Bob Ross's

The Joy of Painting

S20E03 - Winter In Pastel

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Hey, welcome back.

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You know, in the last show I had

one of my little friends here, a

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little, little Fox squirrel, and

so many people have called Rodin.

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Cause I've mentioned that

we had four of them and they

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wanted to see the rest of them.

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I've asked a friend to come today to

help me because it's a son of a gun, try

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to hang onto for this is Dana gesture.

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And he's one of our instructors that

travels all over the country and

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teaches people the joy of painting.

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And as you can see, he has an

harmful, you got going on there a day.

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Now, I don't know your kids are going

wild here, but look here and a little

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bite there and they're hungry now.

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Yeah.

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It's time for him to have a little nibble.

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Look at this.

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Aren't they?

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The cutest little devils though.

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I know they're excited.

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That's for sure.

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Now this is a big deal for them to be

in front of the cameras and they're a

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little nervous, but they're still hungry.

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They still like to eat.

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Here you go.

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The hair isn't that something

look at these little levels.

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They are absolutely precious.

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And that I think Dana very much for

coming and helping me today here.

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Turn loose guy.

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Okay, let me give this one here.

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I got one in my arm here.

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Let's give this one a little bite.

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You want to drink there in

that something, there we go.

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They are so cute.

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They are just absolutely precious.

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And does that say these are

little Fox squirrels, and they're

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very young and they're okay.

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Well, let me set those down and let's

get a painting started for today.

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All right.

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I'm going to just sit him right over here.

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Okay.

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Today we have our standard old 18

to 24 inch canvas up here and we've

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covered it with a nice thin even

coat of the liquid white and it's

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nice and wet and it's ready to go.

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So.

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Why don't we take off and maybe the

table to a happy little winter scene, and

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maybe we'll put a little color in it too.

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It's not quite so cold.

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I'm going to take a little touch,

the Indian, yellow, just a very, very

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small amount on the two inch brush.

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Very small amount.

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And let's come right up in here.

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Yeah.

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Let's just put in a little touch of the

yellowish color, something maybe like, so.

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Maybe lunch.

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So we're going to run all the

colors across the screen for you.

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So you know what we're doing here?

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Almost forget, tell you

that I got involved with the

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squirrels and again, homeless.

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Forget it there.

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All right.

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Nothing without cleaning it.

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The brush will take a little

touch of yellow ochre.

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Just a little don't need much.

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There we go.

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Take that it we'll come right in here.

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I'm just using little

crisscross strokes there.

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You can see we're just little exes.

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We'll just bring this red around.

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Like, so there we are.

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Okay.

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And we just, it just blend this there.

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Okay.

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And just blend it to you.

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Can't tell her one color stops and

the next color starts adding maybe

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a little color right up in here.

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Once again, without cleaning the

brush, I take a little tiny bit of

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the bright, red, very little amount.

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Let's go right up in here.

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We just dropped a little bit here.

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Now.

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Sometimes the winter scenes can be so

cold that they're almost unpleasant.

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I like to make winter scenes that have

a little bit of bright color in them

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and it really makes them pretty and make

some shit makes you feel good in here.

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Let's take a little thalo

blue and the lizard Crimson.

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I'll just mix these on a brush.

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Proportionately though, much

more Crimson than the blue.

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The blue is many, many times stronger.

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There we are Crimson.

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They look blue, take a

little touch of that.

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And let's just, let's just put a

little bit of that right in like, so.

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Still using a little

crisscross strokes there.

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Okay.

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If we just fill this

guy up, just fill it up.

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You can use this lavender color

against the yellow, without

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it turning bright green.

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Because if you mix lavender

with yellow, it just makes a

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pleasant round and that's okay.

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We can live with that.

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We can live with that, but if he was

to use pure blue and you touch the

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yellow, as you know, we would have

bright, bright green, and we don't want

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that in, in this particular painting.

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Okay.

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And we'll just wipe this down here.

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This is going to be a little winter scene.

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Um, maybe we'll have some snow down here.

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We'll just use this as

part of his shadows.

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When we get finished, it's also

a good place to clean the color

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off your brush and how they speak

in cleaning color of the brush.

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That's wash your old brush.

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Shake off the excess.

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And then off you go, that's, that's the

most fun part of this whole technique.

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I'm going to take a little bit of the

titanium white now, right on the right on

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the little two inch brush or the big two

inch brush, whichever just a little color.

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That's all we need.

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And let's go right up in here.

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This is going to be our light source.

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Let's make it quite bright and

quite shiny, but a clean brush

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with a little point on it.

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Titanium white.

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You use the titanium

because it's friendly.

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We don't want to use

the liquid white pair.

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Liquid white is just a base

that we put on a canvas sort of

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colored blends on, on the canvas.

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Now then we can begin

blending this right together.

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Just like that and you can blink

it to any degree of softness so

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you can leave it quite harsh.

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It's up to you totally up to you.

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And then it's very

individual very lightly.

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So we can just begin blending this out

because it gets a smooth as you want.

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I didn't have a wild sky.

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It's very easy.

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And when you're doing this at

home, I suggest that you stand

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back and look at your painting.

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It's very difficult when you're

very close to it, to tell if

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your colors blended sufficiently.

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All right,

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there we go.

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Very effective and very soft little sky.

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Wash your brush again, I

just liked to wash the brush.

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So I looked for any excuse to

hear what let's have a nice

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mountain Ridge up through here.

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And for that, I'll just keep

using this lavender color up

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with a little black in it.

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So we have black lizard Crimson a little

bit, if a little blue, just midnight

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black and a lizard Crimson by itself

will make a very nice lavender color.

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There we go pull the paint out as flat

as you can get it cut across and get our

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tiny little roll of paint right there.

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Kings go up here.

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Now you got to make your first

major decision in this painting.

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Where does, where does your

little Ridge of mountains live?

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Maybe ours lives right

up wherever you want.

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The only thing that we're worried about

at this point is a top edge of this.

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We could care less.

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What's happening anywhere else, just

on the top here, we are really hope you

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enjoy seeing all those little squirrels.

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They're so precious.

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And if you've been with me before,

you know, that I'm sort of a fanatic

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for all God's little creatures,

professionally little squirrels

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and stuff, I, I really liked those.

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Those are loaners for girls.

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I got those from the bird lady here in

Muncie, Diana Schaffer, but at home, maybe

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I'll show you for the series is over.

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I have three little gray squirrels

that I'm raising and they came from

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another bird lady who lives in Orlando.

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She's allowing me to raise

these other ones at home.

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And if you think that's not a chore,

you tried taking care of three

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little baby squirrels at one time.

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It's like having three children.

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Well, certainly, certainly keep you busy.

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I'm just using a two-inch brush here.

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And my mother helps me

with a little squirrel.

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Sometimes she gets a kick out of

feeding them to a great deal of fun.

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And even if you don't raise animals

or, or touch him or play with

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them, it's a great deal of fun.

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Just to watch him.

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She would just, just putting some

food at new yard or something.

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You can attract a multitude of

little creatures, squirrels,

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and birds, and et cetera.

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Personally, I think they're

just fantastic tools.

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Gotcha.

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You need to take care of these little

creatures because they're sort of this,

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the barometer to tell you how the ecology

is doing it, how we're taking care of

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this old world, the animals disappear.

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Guess who's next.

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There.

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Not for my college kick.

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I'm going to take a little touch

of the bright red and go right into

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some titanium, white with very little

paint or very little red in the paint.

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Just enough to give it a

little flavor, then we'll get

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a tiny little roll of paint.

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Very little paint right out

on the edge of the blade.

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Okay.

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I thought maybe today we just do a little

Ridge of mountains and all you do is just

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touch and just let it gently float down.

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No pressure.

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Can't say that enough.

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Absolutely.

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No pressure.

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The more delicate, the touch, the nicer,

this will look, it will just start

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working some of these little areas.

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I don't want this to look like one of

our big mountains that we normally do.

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I want it to look like a little Ridge.

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I don't take a little black and white

little touch of that lavender into it.

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Just to make a shadow color.

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We can start here and there.

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We'll just start adding a

few little shadows in here.

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Yeah,

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midnight, black, little white, and a

little bit of the lavender color that we

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use to make the base of the mountain here.

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That's really all.

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We have very light, very gentle.

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Don't want that.

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We don't want much color up here.

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Ferry jumped over the hair.

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This is where we test to see

if you have a delicate touch.

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When I was in British Columbia,

there's a lot of mountain

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ridges that looked like this.

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A lot of them they're so striking

some of the most beautiful country.

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There we go.

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Now, maybe over in here, we got

little, little doers here and

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there, wherever you want them.

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Just make some decisions, drop them in.

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You may also find that it's a

little easier to get into some of

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these places using the small knife.

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There we are.

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Whichever is comfortable for you.

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That's the reason we designed

a couple of different knives.

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So you can, you can try it until you

find the one that works the best for you.

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Some people liked the large knife,

only some people like the small knife.

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It's really an individual thing.

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There we go here and there.

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Maybe there's a little, be a little

peak here near a little bump.

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Just let your imagination

take you wherever.

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Wherever thing here is

I don't want much paint.

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We're going to blend most of this out.

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All we're looking for here.

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Just some indication.

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Yeah.

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And we just sort of vary it

back and forth between the

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shadow and the highlight color.

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And even sometimes to show something

really deep would take a little

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dark, like a deep shadow in there.

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This is just the base color, but a bit of

the base color, you can play it here and

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there they're just, but not much of it.

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It's very strong and very quickly

it'll, it'll take over your whole world.

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So just a small, small amount.

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And you can play with these for hours.

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If you want to, you

don't have to paint them.

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It's fast at home.

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Yeah.

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Use your BCR and recorded and

do it at your own leisure there.

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Hope you enjoyed CFD.

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And again, Dana's been on

quite a few of the shows.

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He is.

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He's a really outstanding young artist.

255

00:12:42,555 --> 00:12:43,845

And he lives here in my CSO.

256

00:12:43,845 --> 00:12:46,495

A lot of times when I'm here

filming, he comes over, it

257

00:12:46,495 --> 00:12:47,895

keeps me company in the studio.

258

00:12:47,895 --> 00:12:50,835

And so one day we decided to put

him to work enough that setting

259

00:12:50,835 --> 00:12:55,505

around, taking life easy there.

260

00:12:55,954 --> 00:12:56,375

Okay.

261

00:12:57,215 --> 00:13:01,835

Now let's blend this out a little

and when you're doing this, you

262

00:13:01,835 --> 00:13:04,625

don't have to be real careful because

we're going to blend the whole thing.

263

00:13:05,645 --> 00:13:08,765

I'm going to tap the bottom because

I want the bottom to be very soft

264

00:13:08,765 --> 00:13:10,865

and very Misty, very diffused.

265

00:13:11,520 --> 00:13:15,120

And then very lightly, almost all

the way to the top begin blending.

266

00:13:17,040 --> 00:13:19,890

That's the reason we didn't have

to be very careful because you're

267

00:13:19,890 --> 00:13:26,270

going to blend it and soften it and

that'll bring it all together there.

268

00:13:29,300 --> 00:13:32,510

I like his little paintings that are

very soft, but you could do this.

269

00:13:32,510 --> 00:13:33,380

So it's very sharp.

270

00:13:33,780 --> 00:13:34,980

It's an individual thing.

271

00:13:35,160 --> 00:13:37,050

Do it any way that you want.

272

00:13:37,080 --> 00:13:41,820

All we want to do is show you how to do

it and to give you a couple ideas there.

273

00:13:42,570 --> 00:13:42,840

Okay.

274

00:13:42,840 --> 00:13:45,570

Maybe back in here, we'll have some

little trees and stuff for that.

275

00:13:46,260 --> 00:13:47,790

Tell you what, let's have some fun.

276

00:13:48,480 --> 00:13:51,720

Let's take a little Dyke

Brown, a little dark Sienna.

277

00:13:51,750 --> 00:13:52,800

We'll just mix them together.

278

00:13:53,610 --> 00:13:55,290

We'll take a little white

and throw in there too.

279

00:13:57,300 --> 00:13:58,170

Just to lighten it up.

280

00:13:58,170 --> 00:13:58,980

Maybe a little more.

281

00:14:00,870 --> 00:14:08,130

There we are looking for sort

of a medium Brown color, who I

282

00:14:08,130 --> 00:14:09,420

hit a little, that lavender too.

283

00:14:09,630 --> 00:14:09,700

All.

284

00:14:09,700 --> 00:14:10,020

Sorry.

285

00:14:11,280 --> 00:14:11,460

Okay.

286

00:14:11,460 --> 00:14:12,510

Let me wipe my knife.

287

00:14:14,730 --> 00:14:15,120

I'm ready.

288

00:14:16,290 --> 00:14:17,790

Cause you know, we don't make mistakes.

289

00:14:18,300 --> 00:14:22,230

We have happy accidents and

that's that's when you really

290

00:14:22,290 --> 00:14:24,060

experience the joy of painting.

291

00:14:25,605 --> 00:14:30,855

All right now, then low deal, fan brush,

full of color, a lot of color, a lot

292

00:14:30,855 --> 00:14:34,205

of colors coping here and maybe back

here in our world that lifts and little

293

00:14:34,205 --> 00:14:36,215

district trees and they were back in here.

294

00:14:36,665 --> 00:14:39,064

All you have to do is take the

fan brush and sort of tap it down.

295

00:14:39,064 --> 00:14:43,385

When I began thinking about basic

shapes and where you want them

296

00:14:43,385 --> 00:14:46,835

to live and just begin tapping.

297

00:14:47,280 --> 00:14:55,589

That's really all there is to

it and they go now sometimes

298

00:14:55,890 --> 00:14:56,939

let me show you something here.

299

00:14:57,390 --> 00:15:00,390

Sometimes I get letters and

people say my background trees

300

00:15:00,390 --> 00:15:02,250

look like fence posts like that.

301

00:15:03,180 --> 00:15:04,920

The only thing wrong right there.

302

00:15:05,295 --> 00:15:07,635

Cause you don't have enough

if you just go back, if that

303

00:15:07,635 --> 00:15:10,485

happens, just add him a few more.

304

00:15:12,015 --> 00:15:15,165

These are a lot of trees

that are far, far away in the

305

00:15:15,165 --> 00:15:16,995

distance, far away in a distance.

306

00:15:18,675 --> 00:15:19,155

There we go.

307

00:15:19,605 --> 00:15:20,385

Maybe they come over.

308

00:15:20,715 --> 00:15:20,985

Shoot.

309

00:15:20,985 --> 00:15:21,945

Maybe it goes up here.

310

00:15:22,545 --> 00:15:23,205

It's up to you.

311

00:15:23,895 --> 00:15:27,525

Anywhere you wanted and

where did you want it?

312

00:15:29,564 --> 00:15:30,135

There we are

313

00:15:34,485 --> 00:15:35,085

right on up there.

314

00:15:35,355 --> 00:15:36,425

I don't know wherever you want.

315

00:15:39,665 --> 00:15:41,615

So I say this is such an individual thing.

316

00:15:42,095 --> 00:15:46,415

It's a reason we don't, we

don't really want to have you

317

00:15:46,415 --> 00:15:47,944

just use patterns and trace.

318

00:15:48,780 --> 00:15:53,280

And et cetera, we really would like to see

people learn to be creative on their own.

319

00:15:54,180 --> 00:15:57,780

And this is the freest style

of painting I have ever seen.

320

00:15:58,260 --> 00:16:00,510

Maybe there's one here that you

can see a little more detail.

321

00:16:01,770 --> 00:16:03,030

I think that easy.

322

00:16:04,439 --> 00:16:06,060

Cause it just looks like

he were to be there.

323

00:16:06,930 --> 00:16:11,490

Now that I want to create the illusion

of myths down at the base of these very

324

00:16:11,490 --> 00:16:18,870

firmly using the top corner only of the

two inch brush, just tapping very firmly.

325

00:16:18,870 --> 00:16:21,660

You can probably hear

how much we're tapping.

326

00:16:24,160 --> 00:16:27,030

You see our new opening on the

show and isn't that fantastic.

327

00:16:27,545 --> 00:16:30,995

Ask the little painter

man, a little painter man.

328

00:16:32,015 --> 00:16:38,255

And that was done by a fantastic

engineer right here, the station where

329

00:16:38,255 --> 00:16:41,465

we filmed, he put all that together and

designed it and figured out how to do it.

330

00:16:42,065 --> 00:16:43,205

And his name's Jerry Morton.

331

00:16:43,205 --> 00:16:46,895

And I'd like to give him

credit for doing a super job.

332

00:16:47,265 --> 00:16:49,245

He put a lot of work into making that.

333

00:16:49,275 --> 00:16:50,025

I hope you like it.

334

00:16:50,025 --> 00:16:52,905

I'd love to hear from you and

know what you think of it, but

335

00:16:52,905 --> 00:16:55,125

we're going to call that little

character, the little painter, man.

336

00:16:55,305 --> 00:16:59,975

Maybe we'll maybe we'll show

him again sometime there.

337

00:17:00,875 --> 00:17:03,695

Now, then I have several layers in here.

338

00:17:04,475 --> 00:17:06,545

So we'll take it saying colored.

339

00:17:06,545 --> 00:17:08,675

I want to add a little bit more

of the Vandyke Brown to it.

340

00:17:09,275 --> 00:17:12,155

As you know, in a landscape,

as things get closer to you.

341

00:17:12,824 --> 00:17:14,084

They should get darker in value.

342

00:17:14,084 --> 00:17:15,764

So all you need to do is add

a little more of the Brown.

343

00:17:15,794 --> 00:17:19,984

Let's go back up, been here and

maybe right here, right here.

344

00:17:20,044 --> 00:17:20,375

I know.

345

00:17:21,185 --> 00:17:24,774

We'll see how that dark color stands

out now against that Mysterio.

346

00:17:24,774 --> 00:17:29,074

If you didn't have that little Misty

area, we'd probably be an agony city

347

00:17:29,074 --> 00:17:32,225

right now because we've, it would

just blend together and you'd lose it.

348

00:17:33,544 --> 00:17:37,415

But because you have that little

Misty area and you're in business

349

00:17:37,415 --> 00:17:40,264

and they'll separate that Misty

area, as I've said over and over.

350

00:17:40,889 --> 00:17:46,080

Is your good friend and painting

sometimes softness or a little mysterious.

351

00:17:46,950 --> 00:17:50,850

Do more good for you than

anything else take you on.

352

00:17:51,629 --> 00:17:52,409

Let's get crazy.

353

00:17:52,830 --> 00:17:53,879

Maybe there's a nice tree.

354

00:17:54,060 --> 00:17:54,270

Yep.

355

00:17:54,450 --> 00:17:56,639

There is now lives right there.

356

00:17:57,389 --> 00:17:59,070

Just use the corner of the fan brush.

357

00:18:00,600 --> 00:18:02,159

I know here we go back and forth.

358

00:18:03,149 --> 00:18:09,540

They're happy little evergreen lives

right there and he needs a friend.

359

00:18:10,470 --> 00:18:15,420

Maybe this guy, maybe a squirrel chewed

off all his limbs when he was little

360

00:18:15,420 --> 00:18:16,740

living levels, do that sometimes.

361

00:18:16,740 --> 00:18:18,030

So we'll just put a few on him.

362

00:18:18,960 --> 00:18:20,190

So he sort of naked.

363

00:18:21,870 --> 00:18:22,500

There we go.

364

00:18:24,345 --> 00:18:26,595

There, but you can see part

of the trunk through there.

365

00:18:27,165 --> 00:18:30,195

And sometimes that's very

nice clean, dry brush.

366

00:18:30,794 --> 00:18:34,815

And once again, once again are a

little Misty effect and we just let

367

00:18:34,815 --> 00:18:38,925

it come right on out and just blend

off into nothing there at the end

368

00:18:43,245 --> 00:18:45,554

that you can create layer

after layer, after layer.

369

00:18:45,775 --> 00:18:48,195

A little foothills, a little

soft areas in between.

370

00:18:48,945 --> 00:18:52,065

It gives your painting, tremendous

depth, tremendous depth.

371

00:18:52,995 --> 00:18:55,515

And of course, I know none of us

are interested in that happy book,

372

00:18:56,265 --> 00:18:59,985

but if you're out selling your

paintings, this is what makes your

373

00:18:59,985 --> 00:19:02,265

painting special over everybody.

374

00:19:02,265 --> 00:19:07,365

Else's is the fact that it has all of

this depth distance Senate, and then

375

00:19:07,365 --> 00:19:08,925

somebody comes along to buy a painting.

376

00:19:08,925 --> 00:19:11,625

They'll look at yours and

guess who sells a painting?

377

00:19:12,225 --> 00:19:13,575

This pays great dividends.

378

00:19:15,105 --> 00:19:15,425

Tell you.

379

00:19:16,754 --> 00:19:17,325

All right.

380

00:19:18,195 --> 00:19:20,865

Yeah, we said it was going

to have snow down here.

381

00:19:21,285 --> 00:19:22,155

Let's put one more layer.

382

00:19:22,155 --> 00:19:22,725

Foothills.

383

00:19:23,805 --> 00:19:27,225

I want to take, I like a little bit

is I'm going to take the big brush it.

384

00:19:27,235 --> 00:19:27,855

I've got to go in here.

385

00:19:27,855 --> 00:19:28,905

I use a little lavender.

386

00:19:29,805 --> 00:19:32,565

This is just the alizarin,

Crimson and a touch.

387

00:19:32,565 --> 00:19:36,855

If they low blue, once

again, proportionately much

388

00:19:36,885 --> 00:19:37,995

more Crimson than blue.

389

00:19:38,745 --> 00:19:39,525

Just tap.

390

00:19:40,185 --> 00:19:41,265

Okay, let's go back up here.

391

00:19:41,835 --> 00:19:42,945

Maybe these foothills.

392

00:19:43,480 --> 00:19:44,250

Live right here.

393

00:19:44,700 --> 00:19:47,550

And all we're doing right now is

putting in a base color and they

394

00:19:47,550 --> 00:19:49,290

will, these are getting close enough.

395

00:19:49,320 --> 00:19:50,790

Maybe they got a little highlight on them.

396

00:19:50,910 --> 00:19:51,540

What the heck?

397

00:19:52,920 --> 00:19:55,139

She had us make big

decisions and drop them in.

398

00:19:55,430 --> 00:19:57,260

Let them go there.

399

00:19:57,260 --> 00:19:57,590

It goes.

400

00:19:57,860 --> 00:19:58,270

There, it goes

401

00:20:01,280 --> 00:20:05,120

there wherever you think they should live.

402

00:20:06,260 --> 00:20:10,670

This is exactly where

they should live now.

403

00:20:12,465 --> 00:20:15,735

That's our base cover and

that's really all it is.

404

00:20:15,735 --> 00:20:18,435

This could be put on, shoot,

you put this over your shoe.

405

00:20:18,465 --> 00:20:19,034

It doesn't matter.

406

00:20:20,235 --> 00:20:20,955

Doesn't matter.

407

00:20:22,125 --> 00:20:22,754

There we go.

408

00:20:23,655 --> 00:20:25,635

Let's take another brochure.

409

00:20:25,635 --> 00:20:27,554

I have several of each price

go in, so I don't have to spend

410

00:20:27,554 --> 00:20:28,875

all my time washing brushes.

411

00:20:29,625 --> 00:20:31,995

I'm going to dip it into a

touch of the liquid white.

412

00:20:32,505 --> 00:20:34,695

Just a touch, very small amount.

413

00:20:35,865 --> 00:20:39,375

That's right above a

smidgen little, teeny bit.

414

00:20:39,405 --> 00:20:40,145

Let me reach down here.

415

00:20:40,165 --> 00:20:40,815

Be right back.

416

00:20:40,815 --> 00:20:44,025

Don't go away a little

bright red in there.

417

00:20:44,985 --> 00:20:46,815

It takes very little, very little.

418

00:20:47,385 --> 00:20:50,895

Now then just tap, push.

419

00:20:51,315 --> 00:20:54,315

You can see that little Ridge paintless,

pull it out very flat seeing see it.

420

00:20:54,315 --> 00:20:54,585

Good.

421

00:20:55,335 --> 00:20:56,115

It's that little Ridge.

422

00:20:56,775 --> 00:20:57,195

There's a.

423

00:20:57,930 --> 00:20:59,940

A Ridge just like that

on the end of the brush.

424

00:21:00,090 --> 00:21:01,320

And that's what we paint with.

425

00:21:01,440 --> 00:21:05,220

Let's go up here now, then we'll use

just the corner of the brush and we

426

00:21:05,220 --> 00:21:10,110

go in here and we can begin putting in

some nice little highlights on these.

427

00:21:11,820 --> 00:21:13,590

In my mind, these are getting closer.

428

00:21:13,590 --> 00:21:16,139

Now they're close enough that

you can begin seeing all these

429

00:21:16,139 --> 00:21:17,250

little things that are happening.

430

00:21:18,270 --> 00:21:21,960

Have a little touch of liquid white

that I put in there was put in there

431

00:21:21,990 --> 00:21:25,230

only to thin this a little bit because.

432

00:21:25,889 --> 00:21:30,060

As you know, one of our golden rules, a

thin paint will stick to a thick paint.

433

00:21:30,899 --> 00:21:35,670

The paint that we use is very, very

thick, very dry it's, much thicker

434

00:21:35,670 --> 00:21:39,649

than traditional oil paints there.

435

00:21:39,649 --> 00:21:44,600

And then we can paint layer after layer

on top without just becoming a mud mixer.

436

00:21:45,080 --> 00:21:49,430

If all your paints are the same

consistency, just going to make

437

00:21:49,450 --> 00:21:52,580

mud, all this going to happen, then

you're going to be unhappy with me.

438

00:21:55,139 --> 00:21:56,129

Watch here's a little trick.

439

00:21:56,129 --> 00:21:58,800

Maybe let's do this maybe right here.

440

00:22:00,330 --> 00:22:04,260

There's another little now a little plane.

441

00:22:04,290 --> 00:22:05,310

Hold another plane.

442

00:22:06,300 --> 00:22:07,560

So you just let them separate.

443

00:22:08,159 --> 00:22:11,639

And that little dark area in between

is all you need to create the

444

00:22:11,639 --> 00:22:13,439

illusion of a little separation.

445

00:22:14,939 --> 00:22:15,780

That's all you need.

446

00:22:17,760 --> 00:22:17,939

Okay.

447

00:22:17,939 --> 00:22:20,219

Now then we said this was winter.

448

00:22:20,670 --> 00:22:21,720

So let's have some snow.

449

00:22:22,170 --> 00:22:23,250

We need some snow in here.

450

00:22:23,910 --> 00:22:25,160

Just use a titanium white.

451

00:22:25,180 --> 00:22:27,330

We got a little touch that

pinkish color left on there.

452

00:22:28,580 --> 00:22:35,660

Touch pool, decide in your world where

this is going to live and drop it in.

453

00:22:38,240 --> 00:22:41,570

See, and with a big brush,

you can do this very rapidly.

454

00:22:41,570 --> 00:22:42,480

It didn't take, but a second.

455

00:22:43,395 --> 00:22:44,865

Let's let that blend right on back.

456

00:22:46,995 --> 00:22:49,965

Let's see the depth that creates

Jess, because you left in there

457

00:22:51,585 --> 00:22:54,045

now, then we need some big trees.

458

00:22:54,045 --> 00:22:58,425

You know me, I like him victories,

but now I haven't in years, if you

459

00:22:58,425 --> 00:23:01,245

don't want a big tree, don't put

them on, use some of the lavender

460

00:23:01,245 --> 00:23:02,535

and some Brown mixed together.

461

00:23:03,785 --> 00:23:05,715

Just loaded up on this old two inch brush.

462

00:23:06,405 --> 00:23:07,575

Make some big decisions.

463

00:23:08,475 --> 00:23:11,475

Where is our little

trees live in our world?

464

00:23:11,535 --> 00:23:14,045

I think they live right about here.

465

00:23:15,935 --> 00:23:16,415

There they go.

466

00:23:17,075 --> 00:23:17,825

There they go.

467

00:23:19,425 --> 00:23:21,675

And all we're doing here is

just putting in a little color.

468

00:23:22,365 --> 00:23:26,685

So we'll have something for a highlight

to stick to just the base color.

469

00:23:26,715 --> 00:23:33,225

It's all we're looking for there, maybe

a little something right in there,

470

00:23:34,605 --> 00:23:40,595

wherever we are, then let's take, if

we go back to the old two inch breasts

471

00:23:40,595 --> 00:23:44,564

that we were using has a little bright

red on it and a little titanium white.

472

00:23:45,855 --> 00:23:46,845

And let's go back in here.

473

00:23:47,310 --> 00:23:51,480

Just put the indication of some

nice little snow cover things

474

00:23:51,930 --> 00:23:53,130

live up here on this tree.

475

00:23:53,820 --> 00:23:56,670

It was just like if we were

putting green leaves up here,

476

00:23:57,210 --> 00:23:58,500

think about form and shape.

477

00:23:58,530 --> 00:23:59,550

Don't just throw this on it.

478

00:23:59,550 --> 00:24:00,000

Random.

479

00:24:00,060 --> 00:24:03,600

It's most important that it

gives shape and form to you.

480

00:24:04,670 --> 00:24:05,570

Most important.

481

00:24:07,550 --> 00:24:10,550

Some parts of the country when the

winter comes and Jack Frost plays

482

00:24:10,550 --> 00:24:13,790

through the trees, you get all these

beautiful things, just hanging around.

483

00:24:14,969 --> 00:24:15,540

There we are.

484

00:24:16,830 --> 00:24:18,330

So here's another one.

485

00:24:19,860 --> 00:24:26,729

Maybe it lives right here and it just

goes right on out about there, there,

486

00:24:26,879 --> 00:24:28,740

wherever another one right there.

487

00:24:29,250 --> 00:24:31,770

And you put just as many or as

few as you want in your world.

488

00:24:33,479 --> 00:24:37,520

Now, then we want to pull a

little this out into the snow to

489

00:24:37,520 --> 00:24:39,229

create the illusion of a shadow.

490

00:24:39,810 --> 00:24:41,160

And it shows another plane.

491

00:24:41,190 --> 00:24:45,240

Just the fact that it moves there, a

whole nother plane and your painting,

492

00:24:48,390 --> 00:24:50,610

but snow is one of the

easiest things to paint.

493

00:24:50,670 --> 00:24:54,750

When you have a big old brush, like this,

take a little touch of the liquid white.

494

00:24:55,830 --> 00:25:01,380

We can put the indication here and there

just a little trunk wherever we want it.

495

00:25:02,610 --> 00:25:03,270

There we are.

496

00:25:05,790 --> 00:25:07,500

We just want to show some indications.

497

00:25:09,405 --> 00:25:15,575

Just a few Aaron, we can take the

knife and just scraping some sticks

498

00:25:15,575 --> 00:25:20,465

and twigs there, here and here.

499

00:25:20,465 --> 00:25:22,535

A little blue shit

lives right down my cat.

500

00:25:22,535 --> 00:25:24,455

So it's not just a straight

line and pull it out.

501

00:25:26,555 --> 00:25:27,035

All right.

502

00:25:27,785 --> 00:25:29,015

Let's have some fun over here.

503

00:25:30,215 --> 00:25:31,895

On the other side, we

go into a little Brown.

504

00:25:31,895 --> 00:25:34,175

Let me get a little paint

thinner on the liner brush.

505

00:25:35,075 --> 00:25:35,165

Okay.

506

00:25:35,820 --> 00:25:38,040

And maybe in our world their lives.

507

00:25:39,090 --> 00:25:40,350

This is your brave retest.

508

00:25:41,010 --> 00:25:43,530

Maybe there, there, it

is a happy little tree.

509

00:25:45,130 --> 00:25:47,880

Maybe this one, they mean

this one's naked out here.

510

00:25:50,160 --> 00:25:50,850

Yeah.

511

00:25:51,420 --> 00:25:51,840

Okay.

512

00:25:52,410 --> 00:25:53,790

Let's give him some arms.

513

00:25:55,860 --> 00:25:57,150

I got a letter from a man.

514

00:25:57,150 --> 00:25:57,570

One time.

515

00:25:58,470 --> 00:25:59,220

He didn't believe me.

516

00:25:59,220 --> 00:26:03,180

I'd even given the trees, arms

and legs and foots and names.

517

00:26:04,485 --> 00:26:06,135

But that's all right in your world.

518

00:26:06,555 --> 00:26:09,015

If you want the trees to

have foots, you can do that.

519

00:26:09,135 --> 00:26:12,225

You want them to have arms if

you want to give them names.

520

00:26:17,735 --> 00:26:17,885

Okay.

521

00:26:17,945 --> 00:26:21,305

Maybe, maybe there's a few little

sticks and twigs, some baby trees

522

00:26:21,305 --> 00:26:23,825

growing around here right down.

523

00:26:23,825 --> 00:26:28,325

Like, so let's take a fan

brush, take an old fan brush.

524

00:26:28,325 --> 00:26:29,525

We bet out of time for today.

525

00:26:29,525 --> 00:26:30,275

So I'll just show you.

526

00:26:31,440 --> 00:26:36,360

Take a little lavender color, a little

bit more into the red issue there.

527

00:26:37,500 --> 00:26:41,960

Little lizard Crimson, the little

blue, put a little Hill right there.

528

00:26:43,280 --> 00:26:44,420

That'll touch it for white.

529

00:26:44,629 --> 00:26:45,080

Grab it.

530

00:26:45,800 --> 00:26:45,889

Okay.

531

00:26:45,950 --> 00:26:47,990

Let that just move

right off into the snow.

532

00:26:48,070 --> 00:26:49,159

See how easy that is.

533

00:26:49,820 --> 00:26:51,920

It's also an excellent way

to make little sand dunes.

534

00:26:51,920 --> 00:26:58,070

If you're doing little

seascapes, easy shoot.

535

00:26:58,110 --> 00:26:59,659

I think we bought having

finished painting.

536

00:27:00,584 --> 00:27:02,534

Try this, I think it's a very warm winter.

537

00:27:02,534 --> 00:27:05,145

Seeing the children enjoy

doing from all of us here.

538

00:27:05,175 --> 00:27:06,524

I'd like to wish you happy painting.

539

00:27:07,064 --> 00:27:08,115

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S20E03 - Winter In Pastel

Bob Ross's

The Joy of Painting

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