Bob Ross's

The Joy of Painting

S17E10 - Old Country Mill

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:13,600 --> 00:00:15,150

Hi, welcome back.

00:00:15,330 --> 00:00:16,920

I'm certainly glad you

could join me today.

00:00:16,920 --> 00:00:20,310

It's such a fantastic day here and

I hope it is wherever you're at.

00:00:20,850 --> 00:00:24,090

I thought today we just do a

beautiful, beautiful little painting.

00:00:24,120 --> 00:00:24,870

That's very warm.

00:00:24,870 --> 00:00:26,670

It has a lot of very soft colors in it.

00:00:27,210 --> 00:00:29,370

So I'll tell you what, let's

start out, have him run all the

00:00:29,370 --> 00:00:32,340

colors across the screen that

you need to paint along with me.

00:00:32,340 --> 00:00:34,710

And while they're doing that, let me

show you what I've already done up here.

00:00:34,850 --> 00:00:38,070

Kept my standard old canvas up here,

a double prime pre-stretch canvas,

00:00:38,460 --> 00:00:41,190

and I've covered it with just a

thin even coat of the liquid white.

00:00:41,190 --> 00:00:42,720

So it's all wet and it's ready to go.

00:00:43,365 --> 00:00:44,475

So let's do a little painting.

00:00:45,195 --> 00:00:48,585

As I say today, it's such

a beautiful, beautiful day.

00:00:48,945 --> 00:00:50,025

Let's just do a little painting.

00:00:50,025 --> 00:00:53,325

That's very warm and just

one to make you happy.

00:00:53,325 --> 00:00:55,785

Let's start out with a little dark

Sienna and our reach up here and get the

00:00:55,785 --> 00:00:57,585

least little touch of a lizard Crimson.

00:00:58,455 --> 00:01:00,525

I would make a nice warm Brown color.

00:01:00,705 --> 00:01:02,355

Just tap a little into the bristles.

00:01:03,200 --> 00:01:08,040

Let's go up in here and we use our

little cross strokes and just begin

00:01:08,040 --> 00:01:13,800

dancing just to happy little happy

little area up here like that.

00:01:15,810 --> 00:01:16,530

All right.

00:01:18,120 --> 00:01:24,240

So I say this is just going to be a very,

very warm painting, very warm, very soft,

00:01:24,240 --> 00:01:28,590

quiet, delicate little painting because

that's the kind of mood I'm in today.

00:01:30,185 --> 00:01:30,455

There.

00:01:32,875 --> 00:01:37,375

See the paint is continually continually

mixing with the liquid white and

00:01:37,405 --> 00:01:41,185

automatically it gets lighter and

lighter in value as it works downward

00:01:41,965 --> 00:01:48,385

that the canvas work for you shoot

very lightly three hairs and some air

00:01:48,505 --> 00:01:49,915

all we had to do is just blend that.

00:01:50,695 --> 00:01:52,525

We're going to use that

for our background today.

00:01:53,695 --> 00:01:54,805

And that's about all we need.

00:01:56,245 --> 00:01:56,545

Now.

00:01:56,845 --> 00:01:58,015

I'll show you something that's fun.

00:01:58,410 --> 00:01:59,490

Let's have some fun today.

00:01:59,490 --> 00:02:04,440

We'll go back into that same color, little

lizard, Crimson, a little bit of dark

00:02:04,440 --> 00:02:06,750

sand, and just mix these on the brush.

00:02:06,750 --> 00:02:06,990

Shoot.

00:02:06,990 --> 00:02:07,710

Don't worry about it.

00:02:09,060 --> 00:02:11,430

That way you have a multitude of

things happening in that brush.

00:02:11,430 --> 00:02:12,240

It's just not one.

00:02:12,240 --> 00:02:13,440

Oh, flat, dead color.

00:02:13,490 --> 00:02:17,420

Let's go back up here now then maybe

back here in the background, maybe

00:02:17,420 --> 00:02:20,870

we have some, just some little tree

indications and Bush indications.

00:02:21,500 --> 00:02:23,060

I mean, it's going to take

the corner of the brush.

00:02:24,405 --> 00:02:26,415

I just started rub it, just rub it.

00:02:27,405 --> 00:02:29,984

Now, if you've ever had problems,

making little bushes and trees,

00:02:30,554 --> 00:02:34,995

this is your painting because

this will make it so simple.

00:02:35,984 --> 00:02:41,114

Even if you've never painted

anything before this, you can do

00:02:41,174 --> 00:02:46,665

without any problem at off there,

just the corner of the brush.

00:02:47,054 --> 00:02:49,125

And all you have to worry

about is just some very.

00:02:49,300 --> 00:02:52,690

Very basic little shapes, maybe over here.

00:02:52,810 --> 00:02:58,600

There's one, there's one like

a Def very soft and quiet.

00:02:59,620 --> 00:03:03,010

Maybe there's a bigger one over

here, whatever, but I want these to

00:03:03,010 --> 00:03:04,660

almost blend the right into the sky.

00:03:06,370 --> 00:03:06,730

Okay.

00:03:06,850 --> 00:03:08,680

Speaking of blending, let's take a good.

00:03:09,425 --> 00:03:10,565

Clean dry brush.

00:03:10,925 --> 00:03:12,635

And I want to create the illusion of mist.

00:03:13,825 --> 00:03:14,245

Tap it.

00:03:15,505 --> 00:03:20,425

Just tap the base, not the tough,

just the base, just the bottom.

