Bob Ross's

The Joy of Painting

S25E11 - Fisherman's Paradise

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Hi, sir, you could join us today.

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I thought today we'd just

do a fun little painting.

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So let's start out and hammer on

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I got going up here.

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Standard old 18 to 24 inch pre stretched

canvas, but you use whatever size is

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convenient today, I've taken and put

a little bit of, uh, just masking

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tape around the edges underneath

here and, uh, covered the edges

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with a little bit of black Jessel.

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And I've just got some paper here to

keep, to keep from painting on the

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black, just so, and we pull that out.

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We'll have a black border that goes

all around this painting inside here.

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I've just covered the entire canvas

with a very thin even coat of the

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liquid white as we normally do.

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And from there.

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Let's just make something that's

bright and shiny has a lot of color.

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It's a fantastic day here and I

hope it is wherever you're at.

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So let's start, let's start today.

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Maybe we'll lose off just a touch of

that, you know, in yellow, that's a very

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bright, nice yellow, a little bit on the

two inch brush and let's do something.

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It looks like, uh, let's go right up here.

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Something, it looks like maybe a

big sun it's shining through there.

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I don't know.

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Let's just start off

and have some fun there.

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Now, if you can do that.

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You can paint the rest of this painting

soldiers to go right into without cleaning

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the brush a little bit of CAD yellow.

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And we'll just put that

right around the edge.

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Next color.

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I'll use little yellow ochre.

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I'm not cleaning the brush in between

these colors because I want them to

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mix anyway, just a little yellow ochre.

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There we go.

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Nah, I'm sort of putting us on the little

crisscross strokes because it gives you

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a little fuzzy edges that are much easier

to blend together an old harsh line.

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Something like, yeah.

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Okay.

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Now that I'm going to mix up an

orange for that, I'll use a little

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kid yell a little bit bright.

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I want to make a nice orange

color, something like, so let

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me clean off the old knife.

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We just wiped the knife, all paper

towel, still hadn't cleaned the brush.

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I'm going right into that nice orange

color and just bring it right on around.

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This is going to be a firecracker there.

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I like his nice colors.

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You can do a painting with these colors.

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I tape it will certainly

brighten up a dull room.

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There we go.

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Something about like that.

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All right.

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Still haven't cleaned the brush and

we're just allowing these colors to

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blend together over here on the edges.

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Okay.

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Just straight street, bright red.

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Now we're going to get, we're going to get

into some beautiful colors right there.

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Let's see, we have color on the brush

and we have color on the canvas and

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there's liquid white under all of it.

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So it's continually mixing.

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None of it's going to end up your color.

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Okay.

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Still without cleaning the

brush, go into dark Sienna.

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Still haven't cleaned the brush.

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We'll just bring that

right around the edge.

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Right or in the itch, just

like, so just plain old dark CA

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once again, these little

crisscross strokes certainly

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make blending much, much easier.

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The dark Sienna put right up in here.

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Don't want that little corner left out.

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Okay.

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We have a little hole

left in the sky up there.

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We'll use just straight, old

Vandyke Brown right in there.

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All right.

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And that's basically all we're

going to put in this guy, as

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far as color goes now, then.

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Let's do the most fun thing

in the whole technique.

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Wash the old brush.

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That's that's really where you take out

your frustrations and your hostilities

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shake off the excess paint thinner

and just beat the devil out of it.

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There we go.

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Now I'm just going to take a clean brush,

dry as I can get it and begin blending.

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This just blended blended blended blended.

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You want to blend it until you can't tell

where one color starts and the next color

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stops, Jess, work it and work it and work.

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And when you're doing this,

I would recommend that you

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sort of step back to me.

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Canvas, look, see every once in awhile,

when you're as close to it, as I am, it's

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very difficult to tell what something

looks like step back and take a look.

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See.

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There, and then you can really

tell what you have in your world.

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Okay.

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Brush again, I just looked for

excuses to wash the old brush.

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Yeah.

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Now I want this to be even brighter.

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So I say it's a fantastic day and

everybody here is feeling good.

