Bob Ross's

The Joy of Painting

S26E03 - First Snow

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today we'd just do a painting.

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It's a lot of fun.

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So I tell you what, let's start out,

having run all the colors across the

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screen that you need to paint along with

us and they'll come across right there.

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And while they're doing

that, Come on up here.

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Let me show you what I've got done.

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I've got my standard old 18 by 24

inch canvas, or you use whatever

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size you'd like, and I've covered the

entire canvas with just a very thin,

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thin even coat of the liquid white.

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The liquid white is, you know, makes

the canvas wet and slick, and it

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allows us to actually blend color

right here rather than working

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ourselves to death on the pallet.

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So let's start today with our little

tiny two inch brush and we'll go into

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all the shoes, a beautiful color day.

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Let's use a little bit of.

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Little blue.

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I like the little blue.

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That's a gorgeous color.

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Just a little bit on the brush,

like, so, and let's go up in

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here, start right at the top.

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It would just make some little, some

little crisscross strokes, little

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Xs, just like so very gentle there.

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And you can make this as dark as you

want it, or as light it's up to you

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there and just sorta dance it around it.

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I'm going to leave some little holes

open here and there and there and here.

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All right.

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Maybe we'll maybe we'll have

little water in this one to shoot.

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Well, I got that old blue going here.

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So let's just come right across here.

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Put the indication of a little bit of

water down in here, because anything

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that we don't want to be water with

this paint right over it, we don't care.

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As you know, we don't make mistakes,

we just have happy accidents.

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So we learn very quickly to live and

to enjoy anything that happens here.

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Claire, I'm going to grab another brush.

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I have several of them going

and where that one I'm going

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into a little bit of alizarin,

Crimson, just a very small amount.

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Don't need a lot, just a little,

and let's go back up here.

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And in this area, I'm just going to take

a little Crimson and blended like, so,

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and when you're putting this Crimson,

I'll use a little, very little car.

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It's very easy to go back in

and add a little more, but we

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don't want to set this gown fire.

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All we want to do is just put

a little pinkish glow in here.

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Something about like, it just

wanted to blend right up into

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the blue and just disappear.

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Don't maybe today, maybe they would just

do something as a lot of fun enough.

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You'll enjoy it.

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All right.

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Oh, you get to wash the old brush.

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If you painted within the, before,

you know, this is the, the most

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fun part of the whole procedure.

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Just shake off the excess

and beat the devil out of it.

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That is a lot of fun.

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Now then we just take that

same old brush go right into

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a little bit of the titanium.

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White, just tap it.

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Very simple.

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Little way of making

some little clouds here.

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Go right up here and would just tap

in some very basic little shapes.

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I'm not looking for a lot

of real distinct clouds.

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I just want little, little floaters

that live up here in the sky.

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Just to have a good time there.

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Something about my cat, maybe up in here.

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Just kind of dance and a little

bit of white, because I don't

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want these to be very distinct.

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These are quiet little clouds day.

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Sometimes we do clouds.

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It really stand out.

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But today just some little floaters.

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Fair enough.

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Very gently, very gently one hair in

some air, graze the canvas just enough

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to blend that together a little bit.

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And that'll give us an indication,

some little clouds that just,

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just float around, appear in

the sky and have a good time.

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Tell you what the other day I,

uh, visited a very good friend who

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was in the hospital and he told

me, he told me he liked mountains.

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I promised him.

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Promised him I'd do a mountain for him.

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So Frank, this one's for you.

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All right.

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Let's take some, let's take

some pressure and blues, some

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black, some alizarin Crimson.

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I'll put more Crimson in there.

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So it goes toward to the lavender side.

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We'll cut off a little roll of paint.

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They should live right

on the edge of the knife.

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There let's go up in here.

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All right.

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Maybe back in here in our world, we all

just put in a very basic little shape.

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We'll have a little Ridge mountains,

something like, so there, I don't

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want to have a lot of big sharp

peaks in this, just a little Ridge.

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I spent a little time up in British

Columbia, fall back, and they have some

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of the most gorgeous mountains like this.

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I just absolutely adore them.

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So big, huge mountains.

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Now, the only thing we're worried

about is this nice edge up here on top.

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The rest of it, we don't

even care at this point.

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Later on, we will.

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But right now we really don't care.

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Especially got a little pain

on it, but it's all right.

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Cause I'm just going to grab

it and pull it down there.

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You don't have to clean the brush to do

this because all we're doing is removing

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excess paint and blending it downward.

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Something about like, so

see how that paint moves.

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Now.

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If the canvas was dry, we'd be an agony

city right about now at paint, just

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slides right on the liquid white though.

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It makes it work so easy.

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Allow the canvas to work.

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Shoot I'm lazy.

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I look for easy ways to do things.

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All right, pull the pain out

as flat as we can get it.

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We'll reach up here and get

a little touch of black.

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I want a great, I'll be right

back in a little more there.

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A little bit of black.

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Just mix it, but I'm not over mixing it.

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I don't even put a little touch

of bright red in their food.

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That's nice.

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That's nice.

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I like that flat as you can get it and

cut across and get a little roll of

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paint once again, see, pull it out flat.

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Just a small roller paint lives around

the edge of your knife in a scope in here.

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Now we're going check out

and see how delicate you are.

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No pressure.

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Just touch it and allow

it to glide right down.

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Canvas.

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No pressure.

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No pressure.

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See, they're very gentle,

very, very gentle, easy.

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It doesn't take a lot of paint, but it

does take a very delicate little touch.

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They're just, just gently,

gently caress the canvas.

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See you there.

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Yeah.

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He been over in here, light and strike.

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Right now.

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You have to decide where you think

light would strike on your mountain.

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Let's take a little, I use

a little fashion blue it's

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darker than the fellow blue.

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I'd been put a little black in it.

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Black team touch, a little

van Dyke Brown in there.

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That's good.

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That's good color.

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We'll be our shadow color.

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Once again, leave it sort of marbled.

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Cut off at little roller

paint, just like we did before.

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And then we can go back in here and

begin picking out little areas that we

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think are in shadow and just touch it.

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Get a little pool.

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Very gentle, very, very gentle.

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No pressure.

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Absolutely.

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No pressure.

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Just begin adding in all

those little shadow areas.

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Here's one just wherever

you think they should be.

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And we're just going to play shadows

and highlights back and forth

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here, back and forth and forth.

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And back there something about like, so

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let's see, we'll touch a little

highlight color and that easy you can

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make all kinds of little things happen.

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And maybe down in here.

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Yep.

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I can hear, maybe it gets

a little bigger down here.

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We don't know.

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And your world, you create any illusion

that you want any losing that you want.

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Cause you can do that here.

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There we are.

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Painting is nothing but games of illusion.

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All right, there comes a wound.

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You knew it was there.

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Didn't it.

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I see that little bit of pink here is

it's going to show through who were done

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in, it looked like a little bit of pink,

pink, like miss the sort of floating

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around the base of this old mountain.

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Maybe I'll have a big tree over here.

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So I wouldn't worry too much about that.

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You know, me, I like him.

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All big trees.

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Chances are for this is over.

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We'll do.

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There we go.

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This is an excellent way to

practice using the knife.

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Make mountains.

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When I was learning to paint with

old knife, I used to take a big

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old canvas, like 30 by 40 inches.

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And that start at the top of it

and started painting mountains.

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And I paint from top to

bottom, nothing but mountains.

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When I got finished, I stand

back and look at it and decide

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what was good and what was bad.

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I'd take a big putty knife, scrape it off.

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Go right back and do it again because

practice that's what makes perfect, you

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know, the old say practice makes perfect.

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Say, I want that to just disappear

right down here into the bottom.

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Just gently float away.

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Let's take, we got the old brushes dirty.

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We'll take a little, that color

was using for shadow color.

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What the heck?

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We don't care.

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It's mostly blue and white,

a little black in it.

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Tap, maybe back here in our world is maybe

there's a little Foothill that lives we

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back up here and give us the mountain.

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There.

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He comes and drops down.

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Maybe I can't, it doesn't matter.

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But all you're doing is gently

tapping, gently, gently tapping.

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Now take a little tiny strokes,

tiny little quarter inch high

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strokes, lift upward, and that'll

make it look like little trees

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that live a million miles away.

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Way back against the base that

old mountain let's have another

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layer shoot that was flood.

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Take the same colors on them.

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Go make it a touch darker as things

get closer to you in the landscape.

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As you know, Thanksgiving

darker and darker.

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That's what helps create the illusion

of distance and depth in your painting?

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Maybe this one comes right out like

it clamps right up beside the mountain

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little trees that live right up in there.

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There they go.

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See you.

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Isn't that fantastic.

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Now, once again, Very gently little

short strokes lift up, even though this

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goes up, the Hill still lifts straight

up, or your trees will look like it'll

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look like there's a wind going through

there at about 180 miles an hour.

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Looked like a hurricane hit

there, and we don't want that.

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We want the trees to stand up straight.

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There we are now.

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Same color.

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Get a little more paint on the brush.

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Well, we had that going.

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Let's have us just a happy little

reflection and it lives right down

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below that I can pull straight down.

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It's important to pull straight down.

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Maybe back here is another ones.

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Get a little more color on

the brush stairs, then go

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gently across barely touch it.

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Barely touch it.

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That easy, easy.

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We have instant reflections, a little

bit of the liquid white and the knife.

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Pull it out as flat as you can get it.

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I'm going to add at least a

little touch of bright red to it.

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Just enough to warm it a little, go

across and get our little edge of

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paint right out there in the end.

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And let's put a little water line.

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Maybe there's one right there.

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So here's one, if it's too, too

distinct, too bright, just wipe

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your knife off, go back over it.

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The more you rub it,

the more it'll go away.

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Could I just disappears

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there now we've got to cut.

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A little lab is right there

at the base of all this.

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Make these lines basically straight.

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If they're not straight,

it'll look like your orders.

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Go run out of your painting

and that'll bother you.

253

00:13:18,120 --> 00:13:21,990

I know sometimes you have no, you've

looked at paintings and you'd look at

254

00:13:21,990 --> 00:13:25,080

the painting and you'd say something's

wrong with that painting, but I

255

00:13:25,080 --> 00:13:26,790

just don't, I don't know what it is.

256

00:13:27,695 --> 00:13:31,325

Your logical mind tells you what's

wrong with it, even if you don't see it.

257

00:13:31,655 --> 00:13:34,205

And sometimes it can be as simple

as a water line going up or

258

00:13:34,205 --> 00:13:36,095

downhill and it'll bother you.

259

00:13:37,085 --> 00:13:40,235

Okay, let's go back into

what do we got going here?

260

00:13:40,235 --> 00:13:44,285

Let's take some Vandyke Brown and

the shoes at mountain color out

261

00:13:44,285 --> 00:13:45,995

with some Prussian blue and black.

262

00:13:47,105 --> 00:13:47,975

All those good colors.

263

00:13:47,975 --> 00:13:50,885

I want a dark color, but

I put some Brown in it.

264

00:13:51,995 --> 00:13:53,885

Hey, maybe in our world.

265

00:13:54,155 --> 00:13:55,295

We've got a nice mountain here.

266

00:13:56,565 --> 00:13:57,165

Maybe right there.

267

00:13:58,125 --> 00:14:00,195

You'd be the, you'll be the judge.

268

00:14:00,195 --> 00:14:01,095

You put it where you want it.

269

00:14:01,125 --> 00:14:03,255

Maybe there's a little bump

that lives right there.

270

00:14:05,085 --> 00:14:05,595

There he is.

271

00:14:06,165 --> 00:14:06,885

We just dropped him.

272

00:14:06,885 --> 00:14:09,405

Yeah, shoot.

273

00:14:09,455 --> 00:14:09,885

I'll tell you what.

274

00:14:09,885 --> 00:14:10,635

Let's get crazy.

275

00:14:11,685 --> 00:14:14,745

Maybe there's a, maybe it comes

up like, yes, it goes over.

276

00:14:15,255 --> 00:14:19,235

It goes up, just let your imagination go.

277

00:14:20,925 --> 00:14:23,585

One thing is so fantastic

about painting landscapes.

278

00:14:24,335 --> 00:14:26,375

There's so many possibilities.

279

00:14:26,915 --> 00:14:30,155

If you paint a portrait and you put

somebody's eye in the wrong place,

280

00:14:30,665 --> 00:14:31,985

chances are they're going to notice it.

281

00:14:32,735 --> 00:14:37,295

But if you put a tree in the wrong place

where he's got a crooked, somebody will

282

00:14:37,295 --> 00:14:39,485

come along and say, I know that tree.

283

00:14:39,944 --> 00:14:40,185

Him.

284

00:14:40,185 --> 00:14:44,714

And I went to different schools

together because in nature,

285

00:14:45,765 --> 00:14:48,435

everything is, he's just fantastic.

286

00:14:48,435 --> 00:14:52,125

And there's just trees that are

dead and alive and bent and crooked.

287

00:14:56,385 --> 00:14:56,714

Take him out.

288

00:14:56,714 --> 00:15:00,165

Let's just fill that all in when I

got it going here, but more color

289

00:15:00,165 --> 00:15:02,824

on the brush with this painted end.

290

00:15:02,824 --> 00:15:03,375

It doesn't matter.

291

00:15:05,270 --> 00:15:09,380

Just any old way there.

292

00:15:12,290 --> 00:15:13,190

Take that same old brush.

293

00:15:13,210 --> 00:15:16,760

I'm gonna go into a little,

a little bit of caddy yellow.

294

00:15:16,760 --> 00:15:21,410

Look, get a little touch of blue in there

and some SAP green, but what's nice.

295

00:15:22,100 --> 00:15:23,300

Oh, more yellow ochre though.

296

00:15:24,290 --> 00:15:26,270

Maybe we'll go more into

fall colors on this one.

297

00:15:26,280 --> 00:15:27,680

Yellow curve, a little SAP green.

298

00:15:28,490 --> 00:15:29,330

Let's go right up in here.

299

00:15:30,420 --> 00:15:32,189

And back here far away.

300

00:15:33,449 --> 00:15:35,790

We'll put a little grassy area

right out here and they'll put a

301

00:15:35,790 --> 00:15:36,839

little bright red with that too.

302

00:15:36,839 --> 00:15:39,510

If we have a little fall

color, we must have shine.

303

00:15:40,760 --> 00:15:41,900

Yeah, that's better.

304

00:15:43,640 --> 00:15:44,449

That's better.

305

00:15:46,160 --> 00:15:46,880

We need a tree.

306

00:15:48,560 --> 00:15:49,459

We need some trees.

307

00:15:49,490 --> 00:15:51,949

I like, I like to paint

big old evergreens.

308

00:15:52,250 --> 00:15:52,790

Let's take.

309

00:15:54,600 --> 00:15:58,890

Let's see pressure and blue,

black, some Brown, a bunch of

310

00:15:58,890 --> 00:16:00,300

Crimson and some SAP green.

311

00:16:00,300 --> 00:16:00,960

That sounds good.

312

00:16:01,590 --> 00:16:02,970

As long as it's dark, it doesn't matter.

313

00:16:04,620 --> 00:16:06,240

Kingly wipe off the whole knife here.

314

00:16:08,930 --> 00:16:09,860

Grab a clean brush.

315

00:16:11,610 --> 00:16:13,620

Jean we'll load it full

of that dark color.

316

00:16:14,670 --> 00:16:16,530

A lot of color in the

bristles, both sides.

317

00:16:17,010 --> 00:16:17,790

Just fill it up.

318

00:16:18,750 --> 00:16:20,610

All right, let's go.

319

00:16:22,050 --> 00:16:25,860

Here's your bravery test right

across that mountain right there.

320

00:16:26,910 --> 00:16:31,410

And sometimes we make evergreens that we

push down and sometimes we push up today.

321

00:16:31,410 --> 00:16:36,090

Let's push up, makes those ones that

have limbs that lift upward into the

322

00:16:36,090 --> 00:16:38,670

sky and they watch all the birds.

323

00:16:38,670 --> 00:16:43,220

And here you could watch that this

mountain in the background there, I'd

324

00:16:43,220 --> 00:16:46,130

like to live right here and just be able

to see that out my window every day.

325

00:16:47,085 --> 00:16:47,715

There we go.

326

00:16:48,615 --> 00:16:53,475

Maybe here, there's a few little

indications of some more little

327

00:16:53,475 --> 00:16:57,194

trees that live back in here

and I'm just tapping downward.

328

00:16:57,194 --> 00:16:59,444

They're right here.

329

00:17:02,025 --> 00:17:04,785

They're push up right there

and we'd make a, maybe that's a

330

00:17:04,785 --> 00:17:09,555

little bigger one here once again,

just to let your imagination go.

331

00:17:09,615 --> 00:17:13,305

You put them where you want

them wherever you want them.

332

00:17:13,694 --> 00:17:14,625

Give them a little friend.

333

00:17:16,335 --> 00:17:22,204

I think everybody should have a

friend, even a tree, more of a

334

00:17:22,214 --> 00:17:24,345

bushy thing, something like that.

335

00:17:25,605 --> 00:17:26,175

All right.

336

00:17:27,285 --> 00:17:29,355

I'll grab another fan brush

and have several of them going

337

00:17:31,545 --> 00:17:33,405

a little bit of the yellows.

338

00:17:33,405 --> 00:17:39,705

Grab a little SAP green, but mostly

into the yellow ochre, Indian, yellow.

339

00:17:40,155 --> 00:17:43,635

And grab a light red, but

mixed color on the brush.

340

00:17:43,665 --> 00:17:45,495

There's a lot of things

happening on that brush.

341

00:17:46,665 --> 00:17:49,485

And last way to make some little

grassy areas is take the fan brush,

342

00:17:49,695 --> 00:17:55,335

give it a little upward push use the

corner, or you'll get smiley faces

343

00:17:55,755 --> 00:18:01,215

or smiley frowns, I guess a smiley

frown is a smiley face upside down.

344

00:18:01,215 --> 00:18:01,365

Huh?

345

00:18:01,905 --> 00:18:02,385

I don't know.

346

00:18:02,595 --> 00:18:03,255

Do you know what I mean?

347

00:18:04,395 --> 00:18:04,695

There?

348

00:18:07,800 --> 00:18:13,110

Let's see, just begin putting in some nice

little areas here, something about my cat.

349

00:18:18,600 --> 00:18:19,169

All right.

350

00:18:20,790 --> 00:18:24,540

Now tell you what I want

to go back to making trees.

351

00:18:25,379 --> 00:18:26,610

I like to make those trees.

352

00:18:27,959 --> 00:18:28,679

They're a lot of fun.

353

00:18:29,459 --> 00:18:30,659

Go back into a dark color.

354

00:18:32,699 --> 00:18:33,990

This is your bravery test.

355

00:18:35,264 --> 00:18:35,745

Right there.

356

00:18:36,554 --> 00:18:41,774

Big tree, big tree there.

357

00:18:42,254 --> 00:18:42,764

Here you go.

358

00:18:43,475 --> 00:18:44,945

They live right here in those brushes.

359

00:18:44,975 --> 00:18:46,774

Are you going to do is just

sort of scare them out.

360

00:18:47,465 --> 00:18:47,945

Sometimes.

361

00:18:47,945 --> 00:18:53,254

I like to let a little bit of the stock

show a little bit, a bit trunk there.

362

00:18:53,345 --> 00:18:56,735

It's got a little ball spot right

there then, and I can relate to that.

363

00:18:58,054 --> 00:18:58,685

There we go.

364

00:18:59,375 --> 00:19:00,784

I'm getting one of those myself.

365

00:19:04,355 --> 00:19:04,415

Yeah.

366

00:19:06,014 --> 00:19:06,735

Bagel tree.

367

00:19:10,695 --> 00:19:13,095

It will separate all these levels

with highlights in a minute.

368

00:19:14,324 --> 00:19:18,014

Right now we're just putting on the base

color or the, where we're paying the back

369

00:19:18,014 --> 00:19:20,865

of the tree will come along and paint the

front of the tree here in just a second.

370

00:19:23,715 --> 00:19:24,524

Okay.

371

00:19:24,794 --> 00:19:25,814

A little bit more color.

372

00:19:28,034 --> 00:19:28,425

Okay.

373

00:19:28,935 --> 00:19:30,195

He needs a friend too, I guess.

374

00:19:31,485 --> 00:19:32,355

So we'll give him one.

375

00:19:34,665 --> 00:19:38,295

There that'll just help

push that mountain.

376

00:19:38,295 --> 00:19:39,975

We back into the distance

377

00:19:45,405 --> 00:19:46,635

and that fantastic

378

00:19:51,555 --> 00:19:51,915

are.

379

00:19:52,065 --> 00:19:53,295

And there's another big old tree

380

00:19:57,485 --> 00:19:57,975

maybe.

381

00:19:59,700 --> 00:20:02,400

You know, when I lived in Alaska, you'd

see times when there was a little bit

382

00:20:02,400 --> 00:20:10,200

of snow still showing and snow, it began

to snow maybe, and, and the grass was

383

00:20:10,200 --> 00:20:12,060

still there and little patches of snow.

384

00:20:12,120 --> 00:20:15,900

So we'll take that same mountain

color or maybe in your world.

385

00:20:15,900 --> 00:20:18,840

You want this just to be a little pieces

of land that are showing up to you.

386

00:20:19,080 --> 00:20:19,860

You decide.

387

00:20:20,685 --> 00:20:25,635

But just like you put the highlights

on the mountain, barely, barely touch

388

00:20:25,635 --> 00:20:28,215

the canvas and let the paint break.

389

00:20:28,725 --> 00:20:34,425

And by break, I mean, all these little

holes that it has there, we are see

390

00:20:34,425 --> 00:20:38,774

all the little holes and we'll come

back and we'll put, we'll put some

391

00:20:38,774 --> 00:20:40,185

grass all the way around those.

392

00:20:41,565 --> 00:20:42,105

And.

393

00:20:43,230 --> 00:20:44,790

Let's see a little bit of liquid light.

394

00:20:45,840 --> 00:20:47,550

We'll take a little yellow ochre.

395

00:20:47,700 --> 00:20:50,430

That'll touch that bright

red that's nice color.

396

00:20:51,550 --> 00:20:52,110

Be right back.

397

00:20:52,110 --> 00:20:58,260

Grab a little Crimson and put in there

to all the yellows Crimson little red.

398

00:20:58,560 --> 00:21:01,620

Let's go back now that

we can come back in here.

399

00:21:03,195 --> 00:21:05,295

Boy, that's pretty, idea's a pretty color.

400

00:21:06,915 --> 00:21:10,125

That's what, that's what happens when

you mix color on the brush, rather than

401

00:21:10,125 --> 00:21:16,785

trying to mix a little piles of color,

you have happy accidents and those happy

402

00:21:16,785 --> 00:21:21,285

accidents, turn out to be some of the

most fantastic things that happened.

403

00:21:23,070 --> 00:21:27,390

They're just pushing upward,

but sort of work in layers.

404

00:21:27,390 --> 00:21:30,990

Don't just hit it random sort

of look at it and decide where

405

00:21:30,990 --> 00:21:32,370

all these little Rascals live.

406

00:21:34,350 --> 00:21:36,899

There you can use one side of

the fan breast to use up all

407

00:21:36,899 --> 00:21:38,610

the color and turn it over.

408

00:21:39,000 --> 00:21:39,870

Do you use the other side?

409

00:21:42,030 --> 00:21:42,570

There we are.

410

00:21:42,990 --> 00:21:45,330

I think just sort of slip them

in between these little areas.

411

00:21:48,379 --> 00:21:49,250

All right.

412

00:21:51,110 --> 00:21:51,950

Fantastic.

413

00:21:54,825 --> 00:21:59,735

There every once in a while, if it's, if

you want to make it going a little bit

414

00:21:59,735 --> 00:22:05,945

easier, at least little touch of paint,

thinner or liquid white liquid white

415

00:22:06,215 --> 00:22:07,655

will change your color a little bit.

416

00:22:07,655 --> 00:22:10,715

It makes it a little

lighter paint thinner.

417

00:22:10,805 --> 00:22:13,115

We'll keep the color pure.

418

00:22:14,820 --> 00:22:15,800

But don't put too much.

419

00:22:15,870 --> 00:22:17,370

It takes very, very little of it.

420

00:22:18,690 --> 00:22:20,550

Very little, get a little

dark sand on my brush.

421

00:22:20,580 --> 00:22:22,650

I wanted to get into a little

bit of the Browns up here.

422

00:22:24,210 --> 00:22:27,360

They're a bit more who I like that.

423

00:22:28,300 --> 00:22:28,770

That's good.

424

00:22:29,340 --> 00:22:33,510

Good colors that reminds

me of does that save.

425

00:22:33,510 --> 00:22:36,360

When I used to live in Alaska, there

was someone who was gorgeous scenery.

426

00:22:36,360 --> 00:22:39,210

There, there we are.

427

00:22:41,520 --> 00:22:42,120

Okay.

428

00:22:44,505 --> 00:22:51,675

Let me wipe off the old brush here

and let's come back and I guess

429

00:22:51,675 --> 00:22:52,845

we need to put a stock in there.

430

00:22:52,845 --> 00:22:54,315

A little tree trunk.

431

00:22:54,315 --> 00:22:59,855

We'll take, take a little bit of

the white little dark Sienna, maybe

432

00:22:59,945 --> 00:23:01,095

a little band in there with it.

433

00:23:01,515 --> 00:23:04,545

Oh, that's nice hair.

434

00:23:04,545 --> 00:23:06,575

Leave it marble, cut off

for a little roll-up paint.

435

00:23:07,475 --> 00:23:10,715

Let's go up in here, but it's in a little.

436

00:23:11,655 --> 00:23:12,465

Little tree trunk.

437

00:23:12,495 --> 00:23:14,145

We don't want that little

tree to fall move it.

438

00:23:14,145 --> 00:23:15,795

Cause it don't have no bones in it.

439

00:23:16,095 --> 00:23:20,295

There got to have a little skeleton.

440

00:23:22,395 --> 00:23:23,025

There we go.

441

00:23:24,615 --> 00:23:29,295

Now our big tree, all big

tree has, is puppetry.

442

00:23:29,295 --> 00:23:29,625

Here.

443

00:23:31,395 --> 00:23:32,025

There

444

00:23:35,115 --> 00:23:40,125

looks like mom and puppetry and all

for children could be who knows.

445

00:23:43,740 --> 00:23:44,910

I'm a bit of the liquid hype.

446

00:23:46,020 --> 00:23:48,030

We'll get some SAP green.

447

00:23:48,300 --> 00:23:49,380

Maybe I'll get a little black too.

448

00:23:49,380 --> 00:23:51,750

That'll darken it a

little bit more like it.

449

00:23:52,530 --> 00:23:54,060

I want a dark green color here though.

450

00:23:56,220 --> 00:23:58,170

There load the brush full of color.

451

00:23:58,320 --> 00:23:58,790

Let's go ahead.

452

00:23:58,800 --> 00:24:01,350

Up in here and let's come around here.

453

00:24:03,195 --> 00:24:07,295

And let's just put the indication

of some, some leaves, some

454

00:24:07,295 --> 00:24:08,525

highlights on these little Rascals.

455

00:24:09,395 --> 00:24:10,025

There we are.

456

00:24:10,985 --> 00:24:14,795

If you write in here, there they come.

457

00:24:16,085 --> 00:24:16,445

Yeah.

458

00:24:16,575 --> 00:24:19,264

Old big trees, which ones in the

front, which ones in the back,

459

00:24:19,595 --> 00:24:20,795

big decision you got to make.

460

00:24:22,235 --> 00:24:23,405

I think this one's behind.

461

00:24:23,405 --> 00:24:26,645

So we'll do it first, but in your

world, maybe you want this one

462

00:24:26,645 --> 00:24:28,325

to be the tree in the foreground.

463

00:24:28,715 --> 00:24:29,254

It's up to you.

464

00:24:30,765 --> 00:24:31,395

Okay.

465

00:24:31,395 --> 00:24:35,085

A little paint thinner and a

little yellow ochre to that too.

466

00:24:35,085 --> 00:24:36,735

Just to change the flavor.

467

00:24:38,685 --> 00:24:39,375

There we go.

468

00:24:41,175 --> 00:24:42,345

Something about like that.

469

00:24:44,625 --> 00:24:46,995

You can figure out where all the

little limbs are in here and there.

470

00:24:48,945 --> 00:24:51,135

But isn't that a nice way

to make some big old trees.

471

00:24:52,395 --> 00:24:53,055

There we go.

472

00:24:53,835 --> 00:24:57,525

That's scratching a few sticks

and twigs where to the point

473

00:24:57,525 --> 00:24:58,465

of having a finished painting.

474

00:24:58,485 --> 00:24:59,595

Hope you've enjoyed this one.

475

00:24:59,715 --> 00:25:00,495

It's a lot of fun.

476

00:25:02,235 --> 00:25:03,585

I'd love to see a photo if you do it.

477

00:25:03,585 --> 00:25:05,235

So send me one from all of us here.

478

00:25:05,325 --> 00:25:06,045

Happy painting.

479

00:25:06,525 --> 00:25:07,665

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S26E03 - First Snow

Bob Ross's

The Joy of Painting

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