Bob Ross's

The Joy of Painting

S19E05 - Camper's Haven

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:13,670 --> 00:00:14,810

Hi, welcome back.

00:00:15,110 --> 00:00:16,460

Certainly glad you could join me today.

00:00:16,460 --> 00:00:19,490

You get your whole brush warmed up and

ready to do a fantastic little painting.

00:00:20,070 --> 00:00:20,369

Good.

00:00:20,759 --> 00:00:23,009

Tell you what, let's start out

today and have him run all the

00:00:23,009 --> 00:00:26,130

colors across the screen that

you need to paint along with me.

00:00:26,189 --> 00:00:29,310

And as usual they'll come across in

the same order as I have them laid

00:00:29,310 --> 00:00:32,790

out on the palette, starting with a

white and working all the way around.

00:00:33,510 --> 00:00:35,220

So let's go in epidemic,

tell you what I've done.

00:00:35,440 --> 00:00:38,970

I've got my normal old canvas up

here and I've covered it with a

00:00:38,970 --> 00:00:40,470

thin even coded the liquid white.

00:00:40,860 --> 00:00:43,470

So it's all wet and slick

and it's ready to go.

00:00:43,500 --> 00:00:43,800

So.

00:00:44,845 --> 00:00:46,155

Let's just do a nice little painting.

00:00:46,155 --> 00:00:47,595

Today is such a beautiful day.

00:00:48,345 --> 00:00:51,195

Maybe we'll do something with some

warmth and let's take a little, uh,

00:00:51,285 --> 00:00:56,465

alizarin Crimson here, and we'll just

use this old two inch brush and just

00:00:56,475 --> 00:01:01,185

have a little bit into the bristles,

like so, and tap the tap that bristles

00:01:01,185 --> 00:01:05,855

firmly here, that assures a nice even

distribution of color the way through it.

00:01:06,485 --> 00:01:08,885

It's going up here maybe right up in here.

00:01:08,885 --> 00:01:12,845

We'll just take, we just put a

little bit of pink in the sky today.

00:01:13,890 --> 00:01:17,580

When you're doing this, be careful

that it doesn't get too bright on you.

00:01:18,720 --> 00:01:21,539

This Crimson is quite strong

and very quickly you can, it

00:01:21,539 --> 00:01:22,890

can take over your whole world.

00:01:24,060 --> 00:01:25,920

And we don't want to set this guy on fire.

00:01:26,250 --> 00:01:30,539

All we want to do is just create the

illusion of a nice little glow up in here.

00:01:31,410 --> 00:01:32,580

That's all we're looking for.

00:01:34,170 --> 00:01:37,260

Beautiful little girl, maybe today.

00:01:38,070 --> 00:01:39,660

Maybe, maybe let's do.

00:01:39,930 --> 00:01:41,400

Let's do some nice mountains today.

00:01:41,400 --> 00:01:42,300

That's always fun.

00:01:43,710 --> 00:01:45,180

I enjoy mountains very much.

00:01:45,180 --> 00:01:49,350

I lived in Alaska for about a dozen

years and it's one of the most

00:01:49,380 --> 00:01:51,090

beautiful places I've ever seen.

00:01:52,020 --> 00:01:54,600

Certainly God was having a

good day when he paid Alaska.

00:01:54,840 --> 00:01:57,840

It is on real now then.

00:01:59,445 --> 00:02:01,875

Let's take, uh, well, we

use a little fail blue.

00:02:01,905 --> 00:02:02,625

What the heck?

00:02:03,345 --> 00:02:05,175

When I'm cleaning the brush,

we'll just add a little bit of

00:02:05,185 --> 00:02:06,285

the little blue red on there.

00:02:07,005 --> 00:02:11,175

The blue is much stronger than the

Crimson, so you can add it right

00:02:11,175 --> 00:02:12,225

on without cleaning the brush.

00:02:12,225 --> 00:02:12,975

No big deal.

00:02:13,425 --> 00:02:16,635

Then we can go up here and using

our little crisscross strokes.

00:02:17,085 --> 00:02:27,435

Let's just lay in a happy little sky all

the way across, just like, so there just

00:02:27,435 --> 00:02:29,175

let it come right down to this pink area.

00:02:29,235 --> 00:02:32,295

Once again, the blue so much

stronger, it'll just eat up any

00:02:32,295 --> 00:02:33,375

of this paint that you cover.

00:02:33,970 --> 00:02:35,130

You don't have to worry about it.

00:02:36,660 --> 00:02:36,890

Yeah.

00:02:36,959 --> 00:02:39,299

I think we'll have a little

water in this one, too.

00:02:39,299 --> 00:02:40,049

What the heck?

00:02:40,230 --> 00:02:43,709

What the heck we had

this whole brush going?

00:02:44,190 --> 00:02:45,570

Let's had a little bit more of the blue.

00:02:46,665 --> 00:02:49,605

Just a little, let's go down

here in the bottom and maybe

00:02:49,785 --> 00:02:51,285

our water lives right down here.

00:02:52,485 --> 00:02:53,455

Just pull it from the outside.

00:02:53,455 --> 00:03:01,735

Outside-in like, so there

look more paint can just pull.

00:03:01,815 --> 00:03:03,915

Now we'll have still water today.

00:03:04,685 --> 00:03:06,245

And Stillwater is always flat.

00:03:06,305 --> 00:03:07,325

It's always level.

00:03:07,385 --> 00:03:11,825

So trying to keep these strokes

as straight as possible, you

00:03:11,825 --> 00:03:14,405

don't want you to still water

to be going uphill or downhill.

