Bob Ross's

The Joy of Painting

S24E10 - Rowboat on the Beach

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today we'd just do a

fantastic little painting that,

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that I believe you'll really enjoy.

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So let's start out and have him run

all the colors across the screen

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that you need to paint along with us.

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And while they're doing that, let

me show you what I got up here.

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I have my standard old double

prime pre-stretch canvas.

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And today I've taken a little

piece of contact paper and

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just cut an oval out of it.

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And then we've covered the whole.

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Inside of the oval with a thin

even coat of liquid white.

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So the cams is all wet

and it's ready to go.

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So tell you what, listen,

let's just have some fun today.

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Today.

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I think I'll start.

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Oh, let's use a little one inch brush.

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I'll take just the smallest

amount of cared, yellow.

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Very, very small amount of cadmium yellow.

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We don't need much today.

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I think today we'll do the little seascape

that you see at the beginning of the show.

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Now I'll show you how that was made.

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And this will not be an exact duplicate

of that, but it'll, it'll be very close.

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Okay.

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And we'll just take a little one inch

brush and just make sort of a little

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yellow circle right there, right

there without cleaning the brush, I'll

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pick up at least little touch of the

yellow ochre and we're, we're really

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applying very little color here.

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There is not a great deal

of color on the canvas.

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Something.

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Yeah, that's fine.

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It doesn't matter.

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Doesn't matter.

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There we go.

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Now let me wash the old brush.

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Okay.

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And we just wash our brush

with odorless paint thinner.

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Since these are oil

paints, that's what we use.

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There we go.

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Now let's take, makes

up a little color here.

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I'm going to take some white and a

little fellow green mixed together

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that they look green is sort of a.

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Well, it's sort of an

Amarillo green gorgeous color.

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Very strong though.

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Okay.

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Let me wipe off the old knife.

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Be very careful with that.

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You need that much.

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It will put a little that right on the

whole one inch brush, and I'm going to

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go right out here right around there

and just drop in a little bit of that.

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Like, so I've got a lot of letters from

people are asking for just a very simple

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little seascape is quite effective and.

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This is the one that I've designed.

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I think you'll enjoy it.

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Thank you.

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Enjoy it now, then same color,

except I'm going to add a little

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bit of the midnight black.

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So I have the little green, little

white hidden midnight black.

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Just want to dull it down a little bit.

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Okay.

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And we'll go right around here with that.

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What we're trying to achieve here is

the illusion that it gets progressively

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darker as it goes out away from the sun.

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There.

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Nah then same color, same color.

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So we have fatal green, white, black,

and I'm going to add a little bit of the

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little blue just to change the flavor and

make it a little darker, little darker.

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Okay.

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And we'll just fill up the rest

of the sky with that, that easy.

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And we have a basic idea.

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Maybe our Waterland be right along

here somewhere at this point.

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We're not really concerned.

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We'll worry about that later.

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Right now we're just applying

some color to the canvas there.

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See, we already have a masterpiece for

the museum of modern art right here.

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We could stop.

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All right.

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I just like to wash the brush.

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Okay, now then let's begin blending.

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But today I'm going to blend

a little bit different.

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Normally I just do a

little crisscross today.

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I'm going to touch and push,

just touch it and push.

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I want to make this look like there's

little rays of light coming out from here

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without actually having rays of light.

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I just want to give that impression.

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So just by doing this.

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This is the way that we'll blend it there.

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And I'm going to turn the brush

over occasionally so that I get a

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little bit of that color in here.

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All right.

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And the least, little bit of

titanium white, right on that

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same brush begin tapping there.

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Just like, so it's all there is to it.

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And you can do this over and over

and over, and you will not believe

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the effect that you can create.

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There we go.

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But all we're doing here is just

tapping, pushing, and I'm doing it

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quite firmly as you probably can hear,

but you begin to sing that illusion.

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It's coming out from here.

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Always start in the light area and work

out where we don't want to take that

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dark, dirty color back into the center.

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We don't want to lose that

nice bright area there.

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Okay.

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You beginning to see that just, it looks

like he was a global all the way around.

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And as I say, I have some time

restrictions here that you don't have

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at home, and you can do this for a long

time and you get it to get it to any

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degree of softness that you wanted.

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There we go.

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But it will make just one of the

most gorgeous guys you've ever seen.

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You don't have to limit it to seascapes.

