Bob Ross's

The Joy of Painting

S23E01 - Frosty Winter Morn

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Hello, I'm Bob Ross.

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And I'd like to welcome you to

the 23rd joy of painting series.

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First of all, let me thank

you for inviting me back for

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another series of painting shows.

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And if this is your first time with us,

let me extend a personal invitation for

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you to drag out your brushes and a few

paints and paint along with us each show.

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And I'll teach you how to put some,

uh, nature's masterpieces on canvas.

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I take a what let's start out today

and have him run all the colors across

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the screen that you need to paint

along with us while they're doing that.

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Come on up here.

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And let me show you what

I've got started already.

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I have my standard old pre stretched

double primed canvas up here.

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And today I've covered it with a thin

even coat of liquid clear and liquid

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white mixed together, because I want sort

of a semi-transparent sky in this one.

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So I've put a little clear in there

just to, just so that will happen.

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So I tell you what, let's just

start out today and do a beautiful

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little, maybe we'll do a winter scene

today and we'll see what happens.

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So let's start, we'll use

a little two inch brush.

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I'll go right into a very small amount

of the they blue, very small amount.

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Don't need much, just pull a

little bit out and then tap

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the bristles into the color.

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See that assures a nice even distribution

of color all the way through the bristles.

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And that's exactly what we're looking for.

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So let's go up here.

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Maybe we'll have a nice light

area right up here in the sky.

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And.

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Let's see what happens.

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Let's just take this and go right

up in here with a little bit of

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the fellow blue, we would just do

something sort of like, yeah, yeah.

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Sort of like that.

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It's a very simple little painting

today that I think you'll find very

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effective and a great deal of fun to do.

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Yeah.

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Maybe something like that.

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That's all we need.

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And I have it slightly off center.

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I don't want it directly in the center

of the canvas, slightly off center.

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But as you can see the paint

continually mixes with the liquid

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white and liquid clear that we have

on the canvas and automatically we

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get this beautiful blending effect.

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If we were doing this on a, on the

drag canvas, we'd be an agony city

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already, but this makes it work so lazy.

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Man's way of painting.

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Okay, now then without cleaning the

brush, I'll go right into a small

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amount and very small amount because

it's strong of depression, blue.

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I want a little darker blue this time.

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I'm going from the right

into the pressure.

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So we have a graduation of

color into darker, darker blues.

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Then we can go right up in here.

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And once again, we'll just add a little

bit of that blue red around here,

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like, so I just let it blend outward.

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We want this to be the lightest

area and get progressively

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darker as we work outward.

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Okay.

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Add a little bit more of

the pressure and blue.

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We'll go to the other side over here

in doing exactly the same thing,

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something about like, so there we are.

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But once again, this is

mixing with the liquid white.

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And the liquid clear this on the

canvas in this beautiful blending

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effect will happen automatically.

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Now, then I want it to get even

darker as it works Halbert.

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So I'll take pressure and blue

and I'll mix that with a small

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amount of midnight black.

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So we have blue and black or black

and blue, whatever your preference.

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There we go.

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And back up to the canvas, but see

how much darker that is because we

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put that little bit of black in there.

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We'll just finish, filling

up the sky, just like it.

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Didn't take long.

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We're using a big old two inch brush.

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Doesn't take very long.

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Can you add a little bit more of

the color, the blue and the black.

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It will go to the other

side and we'll fill it up.

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Just like, so, okay.

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Man, it comes the fun part.

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I mean, wash the old brush.

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And if you paid with me before,

you know, this is the most exciting

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part of this whole technique,

because this is where I get eaten

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with everybody here in the studio.

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We shake off the excess and

just beat the devil out of it.

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And that really that's where you take out

all your frustrations and hostilities.

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And that's the fun part of it.

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Now, then with a good clean, dry brush.

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We can just begin blending this.

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I just want to blend it so you

can't tell where one color stops

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and the next color starts just

blend it until it's very, very soft.

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There we go.

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Beat the brush, just to take

off the excess paint that

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you've picked up off the canvas.

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It's easier than going through

the whole cleaning procedure.

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Middle clean your brush, read off.

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All right.

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Or you can just wipe it down in here

because if we have a little color

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down in here, I think I'll have a

little snow down here and that'll

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just end up being shadows in the snow.