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And I think we'll just, we'll

just make something that's.

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Oh, it's shiny.

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So I'm gonna take straight titanium

white and start right here in the

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light area and begin blending outward.

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It'll mix with all of those

beautiful colors and it'll

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come brighter and brighter.

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And you can do this several

times, several times.

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I recommend you at least wipe your

brush between each color or even better

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clean it in the sake of time here.

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I'm just going back and not cleaning

it, but I am wiping it in between.

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There we go,

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that rascal will shine.

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Now we just go across to sort

of take out the brush, strokes,

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just blend everything together.

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Something about like, yeah, Katie down

here, I'm going to have some water.

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You know me, I love water.

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So we'll just take a little

yellow and put right in here.

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Little Cadieux.

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A little touch of the yellow, just reflect

a little of that color into the water.

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The bright red doesn't much matter

there, maybe a little, little touch

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of the dark scene, just the basic

colors that we had in the sky.

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A little more of the

dark sand right there.

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Something about like, yeah.

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And a little bit of van Dyke, the van

Dyke Brown, it makes the edges darker.

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It helps, helps lead the

eye into the light area.

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Okay.

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Yeah.

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That wash the old brush again.

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And we can blend that out.

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This is a good one.

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If nothing else it'll teach you

how to wash the brush there.

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I must admit, I just, I just

really liked to do that.

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So here we go.

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Okay.

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Now we'll just blended out a little

bit and as we decide, what's in the

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foreground here, then we can, we can

add or subtract doesn't matter, right?

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At this point, we're just, we're

just worried about this guy and

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putting some color down here

where we know water's going to be.

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All right.

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I guess now we have to start making

some big decisions in our world.

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Maybe you find a little fan brush.

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Maybe we back in the background here.

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Let's take a little bit of

dark Sienna, put a little white

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in it, a little Wayne in it.

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Maybe at least a little touch of

the bright red something like, so

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just make a nice color like that.

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Let me wipe off the knife.

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There we'll put a little of

that on our little fan brush.

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She just load it up.

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You can use the number three or the

number six fan versus it didn't matter.

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Go ahead.

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Up in here.

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Maybe there's a, well, maybe there's a

little ripe is a little and back here.

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What the heck?

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Make up little, this little ideas, huh?

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It didn't matter.

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Just want to show the indication

of something that's far, far

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away, back here, far away.

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There, we're not looking for

a lot of detail, but now we

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want to have a reflection.

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So we have pulled a little bit of that

color down to take our old brush or

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two inch brush grabbed that, give it

a little downward book to go across.

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It gives us some instant

reflections under there and take

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a little bit of the liquid life.

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Put it on the pallet least,

little touch, least little

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touch of the bright red into it.

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Just to give it a little, a little

pinkish taste, cut across, get

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a little bit of pink, Liz, right

on the edge of the knife there.

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And we can go up and we'll just

cut in a happy little water line.

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Just a little separator,

just a little separator here.

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If you ever do a waterline that

you think is too bright, just clean

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your knife and go back and rub it.

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And it'll go away, Danica,

where you can rub it too.

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It just totally disappears.

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If you want to, up to you,

that worked pretty good.

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It works good.

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Let's do it again.

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Take that same color, except I want to

add a little more or the dark Sienna

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and maybe a little Vandyke Brown to it.

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I want to darken it slightly.

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As things get closer to

you in a landscape, they

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should get a little darker.

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Okay.

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Maybe, maybe there's another little,

little Dewar, a little peninsula,

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whatever sticks right out here.

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This might be maybe it's the half

of another little, I don't know.

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Don't know you decide what it is.

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Just lift up, make it look like

a little district trees and

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stuff that are growing back here.

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Hold down.

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It's again, we need that reflection.

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If you ever paint a little projection

into the water like this, and it

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doesn't look right, it looks like

it's floating on top of the water.

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We above it.

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Chances are, it just needs

a reflection underneath it.

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And that reflection causes it to

set down into the water there, come

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across once again, her little, little

reflection or come back in here.

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Take a little bit of that liquid white

did we had, and we'll put another

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happy little water line right in there.