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It's also very, very effective and very

pretty the landscapes we just beat your

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brush just takes off the excess paint.

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There we go.

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Something like that.

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Just keep it going there.

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Okay, let me wash the brush and

we'll start all over again with

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a little bit of light and do it

just one more time real quickly.

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So you can see the

effect that happens here.

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That's the brush.

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It's really fun to do.

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Go back into a little more of the

titanium, white and a wash the brush.

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Cause I'm going to start right back here

in the lightest area and work outward.

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They're

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still doing that tapping

and pushing at the same time

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and outward out without, without

we're always blending outward.

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Isn't that fantastic.

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And you can do this very,

very simple, very simple,

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right on up here a little bit in

this particular painting, I know

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basically what's going to happen.

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And since we did it for the opening of

the show, so I know there's going to

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be some flowers and stuff in there, we

don't have to worry so much about it.

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Then there, there we go.

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All right, one more time.

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We'll wash the brush.

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Actually.

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I just like to keep the

camera crew on their toes,

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their here now that very lightly, very

lightly just blamed the entire sky and

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that effect will still remain in there.

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You can still see that it looks like

it's just, life's just exploding.

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There something about my cat and you

can blend it to any degree of softness

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that you want little hair, right there.

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Just take the corner of

the brush, lift it off.

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If you get a hair.

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Cause he's a natural bristle brushes.

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They do have a tendency to shed a little

bit, especially during the mating season.

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But if you happen to get a little hair,

just take the cornea brush and pop it off.

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All right.

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We'll use the same old brush.

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I'm gonna go right back into

the color that we had there.

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It's take a little green, a little black,

little blue, white, half the little

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color right onto the bristles, like it,

something like, so, and we'll go right

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up in here and maybe, maybe there's a

happy little cloud lives right there.

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And all you do is just cap, just sort

of tapping and giving it a little.

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Pushy push there.

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Something about like that.

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I had a little clown.

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There we go.

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Maybe.

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I think it was one about here too.

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So I'd say this won't be an

exact duplicate of the one.

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You see it at the opening.

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It'll give you an idea of how it was

made and then you, you make your own

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masterpiece, like so little darker

color, maybe up here at the top,

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you can make out the indication of a

few little clouds and that we appear

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there wherever we can wash your brush.

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One more time, nothing else.

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This is a good exercise.

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And keeping your brush clean

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there.

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Not very lightly.

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One hair in some air, you just

blend this, just blend it.

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Think right across the entire sky.

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Very gently blend it all together.

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I beat the brush.

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Once again, only to remove excess paint,

it's just, it's much faster and easier

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than going through the whole cleaning

procedure and it'll clean it pretty well.

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Now, maybe in our world, we'll

put a little sun up here.

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We'll take a little white paint,

little titanium white, and I don't

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want this to be real bright just

enough so that you can see it.

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And then very gently you can

blend right over the top of that.

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And see, now we have a sun.

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The indication of some rays coming out,

you got some happy little clouds that

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easy, that easy now major decision.

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Where's our water line.

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Let's take, we'll use black.

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They look green, little,

they look blue, little white.

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I don't want this water too dark today.

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Something about like that, not

too dark and big decision time.

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Maybe our water line is right along here.

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I'm here.

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If you have trouble or making a waterline,

that's halfway straight, which I do

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frequently, mine have a tendency to

sort of run to one side of the other.

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You can put a piece of masking tape

across there before you start painting.

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And it'll assure that your waterline

is exactly where you want it.

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You just pull the masking tape off

when she had this guy finished.

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No, it's fantastic.

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We get.

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Hundreds and hundreds of letters from

people all over the country that are

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painting and people send me photographs.

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But recently right here at

the station where this film,

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they had a little contest.

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I want to show you.

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I want to show you a picture that

a young man did a couple of them.

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In fact, named Chris that lives

right here in Muncie, Indiana.

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Can you believe this?

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He brought his in, let me look at

him cause he won the contest and you

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can certainly see why Chris you're

doing fantastic, but these are the

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kinds of things that I love to see

because they make it all worthwhile.

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This young man's probably, I

don't know, 15 years older, so I'm

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guessing, but he has one heck of

a painting future ahead of him.

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So congratulations Christmas there.

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All I did is just fill that up with

a little color, not like it, and

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we can watch the old brush again.

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Shake off the excess and just

beat the devil out of it.

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All right.

