Bob Ross's

The Joy of Painting

S25E02 - Enchanted Falls Oval

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Hi, come back.

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Glad you could join us today.

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I thought the day would

just do a painting.

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It's a lot of fun, very simple,

and I think you'll enjoy it.

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So let's start out into having run

all the colors across the screen that

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you need to paint along with us at

home and they'll come across right

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about there while they're doing that.

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Let me show you what we

got going up here today.

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I've taken contact paper

and I've cut an oval out.

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And I've just taken the contact paper,

stuck it on a blank canvas, and then

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we've taken black Jesso and I've used

a sponge and I've just tapped a little

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bit of this black Jess all over.

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So it makes all these little patterns in

here we've allowed that to dry completely.

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And then on top of that,

I'm adding a mixture now of

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alizarin Crimson and SAP green.

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We mix those together and about

equal parts to make a gorgeous Brown

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color, which is very transparent.

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And we're going to

cover the entire canvas.

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With this mixture of a lizard and Crimson

and SAP green, just like, so I think I

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forgot to mention, we did put a little

bit of liquid clear on the, on the black

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canvas just to make it nice and slick.

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Sure.

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It makes putting the paint

on much, much easier.

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So we had the black Jessup, then

a little liquid clear, and then

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this mixture of Crimson and SAP

green and all we're looking for

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is just a nice, thin even coat.

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The reason we put the liquid clear

on here before we, before we put the

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color on is because it will allow us to

put a very thin, almost like a glaze.

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On their very thin coat of paint.

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I don't want a lot of color on

the canvas, just a small amount.

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So that's the only reason that's easy.

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We have it all finished.

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Let me wash the old brush.

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If you've painted with this before,

you know, this is the fun part of

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this whole technique, and we wash our

brushes with odorless paint thinner.

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We just shake off the excess.

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And just beat the devil at her.

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All right.

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Now that we've got a nice clean brush.

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Let's start out today and I'm going

to take a little bit of titanium

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white, just a little white, like,

so put some on the two inch brush.

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Be right back.

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I get a little touch of the

little touch of the Indian yellow.

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It's a very transparent yellow.

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So we have titanium

white and Indian yellow.

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And with that, I'm just going to quickly

dance and a little background back

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here and we'll just take it and sorta.

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Just began making little movements

with a corner of the brush, something

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about like, so you have to make a big

decision right off in this painting.

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This is going to be the, I

just steer you in the painting.

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So we start there and we'll continually

blend outward from that point.

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That way automatically that'll be

the brightest area of the painting.

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Now they, the titanium white is

an opaque color, but even there,

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you can still see through that and

see some of these gorgeous little,

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these little shapes that you made

with the sponge and the Blake Jesso.

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Now, normally I normally

use a natural sponge.

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It seems to have better

shapes there they're more

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varied than a man-made sponge.

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So you can pick those up at any art

store, or if you happen to be in

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Tarpon Springs, you can stop by and

pick one up right off the boats there.

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But most of us don't get one at the art

store, but a natural sponge once again

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has much, much nicer shapes to it there

and been, you can do this as many times

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as you want to achieve a desired lightness

in here, I'm going to wash the brush.

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Actually, I just liked to wash the

brush and I'm going to do that again.

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I want to make it a little

bit brighter than it is.

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I just really like to

get the camera man over.

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He gives me a hard time sometimes.

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All right, go right back into what

you determined was your light area.

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And start there and work outward,

always start in that light

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area and work outward there.

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Just adding a little more paint to

the brush, and I'm just spinning

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the brush using just the corner to

make all kinds of little shapes.

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There we go.

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And they don't mean much at this point,

but later on, they'll come out to be

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gorgeous little things that are in the

far distant back part of your painting.

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This is a very simple painting.

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This one I would recommend if it's your

first or second paint, this is a good one.

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This is a good one.

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When you first started and this

contact paper works very well since

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we've introduced the use of contact

paper, it's almost become a standard.

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Now in the art industry, we see painters

all over the country are using contact

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paper to, to make all kinds of shapes,

to make little cutouts that they,

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that they put in their paintings.

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So give it a try.

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When I first started, I used to

use frisket paper, which airbrush

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artists use, but it was very expensive

and it didn't stick very well.