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And you could make as many as these

little, these little islands or

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projections or peninsulas, whatever

you want to call them as you want.

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Or as few, maybe you don't

want any it's up to you.

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Okay.

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Up to you.

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There's total freedom on this canvas here.

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You can do anything that you want to do.

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And anything that you want to do.

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All right, shoot.

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You know what?

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Maybe there's some more there

it's our world and we can do it.

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If we want to use that same

color, only a little darker.

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I'm put a little dessert

and Crimson in it now.

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A little Crimson.

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Ooh, that's nice.

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I like that color.

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So it's just basically the two Browns

and lesbian cramps in the little white.

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Let me wipe off the knife.

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We just keep using this old fan brush.

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It's working pretty good.

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So if it's working, it's my father used

to say, if it ain't broke, don't fix it.

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All right.

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And it's not broken.

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Let's go back up here.

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Maybe there's a big group of big

one, like this only big it's closer.

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So we'll use the brush

this way and just tap down.

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You know, I got a little piece

of film on to show you today.

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It's so fantastic.

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You know, I love, I love animals and I

work with animals all over the country.

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I'm just going to be doing

this while we're looking and.

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Animals have a special

affection for children.

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And my young friends love animals.

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This is my friend Paul, and he

lives right outside of Orlando.

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And his grandmother is Carmen show.

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Who's one of the animal rehab people,

this young man, he is so cute.

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And this little baby red CUNY has here.

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Isn't he precious falling.

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I sat and talked for quite a while

and he told me a lot about animals.

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His.

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This young fellow, since his

grandmother has worked with animals

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for many years, he's grown up

literally around these animals.

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He knows more about

animals probably than I do.

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And he has a special thing he's

inherited his grandmother's.

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Well, I don't know.

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I think, I think animals know when people

really like them and they trust them and.

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This young fellow has that,

but isn't he cute there?

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St.

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Paul.

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I'm just putting up some indications here.

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Some trees, I want a little more

detailed in these than I had back here.

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So I'm using the brush this

way, sort of vertical now that

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I need some mist in there.

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We'll just take a clean brush,

two inch brush and tap and tap.

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You could even, you could even

put a little touch of white paint

248

00:13:59,235 --> 00:14:01,725

or a little plate with maybe even

a little yellow on your brush.

249

00:14:02,314 --> 00:14:02,525

Okay.

250

00:14:02,795 --> 00:14:03,185

Let's do it.

251

00:14:03,485 --> 00:14:03,885

Let's do it.

252

00:14:04,115 --> 00:14:08,194

It's easier to show, take the

little CAD yellow, little white,

253

00:14:08,765 --> 00:14:14,495

and you could tap that to create

that nasty Misty effect back here.

254

00:14:15,785 --> 00:14:16,760

See how it looks like Ms.

255

00:14:16,760 --> 00:14:17,584

Lee in there already.

256

00:14:18,015 --> 00:14:19,155

And then gently lift up.

257

00:14:19,275 --> 00:14:22,605

It just takes out the little tap

marks sort of blends it together.

258

00:14:23,795 --> 00:14:29,285

And then once again, as you know, we

want to set it in the water, we had

259

00:14:29,285 --> 00:14:30,665

to put a little reflection under here.

260

00:14:30,694 --> 00:14:34,295

You have to decide where it lives

and put a reflection go across.

261

00:14:36,935 --> 00:14:39,095

They're that neat.

262

00:14:40,620 --> 00:14:42,870

I think, I think so.

263

00:14:42,870 --> 00:14:43,979

Let me grab another fan brush.

264

00:14:44,010 --> 00:14:45,300

I have several of them going here.

265

00:14:46,260 --> 00:14:50,670

I think maybe we need some trees that are

even closer by putting all these layers in

266

00:14:50,670 --> 00:14:53,370

your painting or Plains as they're called.

267

00:14:54,120 --> 00:14:58,020

It helps create that illusion of

depth and distance in your world.

268

00:14:58,319 --> 00:15:02,910

I'm just using straight Vandyke,

dark Sienna and the lizard Crimson.