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Let me find a little fan brush.

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There was some little Headlands

back in the background.

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So I use a little black, a little

black, little, little bit of the blue

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little Taylor green, same exact colors.

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We just changed the

proportions a little bit.

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So it has a little different flavor

maybe in our world, their lives.

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Maybe there's a little, yup.

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Little Headland lives right there.

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Barely touching the canvas.

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The more color that you want,

the harder you push it'll get

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darker and darker that way.

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Maybe.

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Yeah.

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A little bump right there.

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It's your world.

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So you really decide how you

want these to look it's up to you

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to really, and truly up to you.

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Painting is such an individual thing

and that's the way it should be.

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That's the way it should be.

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Everybody sees nature through

different eyes and the way you see

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it is the way it should be painted.

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Now, just take the big brush and

sort of pull that out a little bit.

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So, and I have several little fan brushes

going on and get another one here.

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I'm gonna take a little quiet

little touch, maybe that

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they'll green, but mostly white.

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Here's our light source.

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All you have to do is just sort of tap.

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Just tap.

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This is a very simple way of

putting some little highlights

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back here, these little Headlands,

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there we go.

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You don't get a lot of, a lot of letters.

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Also people asking you for is any

possibility of seeing these paintings

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that are done on television.

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And recently the Minnetrista cultural

center here in Muncie has started a tour

251

00:13:48,605 --> 00:13:50,045

is going to go all over the country.

252

00:13:50,565 --> 00:13:53,385

And they have one of the fact

that they'll have the, they'll

253

00:13:53,385 --> 00:13:54,765

have the entire television set.

254

00:13:54,765 --> 00:13:58,095

They're going to have my easel, everything

that'll travel all over the country.

255

00:13:59,175 --> 00:14:01,515

And I think there's about 30

paintings there that come out of the

256

00:14:01,515 --> 00:14:03,105

hardcover book, the original painting.

257

00:14:03,105 --> 00:14:06,105

So if you've ever wanted to see

any of these actual paintings,

258

00:14:06,915 --> 00:14:10,425

uh, sort of check around and see

if it's going to be in your town.

259

00:14:11,115 --> 00:14:12,135

So I think you'll enjoy it.

260

00:14:12,135 --> 00:14:16,145

They've put a tremendous amount

of work into this exhibit and

261

00:14:16,155 --> 00:14:19,545

it's for good, cause thank you.

262

00:14:19,545 --> 00:14:24,735

Really love it there, but you can

actually see the easel that we use

263

00:14:24,735 --> 00:14:29,145

here and I'm even going to donate

my dirty old shoes over the years

264

00:14:30,165 --> 00:14:31,395

of beating the brush above them.

265

00:14:32,025 --> 00:14:34,215

The paint sort of falls on

them and the tops are green.

266

00:14:34,755 --> 00:14:35,925

You don't ever get to see that.

267

00:14:37,275 --> 00:14:40,830

So if it comes to your

town, Come out and see us.

268

00:14:40,950 --> 00:14:44,400

We'll have people there that are

talking and showing you how to do it,

269

00:14:44,400 --> 00:14:46,260

and it's just going to be a good time.

270

00:14:47,550 --> 00:14:47,940

All right.

271

00:14:48,600 --> 00:14:51,600

Let's start putting in some

little waves and stuff and back

272

00:14:51,600 --> 00:14:56,430

in here, and today I'm just going

to do waves extremely simple way.

273

00:14:56,490 --> 00:14:57,630

And we use a small knife.

274

00:14:58,350 --> 00:15:01,620

Pull the paint out flout, got a

little Taylor green and white here.

275

00:15:01,740 --> 00:15:06,810

Very little Taylor green, little

roll of paint, and now very firmly.

276

00:15:06,810 --> 00:15:08,490

And we want to literally bend the blade.

277

00:15:09,465 --> 00:15:15,495

Decide in here where all the little

things live, you can just begin very

278

00:15:15,495 --> 00:15:20,625

firmly pushing in the indication of

little waves that are far, far away,

279

00:15:23,055 --> 00:15:26,115

real far away there, but it's that easy.

280

00:15:29,025 --> 00:15:34,125

And this is probably the simplest type

of seascape to make, even if you've

281

00:15:34,125 --> 00:15:36,225

never painted a seascape before.

282

00:15:37,140 --> 00:15:43,319

This one, you can do this when you

can do, because sometimes these

283

00:15:43,319 --> 00:15:45,900

capes give people little difficulty.

