Bob Ross's

The Joy of Painting

S23E09 - Toward Day's End

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Hi, welcome back.

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Certainly glad you could join us today.

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It's a fantastic day here and I

hope it is wherever you're at.

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So I'll tell you what, let's start out

and have him run all the colors across

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the screen that you need to paint

along with us while they're doing that.

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Let me show you what

I've got up here today.

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I thought that they would

do one of our little ovals.

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This is just contact paper with an oval

cut out of it and stuck on a canvas.

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And I've covered the inside with

a thin even coat of liquid white.

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So it's all slick and wet.

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Ready to go.

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So that's exactly what we'll do.

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We'll just take off here with

the old two inch brushing.

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Let's let's start the day

with a small amount of the

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thalo blue little fallow blue.

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Maybe I'll get a little black right there.

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It'll take the blue and black

and the least little touch of

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Tayloe green least little touch.

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I just want to just want to

sparkle the color up a little.

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As I say, it's a fantastic day here.

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So I thought we'd do a little

painting that would just make

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you happy just to make you happy.

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We'll put a little bit of blue

in here, like this and that

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little touch of green in there.

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Just make it sparkle there.

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I'm gonna leave in a little

place open here in the center.

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Just a little bit open and

I'll show you why here in just

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a second, something like, so.

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Okay, well, I have that color going.

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Maybe we'll have a little water in there.

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You know, me, I love water.

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So we use the same colors, they

little blue, little, midnight,

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black, and a touch of day, low green.

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You can have a little more in the

water if you want to, than in the sky.

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Be careful with it in the sky though,

we would just pull across and put the

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indication of a little water down here.

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We're not too worried about it

right now, because anything that

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we don't want to be water shoot.

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We just plant a tree on it or

whatever happens to be there.

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There.

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Hmm.

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Okay.

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Yeah.

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I didn't have to wash the old brush.

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That's the fun part of this whole

technique is just washing the brush.

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It's a good way to, to get, even

with anybody that's been hassling

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in the last few days there.

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See if I don't mean, there we go.

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I may take just a little touch, little

tiny touch of the Indian, yellow.

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I don't want much, just a

little, tiny bit, little cat

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yellow to mix them together.

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So I get sort of a

semi-transparent yellow.

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Semi-truck that's almost transparent.

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But not much color.

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And I'm going to add the least

little touch right up in here.

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Like as a little sunlight plan

through there, just a little, that'd

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be very careful when you do this

because too much of this against that

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blue will turn bright green, but a

little down here in the water too.

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What the heck?

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Just let it sort of go right across

there now then one more time.

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Clean the old brush, actually,

I just like to clean the brush.

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Good and dry.

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And then very gently just going to

blend this together, but there's

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very little paint on the canvas.

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Very little Jim's font, a

little, little tiny glow there.

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I don't want a lot of color.

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Just a little down here.

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The same thing.

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All right.

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There.

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I just beat the brush to knock

off any excess paint and that way

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we don't have to clean it again.

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And in layman's terms, that's known

as laziness, just plain laziness.

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Let's take a little bit of our

midnight black with a little tiny

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amount of depression, blue in it.

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Maybe be right back a little bit of that.

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A little lizard Crimson in there too.

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So we got black little blue.

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Little Crimson on the fan brush, both

sides loaded and maybe in our world.

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Maybe there's some, maybe there's some

big old clouds that live up in here in

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the sky and just sort of float around.

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Have a good time.

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Let's just take the fan brush

and just sort of wind them up.

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Just make little tiny

circles, little tiny circles.

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Maybe there's a, maybe there's a

little door that comes out there.

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I don't know.

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Just sort of let it go.

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Clouds are so free that you can just

about paint any way that you want.

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If you're like me, when, when we were

kids, we used to, we used to go out and

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see all Candace shapes in the clouds.

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We'd make up little things.

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We'd see puff the magic dragon or the

wicked all wet or whatever, whatever,

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just anything that you wanted to see.

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If you looked long enough in

clouds, you could find them.

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So they're very free.

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Shoot.

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Maybe, maybe there's a little

floater right there and

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maybe there's a bigger one.

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It comes right across here.

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It doesn't matter.

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This is your world.

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And you can do anything here that

your heart desires, you have total

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freedom here, totally in control.

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This may be the only world that I'm

in control of and the same with you.

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But here.

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You can literally do anything,

little stringy cloud right back here.

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They're

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good.

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Dry two inch brush.

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It'd be very dry though, because

otherwise we sort sorta mix

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these up more than we want.

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All we want to do here is just sorta

actually all we're doing is removing

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excess paint so we can blend it.

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That's all we're really doing.

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Just barely grazing it.

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Caressing it touching it, the

Champlin fairy chuckling, just

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with a corner of the brush.

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Most of the time she was sorta

sorta winding it up here.

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Fluffing it.

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And as I say, in reality,

the biggest thing we're doing

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is removing excess paint.

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So we can do this.

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There we go.

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And we just disciplined that to any degree

of softness that you want something,

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something maybe about like that.

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Okay.

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We just beat the breast little

to knock off the excess paint.

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Now then maybe I'll take a fan brush.

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A little fan breastfeed,

put a little weight on it.

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Be right back, get a little tiny

amount of the bright red don't

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want much just a little tiny

amount and maybe here and there.

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Just sorta tip the edges

of that a little bit.

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I don't want this to get too bad.

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I just want a little indication

here and there of a little

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floater that lives up in here.

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Tiniest, tiniest, little bit

there, maybe a little in here.

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Wherever you make the decision and

then very gently go right over that.

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And that just helps create that illusion

of little things that are happening,

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but I don't want them too bright.

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All right.

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And then a fantastic way of making

a very effective little sky and

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it's pretty to now then, then let

me grab, let me grab, we use one

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of the little, the little small.

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Round brushes about a half size round.

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We're going to take some black,

a little bit of the Prussian blue

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reach up here and give him a Vandyke.

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A little others are in Crimson, maybe a

little touch of the SAP green in there.

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We just tap the brush, just tap it.

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And maybe in our world,

maybe back in here.

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In the background, maybe there's

some little trees that live back in

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here and this little brush is just

fantastic for making these little

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trees, little things that live right

along in there, wherever you have to

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make the decision where they live.

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How many, there are big, small,

skinny, fat, whatever you want.

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You have to make those decisions.

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There we go.

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Something like that.

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I guess there's some

very basic little shapes.

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That's fine to old script liner,

brush a little bit of the Vandyke

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Brown, little paint, thinner.

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And let's go right up in here

and here and there make the

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indication of a little trunk.

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Some of these little trees, not too

many, but just a little here and there.

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Maybe there's even one or two that stick

out above up there that you can see.

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Hmm.

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I like it.

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We just use that same old brush.

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What the heck?

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What the heck, if we go into a

little bit of the CAD yellow, it

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should turn a nice greenish color.

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We'll use a little yellow ochre,

Linden yellow here and there.

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And maybe once in a while, a

little bit of the bright red.

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Okay.

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Let's go back up here now then

let's put some nice highlights

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on these little trees.

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There will vary the colors going

between the different yellows.

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Just to change the flavor.

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And then, then that little brush tells

you some beautiful little things.

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They're going to really highlight that

when I want him to stand up better there.

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Boy, he's a Shiner.

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Add a little touch of the

bright red to it there.

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See, just put a little door in there.

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There we go.

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We'll give him a little friend right

down here, but do little layers like

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this, and it'll create that illusion

of depth that we're always talking.

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Let's go over here to this vinegar here.

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Don't want him left out there.

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But don't kill all your dark areas.

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Sometimes this gets, this gets

working nice and you get carried

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away and you kill all the dark areas.

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Then you lose your shadows, lose

his shadows a little more, that

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SAP green, and put in there.

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If you really want a bright green

like springtime and a little bit of

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a fellow green man, a really sparkle.

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There maybe just tap that

Mandela down a little bit.

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Don't want it to stand out too much.

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We, the only thing we see in

the painting there we are.

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But see if you get one that

you thinks a little, right.

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If it just happened, it picks up the

base color and you're in business

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again, because we don't make mistakes.

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We have happy accidents.

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She uses the same colors.

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It was black, little pression,

blue, little Vandyke Brown.

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Let's have a green Crimson and maybe

in our world, little land lives

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right here, little land right there.

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There it is.

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All right.

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And I'm just tapping in some dark

color and we'll put some grass on top

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of that, but we need that dark color.

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So our light will show there.

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Tell you what to tell you.

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Let's have some fun today.

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Let's have some fun.

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This would be a nice place.

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Maybe, maybe there's a big bank here.

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We haven't done that in quite a while.

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Amy.

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Who's a big bank.

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Sits right here.

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We'll take a little bit of Vandyke Brown

and I'm just sort of pulling it over.

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I kept it there

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just to wherever, maybe the

morning here on this end.

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Now take a little bit of white on dark

sand, little Vandyke Brown, and mix them

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together, but leave them very marbled.

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And barely grazing the canvas

falling those angles just come

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right along my cat and just let

it just barely, barely touch it.

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Barely touch it.

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Just graze it.

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Just graze it.

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I mean, just the lightest possible touch.

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Lightest touch.

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Yeah, we'll just use that same old brush.

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It doesn't matter if it's

got a little color on it.

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It'll just make green

when we touch the yellow.

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So there just push.

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So you get that little, little

Ridge of paint right out

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of the end of the bristles.

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And we can take that and we can go in

here and begin applying a little highlight

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that paying very close attention to

the lay of the land or the way the land

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flows, whatever you want to call it.

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That's some of that, just go right over

the edge and touch a little bit bright

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red here and there, but a little sparkler.

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See, but let it, let it just

crawl right over the edge.

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There.

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Just a little more color.

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Didn't that need high.

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You can just make it look like

there's a little grassy areas

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hanging right over the bank.

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On the side of maybe

this is a little river.

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That's what?

251

00:13:21,330 --> 00:13:24,570

Listen, let's make a little

river out of this little river.

252

00:13:25,200 --> 00:13:27,510

She has sorta meanders along here.

253

00:13:29,460 --> 00:13:31,320

They're sort of a nice word.

254

00:13:31,320 --> 00:13:34,770

It feels good on your

tongue meander, I guess.

255

00:13:35,280 --> 00:13:37,440

I guess that's the word I like it anyway.

256

00:13:39,480 --> 00:13:44,220

There there's another little

hangie down right there.

257

00:13:45,240 --> 00:13:45,330

Okay.

258

00:13:46,650 --> 00:13:49,530

But in that, in that neat the

way it just, it already looks

259

00:13:49,530 --> 00:13:50,960

like a little bank kept in here.

260

00:13:51,620 --> 00:13:52,100

Shoot.

261

00:13:52,430 --> 00:13:52,970

You know me?

262

00:13:53,960 --> 00:13:55,130

I'd have to have a little house here.

263

00:13:55,130 --> 00:13:56,990

Let's put a little cabin right here.

264

00:13:57,620 --> 00:13:57,710

Okay.

265

00:13:57,830 --> 00:14:01,130

I'm just going to take a knife

and scrape out a basic shape.

266

00:14:01,790 --> 00:14:02,690

Don't want a big cabin.

267

00:14:02,690 --> 00:14:05,360

Just want a little, a

little guy that lives here.

268

00:14:07,010 --> 00:14:08,270

Cause I would like to live right there.

269

00:14:08,270 --> 00:14:09,110

I'd have a good time.

270

00:14:10,160 --> 00:14:12,950

I'd sit right here in the

living room and throw my fishing

271

00:14:12,950 --> 00:14:14,270

line right out in the water.

272

00:14:16,230 --> 00:14:19,730

And if I caught one, we'd

put it van de Doni bushy.

273

00:14:19,750 --> 00:14:22,580

Well, give him a little CPR, put him

back in the water and Pat him on the

274

00:14:22,580 --> 00:14:23,930

two, two, and send him on his way.

275

00:14:24,650 --> 00:14:26,780

And we'd catch him again some other day.

276

00:14:27,500 --> 00:14:30,230

This is just Vandyke Brown,

just blocking in a basic shape.

277

00:14:30,590 --> 00:14:32,540

You get the, I mean, get a little knife.

278

00:14:32,540 --> 00:14:35,780

This is a small cabin, little knife

makes it a little easier to get in there.

279

00:14:36,790 --> 00:14:41,030

There it's reasonably designed

a little knife to little things,

280

00:14:41,090 --> 00:14:42,080

so we might as well use it.

281

00:14:43,815 --> 00:14:44,385

There we go.

282

00:14:45,855 --> 00:14:50,225

Now I'm going to take some white

with the least little touch of

283

00:14:50,225 --> 00:14:56,585

bright red in it and dark Sienna,

like a nice warm color cut across.

284

00:14:56,585 --> 00:14:59,915

I get a little roll of paint

on this side, over here.

285

00:14:59,945 --> 00:15:01,985

Just touch, pull down.

286

00:15:02,495 --> 00:15:03,215

Something like that.

287

00:15:04,295 --> 00:15:08,765

Now on the other side, I'll add a little

Vandyke Brown, that same color, because

288

00:15:08,765 --> 00:15:10,655

in my mind, I think this side over here.

289

00:15:11,070 --> 00:15:13,170

Why that didn't get any

darker, do it again.

290

00:15:13,950 --> 00:15:15,510

It should be a little darker over here.

291

00:15:16,250 --> 00:15:17,510

There that's better.

292

00:15:18,530 --> 00:15:20,030

Little rascal didn't want to play right.

293

00:15:22,310 --> 00:15:23,090

There we go.

294

00:15:25,190 --> 00:15:25,730

Alright.

295

00:15:28,520 --> 00:15:32,420

On the dark and that even a little

more right up against the top there.

296

00:15:35,420 --> 00:15:36,650

Now we can take this to.

297

00:15:38,475 --> 00:15:41,895

A little bit of straight Vandyke

Brown on the knife, touch it.

298

00:15:42,765 --> 00:15:45,015

Make the indication of some old boards.

299

00:15:45,015 --> 00:15:48,765

This is an old cabin out

here or fishing cabin.

300

00:15:50,085 --> 00:15:50,805

Take our knife.

301

00:15:51,345 --> 00:15:53,295

Do our old cabin ectomy sounds.

302

00:15:53,295 --> 00:15:54,765

We decide what shape we want.

303

00:15:56,255 --> 00:16:00,485

We need a door there,

the door on this side.

304

00:16:00,485 --> 00:16:01,685

Cause we put it on the other side.

305

00:16:02,255 --> 00:16:04,355

When you walk after you're going

to fall right in the Creek.

306

00:16:06,015 --> 00:16:07,335

Probably ruin your whole day.

307

00:16:09,314 --> 00:16:09,555

Yeah.

308

00:16:09,555 --> 00:16:13,425

Let's take a little white, a little on

the midnight black and we'll make a nice

309

00:16:13,455 --> 00:16:16,515

gray color with a small edge of the knife.

310

00:16:16,694 --> 00:16:17,535

Let's go up in here.

311

00:16:18,495 --> 00:16:21,255

Let's put the indication as a

little shingles on this house.

312

00:16:24,064 --> 00:16:30,635

Some little tiny shingles doctor can

make his own noises and maybe some of

313

00:16:30,635 --> 00:16:32,314

these shingles I've already blowed off.

314

00:16:34,724 --> 00:16:36,765

So don't worry if they

don't all look perfect.

315

00:16:37,635 --> 00:16:39,135

It's an old cabin out here.

316

00:16:40,185 --> 00:16:48,795

It's seen its better day

cabin like me tired there.

317

00:16:49,454 --> 00:16:55,084

That'll highlight, just switch shows

up a little better back to my Brexit.

318

00:16:55,084 --> 00:16:58,535

We were making the grassy areas

with, and let's put some things

319

00:16:58,535 --> 00:16:59,675

around his little bottom here.

320

00:17:02,310 --> 00:17:03,660

Some little grassy things.

321

00:17:03,870 --> 00:17:12,370

Maybe the grass has grown clean up to the

door, clean up to the door there, there.

322

00:17:13,160 --> 00:17:13,700

All right.

323

00:17:15,960 --> 00:17:17,879

Can you let's take, let's take her knife.

324

00:17:17,910 --> 00:17:21,780

We'll put a little bit of little

liquid white out here on foot, at

325

00:17:21,780 --> 00:17:23,819

least little touch of black into it.

326

00:17:23,819 --> 00:17:28,200

So I make a very light, gray

color cut across, get her a little

327

00:17:28,200 --> 00:17:29,129

bit of paint right on the end.

328

00:17:30,920 --> 00:17:34,370

And let's come right up in here and

we'll clean up the bottom of this cliff.

329

00:17:35,955 --> 00:17:37,335

Bank, whatever we want to call it.

330

00:17:38,205 --> 00:17:43,635

Rocky area that drips over here

into the water, whatever, but

331

00:17:43,635 --> 00:17:47,534

just rapid Janice rabbit firmly.

332

00:17:50,024 --> 00:17:51,524

I don't want it to be perfectly straight.

333

00:17:51,524 --> 00:17:55,814

I want all kinds of little indentations

and little doodads in there

334

00:17:56,925 --> 00:17:58,304

because that's where the fish hide.

335

00:17:59,445 --> 00:18:00,495

I like to catch fish.

336

00:18:02,520 --> 00:18:04,290

As I say, I'm not a very good fishermen.

337

00:18:04,990 --> 00:18:06,419

I just, I started turning up

338

00:18:11,330 --> 00:18:11,750

potential.

339

00:18:11,760 --> 00:18:12,010

Okay.

340

00:18:20,000 --> 00:18:22,070

Let me find another one of

those little round brushes.

341

00:18:22,159 --> 00:18:26,149

I like, yeah, let's take our black and

blue and Brown and Crimson and SAP green,

342

00:18:27,379 --> 00:18:28,970

just load a lot of those colors on there.

343

00:18:29,419 --> 00:18:30,379

Maybe in our world.

344

00:18:31,290 --> 00:18:34,230

Right over in here, got

him something on this side.

345

00:18:35,280 --> 00:18:39,270

Maybe their lives, a little

peninsula right here.

346

00:18:40,530 --> 00:18:42,330

That way we can push that stream back.

347

00:18:43,695 --> 00:18:44,925

We can just push it around.

348

00:18:47,265 --> 00:18:47,925

There we go.

349

00:18:48,465 --> 00:18:49,755

That's a nice little tree here.

350

00:18:50,625 --> 00:18:53,175

It's be a fantastic place for

my little squirrel over there.

351

00:18:53,715 --> 00:18:54,915

I've showed him several times.

352

00:18:54,915 --> 00:18:57,345

I'd like show him one more time

in this series because I'm so

353

00:18:57,345 --> 00:19:02,445

crazy about these little Rascals

there, there he is in my backyard.

354

00:19:03,945 --> 00:19:05,415

You see, after I turned him loose.

355

00:19:06,570 --> 00:19:08,010

How dependent he still is.

356

00:19:08,760 --> 00:19:13,500

I think you think he's got sort of

used to the old man feeding him here.

357

00:19:16,530 --> 00:19:17,580

They really didn't go far.

358

00:19:17,580 --> 00:19:18,510

When I turned them loose.

359

00:19:19,860 --> 00:19:21,450

They certainly knew

where they had it made.

360

00:19:26,720 --> 00:19:26,870

Yeah.

361

00:19:27,050 --> 00:19:28,400

Let's have a little reflection on there.

362

00:19:28,400 --> 00:19:33,020

Grab it, pull down straight down

and go gently, gently across.

363

00:19:34,784 --> 00:19:34,965

All right.

364

00:19:34,965 --> 00:19:35,745

Those little squirrels.

365

00:19:35,745 --> 00:19:36,044

Cute.

366

00:19:38,645 --> 00:19:43,445

I raised about a half a dozen of them

this year, and most of them we've turned

367

00:19:43,445 --> 00:19:48,395

loose loosening, and they're living out in

my backyard and just having a good time.

368

00:19:48,425 --> 00:19:49,534

I still feed them everyday.

369

00:19:49,534 --> 00:19:55,264

So they hang around, they hang

around and people come over to see

370

00:19:55,264 --> 00:19:57,215

me and they go out in the backyard.

371

00:19:57,215 --> 00:20:00,845

And if they're not expecting it, it sort

of scares you when the squirrel gyms

372

00:20:00,965 --> 00:20:02,585

jumps on your shoulder, out of the tree.

373

00:20:03,660 --> 00:20:04,350

But that's all right.

374

00:20:04,710 --> 00:20:07,980

People, people get used to it and they

certainly liked them once they, once

375

00:20:07,980 --> 00:20:12,570

they know they're not gonna attack,

they like you can't hardly help,

376

00:20:12,570 --> 00:20:15,840

but like one of them little Rascals,

let's take some of our greens and

377

00:20:15,840 --> 00:20:18,990

yellows and all of those cover them.

378

00:20:19,290 --> 00:20:21,750

I'm gonna reach over here and get the

least little touch of liquid white and

379

00:20:21,750 --> 00:20:25,230

put in there would have to be a little

bit thinner and a little bit brighter.

380

00:20:25,230 --> 00:20:27,270

So I use liquid white

rather than paint thinner.

381

00:20:28,200 --> 00:20:31,260

So it stands out from this, from

the stuff in the background there.

382

00:20:32,415 --> 00:20:37,515

Now we can come right up here with this

brush and that quick we can just throw

383

00:20:37,515 --> 00:20:39,735

all kinds of little grassy things up here.

384

00:20:39,885 --> 00:20:42,945

Little leafy things there

385

00:20:46,095 --> 00:20:47,805

that need have that

little Bruce just drops.

386

00:20:47,805 --> 00:20:50,655

All those in that easy.

387

00:20:52,395 --> 00:20:58,965

I really liked this little, little

round brush there having a little

388

00:20:58,965 --> 00:21:00,585

bright red, little yellow ochre.

389

00:21:00,885 --> 00:21:01,665

We'll just play.

390

00:21:01,695 --> 00:21:02,025

Shoot.

391

00:21:02,625 --> 00:21:06,225

Let's have some nice, nice little

Bush out here that really sparkled.

392

00:21:06,525 --> 00:21:07,695

Ooh, that's a nice one.

393

00:21:07,995 --> 00:21:08,745

Nice one.

394

00:21:10,215 --> 00:21:10,875

Nice one.

395

00:21:10,875 --> 00:21:15,075

That one will get your

attention right here.

396

00:21:15,945 --> 00:21:16,485

Wherever.

397

00:21:17,565 --> 00:21:19,695

Just sort of look at them and

decide where you think they

398

00:21:19,695 --> 00:21:21,495

should live and drop them in.

399

00:21:23,175 --> 00:21:25,335

There we go that easy.

400

00:21:27,165 --> 00:21:33,435

We can take, take a little touch of

the liquid white on here, and then this

401

00:21:33,975 --> 00:21:37,665

very easy, just put a little indication.

402

00:21:37,665 --> 00:21:38,235

My caddying,

403

00:21:41,775 --> 00:21:42,195

maybe.

404

00:21:43,785 --> 00:21:46,665

A bit of Vandyke Brown there too, just

to make it look like there's a little,

405

00:21:47,085 --> 00:21:53,355

little dirt there, there, and then let

it just go right into that liquid white.

406

00:21:54,045 --> 00:21:55,695

And that's a simplest easiest way.

407

00:21:55,695 --> 00:21:59,775

There is making the indication of a

little bank without really doing nothing.

408

00:21:59,865 --> 00:22:02,325

Now we're just taking scratching.

409

00:22:03,000 --> 00:22:06,419

A few little sticks and twigs and

all those little things that live

410

00:22:06,419 --> 00:22:10,350

out there tell you what, what would

bring the camera right up here?

411

00:22:10,889 --> 00:22:14,399

I'm going to pull the contact

paper off and then replace.

412

00:22:15,389 --> 00:22:18,060

This is the moment of truth right here.

413

00:22:19,409 --> 00:22:20,580

That looks pretty nice right there.

414

00:22:20,590 --> 00:22:21,419

Just the way it is.

415

00:22:21,419 --> 00:22:25,649

Maybe we just quit and nah, you

know me, I've got to have a big

416

00:22:25,679 --> 00:22:26,909

tree over here on the other side.

417

00:22:28,365 --> 00:22:28,935

I get letters.

418

00:22:28,935 --> 00:22:32,294

Sometimes people say you did the

most beautiful painting on TV a day.

419

00:22:32,324 --> 00:22:33,794

Then you put that dumb tree in there.

420

00:22:36,544 --> 00:22:40,475

I get carried away with trees, but when

you do them at home, if you don't want a

421

00:22:40,475 --> 00:22:42,965

tree in there, please don't put one out.

422

00:22:44,615 --> 00:22:48,395

The only thing I'm doing is showing

you ideas and by showing you ideas,

423

00:22:48,485 --> 00:22:52,294

I hope I spark your imagination

and you come up with many, many

424

00:22:52,294 --> 00:22:54,395

more ideas than I've ever had.

425

00:22:55,605 --> 00:22:57,465

And that's when painting

really becomes fun.

426

00:22:58,955 --> 00:23:01,665

When it's your own creation, it's

not just something you're copying.

427

00:23:01,915 --> 00:23:06,915

Somebody else did really are not

trying to teach you how to copy.

428

00:23:08,834 --> 00:23:11,024

We're trying to teach

you a method of painting.

429

00:23:11,395 --> 00:23:16,165

Style of painting technique and then

turn you loose on the world because once

430

00:23:16,165 --> 00:23:23,545

you have this, you can paint anything,

anything you just, you just need a

431

00:23:23,545 --> 00:23:27,925

little vision in your mind, practice

visualizing paintings in your mind.

432

00:23:29,905 --> 00:23:30,595

There we go.

433

00:23:31,945 --> 00:23:33,055

I have a tree right over here.

434

00:23:34,094 --> 00:23:35,834

Maybe it maybe comes right on down here.

435

00:23:35,864 --> 00:23:36,915

I don't know wherever you want.

436

00:23:37,665 --> 00:23:42,375

There's a little Bush wander

right on out about there.

437

00:23:44,054 --> 00:23:48,165

Something like, so you

decide when you do yours.

438

00:23:55,575 --> 00:23:56,175

There we go.

439

00:23:58,565 --> 00:24:01,175

That's grabbing an old fan brush

here, fill it full of Vandyke,

440

00:24:01,235 --> 00:24:02,975

Brown, little dark Sienna.

441

00:24:03,445 --> 00:24:07,795

We just mix them together on

the brush and just put a, put

442

00:24:08,045 --> 00:24:09,485

an old tree trunk up in there.

443

00:24:10,595 --> 00:24:12,305

This is the old gnarly tree.

444

00:24:13,445 --> 00:24:16,505

It's got a lot of wiggles and jiggles

and all kinds of little things.

445

00:24:16,505 --> 00:24:18,005

And there's another arm on it.

446

00:24:19,535 --> 00:24:21,815

I'd make a big Slingshot, nice tree.

447

00:24:23,265 --> 00:24:26,925

There's this little foot's okay.

448

00:24:27,525 --> 00:24:32,025

Take a little white, a little

dark Sienna, mix them together.

449

00:24:33,855 --> 00:24:35,025

Get her a little roll of paint.

450

00:24:35,025 --> 00:24:37,065

And let's just put the

indication here and there.

451

00:24:37,605 --> 00:24:40,065

I have a little highlight

on this tree there.

452

00:24:42,045 --> 00:24:46,905

Just let that just sort of float right

down the tree, allowing it to break.

453

00:24:47,055 --> 00:24:48,195

Barely, barely touch.

454

00:24:49,125 --> 00:24:50,175

It's barely touching.

455

00:24:51,645 --> 00:24:53,895

And that'll rascal just

jumped right out there at you.

456

00:24:55,395 --> 00:25:00,365

Something like Kevin, take a little

touch of the Prussian blue, little white,

457

00:25:00,395 --> 00:25:04,295

but on the other side here, just to

get an indication of a little reflected

458

00:25:04,295 --> 00:25:09,995

light, go right back into that dark

color and over the top of it gently.

459

00:25:10,295 --> 00:25:14,615

And I'm not kidding when this is dry

it'll look and feel like real bark.

460

00:25:14,795 --> 00:25:18,425

You will absolutely be

amazed at how real it looks.

461

00:25:20,205 --> 00:25:22,125

I'm gonna put a bunch of leaves on there.

462

00:25:22,125 --> 00:25:23,324

So we don't need many limbs.

463

00:25:23,354 --> 00:25:26,504

We'll put a couple, don't want too many.

464

00:25:26,534 --> 00:25:28,725

Maybe there's one that

comes all the way out there.

465

00:25:29,205 --> 00:25:32,115

We don't care there.

466

00:25:33,185 --> 00:25:35,675

Now, then back little around rush.

467

00:25:36,604 --> 00:25:38,135

Get a little bit of the color on my house.

468

00:25:38,145 --> 00:25:38,584

More sets.

469

00:25:38,645 --> 00:25:39,245

Bring it in there.

470

00:25:40,324 --> 00:25:41,165

Ooh, that's nice.

471

00:25:41,705 --> 00:25:47,554

Let's go up in here and let's just

put in a few leaves on this tree.

472

00:25:49,020 --> 00:25:52,530

Just if you leave it sparkle

and play and have a good time.

473

00:25:53,720 --> 00:25:54,710

There you go.

474

00:25:57,710 --> 00:26:00,170

That some of them go on

out here past the dark.

475

00:26:00,890 --> 00:26:02,780

It makes sort of an interesting, perfect,

476

00:26:05,900 --> 00:26:06,440

there we are.

477

00:26:07,879 --> 00:26:14,360

Wherever, wherever, and then add

a little touch of the bright red.

478

00:26:15,044 --> 00:26:17,745

And let's just come down here and

bounce in a few little bushes and

479

00:26:17,865 --> 00:26:19,425

shoot we'll have a finished painting.

480

00:26:20,754 --> 00:26:21,855

Hope you've enjoyed this one.

481

00:26:22,185 --> 00:26:26,145

Cause I certainly liked these little

paintings, these old walls, as I

482

00:26:26,145 --> 00:26:29,504

say, maybe one of the neatest things

that we've ever come up with is

483

00:26:29,504 --> 00:26:30,705

that traveled around the country.

484

00:26:30,735 --> 00:26:31,995

And I see them all over.

485

00:26:36,185 --> 00:26:37,475

I just wander right on the back.

486

00:26:40,064 --> 00:26:40,425

Okay.

487

00:26:40,995 --> 00:26:43,334

Maybe a few little things

back in here behind the tree,

488

00:26:46,425 --> 00:26:47,685

leave some of these dark areas.

489

00:26:47,715 --> 00:26:48,975

They'll make nice things in there.

490

00:26:50,324 --> 00:26:50,774

Okay.

491

00:26:51,104 --> 00:26:53,175

Take the knife, scraping

the stick and twig.

492

00:26:54,895 --> 00:26:56,084

You got to finish painting.

493

00:26:56,324 --> 00:26:57,284

Think we'll call that one.

494

00:26:57,284 --> 00:26:57,554

Done.

495

00:26:58,074 --> 00:26:58,905

Hope you've enjoyed it.

496

00:26:59,354 --> 00:27:02,264

And from all of us here, I'd

like to wish you happy painting.

497

00:27:02,925 --> 00:27:04,064

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E09 - Toward Day's End

Bob Ross's

The Joy of Painting

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