269

00:15:03,765 --> 00:15:06,194

And we're just mixing them

together here like that.

270

00:15:07,035 --> 00:15:08,085

Maybe a little more Crimson.

271

00:15:08,085 --> 00:15:13,905

I like that little red issue came and

wipe off this whole knife is clean.

272

00:15:15,375 --> 00:15:19,635

Now, once again, back to the old

fan brush, loaded, full of color,

273

00:15:19,814 --> 00:15:22,395

a lot of paint, lots of paint.

274

00:15:22,395 --> 00:15:24,345

Don't be afraid of getting

too much color in there.

275

00:15:24,705 --> 00:15:25,785

Don't think you can do that.

276

00:15:26,175 --> 00:15:28,895

Let's go up in here, maybe in our world.

277

00:15:28,895 --> 00:15:31,655

There's a big, strong tree

that lives right there.

278

00:15:33,390 --> 00:15:36,900

Notice that this tree is darker

in color than the one behind it.

279

00:15:37,440 --> 00:15:38,700

So it stands out now.

280

00:15:39,570 --> 00:15:41,370

There, there he is.

281

00:15:41,580 --> 00:15:42,170

There he is.

282

00:15:42,180 --> 00:15:43,340

Hi, that's right there.

283

00:15:44,660 --> 00:15:46,460

He's got a friend right there.

284

00:15:47,910 --> 00:15:49,400

Even trees need friends.

285

00:15:50,990 --> 00:15:53,360

And it's rare that you find

just one tree growing in there.

286

00:15:53,380 --> 00:15:58,220

Yeah, usually there's

several little trees.

287

00:15:58,220 --> 00:15:59,060

You know how it goes.

288

00:16:00,375 --> 00:16:03,495

Little trees get together and pretty soon

there's a whole mess, a little trees.

289

00:16:05,015 --> 00:16:06,275

That's what makes him wonderful.

290

00:16:08,824 --> 00:16:09,875

Let them get a little smaller.

291

00:16:09,875 --> 00:16:14,405

So it helps create that illusion of

going down downhill there a little

292

00:16:14,405 --> 00:16:16,925

bit, maybe this one's a little bigger.

293

00:16:17,405 --> 00:16:17,495

Okay.

294

00:16:17,525 --> 00:16:18,245

I don't have each one.

295

00:16:18,245 --> 00:16:21,905

I'm progressively getting smaller or

progressively getting bigger because

296

00:16:21,905 --> 00:16:25,535

trees do not follow the rules like we do.

297

00:16:25,564 --> 00:16:25,954

They grow.

298

00:16:25,954 --> 00:16:26,965

However, it makes them happy.

299

00:16:29,130 --> 00:16:30,270

Ever makes them happy.

300

00:16:31,739 --> 00:16:36,530

It's like a lot of times in art we're told

you have to have odd numbers of things.

301

00:16:36,560 --> 00:16:38,750

No artistically, that looks better.

302

00:16:38,959 --> 00:16:40,310

There's no question about that.

303

00:16:41,000 --> 00:16:45,589

It looks much better, but in nature,

nobody ever told a trees that rule.

304

00:16:47,359 --> 00:16:50,119

So if you're painting a scene from

nature and you want to have an even

305

00:16:50,119 --> 00:16:51,650

number of trees, it's your world.

306

00:16:51,739 --> 00:16:53,000

You can do whatever you want.

307

00:16:55,605 --> 00:16:59,465

Then it would just take a little dark,

dark color, just put the indication

308

00:16:59,465 --> 00:17:03,875

here and there have a little trunk

it's the same exact color, but it

309

00:17:03,875 --> 00:17:06,485

shows up a few little trees and stuff.

310

00:17:08,735 --> 00:17:10,415

No, I didn't only get

that old color going.

311

00:17:10,415 --> 00:17:13,444

And I'm just going to add a little tiny

bit of yellow ochre right on there.

312

00:17:13,925 --> 00:17:16,505

Just come back in here, here and there.

313

00:17:16,505 --> 00:17:17,704

And they're in here.

