Bob Ross's

The Joy of Painting

S19E02 - Quiet Mountain Lake

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Hi, welcome back.

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Certainly glad you could join me today.

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I thought today we'd do a

fantastic little painting that

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I really hope you'll enjoy it.

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So I tell you what, let's start out today.

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I haven't run all the colors across

the screen that you need to paint

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along with us while they're doing that.

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Let me show you what I've

already done up here today.

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I have, well, it's a standard old 18

to 24 inch pre-stretch canvas, but

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you use whatever size makes you happy.

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Uh, Uh, I've already got it up here and

I've taken black Jesso and I've just

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covered this area in here with black

GSO and allowed that to dry completely.

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And I sort of have an idea that I want to

do something with, uh, a little Lake here.

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And we will put a little S maybe

up a little mountain back here.

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Some, I don't know, but the big thing

I want to show here is try to make some

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rocks under the water that you can see.

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So we've done that with the black Jesso.

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So just, I've just taken into just

dropped here and there and just to give

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it a little effect, like, so, okay.

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Everything is black, then

we've covered with a liquid

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clear, a very, very thin coat.

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Tiniest little amount you could imagine.

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And then on top of that, I've covered all

the black areas with a mixture of a SAP,

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green, they little blue, and then a little

van Dyke Brown just to dull it down.

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Cause otherwise it's very bright.

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The part of the canvas that

we didn't have any black.

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So, and then I just covered with

liquid white, like we normally do.

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So I was just finishing up, putting

a little bit of this color on here.

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And this is once again,

a mixture of SAP green.

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They love blue, little

bit of Vandyke Brown.

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Now we know we're going

to have water in here.

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If we had covered this with the

liquid white, it would be opaque,

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but since we use the clear, it's

nice and it's nice and transparent.

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So we can just take the same color.

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It's that same color that we've

done everything with and just begin

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laying that right over the top.

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And right from the very beginning,

we'll have the basis for our water.

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Beautiful little color there, sort of a

blue-green and this'll look like all kinds

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of little things in the edge of the water.

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If everything works just right.

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There,

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can you see it that way?

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Part of your paintings already

done before you even get started?

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Good.

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And this is a lazy man's way of painting.

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I look for very simple ways to make

very effective little paintings,

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and I hope that'll make your

painting life much easier for you

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here to make these little effects.

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I've just taken the corner

of the brush and just tap.

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And it goes right into the

liquid white, we don't care.

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Cause we're going to mess

with that a little bit.

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It's I'll tell you what,

let's start out today.

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We'll use the old fan brush and

just make us some happy little

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clouds up here in the sky.

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And for that, I'm going to take a little

bit of a little pressure and blue.

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We use a little pressure and blue today

and a little touch of midnight black,

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and we just mix those on the brush.

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And let me just using the fan brush,

but you could use a Filbert brush

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or a one-inch brush, whatever,

very little paint on the brush.

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Okay, let's go up here.

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Let's make some big decisions

where our clouds are going to live.

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So we take the corner of the brush

and very lightly and very little

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color, very little color, just because

I'm putting in a basic cloud shape.

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That's all we're looking for now.

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Interestingly enough, all I'm

interested in here is the white area.

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This dark is going to be blended out.

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In other words, use the white area

here to form your basic cloud shapes.

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Be more concerned with this than you

are with this, this we don't care about.

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And I'll show you why here in

just a second there, we just we'll

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have some nice fluffy clouds in

here and maybe into our world.

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There's one that lives right about here.

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And he just bounces around, has fun.

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All day.

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Clouds are very, very free.

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And when you paint them,

try to paint them that way.

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Try to paint them with a loop

and a freedom that just shows

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that they're floating around.

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Maybe we'll have another one right here.

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Once again, though, we're worried

about the white area here, not

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the dark, and that's all we're

concerned with at this point, there

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are more color right in there.

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Okay.

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Grab a little one inch brush

here and you could continue to

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use your fan brush with this.

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Use this, just want to blend this out.

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And I'm trying not to touch

the edge, just blending it out.

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And it'll blend with the liquid

white and automatically it's going to

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become lighter and lighter in value.

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And you can blend this to any

degree that you want of lightness.

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There we go.

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You just blend that bride out.