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We're not really worried about it.

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Cause you know, we don't make mistakes.

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We just have happy accidents.

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You learn to work with anything

that happens in this technique.

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We don't use any patterns.

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We don't do any drawing.

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We just sort of let it happen.

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We've had it happen and very quickly

you learn to create on canvas.

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Let me wash the old brush again.

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I just liked to wash the brush.

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Now, then I'm going to go right into

some titanium white with the old

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two inch brush here and just load a

little color right on the brush here.

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And let's go right up in here.

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I want to make this a

very bright right here.

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If this is going to be our light

area, let's start right in here,

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putting in some of that titanium

white and let it blend outward.

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Let it blend outward.

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It'll mix with all those beautiful blues

and black colors that we have in there.

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Starting the light area and then

work outward, outward, outward,

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outward, something like, so

we'll beat the brush once again.

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Just take off the excess paint

and blend out this direction.

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Now, now then sometimes let

me wash the old brush again.

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I'll show you something.

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That's really fun.

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Sometimes it's nice to

load a little white.

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A little bit of the titanium

white, then our retread over here.

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Be right back right back.

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Get a least.

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Let me say it again.

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Least little touch of cadmium yellow.

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Just want to sparkle this.

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Maybe it's touch more there.

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That's beautiful.

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But a little bit of yellow.

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Red has been here now don't put too

much yellow because of the yellow

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against the blue will turn green.

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And in this particular painting,

we're not looking, we're not

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looking for a bright green sky.

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I just want a little,

little yellow flavor.

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Right up in here, there, once

again, we'll blend that outward.

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Now you can do this as many times

as you desire to create a desired

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lightness, you can go over and over and

over, but I would recommend that each

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time you've clean and dry the brush.

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So you don't drag the dark color back

into this beautiful light center here.

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Can you just knock off that excess paint

once again, it will blend out in the

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other direction there that easy and easy.

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So there is to it.

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I didn't very lightly two hairs in some

air, just very gently go right across it.

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We have a very nice little light

area in here and that'll be our light

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source in this particular painting.

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Okay,

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here we go.

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Get the old brush.

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Good and clean.

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Now then let's have some more fun.

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Let's take a little Hawaii, a

little bit of the black, a little

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bit of the pressure and blue.

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We just mix this color red on the

brush, something I'm looking for a

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blue, gray color, something about

like, so I'm going to tap the brush.

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So we're sort of pushing forward.

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I can get a little, a little bit of color

right out here on the end of the bristles.

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Let's go up here and maybe back in here,

there's some beautiful little footy yields

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that live in here and our world, maybe.

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Yep.

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You're right.

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They live right along in here.

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And by just using the corner of the brush

and tapping, we can put the indication of

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all kinds of little things back in here.

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We just sorta let them

blend right on, out into.

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They just sort of fade away and did

nothing very soft, very gentle, quiet,

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just beautiful little things that

live back here, right into the sun.

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There we go.

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Very lightly.

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Lift it up a little tiny, tiny,

short strokes, tiny little

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short strokes, just lifting up.

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like that.

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It'll give the indication

of little trees that live.

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We back in the distance far, far away.

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And let me grab another brush.

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I have several of each guy.

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We'll take a little tiny,

tiny bit of a fight.

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I want to create the illusion of

a nice Misty area right in here.

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So a little white titanium

white, and we'll just have

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a little, just tap a little.

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So we have a nice soft area in there.

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Dan I'll take the same color,

just blank for the depression

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blue in it, load it back on that

brush, just like we did before.

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Maybe right in here.

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Yep.

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Maybe there's another little, little

Dewar that lives right in their sleep.

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But that little Misty area in between

is what separates your layers.

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It's all it takes is a small Misty area.

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And as you know, as things get closer

to you in a landscape, they should get

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darker and darker and value their lift up.

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Once again, I'll tell you

what, let me show you.

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I'll show you.

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I could carry it away some time.

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Let's take a little more of that black,

little more of the pressure and blue, a

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little touchy white, make that same color.

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I'm just putting it on the fan brush.

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As you paint like this, you

begin seeing things that I just

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see a wonderful place here.

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Maybe.

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Maybe, maybe there's some bigger trees.

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Yeah, right there.

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Just tap with a fan brush and pulled

downward, give it a little downward

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pull and we'll make the indication

of a lot of little trees that

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live right up here on this Hill.

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That easy, that easy.

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Just tap them.

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That's all it takes.

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That's all it takes.

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Maybe they just sort of blend

out over here into nothing.

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We don't know where it goes.

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I don't know that we care there.

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Back to my old two inch breasts.

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It had that color on it.

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Let we just sort of bring that down.

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So it all comes together.

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Very soft.

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There we are.

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But see how easy that is.

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Don't be afraid of this

brush because it's large.

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It will do wonderful,

wonderful things for you.

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All you need is a little bit of practice,

an idea in your mind and off you go.

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It's really all it takes.

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There are no secrets here

that we don't give you.

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You really can do this everyday.

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I get letters from people

from all over the country.

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Let's say you, you told

me that I could do this.

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And I tried it and you're right.

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I can do it.

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I really can do this.

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All right.

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Now then it time to start

making some big decisions here.

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Let me wash the old brush you get.

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I just like to wash the brush there,

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have it.

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Maybe back in here, we're

beginning to have a little snow.

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We said was going to have a winter saints.

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I'll take white, just tag-teaming white,

but maybe we'll put a least, least

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little touch of that CAD yellow into it.

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Since we had a little light in the

sky, maybe a little that would be

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reflecting into the snow back here.

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Let's see.

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I just loaded the brush by

pulling it through the paint.

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So there's a little pain on both sides.

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Now let's go up here now.

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Then you have to make major decisions.

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Maybe our snow lives.

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Yep.

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Right there.

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And all you do is pull when

you're painting, snow angles are

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extremely, extremely important.

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So pay attention to the lay

of the land here, how you want

251

00:13:05,355 --> 00:13:09,255

the snow to, to flow there.

252

00:13:09,255 --> 00:13:12,885

And I want it to come slightly downward,

but not a great deal, just so it looks

253

00:13:12,885 --> 00:13:15,975

like there's a little incline there.

254

00:13:17,355 --> 00:13:20,820

And by pulling those strokes in

that direction, That will happen

255

00:13:20,940 --> 00:13:23,610

automatically, automatically.

256

00:13:23,660 --> 00:13:24,920

You don't have to worry about it.

257

00:13:24,950 --> 00:13:28,070

Just, just think about the

angle that you have in here.

258

00:13:29,900 --> 00:13:34,700

There, little shadow, right in here,

taking a little bit gray colored,

259

00:13:34,700 --> 00:13:38,150

pulling back this direction and I'll

show you why here just a second.

260

00:13:38,180 --> 00:13:38,930

Let them blend together.

261

00:13:40,160 --> 00:13:41,690

So you have a little shadow area.

262

00:13:42,380 --> 00:13:42,470

Okay.

263

00:13:44,115 --> 00:13:44,655

There

264

00:13:51,525 --> 00:13:56,145

maybe in our world go back to the

plain white, maybe in our world.

265

00:13:56,475 --> 00:13:57,075

We all have.

266

00:13:58,275 --> 00:13:58,485

Yep.

267

00:13:58,575 --> 00:13:59,415

How about right here?

268

00:14:00,465 --> 00:14:03,465

We'll change the angle and

let it come right through.

269

00:14:03,465 --> 00:14:04,995

See, see, see there.

270

00:14:04,995 --> 00:14:05,295

It is.

271

00:14:06,795 --> 00:14:07,515

Just pull it.

272

00:14:07,845 --> 00:14:11,145

You can do anything in your

world that you want to do.

273

00:14:12,195 --> 00:14:17,745

That easy by changing this angle, we

have a whole different plane in that

274

00:14:17,805 --> 00:14:23,325

painting and it pushes that and that,

and that we back further and planes

275

00:14:23,325 --> 00:14:25,575

and a painting, different planes.

276

00:14:25,635 --> 00:14:29,595

Each one of these is a plane, not an

airplane going by each one of these

277

00:14:29,595 --> 00:14:34,665

planes helps create that illusion of

depth and distance in your painting.

278

00:14:36,465 --> 00:14:38,865

And I like a lot of depth

and distance in my paintings.

279

00:14:38,865 --> 00:14:41,955

So I think that's what

makes painting spectacular.

280

00:14:42,705 --> 00:14:44,445

Oh, I just had another idea.

281

00:14:44,835 --> 00:14:45,645

This little Hill here.

282

00:14:45,675 --> 00:14:46,275

Let's do this.

283

00:14:46,725 --> 00:14:47,415

Let's do this.

284

00:14:47,445 --> 00:14:51,735

Let's do take a little depression

blue and the black mix it together.

285

00:14:52,515 --> 00:14:54,015

I want this to be pretty dark.

286

00:14:54,015 --> 00:14:55,965

I'm only putting a small

amount of white in this.

287

00:14:55,965 --> 00:14:57,765

I want to be a little darker

than the background color.

288

00:14:59,010 --> 00:14:59,790

A little bit more white.

289

00:14:59,790 --> 00:15:00,209

There we go.

290

00:15:00,209 --> 00:15:02,400

And you just mix these colors

on the brush once again.

291

00:15:02,430 --> 00:15:03,780

Don't, don't worry about it.

292

00:15:04,170 --> 00:15:05,310

Just mix them on the brush.

293

00:15:06,150 --> 00:15:06,959

Let's go up in here.

294

00:15:08,719 --> 00:15:13,579

Maybe on this little Hill, there

lives a happy little tree right here.

295

00:15:15,135 --> 00:15:15,615

Right.

296

00:15:15,615 --> 00:15:17,895

They're there.

297

00:15:19,125 --> 00:15:22,955

If you've painted with me before,

you know, I have a lot of little

298

00:15:22,955 --> 00:15:26,194

squirrels and other animals that

live with me, and this would be a

299

00:15:26,194 --> 00:15:27,605

good place for my little squirreled.

300

00:15:27,814 --> 00:15:30,155

He could set up here and look

all out over the countryside

301

00:15:30,155 --> 00:15:31,025

and see what was happening.

302

00:15:32,135 --> 00:15:33,785

And my little squirrel certainly is nosy.

303

00:15:33,785 --> 00:15:38,015

He'd want, he'd want to know,

maybe later on the show, we'll

304

00:15:38,435 --> 00:15:39,785

show you some of those again.

305

00:15:41,595 --> 00:15:44,115

Right now I have five of

them that, that live with me.

306

00:15:45,905 --> 00:15:46,355

There.

307

00:15:47,405 --> 00:15:50,944

Sometimes that's worse than

having five children who haven't

308

00:15:50,944 --> 00:15:51,964

had a little tree over here.

309

00:15:51,995 --> 00:15:52,685

What the heck.

310

00:15:53,615 --> 00:15:56,685

But all you're using is a

corner of the fan brush and you

311

00:15:56,685 --> 00:15:57,755

just sort of pushed downward.

312

00:15:59,375 --> 00:16:01,204

She has pushed downward like that.

313

00:16:02,285 --> 00:16:04,985

And as you work down the tree,

you push harder and harder because

314

00:16:04,985 --> 00:16:07,415

you want the branches and the

limbs to get larger and larger.

315

00:16:08,980 --> 00:16:12,420

Down here at the bottom or he could

have do is take a little touch of

316

00:16:12,420 --> 00:16:13,890

this white on the two inch brush.

317

00:16:14,490 --> 00:16:18,150

Grab a little that color gray

intentionally grabbed the color

318

00:16:18,210 --> 00:16:23,520

because that'll make a shadow right

underneath C and just pull it.

319

00:16:25,420 --> 00:16:27,810

It'll give that little tree,

a place to set down there.

320

00:16:28,860 --> 00:16:32,670

You don't want to just sitting

up here sort of floating there.

321

00:16:33,800 --> 00:16:36,410

And once again, begin thinking

about angles in your snow.

322

00:16:37,940 --> 00:16:38,570

There we are

323

00:16:41,930 --> 00:16:42,440

see you there.

324

00:16:43,490 --> 00:16:47,600

Now you can take, maybe there's

a little Bush or two little grass

325

00:16:47,630 --> 00:16:48,950

areas down here at his foot.

326

00:16:49,740 --> 00:16:50,660

Take that same color.

327

00:16:50,660 --> 00:16:52,190

Just sort of push it up a little bit.

328

00:16:53,450 --> 00:16:54,800

That'll help create that illusion.

329

00:16:55,920 --> 00:17:00,150

And you can grab and clean up the bottom

of the little grassy areas, same way until

330

00:17:00,150 --> 00:17:03,950

you have it just as smooth as silk there.

331

00:17:05,750 --> 00:17:06,830

And let's take our knife.

332

00:17:06,890 --> 00:17:08,180

We'll use the old knife here.

333

00:17:08,510 --> 00:17:10,730

We just put the indication of

a little trunk here in there.

334

00:17:11,360 --> 00:17:12,500

I don't want a lot of detail.

335

00:17:12,500 --> 00:17:16,760

This is too far away in my

world, just a medication.

336

00:17:16,760 --> 00:17:17,930

So we just pulled through and.

337

00:17:18,464 --> 00:17:21,074

Can you turn a few trees into

a whole forest back here,

338

00:17:22,274 --> 00:17:23,204

scratch through the paint.

339

00:17:23,204 --> 00:17:25,724

And it'll give the indication of

a little trunk here and there.

340

00:17:25,724 --> 00:17:33,155

And maybe there's a little stick or

twig, whatever, whatever let's get crazy.

341

00:17:33,995 --> 00:17:37,324

You don't make this wonderful place.

342

00:17:37,324 --> 00:17:40,264

If my little girl is going to live

there, I'd have to have a house too.

343

00:17:40,264 --> 00:17:41,314

So let's come right in here.

344

00:17:41,794 --> 00:17:43,625

Let's have us a little

cabin lives right here.

345

00:17:43,804 --> 00:17:46,024

Now, one of the easiest

ways, take your knife.

346

00:17:46,560 --> 00:17:49,379

And I might not be able to see

that, but scrape out of the

347

00:17:49,379 --> 00:17:52,469

basic shape, uh, does two things.

348

00:17:52,469 --> 00:17:55,740

It allows you to lay out your

little cabin without being committed

349

00:17:56,520 --> 00:17:58,409

and it removes excess paint.

350

00:17:59,060 --> 00:18:00,860

So the next layer goes on, easier.

351

00:18:01,699 --> 00:18:06,800

See you there, but you can scrape out

the whole basic little shape and you're

352

00:18:06,800 --> 00:18:08,240

still not committed at this point.

353

00:18:10,070 --> 00:18:11,510

Here we are now, then.

354

00:18:12,735 --> 00:18:16,205

Let's take, let's take

a little Vandyke Brown.

355

00:18:16,775 --> 00:18:19,765

We load that little roll of paint on

the knife, but pulling it out flowers.

356

00:18:21,245 --> 00:18:22,955

Let's do a back Eve back here.

357

00:18:24,045 --> 00:18:25,125

Just Vandyke Brown.

358

00:18:25,145 --> 00:18:27,425

It's all it is full down.

359

00:18:29,375 --> 00:18:32,825

Wait, go give him a

nice little side there.

360

00:18:33,845 --> 00:18:34,535

Over here.

361

00:18:35,015 --> 00:18:35,795

Just pull down.

362

00:18:37,785 --> 00:18:38,205

There.

363

00:18:38,535 --> 00:18:41,445

And if you haven't painted with this

before, one thing that I should mention,

364

00:18:41,865 --> 00:18:44,175

the paint that we use is extremely firm.

365

00:18:44,325 --> 00:18:49,035

It is much firmer than traditional

oil paints, much, much firmer.

366

00:18:49,395 --> 00:18:51,615

That's the only reason

we can paint wet on wet.

367

00:18:51,645 --> 00:18:53,955

In other words, do the whole

painting while it's still wet.

368

00:18:54,915 --> 00:18:59,175

If you put a very firm paint

up here first, then you can put

369

00:18:59,175 --> 00:19:02,445

thinner colors right over the top

of it without becoming a mud mixer.

370

00:19:03,570 --> 00:19:07,530

And if you've painted before all of us

have experienced a little mud and mixing

371

00:19:07,530 --> 00:19:09,780

it, it just comes with the territory.

372

00:19:11,040 --> 00:19:13,110

Nobody has a monopoly on mud mixing.

373

00:19:13,139 --> 00:19:14,430

We all get a chance at it.

374

00:19:15,150 --> 00:19:15,870

Take a little band.

375

00:19:15,870 --> 00:19:19,320

I can hide it and mix it together,

but see how flat you pull it out

376

00:19:19,350 --> 00:19:21,480

flat as you can get it cut across.

377

00:19:21,480 --> 00:19:23,220

And then we have a tiny

rule of paint there.

378

00:19:23,220 --> 00:19:25,710

You can see it wonderful right

out on the edge of the knife.

379

00:19:25,710 --> 00:19:29,340

There lives right out there

and very lightly touch.

380

00:19:30,480 --> 00:19:33,060

And just let it float just

so it's barely touching.

381

00:19:33,060 --> 00:19:37,590

I want this side to be lighter

than the backside back here.

382

00:19:37,830 --> 00:19:40,440

Just barely touch, barely touch.

383

00:19:40,440 --> 00:19:44,910

Maybe there's a, maybe

there's some boards here.

384

00:19:44,910 --> 00:19:47,610

We'll just take a little Vandyke Brown

on there and just touch, make the

385

00:19:47,610 --> 00:19:53,790

indication of some little boards, but

here we need a few something like, so.

386

00:19:55,409 --> 00:19:59,760

There maybe we have a little window

to where we just take a small edge

387

00:19:59,760 --> 00:20:03,689

of the knife and just sort of scrape

this out a little window indication.

388

00:20:05,010 --> 00:20:08,730

Then I'll use a little bit of a

midnight black nobody's home today,

389

00:20:10,530 --> 00:20:12,149

or he didn't pay his electric bill.

390

00:20:12,149 --> 00:20:16,560

I don't see any wires

running to his house anyway.

391

00:20:16,560 --> 00:20:20,820

So there, I gave him a little

door so he can get in and out.

392

00:20:21,900 --> 00:20:25,410

But when you're painting, make up little

stories like it, you know, you, your

393

00:20:25,410 --> 00:20:26,760

family and friends will look at you.

394

00:20:26,760 --> 00:20:28,980

Like you're a little weird,

but that's all right.

395

00:20:28,980 --> 00:20:33,300

Artists are expected to be a little,

little different, but it really helps you.

396

00:20:33,300 --> 00:20:36,000

If you make up little stories,

then you can see these things in

397

00:20:36,000 --> 00:20:40,740

your mind and anything that you

can see in your mind very quickly,

398

00:20:40,830 --> 00:20:42,810

you can learn to put on canvas.

399

00:20:43,725 --> 00:20:43,935

Here.

400

00:20:43,935 --> 00:20:45,375

We're just doing a cabin next to me.

401

00:20:45,735 --> 00:20:47,265

In other words, we're

cutting off whatever.

402

00:20:47,265 --> 00:20:51,285

We don't want to get our perspective

and everything right now.

403

00:20:51,315 --> 00:20:53,205

We have a roof that we need to put on.

404

00:20:53,205 --> 00:20:55,395

So we'll take the white,

pull it out very flat.

405

00:20:56,085 --> 00:20:57,015

Here's a little trick.

406

00:20:57,045 --> 00:21:01,875

If you want to get your edges nice and

straight, just lay the edge all in first

407

00:21:01,935 --> 00:21:03,525

using the street edge of the knife.

408

00:21:04,905 --> 00:21:06,285

Excuse Maren for a second.

409

00:21:08,645 --> 00:21:10,475

And this will make it a little

easier when you pull down.

410

00:21:11,440 --> 00:21:13,860

See now everything will

be straight on the edges.

411

00:21:15,830 --> 00:21:19,550

There, there are no firm rules in this.

412

00:21:19,700 --> 00:21:22,220

I only want to show you

ways that things will work.

413

00:21:22,669 --> 00:21:26,330

As you paint every day, you're

going to find new ways that are much

414

00:21:26,360 --> 00:21:27,590

better than what I'm showing you.

415

00:21:27,950 --> 00:21:28,460

Use him.

416

00:21:29,960 --> 00:21:31,639

Painting is an individual thing.

417

00:21:31,669 --> 00:21:35,929

If it works for you, Dan, it's wonderful.

418

00:21:37,399 --> 00:21:38,720

And that's really all that matters.

419

00:21:38,720 --> 00:21:39,590

If you're happy with it.

420

00:21:40,740 --> 00:21:41,700

And that's what you wanted.

421

00:21:43,320 --> 00:21:44,220

That's the only rule.

422

00:21:45,240 --> 00:21:48,120

The only rule is that you,

you really should enjoy this.

423

00:21:49,770 --> 00:21:54,690

Let's take a little wipe,

bring it right up to the cabin.

424

00:21:55,200 --> 00:21:57,330

Like, so we'll bring a

little right down in here.

425

00:22:02,475 --> 00:22:03,014

And go

426

00:22:08,264 --> 00:22:10,565

little touch of that other little blue.

427

00:22:11,195 --> 00:22:13,504

So the flag and just sort

of blend them together.

428

00:22:18,405 --> 00:22:18,965

Right.

429

00:22:20,764 --> 00:22:21,754

That's really helpful fun.

430

00:22:21,754 --> 00:22:25,805

Now I've got several things

to mix up a crazy color here.

431

00:22:25,805 --> 00:22:26,675

I love this color.

432

00:22:27,824 --> 00:22:32,385

We're going to take a lizard, Crimson

and SAP green in about equal parts.

433

00:22:32,415 --> 00:22:33,465

Mix them very well.

434

00:22:33,524 --> 00:22:34,844

Normally we don't mix color too.

435

00:22:34,844 --> 00:22:37,784

We'll mix it very, very well.

436

00:22:38,534 --> 00:22:39,104

Very well.

437

00:22:39,645 --> 00:22:44,955

And it makes a gorgeous Brown

just absolutely gorgeous Brown.

438

00:22:45,215 --> 00:22:46,475

Let me wipe the whole knife off.

439

00:22:46,475 --> 00:22:48,485

I just wiped the knife

on a paper towel here.

440

00:22:50,195 --> 00:22:50,824

Okay.

441

00:22:51,364 --> 00:22:53,465

And we just ran the old

fan brush right through it.

442

00:22:53,495 --> 00:22:56,074

Load both sides, full of

color, a lot of paint.

443

00:22:57,370 --> 00:23:01,889

Having maybe an hour where all their

lives let's start it right there.

444

00:23:01,889 --> 00:23:05,370

You know me, if you paint way

before I like these old big trees,

445

00:23:07,409 --> 00:23:15,330

something like, so maybe he's got

another arm comes right down to, Ooh.

446

00:23:15,389 --> 00:23:16,199

I said, big tree.

447

00:23:16,229 --> 00:23:17,459

We going to have a big tree.

448

00:23:18,570 --> 00:23:20,790

Maybe there's even an arm back here.

449

00:23:22,500 --> 00:23:25,889

I kept wherever you think they should be.

450

00:23:27,165 --> 00:23:29,504

This piece of canvas

is totally your world.

451

00:23:29,834 --> 00:23:33,135

And you can anything

here that you want to do.

452

00:23:34,754 --> 00:23:35,445

Okay.

453

00:23:36,794 --> 00:23:37,514

Take a little bit of that.

454

00:23:37,514 --> 00:23:38,324

Brown remade.

455

00:23:38,625 --> 00:23:43,395

Mix it with some white, just that is just

one of the most gorgeous Brown colors.

456

00:23:44,685 --> 00:23:45,495

Sounds horrible.

457

00:23:45,495 --> 00:23:47,625

When you talk about green and

red mixed together, I'm a little,

458

00:23:47,625 --> 00:23:49,875

the role of paint is our light.

459

00:23:50,610 --> 00:23:54,340

And in our world, maybe there's just a

little light, something in right to here.

460

00:23:54,370 --> 00:23:57,780

Like, so I'm just touching the

canvas with that little roll of tape.

461

00:23:59,060 --> 00:23:59,780

Just touch it.

462

00:23:59,780 --> 00:24:01,700

The canvas will pull off what it wants.

463

00:24:03,290 --> 00:24:03,890

Give you back.

464

00:24:03,890 --> 00:24:07,190

What's left there.

465

00:24:08,810 --> 00:24:13,520

Just wherever you think, light

zinc through here, something about

466

00:24:13,520 --> 00:24:17,060

like, so yeah, now you can make

this entire tree with a knife.

467

00:24:17,090 --> 00:24:18,440

If you wanted to it's up to you.

468

00:24:20,010 --> 00:24:25,260

Let's go faster with a fan brush

their hair like yo, a little bit

469

00:24:25,260 --> 00:24:33,210

over in here where everyone, wherever

they have analysts from at this

470

00:24:33,210 --> 00:24:38,430

dark edge and just let the knife

bounce some grays and barely touch.

471

00:24:38,430 --> 00:24:39,600

You want this to be rough?

472

00:24:40,290 --> 00:24:43,290

When it dries, this will actually

feel like bark over there.

473

00:24:44,580 --> 00:24:46,260

It just let it bounce and graze.

474

00:24:50,715 --> 00:24:57,155

Kenny something like so that we are, yeah.

475

00:24:57,155 --> 00:25:01,355

Then let's go to our little liner

brush who use a script liner brush,

476

00:25:02,765 --> 00:25:04,895

put some paint thinner on the brush.

477

00:25:05,015 --> 00:25:08,885

We want to thin this paint,

quite a bit of paint thinner.

478

00:25:08,885 --> 00:25:11,225

I want this to be thin, like ink.

479

00:25:12,360 --> 00:25:15,899

And roll the bristles and without,

so they come out very, very sharp.

480

00:25:16,200 --> 00:25:16,560

Okay.

481

00:25:16,889 --> 00:25:21,450

Now then let's go right in here and

think about where some little tree

482

00:25:21,450 --> 00:25:26,850

limbs that live on this tree, but your

paint should literally flow on here.

483

00:25:27,550 --> 00:25:28,980

Should literally just flow.

484

00:25:29,550 --> 00:25:34,710

And if it doesn't add a little bit

more of the paint center, if it's not

485

00:25:34,710 --> 00:25:36,540

flowing, normally that's the problem.

486

00:25:38,129 --> 00:25:39,540

Normally that's the problem.

487

00:25:44,510 --> 00:25:47,419

maybe there's a big alarm here

that comes right on a cross shoot.

488

00:25:48,290 --> 00:25:48,889

There we are.

489

00:25:51,469 --> 00:25:54,230

But you let your tree go

wherever you want it to go.

490

00:25:55,429 --> 00:26:03,050

Just move it around and play and

carry on something like, so there.

491

00:26:08,360 --> 00:26:08,659

Yeah.

492

00:26:09,889 --> 00:26:10,129

Yeah.

493

00:26:10,129 --> 00:26:13,949

We can just dip that clean brush right

into a little bit of liquid white pedals,

494

00:26:13,949 --> 00:26:15,320

snow right around the bottom here.

495

00:26:18,020 --> 00:26:20,449

Let's sort of fill that

in, tell you what let's do.

496

00:26:20,810 --> 00:26:22,280

Let's take a little more

of that Brown color.

497

00:26:23,449 --> 00:26:27,350

That's half, maybe there's a, what

remains of a little fence right here.

498

00:26:29,090 --> 00:26:31,129

Something like, so all we do is touch.

499

00:26:32,805 --> 00:26:38,235

Comrade a cruise, but a little bar,

maybe this little thing there, that'll

500

00:26:38,235 --> 00:26:40,785

better that white, right along the edge.

501

00:26:42,915 --> 00:26:43,845

Better right down there.

502

00:26:47,385 --> 00:26:48,225

Take a little touch.

503

00:26:48,705 --> 00:26:54,195

I have a little shadow right there

in the snow, something like, so yeah.

504

00:26:54,660 --> 00:26:56,910

It would just put the indication

of a little path here.

505

00:26:56,910 --> 00:26:59,340

And I think his whole painting

would be about finished.

506

00:27:00,090 --> 00:27:00,990

Hope you try this one.

507

00:27:01,110 --> 00:27:01,980

It's very simple.

508

00:27:02,310 --> 00:27:03,060

You'll enjoy it.

509

00:27:04,140 --> 00:27:07,740

You'll have fantastic results

so that I think we're going

510

00:27:07,740 --> 00:27:08,940

to call this one finished.

511

00:27:09,090 --> 00:27:11,040

And from all of us here,

I'd like to wish you a happy

512

00:27:11,040 --> 00:27:13,020

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E01 - Frosty Winter Morn

Bob Ross's

The Joy of Painting

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