284

00:15:46,079 --> 00:15:46,770

This one's easy.

285

00:15:48,209 --> 00:15:49,170

This one is easy.

286

00:15:51,270 --> 00:15:51,870

There we go.

287

00:15:52,170 --> 00:15:56,160

A few little things here and there,

but see, you just allow the paint

288

00:15:56,160 --> 00:15:57,990

to work in and create the illusions.

289

00:15:59,310 --> 00:16:03,030

Maybe, maybe there's another one I

remember right in here somewhere.

290

00:16:05,595 --> 00:16:10,595

They're from, this is where you take

out all your frustrations with the

291

00:16:10,595 --> 00:16:15,095

canvas you get in there really Steve's

my son says he says it in there.

292

00:16:15,965 --> 00:16:18,455

I don't know if that's really

a word or not, but we certainly

293

00:16:18,455 --> 00:16:19,565

understand what he's saying.

294

00:16:19,985 --> 00:16:20,705

Just moosh it in.

295

00:16:24,695 --> 00:16:27,695

And I think there was one

more, maybe right in here.

296

00:16:27,695 --> 00:16:30,245

We had a little boat in there and we'll

try to put a little boat in here too.

297

00:16:31,485 --> 00:16:34,545

I like those little dabbles,

something about Mike.

298

00:16:34,545 --> 00:16:39,305

So there, and you can go back and

add a little ripple here and there,

299

00:16:39,335 --> 00:16:43,025

whatever, whatever, and wherever.

300

00:16:44,675 --> 00:16:45,155

Alright.

301

00:16:49,805 --> 00:16:53,345

I want to create the illusion up

here of maybe the sand's a little

302

00:16:53,345 --> 00:16:59,045

wet so we can take a little quiet

and just pull it downward like that.

303

00:17:00,210 --> 00:17:01,290

Just pull it down, right?

304

00:17:02,430 --> 00:17:08,120

Grab it then with a large brush,

pull it and go across that easy.

305

00:17:08,120 --> 00:17:12,680

It'll make it look like that's wet

now then to do our little boat,

306

00:17:13,460 --> 00:17:16,730

easiest way that I've found take

the knife is beginning, scraping

307

00:17:16,730 --> 00:17:19,670

out just a little basic idea.

308

00:17:19,670 --> 00:17:22,040

That'll sort of help you lay out

your perspective and everything.

309

00:17:22,819 --> 00:17:24,589

Just lay it out room here.

310

00:17:24,589 --> 00:17:25,790

It comes right up in here.

311

00:17:26,480 --> 00:17:28,460

I have a front, we have the other side.

312

00:17:29,565 --> 00:17:31,785

Damn back.

313

00:17:31,985 --> 00:17:33,155

And then it'll come back in here.

314

00:17:33,455 --> 00:17:36,395

Something about like him, then

you can scrape out all this stuff.

315

00:17:36,635 --> 00:17:36,905

Yes.

316

00:17:38,315 --> 00:17:38,885

There we go.

317

00:17:41,405 --> 00:17:42,275

Tell you what let's use.

318

00:17:42,815 --> 00:17:44,165

She was a little Filbert brush.

319

00:17:44,195 --> 00:17:48,785

Um, I'm gonna make a little Brown out

of some SAP green, some SAP green.

320

00:17:49,635 --> 00:17:53,294

Alizarin Crimson and about equal

parts will make us a little break

321

00:17:55,445 --> 00:17:56,915

there, maybe a little or green.

322

00:17:56,915 --> 00:18:00,485

You can take this to the green who

Greenside or the, or the ready side.

323

00:18:00,485 --> 00:18:01,024

It's up to you.

324

00:18:02,284 --> 00:18:06,125

I usually like it a little to the reddish

side, but it's, it's an individual thing.

325

00:18:06,695 --> 00:18:06,965

Okay.

326

00:18:06,965 --> 00:18:13,745

Let me wipe off the old knife now

then take a little Filbert brush and

327

00:18:13,745 --> 00:18:15,245

we can just begin filling this in.

328

00:18:16,565 --> 00:18:19,155

Just begin filling it

in something like, so,

329

00:18:22,745 --> 00:18:23,885

and here it comes this way,

330

00:18:27,335 --> 00:18:29,495

and this is just a very

simple little boat.