314

00:17:17,855 --> 00:17:21,395

We don't want much, a few little

indications of some highlights.

315

00:17:23,099 --> 00:17:26,250

I want to keep his dark real dark.

316

00:17:26,430 --> 00:17:28,830

Cause that's what makes it stand

out from the what's behind it.

317

00:17:30,120 --> 00:17:30,480

Maybe.

318

00:17:32,280 --> 00:17:33,390

I just take care of fan brush.

319

00:17:33,420 --> 00:17:34,350

That's working pretty good.

320

00:17:35,190 --> 00:17:37,770

Maybe there's just a

nice little grassy area.

321

00:17:37,770 --> 00:17:39,450

It lives right underneath the trees.

322

00:17:41,010 --> 00:17:44,820

Just push up a little dark

color, dark colors there only.

323

00:17:44,820 --> 00:17:48,690

So our light will show you can't

have light unless you have dark.

324

00:17:49,080 --> 00:17:52,410

Dark is what makes it

show just like in life.

325

00:17:52,650 --> 00:17:57,180

You can't, you can't appreciate the good

times unless you have a few bad ones.

326

00:17:59,084 --> 00:18:01,695

That's what makes us appreciate

the good times when they happen?

327

00:18:04,004 --> 00:18:10,274

They're you little reflections

for cross, something like that.

328

00:18:13,865 --> 00:18:14,794

That's all we need.

329

00:18:15,754 --> 00:18:19,084

Take your, what tell

you maybe in our world.

330

00:18:20,685 --> 00:18:22,725

Maybe, let me clean off my knife here.

331

00:18:24,375 --> 00:18:27,195

Maybe we back in the distance

there and we'll use a small knife.

332

00:18:28,005 --> 00:18:30,225

Maybe their lives not take one.

333

00:18:30,285 --> 00:18:30,975

I want to do something else.

334

00:18:30,975 --> 00:18:34,815

First change my mind and it's our world.

335

00:18:34,815 --> 00:18:35,505

We can do that.

336

00:18:37,425 --> 00:18:43,335

I want to put a little highlight on that

grassy area, usability, yellow ochre,

337

00:18:43,335 --> 00:18:47,745

a little Indian, yellow, maybe even a

little touch of the bright red nine.

338

00:18:47,745 --> 00:18:47,895

There.

339

00:18:49,875 --> 00:18:51,014

That flattens it out.

340

00:18:51,135 --> 00:18:53,655

It makes it look more like, is

that like a little flat area?

341

00:18:55,365 --> 00:18:56,504

I think it looks a little better.

342

00:18:56,504 --> 00:19:00,465

Don't you dare now, then

back to our little knife,

343

00:19:01,635 --> 00:19:02,774

maybe back here in our world.

344

00:19:02,804 --> 00:19:04,544

Maybe there's just a little tiny.

345

00:19:04,754 --> 00:19:07,304

We can see we back a little tiny house.

346

00:19:08,385 --> 00:19:08,865

I was recent.

347

00:19:08,865 --> 00:19:09,915

I'm using a small knife.

348

00:19:10,425 --> 00:19:14,685

There's his little roof to

don't want a lot of detail.

349

00:19:14,685 --> 00:19:15,524

He's too far away.

350

00:19:16,740 --> 00:19:17,290

That's right.

351

00:19:17,350 --> 00:19:19,320

I learned that edge of

this gorgeous place.

352

00:19:20,850 --> 00:19:23,490

We'll put a few little grassy

areas right around his foot.

353

00:19:25,260 --> 00:19:27,149

That's where I want to live

is right next to that water.

354

00:19:27,179 --> 00:19:28,290

I love water.

355

00:19:30,030 --> 00:19:32,490

I've always wanted to have

a home right on the water.

356

00:19:33,719 --> 00:19:38,040

And maybe one day I will there, but

just a little highlight on the roof.

357

00:19:38,969 --> 00:19:40,980

Just enough to make him

sparkle a little bit.

358

00:19:43,020 --> 00:19:46,560

And I don't want that little

house to get along me, tell you

359

00:19:46,560 --> 00:19:48,030

what, maybe come right up in here.