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Nah, I'm gonna just using sort of

little crisscross strokes to blend that

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maybe right down here at water's edge.

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We'll just take a little

bit of that color.

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And that it blended up.

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We just picked up a little color on the

brush from doing these other clouds.

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Okay.

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Yeah.

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They must have some fun today.

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We will wash that old brush.

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We wash our brushes as you know,

with odor to sinner, shake them

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off and just beat the devil at him.

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That's the whole fun part of this.

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Now then let's grab a fan brush here.

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Go right into titanium white.

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I'm going to load quite a bit of color

into the bristles with both sides,

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very full, and let's go right up here

and begin looking at what we have now.

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Then we want to take the white

and put it right on the edge.

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And this is where you make all your little

fluffies right out here on the there.

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Look at that.

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See them clouds.

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They just start coming

rag together and easy.

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This is just straight titanium

height and nothing else.

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But now it makes sense to why we

were more interested in the light

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area than we were the dark area.

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And I'm just using the

corner of the brush here.

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She has to create all those

little, little effects.

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We'll have one that lives right here.

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So here's one lot of paint on the

brush though, and just using the

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corner of the brush and making

little tight, circular strokes.

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There we go.

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Now a little bit right in here.

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It's a very simple way of making

very effective clouds and easy to

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do, even if you've never painted

the cloud before these, you can

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do without any problem, clean, dry

two inch brush and very lightly.

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Now I just want to blend that all

together, split it right in with

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that blue color that we put on first.

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This is what we'll give you.

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Cloud dimension and shape form.

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Have some darkness underneath,

but great big fluffy cloud.

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This is a fantastic way of

making clouds and seascapes beat.

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The breasts are just to knock off

excess paint that I've picked up.

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Cause there's quite a

bit of paint up here.

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They're just blend this one in.

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We don't want him left out of here.

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Be all upset.

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If we leave him out now he'd take it.

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And blue and blended right in there.

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Blend it all together.

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And as I say, this is one of the

nicest, easiest ways of making great,

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big, fluffy, very effective clubs.

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And it'll work for you.

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So work for you very gently.

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We'll sort of fluff it up a little, just

very gentle, good dry brush clean, and

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we can just blend all that together.

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There.

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And the more that you work with

this, the more gentle and subdued

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it will become, and you can work it

and work it and work it to whatever

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degree that you have up to you.

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I hope to you let's wash your brush here.

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I enjoyed that.

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Can go wash this big brush, shake it

off and just beat the devil letter.

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All right.

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Let's have a little mountain back here.

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We said we was going to

have a little mountain.

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We'll use some.

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How about some black?

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I'll take black and just a little

bit of bend, like Brown in it.

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So we just basically have black and

Brown or Brown and black pull it out,

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flat, cut off our little roll of paint.

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So it's right out on the edge.

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There it lives right on

the end of the knife.

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Let's go up in here and we have to start

making some big decisions and your world.

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You have to decide where

your mountain lives.

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So just begin placing in the

initial shape, the basic shape.

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That's all we're worried about

at this point, we're really could

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care less what's happening in here.

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The only thing that we're worried

about is a nice top, the outside shape.

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The rest of it.

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We'll worry about that later at

this point, just to enjoy there.

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Just really pushed that

paint right into the fabric.

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Get tough with it.

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Okay.

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Take a two inch brush and lightly pull it.

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This would lend the paint on

it into removes excess paint.

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It makes it easier to

put the next layer off.

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We want it to be very dark there.

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Something Mike.

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So in a little bit here, how the

more you blend this, the softer and

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more subdued it's going to become.

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And you can, if you look right

here, you can see the brush strokes.

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That's a nice way of sort of

laying a mountain and it's

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just by using brush strokes.

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And you really don't even have

to worry about what you're doing.

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Just let the brush work and it can

lay your whole mountain out, show

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you light areas and dark areas

and all those beautiful places.

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Let's take a little titanium,

heightened, a little dark Sienna.

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Maybe I'll put that least little touch

of the bright red in it, but very little,

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maybe even a little Vandyke Brown, but

try to leave you color marbles like this.

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So there's a multitude

of things going on it.

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They will take cut off

our little roll of paint.

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I don't have a lot of paint on there.

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Just a little.

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Now then now you can begin

just coming in here and play.

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Barely touching the canvas,

let the knife flow with angles.

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Just let it flow.

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I'm also gonna mix up just a

little black and white to make

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some gray one, a little gray too.

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So we can sort of work back

and forth between these.

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Oh, that's nice.

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Okay.

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It makes it look very rough.

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I don't want this to look like a very

ruffle mountain has had a hard life there.

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That's better, a little lighter.

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I think it'll show a little more for

you, but allow the paint to break

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almost no pressure, no pressure.

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Just the weight of the knife, a

little highlights here and there

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can bring all these things together.

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Let them go, just enjoy.

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And the more you practice with

this, the easier it'll become.

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We'll take a little that dark color.

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Use it to go right back.

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So you can create a shadow by using

that a basic initial, dark color, maybe

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a little touch right over in here.

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There we are play with this a little.

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It's unbelievable.

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What you can do with this

big old painting knife here.

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It looks like a putty knife.

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Almost you can, with a little practice,

you can do entire paintings with it

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on some of the earlier shows we did.

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The entire painting using nothing, but the

knife back in some of the earlier series,

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just to show people that it could be done.

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And if you practice with it, you'll

just fall in love with what happens.

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Here we go, dude, but be happy when you

paint a little bit of a light color and

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just let a little light Zane through there

and think about where the sun would play.

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Not too much though.

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I want these mountains to stay quite dark.

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Don't want them to get too bright on me.

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Maybe a little bit right in here.

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Just sort of make up your mind.

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Let me go back to some of the pure

dark color we can begin adding in

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some of these dark shadows, not solid.

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Don't let the paint break.

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So you get all these little holes

and bumps and it just makes it

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so much more interesting there.

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Otherwise, it looks sort of like

you just iced the cake and that's

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not what we're looking for.

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Thank you for that.

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All those shapes, a little

mountain goats live up here.

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Lady, a little place to go up in

here and hide in the last series.

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I showed you my little squirrel Bobbitt.

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She is so precious.

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I hope you enjoyed her.

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She's long gone now, though.

245

00:13:38,055 --> 00:13:42,995

She grew up, took off

she's living on her own.

246

00:13:42,995 --> 00:13:48,005

Now has a little house in

Orlando, Florida there.

247

00:13:48,844 --> 00:13:49,745

That's where I found her.

248

00:13:49,775 --> 00:13:50,944

So that's where it turned her loose.

249

00:13:52,775 --> 00:13:53,375

There we are.

250

00:13:56,555 --> 00:13:58,564

You see a little gray squirrel

running around Orlando.

251

00:13:58,564 --> 00:14:02,104

That very well could be

her say hello to her.

252

00:14:04,234 --> 00:14:05,015

Treat her nicely.

253

00:14:05,255 --> 00:14:06,334

She's a super lady.

254

00:14:09,225 --> 00:14:12,315

And have not had a lot of

fun with her, raised her from

255

00:14:12,315 --> 00:14:13,785

just a tiniest little thing.

256

00:14:13,785 --> 00:14:16,845

In the last series I showed her,

biting me on the news one time.

257

00:14:16,845 --> 00:14:18,255

I believe she'd done that, but she did.

258

00:14:19,440 --> 00:14:19,830

Okay.

259

00:14:20,130 --> 00:14:20,610

Not for that.

260

00:14:21,570 --> 00:14:23,280

Let me wash my old brush

and get it cleaned up.

261

00:14:25,290 --> 00:14:26,370

Shake off the excess.

262

00:14:30,040 --> 00:14:33,860

You were to see our studio now that

I just want to create a little bit

263

00:14:33,860 --> 00:14:35,510

of mist, right at the very base here.

264

00:14:35,600 --> 00:14:36,920

Not much just a little.

265

00:14:38,030 --> 00:14:38,810

There we go.

266

00:14:38,870 --> 00:14:42,140

Just lift it up, tap it.

267

00:14:42,410 --> 00:14:45,980

The tapping creates a Misty effect there.

268

00:14:49,109 --> 00:14:49,709

Okay.

269

00:14:51,540 --> 00:14:51,870

Yeah.

270

00:14:51,870 --> 00:14:55,979

Then as I say, those are some

old dark mountains that live weed

271

00:14:55,979 --> 00:14:57,689

back in the woods, back in there.

272

00:14:58,770 --> 00:15:04,770

Let's take and it's take, we use

some SAP green, a little bit of black

273

00:15:05,400 --> 00:15:08,910

Vandyke Brown, no oppression, blue.

274

00:15:09,030 --> 00:15:10,199

We'll just mix them together here.

275

00:15:12,585 --> 00:15:13,725

Very dark color, though.

276

00:15:13,965 --> 00:15:15,855

Very dark should look

black on your palette.

277

00:15:16,215 --> 00:15:19,425

Let me wipe the knife off now.

278

00:15:20,295 --> 00:15:23,385

We'll just use the old fan

brush loaded, full of color.

279

00:15:24,105 --> 00:15:26,625

Lot of paint, both sides.

280

00:15:28,410 --> 00:15:31,050

Okay, let's go up here,

maybe in our world back here.

281

00:15:31,230 --> 00:15:35,550

There lives some little trees

far back here on the other

282

00:15:35,550 --> 00:15:38,880

side of this little Lake there.

283

00:15:39,300 --> 00:15:41,400

So we just tap into some

very basic little shit.

284

00:15:43,579 --> 00:15:44,060

There we go.

285

00:15:47,480 --> 00:15:50,900

And one of the questions I get quite

often as if they want to know if people

286

00:15:50,900 --> 00:15:53,990

want to know, if I'm using a pallet

is different than the one that they.

287

00:15:54,945 --> 00:15:58,125

Did they have a, this is

just plexiglass palette.

288

00:15:59,985 --> 00:16:02,835

The only difference from the one

you have, and I take sandpaper

289

00:16:02,835 --> 00:16:04,155

and scuff this one all up.

290

00:16:04,155 --> 00:16:07,485

So it doesn't shine so bad when

the studio lights here shine on.

291

00:16:07,725 --> 00:16:09,165

But otherwise it's exactly the same.

292

00:16:09,165 --> 00:16:10,965

We have to dial everything

that we use here.

293

00:16:12,000 --> 00:16:14,069

Including the brush

furrows and everything.

294

00:16:14,100 --> 00:16:18,510

It's all painted black or doll or

something, but they are absolutely

295

00:16:18,510 --> 00:16:22,460

no different than what you use there.

296

00:16:24,140 --> 00:16:26,930

I mean, here, we'll just push up and

then give it a little upward lift.

297

00:16:27,110 --> 00:16:29,270

We'll make these look like

you're really far away.

298

00:16:31,340 --> 00:16:34,340

Captain there push down a little bit.

299

00:16:34,670 --> 00:16:36,319

Cause I want a little

reflection in the water.

300

00:16:38,220 --> 00:16:38,650

Okay.

301

00:16:38,730 --> 00:16:40,140

I would take her two inch brush.

302

00:16:40,470 --> 00:16:41,670

You have to make a big decision.

303

00:16:41,700 --> 00:16:45,450

Where's your little

reflection live, maybe, maybe.

304

00:16:45,470 --> 00:16:46,410

Yeah, it's right there.

305

00:16:47,640 --> 00:16:50,100

So you just, by pulling straight

down on the bottom of these little

306

00:16:50,100 --> 00:16:56,840

trees automatically, you create

your reflection automatically there.

307

00:16:58,190 --> 00:17:02,600

I had a little Touchmark color

right in there and he goes, we back

308

00:17:02,600 --> 00:17:04,940

over here and to nothing, we don't

know where it goes over there.

309

00:17:06,210 --> 00:17:09,480

Knock off the excess paint

very lightly come across.

310

00:17:10,140 --> 00:17:12,240

And if you wanted to sparkle

these watch here, watch here.

311

00:17:12,480 --> 00:17:12,990

This is fun.

312

00:17:13,280 --> 00:17:14,480

Take a little white on the breast.

313

00:17:14,480 --> 00:17:15,650

He was just a little bit of white.

314

00:17:15,920 --> 00:17:16,010

Okay.

315

00:17:16,060 --> 00:17:17,690

Watch come right in here.

316

00:17:17,900 --> 00:17:21,110

Go to, it makes like

little shimmers of light.

317

00:17:22,640 --> 00:17:23,030

Really?

318

00:17:23,120 --> 00:17:24,410

It'll sparkle up your painting.

319

00:17:24,920 --> 00:17:25,010

Okay.

320

00:17:25,040 --> 00:17:26,750

But don't, don't get too wild with it.

321

00:17:27,560 --> 00:17:28,220

It gets nice.

322

00:17:28,220 --> 00:17:28,370

And.

323

00:17:28,830 --> 00:17:29,340

Pretty soon.

324

00:17:29,340 --> 00:17:33,330

You just want to cover the whole

thing, but too much is distracting.

325

00:17:34,060 --> 00:17:35,610

Just a very small amount.

326

00:17:36,600 --> 00:17:41,370

Just enough to give it

that shimmer the shimmer.

327

00:17:41,399 --> 00:17:42,720

We don't want to kill it little.

328

00:17:43,260 --> 00:17:44,280

Oh, we have that white on there.

329

00:17:44,280 --> 00:17:45,750

We just gently go across that.

330

00:17:46,460 --> 00:17:48,830

Now the white is a very opaque color.

331

00:17:49,820 --> 00:17:49,909

Right?

332

00:17:50,090 --> 00:17:50,960

Can't see through it.

333

00:17:50,960 --> 00:17:54,050

So be careful or you'll lose all these

little indications that you work so

334

00:17:54,050 --> 00:17:58,159

hard to put in here to make it look like

yours rocks right along the edge in here.

335

00:17:59,910 --> 00:18:00,450

Okay.

336

00:18:01,050 --> 00:18:03,060

Maybe we'll put a little land back here.

337

00:18:03,060 --> 00:18:10,890

What the heck, I'll just take a

fan brush and just push up or we'll

338

00:18:10,890 --> 00:18:12,150

have a little peninsula there.

339

00:18:12,150 --> 00:18:14,010

Maybe, maybe this one goes, we back.

340

00:18:14,220 --> 00:18:15,210

We don't know where it goes.

341

00:18:16,350 --> 00:18:16,980

Just let it go.

342

00:18:16,980 --> 00:18:18,090

And we'll take another fan brush.

343

00:18:18,100 --> 00:18:19,020

I have several go to here.

344

00:18:19,020 --> 00:18:21,960

Put the least little touch

of titanium white on it.

345

00:18:22,650 --> 00:18:23,640

Very small amount.

346

00:18:24,660 --> 00:18:28,140

Now is this sort of a sneaky

little trick watch right up here.

347

00:18:28,590 --> 00:18:32,280

I want to make the indication

here, like there's little, little

348

00:18:32,280 --> 00:18:35,700

tree trunks, way away, but at the

same time, create another plane.

349

00:18:36,630 --> 00:18:39,810

And just by doing that, can

you see what's happening there?

350

00:18:39,900 --> 00:18:44,670

It looks like it was a whole

nother plane and it also looks like

351

00:18:44,670 --> 00:18:45,750

there's a lot of little trunks.

352

00:18:46,530 --> 00:18:49,230

If you ever get one, it's a little

bright, just work it a dark color.

353

00:18:49,230 --> 00:18:52,290

I'll eat it up that easy.

354

00:18:52,695 --> 00:18:54,375

You can make all kinds of little things.

355

00:18:55,875 --> 00:18:59,475

I sort of sneaky, but it

works well now we'll take some

356

00:18:59,475 --> 00:19:02,625

yellow, a little bit of black.

357

00:19:04,365 --> 00:19:07,545

We just mix them on the fan brush

here, little black and yellow.

358

00:19:07,545 --> 00:19:09,254

It makes a beautiful dark green color.

359

00:19:09,254 --> 00:19:11,355

And that's exactly what I'm looking for.

360

00:19:11,425 --> 00:19:12,675

Load both sides of the brush.

361

00:19:14,055 --> 00:19:14,355

Okay.

362

00:19:14,955 --> 00:19:17,535

Now then you said he was going to

have a little grassy area here.

363

00:19:17,535 --> 00:19:20,595

So just take the brush and just

give it a little upward push.

364

00:19:21,840 --> 00:19:25,860

Just a little upward push there.

365

00:19:26,040 --> 00:19:27,570

We'll make a little indication.

366

00:19:27,570 --> 00:19:28,380

We'd back in here.

367

00:19:30,210 --> 00:19:35,490

A little grassy area that lives

right in front of these trees there,

368

00:19:36,630 --> 00:19:37,800

maybe a little touch back here.

369

00:19:37,830 --> 00:19:38,610

That's farther away.

370

00:19:38,820 --> 00:19:40,020

A little more difficult to see.

371

00:19:41,640 --> 00:19:43,170

Take a little touch of liquid white.

372

00:19:43,170 --> 00:19:44,890

Now they're liquid white up.

373

00:19:44,890 --> 00:19:46,770

Put the least little touch of dark CNN.

374

00:19:46,770 --> 00:19:46,860

It.

375

00:19:47,650 --> 00:19:50,940

I don't want a pure white, I want

it to have sort of a tone to it.

376

00:19:51,570 --> 00:19:58,140

Cut across things, go up here now, then

with that, we can come right in here and

377

00:19:58,140 --> 00:20:03,300

just put the indication here and there

have a little water line, just a little

378

00:20:03,300 --> 00:20:04,980

light area in here to break all this up.

379

00:20:06,690 --> 00:20:10,050

But this is where you create that.

380

00:20:10,455 --> 00:20:13,065

The shape, the bottom shape of

your land back here, you can have

381

00:20:13,065 --> 00:20:16,605

it go up and down, but these lines

need to go basically straight.

382

00:20:16,605 --> 00:20:19,845

If they don't, your water

just won't look right.

383

00:20:19,845 --> 00:20:21,975

It'll look like it's going run right

out of your painting and get your

384

00:20:21,975 --> 00:20:27,635

floor with and just push very firmly.

385

00:20:27,695 --> 00:20:29,554

Like you act like you're trying

to cut a hole right through the

386

00:20:29,554 --> 00:20:32,405

canvas, right through the canvas.

387

00:20:34,290 --> 00:20:37,560

And if you want one to go away

like a here, you can just rub it.

388

00:20:37,650 --> 00:20:41,220

See the more you rub it, the more it's

going to pick up that color underneath

389

00:20:41,550 --> 00:20:42,840

and it'll just go away and leave you.

390

00:20:44,550 --> 00:20:45,180

Oh, here's too.

391

00:20:47,330 --> 00:20:47,900

Okay.

392

00:20:48,140 --> 00:20:48,380

Okay.

393

00:20:48,620 --> 00:20:49,220

I think it's time.

394

00:20:49,220 --> 00:20:51,980

We really had some fun,

this big area back here.

395

00:20:52,430 --> 00:20:55,790

I want that to be some large

trees that hang over the water.

396

00:20:56,690 --> 00:20:59,300

So I want to start out and just put a.

397

00:20:59,835 --> 00:21:03,135

A few little indications back in

there that maybe there's some little

398

00:21:03,135 --> 00:21:04,485

trunks that are we back in there.

399

00:21:05,325 --> 00:21:08,775

Pick a little Vandyke Brown, a

little dark Sianna, a little white.

400

00:21:09,975 --> 00:21:15,135

I want this to be quite dark just,

and that's what stands out and

401

00:21:15,135 --> 00:21:17,625

just go back in here and we're

not going to see a lot of this.

402

00:21:18,254 --> 00:21:19,065

We're going to cover it up.

403

00:21:19,515 --> 00:21:21,705

But if you can see through the branches

here and there, you're going to see the

404

00:21:21,705 --> 00:21:24,225

indication that there's things happening.

405

00:21:24,225 --> 00:21:26,504

We back in here just a few.

406

00:21:27,255 --> 00:21:30,675

We'll do some more in the foreground,

but just want those back here.

407

00:21:31,575 --> 00:21:32,895

We'll just use no two inch brush.

408

00:21:32,925 --> 00:21:39,405

I'll take a little, a little

that black little CAD yellow.

409

00:21:39,795 --> 00:21:41,565

We get a little yellow

ochre, the Linden yellow.

410

00:21:42,465 --> 00:21:44,655

She would once in a while, a little

touch of that bright red, not

411

00:21:44,655 --> 00:21:48,105

much because if you put red and

green together, they make Brown.

412

00:21:48,795 --> 00:21:48,885

Okay.

413

00:21:49,185 --> 00:21:53,895

Okay there tap firmly.

414

00:21:53,895 --> 00:21:54,735

We want to push.

415

00:21:55,335 --> 00:21:59,024

I want to push that, see that little

Ridge of paint that is leaving behind

416

00:22:00,254 --> 00:22:01,875

there's one, just like it on the brush.

417

00:22:01,875 --> 00:22:03,465

And that's what we paint

with in school up here.

418

00:22:04,125 --> 00:22:06,375

Now, then you have to start

making some big decisions in here.

419

00:22:06,375 --> 00:22:08,835

Where does all these little

things live in the background?

420

00:22:09,774 --> 00:22:14,685

Start up in here, just use the corner

of the brush and begin tapping in.

421

00:22:15,284 --> 00:22:16,155

It's a very gentle.

422

00:22:16,665 --> 00:22:23,175

It's very gentle here, but you can

just make all kinds of beautiful

423

00:22:23,175 --> 00:22:27,405

little leafy indications just by

tapping with a corner that brush.

424

00:22:28,514 --> 00:22:33,105

But now it's very important at this

point that you begin thinking about

425

00:22:33,105 --> 00:22:37,784

shape and form and all the things

that make a tree and individual.

426

00:22:38,835 --> 00:22:42,735

Trees are like people, each one's

different, some are tall, some are

427

00:22:42,735 --> 00:22:48,375

short, some are thin, some are a little

heavier, some are great, big they're

428

00:22:48,375 --> 00:22:51,525

really individuals, just like people are.

429

00:22:52,695 --> 00:22:57,465

And when you're doing a tree

do that, just like, think about

430

00:22:57,465 --> 00:23:00,905

the different shapes there.

431

00:23:01,845 --> 00:23:06,305

Just drop into the Rascals

in wherever you want to say.

432

00:23:06,305 --> 00:23:09,105

As I said earlier, Most of these

are going to be covered up, but some

433

00:23:09,105 --> 00:23:10,125

of them will show here and there.

434

00:23:10,575 --> 00:23:14,715

And they're very pretty big off branch

and hangs right out here in front of

435

00:23:14,715 --> 00:23:19,155

the mountain, but all that black, just

so in there makes us so much easier.

436

00:23:19,155 --> 00:23:21,975

You don't have to put any of that

dark in because it's already there.

437

00:23:23,685 --> 00:23:24,135

There.

438

00:23:26,535 --> 00:23:26,775

Thank you.

439

00:23:26,775 --> 00:23:33,165

Jess began laying his hands, wherever,

a little darker back in here.

440

00:23:33,165 --> 00:23:36,525

There's they're hoping to see those

and they're there they're quite dark,

441

00:23:37,335 --> 00:23:40,125

but these are little things that

live we're back in the background.

442

00:23:41,325 --> 00:23:47,715

Now then maybe we'll take some

Vandyke Brown, maybe in our world.

443

00:23:49,125 --> 00:23:49,935

We'll just tap in.

444

00:23:51,335 --> 00:23:52,035

There's a nice tree.

445

00:23:52,035 --> 00:23:53,055

Trunk is right there.

446

00:23:54,075 --> 00:23:57,525

We'll give him a friend,

just tap from the tap.

447

00:23:58,575 --> 00:24:02,115

Go right into a little white, take

the white right down this side,

448

00:24:04,725 --> 00:24:05,885

and then blend it back together.

449

00:24:05,925 --> 00:24:08,895

That'll give this indication

about a nice tree trunk here.

450

00:24:09,315 --> 00:24:12,045

That easy a little bit on this one.

451

00:24:14,445 --> 00:24:16,245

Gotta make those little

noises that doesn't work.

452

00:24:17,835 --> 00:24:18,555

There we go.

453

00:24:18,945 --> 00:24:20,055

We take our liner brush.

454

00:24:21,465 --> 00:24:26,295

A little paint, thinner, a little

Brown in here and there just put the

455

00:24:26,295 --> 00:24:30,014

imitation of a few big branches that

live right up in here somewhere.

456

00:24:32,075 --> 00:24:32,315

Yeah.

457

00:24:35,795 --> 00:24:37,685

And you put as many risks

as you want in there.

458

00:24:39,215 --> 00:24:43,024

And then we'll go back to our two

inch brush that we were using earlier.

459

00:24:43,595 --> 00:24:43,685

Okay.

460

00:24:44,205 --> 00:24:44,834

Make it nice.

461

00:24:45,165 --> 00:24:46,185

A little bit brighter green.

462

00:24:46,185 --> 00:24:47,294

Cause I want to come in here.

463

00:24:47,324 --> 00:24:50,294

I want this to stand out there.

464

00:24:51,465 --> 00:24:54,584

Just put the indication of some national

leaves that live out here on this side.

465

00:24:54,605 --> 00:24:57,514

But there we go.

466

00:24:58,205 --> 00:25:00,034

Not too many because I don't

want to lose all that nice

467

00:25:00,034 --> 00:25:01,385

background that we had back here.

468

00:25:02,254 --> 00:25:04,985

That's what someone coming right

across the trunk and that way it

469

00:25:04,985 --> 00:25:06,455

helps me push it right back in there.

470

00:25:08,044 --> 00:25:08,334

Yeah.

471

00:25:08,334 --> 00:25:11,014

Then down in here.

472

00:25:11,790 --> 00:25:15,060

We'll just have all kinds of

little bushes that live right down.

473

00:25:15,930 --> 00:25:20,730

And by changing the angle of the brush,

you can create all kinds of different,

474

00:25:20,730 --> 00:25:24,570

little shapes, a little bushes, a

little bunny, rabbits have to have

475

00:25:24,570 --> 00:25:29,399

a place to hide, change the color,

a little, just very little between

476

00:25:29,399 --> 00:25:30,930

the different yellows and all that.

477

00:25:32,490 --> 00:25:33,660

Now, then right along in here.

478

00:25:33,945 --> 00:25:34,814

Just take the brush.

479

00:25:35,745 --> 00:25:39,105

I begin thinking about the lay

of the land and we can tap in.

480

00:25:40,034 --> 00:25:43,685

Paul turns a little,

little salt grassy areas.

481

00:25:43,695 --> 00:25:44,925

It just lived right along in here.

482

00:25:46,485 --> 00:25:50,804

The more you tap this, the more it picks

up the color and the darker it'll become.

483

00:25:52,635 --> 00:25:54,225

So there we go.

484

00:25:57,074 --> 00:25:57,375

Okay.

485

00:25:57,524 --> 00:25:58,304

Just tap though.

486

00:25:58,455 --> 00:25:59,415

Very gentle.

487

00:26:00,105 --> 00:26:01,155

And very, very easy.

488

00:26:10,145 --> 00:26:12,395

You can create all of

these little grassy areas.

489

00:26:15,815 --> 00:26:15,875

Yeah.

490

00:26:16,115 --> 00:26:18,995

Sometimes it's nice to at least

some little dark areas in here too.

491

00:26:19,775 --> 00:26:23,045

And that'll give the indication, maybe

there's little indentations on the ground.

492

00:26:23,045 --> 00:26:24,485

It's just not perfectly smooth.

493

00:26:24,515 --> 00:26:24,755

There's.

494

00:26:26,820 --> 00:26:34,860

There we go places to hide in there,

let it come right up underneath.

495

00:26:34,860 --> 00:26:35,340

Like, so

496

00:26:40,050 --> 00:26:43,710

in a super easy way, I'm going to leave

as quite dark over here because in my

497

00:26:43,710 --> 00:26:45,300

mind it will be in shadow over here.

498

00:26:46,995 --> 00:26:53,745

And you can pick out little high points,

but once again, the more you tap on this,

499

00:26:54,765 --> 00:27:00,675

you can keep on it and it looks just like

velvet and it's a very, very pretty shoot.

500

00:27:00,675 --> 00:27:02,175

I think we've got, have

a finished painting.

501

00:27:05,145 --> 00:27:07,395

Let's take a little red

on the line of birth sign.

502

00:27:07,395 --> 00:27:09,495

This one, I will call it finished.

503

00:27:09,615 --> 00:27:10,725

I hope you've enjoyed this one.

504

00:27:11,325 --> 00:27:14,445

So a little different to give you

some experience using the black Jesso.

505

00:27:15,375 --> 00:27:17,865

I think you will really be pleased

with what you can do on this.

506

00:27:18,225 --> 00:27:21,765

So from all of us here, happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S19E02 - Quiet Mountain Lake

Bob Ross's

The Joy of Painting

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