331

00:18:31,415 --> 00:18:33,605

Maybe, maybe the guy parked it here.

332

00:18:33,665 --> 00:18:39,005

When he ran up on the beach somewhere

who knows there, I don't want him

333

00:18:39,005 --> 00:18:42,545

to take a little black and begin

filling in some of the darker areas.

334

00:18:43,980 --> 00:18:45,240

They're back in there.

335

00:18:46,560 --> 00:18:52,530

I can change maybe a little black

and white, make a little greatest

336

00:18:52,530 --> 00:18:55,860

color, bring it right along here.

337

00:18:56,370 --> 00:18:59,610

So that stands out a

little, maybe a little more.

338

00:18:59,640 --> 00:19:00,780

Oh, that's even better.

339

00:19:02,460 --> 00:19:03,210

There we go.

340

00:19:04,920 --> 00:19:07,110

And then underneath here,

a little dark color.

341

00:19:08,100 --> 00:19:09,690

Could there be a little

shadow under there?

342

00:19:12,885 --> 00:19:18,035

Something like, so, Oh, over

here on the other side, we need

343

00:19:18,035 --> 00:19:20,135

some nice little dark colors too.

344

00:19:21,995 --> 00:19:27,185

Now let me get the little liner brush,

dip it in little of the paint thinner,

345

00:19:28,955 --> 00:19:32,675

make me a thin Brown color and a

little front on the boat right here.

346

00:19:34,595 --> 00:19:35,195

Like that.

347

00:19:36,780 --> 00:19:37,740

Washed the little brush.

348

00:19:38,860 --> 00:19:42,210

I'm going to highlight that with a

little bit of titanium white sand,

349

00:19:42,210 --> 00:19:47,220

or you could just use liquid white

too, or something like, so in back

350

00:19:47,220 --> 00:19:55,350

here in the back of the boat, maybe

there's some, see, there we go.

351

00:19:57,300 --> 00:20:01,170

Something like, so, and you can put in

a few little details here and there.

352

00:20:03,120 --> 00:20:08,940

There it's parked up parallel to the beach

and just say maybe he is out paddling

353

00:20:08,940 --> 00:20:13,980

around and decided to take a little break

and maybe caught a little fish out there.

354

00:20:13,980 --> 00:20:17,370

He brought up here to cook, who

knows, just make up little stories.

355

00:20:17,370 --> 00:20:19,290

It really helps bring everything together.

356

00:20:20,510 --> 00:20:21,390

Little liquid white.

357

00:20:22,140 --> 00:20:23,460

Want to add some titanium white to it.

358

00:20:23,460 --> 00:20:27,480

I just want to thin the titanium a little

bit or a little roll of page still.

359

00:20:28,740 --> 00:20:30,650

And it will put the indication

here that maybe there's a.

360

00:20:31,515 --> 00:20:33,885

A little water sorta settled around it.

361

00:20:35,025 --> 00:20:40,755

Just a little like, so shoot,

sometimes it's even nice.

362

00:20:40,755 --> 00:20:45,045

Maybe, maybe a little Brown down

here in the sand, so you can even

363

00:20:45,045 --> 00:20:50,445

see the indication that there's

a touch of reflection of color

364

00:20:50,445 --> 00:20:56,985

into the damp sand underneath just

a little touch, a little touch.

365

00:20:58,980 --> 00:20:59,580

There we go

366

00:21:03,320 --> 00:21:04,520

push very firmly though.

367

00:21:05,480 --> 00:21:08,300

And that'll help you get the impression

that there's water all around his bottom.

368

00:21:10,040 --> 00:21:10,730

All right.

369

00:21:12,989 --> 00:21:16,760

There sometimes back here, I'm

gonna play you loose a little

370

00:21:16,760 --> 00:21:17,750

bit back in some of these ways.

371

00:21:17,750 --> 00:21:21,530

If you take just a little dark colored put

right underneath, it'll make it look like

372

00:21:21,530 --> 00:21:27,169

they're upstairs or standing up at least a

little bit of dark color right underneath.

373

00:21:27,169 --> 00:21:28,879

And it gives depth underneath.

374

00:21:30,409 --> 00:21:32,209

As I say, I'm going to

keep this one simple.

375

00:21:32,209 --> 00:21:32,719

I promise.

376

00:21:35,570 --> 00:21:39,139

But without getting too crazy,

it's a little things like, yeah.