360

00:19:48,060 --> 00:19:51,380

Maybe there's one that

lives right here too.

361

00:19:51,560 --> 00:19:52,520

He's a little closer.

362

00:19:52,910 --> 00:19:57,800

So he look a little bigger there

and we can put as many or as

363

00:19:57,800 --> 00:19:59,000

few as we want in our world.

364

00:19:59,030 --> 00:20:03,440

Maybe this one actually out in

the water, maybe he's on stilts.

365

00:20:04,640 --> 00:20:06,140

Maybe this is a little fishing village.

366

00:20:07,520 --> 00:20:09,170

Maybe we just keep making up things here.

367

00:20:09,170 --> 00:20:09,710

We'll have a.

368

00:20:10,710 --> 00:20:13,260

You'll have a whole,

whole group of things.

369

00:20:13,290 --> 00:20:13,740

I don't know.

370

00:20:13,800 --> 00:20:16,230

You just sorta let these things happen.

371

00:20:16,830 --> 00:20:17,100

Okay.

372

00:20:17,129 --> 00:20:17,790

I want a village.

373

00:20:18,450 --> 00:20:19,020

There's another one.

374

00:20:20,310 --> 00:20:21,360

How many is in our village?

375

00:20:22,290 --> 00:20:22,740

I don't know.

376

00:20:24,270 --> 00:20:26,129

I'm just putting in some dark areas.

377

00:20:26,250 --> 00:20:28,410

Maybe, maybe there's another one.

378

00:20:28,410 --> 00:20:34,530

There doesn't matter because in your world

you can do anything that you want to do.

379

00:20:36,030 --> 00:20:37,960

Just all kinds of little things we take.

380

00:20:38,550 --> 00:20:42,300

No, I ain't a little

Brown, little bit of that.

381

00:20:42,960 --> 00:20:44,610

Lesbian, Crimson, yellow ochre.

382

00:20:44,610 --> 00:20:49,800

Just mixed them to get her some

nice colors that's coming up,

383

00:20:50,129 --> 00:20:51,540

but I want to leave a marble too.

384

00:20:51,629 --> 00:20:54,780

So we put little highlights

on the roofs, I guess.

385

00:20:54,780 --> 00:20:57,450

That's the word roofs more than one roof.

386

00:20:58,050 --> 00:20:58,919

It'll separate them.

387

00:20:59,340 --> 00:20:59,970

Just a little.

388

00:21:00,659 --> 00:21:00,750

Okay.

389

00:21:01,920 --> 00:21:04,410

All kinds of little

variations going on in there.

390

00:21:05,910 --> 00:21:09,450

I'm going to take some white,

uh, and black, just midnight

391

00:21:09,450 --> 00:21:11,160

blacks make a nice gray color.

392

00:21:12,210 --> 00:21:13,950

Maybe some of them are gray up here.

393

00:21:15,230 --> 00:21:15,750

I like that.

394

00:21:18,040 --> 00:21:21,750

We can take the white, the

gray, all those colors.

395

00:21:21,750 --> 00:21:22,590

Just mix them together.

396

00:21:23,879 --> 00:21:25,649

Put all kinds of little sides on there.

397

00:21:27,030 --> 00:21:28,650

Come back with just a touch of color.

398

00:21:28,680 --> 00:21:31,230

Maybe you can make out a little

window indication here and there.

399

00:21:31,500 --> 00:21:33,720

These are too far away

to have a lot of detail.

400

00:21:33,750 --> 00:21:34,800

So don't worry about them.

401

00:21:36,510 --> 00:21:37,410

Don't worry about them.

402

00:21:37,920 --> 00:21:42,720

Maybe we said this, maybe these were

on the little still, so we'll put the

403

00:21:42,720 --> 00:21:45,420

indication here and there are some

little stills that they're standing up.

404

00:21:47,760 --> 00:21:52,740

See, they're just indications

once again, too far away to worry

405

00:21:52,740 --> 00:21:54,180

about a great deal of detail.