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So that's the reason we

went to contact paper.

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It's it's really available.

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You can find it in any grocery

store or hardware store.

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Hmm, and sticks better.

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All right.

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Today, let's have some fun

with the old oval brush.

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I want to take the old oval brush,

put a little white on it, and I'm

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going to go into this mixture of

alizarin, Crimson and SAP green.

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This is the same identical

color that we covered the

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entire back of the canvas with.

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Okay.

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Little white to it.

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Just to make it a little bit

lighter and load this brush by just

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sort of giving it a little push.

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This oval brush has oval bristles

on the yen, sort of like a big

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Filbert brush only it's cross.

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All right, let's go up in here now, then

let's begin working on some shapes and

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designs for some little background trees.

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This oval breast does just

fantastic things for a little

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background trees there.

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And all you got to do

is just begin to happy.

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See you there.

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The brush will do most of the work that's.

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What's so fantastic about this.

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That's fantastic.

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Now that may be, yeah, I've been here.

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You have to make big decisions.

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Where does your little trees live?

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They don't show up, make them just a

little bit darker, but start out as

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light as you can to get them to show.

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And then we'll get darker as we

work away from the light source.

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There we go.

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Just all kinds of little shapes.

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We're just looking for very basic

little tree shapes, some of these

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little things in the black Jess.

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So you can see when the camera's

up close we'll show through.

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And when friends and neighbors look

at your painting, they'll say, cut.

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Gosh, how in the world did you get all

that detail back here in the woods?

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And that's our secret

it'll happen automatically.

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All right.

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Now, as we work back a little further,

We can begin getting into darker color,

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save your darkest color for the far edges.

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Here we go.

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Things like it just begin happening there.

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I tell you what.

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Let's take, let me find a little

liner, brush, a little paint thinner.

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Let's put a few little indications

with branches and stems and

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trunks and limbs and all those

things that live in the tree.

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Taking a little paint thinner and would

go into that same color thin this down.

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So it's very thin, not quite a

consistency, but pretty close.

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Turn the bristles in there

that'll load very deep and liner

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brush has long bristles on it.

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So it holds a lot of paint in let's

go and here now then we can take that.

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And let's just put the indication

here and there and there in here of

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all kinds of little limbs and sticks

and stuff that live up here, she goes

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to wherever you think they should be.

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Now, if you have trouble making

it flow, then add just a tiny

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bit more of the paint thinner.

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There the fact, I think I'll add

a little more to my brush there.

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See how much easier it goes

now, but I don't want these to

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be very dark or very distinct.

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I want him to help create that

illusion of distance in the

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painting, things that are far away.

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They're almost the same color as the

background just barely can see them.

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Fair.

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And you don't have to worry about

painting the entire thing because

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there's leaves in front and you're only

going to see part of them in places.

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So by not painting them, it helps

create that illusion and painting

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is nothing but games of illusion.

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There we go.

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We can go back to her little oval brush

and we'll put a few little things here and

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there and there, and here, there we go.

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All right.

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Now I'm going into almost, almost the pure

color time to start getting very dark.

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As we work out here on the edges, the

dark edges will help force the eye

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to go to the center of this painting.

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When people look at your painting,

then they'll see this bright area.

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So you make very dark edges here,

there I'm into solid dark color.

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Now, very dark.

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I want this to really get dark in

here because this is going to end up

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being some deep, dark shadows for all

my little or on my little creatures.

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Live a little bunny,

rabbits and squirrels.

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They all live back in here.

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They just have a good time.

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So they need a place to hide.

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Now that may be up in here.

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Yep.

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I'm going to just drop in a few

more wherever you think they

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should live in this oval brush.

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Neat.

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Have you ever had trouble making tree

limbs and the branches and all the

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gorgeous little hanging down things?

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This is the brush you've been looking for.

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It'll do it just about automatically.

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There we go.

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Maybe there's right there.

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I don't know.

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True world.

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You make these big decisions

wherever you want to kinds a

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little things live in our world.

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I'm going to go back to summit.

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Has a little.

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Little white in it.

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So it's a little bit lighter now when

a little darker Nancy didn't show up.

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So yeah, exactly.

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You can just put all kinds of things,

but already they should begin having a

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lot of depth in it, just because of the

difference in value or tone of the color.

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See, it's very light back here.

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It gets darker, darker, darker.

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There.

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And we'd go back to her little liner brush

and we'll take some more of that color,

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a little bit of paint thinner, and let's

just go right up in here and let's put in

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another little tree trunk or two, you sort

of look at your shapes now and you decide

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where there's a tree living in our world.

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Yep.

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You're right.

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I lose one right there, right there.

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I like the pink trees are a lot of fun.

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A lot of fun.

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And I have a natural inkling, as I say,

to, to sort of paint trees and bushes.

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Cause that's where, that's where I

really find peace and tranquility

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is out in the woods with all the

little Stephan, a hunt with a camera.

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I go out and take pictures, not

only of the animals, but I take

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pictures of individual trees.

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And then you take all

these different pictures.

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You can put them together and

make your own composition.

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You can take a tree out of one photo.

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You can take a cloud out of

another barn that you took here.

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They could be in totally different States.

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It doesn't matter.

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And you put them together and

you make your own composition

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and it's new and it's original.

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And it's wonderful.

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I just want to show you

how to make these things.

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What you make is totally up to you.

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Totally and completely there.

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We are just all kinds of little

Rascals that live in there, there.

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Okay.

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And let's go over near the

side and put a few over there.

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We don't want him left down a little

more of the paint thinner and maybe

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w maybe there's a big old tree trunk.

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It lives right there.

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There put some arms on him.

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And these arms just stretched right

out here to get the light all they can.

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They want to come out and play

in the sunshine there, see there.

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But as I've mentioned before, when

you're painting, just sort of make

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up little stories in your mind, it

really helps sort of helps put you in

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the mood and it, it gives you ideas

and new ideas are really one of the

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hardest things there are in painting.

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I get a lot of ideas from, from

photographs and sketches that people

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send me, especially my young friends.

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I have a lot of young friends across

the country and they send hundreds of

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letters with, with ideas and suggestions.

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And that's where a lot of

these paintings STEM from.

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So, if you have an idea of drop me a

line, let me know what you'd like to

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see in a lot of times, if, if it's

something that I can pick up and find

243

00:13:38,250 --> 00:13:45,199

somebody else who can, all right, let's

have a, maybe in my world there's going

244

00:13:45,199 --> 00:13:46,880

to be a, it will do a little Bush.

245

00:13:46,880 --> 00:13:47,689

It lives right there.

246

00:13:49,730 --> 00:13:51,920

Just sort of seems like a

good place for a little Bush.

247

00:13:53,510 --> 00:13:55,550

And we'll go back to our little

liner brush with some paint,

248

00:13:55,579 --> 00:13:56,870

thinner, a little bit of Brown on it.

249

00:13:57,945 --> 00:14:00,585

And under here, then we'll put

him, we'll put him some little

250

00:14:00,585 --> 00:14:04,175

legs so he can stand up there.

251

00:14:06,155 --> 00:14:09,875

Now he's ready and he's ready.

252

00:14:10,325 --> 00:14:14,345

But you see how easy that is to make a

fantastic background is very effective.

253

00:14:15,285 --> 00:14:18,615

And when you show this to friends and

relatives, essay, you didn't paint that.

254

00:14:18,615 --> 00:14:21,975

And I've had people write in to say they

actually had their friends look real

255

00:14:21,975 --> 00:14:24,765

close at their painting and see if they

could see the numbers hit under there.

256

00:14:24,765 --> 00:14:26,175

Like it was a paint by number.

257

00:14:30,735 --> 00:14:32,505

You put a little Bush lives, right there.

258

00:14:33,975 --> 00:14:36,345

Put in some nice dark, dark, dark color.

259

00:14:37,905 --> 00:14:40,845

This is a pure alizarin,

Crimson and SAP green.

260

00:14:42,165 --> 00:14:44,385

It's not diluted with

white or anything else.

261

00:14:44,385 --> 00:14:49,314

This is pure color and

then make a gorgeous Brown.

262

00:14:51,645 --> 00:14:52,035

I know.

263

00:14:52,635 --> 00:14:55,964

And sometimes you see things here.

264

00:14:56,864 --> 00:15:00,915

I'm going to dip the brush into a little

bit of the liquid clear, go into a little

265

00:15:00,915 --> 00:15:03,675

titanium white and it looks like there's

a little Indian, yellow in it too.

266

00:15:03,704 --> 00:15:04,155

That's good.

267

00:15:04,635 --> 00:15:05,775

We'll just use what's there.

268

00:15:06,944 --> 00:15:09,074

Put a little bit of liquid

clear in there only.

269

00:15:09,810 --> 00:15:10,980

To make it a little bit thinner.

270

00:15:10,980 --> 00:15:12,120

So it'll flow better.

271

00:15:12,300 --> 00:15:15,120

Let's see here both sides of the

brush and loaded with color, just to

272

00:15:15,120 --> 00:15:16,410

really get in there and load it full.

273

00:15:17,130 --> 00:15:22,709

Let's go up in here now, maybe in

our world, let's see their lives.

274

00:15:22,750 --> 00:15:22,990

Yep.

275

00:15:24,060 --> 00:15:25,050

A little waterfall.

276

00:15:25,199 --> 00:15:26,130

He lives right there.

277

00:15:27,000 --> 00:15:28,800

Put a little touch, more

of a clear on my breast.

278

00:15:28,800 --> 00:15:30,630

So it'll be a little smoother.

279

00:15:30,689 --> 00:15:37,020

So I know, I know when you begin,

you get to where you see things

280

00:15:37,020 --> 00:15:38,760

as you paint in our waterfall.

281

00:15:41,145 --> 00:15:41,955

A big old stone.

282

00:15:41,955 --> 00:15:43,005

He lives right out there.

283

00:15:44,145 --> 00:15:46,635

Take a little white, a little

Brown, mix it together, make

284

00:15:46,635 --> 00:15:47,715

a little highlight color.

285

00:15:48,915 --> 00:15:50,595

We'll use a little

small edge of the knife.

286

00:15:50,685 --> 00:15:55,325

Put a little touch of highlight on that

stone, go back and find her brushes.

287

00:15:55,335 --> 00:15:57,875

Got the, the white with

the liquid clear on it.

288

00:15:58,835 --> 00:16:02,285

And we'll come right along here and

put water on that side of the stone.

289

00:16:02,825 --> 00:16:03,035

Hmm.

290

00:16:03,995 --> 00:16:04,595

Isn't that neat?

291

00:16:06,125 --> 00:16:07,445

I like to do watery falls.

292

00:16:08,970 --> 00:16:13,950

Now with a clean two inch brush, I'm

going to lift this upward outward,

293

00:16:15,660 --> 00:16:21,180

like, so just sort of bring it

together by cat and a neat way.

294

00:16:21,300 --> 00:16:25,290

A very neat way of making it

look like there's little bubbles

295

00:16:25,290 --> 00:16:26,490

and foam happening down here.

296

00:16:26,490 --> 00:16:29,070

You can take just a clean.

297

00:16:30,375 --> 00:16:31,475

Clean dry fan brush.

298

00:16:31,535 --> 00:16:34,515

I'm gonna dip it in paint thinner,

and then shake off all the excess.

299

00:16:34,574 --> 00:16:36,105

Just give it a good, hard shake.

300

00:16:36,765 --> 00:16:39,735

And then you flick that paint thinner

right up here on the bottom of the

301

00:16:39,735 --> 00:16:44,595

waterfall, paint thinner and liquid clear,

have a valid reaction and it'll cause it

302

00:16:44,595 --> 00:16:46,925

to, it looks like little bubbles in there.

303

00:16:49,085 --> 00:16:49,835

And it's neat.

304

00:16:50,944 --> 00:16:53,944

When you first start doing this use

very little of the paint thinner.

305

00:16:53,944 --> 00:16:55,235

You can always add more.

306

00:16:56,250 --> 00:16:57,750

But it's hard to go back and take it off.

307

00:16:58,260 --> 00:17:00,540

And it looked like it looked

like little bubbles that are

308

00:17:00,540 --> 00:17:01,920

happening all down through there.

309

00:17:04,170 --> 00:17:09,030

Let's take a little bit more of

that Brown and maybe in our world,

310

00:17:10,050 --> 00:17:12,930

we need to come right along in

here and we have to put something

311

00:17:12,930 --> 00:17:15,120

up here to contain this old water.

312

00:17:17,750 --> 00:17:21,200

See there, we have a big

stone lift right there.

313

00:17:23,220 --> 00:17:26,220

Big stone, this, this painting

somebody here in the studio.

314

00:17:27,050 --> 00:17:31,760

I said, my gosh, you're going to

paint her a super tome painting.

315

00:17:31,760 --> 00:17:35,120

It looks like almost like the old

Seper tone photographs years ago,

316

00:17:35,120 --> 00:17:39,320

I used to teach photography and we

used to do the, the old photographs

317

00:17:39,320 --> 00:17:40,670

that were all done in Brown tones.

318

00:17:40,670 --> 00:17:41,900

And this sort of looks like that.

319

00:17:42,260 --> 00:17:43,910

It uses a very limited palette.

320

00:17:46,045 --> 00:17:49,615

Very few colors and it's

very simple to do here.

321

00:17:49,615 --> 00:17:54,685

I'm just adding a little bit of that

Brown color will take a little bit of

322

00:17:54,865 --> 00:18:02,175

that same Brown mix, a little fight with

it, and we'll come back in here and we'll

323

00:18:02,175 --> 00:18:03,705

just put a little highlight up here.

324

00:18:06,495 --> 00:18:11,595

Something about like, so now with

almost no color, almost no color.

325

00:18:11,625 --> 00:18:12,825

I want to grab that and.

326

00:18:14,280 --> 00:18:19,020

Give it a downward pool, just

barely caressing the canvas.

327

00:18:19,560 --> 00:18:23,460

Barely, barely touching painted

mountains with me before.

328

00:18:23,490 --> 00:18:24,899

This is about the same idea.

329

00:18:24,929 --> 00:18:29,460

That much pressure, just

barely touching the canvas.

330

00:18:32,790 --> 00:18:34,350

Maybe we'll brighten that a little bit.

331

00:18:34,679 --> 00:18:35,699

I, a little more white in it.

332

00:18:36,330 --> 00:18:38,580

So it stands out and you can

see it a little bit better.

333

00:18:39,810 --> 00:18:40,470

That's nicer.

334

00:18:42,285 --> 00:18:46,125

That's nice, but this makes it

look flat on top by doing it.

335

00:18:46,265 --> 00:18:46,505

Yes.

336

00:18:50,735 --> 00:18:54,575

Now back to our little oval brush

and we'll bring these little

337

00:18:54,575 --> 00:18:57,485

bushes here right down onto it.

338

00:18:58,445 --> 00:18:59,375

Tell you what I got to mix up.

339

00:18:59,375 --> 00:19:00,815

Some more color, ran out of color.

340

00:19:03,585 --> 00:19:07,185

Once again, alizarin, Crimson and

SAP green in about equal parts.

341

00:19:07,995 --> 00:19:11,775

This is a nice color because you can take

it to the green side or to the red side.

342

00:19:12,915 --> 00:19:16,065

Just depends on your mood

that particular day today.

343

00:19:16,065 --> 00:19:17,085

I have it sort of neutral.

344

00:19:17,085 --> 00:19:19,155

It's sort of about half and half.

345

00:19:19,515 --> 00:19:22,935

Sometimes I'll mix it to the reddish

side and other times to the green,

346

00:19:22,935 --> 00:19:26,325

depending on the mood that I want or

that the effect that we're looking for.

347

00:19:27,345 --> 00:19:28,455

Experiment a little bit.

348

00:19:28,455 --> 00:19:30,495

You'll find wonderful

things you can do with this.

349

00:19:31,185 --> 00:19:33,495

Think back to my little oval

breast, just tap a little color

350

00:19:33,495 --> 00:19:36,135

into it and let's go on up here.

351

00:19:37,875 --> 00:19:43,784

Just put some little, some little things

that live right here on this little rock.

352

00:19:43,784 --> 00:19:44,925

It's right by the waterfall.

353

00:19:46,604 --> 00:19:50,504

And maybe down here at the bottom,

there's some more big bushes and things

354

00:19:50,504 --> 00:19:51,885

that they have all down through here.

355

00:19:53,504 --> 00:19:56,054

These won't show up much till we

put a little touch of highlight

356

00:19:56,054 --> 00:19:57,195

on and then you'll see them.

357

00:19:59,205 --> 00:20:00,675

All right, let's go on the other side.

358

00:20:02,085 --> 00:20:02,955

Maybe this Bush.

359

00:20:02,985 --> 00:20:03,165

Yep.

360

00:20:03,254 --> 00:20:08,415

He comes right out over the waterfall

by having it in front of the waterfall.

361

00:20:08,475 --> 00:20:11,504

It has a tendency to push the

waterfall, the back into the painting.

362

00:20:12,945 --> 00:20:16,455

It helps a great deal with that illusion

of depth and distance in your painting.

363

00:20:18,014 --> 00:20:24,615

All right, let's have some fun

clean, dry two inch brush the least

364

00:20:24,615 --> 00:20:26,774

little touch of titanium white on it.

365

00:20:28,185 --> 00:20:31,185

Lee's little touch right on the

corner and I'm going to just tap

366

00:20:32,115 --> 00:20:36,195

and let it blend, make it look

like there's a little bit of mist.

367

00:20:36,195 --> 00:20:40,695

We back here in the distance where

that water's heading, just let

368

00:20:40,695 --> 00:20:46,095

it tap softly very softly and you

blend it to however you want it.

369

00:20:47,295 --> 00:20:50,205

Now, then how we have that color

going on this brush, I'll put

370

00:20:50,205 --> 00:20:51,375

a little more titanium white.

371

00:20:52,155 --> 00:20:54,465

Maybe there's a little river

that comes in this waterfall.

372

00:20:55,170 --> 00:20:58,860

So just touch and pull straight

down because gorgeous Brown

373

00:20:58,860 --> 00:21:00,750

color is already on the canvas.

374

00:21:00,870 --> 00:21:04,139

It'll mix with your white

and automatically that

375

00:21:04,139 --> 00:21:05,730

will happen automatically.

376

00:21:05,850 --> 00:21:07,440

You don't have to work at it or anything.

377

00:21:09,000 --> 00:21:09,659

And I'm lazy.

378

00:21:09,659 --> 00:21:11,399

I look for easy ways to do things.

379

00:21:12,570 --> 00:21:12,900

Okay.

380

00:21:12,960 --> 00:21:17,400

And we can just have that together a

little bit right in there, something

381

00:21:17,400 --> 00:21:22,260

about like, so, so we can't tell where

the, this stops in the reflection

382

00:21:22,260 --> 00:21:28,290

start there sometimes a little Misty

things will float all up in here.

383

00:21:30,210 --> 00:21:36,740

Just use your imagination, little sparkler

right there, just to make it sparkle.

384

00:21:40,155 --> 00:21:40,635

All right.

385

00:21:41,505 --> 00:21:43,095

I love these kinds of little paintings.

386

00:21:43,985 --> 00:21:47,255

And is that say, even if you've

never painted before these

387

00:21:47,255 --> 00:21:49,715

little Rascals, you can do these.

388

00:21:49,715 --> 00:21:53,225

You can do very simple and

they're very effective.

389

00:21:55,555 --> 00:21:58,165

All right now then, so

you moved dirty brush.

390

00:21:58,165 --> 00:22:00,385

I'm gonna take a little

touch of yellow ochre on it.

391

00:22:01,135 --> 00:22:05,215

Now, this painting, I want to keep very

dark and very much into the Brown tone.

392

00:22:05,225 --> 00:22:08,215

So just a little touch of yellow

ochre mixed right on that dirty brush.

393

00:22:08,815 --> 00:22:09,385

Very little.

394

00:22:09,565 --> 00:22:09,715

Okay.

395

00:22:09,715 --> 00:22:10,615

Let's go back up here.

396

00:22:11,785 --> 00:22:13,855

Now, some of these darker ones,

I'm going to put the least little

397

00:22:13,855 --> 00:22:15,445

touch of highlight once again.

398

00:22:16,274 --> 00:22:21,254

Once again, I'm not looking for

very much, for very, very small

399

00:22:21,254 --> 00:22:26,675

amount, just enough to separate

some of these little bushes there.

400

00:22:27,754 --> 00:22:28,014

See you.

401

00:22:28,985 --> 00:22:31,715

This little bit of highlight

will just bring them apart.

402

00:22:31,745 --> 00:22:33,215

But think about individual bushes.

403

00:22:33,215 --> 00:22:36,395

Just don't throw this in at

random and, and hope for the best.

404

00:22:36,514 --> 00:22:38,495

Think about little individuals here.

405

00:22:40,085 --> 00:22:40,805

There we go.

406

00:22:41,615 --> 00:22:42,455

There they are.

407

00:22:45,510 --> 00:22:48,990

These are a lot of fun to do,

and they make fantastic gifts.

408

00:22:51,270 --> 00:22:55,290

As you know, people I'd much rather have

something that you've visualized in your

409

00:22:55,290 --> 00:22:58,770

mind and you've made with your own hand in

something you just went out and purchased.

410

00:23:00,450 --> 00:23:03,360

I have paintings that people

gave me many, many years ago.

411

00:23:04,280 --> 00:23:07,160

If they had just went out and bought some

old thing and give to me, I would have

412

00:23:07,160 --> 00:23:11,660

probably have discarded it by now, but

the paintings are very special and I'll

413

00:23:11,660 --> 00:23:13,130

probably have them as long as I live.

414

00:23:15,220 --> 00:23:15,940

There we go.

415

00:23:21,209 --> 00:23:22,800

And maybe appear in this big tree.

416

00:23:23,250 --> 00:23:23,970

Very little though.

417

00:23:24,000 --> 00:23:24,500

I don't want it.

418

00:23:24,530 --> 00:23:26,580

I don't want to lose this darkness to me.

419

00:23:26,580 --> 00:23:29,129

This darkness is what makes

this painting very nice.

420

00:23:30,209 --> 00:23:33,689

But when you do it, yours, if you

want it to little brighter, please,

421

00:23:33,689 --> 00:23:36,240

please feel free to make it anyway.

422

00:23:36,449 --> 00:23:37,320

It makes you happy.

423

00:23:38,670 --> 00:23:40,470

Because that's what painting is all about.

424

00:23:41,040 --> 00:23:43,920

It should make you feel good about

yourself and about the world.

425

00:23:44,820 --> 00:23:49,820

Make you appreciate all of God's wonderful

creations, but just enjoy it there.

426

00:23:51,410 --> 00:23:55,820

Let's take a little bit of this

Brown and let's come in here and

427

00:23:55,820 --> 00:23:57,620

let's make a little land area.

428

00:23:57,620 --> 00:23:59,420

Just something for all of us to sit on.

429

00:24:00,230 --> 00:24:04,250

Maybe something about that, like a little

bit over here on the other side, too.

430

00:24:05,610 --> 00:24:08,100

So it looks like you're maybe

just a little river here that

431

00:24:08,520 --> 00:24:09,510

we don't know where it goes.

432

00:24:09,510 --> 00:24:11,370

I don't know that we really care.

433

00:24:12,449 --> 00:24:15,419

It goes off into another painting

and we'll do it on another show.

434

00:24:17,330 --> 00:24:21,379

Here we are just a little touch

your highlight once again,

435

00:24:21,409 --> 00:24:24,649

keep it quite dark, quite dark.

436

00:24:26,149 --> 00:24:30,770

Now then take a liner brush and here and

there, and their hand will take just a

437

00:24:30,770 --> 00:24:33,050

little bit of this lighter Brown color.

438

00:24:34,365 --> 00:24:37,455

And put the indication, as soon

as that little twigs and sticks

439

00:24:37,455 --> 00:24:40,575

in here where it's very dark, you

may have to use a lighter color.

440

00:24:40,605 --> 00:24:41,625

So it stands out.

441

00:24:43,245 --> 00:24:44,025

Kenny, let's go over here.

442

00:24:44,025 --> 00:24:46,545

And the other side, we

need a couple over here.

443

00:24:46,605 --> 00:24:48,945

Don't have to have too many, just a few.

444

00:24:49,295 --> 00:24:50,105

Oh, there's one.

445

00:24:50,165 --> 00:24:50,645

There is one.

446

00:24:52,805 --> 00:24:55,865

You just sort of see them, look

at your painting because every

447

00:24:55,865 --> 00:24:57,065

painting will be different.

448

00:24:58,320 --> 00:25:00,510

Each one would be a total individual.

449

00:25:02,820 --> 00:25:07,140

Now, then we can take a little

bit of liquid honey, put it

450

00:25:07,140 --> 00:25:08,160

right on that line brush.

451

00:25:08,160 --> 00:25:11,790

And we could just put the indication

here and there some little water

452

00:25:11,790 --> 00:25:12,900

lines that live out in here.

453

00:25:13,650 --> 00:25:19,100

Just little things like, so don't

want to just a few little nice.

454

00:25:19,130 --> 00:25:19,490

Thanks.

455

00:25:26,415 --> 00:25:27,615

That worked out pretty nice.

456

00:25:27,615 --> 00:25:29,925

I'll tell you what, let's

pull the old contact paper off

457

00:25:29,925 --> 00:25:30,885

here and see what we're here.

458

00:25:31,005 --> 00:25:33,825

Cause that's, that's the moment

of truth and that's, that's the

459

00:25:33,825 --> 00:25:35,955

fun that we'll just pull it off

460

00:25:40,095 --> 00:25:40,755

and look at that.

461

00:25:41,115 --> 00:25:45,105

Isn't that a gorgeous little painting

and you can, then you can just take

462

00:25:45,105 --> 00:25:47,985

it and you can look around and see if

there's any area that you need to add.

463

00:25:47,985 --> 00:25:48,825

A few little things.

464

00:25:49,935 --> 00:25:53,325

I think it would be a couple of

little sticks and twigs right in here.

465

00:25:55,620 --> 00:25:58,050

Cause in the woods, you always

have all these little critters that

466

00:25:58,050 --> 00:26:01,979

live in there and it creates that

illusion of depth in your painting.

467

00:26:01,979 --> 00:26:04,590

And people will think you've

worked for many hours putting all

468

00:26:04,590 --> 00:26:06,959

this detail in that's our secret.

469

00:26:07,590 --> 00:26:07,830

Hmm.

470

00:26:08,969 --> 00:26:09,959

That's our secret.

471

00:26:11,129 --> 00:26:11,790

All right.

472

00:26:16,590 --> 00:26:21,210

Let's see here sometimes, sometimes I like

to grab a little this and pull it over.

473

00:26:21,240 --> 00:26:24,330

So it looks like it looks like

old roots and stuff that are just

474

00:26:24,330 --> 00:26:25,740

sort of hanging over the bank.

475

00:26:25,800 --> 00:26:26,490

Take a little letter.

476

00:26:27,230 --> 00:26:28,340

Cause they're always there.

477

00:26:29,660 --> 00:26:31,850

Just let them hang down

just a few here and there.

478

00:26:35,315 --> 00:26:35,555

Okay.

479

00:26:35,885 --> 00:26:37,445

I think we have a finished painting here.

480

00:26:37,685 --> 00:26:40,655

I'm gonna take a little bit of

the, since I don't have bright red,

481

00:26:40,655 --> 00:26:43,415

I'll use little crims in the day

at the end to paint down like ink.

482

00:26:44,075 --> 00:26:45,455

I think we're ready to sign this one.

483

00:26:45,514 --> 00:26:46,625

Let's come right up in here.

484

00:26:47,555 --> 00:26:50,885

I hope you can see that it's

very dark and we'll just put

485

00:26:50,885 --> 00:26:51,965

a little signature on there.

486

00:26:54,525 --> 00:26:55,865

There have short names.

487

00:26:55,865 --> 00:26:57,665

So it only takes a second.

488

00:26:59,315 --> 00:27:00,485

I hope you've enjoyed this one.

489

00:27:00,485 --> 00:27:03,005

It's a fantastic little

painting that you can do.

490

00:27:03,245 --> 00:27:05,615

And until next time I'd like

to wish you happy painting.

491

00:27:06,270 --> 00:27:07,380

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S25E02 - Enchanted Falls Oval

Bob Ross's

The Joy of Painting

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