Bob Ross's

The Joy of Painting

S23E04 - Reflections of Gold

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today, maybe we just do a

fantastic little winter scene, so let's

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start out and have him run all the colors

across the screen that you need to paint

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along with us while they're doing that.

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Let me show you what I

got going up here today.

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I have my standard old 18 by

24 inch canvas, but you use

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whatever size is convenient.

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And today I've put a piece of

contact paper on here and just

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cut a little oval out of it.

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And I thought we'd just do a little

winter scene and see what happens.

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We've covered the inside of

this with liquid white and

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it's all wet and ready to go.

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So let's just have a good time.

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Sometimes when you're doing winter

scenes, they can get so cold.

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They're almost distasteful.

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I mean, you have to put on

a coat just to look at them.

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I thought today would do one

that's very warm and very pleasant

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and it makes you feel good.

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So let's start out and use

some warm colors in there.

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So I'm going to start with a

little bit of the Indian, yellow.

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Just a little on the two inch breasts.

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Don't need much, just a little, okay.

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Let's go right up in here.

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Maybe we'll have a little

bright spot in our world.

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There it is right about

there wherever you want it.

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Something like, so there.

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Can we just sort of let it go out?

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Not like yet.

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Well, I have that color on the brush.

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Maybe we'll have a little water.

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Let's just pull that

straight down right there.

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We're straight up whichever

it doesn't matter.

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Yeah.

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Then we'll take a little kid yellow.

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And a little bit of the bright

red and just mix them together and

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you can mix these on the brush or

you could pre-mix them either way.

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I just do it on the brush.

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He didn't, he really doesn't matter.

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Really doesn't matter when to

make a nice orangy color here.

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Oh my cat.

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All right.

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Now, then with that, we'll just lay in

a little of that red around that first

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color of yellow that we laid in there.

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There, if you put two eyes and a big smile

on there, you'd have little orphan nanny.

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All right.

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A little bit more red there.

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I'm going to just put that right hand.

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Now you have that orangy color going.

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I'm going to add just a little of that or

right around the yellow that's down here.

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This is going to be water eventually.

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So we're just putting some

color, hear something like, so.

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Now then let me grab another

brush, several of each going here.

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Let's take a little touch

of the Prussian blue.

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You need very little so strong that

oppression blue, a little black,

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and just mix them together on the

brush, blue and black or black and

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blue, whichever Canaan right up here.

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I'm going to add just

a little bit of that.

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Now.

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We don't want to have to get

into that yellowish color

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because as you know, probably.

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It will turn green on us if we're

not looking for green in that.

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All right.

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Miss washing old brush, that's the

most fun part of the whole technique

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is just washing the brushes.

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Shake off the excess, beat the

devil out it now very lightly.

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Let's begin blending this out.

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Start in the light area and work

outward, always working out.

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Where do you don't want to take the

dark color back into the center?

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There we go splendid on out there.

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Now it's really sparkle that

what's your, what's your, let

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me wash the brush one more time.

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I want to start with a nice clean

brush and it's a way of getting even

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my camera crew for picking on me too.

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I'm going to take a little

bit of the titanium white.

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On the two inch brush, just

plain titanium, white, just

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load a little on there.

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And let's just go in here and dance

in a little bit of this white color,

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just sort of danced in and I'm

going to let it swirl and have fun

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wherever it wants to go, but start in

the lightest area and work outward.

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I want it to get darker as it

goes away from this light area.

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There is very lightly.

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We can blend that together.

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Okay.

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You can do that several times to

make it as bright as you want it.

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It's up to you.

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You have to make that decision

how bright you want it.

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You can make it very bright

or leave it quite dark.

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Doesn't matter.

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Depends on the mood that you're

trying to convey in your painting.

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Yeah, then all we get that

white on there right below here.

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We'll put a little light

right into, what's going to

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be the water, just like that.

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And then very gently we can begin going

across the color will remain in there,

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but that sort of blends it all together.

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Okay, good.

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And one more time.

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We've watched the old brush.

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Just wash it.

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Shake it off.

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Hey, we're in business again.

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Now, then I tell you what let's use the,

uh, we use the one inch brush today.

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I'm going to take quite be right back.

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Don't go away.

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Grab some of the bright red.

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I want to make a nice

pink, nice pink color.

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That's pretty.

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Now then would that loaded on the

one inch Brexton scope in here?