406

00:21:56,385 --> 00:21:56,865

There

407

00:22:00,065 --> 00:22:02,315

now that I want to reflect

those stilts into the water.

408

00:22:02,315 --> 00:22:09,305

So I just grab them, hold them down

and that easy, that easy, take a

409

00:22:09,305 --> 00:22:15,755

little bit of the liquid white and just

make a little ripple here and there

410

00:22:17,915 --> 00:22:20,885

just a little ripples that you want.

411

00:22:20,885 --> 00:22:21,605

Let's get crazy.

412

00:22:24,225 --> 00:22:26,385

Maybe right here.

413

00:22:26,985 --> 00:22:28,365

Ooh, I'm going to go right

over the top of that.

414

00:22:28,395 --> 00:22:28,845

That's all right.

415

00:22:30,405 --> 00:22:31,245

We'll just go right over.

416

00:22:31,245 --> 00:22:33,045

Maybe there's a bigger

one that lives right here.

417

00:22:36,525 --> 00:22:41,145

This one's sort of looking more

toward us, something about my cat.

418

00:22:42,405 --> 00:22:45,825

Come back with our highlight color,

put a little edge right there.

419

00:22:45,975 --> 00:22:47,475

A little indication there.

420

00:22:49,725 --> 00:22:50,985

Come right down in here.

421

00:22:53,325 --> 00:22:58,025

There maybe there's a

little walkway around it.

422

00:22:58,025 --> 00:23:00,395

I don't know, make up little

things except in the water.

423

00:23:00,395 --> 00:23:02,255

He's got to have a way of walk

around is a little building.

424

00:23:03,545 --> 00:23:05,495

Maybe there's a little door.

425

00:23:07,175 --> 00:23:08,015

How about a little window?

426

00:23:08,435 --> 00:23:09,275

We can do that too.

427

00:23:10,145 --> 00:23:13,925

Sorry, world little

highlight around there.

428

00:23:16,505 --> 00:23:17,975

He was just a little, few, little.

429

00:23:19,005 --> 00:23:23,655

He's a little, post-it stick down in

the water like that make them a little

430

00:23:23,655 --> 00:23:27,705

longer than, than they actually should be

because we're going to pull some of them

431

00:23:27,705 --> 00:23:33,795

down, turn it into reflections to then

just go across just enough to wiggle it

432

00:23:37,365 --> 00:23:37,875

there.

433

00:23:37,935 --> 00:23:38,315

Come on.

434

00:23:38,325 --> 00:23:38,445

Now.

435

00:23:38,925 --> 00:23:39,495

I can't

436

00:23:43,095 --> 00:23:46,275

just enough to put some

little ripples here and there.

437

00:23:50,040 --> 00:23:51,360

That's grabbing a one inch brush.

438

00:23:52,410 --> 00:23:56,280

I want to go into the Browns,

Crimson, little black, whatever.

439

00:23:57,960 --> 00:23:59,130

Maybe he might touch it.

440

00:23:59,130 --> 00:23:59,760

Oppression blue.

441

00:23:59,760 --> 00:24:00,990

We don't want much of blue though.

442

00:24:01,050 --> 00:24:03,750

Just a little blue, just a dark darknet.

443

00:24:04,050 --> 00:24:05,910

Maybe there's some bushes

that live right here.

444

00:24:08,420 --> 00:24:11,090

Just throw me at least a

little bit of gluten, at

445

00:24:14,630 --> 00:24:20,570

least a little bit, um, kinds

of little things right there.

446

00:24:21,620 --> 00:24:22,640

Take that same brush.

447

00:24:22,670 --> 00:24:27,350

Go into some yellow ochre and in yellow,

CAD yellow, just get some nice yellow.

448

00:24:28,980 --> 00:24:30,810

Put a few little

highlights on these bushes.

449

00:24:32,790 --> 00:24:36,180

I use these colors a little red

too, just cause they sorta match

450

00:24:36,190 --> 00:24:38,550

this guy keeps everything together.

451

00:24:40,740 --> 00:24:45,420

They're just a few

little bushes live here.