377

00:21:40,274 --> 00:21:42,615

Well, just sort of help give

the impression that there's

378

00:21:42,615 --> 00:21:43,665

depth under your water.

379

00:21:46,064 --> 00:21:50,024

And some of the other series we've done

some seascapes that are, if you're, if

380

00:21:50,024 --> 00:21:52,875

you want some of the big crashing waves,

we really we've really done some that

381

00:21:52,875 --> 00:21:55,985

have some nice waves in them there.

382

00:21:57,185 --> 00:22:01,445

Now maybe, maybe, maybe there's some

little seals that live right up in here.

383

00:22:01,475 --> 00:22:04,955

So for that, I will take a little

SAP green, a little bit of that

384

00:22:04,955 --> 00:22:06,395

brownish color that we made.

385

00:22:08,280 --> 00:22:13,800

Like, so, and I'm just gonna take a

one inch brush and just sort of pop

386

00:22:13,800 --> 00:22:16,920

in a little indication here and there

some little weed, maybe some over here.

387

00:22:16,920 --> 00:22:20,880

If I remember to something

like that, doesn't much matter.

388

00:22:20,910 --> 00:22:21,630

However you want to.

389

00:22:23,460 --> 00:22:23,610

Yeah.

390

00:22:23,610 --> 00:22:24,720

We pushed that up like that.

391

00:22:26,880 --> 00:22:27,330

Okay.

392

00:22:30,270 --> 00:22:34,500

And underneath there, we'll take a little

Brown, a little flight, mix it together.

393

00:22:36,690 --> 00:22:38,429

Need some soil for all this to settle.

394

00:22:40,080 --> 00:22:45,320

Just like, so a little bit of, a

little bit of dirt ended there, there.

395

00:22:52,700 --> 00:22:56,300

So I say, if you get a chance to, to watch

this little exhibit, when it comes to

396

00:22:56,300 --> 00:22:57,919

your town, I really think you'll enjoy it.

397

00:22:58,680 --> 00:22:59,310

Really thinking.

398

00:22:59,310 --> 00:23:04,680

I'm so proud of so many fantastic people

who have put so much work into it.

399

00:23:04,980 --> 00:23:10,050

It's, it's a really beautiful, just

taking a little paint, thinner,

400

00:23:10,200 --> 00:23:12,780

a little bit of the Brown to

begin lifting up a little bit.

401

00:23:12,780 --> 00:23:15,240

So it will make some little

seal things out there.

402

00:23:16,410 --> 00:23:23,300

Go into a little bit of the green

color here and there, there, and the

403

00:23:23,300 --> 00:23:25,520

wind's blowing up here on the beach.

404

00:23:29,085 --> 00:23:31,295

There be Ooh, right over boat.

405

00:23:31,445 --> 00:23:32,015

That's okay.

406

00:23:32,045 --> 00:23:35,555

Because that's the way it would be there,

407

00:23:40,205 --> 00:23:40,685

baby.

408

00:23:42,155 --> 00:23:45,905

The yellow ochre, little

quiet and paint thinner.

409

00:23:49,185 --> 00:23:53,845

We'll put in a few writing here and some

of them have little doers hanging on.

410

00:23:53,865 --> 00:23:54,215

Andy.

411

00:23:54,225 --> 00:23:54,754

Just take the.

412

00:23:56,085 --> 00:23:57,885

The liner brush and just

put them hanging on there.

413

00:23:57,885 --> 00:23:58,485

It's real easy.

414

00:23:59,835 --> 00:24:00,885

No problem at all.

415

00:24:02,765 --> 00:24:09,215

All right, now then let's take

a little point, a little bite.

416

00:24:10,205 --> 00:24:12,785

Some of that Brown color we've

made a little yellow ochre.

417

00:24:14,465 --> 00:24:15,675

I want to make a nice little color.

418

00:24:15,675 --> 00:24:16,715

Like it don't overmix it.

419

00:24:16,715 --> 00:24:18,905

See how marbly that is?

420

00:24:19,445 --> 00:24:20,495

That's what we're looking for.

421

00:24:20,825 --> 00:24:24,275

Cause when you cut off that little

roll of paint, it'll be right there.

422

00:24:24,675 --> 00:24:27,195

In the same way and how

we put it on the canvas.

423

00:24:27,285 --> 00:24:30,045

It'll still come out with all those

variations that you wanted in there.

424

00:24:30,795 --> 00:24:31,845

So that's what we're looking for.

425

00:24:31,845 --> 00:24:34,665

And we just want to put the indication

of a little light zinging across

426

00:24:34,665 --> 00:24:43,055

here that easy, barely, barely

touching one here in some air.

427

00:24:43,365 --> 00:24:44,975

Just like you putting

snow on the mountains.

428

00:24:44,975 --> 00:24:46,175

That's all we're looking for.

429

00:24:48,055 --> 00:24:48,365

Easy.

430

00:24:50,045 --> 00:24:50,495

Okay.

431

00:24:52,065 --> 00:24:52,385

Shoot.

432

00:24:52,835 --> 00:24:53,585

I want to take.

433

00:24:54,655 --> 00:24:58,245

Little more of the greens and the Browns,

but the indication it is a few little

434

00:24:58,245 --> 00:24:59,865

weeds appear in the foreground too.

435

00:25:01,145 --> 00:25:01,655

My cat.

436

00:25:03,225 --> 00:25:05,554

Yeah, we got a second left here.

437

00:25:05,554 --> 00:25:09,334

I'm gonna take a little bit of, I'll

just use a little midnight black on the

438

00:25:09,334 --> 00:25:13,745

line of brushing then the paint till

it's almost almost ink consistency,

439

00:25:15,175 --> 00:25:16,475

maybe an hour world back here.

440

00:25:16,804 --> 00:25:18,754

Maybe there's some little birds flying.

441

00:25:19,774 --> 00:25:22,115

These are little Elm birds.

442

00:25:22,115 --> 00:25:23,074

You just make a little ill.

443

00:25:24,705 --> 00:25:27,315

Tiny little things that are far,

far off in the distance there.

444

00:25:28,425 --> 00:25:29,655

Now the moment of truth.

445

00:25:30,465 --> 00:25:31,715

If we bring it back, I am right up here.

446

00:25:31,835 --> 00:25:34,264

Let's pull the old contact

paper off and take a look.

447

00:25:34,264 --> 00:25:36,035

See how well we did today.

448

00:25:38,825 --> 00:25:39,575

Fantastic.

449

00:25:40,235 --> 00:25:43,565

That's one of the most neat

little ideas we've ever come up.

450

00:25:43,595 --> 00:25:47,855

We, I think we introduced the contact

paper idea back in the third series.

451

00:25:48,585 --> 00:25:51,254

Way back there and we were cutting

out shapes and putting them on

452

00:25:51,254 --> 00:25:52,274

and then painting around them.

453

00:25:53,205 --> 00:25:55,575

Since that time, it has

almost become a standard.

454

00:25:55,845 --> 00:25:59,205

People are doing it all over the

country, all over the country.

455

00:25:59,205 --> 00:26:01,365

And we take a little red,

little paint thinner.

456

00:26:02,745 --> 00:26:05,175

I think this little painting

is about ready for a signature.

457

00:26:07,145 --> 00:26:11,375

Very thin once again,

almost like ink or water.

458

00:26:12,305 --> 00:26:14,225

And we'll sign that one

right in the middle.

459

00:26:14,284 --> 00:26:14,885

What the heck?

460

00:26:15,754 --> 00:26:16,445

Right in the middle.

461

00:26:18,675 --> 00:26:20,445

There sometimes I get letters.

462

00:26:20,445 --> 00:26:22,365

People say, how do you sign a painting?

463

00:26:22,365 --> 00:26:24,075

What, what name do you use?

464

00:26:24,885 --> 00:26:26,055

It's really an individual thing.

465

00:26:26,055 --> 00:26:30,045

Some people will use their whole name,

especially if they've got a short name.

466

00:26:30,045 --> 00:26:33,885

Some people will use initials and I've

even had people that just use symbols.

467

00:26:34,335 --> 00:26:35,265

So it's up to you.

468

00:26:35,445 --> 00:26:38,385

You might just want to design your

own little logo that you put on

469

00:26:38,385 --> 00:26:41,835

every painting, but whatever you

put on there, it should be special

470

00:26:42,135 --> 00:26:44,415

only for you from all of us here.

471

00:26:44,565 --> 00:26:45,945

I'd like to wish you happy painting.

472

00:26:46,905 --> 00:26:47,955

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S24E10 - Rowboat on the Beach

Bob Ross's

The Joy of Painting

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