00:03:15,345 --> 00:03:16,945

Want to keep it as straight as possible.

00:03:18,835 --> 00:03:21,625

There that's wash the old brush.

00:03:21,655 --> 00:03:23,035

That's a fun part of all this.

00:03:24,900 --> 00:03:25,410

Okay.

00:03:26,430 --> 00:03:30,120

We wash our brushes as you

know, an odorless paint thinner.

00:03:31,740 --> 00:03:37,170

We shake off the excess and

just beat the devil letter.

00:03:37,709 --> 00:03:37,890

Okay.

00:03:37,890 --> 00:03:42,030

Now with this nice clean brush,

all we're going to do here is

00:03:42,030 --> 00:03:43,470

just blend these colors together.

00:03:44,280 --> 00:03:48,720

Still using a little, a little extra

ox or crisscross strokes, cross criss

00:03:48,720 --> 00:03:49,950

strokes, whatever you want to call them.

00:03:51,329 --> 00:03:57,269

There we go, we'll go gently across the

water also just to bring it all together.

00:04:00,989 --> 00:04:01,530

Okay.

00:04:03,299 --> 00:04:04,560

We have a happy little sky.

00:04:05,310 --> 00:04:08,820

Let's devote most of our time today

into doing a fantastic mountain.

00:04:09,120 --> 00:04:12,989

I get so many letters from people

and mountains are just about the

00:04:12,989 --> 00:04:14,399

favorite thing going right now.

00:04:14,970 --> 00:04:15,839

So let's try that.

00:04:17,235 --> 00:04:18,045

Let's try that.

00:04:18,045 --> 00:04:21,914

We'll take a little fallow blue, a little

lizard and Crimson and mixed together.

00:04:23,025 --> 00:04:23,985

And this is very dark.

00:04:23,985 --> 00:04:25,365

It'll look black on the palette.

00:04:25,395 --> 00:04:29,235

So take a little bit of white

and then check it out and

00:04:29,235 --> 00:04:30,164

see if it's what you want.

00:04:31,005 --> 00:04:32,925

Maybe we'll add a little

bit more Crimson to that.

00:04:34,125 --> 00:04:38,175

I want a lavender color, but I want

it to the blue side, pull it out.

00:04:38,175 --> 00:04:42,495

Flat, cut off our little roll of paint

lives right out of the edge of the nigh.

00:04:42,645 --> 00:04:43,335

Let's go up in here.

00:04:44,160 --> 00:04:46,080

Now you have to make your

first major decision.

00:04:46,080 --> 00:04:47,730

Where does, where does your mountain lift?

00:04:47,760 --> 00:04:48,840

Let's come right up in here.

00:04:48,900 --> 00:04:53,790

Maybe our mountain starts right here and

all you do is take the knife and firmly.

00:04:55,530 --> 00:05:00,690

You can probably hear how from, is

it firmly pushing a basic shape?

00:05:01,230 --> 00:05:05,730

And the only thing we're interested in

at this point is just the top up here.

00:05:05,730 --> 00:05:06,450

We could care less.

00:05:06,450 --> 00:05:07,560

What's happening with the bottom.

100

00:05:07,680 --> 00:05:08,940

Don't worry about it at all.

101

00:05:10,170 --> 00:05:11,580

Don't worry about it at all.

102

00:05:13,770 --> 00:05:15,179

I said big mountain I wouldn't kid.

103

00:05:15,179 --> 00:05:18,000

And was like, this is, this

is going to be a big mountain.

104

00:05:18,450 --> 00:05:19,619

Maybe to come all the way over here.

105

00:05:20,609 --> 00:05:28,739

Now we're scraping off all the excess

paint there and scrape it hard.

106

00:05:29,070 --> 00:05:30,299

This whole canvas is tough.

107

00:05:30,299 --> 00:05:31,440

You're you're not gonna hurt it.

108

00:05:31,440 --> 00:05:32,460

Don't worry about hurting it.

109

00:05:32,460 --> 00:05:33,739

Just really get it in.

110

00:05:33,760 --> 00:05:34,169

Scrape it.

111

00:05:34,169 --> 00:05:34,679

Now we'll take a.

112

00:05:35,385 --> 00:05:36,795

Clean dry.

113

00:05:36,975 --> 00:05:37,275

You sure.

114

00:05:37,275 --> 00:05:40,365

It's dry two inch brush and

I want to pull that out.

115

00:05:41,475 --> 00:05:42,615

That'll do two things.

116

00:05:43,515 --> 00:05:47,505

First of all, it'll make the mountain

lighter at the base than it is at the top,

117

00:05:47,565 --> 00:05:49,185

which is exactly what we're looking for.

118

00:05:49,725 --> 00:05:52,005

Secondly, it removes excess paint.

119

00:05:53,175 --> 00:05:57,645

It makes the next layers much,

much easier to apply much easier.

120

00:05:58,094 --> 00:06:01,125

You have a lot of loose paint on

there, then it's difficult to make

121

00:06:01,125 --> 00:06:03,015

the next layer stick on top of that.

122

00:06:04,530 --> 00:06:05,190

There we go.

123

00:06:05,580 --> 00:06:08,550

We just let it just blend right

off into nothing over here.

124

00:06:10,620 --> 00:06:11,250

There we go.

125

00:06:11,690 --> 00:06:15,920

I think it's very nice when you do

your painting this little bit of paint,

126

00:06:15,920 --> 00:06:17,240

because left down here at the bottom.

127

00:06:17,360 --> 00:06:20,660

If everything works just

right, that'll look like mist.

128

00:06:20,840 --> 00:06:23,630

So trying to save that, it

can be your very good friend.

129

00:06:24,920 --> 00:06:25,490

There we go.

130

00:06:28,340 --> 00:06:30,740

Maybe sort of looks

like a natural place to.

131

00:06:31,830 --> 00:06:33,990

Maybe the lights coming

from the left side today.

132

00:06:34,260 --> 00:06:35,580

So let's just take a little titanium.

133

00:06:35,700 --> 00:06:36,420

Let's make a mountain.

134

00:06:36,420 --> 00:06:38,340

That's very easy to make.

135

00:06:38,400 --> 00:06:41,640

We'll take a little white with a

little, little touch of blue in

136

00:06:41,640 --> 00:06:46,410

it, but very little, just enough

to cool it down a little, maybe

137

00:06:46,410 --> 00:06:47,970

even a little bit of black into it.

138

00:06:47,970 --> 00:06:51,600

Also there, it makes a

nice bluish gray color.

139

00:06:52,770 --> 00:06:53,670

Ooh, that's nice.

140

00:06:53,940 --> 00:06:54,840

And don't, overmix it.

141

00:06:54,840 --> 00:06:56,790

Leave it sort of marble and

I've got the small knife.

142

00:06:56,790 --> 00:06:59,790

I thought I'd use it today, but once

again, our little roll of paint.

143

00:07:01,050 --> 00:07:03,719

And let's go up in here and

begin making some decisions.

144

00:07:03,810 --> 00:07:07,080

Think about, think about where the light's

coming through here and just as aiding

145

00:07:07,080 --> 00:07:08,520

and play in and having a good time.

146

00:07:09,090 --> 00:07:10,710

And maybe it comes right along in here.

147

00:07:13,040 --> 00:07:17,390

There, you applying all

your little basic shapes.

148

00:07:18,890 --> 00:07:22,850

Just think if you were Sunbeam and

you were zinging down the Valley

149

00:07:22,850 --> 00:07:24,260

down through here, where would you?

150

00:07:24,260 --> 00:07:26,870

You hit there?

151

00:07:27,290 --> 00:07:28,670

So this is a very simple way.

152

00:07:29,115 --> 00:07:30,615

I'm making some nice mountains.

153

00:07:32,325 --> 00:07:32,985

There we go.

154

00:07:35,235 --> 00:07:35,985

This little knife.

155

00:07:36,015 --> 00:07:39,105

I like it because it sort of gets into all

the little places here and you can make,

156

00:07:39,945 --> 00:07:47,715

you can make all these little doers, just

all kinds of little things where ever

157

00:07:47,715 --> 00:07:55,215

you want to once again, just think about

where light would strike and lay it in.

158

00:07:55,785 --> 00:07:57,135

But there's not a lot of paint here.

159

00:07:58,905 --> 00:07:59,955

Not a lot of paint.

160

00:08:02,085 --> 00:08:02,385

Fair.

161

00:08:02,385 --> 00:08:02,685

We go.

162

00:08:05,724 --> 00:08:14,115

If you don't like when you just rub

it and it goes away there down at the

163

00:08:14,115 --> 00:08:15,585

bottom here, I want to just disappear.

164

00:08:15,585 --> 00:08:19,485

So here I'm applying quite a

bit of pressure up on the top.

165

00:08:19,755 --> 00:08:22,575

No pressure, but as you work

down, I want it to disappear.

166

00:08:23,205 --> 00:08:24,914

So they're emitting

more and more pressure.

167

00:08:25,305 --> 00:08:28,665

So just sort of experiment a little

and see what works well for you.

168

00:08:30,344 --> 00:08:35,534

Think about where these little, all

these little shapes and highlights would

169

00:08:35,534 --> 00:08:41,085

live there, and you can put as many

or as few as you want on your mouse.

170

00:08:43,385 --> 00:08:46,595

There we are in Alaska.

171

00:08:46,595 --> 00:08:48,875

There's a lot of mountains

that looked like this.

172

00:08:49,620 --> 00:08:50,699

And they're so beautiful.

173

00:08:50,939 --> 00:08:53,670

As I mentioned earlier, I'm

sure God was having a good

174

00:08:53,670 --> 00:08:56,939

day when he made Alaska there.

175

00:08:57,000 --> 00:08:59,339

Maybe, maybe there's a

little, little bump there.

176

00:08:59,339 --> 00:09:06,530

You can do that just by taking the basic

shape of the night, putting it in that

177

00:09:06,530 --> 00:09:08,150

it just sort of disappeared back here.

178

00:09:11,810 --> 00:09:14,780

Once again, more pressure down here

and you begin to see how that little

179

00:09:14,780 --> 00:09:16,819

pink hair you is showing through.

180

00:09:18,209 --> 00:09:22,170

And that's, what's going to create that

illusion of a mist down at the base.

181

00:09:22,760 --> 00:09:26,610

You could do this with a large knife if

you want it to, it works just as well.

182

00:09:26,610 --> 00:09:29,490

If I just sort of like this

middle one, for things like this,

183

00:09:29,490 --> 00:09:33,709

where you want a lot of detail,

I feel you want to create shapes.

184

00:09:35,030 --> 00:09:38,750

You can paint entire paintings

with these knives there

185

00:09:42,319 --> 00:09:43,550

and just sorta think about it.

186

00:09:43,819 --> 00:09:45,050

Think about it, let it go.

187

00:09:48,795 --> 00:09:50,235

Or more pressure down here.

188

00:09:54,585 --> 00:09:56,855

See, it's, it's really very simple.

189

00:09:57,175 --> 00:09:59,775

It's a matter of angles when

you're working on these mountains.

190

00:09:59,775 --> 00:10:00,795

That's really all it is.

191

00:10:00,855 --> 00:10:02,265

It's just a matter of angles.

192

00:10:02,985 --> 00:10:03,945

Maybe there's a look at that.

193

00:10:04,315 --> 00:10:06,855

See, maybe there's a

little thing right there

194

00:10:10,065 --> 00:10:11,805

wherever you think they should live.

195

00:10:12,315 --> 00:10:13,355

That's exactly.

196

00:10:14,370 --> 00:10:15,750

Exactly where they should live.

197

00:10:17,550 --> 00:10:17,880

Right.

198

00:10:18,510 --> 00:10:19,530

Maybe over in here.

199

00:10:21,990 --> 00:10:23,940

A few more, little,

little dories in there.

200

00:10:26,640 --> 00:10:33,240

Just wherever, wherever you can

put all kinds of little details.

201

00:10:34,290 --> 00:10:36,420

It's up to you up to you.

202

00:10:37,380 --> 00:10:40,170

Painting is as individual as painters are.

203

00:10:40,740 --> 00:10:44,010

There's this many different ways

to paint the same sign as there are

204

00:10:44,030 --> 00:10:48,330

painters as many different ideas,

it's really an individual thing.

205

00:10:49,500 --> 00:10:50,970

So you can add a little

dark here and there.

206

00:10:50,970 --> 00:10:51,720

Not a great deal.

207

00:10:51,750 --> 00:10:57,600

Just enough, just enough to give some

little indications of some shadows.

208

00:10:57,600 --> 00:11:01,140

And those deep areas don't

want a lot in there though.

209

00:11:06,960 --> 00:11:08,190

Maybe right in here.

210

00:11:09,870 --> 00:11:12,920

Just rub it a little and he can

just blend it together to just

211

00:11:12,920 --> 00:11:16,760

using the edge of the knife there.

212

00:11:17,449 --> 00:11:20,209

If you've never painted mountains

before, this is one of the easiest

213

00:11:20,209 --> 00:11:25,939

ways that I've ever came up with to

make, to make very effective mountains.

214

00:11:26,150 --> 00:11:26,870

Very easy.

215

00:11:27,589 --> 00:11:29,449

Let a little bit of that light color.

216

00:11:29,459 --> 00:11:30,380

Just pull back here.

217

00:11:30,380 --> 00:11:34,189

And there, here, I'm using

the small edge of the knife.

218

00:11:34,610 --> 00:11:35,540

You use both edges.

219

00:11:35,569 --> 00:11:37,430

That's why, that's why

it has two edges on it.

220

00:11:38,745 --> 00:11:40,935

And that way you can create

all kinds of effects.

221

00:11:42,735 --> 00:11:43,275

All right.

222

00:11:44,945 --> 00:11:47,225

And that's basically all I'm

looking for and what that mountain

223

00:11:47,225 --> 00:11:49,085

to be far away and distant.

224

00:11:49,235 --> 00:11:50,315

Let's have another one right here.

225

00:11:50,405 --> 00:11:50,645

Shoot.

226

00:11:50,645 --> 00:11:53,045

Ted works a nice, let me

show you something here.

227

00:11:53,105 --> 00:11:54,155

You can take the brush.

228

00:11:54,215 --> 00:11:57,815

If you wanted to create more mist in this

area, you could take a brush and tap it

229

00:11:59,105 --> 00:12:05,165

and then gently lifted, but always follow

those angles that you've created there.

230

00:12:05,834 --> 00:12:06,194

Okay.

231

00:12:06,255 --> 00:12:08,025

Now the same color.

232

00:12:09,314 --> 00:12:10,305

Come right over in this side.

233

00:12:10,305 --> 00:12:10,724

Over here.

234

00:12:10,844 --> 00:12:12,285

Let's have us a nice mountain.

235

00:12:12,314 --> 00:12:13,694

It lives right there.

236

00:12:14,985 --> 00:12:15,285

Okay.

237

00:12:15,375 --> 00:12:19,245

Let it come right on down wherever.

238

00:12:19,334 --> 00:12:22,185

However, maybe it comes

down here, baby poop.

239

00:12:22,605 --> 00:12:24,074

There's a big drop off right there.

240

00:12:25,365 --> 00:12:29,835

Like, so just sort of

let your imagination go.

241

00:12:30,195 --> 00:12:35,115

Now if this girl with every kind

of shape, just whatever, whatever

242

00:12:35,115 --> 00:12:37,455

happens that day, let it happen.

243

00:12:39,225 --> 00:12:42,945

There maybe comes right on down.

244

00:12:43,650 --> 00:12:44,400

In there somewhere.

245

00:12:47,010 --> 00:12:50,850

Now, if you want this mountain to

look closer, if it needs to be darker.

246

00:12:51,120 --> 00:12:54,810

So I'm going to put a little more pain

on this one that I did that my backyard.

247

00:12:56,500 --> 00:12:58,770

I want it to be darker stronger.

248

00:13:01,860 --> 00:13:02,460

There we go.

249

00:13:03,780 --> 00:13:05,460

Maybe it'll go like that.

250

00:13:07,080 --> 00:13:09,090

They're all we're trying to do it.

251

00:13:09,090 --> 00:13:10,290

Just put color on the canvas.

252

00:13:10,290 --> 00:13:10,560

You could.

253

00:13:11,069 --> 00:13:12,569

You could put this on with your shoe.

254

00:13:12,660 --> 00:13:13,290

It doesn't matter.

255

00:13:14,340 --> 00:13:16,079

Just, just apply the color.

256

00:13:16,689 --> 00:13:19,319

Now we'll take this brush

and begin blending it out.

257

00:13:20,550 --> 00:13:21,000

Grab it.

258

00:13:23,870 --> 00:13:24,230

Yeah.

259

00:13:24,680 --> 00:13:25,310

Thank you, Rebecca.

260

00:13:25,699 --> 00:13:31,910

The angle though, that you want it to

flow how you want it to flow and just by

261

00:13:31,910 --> 00:13:35,510

using brush strokes, you can create all

kinds of little things happening in here.

262

00:13:37,214 --> 00:13:37,844

There we go.

263

00:13:39,844 --> 00:13:44,704

But by using this angle, it gives you

that impression that the mountain,

264

00:13:45,094 --> 00:13:48,245

the lay of this land on this

mountain flows in that direction.

265

00:13:50,135 --> 00:13:51,935

That's exactly what

we're looking for today.

266

00:13:53,194 --> 00:13:54,515

What those mountains to look like?

267

00:13:54,545 --> 00:13:57,454

They just flow right down the side there.

268

00:14:00,145 --> 00:14:00,535

Okay.

269

00:14:04,410 --> 00:14:06,089

Very gently, very gently.

270

00:14:07,050 --> 00:14:08,250

Just bring it all together.

271

00:14:12,240 --> 00:14:12,780

Okay.

272

00:14:12,839 --> 00:14:13,110

Shoot.

273

00:14:13,140 --> 00:14:14,040

Let's wash the brush.

274

00:14:15,689 --> 00:14:21,510

We wash our brush with odorless

thinner, shake it off and

275

00:14:21,510 --> 00:14:22,770

just beat the devil out of it.

276

00:14:23,430 --> 00:14:24,360

Tell you what let's do.

277

00:14:26,040 --> 00:14:30,569

Maybe take a little bit titanium white

to the head here, maybe right in here.

278

00:14:31,200 --> 00:14:34,230

Let's just lay a little white and

that has a least, least little

279

00:14:34,230 --> 00:14:36,600

touch, a little blue in it.

280

00:14:38,070 --> 00:14:42,000

Maybe there's a little, little

snow or a glacier or something

281

00:14:42,000 --> 00:14:48,150

that lives in there, there, but I

don't want to be purified all over.

282

00:14:48,450 --> 00:14:55,260

I want it to be like shadows to

be too bright, but this in first

283

00:14:55,260 --> 00:14:57,330

thing, we can add a few highlights

here near if we want them.

284

00:14:59,355 --> 00:15:00,315

There we go.

285

00:15:02,265 --> 00:15:05,655

And then we can take a little

bit of that pure white and just

286

00:15:05,655 --> 00:15:08,055

highlight this, that it just bounce.

287

00:15:09,345 --> 00:15:15,225

Very gentle, barely caressing

the canvas, the paint to break.

288

00:15:17,205 --> 00:15:21,485

It'll create all of those

little things in there, there,

289

00:15:24,975 --> 00:15:26,505

and just let it follow those angles.

290

00:15:28,275 --> 00:15:28,845

I think so.

291

00:15:30,885 --> 00:15:31,155

Okay.

292

00:15:31,185 --> 00:15:35,325

We can take our large bursty

and very gently, very gently

293

00:15:35,445 --> 00:15:36,495

just blend it together.

294

00:15:38,385 --> 00:15:41,985

But this is two hairs and some

air, and I think I'm gonna

295

00:15:41,995 --> 00:15:43,095

put a bunch of trees in there.

296

00:15:43,095 --> 00:15:46,425

So most of that's not going to show, don't

spend a lot of time worrying about it.

297

00:15:47,205 --> 00:15:49,725

Let's take spilled as a tree.

298

00:15:49,755 --> 00:15:51,705

We'll take some black.

299

00:15:52,710 --> 00:15:58,080

Some Prussian blue, very dark, a

little band-aid Brown, a little

300

00:15:58,080 --> 00:16:00,540

bit of the SAP green shoot.

301

00:16:00,540 --> 00:16:02,280

You can throw in a little

Crimson too, if you want.

302

00:16:03,210 --> 00:16:04,830

Mainly a good dark color.

303

00:16:05,400 --> 00:16:06,450

Good dark color.

304

00:16:07,320 --> 00:16:07,560

Okay.

305

00:16:07,620 --> 00:16:09,030

Let me wipe off the old knife here.

306

00:16:12,270 --> 00:16:12,810

All right.

307

00:16:12,840 --> 00:16:17,100

Let's make, let's make some evergreens

with, we use a fan break state.

308

00:16:18,975 --> 00:16:21,825

We'll go right in here, load

a lot of color into the brush,

309

00:16:21,915 --> 00:16:23,805

both sides back and forth.

310

00:16:24,165 --> 00:16:26,025

Just to really fill it up.

311

00:16:27,135 --> 00:16:28,125

Let's go right over here.

312

00:16:28,605 --> 00:16:30,045

Now you have to make some big decisions.

313

00:16:30,045 --> 00:16:34,305

Again, there are tree lives, right there.

314

00:16:34,305 --> 00:16:38,175

Take the corner of the brush

and just go back and forth.

315

00:16:38,595 --> 00:16:40,875

Just like so they heard, yes.

316

00:16:41,285 --> 00:16:42,065

I'm signing up for guns.

317

00:16:42,065 --> 00:16:43,385

Live right there in the bristles.

318

00:16:43,385 --> 00:16:44,705

I get to do a sort of shake them out.

319

00:16:46,155 --> 00:16:46,605

Excellent.

320

00:16:49,745 --> 00:16:50,945

Maybe he comes right down there.

321

00:16:50,995 --> 00:16:52,175

I don't know, whatever.

322

00:16:52,265 --> 00:16:53,285

Just give him a friend.

323

00:16:54,365 --> 00:16:59,375

You know, me, I think everybody

needs a friend could be the most

324

00:16:59,375 --> 00:17:00,725

important thing in your lives.

325

00:17:05,105 --> 00:17:06,875

My mother was with me in Alaska for.

326

00:17:07,274 --> 00:17:13,004

About a year and she fell in love

with a place, maybe one of these days,

327

00:17:13,004 --> 00:17:14,355

her and now I get to go back up here.

328

00:17:15,885 --> 00:17:16,964

She's super lady.

329

00:17:21,284 --> 00:17:26,804

She was born and raised in the South

and, and when she got to see Alaska,

330

00:17:26,804 --> 00:17:28,725

she had never seen scenery like yet.

331

00:17:30,659 --> 00:17:32,820

So she was as fascinated with it as I am.

332

00:17:34,340 --> 00:17:38,060

If you have trouble making this paint

stick over the top of all this wife that

333

00:17:38,070 --> 00:17:42,620

you have back here, add a little, little

paint thinner to you color, but right on

334

00:17:42,620 --> 00:17:48,169

the brush, but very little, very, very

little, you can always add more, but once

335

00:17:48,169 --> 00:17:51,830

you send your paint down, then it's a son

of a gun to try to try to get it back.

336

00:17:52,370 --> 00:17:56,990

So just to add a tiny,

tiny, little bit, maybe.

337

00:17:57,360 --> 00:17:58,620

Maybe there's a little baby tree.

338

00:17:58,649 --> 00:18:01,649

He lives right there, right there.

339

00:18:01,679 --> 00:18:02,610

Maybe that's his mama.

340

00:18:04,370 --> 00:18:07,190

All right, let's see here.

341

00:18:07,190 --> 00:18:11,090

Maybe I'll tell you what, maybe there's

another little tree right there.

342

00:18:12,139 --> 00:18:15,649

Let your imagination just take

you wherever you want to go.

343

00:18:17,060 --> 00:18:17,540

Shoot.

344

00:18:17,540 --> 00:18:19,889

You can put as many or as

few trees as you want in your

345

00:18:25,220 --> 00:18:25,490

shoot.

346

00:18:25,490 --> 00:18:26,629

Let's have a big tree right there.

347

00:18:29,294 --> 00:18:31,095

We'll have this whole forest.

348

00:18:31,095 --> 00:18:34,605

It looks like here now in painting.

349

00:18:34,725 --> 00:18:38,625

One of the biggest things that

I like about doing paintings

350

00:18:38,865 --> 00:18:40,395

is to show depth and distance.

351

00:18:40,425 --> 00:18:43,784

Each one of these little things here

creates another plane and you're painting.

352

00:18:43,784 --> 00:18:44,475

So it looks fun.

353

00:18:44,595 --> 00:18:45,314

Let me show you something.

354

00:18:45,375 --> 00:18:46,784

Let me show you maybe.

355

00:18:48,405 --> 00:18:51,265

If we wanted to create the illusion on

the shoes at same color and just one

356

00:18:51,275 --> 00:18:55,365

to show you how to create depth in your

painting, because that's very important.

357

00:18:55,365 --> 00:18:57,315

Let's just take a little that

color with little titanium,

358

00:18:57,345 --> 00:18:59,895

white on it, maybe in our world.

359

00:18:59,895 --> 00:19:01,695

We want to show another plane here.

360

00:19:02,115 --> 00:19:04,605

If you want it to look here,

you can just come right in here.

361

00:19:05,900 --> 00:19:11,300

And create another layer right

there just by doing that, we've

362

00:19:11,300 --> 00:19:14,600

put it behind the tree, see there.

363

00:19:16,550 --> 00:19:19,160

And when this painting is done,

hopefully that'll come out to

364

00:19:19,160 --> 00:19:20,660

look like a whole nother layer.

365

00:19:21,710 --> 00:19:26,270

Now that will just create a little mist

at the bottom of it, the clean brush.

366

00:19:27,660 --> 00:19:30,360

I'm going to lift it up in very short

little strokes, make it look like

367

00:19:30,360 --> 00:19:32,070

a little distant trees and stuff.

368

00:19:32,070 --> 00:19:33,780

It's weak back here in the distance.

369

00:19:33,780 --> 00:19:34,440

Very quiet.

370

00:19:35,490 --> 00:19:36,120

Now, watch here.

371

00:19:37,770 --> 00:19:38,130

Watch here.

372

00:19:38,130 --> 00:19:39,180

Let's go back to our fan breath.

373

00:19:39,420 --> 00:19:43,350

And if you put trees in front

of that, it'll push everything

374

00:19:43,350 --> 00:19:44,880

back to push it back on.

375

00:19:44,880 --> 00:19:45,990

Let's have another one right there.

376

00:19:47,700 --> 00:19:47,980

There

377

00:19:51,810 --> 00:19:52,500

leave some space.

378

00:19:52,500 --> 00:19:53,670

So you can see through here.

379

00:19:55,575 --> 00:19:58,365

And see that there's trees behind

380

00:20:01,395 --> 00:20:04,635

like a, but see, now you

can see distance in there.

