Bob Ross's

The Joy of Painting

S19E06 - Waterfall In The Woods

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Hi, certainly glad to see you today.

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Thought today, we'd do a fantastic

little painting and I'm glad you're

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here and going to paint along with me.

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So I'll tell you what,

let's start out today.

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Ma'am run all the colors across the

screen that you need to paint along

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with me while they're doing that.

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Let me show you what I've done up

here, because we have something

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a little bit different today.

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Let me explain what's happening here.

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Standard old 18 by 24 inch canvas,

but you use any size that you want.

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And I've taken black Jesso.

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And I have an idea in my mind today and

I thought I'd do a little waterfall.

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So I've just painted this with

black Jesso and I've even put in a

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basic indication of where my little

waterfall will be and let that dry.

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Then I've taken a little

bit of liquid clear.

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And covered the entire canvas.

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The liquid clear is there only to

make the next layer going easier.

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Now while the liquid clear is still

wet, I've covered the entire canvas

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with a thin, very thin coat of alizarin,

Crimson, and fallow blue to make a

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lavender sorted to the bluish side.

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And with that, we're going to

do a fantastic little waterfall.

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So I hope you enjoy this one.

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Shoot.

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Let's start out, Dave.

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We'll use this little

tiny two inch brush here.

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We'll go right into some titanium white.

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I like these kinds of paintings

because they work so nice.

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This black Jessa was the most

fantastic thing you've ever seen.

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I put a little that white on there.

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Let's go up here.

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Now.

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Maybe our light source is going to

be right up here above the waterfall.

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So take the white.

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Now there's very little color up here.

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The clear allows you to put

just a, almost like a glaze.

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There's not a great deal of color.

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If you don't have the clear on there,

you end up putting so much paint that

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when you put white on there, it turns.

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Color's too strong.

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Anyway, watch here though, because

it's such a small amount of paint.

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I want to create the illusion of

light shining through here in, by just

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taking a little that titanium white and

making like little crisscross strokes.

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We can do that.

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Very little color on the canvas

and you can do this several times

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to achieve a desired lightness.

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If you wanted to, if you wanted this

to be brighter, when I show you take

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a little more white, they want to

be a little brighter right in here.

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You can add a little more white

in there there, see it already.

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It looks like there's a light.

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Just.

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Just exploding through there.

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And it's a beautiful, beautiful

way to make some very interesting

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paintings and you can fold it a little.

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If you want to really make it

look like a light race zinging

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through, there is no limit to this.

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There we go.

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All right.

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So we have our, we have

our light source now.

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Yeah, without even cleaning

the brush, I'll just go right

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back into that lavender color.

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I was using to cover the canvas with

alizarin Crimson and fellow blue, much

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more Crimson than blue though, but

it still to the bluish side, the blue

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is so much stronger than the Crimson.

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We'll just tap a little color onto

the brush here and it still had

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the white on it that we just use.

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So it's a.

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It's a little lighter.

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Okay.

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Let's go up in here.

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And maybe back in here, we have all

kinds of little tree shapes and stuff.

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So let's just start thinking about

little trees that live way back here.

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We don't want these to be too dark yet.

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We want these to be very subdued, very

quiet because they're right in that

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strong light that's coming through there.

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So all we're looking for here.

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Initially, there's some very basic

little shapes of some happy little

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trees that live back in here.

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There we go.

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Very, very basic little shapes.

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Maybe there's a few more little

things living in here wherever

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you think they should be.

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It's exactly where they should be.

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Just sort of let your

imagination just go wild.

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That's what's so fantastic.

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But painting, you can create

any kind of world that you want.

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So already, it gives you an impression

of limbs hanging over there.

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Now then shoot a hundred shoes at st.

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Hope Bryce I'm lazy.

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I don't want to clean it and take a

little bit of the titanium white on there.

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And we'll put a few little highlights on

some of these that are far back in here.

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The light's zinging through here.

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These are going to be very light

right there they go and begin

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thinking about shape and form.

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There Nan, as we worked a little closer,

tell you what, let's begin picking

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out a few little tree limbs and little

sticks and twigs that live in there.

