bush.

481

00:26:16,834 --> 00:26:19,855

That's right there, dude.

482

00:26:19,855 --> 00:26:21,125

I think we're not down to really.

483

00:26:21,425 --> 00:26:22,145

We have a painting.

484

00:26:22,145 --> 00:26:22,925

We can sign.

485

00:26:23,804 --> 00:26:27,885

We'll take a little red little

sign, this one right down here.

486

00:26:29,415 --> 00:26:34,385

And with that, I'd like to bring

this series to a close I'd like to

487

00:26:34,385 --> 00:26:38,314

thank you very, very much for being

with us during this entire series.

488

00:26:38,314 --> 00:26:40,415

And I hope to see you again very soon.

489

00:26:40,415 --> 00:26:42,544

We've already started the next

series and I look forward to

490

00:26:42,544 --> 00:26:43,804

painting with you in the future.

491

00:26:44,314 --> 00:26:47,225

And from all of us here, I'd

like to wish you happy painting.

492

00:26:47,975 --> 00:26:49,145

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S25E13 - The Property Line

Bob Ross's

The Joy of Painting

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