00:03:22,385 --> 00:03:24,865

That'll make it even softer there.

00:03:29,755 --> 00:03:35,335

I very lightly one hair in some

air, just barely touching now then.

00:03:36,225 --> 00:03:38,834

If you want to create the illusion

of more depth and distance in

00:03:38,834 --> 00:03:40,545

your painting, all you have to do.

00:03:40,725 --> 00:03:41,114

Let me show you.

00:03:41,204 --> 00:03:41,954

It's easier to show you.

00:03:41,954 --> 00:03:46,215

Take a little more of that same color

and we can come back in here and maybe,

00:03:47,084 --> 00:03:48,495

maybe there's another one right there.

00:03:48,495 --> 00:03:52,845

Let me get just a touch, more paint,

sort of show off a little bit better.

00:03:53,295 --> 00:03:54,975

I don't want to change the color too much.

00:03:55,035 --> 00:03:56,774

Just enough so you can see the difference.

00:03:57,675 --> 00:04:00,795

But this Misty area in here

is what separates two good

00:04:00,795 --> 00:04:01,815

friends take care of it.

00:04:01,815 --> 00:04:03,885

Then there we go.

00:04:07,125 --> 00:04:10,755

Then I'll take another two inch

brush and I have several of each

00:04:10,785 --> 00:04:15,945

fresh going into this tab, this tab.

00:04:16,904 --> 00:04:17,865

That's one thing you'll find.

00:04:17,865 --> 00:04:22,935

If you paint very much, if you have

at least two of each brush, it'll

00:04:22,935 --> 00:04:24,945

save you a tremendous amount of time.

00:04:25,725 --> 00:04:29,745

And materials because otherwise, if

you, if you have to wash and clean

00:04:29,745 --> 00:04:32,835

your brush between each time you go

back from a dark to a light color,

00:04:33,465 --> 00:04:35,745

most of your color only ended up

in the bottom of this washer camp.

00:04:36,405 --> 00:04:39,165

If you have two or more of each one of

these brushes and you can have one for

00:04:39,165 --> 00:04:42,435

light, one for dark just makes it easier.

00:04:42,435 --> 00:04:43,155

And I'm lazy.

00:04:43,365 --> 00:04:44,415

Let's take some dark colors.

00:04:44,415 --> 00:04:48,485

Now we'll go into a little bit

of midnight black little van Dyke

00:04:48,485 --> 00:04:51,935

Brown, little touch of the SAP green.

00:04:54,210 --> 00:04:57,599

And a little touch of the little

blue, not too much, just a little

00:04:57,599 --> 00:05:00,830

bit, just load the brush up again.

00:05:00,840 --> 00:05:03,719

As things get closer to you in the

landscape, you want them to get darker.

00:05:04,469 --> 00:05:06,090

So now they're beginning to get closer.

00:05:06,120 --> 00:05:07,409

So let's come right up in here.

00:05:09,570 --> 00:05:10,800

There's a mass of the Bush.

00:05:10,800 --> 00:05:15,435

If you see some green in this

way, When it's beginning to show a

00:05:15,435 --> 00:05:20,114

little bit more green there so that

all these little things happen.

00:05:20,205 --> 00:05:24,435

All we're using though is just the corner

of the brush and just making little

00:05:24,435 --> 00:05:29,815

wiggles, stay there, give it a little

push that's where they come from, but

100

00:05:29,815 --> 00:05:34,745

I'm more of the color and you, these

counters a little bit here and there.

101

00:05:35,945 --> 00:05:37,474

That's why you mix color on the brush.

102

00:05:37,474 --> 00:05:41,765

That way you get a multitude of things

happening without even working at it.

103

00:05:42,914 --> 00:05:48,284

They're paintings too much fun to

turn it into a chore, enjoy it.

104

00:05:50,025 --> 00:05:52,034

Do enough bad things around

the house to do that.

105

00:05:52,034 --> 00:05:52,575

Aren't fun.

106

00:05:53,055 --> 00:05:55,905

You can always go cut

the grass or whatever.

107

00:05:55,905 --> 00:05:59,565

If you want something that's not fun when

you're painting should be fun for you.

108

00:06:00,270 --> 00:06:05,669

Now we'll take the large brush and

just tap that once again, once again,

109

00:06:05,700 --> 00:06:11,219

I want to create that illusion of

the mist, very soft and very quiet.

110

00:06:15,240 --> 00:06:17,880

Just work in layers, just

layer after layer after layer.

111

00:06:19,740 --> 00:06:21,870

Now then go back into that old color.

112

00:06:22,440 --> 00:06:25,320

Maybe want to make the indication

here of a little, little tree.

113

00:06:25,530 --> 00:06:26,479

Oh, this is an easy way.

114

00:06:26,500 --> 00:06:28,500

Just touch and Ben.

115

00:06:29,099 --> 00:06:34,919

Just bend and less as you go up there,

it is, see, take the other side.

116

00:06:35,880 --> 00:06:39,479

All you have to do push harder

when you want it to get wider.

117

00:06:41,159 --> 00:06:44,789

And that super, maybe let's give him a

little Fred and you can do as many or as

118

00:06:44,789 --> 00:06:46,409

few of these as you want in your world.

119

00:06:47,580 --> 00:06:49,260

Just touch it, give it a little push.

120

00:06:49,859 --> 00:06:50,849

It's all there is to it.

121

00:06:52,000 --> 00:06:54,150

It makes the indication

of a nice little tree.