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We need something to bring these two

colors together because once again, we

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can't mix them or we'll end up with green.

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So we'll let this pink be a

little cloud that lives right

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here and it'll be our barrier.

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It's our protector.

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It, it keeps our color

nice and pure and clean.

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And between these two and we'll

just sorta let it blend down.

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And you can have happy little clouds,

it just float all around wherever

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you want them wherever you want to.

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You know, maybe there's

even some over in here.

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I don't know wherever you want.

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Okay.

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Or two inch brush, and then very

gently will blend the base of the

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cloud, but just the top corner of

the brush top corner of the brush.

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There and I beat it just to knock off the

excess paint and then very gently we can

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fluff that up and bring it all together.

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And that gives us a nice little

barrier between these two colors.

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And you just play on that too.

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You can't tell her one color

stops and the next color star

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it, didn't not a very nice little

sky and it's so easy to do.

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So very, very easy to do.

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All right.

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Okay.

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We'll wash the brush and

have it all clean and ready.

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Actually.

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I just like to wash the brushes there.

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That's not as much fun

as a two inch brush.

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Now I'll tell you what let's

use one of our round brushes.

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Hey, let's start.

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Let's use.

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Why don't we take some black little

dark Sienna, tiny little bit of tiny,

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little bit of pressure and blue.

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I don't want much pressure

and blue in there.

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Maybe even a little van Dyke,

little touch it Crimson.

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So we have black dark Sienna

and Dyke little Crimson

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blue, all of our dark colors.

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Now then.

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Maybe in our world or live some

nice trees right here in here.

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And this round brush, I have the

big round brush and all you have

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to do is just tap, just tap.

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And we'll put in some very basic shapes.

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And I normally start at the bottom

and work upward because that

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way the darkest part of your.

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Bushes and trees and stuff is

down here in the deep shadow.

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And as you work upward automatically, it's

going to get lighter and lighter in value.

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And that's what we're looking for.

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Because underneath here, there'd

be all kind of shadows that would

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hide everything, little sneaky

things that live we down there.

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And as you run out of paint, you

can put some very light once I'm

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barely touching here, that'll end up

looking like they're far away, but

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very light just barely can see them

there and darker ones in front of it.

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See how that makes another plane there.

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There we go.

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Some about like, yeah,

whatever totally up to you.

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You make the decision.

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Let me take, uh, our script liner

brush use a little bit of black

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or Brown, whatever you want.

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I'm gonna use black.

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They, I think make that paint thin,

like ink let's go up in here and put

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a 70 indication here and there of a

few little trunks and sticks and twigs

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and all these little things that make

up the three little skeleton of the

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tree kind of has some bones in him.

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Don't want him to just

fall over there in there.

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Sometimes you can just, you just take the

knife and just scrape through, without

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some of the canvas to show, it looks like

little white sticks and twigs, and you

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have a lot of those in the woods too.

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They're not all dark.

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Every shade there is dark light

and everything in between, and

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that's the easy way to do that.

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In the last show I introduced

you to a new brush.

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This little half size round brush.

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So let's, let's take it.

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And you'll use a little bit of

the yellow, yellow here in this.

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Get a little red, just

make a nice orange color.

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This is going to be a bright painting.

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Poor just winter.

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See there.

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I like winter scenes.

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I grew up in Florida.

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And it was about 20 years

old before I ever saw snow.

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And I joined the military and I think

our dear uncle found out uncle Sam

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found out that I had never seen snow.

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And so he sent me to

Anchorage, Alaska, January.

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And that's, that's how I got

introduced to snow before that

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I thought ice was something that

just grew in the refrigerator.

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I didn't know.

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It actually grew in the ground,

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had quite an indoctrination,

a little more of the red.

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Now you can use any color you want.

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I just want to make something it's

very bright and cheerful today.

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It's a fantastic day here and it's nice to

do scenes that reflect the way you feel.

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There, but work in layers, those

layers will create the depth in

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your and your trees and bushes.

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There we go.

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A little more.

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I'm just loading a little color on here.

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Something about like that.

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That's probably about

all we need right there.

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Now watch me find another brush.

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I have, it looks clean.

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Let's take this plane titanium white.

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Load some color right

on that two inch brush.

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There we are.

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I've loaded it pretty sharp.

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It's almost a chisel edge.

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Pretty sharp.

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Okay.

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Let's go up in here.

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I have to make a major decision.

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Where did you snow live in this world?

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And I think, yep.

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You're right ladies.

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There's right there.

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All you have to do is just pull,

just pull it and allow it to pick

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up a little bit of that color.

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So it looks like shadows in there.

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A lot of times we avoid picking up that

color and a little bit of color that it

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picks up is really what makes it so great.

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There we go.

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The more you blended the smoother

it will become, and you can blend

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this till it looks like silk.

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It's really up to you.

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Sometimes you won't snow.

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That looks quite rough.

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Sometimes you want snow that

looks like I've always just smooth

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as it can be smooth as silk.

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Had a little more color here and there.

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This is the little half size brush again.

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Yep.

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There's a little bushy lips right

there, but so you put a layer of

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snow and didn't put a Bush and

let me grab the stay right there.

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So now you grab the bottom

of this and pull it out.

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And this is the way you create

the illusion of distance.

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I look at the layers.

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That's what makes all that work.

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Okay.

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Maybe there's even a little

one over here who knows?

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We don't want that side left

out, but you can just close

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that right in just that easy.

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They're

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okay.

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Now.

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We have what looks like

a big tree up here.

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So let's work on it.

253

00:13:29,324 --> 00:13:33,795

Take her dark Sienna, black little

tiny bit of blue, not much blue.

254

00:13:34,545 --> 00:13:35,655

Cause we're using yellow there.

255

00:13:35,655 --> 00:13:37,935

We don't want much blue,

every single turn green.

256

00:13:39,105 --> 00:13:39,885

Now let's bring us.

257

00:13:40,815 --> 00:13:41,805

We have a shape here.

258

00:13:41,865 --> 00:13:43,545

Let's just bring it right on down.

259

00:13:44,895 --> 00:13:46,995

See how you can pull this

tree right to the foreground.

260

00:13:48,435 --> 00:13:51,465

All you have to do is decide

where it lives and you can

261

00:13:51,465 --> 00:13:52,605

move it anywhere that you want.

262

00:13:52,605 --> 00:13:58,845

It lives right there now, because

we said it, this, and this is our

263

00:13:58,845 --> 00:14:00,345

world and we can do anything here.

264

00:14:01,985 --> 00:14:07,565

Now, our liner brush

little touch of the black.

265

00:14:11,599 --> 00:14:14,390

Give him a little, little

arm in there, a little trunk.

266

00:14:14,449 --> 00:14:14,810

Okay.

267

00:14:19,610 --> 00:14:20,599

And just a few levels.

268

00:14:20,599 --> 00:14:21,680

We're going to put some leaves on there.

269

00:14:21,680 --> 00:14:24,740

So you're probably not going to see most

of them, but we know they're in there.

270

00:14:24,740 --> 00:14:29,900

Even if they all get covered up,

we know they're in there just to

271

00:14:29,900 --> 00:14:31,670

give him a little, little center.

272

00:14:32,880 --> 00:14:35,760

Let's see, let's use a little kid yellow.

273

00:14:35,910 --> 00:14:37,890

Let's have a nice bright

color in this tree.

274

00:14:39,360 --> 00:14:43,440

Let me grab a little touch of that

little red, bright red, maybe even

275

00:14:43,440 --> 00:14:44,850

a little lizard Crimson in that one.

276

00:14:45,230 --> 00:14:47,860

No, I like it like it.

277

00:14:48,680 --> 00:14:48,860

Yeah.

278

00:14:49,010 --> 00:14:49,670

Push the breast.

279

00:14:49,680 --> 00:14:51,800

So it gets a little Ridge

of paint right on the edge.

280

00:14:52,730 --> 00:14:56,930

And let's go up in here and start

right above your eye shadow color.

281

00:14:58,440 --> 00:15:02,430

Then let's begin, just laying in the

indication of all kinds of little,

282

00:15:03,060 --> 00:15:08,370

little highlights there, their winter

scenes, don't always just have to

283

00:15:08,370 --> 00:15:10,710

be blue and white and cold colors.

284

00:15:10,710 --> 00:15:14,430

You could make winter scenes that

are very warm and very pleasant.

285

00:15:17,500 --> 00:15:17,590

Okay.

286

00:15:17,960 --> 00:15:21,410

If you're interested in selling paintings

and of course, none of us are interested

287

00:15:21,410 --> 00:15:26,175

in that, but if you're out making a

happy buck with your paintings, These

288

00:15:26,175 --> 00:15:30,585

are the ones that will sell because

they go very nicely with about any decor

289

00:15:31,814 --> 00:15:33,314

and they really brighten up a room.

290

00:15:35,295 --> 00:15:37,905

People like these really brighten it up.

291

00:15:39,605 --> 00:15:40,295

There we go.

292

00:15:42,485 --> 00:15:47,015

Kane, VB, don't kill all that

dark, maybe right in there.

293

00:15:47,015 --> 00:15:48,095

There's some little doers.

294

00:15:51,225 --> 00:15:54,915

Just very accounters back and

forth, whatever you think.

295

00:15:56,925 --> 00:15:59,385

I let that just disappear

right back into there.

296

00:16:01,035 --> 00:16:04,215

Cause it'll be darker underneath that

tree to be a big shadow into that tree.

297

00:16:06,285 --> 00:16:09,225

Now, back to our breast, it

has the titanium white on it.

298

00:16:09,915 --> 00:16:13,485

And once again, allow it to pick

up a little bit of that color and

299

00:16:13,485 --> 00:16:16,605

it becomes your shadow pallette.

300

00:16:18,900 --> 00:16:19,290

Fair.

301

00:16:25,340 --> 00:16:31,490

And we can take a fan brush with some of

those same colors on it and just push it

302

00:16:31,490 --> 00:16:36,860

up inherent there, make a little grassy

area that comes out of there, cleans up

303

00:16:36,860 --> 00:16:38,420

the edges and brings it all together.

304

00:16:39,980 --> 00:16:40,700

Just like that.

305

00:16:41,240 --> 00:16:43,910

Look at the doubt now.

306

00:16:45,285 --> 00:16:46,035

Let's get crazy.

307

00:16:46,185 --> 00:16:46,875

What the heck?

308

00:16:47,355 --> 00:16:48,615

Black dark CN.

309

00:16:48,635 --> 00:16:51,135

A little, Bandag a little Crimson.

310

00:16:52,665 --> 00:16:56,175

It's already a little blue in there,

so that's all we need loot some color

311

00:16:56,175 --> 00:16:57,975

back into this old big round brush.

312

00:16:59,535 --> 00:17:09,015

Let's make a decision and our world, their

lives, a big tree goes, where does it go?

313

00:17:09,135 --> 00:17:09,645

Where does it go?

314

00:17:11,400 --> 00:17:11,970

Just let it go.

315

00:17:12,090 --> 00:17:12,570

What the heck?

316

00:17:14,940 --> 00:17:18,030

Sometimes these things

get away from me maybe.

317

00:17:18,300 --> 00:17:18,720

Okay.

318

00:17:20,610 --> 00:17:20,940

All right.

319

00:17:20,970 --> 00:17:22,470

Maybe it goes all the

way to the top Patek.

320

00:17:24,330 --> 00:17:24,930

We can do that.

321

00:17:24,930 --> 00:17:30,060

If we want to bagel tree

lives right up here,

322

00:17:35,160 --> 00:17:36,480

right down the front of here.

323

00:17:39,929 --> 00:17:42,510

But see each one of these four

make a different plane and you're

324

00:17:42,510 --> 00:17:43,770

painting a different layer.

325

00:17:44,729 --> 00:17:47,850

And that really helps create that

illusion of depth and distance.

326

00:17:47,850 --> 00:17:51,780

I know I say that over and

over, but it's so important.

327

00:17:55,070 --> 00:17:55,189

Okay.

328

00:17:55,580 --> 00:18:00,169

Back to our liner brush, we'll pick up a

little bit of that black and with that.

329

00:18:01,725 --> 00:18:03,375

Let's put a trunk in this tree.

330

00:18:03,435 --> 00:18:04,485

We don't want it left out.

331

00:18:05,755 --> 00:18:07,335

You have trouble making the paint flow.

332

00:18:08,115 --> 00:18:12,225

All you need to do is add a little

more of the paint thinner, and

333

00:18:12,225 --> 00:18:15,375

there's a little lounge and sticks and

twigs that are growing back in here.

334

00:18:15,375 --> 00:18:19,065

Maybe you can't see the entire

thing, but they're there.

335

00:18:19,365 --> 00:18:20,205

We know they're there.

336

00:18:22,245 --> 00:18:22,785

There's one.

337

00:18:22,785 --> 00:18:26,715

There, there we go.

338

00:18:28,590 --> 00:18:33,240

Hmm, when it comes right off the

contact paper, any adhesive back

339

00:18:33,240 --> 00:18:37,430

paper will work for this, and you

can create any shape that you want.

340

00:18:37,430 --> 00:18:40,940

It doesn't have to be ovals

or squares, or, you know,

341

00:18:40,940 --> 00:18:42,980

just let your imagination go.

342

00:18:44,294 --> 00:18:45,435

And make any old shape.

343

00:18:47,084 --> 00:18:49,814

One of the best ways I've

found to find different shapes.

344

00:18:50,145 --> 00:18:53,235

Placemats have a variety of

beautiful shapes that you can lay

345

00:18:53,235 --> 00:18:57,405

right on your he's a back paper and

make beautiful, beautiful shapes.

346

00:18:58,544 --> 00:19:05,044

I'm just loading this half size price back

up again, and we'll go back up in here.

347

00:19:05,794 --> 00:19:06,754

Oh, there we go.

348

00:19:07,985 --> 00:19:08,344

There.

349

00:19:09,245 --> 00:19:09,334

Okay.

350

00:19:11,129 --> 00:19:14,909

So you can give it a little push

sometime and just make him Liam's

351

00:19:14,909 --> 00:19:16,110

look like you're hanging over.

352

00:19:17,010 --> 00:19:18,179

Just depends on the effect.

353

00:19:18,179 --> 00:19:19,740

You're trying to get

some time I hit street.

354

00:19:20,550 --> 00:19:25,350

Sometimes I give it a little, if you

don't make that noise, that will work.

355

00:19:26,639 --> 00:19:27,179

There we go.

356

00:19:27,360 --> 00:19:30,030

Just a little, just a little something.

357

00:19:31,500 --> 00:19:32,010

There we go.

358

00:19:34,050 --> 00:19:36,479

But think about some basic

shapes and patterns in here.

359

00:19:36,479 --> 00:19:37,800

Don't just throw them on at random.

360

00:19:39,540 --> 00:19:40,920

Do you want to just throw in at random?

361

00:19:42,900 --> 00:19:43,470

There we go.

362

00:19:43,470 --> 00:19:50,760

There is another one and we

need a little more color size.

363

00:19:52,220 --> 00:19:56,660

Each one is these would be a different

layer on when the tree different little

364

00:19:56,660 --> 00:19:59,030

projection just jumps right out at.

365

00:19:59,030 --> 00:20:03,170

You wants to hire, you can add the least

little touch of titanium white to your

366

00:20:03,170 --> 00:20:07,430

color, just to sparkle someplace where you

think the sunlight would really strike.

367

00:20:08,490 --> 00:20:09,780

But don't overdo or it'll lose.

368

00:20:09,780 --> 00:20:14,670

Its effectiveness will totally

lose its effectiveness.

369

00:20:14,880 --> 00:20:23,610

If you do too much Bush,

there, maybe there is fine.

370

00:20:26,160 --> 00:20:26,520

Okay.

371

00:20:26,520 --> 00:20:31,590

It's a little doers,

eliminator, wherever, wherever.

372

00:20:33,554 --> 00:20:40,895

Now, some of these, I want to leave

almost black, almost dark, cause it

373

00:20:41,465 --> 00:20:47,165

really enhanced it now back to her

white and let's just pull across it.

374

00:20:47,165 --> 00:20:48,935

Let's pick it up at color once again.

375

00:20:48,965 --> 00:20:52,655

Don't fight that when it

happens, don't fight it.

376

00:20:55,024 --> 00:20:58,774

Let it work for you there.

377

00:21:02,340 --> 00:21:05,850

Anything that you don't like, you grabbed

the bottom of it and just pull it down.

378

00:21:06,030 --> 00:21:08,310

It just becomes part of the

reflection in the water.

379

00:21:09,800 --> 00:21:12,680

So he don't ever have to worry

much about this because all

380

00:21:12,680 --> 00:21:14,570

you do just to pull it down.

381

00:21:14,630 --> 00:21:16,940

I had a little bit more of the

same color on the brush and we'd

382

00:21:16,940 --> 00:21:18,380

have a little more of a reflection.

383

00:21:19,850 --> 00:21:22,460

I can show you a little trick.

384

00:21:23,330 --> 00:21:26,510

We put that on with a

knife or with a brush.

385

00:21:26,540 --> 00:21:30,830

Now, take the knife, barely touching

and just let it bounce and graze.

386

00:21:31,875 --> 00:21:34,575

But don't cover up all that,

that you did with a brush.

387

00:21:35,235 --> 00:21:40,395

It makes just a wonderful and beautiful

effect and people will go crazy

388

00:21:40,395 --> 00:21:41,655

trying to figure out how you done it.

389

00:21:42,345 --> 00:21:44,415

And don't you tell them

that that's our secrets.

390

00:21:46,754 --> 00:21:47,895

That's our secret.

391

00:21:47,895 --> 00:21:50,745

There we go there.

392

00:21:51,165 --> 00:21:52,965

See, here's another

little door right there.

393

00:21:54,465 --> 00:21:55,845

Take a little bit of the liquid white

394

00:21:59,135 --> 00:22:00,155

come right back in here.

395

00:22:00,510 --> 00:22:04,050

And now we can just cut in a little,

little water line or a little snow that's

396

00:22:04,050 --> 00:22:11,660

laying right along here, something like

that, something to cover up the bottom.

397

00:22:12,920 --> 00:22:14,030

And that brings it all together.

398

00:22:14,060 --> 00:22:15,170

Smooth everything out.

399

00:22:16,070 --> 00:22:16,160

Okay.

400

00:22:20,900 --> 00:22:26,750

Can you maybe in our

world, maybe let's do this.

401

00:22:27,050 --> 00:22:28,520

Let's have that come right across here.

402

00:22:29,985 --> 00:22:30,795

Something like that.

403

00:22:33,525 --> 00:22:39,795

They're now back to her

knife, barely touching.

404

00:22:39,795 --> 00:22:44,775

Let me get a little more paint on

there just to let it just float across

405

00:22:44,775 --> 00:22:51,575

her, lying that paint to break once

again, allow the paint to break and

406

00:22:51,575 --> 00:22:54,195

that's what makes it look good now?

407

00:22:56,970 --> 00:22:57,750

Tell you what let's do.

408

00:22:58,080 --> 00:22:58,350

Shoot.

409

00:22:58,350 --> 00:22:59,250

We have so much fun.

410

00:22:59,250 --> 00:23:00,180

That's really get crazy.

411

00:23:00,720 --> 00:23:01,320

Maybe over here.

412

00:23:01,320 --> 00:23:01,980

There's another one.

413

00:23:02,970 --> 00:23:05,490

Just put in a very basic

little shape to start with.

414

00:23:07,290 --> 00:23:08,580

We have a little shadow color in it.

415

00:23:10,500 --> 00:23:13,560

Something like, so a little

shadow underneath pulled across.

416

00:23:13,610 --> 00:23:13,880

Awesome.

417

00:23:17,090 --> 00:23:17,840

Back to our tattoo.

418

00:23:17,840 --> 00:23:18,410

Tanium white.

419

00:23:19,070 --> 00:23:20,000

Yeah, very lightly.

420

00:23:20,030 --> 00:23:23,840

Once again, just sort of let

that float right along on there.

421

00:23:25,455 --> 00:23:33,525

Just let it float back to her

liquid fight and we can put a little

422

00:23:33,525 --> 00:23:37,875

water line in there, like soon.

423

00:23:45,275 --> 00:23:45,395

Yeah.

424

00:23:45,455 --> 00:23:46,865

Let's go back to her old fan brush.

425

00:23:46,865 --> 00:23:50,254

It has the colors on it, and we

can put in little grassy areas

426

00:23:50,254 --> 00:23:51,514

and little things all over.

427

00:23:52,590 --> 00:23:54,210

Wherever we decided they should live.

428

00:23:55,140 --> 00:23:57,210

I think there should be one right there.

429

00:23:57,660 --> 00:23:58,500

It comes right out.

430

00:24:00,330 --> 00:24:03,900

We go and maybe, yep.

431

00:24:03,960 --> 00:24:04,470

You're right.

432

00:24:04,620 --> 00:24:05,850

There's another one right there,

433

00:24:09,600 --> 00:24:13,800

but this helps form all these little

shapes maybe over on this side.

434

00:24:13,800 --> 00:24:15,120

There's yeah.

435

00:24:15,690 --> 00:24:18,360

Areas comes right along in there.

436

00:24:20,400 --> 00:24:27,560

Why can't we take our knife, poppy and

all kinds of little sticks and twigs

437

00:24:27,560 --> 00:24:29,900

and little things that live down here.

438

00:24:30,590 --> 00:24:33,560

And all you're doing is just scraping

through the paint and the line, a

439

00:24:33,560 --> 00:24:35,180

little bit of a canvas to show through,

440

00:24:40,700 --> 00:24:46,700

go back to our liner, brush

kit, a little bit of the use, a

441

00:24:46,700 --> 00:24:47,900

little bit of the black still.

442

00:24:48,645 --> 00:24:50,595

What this paint to be thin is ink.

443

00:24:51,254 --> 00:24:58,814

So it flows very nicely and here and there

and there in here, we'll put a stick and

444

00:24:58,814 --> 00:25:06,665

a twig, all these little things that just

living out here and having fun there.

445

00:25:07,534 --> 00:25:10,085

And it's these little details that

will make your painting special,

446

00:25:10,385 --> 00:25:11,855

and don't be afraid to add these.

447

00:25:12,814 --> 00:25:15,814

Enjoy them there.

448

00:25:16,774 --> 00:25:17,405

Maybe you'll see me.

449

00:25:18,284 --> 00:25:18,584

Yep.

450

00:25:18,615 --> 00:25:19,094

You're right.

451

00:25:20,985 --> 00:25:22,155

One or two out here.

452

00:25:22,155 --> 00:25:23,115

And what about here?

453

00:25:24,254 --> 00:25:25,185

Something I can't,

454

00:25:28,235 --> 00:25:33,395

sometimes it's fun to you and let's

take a little of the yellow color,

455

00:25:33,395 --> 00:25:37,355

maybe a little white on it, dip in

here and get the least touch of liquid

456

00:25:37,355 --> 00:25:40,534

white thin it, because we're getting

quite a few layers of paint on there.

457

00:25:41,375 --> 00:25:44,554

So I have liquid white, little

yellow and white something like,

458

00:25:44,554 --> 00:25:47,044

so just quite a bit of paint.

459

00:25:47,520 --> 00:25:51,270

Maybe we'll put just a few

little, Oh, look at there.

460

00:25:51,540 --> 00:25:52,469

Just push it upward.

461

00:25:53,429 --> 00:25:55,620

Like a few little doers that live

right out there and that little

462

00:25:55,620 --> 00:26:00,840

stick, because a little happy Bush,

I think now is the moment of truth.

463

00:26:00,959 --> 00:26:03,300

So tell you what for bring

the camera right up here.

464

00:26:03,300 --> 00:26:05,699

Let's take the contact paper

off and see what we have.

465

00:26:07,350 --> 00:26:08,129

This is fun.

466

00:26:08,129 --> 00:26:08,399

Time.

467

00:26:13,139 --> 00:26:13,520

Something.

468

00:26:14,835 --> 00:26:18,015

This contact papers, one of the neatest

things that we've ever come up with.

469

00:26:19,155 --> 00:26:22,425

And I think everybody likes

that it really works well.

470

00:26:23,595 --> 00:26:26,085

And as I mentioned early, we're not

interested in selling paintings, but

471

00:26:26,085 --> 00:26:30,885

if you should be out selling paintings,

this is one that will really sell these

472

00:26:30,885 --> 00:26:33,885

ones with the, with the ovals and the

different shapes and stuff like that.

473

00:26:35,385 --> 00:26:38,205

And I think this one's about, does someone

take a little paint, thinner, a little

474

00:26:38,205 --> 00:26:41,505

bit of red and let's sign this one.

475

00:26:41,515 --> 00:26:42,765

We'll assign him right down here.

476

00:26:43,905 --> 00:26:47,295

Really hope you've enjoyed this

little painting because it's

477

00:26:47,295 --> 00:26:48,975

an easy one that you can do.

478

00:26:51,015 --> 00:26:54,705

We're going to call that one finished,

enjoyed being with you today.

479

00:26:54,765 --> 00:26:57,765

And from all of us here, I'd

like to wish you happy painting.

480

00:26:58,485 --> 00:26:59,655

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S23E04 - Reflections of Gold

Bob Ross's

The Joy of Painting

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