452

00:24:46,560 --> 00:24:50,910

Maybe, maybe even there's

a few posts out here too.

453

00:24:52,290 --> 00:24:53,100

There's another one.

454

00:24:53,100 --> 00:24:54,389

There's one wherever you want.

455

00:24:55,665 --> 00:24:56,955

Maybe, why don't you come over here?

456

00:24:57,045 --> 00:24:59,115

I said, well, posts are

still hanging around

457

00:25:02,504 --> 00:25:06,615

a little bit of that

Brown and white touch.

458

00:25:06,645 --> 00:25:10,935

Give it a little, pull something like, so

459

00:25:14,805 --> 00:25:16,215

a little bit of paint thinner.

460

00:25:16,845 --> 00:25:19,754

Maybe, maybe there's

still indication of SMO.

461

00:25:19,815 --> 00:25:21,495

Maybe there's some wires out here.

462

00:25:21,555 --> 00:25:21,945

I don't know.

463

00:25:22,665 --> 00:25:26,655

Whatever you'd like for the B,

most of them are broke down, but

464

00:25:26,655 --> 00:25:28,185

there's still a few here and there.

465

00:25:29,865 --> 00:25:30,555

They're in here.

466

00:25:31,265 --> 00:25:34,815

We have it old color and pull

up a few weeds and sticks.

467

00:25:36,360 --> 00:25:42,750

There something I can not see if we can,

let's take this off and see what we got.

468

00:25:42,750 --> 00:25:44,070

I'm just going to leave the pallet down.

469

00:25:45,389 --> 00:25:49,139

I had a little paper here just to keep

the blacks from getting messed up.

470

00:25:51,240 --> 00:25:54,240

We'll take that off and

then let's come in here.

471

00:25:55,000 --> 00:25:56,610

Take off this layer of tape.

472

00:25:59,550 --> 00:26:03,180

It sort of gives us a nice

border all the way around.

473

00:26:05,340 --> 00:26:11,910

There was something like, so this is

just plain, ordinary old masking tape,

474

00:26:11,940 --> 00:26:14,630

nothing big, but isn't that neat?

475

00:26:15,440 --> 00:26:17,890

I like these little things done like that.

476

00:26:17,900 --> 00:26:19,940

Watch you watch them in our world.

477

00:26:20,270 --> 00:26:23,060

There's one more post and

it lives right out here.

478

00:26:24,555 --> 00:26:26,505

Something like some of it to

come right into the point.

479

00:26:26,505 --> 00:26:30,045

So it shows up good, but

a bit of highlight color.

480

00:26:30,495 --> 00:26:32,115

I, it just work right around my kid.

481

00:26:33,555 --> 00:26:37,905

Pick her little fan brush a

little dark right in there.

482

00:26:37,905 --> 00:26:44,255

So little bit of that yellow

ochre, Indian, yellow, put a

483

00:26:44,255 --> 00:26:45,365

few little highlights on that.

484

00:26:45,365 --> 00:26:45,875

Rascal.

485

00:26:47,225 --> 00:26:48,335

Something about like that.

486

00:26:48,575 --> 00:26:50,735

She has to make it look

like a little grassy areas.

487

00:26:52,560 --> 00:26:53,670

Vector liner brush.

488

00:26:54,750 --> 00:26:59,790

And let's take maybe this piece of

wire here and bring it right on out.

489

00:26:59,850 --> 00:27:03,300

Just like so, so it looks like

it projects right on there.

490

00:27:03,300 --> 00:27:04,860

The opinion that neat.

491

00:27:06,300 --> 00:27:07,080

I think you'll like us.

492

00:27:07,080 --> 00:27:07,920

We'll give it a try.

493

00:27:07,950 --> 00:27:09,300

Send me a photo of your attempt.

494

00:27:09,300 --> 00:27:11,100

I'd love to see it from all of us here.

495

00:27:11,250 --> 00:27:12,870

I'd like to wish you happy painting.

496

00:27:13,650 --> 00:27:14,730

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S25E11 - Fisherman's Paradise

Bob Ross's

The Joy of Painting

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