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So it takes some paint thinner on her

Lana brush Guna at same identical color.

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Think about trunks sticks there.

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If you have trouble making this flow,

add a little bit more of the paint

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that, or that's all, that's all.

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Okay.

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Say it again.

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You can make as many or as few as you

want in your world, wherever you think

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there should be a little sticker tweak.

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That's where you want it.

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And this paint should hello,

just as easy, almost like you

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were using a pen and writing.

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If it doesn't flow like it,

chances are you don't have quite

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enough thinner on your brush.

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We'll take a little, little more

of that titanium, white, a little

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more of that lavender color.

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Now we can come back in here and let's

begin picking out little individual

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clumps of things that live on these

trees, little tiny things, Sam there,

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wherever you think they should be darker,

darker, darker over here in the left.

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Cause not as much lights

come straight over there.

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It takes a very little paint

to do this particular part.

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Very little, maybe.

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There.

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And I'll say it a little bit more

color maybe right down in here are

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some things that just sort of, maybe

they just sort of hang over, like, yes.

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I don't know.

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Just sort of let, let

your brush take you there.

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It hangs right down.

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I don't know.

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I really don't know.

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You can just sort of pick out all these

little things that you liked in there

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and just began working with shapes and

forms that all these little things happen.

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Think about all the little creatures

that live out here, little squirrels

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and bunny, rabbits, just hundreds and

thousands of those things live in here.

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There,

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there is another one,

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right?

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But already you have so many layers

there that create the illusion of depth

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and distance and your painting, baby.

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Oh, there's a nice way.

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Looking for some nice individual shapes.

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Okay.

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And brush here.

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Shoot.

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We take a little bit of that same color.

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And maybe back in here, you can just,

this should be almost identically, the

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same color as what you have up there.

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Just want to put the indication

of some things we back in there.

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That you just barely can

see they're far away.

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And all we're doing is just tapping

in some basic little shapes.

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I have it, the most fun thing

to do here is the waterfall.

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Of course.

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So let's do that.

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Let's do that.

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We'll take a one inch brush.

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I'm going to dip it into a little

bit of the liquid clear, just a

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small amount, just a small amount.

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We'll go through some titanium,

white and a clear, and there's

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only to thin it only to thin it.

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All right.

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In fact, I may put a little more,

let me dip the brush into it.

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Just a tiny bit more there.

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All right.

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That's nice.

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You can feel it.

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When you pull the brush

across, it should be slick.

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You can reach up and get the

least little touch of fellow blue.

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Ooh, least little touch though.

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Whisper.

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Whisper.

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Okay.

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Let's go up in here.

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Yeah.

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For our waterfall lives right here

at the water, sort of come along

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like this and then shoo and fall.

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Instead it fall.

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Say there, just let it go there.

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Add a touch, more blue to that.

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I want it just a little

more to the blue side.

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Oh, that's nice.

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That's nice.

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Hope you can see what a different section.

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Fair.

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Yeah, we can take a clean.

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Two inch brush and from the bottom lift

upward and smooth that, and blend it.

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Tell me just as smooth as glass, but clear

will allow you to just make it so smooth.

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And maybe, maybe down here toward

the base, maybe there's some, yes.

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We just take a little white

paint, very small amount,

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right on the tip of the brush.

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And let's just put the

indication here, a little foam.

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If waterfalls that far you're going to

have missed, that's floating around here.

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Just no way you can get away from it.

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Waterfalls that far.

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You're certainly going to

have missed there already.

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That sort of looks like it's

laying in a little cloud almost.

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That's what we're looking for.

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All right.

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Maybe tell you what, maybe in our world,

maybe there's an Ash tree over here on

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this side, but you start with the thing

it's a furthest away and you work forward.

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So let's take a little dark Sienna.

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Oh, I'll reach over here and get

a little white, then it down a

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little, we use the liner brush a

little bit more in the dark Sienna.

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Kenny, let's go up here.

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Maybe there's a little tree

trunk that lives right in here

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and just wiggle that brush.

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Turn it as you, let it come down.

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So you get all of those

fantastic little shapes.

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It's not just, it's not just a

future telephone pole live in here.