122

00:06:54,914 --> 00:06:56,955

And you have done virtually nothing.

123

00:06:57,614 --> 00:07:00,315

Take the knife, but the indication

of a little trunk here and there

124

00:07:00,315 --> 00:07:05,325

in it, and people will think you've

worked for long periods of time

125

00:07:05,745 --> 00:07:07,385

to put these, sorry, a secret.

126

00:07:07,385 --> 00:07:09,094

Don't tell nobody kidding.

127

00:07:09,484 --> 00:07:09,664

Yeah.

128

00:07:09,695 --> 00:07:10,505

Back to her color.

129

00:07:11,375 --> 00:07:11,465

Okay.

130

00:07:12,930 --> 00:07:16,620

And that's go back in here and maybe

put another layer, same basic colors.

131

00:07:16,680 --> 00:07:18,390

I'm going to use the same basic colors.

132

00:07:18,390 --> 00:07:20,670

I just want to show you

numerous layers in here.

133

00:07:21,810 --> 00:07:25,740

Now this can be made to look very,

very soft, almost like a watercolor.

134

00:07:26,790 --> 00:07:30,720

When I was in school, I took

several courses in watercolor

135

00:07:30,720 --> 00:07:32,010

and it taught me two things.

136

00:07:33,164 --> 00:07:36,495

First of all it, wasn't

my medium to difficult.

137

00:07:37,575 --> 00:07:42,854

Secondly, a tremendous respect for those

who could do it to me, that's the hardest

138

00:07:42,854 --> 00:07:48,945

medium, various boy you'd make a mistake

there, but this is very forgiving.

139

00:07:48,974 --> 00:07:50,745

You could scrape this off and start over.

140

00:07:50,835 --> 00:07:55,575

Even now, even now, I'm going to

start adding some yellows and.

141

00:07:56,745 --> 00:08:00,015

CAD yellow, yellow ochre, a little

bright red here and there, whatever

142

00:08:00,225 --> 00:08:05,895

Indian, yellow there, you know what

I'm putting this song, cause this

143

00:08:05,895 --> 00:08:07,065

is going to be very repetitious.

144

00:08:07,065 --> 00:08:07,965

I'm just adding color.

145

00:08:08,415 --> 00:08:12,105

I wanted to mention recently through

our newsletter, we had, we had an

146

00:08:12,105 --> 00:08:16,485

art contest and from all over the

country, people sent me paintings.

147

00:08:16,575 --> 00:08:17,925

I thought you wouldn't

believe we had just.

148

00:08:18,480 --> 00:08:20,580

I just hundreds of

beautiful paintings came in.

149

00:08:21,570 --> 00:08:24,210

One of the hardest things we've ever

tried to do is to figure out whose

150

00:08:24,210 --> 00:08:28,170

paintings we liked, who we thought

was who we thought was the winner.

151

00:08:28,200 --> 00:08:31,260

That's very hard to come up with,

but I wanted to share with you today,

152

00:08:31,350 --> 00:08:36,750

some of the people that had won

according to categories, so we'll

153

00:08:36,750 --> 00:08:38,220

just put those up on the screen here.

154

00:08:38,909 --> 00:08:42,780

This is Becky Gibson and she's

was under six years of age.

155

00:08:42,809 --> 00:08:43,559

Can you believe that?

156

00:08:43,859 --> 00:08:47,609

Fantastic young painter there.

157

00:08:48,270 --> 00:08:50,310

And then we had Harold Jenny from st.

158

00:08:50,310 --> 00:08:51,030

Louis, Missouri.

159

00:08:51,300 --> 00:08:54,449

He was in the six to 12 year

old category at Harold he's.

160

00:08:54,449 --> 00:08:55,050

A son of God.

161

00:08:55,050 --> 00:08:55,890

Look at that painting.

162

00:08:56,220 --> 00:08:58,110

Well, he's, he's going

to be after my job too.

163

00:08:58,110 --> 00:08:58,590

Pretty soon.

164

00:09:00,700 --> 00:09:03,180

Steve Silverman from Virginia.

165

00:09:03,180 --> 00:09:03,860

That's where I come in.

166

00:09:03,870 --> 00:09:04,470

He's located.

167

00:09:05,580 --> 00:09:08,730

He was in the 13 to 18 year

old category and Steve has

168

00:09:08,730 --> 00:09:09,930

quite a career in front of him.

169

00:09:09,930 --> 00:09:14,910

I can tell that now and in the category.

170

00:09:15,200 --> 00:09:15,830

Yeah, 18.

171

00:09:15,830 --> 00:09:17,630

And over that means they're not

going to tell you how old they are.

172

00:09:18,080 --> 00:09:18,410

Earnest.

173

00:09:18,410 --> 00:09:22,280

Hopewell earnest is a fantastic artist.

174

00:09:22,280 --> 00:09:23,840

I'm so proud of these people.

175

00:09:24,650 --> 00:09:27,860

I'm just overjoyed and.

176

00:09:28,395 --> 00:09:37,185

W, as I say, it was very hard to pick a

winner and I just can't tell you all the

177

00:09:37,185 --> 00:09:39,075

beautiful, beautiful paintings we had.

178

00:09:39,915 --> 00:09:43,005

And I hope next time we have one of

these little contest that you entered and

179

00:09:43,005 --> 00:09:44,955

maybe we can show your painting on here.

180

00:09:46,455 --> 00:09:51,615

Oh, I'm just taking all different

colors, yellows, and just whatever,

181

00:09:52,035 --> 00:09:53,925

just making the layer after layer.

182

00:09:55,275 --> 00:10:00,194

Maybe a little, little bit bright

red mixed with some yellow there.

183

00:10:00,585 --> 00:10:02,235

So you just let them

bounce back and forth.

184

00:10:02,955 --> 00:10:05,085

As I say, if you practice

with this little bit.

185

00:10:06,224 --> 00:10:06,525

Shoot.

186

00:10:06,525 --> 00:10:08,625

It'll come out looking

almost like a watercolor.

187

00:10:08,834 --> 00:10:11,535

It's really a very, very nice technique.

188

00:10:14,104 --> 00:10:18,694

And another way you can make oil paintings

look like watercolor is use oil washes,

189

00:10:19,954 --> 00:10:25,204

or just dilute the paint down in a second

system C of water, and you can make the

190

00:10:25,204 --> 00:10:27,755

beautiful watercolor effects very easily.

191

00:10:28,324 --> 00:10:29,045

Very easily.

192

00:10:31,025 --> 00:10:31,745

There we go.

193

00:10:33,255 --> 00:10:33,675

Okay.

194

00:10:34,665 --> 00:10:35,415

You know, it's interesting.

195

00:10:35,415 --> 00:10:36,995

I get letters from people sometime.

196

00:10:37,035 --> 00:10:41,324

They say they're allergic to oil

paints, so they use another medium.

197

00:10:42,675 --> 00:10:47,685

Most of the time we find that people are

not really allergic to oil paints, as much

198

00:10:47,685 --> 00:10:50,834

as they're allergic to the turpentine.

199

00:10:50,865 --> 00:10:52,785

That's traditionally used with painting.

200

00:10:53,175 --> 00:10:55,545

I'm just putting a little paint

thinner to some Brown here.

201

00:10:55,574 --> 00:10:58,485

Let's go up here, put in a few trucks.

202

00:10:59,130 --> 00:11:01,980

We, we use no turpentine

in this technique.

203

00:11:02,700 --> 00:11:07,950

The only thing that we ever use is

odorless paint thinner, and most people

204

00:11:07,950 --> 00:11:09,570

find they don't have a problem with that.

205

00:11:10,830 --> 00:11:15,120

But if you've had an allergic reaction to

paint before, check to make sure it's not

206

00:11:15,120 --> 00:11:19,800

just the, the turpentine is traditionally

used, I'm just putting in a few

207

00:11:19,800 --> 00:11:26,040

indications here and there are some sticks

and twigs and all kinds of things there.

208

00:11:27,915 --> 00:11:30,735

I really am proud of the

artists that we just showed you.

209

00:11:32,145 --> 00:11:38,855

They have done so much,

so very much there.

210

00:11:43,055 --> 00:11:47,615

It was unbelievable to me when I began

looking through all the different entries

211

00:11:47,615 --> 00:11:51,425

that people had sent, because I never

knew so many people were painting and

212

00:11:51,425 --> 00:11:53,345

they were doing such a fantastic job.

213

00:11:54,365 --> 00:11:54,905

There we go.

214

00:11:56,070 --> 00:11:58,290

See how all these little things

just create that indication.

215

00:11:58,290 --> 00:12:03,090

We can take a little paint thinner with

a light color, just white, basically.

216

00:12:03,090 --> 00:12:07,470

And here and there, maybe, maybe there's

some light, little sticks and twigs.

217

00:12:07,590 --> 00:12:08,550

You have those too.

218

00:12:10,080 --> 00:12:11,430

They live in the woods too.

219

00:12:14,310 --> 00:12:15,000

Okay.

220

00:12:16,725 --> 00:12:17,505

Wash steel brush.

221

00:12:17,535 --> 00:12:20,145

I just watched these little

brushes and thinner and then

222

00:12:21,045 --> 00:12:22,755

dried them off on a paper towel.

223

00:12:22,755 --> 00:12:24,045

I don't be bang on them.

224

00:12:24,495 --> 00:12:25,574

I'm gonna take some dark color.

225

00:12:25,574 --> 00:12:27,165

Now we need a contrast.

226

00:12:27,824 --> 00:12:31,515

Painting is nothing but playing

lights against dark darks

227

00:12:31,515 --> 00:12:32,775

against light, et cetera.

228

00:12:33,405 --> 00:12:34,725

Maybe right down in here.

229

00:12:34,905 --> 00:12:35,535

There it is.

230

00:12:36,390 --> 00:12:37,620

We'll put a nice dark area.

231

00:12:37,620 --> 00:12:40,740

I'm still just using corner of

the brush and just rubbing it.

232

00:12:41,040 --> 00:12:46,500

Just literally doing nothing but

rubbing the corner of the brush though.

233

00:12:47,690 --> 00:12:50,610

You'll be amazed at all the

different shapes you can make.

234

00:12:52,410 --> 00:12:52,980

There we go.

235

00:12:55,050 --> 00:12:57,180

Nice dark strong color though.

236

00:12:59,385 --> 00:13:03,944

Let's see how each one of these planes

here, it creates that illusion of depth.

237

00:13:06,675 --> 00:13:08,685

And to me, that's what

makes a painting special.

238

00:13:10,605 --> 00:13:11,385

There we go.

239

00:13:11,895 --> 00:13:13,215

And you vary it back and forth.

240

00:13:13,245 --> 00:13:17,355

Maybe, maybe in here, there's a little

lighter color that just stands out.

241

00:13:18,855 --> 00:13:21,615

Say they're just layer after layer.

242

00:13:23,355 --> 00:13:25,545

So many or as few as

you want in your world.

243

00:13:27,315 --> 00:13:27,915

There we are.

244

00:13:28,965 --> 00:13:32,355

Well, this is turning into

a very nice little area.

245

00:13:33,645 --> 00:13:34,965

We may have to get crazy in here.

246

00:13:36,675 --> 00:13:37,305

You know, me?

247

00:13:37,485 --> 00:13:38,985

I can't never leave well enough alone.

248

00:13:39,645 --> 00:13:40,695

I have to play with it a little.

249

00:13:42,375 --> 00:13:46,565

So let's, let's do some

weird things here, maybe.

250

00:13:46,565 --> 00:13:50,235

Hey, I tell you let's

come right up in here.

251

00:13:50,625 --> 00:13:53,175

Maybe in here we have, maybe there's a.

252

00:13:54,105 --> 00:13:55,095

Maybe there's a building here.

253

00:13:55,245 --> 00:13:56,745

Let's just scrape out a basic shape.

254

00:13:58,005 --> 00:14:03,035

Give her a little building, a

place to live, put his roof there.

255

00:14:05,015 --> 00:14:09,545

All this does is remove excess paint

and it gives you a basic outline.

256

00:14:09,545 --> 00:14:11,345

We've taken a little bit of Vandyke Brown.

257

00:14:12,385 --> 00:14:16,085

Now we can begin blocking it in there.

258

00:14:16,515 --> 00:14:18,665

It's a nice roof and maybe it comes over.

259

00:14:18,695 --> 00:14:22,625

Took there to here.

260

00:14:24,945 --> 00:14:27,075

Uh, we're doing is blocking in color.

261

00:14:27,345 --> 00:14:28,965

You don't have to worry at this point.

262

00:14:29,535 --> 00:14:33,915

Don't have to even be concerned

with it a bit on this side.

263

00:14:34,215 --> 00:14:38,205

Don't want him to be

left out there earlier.

264

00:14:38,715 --> 00:14:42,285

Now that I'm going to take a little

bit of the van Dyke Brown, a little bit

265

00:14:42,285 --> 00:14:44,865

of bright red touch of white in there.

266

00:14:46,515 --> 00:14:49,815

Just make a sort of a dirty red

color and we'll come right down here.

267

00:14:53,385 --> 00:14:55,695

Jazz put the indication of an old roof.

268

00:14:57,335 --> 00:14:57,965

There it is.

269

00:15:00,035 --> 00:15:00,285

Yeah.

270

00:15:01,565 --> 00:15:05,885

Let's take, let's take, we'll

use a little dark Sienna, some

271

00:15:05,885 --> 00:15:07,385

whites, yellow ochre in it.

272

00:15:09,155 --> 00:15:13,985

It's always a, it's always a

tendency to say yellow okra, but

273

00:15:14,785 --> 00:15:16,355

okra is what you eat and your soup.

274

00:15:17,405 --> 00:15:18,185

I won't say that.

275

00:15:19,395 --> 00:15:22,275

Yeah, leave this color marbled like

this with all different things.

276

00:15:22,275 --> 00:15:23,835

And we just take off a

little roll of paint.

277

00:15:23,865 --> 00:15:24,615

We don't need much.

278

00:15:25,215 --> 00:15:27,315

Now then let's begin grabbing this.

279

00:15:29,635 --> 00:15:34,575

It's just put in and I'm pushing

very firmly, very firmly, allowing

280

00:15:34,575 --> 00:15:39,705

all those little background colors

to mix in with it too straight down.

281

00:15:41,295 --> 00:15:46,065

Straight down now the other side, and I'm

going have to take it same color and add

282

00:15:46,065 --> 00:15:47,925

a little more of the titanium white to it.

283

00:15:48,825 --> 00:15:51,585

I want it to be a little lighter

with the same basic color.

284

00:15:53,415 --> 00:15:53,895

All right.

285

00:15:54,345 --> 00:15:55,785

Once again, our little roll of paint.

286

00:15:56,355 --> 00:16:04,265

Let's go right out here and we'll

just lay in something like this.

287

00:16:04,325 --> 00:16:05,315

I'm mashing very hard.

288

00:16:05,315 --> 00:16:08,820

Once again, allowing it to mix with

those colors that are underneath.

289

00:16:10,410 --> 00:16:12,210

Very hard getting mean with it.

290

00:16:12,210 --> 00:16:12,750

Tough with it.

291

00:16:15,410 --> 00:16:16,430

My wife's a knife.

292

00:16:18,110 --> 00:16:19,220

Keep right on rubbing.

293

00:16:22,220 --> 00:16:22,970

There we go.

294

00:16:25,070 --> 00:16:25,670

Very nice.

295

00:16:26,070 --> 00:16:30,320

You get all those effects just

automatically make us a nice straight

296

00:16:30,320 --> 00:16:32,990

edge down this side right down soon.

297

00:16:35,780 --> 00:16:36,350

There.

298

00:16:42,689 --> 00:16:42,750

Yeah.

299

00:16:42,920 --> 00:16:44,689

What this edge here to

be a little bit lighter.

300

00:16:44,689 --> 00:16:48,170

So it stands apart and

we'll come right down.

301

00:16:53,329 --> 00:16:55,790

Now tell you what I'm

going to take a color.

302

00:16:55,790 --> 00:16:58,849

It's a little bit darker

and very, very little of it.

303

00:16:58,910 --> 00:16:59,810

Almost none.

304

00:17:00,380 --> 00:17:03,110

And let's go up here and I'm just

going to touch and let the knife just

305

00:17:03,110 --> 00:17:05,149

sort of bounce around just at random.

306

00:17:06,599 --> 00:17:09,569

You might even find the small knife

works better for getting in these areas,

307

00:17:11,130 --> 00:17:12,390

just sort of let it bounce around.

308

00:17:12,390 --> 00:17:16,560

So this gives an indication of some

little distant things that are happening.

309

00:17:16,560 --> 00:17:21,329

We're not looking for a lot of

detail here, there, but that'll give

310

00:17:21,329 --> 00:17:24,270

that impression that shoot, maybe

it's even made out of old stones.

311

00:17:24,270 --> 00:17:24,990

I'll put together.

312

00:17:26,700 --> 00:17:30,270

Just let it bounce there.

313

00:17:35,385 --> 00:17:35,864

Okay.

314

00:17:36,195 --> 00:17:36,764

So you have that.

315

00:17:37,455 --> 00:17:39,824

It really, really helps create that image.

316

00:17:40,215 --> 00:17:43,665

That illusion and painting

is nothing but illusions.

317

00:17:45,495 --> 00:17:45,705

All right.

318

00:17:45,705 --> 00:17:46,064

Ready?

319

00:17:46,145 --> 00:17:47,445

Grab the small knife.

320

00:17:47,504 --> 00:17:48,225

Let's go up here.

321

00:17:50,225 --> 00:17:55,814

Take dark Sienna, dark Santa dark

Sienna and white on quite dark.

322

00:17:56,324 --> 00:17:57,165

Our little roll of paint.

323

00:17:57,195 --> 00:17:59,685

Once again, maybe right in here.

324

00:18:00,675 --> 00:18:02,985

We got a little window soup like that.

325

00:18:03,614 --> 00:18:03,854

Shoot.

326

00:18:03,885 --> 00:18:04,844

Maybe there's another one over here.

327

00:18:04,995 --> 00:18:09,675

I don't know wherever you want

to take a little dark paint.

328

00:18:10,125 --> 00:18:11,205

Outline that a little bit.

329

00:18:12,195 --> 00:18:12,645

Not a lot.

330

00:18:12,705 --> 00:18:17,314

Just enough to give an indication there.

331

00:18:18,875 --> 00:18:20,014

We've got dark pain on there.

332

00:18:20,195 --> 00:18:21,784

It's a nice dark Vandyke round.

333

00:18:21,784 --> 00:18:25,655

Maybe we'll put a little door there.

334

00:18:25,655 --> 00:18:26,014

He is.

335

00:18:29,250 --> 00:18:29,730

Okay.

336

00:18:30,620 --> 00:18:32,719

And we can come back with a lighter color

337

00:18:35,959 --> 00:18:37,610

and we just sort of outline that door.

338

00:18:37,610 --> 00:18:38,360

So it stands out.

339

00:18:38,360 --> 00:18:38,449

Good.

340

00:18:39,649 --> 00:18:40,250

There we are.

341

00:18:41,540 --> 00:18:43,730

Now then shoot, let's use a liner brush.

342

00:18:46,790 --> 00:18:49,610

Maybe take a little bit of this.

343

00:18:49,909 --> 00:18:51,830

It's dark Santan and white.

344

00:18:52,459 --> 00:18:52,520

Yeah.

345

00:18:52,919 --> 00:18:55,649

Maybe up in here, maybe

coming out of here somewhere.

346

00:18:55,649 --> 00:18:57,240

We've we don't know where this is coming.

347

00:18:57,629 --> 00:18:59,310

We'll have a little think.

348

00:18:59,310 --> 00:19:00,510

I call this a flume.

349

00:19:01,440 --> 00:19:02,159

It's hard to say

350

00:19:05,169 --> 00:19:06,540

little box water runs in.

351

00:19:15,530 --> 00:19:18,950

There we go out of there.

352

00:19:21,330 --> 00:19:28,940

And maybe then here, maybe

there's what remains of Oh mil.

353

00:19:29,660 --> 00:19:34,850

So we just put the indication here of,

uh, Oh, we'll that's it's about wore out.

354

00:19:37,610 --> 00:19:40,640

I noticed it's not completely

around because you're looking at

355

00:19:40,640 --> 00:19:43,070

it from sort of a strange view.

356

00:19:45,230 --> 00:19:47,150

They're a little dark inside.

357

00:19:52,095 --> 00:19:56,375

Okay, maybe that'll touch it

like cohere, just to highlight.

358

00:19:57,995 --> 00:19:59,735

Now we need something

to hold that rascal up.

359

00:20:03,065 --> 00:20:04,415

So let's have some fun.

360

00:20:04,415 --> 00:20:06,035

I won't take the knife.

361

00:20:08,345 --> 00:20:09,125

Get in here and get her.

362

00:20:09,995 --> 00:20:11,075

Why don't you have the liquid white?

363

00:20:11,075 --> 00:20:15,425

I'm a mix, little dark

Sienna with dark Santa.

364

00:20:15,425 --> 00:20:17,195

Maybe it's a little touch of yellow ochre.

365

00:20:18,490 --> 00:20:22,080

Little more of the Sienna there.

366

00:20:22,430 --> 00:20:23,270

Ooh, that's nice.

367

00:20:23,899 --> 00:20:25,639

But notice how thin this pain is.

368

00:20:25,639 --> 00:20:27,560

It's literally almost like water.

369

00:20:29,420 --> 00:20:31,730

Very, very thin, very, very thin.

370

00:20:32,330 --> 00:20:36,889

Now they let's use let's

use the old Filbert brush.

371

00:20:37,550 --> 00:20:41,660

I'm going to go right into

some black, some black load, a

372

00:20:41,660 --> 00:20:42,860

lot of pain into the bristle.

373

00:20:43,250 --> 00:20:45,350

Now come right down here, say both sides.

374

00:20:45,350 --> 00:20:46,520

I got black on to reach over.

375

00:20:47,129 --> 00:20:53,310

And just pull one side through that light

color, dark light, maybe right up here.

376

00:20:53,310 --> 00:20:54,570

There's a big stone lifts.

377

00:20:55,980 --> 00:20:56,550

There it is.

378

00:20:57,270 --> 00:21:01,350

And we can put the shadow and

the highlight on at one time

379

00:21:01,860 --> 00:21:03,780

by using that then paint.

380

00:21:04,610 --> 00:21:05,149

There he is.

381

00:21:08,050 --> 00:21:14,240

There has to be something for that wield

to, to hook on to now, then go back here.

382

00:21:15,449 --> 00:21:17,879

And we'll just scrubbing

happy little Bush.

383

00:21:17,879 --> 00:21:19,379

It lives right up here beside it.

384

00:21:19,990 --> 00:21:26,250

It'll push that rock right back into

the distance, saw there's to it all.

385

00:21:26,250 --> 00:21:26,820

There is to it.

386

00:21:26,850 --> 00:21:30,719

You can make just as many of

these or as few as you want.

387

00:21:32,840 --> 00:21:34,199

There we go, man.

388

00:21:35,219 --> 00:21:36,199

Tell you what we'll just take it.

389

00:21:36,199 --> 00:21:36,949

Same old color.

390

00:21:40,140 --> 00:21:43,680

This is where you have here.

391

00:21:43,690 --> 00:21:44,700

We just fill the same.

392

00:21:47,370 --> 00:21:47,910

There we are.

393

00:21:49,770 --> 00:21:51,540

Just really throw it in there.

394

00:21:51,540 --> 00:21:52,080

We don't care.

395

00:21:53,400 --> 00:21:59,280

You could do this with a paint roller

doesn't matter matter, or we have it

396

00:21:59,280 --> 00:22:01,410

going maybe over here on the other side.

397

00:22:03,074 --> 00:22:08,355

Here's a nice little Bush and I'm still

just using just the corner of the brush.

398

00:22:08,415 --> 00:22:12,185

That's all just the corner.

399

00:22:12,504 --> 00:22:13,145

All we need.

400

00:22:15,375 --> 00:22:16,955

Go into a little bit of the other.

401

00:22:17,284 --> 00:22:21,995

The Browns just vary these colors

back and forth, back and forth.

402

00:22:21,995 --> 00:22:26,645

How ever you want them to be there now?

403

00:22:28,145 --> 00:22:28,715

Let's take.

404

00:22:29,385 --> 00:22:33,375

It would dip the, a fan brush and a

little bit of liquid white, a little

405

00:22:33,375 --> 00:22:35,415

bit of titanium white be right back.

406

00:22:35,505 --> 00:22:36,975

A little touch of the fellow blue.

407

00:22:37,305 --> 00:22:37,845

Not much.

408

00:22:39,195 --> 00:22:41,925

Maybe, maybe there's still a

little water trickling down here.

409

00:22:43,125 --> 00:22:45,585

It falls right down in here.

410

00:22:46,335 --> 00:22:51,285

We have a happy little splash wanders

around a little bloop falls over again.

411

00:22:52,335 --> 00:22:53,175

Where do we want it to go?

412

00:22:53,175 --> 00:22:53,775

We don't care.

413

00:22:55,680 --> 00:22:59,460

We don't care just anytime you want

to splash, give it a little upward.

414

00:22:59,490 --> 00:23:02,640

Push comes right on down.

415

00:23:04,890 --> 00:23:05,550

Here we go.

416

00:23:06,210 --> 00:23:10,380

Now then let me go back to my

Filbert brush with some Brown on it.

417

00:23:10,560 --> 00:23:14,730

A little bit of that thin paint and let's

begin dropping in just all kinds of happy

418

00:23:14,730 --> 00:23:16,200

little stones, wherever you want them.

419

00:23:17,580 --> 00:23:18,780

Just maybe over here.

420

00:23:19,050 --> 00:23:19,770

There's some too.

421

00:23:21,465 --> 00:23:25,965

I see, but you can do the highlight

in the shadow all in one stroke.

422

00:23:28,095 --> 00:23:32,835

There that's an easy, easy way of

putting all these little individual

423

00:23:32,865 --> 00:23:34,455

rocks and stones in there.

424

00:23:34,455 --> 00:23:35,625

They are look at them all down.

425

00:23:35,625 --> 00:23:37,755

The bank of the stream is a big one.

426

00:23:37,755 --> 00:23:40,935

There, there, see him.

427

00:23:43,265 --> 00:23:43,955

There we go.

428

00:23:44,135 --> 00:23:48,455

Maybe wherever, wherever you have to

make these decisions in your world.

429

00:23:49,574 --> 00:23:52,995

And change the color, shoot

all colors of stones and rocks.

430

00:23:54,495 --> 00:23:55,304

There's some more.

431

00:23:58,995 --> 00:23:59,504

Okay.

432

00:24:01,395 --> 00:24:02,534

That gives us something sorted.

433

00:24:02,534 --> 00:24:05,235

Uh, it sort of holds our stream

together, so it doesn't slip over

434

00:24:05,235 --> 00:24:07,185

the bank and make a big flood.

435

00:24:07,784 --> 00:24:08,354

There we go.

436

00:24:09,074 --> 00:24:14,594

Now we just come back with her

then paint, maybe right here, too,

437

00:24:15,824 --> 00:24:17,294

up to you wherever you want it.

438

00:24:18,285 --> 00:24:19,395

One little waterfall.

439

00:24:19,485 --> 00:24:20,175

You can have it.

440

00:24:20,475 --> 00:24:26,685

You can have anything you want on this

canvas, 80 thing that you want there.

441

00:24:27,165 --> 00:24:28,245

Let me just let that wander.

442

00:24:28,245 --> 00:24:37,125

I don't know if we don't care where

that goes, where ever now then get a

443

00:24:37,125 --> 00:24:38,835

little SAP green in there to shoot them.

444

00:24:40,440 --> 00:24:41,639

And then this has come in here.

445

00:24:42,149 --> 00:24:45,000

We just tapped in some nice little

grass areas comes right down.

446

00:24:45,000 --> 00:24:48,090

These stones they're there.

447

00:24:50,850 --> 00:24:51,720

Where ever

448

00:24:56,280 --> 00:25:04,560

there's one, put a few on the

other side, bring it all together.

449

00:25:04,680 --> 00:25:06,750

A little bit of grass just

hanging right over those rocks.

450

00:25:07,920 --> 00:25:09,120

Now, then tell you what.

451

00:25:10,260 --> 00:25:12,480

Let's just, let's get crazy here.

452

00:25:12,910 --> 00:25:13,830

Let's get crazy.

453

00:25:15,300 --> 00:25:17,820

We'll take the old big breasts

go right into some black and

454

00:25:18,360 --> 00:25:19,980

all the Browns and et cetera.

455

00:25:20,610 --> 00:25:21,510

Let's go right up here.

456

00:25:21,990 --> 00:25:26,310

Let's get maybe, maybe in our

world, their lives, whether it

457

00:25:26,310 --> 00:25:30,330

does now a great big old tree.

458

00:25:30,840 --> 00:25:33,030

Oh, there go my middle little

trees in the background, but

459

00:25:33,090 --> 00:25:34,020

you don't have to do it now.

460

00:25:34,110 --> 00:25:34,890

So it doesn't matter.

461

00:25:36,840 --> 00:25:37,710

It doesn't matter.

462

00:25:37,770 --> 00:25:38,850

As long as you know how to do it.

463

00:25:41,070 --> 00:25:41,550

Look at that.

464

00:25:42,320 --> 00:25:44,660

That's a neat way though,

to do a great big tree.

465

00:25:47,630 --> 00:25:48,410

Just drop them off.

466

00:25:49,520 --> 00:25:51,260

Now I need a trunk.

467

00:25:51,450 --> 00:25:54,980

Got to have a trunk, take a fan brush.

468

00:25:54,980 --> 00:25:59,360

We'll go through a little bit of van

Dyke, Brown, little van Dyke Brown.

469

00:25:59,480 --> 00:26:01,220

Then I'll take the other side for yet.

470

00:26:01,790 --> 00:26:02,240

There you are.

471

00:26:02,930 --> 00:26:05,060

I had to find you and go

through that light color.

472

00:26:05,060 --> 00:26:07,010

So we got dark on one

side, light on the other.

473

00:26:07,940 --> 00:26:08,630

We'll touch.

474

00:26:09,090 --> 00:26:09,420

And go

475

00:26:13,310 --> 00:26:21,110

and we have a nice tree trunk just like

cat, and we could take her fan breaths,

476

00:26:21,200 --> 00:26:22,460

put a little yellow ochre on today.

477

00:26:22,490 --> 00:26:28,760

One day, come back and we'll just put in

the indication of a few highlights here.

478

00:26:30,680 --> 00:26:34,400

There isn't that something, this

is a beautiful way to pick up.

479

00:26:34,430 --> 00:26:35,390

Very nice painting.

480

00:26:36,360 --> 00:26:37,680

I hope you'll give this a try.

481

00:26:37,710 --> 00:26:41,070

It's sort of different than

what we normally do, and it will

482

00:26:41,070 --> 00:26:42,630

open a whole new world to you.

483

00:26:42,990 --> 00:26:45,060

Just absolutely a whole new world.

484

00:26:45,420 --> 00:26:47,190

It's very soft, very nice.

485

00:26:48,540 --> 00:26:53,940

And it's this particular one is done

with extremely warm colors that they

486

00:26:53,940 --> 00:26:55,380

just make you happy when you see them.

487

00:26:58,020 --> 00:27:01,410

Hey, we could drop in a few little sticks

and twigs and it'd be all finished.

488

00:27:01,680 --> 00:27:03,510

But I think we're going to

call this one done today.

489

00:27:03,510 --> 00:27:06,510

The old clock on the wall tells

me it's time to go for right now.

490

00:27:06,960 --> 00:27:09,660

I look forward to seeing you

again until then happy painting.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S17E10 - Old Country Mill

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse