Bob Ross's

The Joy of Painting

S18E10 - Double Oval Stream

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Hi, I'm certainly glad you could join me

there because it's a fantastic day here

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and I hope it is wherever you're at.

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Take you.

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What?

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Let's just do a beautiful

little painting today.

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Every days.

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Sorta crazy around here.

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So I thought today we'd start

with something a little different.

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So I'll tell you what, let's have

him run all the colors across the

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screen that you need to paint along

with us while they're doing that.

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Let me tell you what I

have already done up here.

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I've taken a piece of contact

paper and put it on my standard old

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18 by 24 candidates canvas here,

and I've cut two ovals out of it.

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And then I've coded the inside of

these two ovals with them mixture

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of liquid white and liquid black.

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So I guess you'd call it liquid gray.

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And we just put a nice even

coat and it's all ready to go.

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The rest of this is just decoration

because it's getting a little crazy here.

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So I thought we'd have some fun today.

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Let's take a little bit

of the midnight black.

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We'll use the old two inch brush,

midnight black, little of the, Oh, we'll

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do some dark Sienna reach over here.

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I'll get a little alizarin

Crimson, just mix them together.

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Like, so.

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Black, dark Sienna, little lizard,

Crimson, very dark color though.

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Very dark color.

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All right.

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Maybe today we'll do a scene.

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That's deep in the woods here.

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I dunno, let's just start

off and have some fun.

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Let's just take and begin putting in the

indication of all kinds of little shapes.

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We'll just start off tapping in

some very basic little shapes

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and sort of see what happens.

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See what happens.

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Now made this gray mixture today

because I want this to be very subdued

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and this gray will mix with everything

that we've put on there and it'll

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cause that to happen automatically.

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And if there's any of this gray showing

through, then it'll look just right there.

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Janice began laying in all

kinds of little shapes.

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And right now all we're looking

for is just some basic ideas.

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We're not looking for a lot of detail.

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We'll come back and look at what

we have and then we'll begin

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picking out each individual little

thing right now, all we're doing

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basically is blocking into my ideas.

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So we have the midnight black, dark

Sienna, a little lizard Crimson.

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Maybe right here.

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What the heck?

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And it'll have some fear to just let

these things run around through there.

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And when you're playing at home, try

this liquid gray as I call it, it'll

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make some beautiful effects for you.

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Mix these mediums together.

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We have the clear, the black and white.

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Mix them together.

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You won't believe some of

the effects personally.

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I like to take a little of the liquid

white and clear and put it together

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and it gives the white, it gives

it a little bit of transparent.

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Sometimes that comes in very

handy for creating certain

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effects and certain illusions.

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There we go.

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A little bit more of the

black and the Crimson.

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Let's see, you can begin finding little

shapes in here and all we're using it.

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Just the corner two inch brush,

but these little shapes will

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just sort of begin to appear.

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It's real easy.

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It's one of the nicest ways to sort of

just lay out a little painting there.

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Okay.

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Now let's take our liner brush.

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We'll dip it in some paint thinner.

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I think we'll go right into

some of the Brown little Bandag.

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Brown's fine.

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Make this paint and very thin, turn it.

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Bring the bristles to a nice sharp point.

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See how sharp it is.

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Will a lot of paint in there.

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Now, then we can go up here and begin

picking out little individual things.

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If you have trouble making the paint flow

off your liner brush, then add more paint.

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Then it's all you have to do.

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Keep the paint very thin, very loose.

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And then it'll just slide

right off your brush.

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See, we can just put the indication

of all kinds of little things and some

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of these light areas, these little

holes here, there, you just put the

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indication of a few, little sticks

and twigs that are showing through

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maybe right in here.

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Okay.

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We don't, Oh, we'll separate

all this with highlights.

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We're going to come back and put all

kinds of little highlights right now.

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All we're interested in is just

creating the illusion of a lot of

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little things happening in here.

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Kane do that also over here on the

other side, we need some, something

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going on over here to there.

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Maybe there was a tree there too.

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We don't know wherever we're in.

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Maybe back in here.

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All kinds.

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A little doers.

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Yeah.

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Well you say, say there's one there.

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Here it goes right on up.

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Just sorta let your imagination

just take history here.

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There we go.

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Maybe right in here, but see, just

by putting these little sticks in

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here, you begin making out little

individual things that easy and it'll

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just happen for you automatically.

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Practice this a little bit, and you'll

be amazed at what you can do by just

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throwing some color on a canvas.

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All right.

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Why steel brush?

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Okay.

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We just wipe it off on a, on a paper towel

and just shoe the same old dirty brush.

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Since I have it go in here, let's

take a little bit of the yellow

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little yellow reach appeared.

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We have a little black,

we put that in there.

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That'll make them beautiful

green color there.

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Tap it a little bit.

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That gets a little roll of paint

right out on the edge of the bristles.

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Okay.

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Heather, let's go up in here

and begin picking up all these

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little individual things.

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Maybe back in here lives

a happy tree right there.

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Just thinking about form and

shape for this tree and just

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begin dropping me there.

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See you there.

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There he is.

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We knew he was there.

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Didn't I?

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Yeah, maybe.

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Yeah.

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A little yellow, awkward Indian, yellow.

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Maybe we back in there.

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Oh, there he is.

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There's another little rascal one.

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My little squirrel had

left there, back in here.

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There were so many things happening there.

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So you just.

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Just sorta look at these

things though and drop them in.

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And all we're doing is just

using the corner of the brush.

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It's really all we have going here.

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Just the corner of aggression.

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Think about individuals and a

little bit to the bright red here

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and there, there was life size.

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I probably painted twenty-five

30,000 paintings now, and I still get

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excited every time I see this word.

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Okay, fascinating.

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There we go.

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Are you beginning to see

all these little things?

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Isn't that exciting that

it happens at easy shoot.

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That's the joy of painting.

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That truly is the joy of painting.

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When you get to the point that you

have no fear school from the other

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oval over on the other side here.

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We don't want to have left down.

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There's another little tree, a little

Bush, Indian, yellow, maybe, and a little

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touch of a where yet a little sparker.

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We back here just by varying

color and shape and form.

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You can create all kinds of

things, all kinds of things there.

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I like these little paintings,

they make you feel good inside.

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And that's what life's all

about makes you happy there.

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But layer after layer, this layer in

effect is what caused causes us to have

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depth and distance and keeps it from

being just a flat or piece of canvas.

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There's dimension in there

just because of the layers.

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I would dip the brush into the

least little touch of liquid

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white, just the least little tab

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come back in here and drop in

all kinds of little Rascals.

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There is none.

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See him.

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See how nice that gray

works back in there for you.

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It's really a fantastic way to paint.

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You got to put another one right

here, so you just keep seeing things

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and just add more and more there.

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Well, I bet there's a mosquito

of two that lives back in there.

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That's a beautiful

place, but you know what?

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Hmm.

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Do you know me?

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I think you were to be, maybe

let's have, let's have a see

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something happening right here.

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Let's take a little liquid

white, a little bit of the

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little bit of the titanium white.

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I'll be right back.

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Don't go away.

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Little touch of the thing.

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A little blue little touch.

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Okay.

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We're very light blue on there.

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Now.

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Let's go back.

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I've been here maybe in her world.

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Look right here, watch

it, watch it, watch it.

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Maybe.

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There's a little bit of

water just plays along.

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It falls over you just let it

got to make a little noise.

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Maybe it just spills right along.

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My cat comes right out of there, but

they're fell again, son of a gun,

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like a dead sea splash when it hits

pushup or to make that splashy effect.

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And we have a happy, loose stream.

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It was just running right

out of there that easy.

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Where is it going to go?

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We had to start making

some big decisions here.

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Tell you what let's just take a

few, grab a one inch brush here.

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I gonna take a little touch of SAP green.

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Just gonna throw it right there.

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I want to reflect all these nice

colors right into the water.

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The SAP green there, maybe.

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Maybe a little yellow

Folker that's pretty there.

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Maybe even a little touchy

white right through there.

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And there little bright spot,

maybe back to some green.

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This is just SAP.

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One inch brush, pulling it

straight down, straight down.

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Just sort of lift that then together.

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Let's go.

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Other side over here.

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Over in here.

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Maybe we'll have a

little more of that too.

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That looks so good.

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It looks good enough to

eat the yellow ochre.

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Maybe, maybe, maybe a little more green.

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I don't know if you can just put all

kinds of beautiful colors right in here.

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Like this fan, you get a clean.

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Two inch brush.

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I don't want to grab that firmly and

pull it down very firm, grab it and pull

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down straight down like, so, and then

across that makes it look like it looks

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like reflections in the water there.

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Now that let's go back to

our little fan brush here.

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Maybe this water comes right on

down here, bounces around and

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just begins to play and have fun.

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Shoot.

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We don't know where it goes.

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Just make all kinds of beautiful facts.

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You know what we need?

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Let's have fun.

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Let's have some little stones

live out here for that.

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We get on a little liquid white

and we'll put that right up here.

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Like, so.

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And I'm going to add a little

bit of dark Sienna to that.

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Maybe even a little yellow ochre.

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Just make a very nice, warm

little light Brown color.

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Okay, man.

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And we'll take her, let's

use the old Filbert brush.

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We'll go right into, we will go

right into little dark Santan,

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Vandyke Brown mixed together.

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Okay.

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Now then both sides of the brush.

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Now, right here, we'll take

one side and go through.

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The STEM color that we've made C Brown

on one side, but on the other hand, and

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maybe I've been here in our world, maybe

there's just all kinds of little stones.

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Look at that.

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See ya.

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Just all kinds of happy little stones

that have been here and you can make as

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many or as few as you want in your world.

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There's another one.

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If you just ever, where they

live right here in this brush,

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maybe they come right over here.

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Just.

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Oh, kinds of them all kinds of, maybe

it was big in here grade or bigger,

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maybe paint, maybe, maybe right here.

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Just sort of make up your mind

where you think they should

256

00:14:14,324 --> 00:14:16,064

live and drop them in there.

257

00:14:16,135 --> 00:14:19,665

Some, but make them all different sizes.

258

00:14:20,415 --> 00:14:21,855

Some are big, some are small.

259

00:14:22,844 --> 00:14:23,564

They like people.

260

00:14:25,845 --> 00:14:29,715

And when grabbed the bottom of these and

pulling them down just a little bit, just

261

00:14:29,715 --> 00:14:34,405

the bottom and then go lightly across,

that'll create a little reflection

262

00:14:34,405 --> 00:14:37,575

in water, just a little bit flat.

263

00:14:37,665 --> 00:14:37,935

Okay.

264

00:14:44,255 --> 00:14:49,625

We'll take our fan brush and it has

liquid white mixed with titanium white

265

00:14:50,555 --> 00:14:51,725

with at least little touch of that.

266

00:14:51,725 --> 00:14:52,535

They look blue in it.

267

00:14:54,194 --> 00:14:54,495

There.

268

00:14:55,064 --> 00:14:55,395

Okay.

269

00:14:55,575 --> 00:14:59,375

A lot of pain on the bristles and think

we'll come right in here with this color.

270

00:14:59,825 --> 00:15:02,975

And let's just begin to wrap a little

water right around these rocks.

271

00:15:03,725 --> 00:15:05,525

That'll set them right

down into the painting.

272

00:15:05,855 --> 00:15:07,025

It brings everything together.

273

00:15:09,245 --> 00:15:11,885

See you there let's go

with the other side here.

274

00:15:12,694 --> 00:15:18,635

Maybe here it comes right on through

the water right there and our

275

00:15:18,635 --> 00:15:21,425

world, maybe this water is coming

along here and all of a sudden, so.

276

00:15:21,915 --> 00:15:22,875

Falls over again.

277

00:15:24,705 --> 00:15:25,155

See you there.

278

00:15:27,345 --> 00:15:29,645

You can drop that water over

as many times as you want.

279

00:15:30,665 --> 00:15:33,575

Maybe, maybe there's a

stone lives right there.

280

00:15:35,645 --> 00:15:38,255

You can have as many little rocks stuff.

281

00:15:38,255 --> 00:15:41,615

Maybe, maybe there's another one down here

at the bottom of this little waterfall.

282

00:15:43,325 --> 00:15:43,925

It's up to you.

283

00:15:44,765 --> 00:15:48,035

Bring that water right there and

it pushes that stone right into it.

284

00:15:49,800 --> 00:15:51,719

Comes down falls over.

285

00:15:53,020 --> 00:15:55,709

We'll have a few little

splashes down here where it hits

286

00:16:00,229 --> 00:16:00,500

there.

287

00:16:00,500 --> 00:16:00,709

288

00:16:07,520 --> 00:16:11,000

nice way to make a very

effective, beautiful little scene.

289

00:16:14,000 --> 00:16:14,510

Here we go.

290

00:16:17,280 --> 00:16:23,720

Now that that's a nice place to catch

that little trout that lives in there.

291

00:16:25,490 --> 00:16:30,260

Now we can take our paint thinner, little

bit of the brow, then it down very thin.

292

00:16:31,160 --> 00:16:35,180

And let's go back in here and put the

indication here and there a few more

293

00:16:35,180 --> 00:16:38,930

sticks and twigs and little things

that are growing all out through here.

294

00:16:41,600 --> 00:16:41,990

There.

295

00:16:42,464 --> 00:16:44,985

These little details are what

makes your painting so special?

296

00:16:49,295 --> 00:16:53,885

Same few of them growing

out between those rocks or,

297

00:16:59,104 --> 00:17:01,865

yeah, maybe down here in the foreground.

298

00:17:03,814 --> 00:17:05,045

Maybe there's some stuff over here.

299

00:17:05,075 --> 00:17:08,375

So for that, let's go back into

our black little dark Sienna.

300

00:17:09,450 --> 00:17:10,800

A little bit of the lizard and Crimson.

301

00:17:11,040 --> 00:17:14,280

We just mix these own brush,

tap a little bit of color right

302

00:17:14,280 --> 00:17:16,020

into the bristles tap firmly.

303

00:17:17,490 --> 00:17:19,170

All right, let's go up in here.

304

00:17:20,085 --> 00:17:22,725

And let's decide where

little things live over here.

305

00:17:23,685 --> 00:17:27,255

There's a happy Bush lives right there.

306

00:17:27,255 --> 00:17:29,175

Like, so get a little more color.

307

00:17:31,035 --> 00:17:34,905

And he's got a little friend here, there.

308

00:17:38,925 --> 00:17:39,795

Okay, good.

309

00:17:40,845 --> 00:17:42,285

These are so much fun to make.

310

00:17:43,095 --> 00:17:44,895

And we're putting some bushes

here in the foreground.

311

00:17:45,225 --> 00:17:46,514

It pushes everything back.

312

00:17:46,514 --> 00:17:48,195

See how far back this all went.

313

00:17:48,345 --> 00:17:49,274

We sat a little waterfall.

314

00:17:49,274 --> 00:17:50,415

We eat back in there

315

00:17:55,445 --> 00:17:57,044

and you do little things right in here.

316

00:17:59,054 --> 00:18:01,514

Maybe we can take our knife and

just go in here and scratch an

317

00:18:01,524 --> 00:18:06,195

indication of a stick until we there.

318

00:18:07,605 --> 00:18:09,794

Now, let me just use that same old brush.

319

00:18:09,794 --> 00:18:10,455

I'm lazy.

320

00:18:11,940 --> 00:18:13,680

It's got color all over

it, but that's all right.

321

00:18:13,770 --> 00:18:18,900

We'll go right into the yellows here and

see, we got CAD yellow, a yellow ochre,

322

00:18:19,110 --> 00:18:20,820

literally Indian, yellow here and there.

323

00:18:20,820 --> 00:18:27,150

We're going to touch a little

bright red, just like so, okay.

324

00:18:27,180 --> 00:18:29,550

Now let's go up here and put some

highlights on this whole Bush.

325

00:18:32,020 --> 00:18:32,350

There.

326

00:18:35,120 --> 00:18:37,700

Just use the corner of the

brush though and make all

327

00:18:37,700 --> 00:18:39,080

these little individual things.

328

00:18:40,710 --> 00:18:43,110

Little individual things

a little for this one.

329

00:18:45,930 --> 00:18:46,140

Okay.

330

00:18:47,900 --> 00:18:50,300

Maybe we'll maybe we'll touch

a little red right here.

331

00:18:50,420 --> 00:18:51,470

Ooh, that's nice.

332

00:18:52,280 --> 00:18:53,180

That's nice.

333

00:18:55,130 --> 00:18:59,870

Be careful with that red though, too much

of it's distracting and almost invariably,

334

00:18:59,900 --> 00:19:01,550

your eye will go to that red place.

335

00:19:03,020 --> 00:19:06,560

Almost can't help, but look

here, so don't get too much.

336

00:19:06,680 --> 00:19:08,780

It can get too distracting

on your very rapidly.

337

00:19:09,929 --> 00:19:10,810

Maybe right here.

338

00:19:15,810 --> 00:19:20,490

Can we get a little SAP

green, the black here.

339

00:19:21,210 --> 00:19:25,649

There we go over on this side

and we'll put a few little

340

00:19:25,649 --> 00:19:30,000

leaves and stuff out here there.

341

00:19:30,000 --> 00:19:30,389

Yes.

342

00:19:32,310 --> 00:19:33,990

Just all kinds of little things.

343

00:19:37,155 --> 00:19:40,035

Now you can make these as bright

as you want them, or you can

344

00:19:40,035 --> 00:19:41,895

make them subdued either way.

345

00:19:43,155 --> 00:19:49,455

I like them a little more subdued

today, but maybe a week from now, we'd

346

00:19:49,455 --> 00:19:50,775

like to have nice and bright again.

347

00:19:50,805 --> 00:19:53,655

It's up to you and your

mood changes continually.

348

00:19:55,635 --> 00:19:57,975

And when your mood changes,

your painting will change.

349

00:19:58,875 --> 00:20:00,465

It's almost something you can't help.

350

00:20:00,735 --> 00:20:02,445

It just, it just sort of happens.

351

00:20:03,495 --> 00:20:08,205

Yeah, I want to take my little liner brush

here, and I'm gonna take a little bit

352

00:20:08,205 --> 00:20:11,475

of paint, this almost white, very thin.

353

00:20:11,895 --> 00:20:16,605

And here and there, putting a few

little, little white trunks back here.

354

00:20:16,605 --> 00:20:20,265

You always have some of those

in the woods and they stand out

355

00:20:20,295 --> 00:20:21,795

very good against all this dark.

356

00:20:23,025 --> 00:20:28,185

They just sort of make an

interesting Janice tearing there,

357

00:20:29,925 --> 00:20:31,275

maybe a couple on the other side.

358

00:20:33,480 --> 00:20:35,399

And we can just have some fun.

359

00:20:39,469 --> 00:20:39,780

Right?

360

00:20:40,280 --> 00:20:41,149

I tell you what let's do.

361

00:20:42,169 --> 00:20:44,360

I think we're to a point where

we can take the contact paper

362

00:20:44,360 --> 00:20:45,620

off and let's see what we have.

363

00:20:46,429 --> 00:20:47,389

So we just grabbed it.

364

00:20:51,439 --> 00:20:52,129

and there we go.

365

00:20:52,129 --> 00:20:53,929

We have two very nice ovals.

366

00:20:54,590 --> 00:20:56,060

Now we can really get crazy.

367

00:20:56,330 --> 00:20:56,840

Let's take.

368

00:20:58,980 --> 00:21:00,660

We'll go right back to our original color.

369

00:21:01,830 --> 00:21:03,780

I know I'm going to get a letter to 400.

370

00:21:04,410 --> 00:21:06,210

Let's say I like that

painting just the way it was.

371

00:21:06,210 --> 00:21:07,320

And you went and messed it up.

372

00:21:08,910 --> 00:21:12,750

But when you do yours, if this is

where you want it to stop, then

373

00:21:12,750 --> 00:21:14,970

that's exactly the place to stop it.

374

00:21:15,540 --> 00:21:17,460

I want to just show you what

you can do with it here, though.

375

00:21:18,150 --> 00:21:22,950

Let's go right out here into

this area and let's just let

376

00:21:22,950 --> 00:21:26,790

these bushes and stuff continue a

little bit and see what happens.

377

00:21:29,370 --> 00:21:34,680

Just let them continue a little,

just sort of blend them right

378

00:21:34,680 --> 00:21:35,790

into the ones that you have.

379

00:21:37,700 --> 00:21:38,070

They go

380

00:21:44,640 --> 00:21:48,090

there now let's go back.

381

00:21:49,410 --> 00:21:51,930

Let me put just a touch of the

liquid white on my breasts, liquid

382

00:21:51,930 --> 00:21:53,610

white is there only to then the car.

383

00:21:57,645 --> 00:22:00,975

We'll take a little of

our color, who it's nice.

384

00:22:01,785 --> 00:22:05,085

Tap the bristles, tap them into the color.

385

00:22:06,365 --> 00:22:06,785

All right.

386

00:22:08,165 --> 00:22:08,355

Yeah.

387

00:22:08,355 --> 00:22:10,475

Then let's put a few little

highlights up in here.

388

00:22:11,705 --> 00:22:17,885

All kinds of little things that

are happening, just like, so there,

389

00:22:18,965 --> 00:22:21,785

you know, it's almost unreal to me

with the completion of this series.

390

00:22:22,715 --> 00:22:24,245

There'll be over 230.

391

00:22:24,689 --> 00:22:25,770

Joy of painting shows.

392

00:22:27,510 --> 00:22:29,669

It's a lot of shows, almost unreal to me.

393

00:22:31,500 --> 00:22:33,389

And I hope you've had the

opportunity to see them all.

394

00:22:33,399 --> 00:22:39,330

If you want to, if you hadn't give

me station to call or donated to

395

00:22:39,330 --> 00:22:42,600

them free so they can pick them up,

just let them know that you want

396

00:22:42,600 --> 00:22:47,370

them, because if you don't let them

know, they don't know what you like.

397

00:22:47,820 --> 00:22:48,870

And they like to hear from you.

398

00:22:50,504 --> 00:22:50,895

Tell you what?

399

00:22:50,925 --> 00:22:52,575

Maybe down here, there's

a little bit of dirt.

400

00:22:52,725 --> 00:22:54,105

We'll take some Vandyke Brown.

401

00:22:55,545 --> 00:22:56,385

Let's go right in here.

402

00:22:59,675 --> 00:23:07,325

Just put a little Brown in

here, there something fell back.

403

00:23:07,325 --> 00:23:09,065

So I don't know, whatever you want.

404

00:23:09,735 --> 00:23:10,504

Go on down here.

405

00:23:11,855 --> 00:23:14,195

Take a little Brown

light, fix it together.

406

00:23:14,405 --> 00:23:17,465

Make guess a little

highlight on the knife.

407

00:23:17,555 --> 00:23:18,605

Just barely touching.

408

00:23:20,010 --> 00:23:20,850

Steady graze.

409

00:23:22,410 --> 00:23:23,190

Barely touch it.

410

00:23:24,780 --> 00:23:25,560

Barely touch it.

411

00:23:27,060 --> 00:23:27,240

Yeah.

412

00:23:27,980 --> 00:23:32,900

We'll take a fan brush, put a

little bit of a yellow greens and

413

00:23:32,900 --> 00:23:34,220

all those different colors on it.

414

00:23:35,030 --> 00:23:35,810

Let's go up in here.

415

00:23:36,320 --> 00:23:41,510

You want to just pop in just a few little

happy grassy areas right along in here.

416

00:23:41,540 --> 00:23:41,720

Yeah.

417

00:23:44,390 --> 00:23:45,680

Wherever you think they should be.

418

00:23:53,280 --> 00:23:55,140

That creates a lot of

depth in your painting.

419

00:23:57,000 --> 00:24:02,960

A lot of depth there, blue.

420

00:24:02,960 --> 00:24:03,830

I see something nice.

421

00:24:03,830 --> 00:24:04,700

You know what we were to do.

422

00:24:04,850 --> 00:24:06,320

We got a minute for so left here.

423

00:24:07,070 --> 00:24:08,360

Let's have some fun, huh?

424

00:24:09,010 --> 00:24:10,020

Always get in trouble, right?

425

00:24:10,020 --> 00:24:13,380

At the end of the show, let's take a

fan brush and fill it full of Vandyke.

426

00:24:13,380 --> 00:24:18,990

Brown, put a lot of color, maybe a little

dark Santa, too lot of paint, a of pain

427

00:24:18,990 --> 00:24:21,810

in there, maybe in our world, our lives.

428

00:24:21,930 --> 00:24:22,560

Are you brave?

429

00:24:22,800 --> 00:24:24,270

This is your bravery test for today.

430

00:24:25,470 --> 00:24:25,860

They're here.

431

00:24:25,880 --> 00:24:29,010

The lives you have, you guessed it.

432

00:24:30,150 --> 00:24:31,950

Make old tree lives right there.

433

00:24:33,540 --> 00:24:34,230

Big old tree.

434

00:24:36,270 --> 00:24:38,040

But he's a happy tree, so it's all right.

435

00:24:38,070 --> 00:24:41,850

Maybe he's got a friend comes right down.

436

00:24:41,850 --> 00:24:45,379

Like, yeah, there.

437

00:24:48,920 --> 00:24:50,690

I know I'm going to get

some letters about this now.

438

00:24:52,220 --> 00:24:53,780

Go on and get in trouble about this.

439

00:24:55,760 --> 00:24:56,480

There we go.

440

00:24:58,010 --> 00:25:01,280

Now that let's take, let's take

here's a little titanium, Hawaiian.

441

00:25:03,045 --> 00:25:06,255

Pull it out flat cut across

and let's go up here.

442

00:25:06,825 --> 00:25:08,955

Barely touch sledding, barely touch.

443

00:25:09,735 --> 00:25:12,795

Maybe this is just a big old Birch

tree that lives right up here.

444

00:25:14,835 --> 00:25:15,765

Barely touch.

445

00:25:16,385 --> 00:25:23,195

Probably, maybe there's a little on

the other side too, just like, so,

446

00:25:26,255 --> 00:25:29,135

so now let's do someone other side.

447

00:25:31,544 --> 00:25:37,725

There, but when you pull this, pull

it sorta round and all you're doing

448

00:25:37,725 --> 00:25:39,315

is barely touching the canvas.

449

00:25:39,735 --> 00:25:41,355

Don't want to put too much pressure on it.

450

00:25:43,245 --> 00:25:44,565

Barely, barely grazing

451

00:25:47,595 --> 00:25:48,885

there, man.

452

00:25:49,125 --> 00:25:50,205

Let's go in here with her.

453

00:25:50,655 --> 00:25:54,075

We'll use the old binder

brush paint thinner.

454

00:25:56,550 --> 00:26:00,209

And we'll put in a few Liam's on

this big, old, big, old tree here.

455

00:26:00,209 --> 00:26:04,590

Maybe there's one right here comes

right out, right over, like, yeah,

456

00:26:10,520 --> 00:26:14,510

we'll give him an another one

there wherever you want them.

457

00:26:15,889 --> 00:26:17,300

Just wherever you want.

458

00:26:19,429 --> 00:26:20,870

Put a few right in there.

459

00:26:22,370 --> 00:26:23,000

Like, so.

460

00:26:25,620 --> 00:26:26,310

There we go.

461

00:26:27,379 --> 00:26:28,639

We don't have to do too many, yeah.

462

00:26:28,700 --> 00:26:29,929

Put a few leaves on here,

463

00:26:33,260 --> 00:26:39,050

but just now, so you can see the

indication of some here and there can, we

464

00:26:39,050 --> 00:26:46,129

can take her brush with a dark color, go

back, tap in a few little things like so,

465

00:26:48,710 --> 00:26:51,409

and, and we all have like those little.

466

00:26:52,725 --> 00:26:53,145

There.

467

00:26:56,015 --> 00:26:56,495

Okay.

468

00:26:56,555 --> 00:27:00,215

A little bit of the yellow

and that's come back in here.

469

00:27:00,375 --> 00:27:01,775

Just put a few highlights on it.

470

00:27:02,735 --> 00:27:03,875

I hope you've enjoyed this one.

471

00:27:04,415 --> 00:27:05,855

Very nice little painting.

472

00:27:06,515 --> 00:27:12,635

Give you a lot of practice and it'll

make you happy inside the old clock on

473

00:27:12,635 --> 00:27:15,035

the wall tells me that it's time to go.

474

00:27:16,565 --> 00:27:19,445

So we'll pick, we'll call it a day.

475

00:27:20,070 --> 00:27:23,760

We call this one, finished from all

of us happy painting and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S18E10 - Double Oval Stream

Bob Ross's

The Joy of Painting

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