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This, this tree has form

and shape character.

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He's a nice tree.

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Hmm.

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Very nice little tree.

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There he is.

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Okay,

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maybe over here, there's not as

much light striking as she was

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at same old brush shoot and lazy.

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Take a little SAP green, a

little bit of CAD yellow.

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Reach up here and grab a

little at midnight black metal.

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Ooh there.

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So it makes a beautiful dark green push

that brush load, that little Ridge of

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paint ran out on the edge of the bristle.

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That's an excellent shot there.

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You can really see that.

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Can you let's go up here now that

I want to have nice leafy things

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that are hanging right over here.

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Just begin with a corner of the brush

and pinky and creating the solution.

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This is what's so fantastic about

having the black Jess on there.

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Automatically.

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This just happens because you have

your dark color underneath already.

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You can do this on a white canvas, but

you'd all, you'd work yourself to death.

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Trying to get that,

that much dark in there.

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And here, the black Jessup

puts that all in there for you.

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There we go.

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Maybe back in here, there's some

things they're a little darker.

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They had weed back in there.

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On black canvas color shows

up so much stronger than it

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does on, on a white canvas.

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So be careful that you don't get carried

away with this kitchen, this kid's

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working so nice and it feels good.

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And next thing you know, you've covered

up your whole canvas there and you want

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to retain some of these dark areas here.

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It makes it look deep and

secretive, mysterious.

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Just all kinds of little, little happy

things going on in there, but just think

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about form and shape and all the little

Liam's that live in there that create

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all these lesions most, most important.

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Just don't throw it on at random.

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It won't look right and you'll be unhappy.

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And I want this to work for you.

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Take a little knife here.

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We'll use some, we'll take

a little Vandyke Brown.

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You mix a little dark Sienna

with, and we need some land over

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on this side of the waterfall.

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Let's see here.

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That'll help push that waterfall back.

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Is it just frown?

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Both Browns.

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Yeah.

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00:12:43,170 --> 00:12:45,360

Sorry, just let this

work, write them all down.

253

00:12:46,230 --> 00:12:47,280

Even if he can't see it.

254

00:12:47,280 --> 00:12:47,700

It's there.

255

00:12:48,090 --> 00:12:48,630

It's there.

256

00:12:49,390 --> 00:12:51,000

We're putting a dark color on there

257

00:12:55,440 --> 00:12:59,190

and we can take the least little touch

of titanium white mixed with those same

258

00:12:59,190 --> 00:13:03,240

Brown colors, same old Brown colors,

little Vandyke, little dark Sienna.

259

00:13:03,930 --> 00:13:05,100

Mix it to just a marble.

260

00:13:05,100 --> 00:13:08,670

The parents don't don't over

mix it and then start up here

261

00:13:10,050 --> 00:13:11,460

and we can create illusion.

262

00:13:12,495 --> 00:13:16,665

I have a little, here's a little clip

right here, a little place where the

263

00:13:16,665 --> 00:13:19,245

bunny rabbit can run around and get

him to drink out of that waterfall.

264

00:13:20,625 --> 00:13:24,035

Of course, if he's not careful, he

slips in there who gonna have rabbits

265

00:13:26,135 --> 00:13:31,235

now, then just basically a clean

knife, grabbed the edge of that and

266

00:13:31,235 --> 00:13:32,795

allow a little touch of that color.

267

00:13:34,085 --> 00:13:37,235

Just a small little touch of

that color to be pulled down.

268

00:13:39,210 --> 00:13:44,370

Just a very, very small amount, you know,

create that illusion of big cliffs though.

269

00:13:44,630 --> 00:13:53,880

They're there maybe, maybe in

our waterfall, maybe there's all

270

00:13:53,880 --> 00:13:57,120

kinds of little grassy things that

they right up here on the top.

271

00:13:58,650 --> 00:13:59,160

Shoot.

272

00:13:59,160 --> 00:14:02,340

I tell you what, maybe some of the

grassy things start right in here.

273

00:14:03,240 --> 00:14:04,560

Just use the corner of the brush.

274

00:14:05,220 --> 00:14:07,199

Maybe there's all kinds

of little ferns and stuff.

275

00:14:07,230 --> 00:14:08,490

It just sort of hang off there.

276

00:14:09,420 --> 00:14:11,670

Do you have this much missed chances?

277

00:14:11,670 --> 00:14:15,689

Are you're going to have a lot

of, a lot of beautiful plants that

278

00:14:15,689 --> 00:14:18,480

just sort of hang off the edges

of these and grow everywhere.

279

00:14:20,689 --> 00:14:21,350

There we go.

280

00:14:21,410 --> 00:14:28,790

Here's some over here, wherever we

paper, just sort of think in your

281

00:14:28,790 --> 00:14:33,380

mind where you, where you believe all

these little things would grow there.

282

00:14:34,694 --> 00:14:41,925

Can I come right on down here and there,

we can have a little bit of Brown.

283

00:14:42,584 --> 00:14:45,935

Maybe there's a little stolen lives there.

284

00:14:50,354 --> 00:14:51,704

Take a little touch of color.

285

00:14:51,765 --> 00:14:53,625

Just let it graze off.

286

00:14:54,974 --> 00:14:59,834

Most delicate touch, little bit

of color up on top of this to give

287

00:14:59,834 --> 00:15:01,425

that rock some shape and form.

288

00:15:02,790 --> 00:15:10,860

Not much though, not much how then

you can come right back and just

289

00:15:10,860 --> 00:15:14,760

hang some of your little grassy

areas right over right over it.

290

00:15:16,710 --> 00:15:19,920

Maybe there's a few back here in a miss,

but we can't see a lot of them because

291

00:15:19,920 --> 00:15:21,210

the mr is beginning to cover them.

292

00:15:22,905 --> 00:15:23,505

There we are,

293

00:15:27,285 --> 00:15:31,325

look at all the little Rascals,

but just do this in layers.

294

00:15:31,325 --> 00:15:34,745

Think about what's fathers to way

and work forward, forward forward.

295

00:15:35,375 --> 00:15:38,375

Maybe there's another big

stone is right down here.

296

00:15:40,814 --> 00:15:41,375

Little Brown.

297

00:15:41,705 --> 00:15:43,175

Did it take a little Brown and white?

298

00:15:43,175 --> 00:15:50,765

And I see just put a little highlight

on that stone and come back.

299

00:15:53,130 --> 00:15:55,050

Hang some grass right

over the top of that.

300

00:15:55,800 --> 00:15:57,540

Let that disappear right back in there.

301

00:15:58,980 --> 00:16:01,050

They're not easy.

302

00:16:01,860 --> 00:16:05,640

We've got quite an effective little

area here, scratching a few sticks

303

00:16:05,640 --> 00:16:08,820

and twigs and all those things happen.

304

00:16:10,140 --> 00:16:13,080

Maybe watch here, watch here.

305

00:16:13,170 --> 00:16:14,040

I see something here.

306

00:16:14,610 --> 00:16:15,390

Let's do it this way.

307

00:16:15,660 --> 00:16:17,370

Take a little white on her brush.

308

00:16:17,760 --> 00:16:19,590

Decide where you think the water will be.

309

00:16:20,790 --> 00:16:24,870

Grab it and pull straight down

the titanium white on the brush,

310

00:16:26,069 --> 00:16:29,220

but good, right under this

stone here, just pull it down.

311

00:16:29,939 --> 00:16:34,080

But it's important that this

comes straight down there.

312

00:16:34,110 --> 00:16:36,120

Even if you turn your brush

at that kind of angle.

313

00:16:36,510 --> 00:16:40,560

You still want to go

straight down there earlier?

314

00:16:43,170 --> 00:16:44,489

Maybe he comes over here somewhere.

315

00:16:44,550 --> 00:16:46,469

We don't know yet where we want to go.

316

00:16:49,310 --> 00:16:50,599

So let's pick it up that color.

317

00:16:50,599 --> 00:16:52,189

That's underneath all these things.

318

00:16:52,430 --> 00:16:55,729

These beautiful colors will

just happen automatically.

319

00:16:56,510 --> 00:16:57,229

Very lightly.

320

00:16:57,829 --> 00:17:00,349

Go across just enough to

distort it a little bit.

321

00:17:02,069 --> 00:17:03,050

You come back in here.

322

00:17:05,250 --> 00:17:07,770

They're seeing that easy.

323

00:17:07,770 --> 00:17:13,520

You have the illusion of

water and I didn't crazy.

324

00:17:14,120 --> 00:17:17,180

Tell you what, let's take a little Vandyke

Brown, a little dark Santa mixed together.

325

00:17:18,020 --> 00:17:20,690

Maybe there was a big cliff

let's come right down in here.

326

00:17:21,380 --> 00:17:24,200

Maybe there's a big

cliff that lives, right.

327

00:17:24,230 --> 00:17:26,780

And they're just sort of make a decision.

328

00:17:28,610 --> 00:17:32,030

Maybe it comes to get

records, a little noises.

329

00:17:32,030 --> 00:17:32,240

So.

330

00:17:34,035 --> 00:17:36,225

Just putting a little Brown

here and there on the canvas.

331

00:17:36,405 --> 00:17:39,315

So can we hit it with a little

touch of a little touch of the

332

00:17:39,315 --> 00:17:42,845

Brown and white little highlight?

333

00:17:42,845 --> 00:17:44,045

It'll jump right out at you.

334

00:17:44,105 --> 00:17:44,705

Look at that.

335

00:17:45,755 --> 00:17:46,025

See,

336

00:17:49,145 --> 00:17:49,925

there we go.

337

00:17:49,985 --> 00:17:53,645

That'll touch right there, but

for very, very little paint.

338

00:17:55,245 --> 00:17:58,365

It's just, it looks like it's

more paint here than it really is.

339

00:17:58,935 --> 00:18:02,715

The reason it looks like it is

because once again, color stands out

340

00:18:02,715 --> 00:18:04,905

so strong against the black canvas.

341

00:18:05,595 --> 00:18:06,135

So strong.

342

00:18:06,135 --> 00:18:09,835

I'm going back to my brushes, get

a little grassy colors on now for

343

00:18:09,835 --> 00:18:11,235

our cliff lives right in here.

344

00:18:12,495 --> 00:18:16,545

Let's just begin putting some

little grassy things that

345

00:18:16,545 --> 00:18:17,595

live right here on our cliff.

346

00:18:18,765 --> 00:18:20,295

It's 11 follow right head on down.

347

00:18:22,125 --> 00:18:23,625

Just follow the basic angle there.

348

00:18:25,980 --> 00:18:30,450

Here sort of fill it in, but leave

some of your little Rocky areas or

349

00:18:30,600 --> 00:18:32,340

show through don't don't kill them all.

350

00:18:34,560 --> 00:18:35,190

There we go.

351

00:18:36,000 --> 00:18:37,110

Now here's another little trick.

352

00:18:37,110 --> 00:18:43,020

See if you want to push that waterfall

back at this, come over it, look in there.

353

00:18:43,980 --> 00:18:48,630

And instantly, instantly it'll

push that waterfall back into

354

00:18:48,630 --> 00:18:50,460

the painting and hatch back.

355

00:18:50,460 --> 00:18:52,710

And it's in a secret

little place back here.

356

00:18:54,615 --> 00:18:55,335

There we go.

357

00:18:55,935 --> 00:18:59,625

This is a place that the tourist

nervously, he just hides in there

358

00:19:04,565 --> 00:19:06,395

wherever you think he should live.

359

00:19:11,105 --> 00:19:12,215

And that's fantastic.

360

00:19:14,135 --> 00:19:18,155

But these little, these little grassy

areas are what make it so nice.

361

00:19:19,245 --> 00:19:20,985

Maybe these come all the

way down to the water.

362

00:19:21,014 --> 00:19:22,264

Maybe they even hang in the water.

363

00:19:23,915 --> 00:19:24,725

That's all right, too.

364

00:19:26,135 --> 00:19:29,855

Sometimes it's nice to take and

grab just a, touch those and

365

00:19:29,855 --> 00:19:31,115

pull them down into the water.

366

00:19:31,175 --> 00:19:35,284

Let them reflect, just let them

reflect a little touch there.

367

00:19:36,514 --> 00:19:38,705

We're really excited.

368

00:19:38,705 --> 00:19:40,715

We'll touch a little bit of

thalo blue hair in there.

369

00:19:41,764 --> 00:19:46,834

She has tiniest little bit just

enough to make it stand down a little.

370

00:19:48,014 --> 00:19:48,525

Beautiful.

371

00:19:49,395 --> 00:19:53,264

Now maybe, maybe there's a big

tree that lives right there.

372

00:19:53,625 --> 00:19:56,715

So for that, I'll go back to

the same lavender color that

373

00:19:56,715 --> 00:19:57,915

we covered the canvas with.

374

00:19:58,764 --> 00:20:01,545

Maybe our big tree hangs over here.

375

00:20:02,685 --> 00:20:07,125

So all we're doing here is

creating layers that each layer.

376

00:20:08,189 --> 00:20:11,159

Creates more depth than the

pain makes it look deeper.

377

00:20:12,659 --> 00:20:14,459

And to me, that's what makes a painting.

378

00:20:14,459 --> 00:20:15,030

Interesting.

379

00:20:15,030 --> 00:20:16,409

And it has depth and distance.

380

00:20:16,409 --> 00:20:21,600

It's not just a flat

subject has dimension.

381

00:20:23,939 --> 00:20:24,629

There we go.

382

00:20:27,179 --> 00:20:27,750

Okay.

383

00:20:29,264 --> 00:20:31,095

Maybe I'd come right on down.

384

00:20:31,965 --> 00:20:33,115

Just sort of make a decision.

385

00:20:33,185 --> 00:20:37,544

Are you thinking big old tree

would live here and drop it in?

386

00:20:37,905 --> 00:20:41,324

That's all there is to, it

probably doesn't look like much

387

00:20:41,324 --> 00:20:43,274

at this point, but it's there.

388

00:20:43,574 --> 00:20:48,784

It's there take liner brush a

little bit of vendetta Brown, a

389

00:20:48,784 --> 00:20:51,004

little white, all those colors.

390

00:20:52,845 --> 00:20:53,865

Mixed it with paint tenor.

391

00:20:53,865 --> 00:20:56,215

So it's a very thin,

very thin, quite dark.

392

00:20:56,235 --> 00:20:57,795

I'll get a little dark sand in there too.

393

00:20:57,945 --> 00:20:58,785

There that's better.

394

00:20:59,595 --> 00:21:02,745

Now then we got a few little

lambs that are showing through

395

00:21:02,745 --> 00:21:04,935

here, but keep these quite dark.

396

00:21:04,935 --> 00:21:06,135

We don't want them to get too light.

397

00:21:07,155 --> 00:21:07,635

They do.

398

00:21:07,965 --> 00:21:11,715

They won't look exactly right there.

399

00:21:11,925 --> 00:21:14,115

And when you're, when you're paying

these, you might even think that

400

00:21:14,115 --> 00:21:17,085

they're not going to show, but

they will, people will see them.

401

00:21:18,225 --> 00:21:19,095

They will see them.

402

00:21:21,375 --> 00:21:24,524

Of course, as we've mentioned before,

I know nobody's interested in, in

403

00:21:24,524 --> 00:21:29,054

that happy book, but if you should

be these black canvases are some

404

00:21:29,054 --> 00:21:33,135

of the best selling paintings that

you can do, people will love them.

405

00:21:33,945 --> 00:21:35,145

Absolutely lovely.

406

00:21:36,554 --> 00:21:39,105

And then clean that old brush.

407

00:21:40,425 --> 00:21:42,495

Let's take back to my brush with it.

408

00:21:44,175 --> 00:21:45,075

With the greens on it.

409

00:21:45,105 --> 00:21:45,975

I want to add some black.

410

00:21:45,975 --> 00:21:50,295

I want this to be a much

darker green, much darker.

411

00:21:50,355 --> 00:21:50,535

What?

412

00:21:50,535 --> 00:21:51,975

Tap a little color into the brush.

413

00:21:53,055 --> 00:21:53,985

Alice, go up in here.

414

00:21:55,740 --> 00:21:58,260

And let's begin putting on some shapes.

415

00:21:58,260 --> 00:22:01,770

They're sitting there now once

again, if you have trouble making

416

00:22:01,770 --> 00:22:06,090

your paint stick, add the least

little touch of the paint thinner.

417

00:22:06,330 --> 00:22:07,740

Oh, at least little touch though.

418

00:22:08,700 --> 00:22:09,570

Don't get crazy.

419

00:22:09,780 --> 00:22:13,740

Cause at first, quickly it'll get too

much and then you can't control it.

420

00:22:13,830 --> 00:22:19,120

It'll just run all over the place and

think about how these limbs would hang.

421

00:22:20,490 --> 00:22:25,620

Especially in this kind of area with all

the, with all that water there, these

422

00:22:25,620 --> 00:22:27,510

would probably be big old saggy trees.

423

00:22:30,030 --> 00:22:37,500

They're sort of maybe sort of

tropical type trees, darker and

424

00:22:37,500 --> 00:22:38,940

darker back over in this area.

425

00:22:40,530 --> 00:22:43,440

Don't I don't get too bright there.

426

00:22:45,525 --> 00:22:48,765

Once again, I know you get tired of

hearing it, but think about form here.

427

00:22:48,765 --> 00:22:50,385

Don't don't just hit it random.

428

00:22:51,405 --> 00:22:52,275

Think about form.

429

00:22:52,305 --> 00:22:54,915

There's all kinds of little

things that live in here.

430

00:22:54,915 --> 00:22:57,735

There's little limbs

protrude out this way.

431

00:22:57,735 --> 00:23:02,025

That's what, that's what

these are hanging out there.

432

00:23:02,235 --> 00:23:02,745

Sometimes.

433

00:23:02,745 --> 00:23:06,735

Maybe they hang over, like,

yeah, however you want them.

434

00:23:08,340 --> 00:23:11,040

And when you start doing this, you

will see all kinds of things happening.

435

00:23:11,610 --> 00:23:12,840

Don't just try to copy.

436

00:23:13,379 --> 00:23:14,730

Don't just try to copy.

437

00:23:15,600 --> 00:23:17,399

Now, we're trying to teach

you a technique here.

438

00:23:18,270 --> 00:23:23,580

So do you, when you do your own painting,

sort of look at it, you're going to see

439

00:23:24,030 --> 00:23:25,470

hundreds of things that are happening.

440

00:23:25,470 --> 00:23:27,330

Your painting would probably

come out much better than this

441

00:23:27,330 --> 00:23:30,389

one, but don't just try it.

442

00:23:30,420 --> 00:23:33,980

The copy there.

443

00:23:34,455 --> 00:23:39,905

That's the reason we don't trace

anything to start out with here because

444

00:23:42,175 --> 00:23:44,585

it's more of an individual thing.

445

00:23:44,585 --> 00:23:48,545

If you do your own thing, we each

see nature through different eyes.

446

00:23:49,745 --> 00:23:53,525

We each have our own idea of how things

should look and the way I think things

447

00:23:53,525 --> 00:23:56,945

should look, I may not necessarily be

the way you think things should look.

448

00:23:58,175 --> 00:24:01,295

So let your imagination take

you where you want to go.

449

00:24:02,370 --> 00:24:05,969

Don't just depend on somebody else to

take you there because you can do it.

450

00:24:07,590 --> 00:24:10,409

Maybe there's a little bank

here so we can stand on it.

451

00:24:10,409 --> 00:24:10,889

Look out here.

452

00:24:11,730 --> 00:24:14,219

Let's just drop in just using

some of that lavender color.

453

00:24:15,840 --> 00:24:19,889

We're going to just put us in a happy

little bank right there and just put

454

00:24:19,889 --> 00:24:21,750

the dark in there just to form an edge.

455

00:24:21,840 --> 00:24:22,379

So we have.

456

00:24:23,129 --> 00:24:28,649

Dark in there underneath this, and

then we can come back and we can create

457

00:24:28,679 --> 00:24:32,580

all kinds of little things there.

458

00:24:35,280 --> 00:24:37,379

And if you want to show depth

into these, leave a little dark

459

00:24:37,379 --> 00:24:38,760

area underneath those bushes.

460

00:24:39,840 --> 00:24:42,210

Cause that's where the little,

the little creature would hide.

461

00:24:43,889 --> 00:24:46,110

Then you want, maybe there's a

little stone lives right there.

462

00:24:46,740 --> 00:24:50,970

A little Brown pick, a

little Brown and white air.

463

00:24:51,745 --> 00:24:55,295

I just create a sieve, just a happy

little stone that lives out here.

464

00:24:55,315 --> 00:24:57,375

He watches all this water play in fall.

465

00:25:05,545 --> 00:25:07,235

There we are.

466

00:25:07,245 --> 00:25:11,375

Now, then I'm still using

the little small knife.

467

00:25:11,375 --> 00:25:11,885

I like it.

468

00:25:13,055 --> 00:25:14,885

I'm gonna take the least a

little bit of color on the knife.

469

00:25:15,545 --> 00:25:16,235

Almost none.

470

00:25:17,255 --> 00:25:18,035

Very firmly.

471

00:25:19,305 --> 00:25:24,305

Just scraping some little things

here and there tends to bring it

472

00:25:24,315 --> 00:25:28,095

together, clean up those edges

around the stones and everything.

473

00:25:29,955 --> 00:25:32,985

They're not a great deal though.

474

00:25:33,465 --> 00:25:34,545

A little bit out in here.

475

00:25:36,165 --> 00:25:38,565

See there, look at that

little bit of blue.

476

00:25:38,565 --> 00:25:39,135

That's right there.

477

00:25:39,165 --> 00:25:40,065

Different shine though.

478

00:25:40,725 --> 00:25:44,865

But when you do this, use it

sparingly, use it sparingly.

479

00:25:44,885 --> 00:25:45,615

That's what makes it.

480

00:25:46,185 --> 00:25:48,945

So impressive is that there's

such a small amount of it there.

481

00:25:48,945 --> 00:25:51,794

If you had a lot, it

would lose its effect.

482

00:25:52,095 --> 00:25:57,075

So it's, that's a little, that's a

little treasure hanging on to it.

483

00:25:59,294 --> 00:26:02,294

There we are just a few

little ones here and there.

484

00:26:03,855 --> 00:26:07,304

You can take your liner, brush a

little bit of the Brown and the white.

485

00:26:09,225 --> 00:26:11,294

There we go with maybe,

maybe here and there.

486

00:26:11,294 --> 00:26:15,014

We can pick out a little

stick that lives in there.

487

00:26:16,350 --> 00:26:21,510

A few little things that hang over

wherever you think they should be.

488

00:26:21,990 --> 00:26:26,899

You see these sticking out when you're

looking at the woods and stuff, but

489

00:26:26,950 --> 00:26:31,040

wherever you think they should be, I

think we're about ready to sign that one.

490

00:26:31,070 --> 00:26:31,790

It looks finished.

491

00:26:32,870 --> 00:26:36,440

Take a little thinner, a bit of the

bright red let's sign it right there.

492

00:26:36,450 --> 00:26:36,889

Down here.

493

00:26:38,120 --> 00:26:38,750

There we are.

494

00:26:39,710 --> 00:26:42,440

Luckily I have a very short

name, so it only takes a second.

495

00:26:43,980 --> 00:26:44,730

There we are.

496

00:26:46,080 --> 00:26:47,340

And I hope you've enjoyed this one.

497

00:26:47,879 --> 00:26:49,470

So little bit different.

498

00:26:49,470 --> 00:26:52,290

It'll give you some experience

with a black Jesso and you can do a

499

00:26:52,290 --> 00:26:56,250

fantastic painting to make you feel

good in here from all of us here.

500

00:26:56,370 --> 00:26:57,900

I'd love to wish you happy painting.

501

00:26:58,514 --> 00:26:59,475

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S19E06 - Waterfall In The Woods

Bob Ross's

The Joy of Painting

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