381

00:20:04,635 --> 00:20:06,735

Maybe there's some, let's put

one little cookie one there,

382

00:20:10,035 --> 00:20:10,815

poor little guy.

383

00:20:12,705 --> 00:20:13,275

All right.

384

00:20:14,655 --> 00:20:14,925

Now.

385

00:20:17,294 --> 00:20:19,274

Let's put something underneath

here for all this to set off.

386

00:20:19,334 --> 00:20:20,655

We'll just use that same coverage.

387

00:20:20,774 --> 00:20:21,465

It doesn't matter.

388

00:20:22,514 --> 00:20:24,465

Mainly we're looking

for a nice dark color.

389

00:20:26,054 --> 00:20:27,044

Nice start color.

390

00:20:27,225 --> 00:20:27,645

It's all

391

00:20:31,274 --> 00:20:32,175

about like, so,

392

00:20:36,435 --> 00:20:38,985

and let me grab another fan brush here.

393

00:20:38,995 --> 00:20:40,064

I have several of them going.

394

00:20:41,490 --> 00:20:43,530

Let's take a little yellow,

a little bit of that color.

395

00:20:44,520 --> 00:20:46,439

Grab a little sip green mix in there.

396

00:20:47,520 --> 00:20:49,770

There will be a little

more of the SAP green.

397

00:20:52,169 --> 00:20:53,669

I want to have a bit,

Oh, there we looking.

398

00:20:53,879 --> 00:20:54,780

That's what we're looking for.

399

00:20:54,780 --> 00:21:00,719

A dark green and the scope in here and

let's see her lights coming from the left.

400

00:21:01,290 --> 00:21:02,490

Our mountain tells us that.

401

00:21:03,030 --> 00:21:06,240

So let's add some highlights here, a

little more on the left and on the right.

402

00:21:08,895 --> 00:21:11,855

There we go give these little trees.

403

00:21:12,575 --> 00:21:13,655

It's a nice highlights.

404

00:21:18,375 --> 00:21:20,875

Use the other side of the

brush and we can do that.

405

00:21:23,645 --> 00:21:24,784

That don't kill all the dark.

406

00:21:24,965 --> 00:21:26,075

Don't kill all that dark.

407

00:21:26,254 --> 00:21:30,274

That's what makes these evergreen so

nice is the fact that they're dark.

408

00:21:30,274 --> 00:21:32,044

It creates contrast in your painting.

409

00:21:33,095 --> 00:21:33,425

There.

410

00:21:35,925 --> 00:21:36,584

There we go

411

00:21:39,614 --> 00:21:41,504

forgot this, but don't

want to leave him out.

412

00:21:43,625 --> 00:21:46,564

It's going to get mad,

nothing worse than a mad tree.

413

00:21:49,235 --> 00:21:52,175

They're a little bit up in this one.

414

00:21:55,774 --> 00:21:56,074

Shoot.

415

00:21:56,135 --> 00:21:57,485

We've got us a whole forest here.

416

00:21:57,485 --> 00:21:58,685

Let's use a one inch brush now.

417

00:21:59,790 --> 00:22:04,080

Maybe, maybe there's some nice bushes

and go right in front of these trees.

418

00:22:05,130 --> 00:22:06,450

We're just pushing some color.

419

00:22:09,900 --> 00:22:10,590

There we go.

420

00:22:11,520 --> 00:22:14,040

Wherever we want them

wherever we want them

421

00:22:19,680 --> 00:22:19,950

there.

422

00:22:22,680 --> 00:22:23,220

Okay.

423

00:22:24,270 --> 00:22:26,190

Now I want to use another one inch brush.

424

00:22:26,820 --> 00:22:30,660

We had a little touch of paint then

our, or liquid white, either one to it.

425

00:22:30,660 --> 00:22:33,720

And let's go right through this

yellow and green that we had

426

00:22:33,720 --> 00:22:35,610

here that set green CAD yellow.

427

00:22:36,500 --> 00:22:38,060

We can pick up a little Indian, yellow.

428

00:22:40,310 --> 00:22:42,440

Yeah, the ochre, all those yellows.

429

00:22:42,649 --> 00:22:45,920

I want to make it various shades

of green, pull it in brush in one

430

00:22:45,920 --> 00:22:47,899

direction, load a lot of color into it.

431

00:22:48,710 --> 00:22:50,629

See that brush is sort of rounded.

432

00:22:51,170 --> 00:22:53,210

You pull it this way

and then turn it over.

433

00:22:54,100 --> 00:22:54,780

It's rounded.

434

00:22:54,780 --> 00:22:55,440

Look at the end.

435

00:22:55,500 --> 00:22:57,149

There's a lot of paint there, right?

436

00:22:57,180 --> 00:23:03,240

This Quip here now has come right

up in here and let's begin creating

437

00:23:03,480 --> 00:23:06,540

all kinds of individual little

bushes and trees that live back

438

00:23:06,540 --> 00:23:07,950

here in front of these evergreens.

439

00:23:09,389 --> 00:23:10,379

She asked, pushed them.

440

00:23:11,490 --> 00:23:15,389

And if you have trouble making this stick,

add a little bit more of the liquid white.

441

00:23:17,010 --> 00:23:18,030

Or paint thinner.

442

00:23:18,030 --> 00:23:24,120

If you use paint thinner, though, very,

very small amounts in a heartbeat.

443

00:23:24,150 --> 00:23:26,340

It'll it'll get your paint so thin.

444

00:23:27,150 --> 00:23:31,440

It'll just run very, very small amounts.

445

00:23:32,130 --> 00:23:35,190

Here's a little right

here, wherever you want.

446

00:23:35,190 --> 00:23:41,160

These little Rascals, a little more of the

yellow ochre, just to change the flavor

447

00:23:41,160 --> 00:23:43,380

a little, but do one Bush at a time.

448

00:23:44,085 --> 00:23:46,995

Give them names there.

449

00:23:47,205 --> 00:23:50,235

So we traveled around the

country, talking with people.

450

00:23:50,564 --> 00:23:52,814

It's one of the questions that

people talk about over and over.

451

00:23:52,814 --> 00:23:54,375

They have trouble making these bushes.

452

00:23:55,034 --> 00:24:00,705

And the problem normally is, is

it try to do too many at once?

453

00:24:01,034 --> 00:24:05,264

I know it, sometimes it looks like here

we just take off and we, we sock him 50

454

00:24:05,264 --> 00:24:09,735

bushes at once, but to one at a time, one

of the time I will take a little bit of

455

00:24:09,735 --> 00:24:11,385

that green and yellow, mix it on there.

456

00:24:12,435 --> 00:24:15,225

To which brush let's have

a little land under here.

457

00:24:17,504 --> 00:24:18,225

There we go.

458

00:24:18,945 --> 00:24:19,695

There we are.

459

00:24:19,695 --> 00:24:24,405

I see angles over most,

most important here.

460

00:24:25,845 --> 00:24:30,764

Most important where

ever you want this to go?

461

00:24:32,745 --> 00:24:35,385

The yellow ochre in their Indian, yellow.

462

00:24:41,155 --> 00:24:42,465

Yeah, shoot.

463

00:24:43,755 --> 00:24:44,355

It's all right.

464

00:24:45,465 --> 00:24:48,645

Tell you what let's have a reflection

there I gotta do is grab the

465

00:24:48,645 --> 00:24:50,535

bottom of that and pull it down.

466

00:24:50,985 --> 00:24:52,065

Just pull it straight down.

467

00:24:52,065 --> 00:24:55,755

It's when the important they go straight

down though, that all those little

468

00:24:55,755 --> 00:24:58,035

colors just go right into the border.

469

00:24:58,035 --> 00:25:04,055

Here, there it's straight down there.

470

00:25:04,685 --> 00:25:05,375

Come across.

471

00:25:06,855 --> 00:25:09,135

And that quick, we have

instant reflections.

472

00:25:10,395 --> 00:25:13,024

Now, then we use a little Vandyke Brown.

473

00:25:13,024 --> 00:25:20,615

Maybe there's a little bank in here to

bring it wherever you want it here, black.

474

00:25:20,615 --> 00:25:24,784

So here and there, maybe

it runs up into there.

475

00:25:30,155 --> 00:25:33,605

And then you take the fan brush with

some of those same yellows and et cetera.

476

00:25:34,380 --> 00:25:38,520

Pop in a few little grassy areas right

at the bank right there at the bank.

477

00:25:38,600 --> 00:25:38,690

Okay.

478

00:25:41,570 --> 00:25:44,780

If you wanted to reflect a little debt in

there, grabbed the least little amount of

479

00:25:44,780 --> 00:25:47,480

it and pull it down, least live them out.

480

00:25:48,860 --> 00:25:52,460

Not much, not much and very lightly.

481

00:25:52,850 --> 00:25:53,120

Yeah.

482

00:25:53,150 --> 00:25:54,050

Just go across.

483

00:25:56,180 --> 00:26:00,020

So we'll have it tiniest

little bit of water.

484

00:26:00,200 --> 00:26:01,220

I don't want much in this.

485

00:26:01,310 --> 00:26:02,840

I want to keep it dark as possible.

486

00:26:03,765 --> 00:26:08,085

The liquid white on the

knife, drop it in there.

487

00:26:08,775 --> 00:26:11,045

Let's say we travel all over

the country and get to talk to

488

00:26:11,045 --> 00:26:12,785

people and do shows for PBS.

489

00:26:13,745 --> 00:26:17,945

And if we ever get to your area to come

and see us, I'd love to have opportunity

490

00:26:17,945 --> 00:26:21,395

to meet you and talk with you and see

photographs of what you're painting.

491

00:26:23,705 --> 00:26:26,585

So if we do get to hear

you stop in to see us.

492

00:26:27,780 --> 00:26:30,360

Yeah, I have a little Bush

lives on this side of the water.

493

00:26:32,040 --> 00:26:35,220

Maybe he lives right there, right there.

494

00:26:37,400 --> 00:26:39,920

Create a little reflection like that.

495

00:26:41,720 --> 00:26:52,830

Go across a little bit of highlight on

this Bush yellows and greens like that

496

00:26:53,270 --> 00:26:54,650

quick, you can create a little Bush.

497

00:26:56,054 --> 00:26:59,145

But a little bit of land under it,

and we're about to finish painting.

498

00:27:01,125 --> 00:27:01,844

There we go.

499

00:27:02,504 --> 00:27:04,064

I think we'll put a little

water line into there.

500

00:27:04,125 --> 00:27:07,995

Call this one, finished

on the sticks and twigs.

501

00:27:10,334 --> 00:27:11,264

That's all there is to it.

502

00:27:11,334 --> 00:27:12,495

Hope you've enjoyed this one.

503

00:27:13,125 --> 00:27:14,024

I hope to see you soon.

504

00:27:14,024 --> 00:27:15,165

Also from all of us here.

505

00:27:15,165 --> 00:27:15,764

Happy painting.

506

00:27:16,094 --> 00:27:16,695

God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S19E05 - Camper's Haven

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse