Bob Ross's

The Joy of Painting

S11E13 - Happy Accident

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Hi, I'm glad you can join me.

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Then you sorta caught me piddling

around here a little bit.

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This being the last show of this series.

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I thought maybe what tell you what

I tell you what I get so many cards

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and letters from people all over the

country saying, Bob, what should I do?

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If I'm in the middle of a

painting in a sad, I don't like

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it, or God forbid it goes sour.

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Well, I don't like to start off with

something you haven't already done.

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So let me show you what

you can do at home.

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If you're not happy with a painting,

and if, if it's not going just the way

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you want it, you know, over and over

again, I say we don't make mistakes.

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We have happy accidents.

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So today let's have a happy accident

and see what we can make out of it.

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And let's start off and have them

run all the colors across the screen

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that I've already used up here.

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And when they're coming across,

let's go on up and let me

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show you what can be done.

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Oh, I got here a little early

date has been the last year.

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I was all excited.

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So I got here a little early

and I was piddling around and

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did a little bit of painting.

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But if you had something like this in

and you decided you wanted to change

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your mind, watch here, watch here.

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Just take your knife and

just zip it off the canvas.

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Just literally take it

right off the canvas.

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Easy.

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And I'm scraping very hard.

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Very hard, scrape it right off.

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Look at that.

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I know if you've painted at one

time or another, you've had a canvas

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probably that looks just like this.

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Gosh, I bet I've had a million.

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What do you do with something like this?

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Normally, normally we'd end up.

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We ended up just taking this canvas

and putting it aside or washing it

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completely down and starting over,

but let me show you what you can do.

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Let's just go back to this whole

two inch brush and I'm just going

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to grab this and lift it up for 10.

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Let's just lift up and blend this out.

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Just lifted up.

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I'll get all of those great marks out.

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Just blend all together.

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Yeah,

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because I'm not kidding.

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When I tell you we don't make

mistakes, we just have happy accidents.

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Anything that you do.

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You can learn to use, and that's when

you truly truly experience the joy

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of painting when there's no fear.

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Okay.

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Let me wash this brush.

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Just wash it with little loader

to Steiner to shake it off,

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beat the devil.

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A lot of it.

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Go back to business.

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Now, then I'm just going to sort of blend

all this together, spring it together.

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Yes.

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And then you turn the breasts

this way, maybe here and there.

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Put a few little, see how

you can move that paints like

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doing reflections backwards.

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You can just create all

kinds of little effects.

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Okay.

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Very very gently, very

gently just going across.

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You can take all the strokes out of it.

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The value remains in the canvas, all the

color that you put on there, even though

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you scraped it off, remains in the canvas.

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Now watch, let me grab a round brush here.

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Let's just leave it

there and go right here.

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Right into some of the Browns,

pick up a little Crimson.

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Oh, a little touch of the

SAP brain and tap firmly.

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Use this whole round

brush and just tap firmly.

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Okay.

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Now they come right along in here

and let's just start putting in

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all kinds of happy little things.

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Just take this brush and tap them in.

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Just tap.

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All we're looking for at this time is

just some very basic little tree shapes.

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Push shapes.

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They're tapping them in a

little more color on the brush.

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I can go right into here.

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Um, there's one right there.

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Look at that.

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Now, when I'm doing these little

bushes with a round brush, I normally

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start at the base and work upward.

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And that way it's darker

down here than it is a pie.

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Okay.

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Maybe all right here, right here.

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Lighter, lighter, lighter.

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Cause you worked up turn the brush

to make all those shapes you want.

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Liam's at hang and group and

submit standard straight up.

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However you want them.

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That's the right way.

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There we go.

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So I say we get hundreds and hundreds of

letters from people all over the country.

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This is where a lot of the ideas

come from for the paintings

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that I do on these series.

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And people send me cards, postcard

type things with pictures on them.

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They send me photographs.

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And from that, I get a lot of ideas

of what, what you would like to see

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payment, or just drop me a note.

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I'd love to hear from you.

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Tell me what kind of

paintings you would like.

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And let me know, let me know how

you're doing, using the technique

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with the conclusion of this series.

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There's now over 140 shows.

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140 half hour shifts.

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And if you haven't had the opportunity

to see all of them, and you would

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like to give you a local station

to call no, what you want to see

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here, we just drop it in all kinds

of little things, whatever, whatever.

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And they'll take the liner brush,

dip it right in some paint,

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thinner right into Vandyke Brown.

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Turn that brush and bring

it to a nice sharp point.

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Let's go ahead.

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Up here.

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Okay.

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And here, maybe we can see a tree

trunk here and there and a limb, and

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maybe there's something back in here.

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I'm going to put leaves on these trees.

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So we're going to lose.

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A great deal of detail.

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Ooh.

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See if that one there, he,

he had a rough life and hurt.

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There we go.

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Okay.

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Thank you really.

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You really can't make a mistake with this.

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Anything it happens.

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You can learn to use it and

to make something out of it.

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I just don't have time.

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And in a half hour show to show you

all the ways that you can correct.

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And fix paintings.

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We have instructional videos

that do that, but just try it.

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Don't get, don't get upset if

something doesn't go right.

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Okay.

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You learn from mistakes, son of a

gun, and I have made more mistakes

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than everybody put together.

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You learn from your mistakes.

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They're seeing that gives us an indication

of some little tree trunks here and there.

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Let me grab my round brush and I'll just

beat some of the loose paint off of it.

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It still has Brown in it.

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I'm gonna dip right into a little touch of

the liquid white and go right into yellow,

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right into the yellow reach up here.

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I'm going to grab a touch, a green Sapp

green tap that brush firmly, firmly,

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firmly, firmly cared, yellow, little

SAP green cakes go right up here.

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Maybe let's start here.

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Decide which tree is fathers

to weigh in my world.

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I want this one to be the

farthest away and yours.

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That might be the closest.

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But you have to make

that decision you decide.

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And then with this brush, just begin

highlighting, putting all kinds

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of little happy things in there.

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Make little clusters.

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Okay.

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I'm going to take, go into

some of the yellow, some of

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the years, some of the yellows.

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I don't touch it thinner and tattoo

the bright red just to touch it.

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So very, very strong.

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I can just go right up here.

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Maybe look at that side

of a guy in a predict.

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Maybe mr.

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Jack Frost came by and touched

on this one there once again,

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work in layers on this tree.

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Don't just hit it too.

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Don't just hit it random.

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Look at all those little

things that happen.

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And that's what makes

your tree so beautiful.

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This round brush is unreal.

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Unreal can do all kinds of

things and do them very fast.

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Maybe right underneath it here.

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There's another happy little tree.

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Little Bush or whatever.

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See, there he is.

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There he is over here.

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He's got a friend he lives right there

and you could just keep making Bush

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after Bush, after Bush, however many

you want don't kill all the dark areas.

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They're so important.

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They're probably more important

than the lighter save some

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of those dark areas in there.

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That's what creeps creates

depth and distance.

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Oh, the little places for the

little creatures to hide there.

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You got to have a place

to go to where I live.

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I have.

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All kinds of creatures that come in

our feet on the little Rascals, we have

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just a multitude of birds, squirrels.

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And then at night we have red Coons

and even the possums come and I

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put food out for them every day.

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I'm crazy enough.

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I go out and talk to him.

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Of course, anybody who talks

to tree, you would certainly

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talk direct Coons and possums.

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There you go.

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See how you can build layer after layer.

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Could create a whole forest in

just a matter of minutes and

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just a matter of minutes, keep

the brush and loaded with paint.

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There's a lot of paint on the brush.

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That'd be the biggest mistake

and the biggest problem maker.

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Is the fact that there's not

enough paint on your brush.

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So then you have to hit where you hard

to make it work and load it frequently.

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I'm only using the top

bristles, just the top bristles.

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See just the top.

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So I would touch it.

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That's what you need.

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There we go.

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Let's go back over here and

begin to layer in some of this.

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Look at that layer after layer.

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It's easy.

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And it's fun and you can do it.

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You can do it.

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Look at all that recent Roanoke,

Virginia, doing a demonstration

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for a very dear friend of mine.

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In fact, he's a manager

of the PBS station there.

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So we had hundreds of people come and

they watched, they watched us paint.

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Some of the nicest people we've

met anywhere in the country.

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There we go.

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Okay.

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See, look at, look at

all the different layers.

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Shoot now then let's have some water here.

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So we have to make some

decisions at this point.

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Where's our water going to be?

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We can begin pulling down

like that wherever you think

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there might be some water.

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Just pull it down, just pull it down.

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Like, so.

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Okay, I'm gonna take some Brown.

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I'm gonna put a dark scene, pulled

out, very flat, cut across and

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get her a little roll of paint.

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So you right there now, then let's

begin deciding her are going to

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have some of the land here and just

let the knife sort of bounce along.

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And if you go over a Bush, that's okay.

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It's your Bush.

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You can go over it.

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If you want to, anything

you want to do to it.

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And as you've seen already,

if it doesn't work.

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Shoot just fix it.

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Just fix it, nothing to it, nothing to it.

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You can fix anything now because

you are the master, the master, you

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have unlimited power on this canvas.

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It's probably the only place I do have any

power, but on this canvas, Well, I can do

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anything and anything, and you can too,

you can too see, just make decisions here.

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And if he gets some of this mud

out in the water differences.

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Show you, I'm just going

to do all kinds of things.

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Let you see what can be done.

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Let's see.

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Maybe I just put all kinds of

bumps and just put them out

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here wherever you want them.

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Wherever I know you're saying, Bob,

you have really done it this time.

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You may be right.

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I may have to.

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We may have to scrape this

one off and start over again.

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But the fact that you can should give you

should give you tremendous confidence.

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Just the fact that you don't make any

mistakes, that you can zip this off

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and create a whole new world with it.

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And.

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It helps you get over the fear of

canvas over the fear of painting.

254

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Cause you can't do any wrong.

255

00:13:50,150 --> 00:13:50,360

Okay.

256

00:13:50,360 --> 00:13:54,930

You want to take some white, a little

touch of the dark Sienna and the

257

00:13:54,930 --> 00:13:57,079

least little touch of blue paste.

258

00:13:57,310 --> 00:14:02,090

Touch of that flat cut across once

again, a little roll of paint.

259

00:14:02,900 --> 00:14:07,100

Now, then let's just let this knife

just sort of bounce along and just hit

260

00:14:07,100 --> 00:14:09,620

the high points just here and there.

261

00:14:10,760 --> 00:14:11,660

Just here and there.

262

00:14:13,450 --> 00:14:14,290

Don't overkill.

263

00:14:14,710 --> 00:14:17,170

We don't lose all that beautiful

dark at you put in there.

264

00:14:18,310 --> 00:14:19,330

Don't overkill.

265

00:14:20,950 --> 00:14:22,040

Janice, let it bounce.

266

00:14:22,040 --> 00:14:23,080

Some look at there.

267

00:14:24,040 --> 00:14:27,850

Kenny helps to make little noises

making stories up in your mind.

268

00:14:29,530 --> 00:14:32,950

There what's the old saying you

don't have to be crazy to do this.

269

00:14:33,555 --> 00:14:34,515

But it certainly helps.

270

00:14:36,495 --> 00:14:39,615

There we go.

271

00:14:43,235 --> 00:14:48,185

And just wherever you think a little

light would hit, we've got all these

272

00:14:49,295 --> 00:14:50,825

gobs of paint out here in the water.

273

00:14:51,195 --> 00:14:57,135

So let's just do this knife,

just bounce along and play.

274

00:14:57,165 --> 00:14:57,825

It'll just leave.

275

00:14:58,605 --> 00:15:00,495

It'll leave, paint all over the place.

276

00:15:04,035 --> 00:15:04,725

There we go.

277

00:15:09,255 --> 00:15:09,675

Maybe.

278

00:15:10,555 --> 00:15:14,875

She's gonna send some more little

things here and there to your world.

279

00:15:14,935 --> 00:15:16,435

So you do whatever.

280

00:15:18,295 --> 00:15:19,345

However, you'd like,

281

00:15:25,185 --> 00:15:26,515

I just grab this little one inch pressure.

282

00:15:26,515 --> 00:15:29,805

I'm going to go here and there

underneath this, pull some of this down.

283

00:15:29,805 --> 00:15:30,525

If this is water.

284

00:15:31,310 --> 00:15:33,600

We're going to have a certain

amount of reflections in it.

285

00:15:33,990 --> 00:15:37,500

We don't have to reflect every single

thing it's been here and there.

286

00:15:37,560 --> 00:15:40,920

And you could do this with a fan

brush or whatever brush is handy.

287

00:15:40,920 --> 00:15:47,640

I just have to grab this one, just pull

some of these down, the paint that we use.

288

00:15:47,640 --> 00:15:51,510

And I've mentioned this over and over

throughout the series is very firm.

289

00:15:51,630 --> 00:15:53,160

If you're using a.

290

00:15:54,105 --> 00:15:55,095

Paint is oily.

291

00:15:55,605 --> 00:15:58,035

You're going to run into mass

problems when you do this, and

292

00:15:58,035 --> 00:15:59,175

you're going to be unhappy with me.

293

00:15:59,865 --> 00:16:00,615

Find a paint.

294

00:16:00,615 --> 00:16:05,985

That's a very firm, very dry,

because I want this to work for you.

295

00:16:05,985 --> 00:16:07,485

I don't want you to be

upset when you try it.

296

00:16:09,015 --> 00:16:09,525

Okay.

297

00:16:10,455 --> 00:16:11,715

Let me grab a fan brush here.

298

00:16:13,949 --> 00:16:16,199

Go right into some of the yellows.

299

00:16:16,530 --> 00:16:22,319

Grab some of the Sam green, just load the

brush full of color, yellow ochre, Indian,

300

00:16:22,319 --> 00:16:27,780

yellow, all the yellows in the red, a

lot of paint, lot of pain in the brush.

301

00:16:27,810 --> 00:16:29,099

Don't be afraid to put some in there.

302

00:16:29,439 --> 00:16:33,480

Go up here now then

just gently push upward.

303

00:16:34,349 --> 00:16:39,079

We can begin making little grassy

areas that come right down and

304

00:16:39,099 --> 00:16:40,410

sort of brings all this together.

305

00:16:40,949 --> 00:16:44,040

If you have trouble making it

stick, add a little touch of the

306

00:16:44,040 --> 00:16:45,270

paint, thinner to your brush.

307

00:16:45,380 --> 00:16:46,319

Digital stick.

308

00:16:46,349 --> 00:16:47,040

Very easy.

309

00:16:47,625 --> 00:16:48,555

Don't get too much.

310

00:16:50,025 --> 00:16:50,965

Don't get too much.

311

00:16:50,965 --> 00:16:55,215

Center takes very little of

it to thin the paint down.

312

00:16:57,045 --> 00:17:01,965

See all these little grassy areas once

in a while, tap into the bright red.

313

00:17:02,205 --> 00:17:05,985

Just keep on going there.

314

00:17:08,385 --> 00:17:09,255

There we go.

315

00:17:09,345 --> 00:17:09,885

There we go.

316

00:17:09,885 --> 00:17:10,335

There we go.

317

00:17:11,625 --> 00:17:14,715

Let's see a little bit here and there

wherever you think they were to be.

318

00:17:15,315 --> 00:17:16,365

That's where they were to be.

319

00:17:18,000 --> 00:17:19,200

And there's no limit to these.

320

00:17:19,200 --> 00:17:24,720

You can put them everywhere that you want

them as many or as few it's up to you.

321

00:17:25,500 --> 00:17:26,220

It's up to you.

322

00:17:26,920 --> 00:17:29,700

How that, how are we going to

do with this mess we have here?

323

00:17:30,600 --> 00:17:33,240

This is where we can really have some

fun before I start that I want to

324

00:17:33,240 --> 00:17:37,470

take my knife and go up here and just

scratching a few little sticks and

325

00:17:37,470 --> 00:17:39,090

twigs and all these little brushes.

326

00:17:40,784 --> 00:17:43,485

All you're doing here is just scratching

through the paint and allowing some

327

00:17:43,485 --> 00:17:46,065

of the canvas to shine through that.

328

00:17:46,065 --> 00:17:48,795

You can make many, many little

sticks and twigs, and it

329

00:17:48,795 --> 00:17:50,565

helps create different Plains.

330

00:17:50,565 --> 00:17:56,955

And your painting adds to that

illusion of distance of depth pay great

331

00:17:56,955 --> 00:17:58,425

dividends in your painting career.

332

00:17:59,745 --> 00:18:05,175

Okay, I'm going to go right into,

right into the liquid white and then

333

00:18:05,175 --> 00:18:08,955

into titanium white, or reach up

here and grab a touch of the blue.

334

00:18:09,135 --> 00:18:13,575

Just a little bit of

blue, blue, who we are.

335

00:18:15,435 --> 00:18:15,735

Okay.

336

00:18:15,855 --> 00:18:17,235

Load the brush full of paint.

337

00:18:17,445 --> 00:18:20,865

Now I put the liquid white in here to

make the paint a little bit thinner.

338

00:18:22,005 --> 00:18:28,385

So little bye having it thin that it'll

stick to this thicker paint without.

339

00:18:28,830 --> 00:18:29,670

Creating mud.

340

00:18:29,790 --> 00:18:31,410

I watch here, come out of here and watch.

341

00:18:32,700 --> 00:18:36,660

Okay, here, here comes a happy

little stream around here, and

342

00:18:36,660 --> 00:18:38,250

it's going to bounce and play.

343

00:18:39,600 --> 00:18:40,920

It's just having a great time.

344

00:18:40,950 --> 00:18:45,900

Don't kill all these hilarious streams,

just Bumble along, and they make

345

00:18:45,900 --> 00:18:47,820

one of the nicest sounds of nature.

346

00:18:48,750 --> 00:18:52,770

There it comes bounced straight

over that little stone works right

347

00:18:52,770 --> 00:18:54,660

around here that your imagination go.

348

00:18:55,050 --> 00:18:56,310

Think think about it.

349

00:18:56,310 --> 00:18:59,490

If you were water, what you would

do here or where you would go,

350

00:19:00,810 --> 00:19:05,370

where you would go, Kane, let me

add a little more paint to my brush.

351

00:19:05,550 --> 00:19:05,910

Come in.

352

00:19:05,910 --> 00:19:10,480

I'm back up here, grab it

and pull it right over.

353

00:19:10,620 --> 00:19:14,730

See, this is a thinner paint and it'll

drop right over like bucket death.

354

00:19:16,110 --> 00:19:16,380

Okay.

355

00:19:18,360 --> 00:19:19,050

Here we go.

356

00:19:19,140 --> 00:19:19,920

Camera's right here.

357

00:19:19,980 --> 00:19:21,240

Soon falls over there.

358

00:19:21,960 --> 00:19:23,520

See if water is just floating along here.

359

00:19:23,520 --> 00:19:25,500

And then all of a sudden

somebody pulls the plug and

360

00:19:25,500 --> 00:19:31,380

it just falls over just falls.

361

00:19:31,380 --> 00:19:31,590

Right?

362

00:19:31,620 --> 00:19:37,140

Maybe look at here, save here, put

a little splash at the base of that.

363

00:19:39,940 --> 00:19:40,620

That need high.

364

00:19:40,620 --> 00:19:42,210

It just runs right over that rock.

365

00:19:43,830 --> 00:19:46,290

And maybe to just like, yeah.

366

00:19:47,685 --> 00:19:49,935

We can make all kinds

of happy little things.

367

00:19:51,555 --> 00:19:54,905

Just think about the sound that a

little bubbling stream makes us.

368

00:19:54,905 --> 00:19:56,165

It works its way down.

369

00:19:56,225 --> 00:20:01,115

It goes over all the rocks it's to one

of the nicest, nicest sounds in nature,

370

00:20:02,405 --> 00:20:04,625

just bubbles and churns and has fun.

371

00:20:06,005 --> 00:20:08,165

I've always wanted a house

right beside a little stream.

372

00:20:08,195 --> 00:20:08,405

Sorry.

373

00:20:08,615 --> 00:20:12,665

Listen, all night to all

the little sounds it makes.

374

00:20:14,655 --> 00:20:16,335

There we go there.

375

00:20:16,335 --> 00:20:21,135

Like, y'all see that plate.

376

00:20:21,225 --> 00:20:22,725

Oops, 13, right over the top.

377

00:20:23,715 --> 00:20:26,264

Let some of that round that

you put in there, show through.

378

00:20:28,004 --> 00:20:32,815

I need to chew through, get a

little more blue on my brush camera.

379

00:20:32,815 --> 00:20:36,014

I didn't stay there.

380

00:20:36,075 --> 00:20:36,495

Stay there.

381

00:20:39,830 --> 00:20:41,780

No, and to this, you can go anywhere.

382

00:20:41,780 --> 00:20:47,419

You want to go with it and anywhere

there's one a hit a little bloop, bloop.

383

00:20:47,510 --> 00:20:48,950

Oh, new fleet.

384

00:20:54,740 --> 00:20:59,419

And they're little more blue on the brush.

385

00:21:03,290 --> 00:21:03,740

So.

386

00:21:08,325 --> 00:21:15,465

And push up wherever, wherever, uh,

continually and adding the liquid white

387

00:21:15,465 --> 00:21:17,205

to this to keep the paint very thin.

388

00:21:18,495 --> 00:21:19,455

Very, very thin.

389

00:21:20,535 --> 00:21:23,445

If you have a thick paint,

you can't run over all this.

390

00:21:26,115 --> 00:21:30,375

Just absolutely want to do it and

wipe my brush off, I guess, that

391

00:21:30,375 --> 00:21:31,425

you build up a paint on there.

392

00:21:31,425 --> 00:21:33,465

I can't, I can't find

where the bristles are.

393

00:21:35,175 --> 00:21:41,115

There we go, I'll start over with some new

blue and just go right on, back in here.

394

00:21:44,385 --> 00:21:44,835

Pretty though.

395

00:21:45,195 --> 00:21:48,525

This is the place where you really

let your imagination takeover.

396

00:21:49,635 --> 00:21:57,585

I really want this water to

go wherever water just floats

397

00:21:57,585 --> 00:22:00,135

along here and has a good time.

398

00:22:00,195 --> 00:22:00,975

There it counts.

399

00:22:03,465 --> 00:22:05,024

And drops right over there.

400

00:22:05,095 --> 00:22:09,524

Splashes of churns there.

401

00:22:11,435 --> 00:22:12,895

Lot of, a lot of fun.

402

00:22:13,314 --> 00:22:13,375

403

00:22:19,095 --> 00:22:20,115

just goes everywhere.

404

00:22:22,215 --> 00:22:23,355

If you don't make those little noises.

405

00:22:23,355 --> 00:22:24,165

So it won't work right.

406

00:22:25,274 --> 00:22:29,295

Okay, let me grab a round brush here.

407

00:22:31,815 --> 00:22:32,655

Let's go right up here.

408

00:22:33,810 --> 00:22:38,550

Maybe let's close on this side of

the painting, a happy little string

409

00:22:43,500 --> 00:22:49,500

stuff right here, some Browns and

greens and blacks, Crimson, whatever

410

00:22:50,669 --> 00:22:52,889

now, decide where he wants you to land.

411

00:22:53,129 --> 00:22:56,250

If it goes over something

just covered up to your world.

412

00:22:56,909 --> 00:23:03,419

To do whatever you want to do with,

so maybe it comes right on down here.

413

00:23:06,120 --> 00:23:06,690

Then I add.

414

00:23:07,560 --> 00:23:12,450

Who touch it, liquid point, go right

into some color, grab some green here.

415

00:23:13,530 --> 00:23:16,860

Tap that pressure firmly, firmly.

416

00:23:17,520 --> 00:23:18,660

Okay, let's go right up here.

417

00:23:19,410 --> 00:23:23,850

Add let's just drop some highlights

on some little bushes and stuff.

418

00:23:23,850 --> 00:23:25,620

They're on this side of the street.

419

00:23:27,570 --> 00:23:32,490

We'll make these bright enough

to be stand out, pull apart

420

00:23:32,490 --> 00:23:33,660

from the ones in the background.

421

00:23:37,754 --> 00:23:40,665

Isn't that fantastic

that you can do so much

422

00:23:45,615 --> 00:23:51,465

now that I have it, let's take some Brown

and we come right in here and began,

423

00:23:51,705 --> 00:23:59,715

began picking out rocks and all kinds

of little things that are going on.

424

00:24:00,885 --> 00:24:04,305

Wherever you think they should

be, but it'll touch you.

425

00:24:04,305 --> 00:24:05,265

The highlight color.

426

00:24:06,015 --> 00:24:06,975

Just bounce it along.

427

00:24:10,395 --> 00:24:16,065

Here's a pick a whole rock,

whatever you want ever.

428

00:24:19,785 --> 00:24:20,655

Dinner fan burst.

429

00:24:20,655 --> 00:24:22,965

It has all the yellows

and the greens on it.

430

00:24:22,965 --> 00:24:23,865

Wouldn't come right in here.

431

00:24:25,830 --> 00:24:27,300

And put his in some new grass here.

432

00:24:27,300 --> 00:24:31,400

It's just like we had on the

other side, I'm back here.

433

00:24:35,660 --> 00:24:43,250

Maybe, maybe, maybe, maybe right here,

out on this, there was a little Bush you

434

00:24:43,250 --> 00:24:47,570

decide to see, and it creates a whole

nother plane because you can see that

435

00:24:47,570 --> 00:24:49,430

grassy area and then bushes in front.

436

00:24:50,294 --> 00:24:56,564

Little tricks like that really helped

increase the depth in your painting there.

437

00:24:56,564 --> 00:24:58,514

And just push up all

kinds of little things

438

00:25:01,845 --> 00:25:02,115

here.

439

00:25:02,324 --> 00:25:03,554

So I'm right down in here.

440

00:25:05,504 --> 00:25:09,675

Like, so back to my fan brush

that had the stream colors on

441

00:25:09,675 --> 00:25:11,534

it and you can bring it in here.

442

00:25:12,794 --> 00:25:16,185

Just sort of clean up the edges and

bring your loser stream altogether.

443

00:25:18,165 --> 00:25:22,605

And right here, you know, me right here

would be a super place to have an old

444

00:25:22,605 --> 00:25:24,885

tree, maybe an old dead tree that lives.

445

00:25:25,655 --> 00:25:29,165

I had a bat here I had about here.

446

00:25:29,225 --> 00:25:30,785

Oh, he's a tired old tree.

447

00:25:30,845 --> 00:25:37,685

He's had a rough life, rough, rough

life, wherever you want him to go.

448

00:25:39,095 --> 00:25:40,504

Excuse my arm a second.

449

00:25:40,555 --> 00:25:46,415

And I come to this way, you know, as

we're winding to an end here on this.

450

00:25:47,160 --> 00:25:50,850

The last show of the series

and I'm painting his tree.

451

00:25:50,850 --> 00:25:54,210

I'd just like to take

a moment and thank you.

452

00:25:55,620 --> 00:25:59,070

Thank you very much for

allowing me into your home.

453

00:26:01,320 --> 00:26:07,320

I've made literally hundreds and

hundreds of fantastic friends and

454

00:26:07,320 --> 00:26:11,520

I enjoy your company and I hope you

enjoy mine and hope you continue

455

00:26:11,520 --> 00:26:14,310

to watch the me hear from you.

456

00:26:14,820 --> 00:26:16,110

Very special people.

457

00:26:17,399 --> 00:26:18,419

Very, very special.

458

00:26:19,770 --> 00:26:24,689

And if there's things that you want

that I'm not doing drop me a line,

459

00:26:24,780 --> 00:26:31,020

let me know, put a few old branches

out here on this tree and let him go.

460

00:26:33,179 --> 00:26:36,780

Just like, so don't have too many

left, just a few here and there.

461

00:26:37,515 --> 00:26:39,915

But I hope it shows you

that we don't make mistakes.

462

00:26:40,095 --> 00:26:41,055

You can take anything.

463

00:26:41,055 --> 00:26:44,295

It happens and create a pretty

nice looking painting from

464

00:26:44,295 --> 00:26:46,305

it and you can do it too.

465

00:26:47,535 --> 00:26:51,525

And so on behalf of the whole crew here,

I'd like to wish you happy painting.

466

00:26:51,855 --> 00:26:53,625

God bless, and I'll see you.

467

00:26:53,625 --> 00:26:54,495

The next series.

468

00:27:21,000 --> 00:27:21,600

Uh,

End .srt file.

Bob Ross' The Joy of Painting

Tuesday, December 29, 2020

S11E13 - Happy Accident

Bob Ross's

The Joy of Painting

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