Bob Ross's

The Joy of Painting

S24E08 - Graceful Waterfall

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Hi, welcome back.

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Certainly glad you could join us today.

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I thought today we'd just do a painting.

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It's a lot of fun.

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So let's start out having run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what I've

gotten done up here today.

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I had my standard old canvas

and I've taken a little black

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Jesso on a paper towel and I've

just sort of got it all over.

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Except right in here and

there, I just sorta pulled it.

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I want to have a big waterfall today.

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So just a basic idea.

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We let the black Jesso dry completely.

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Then we go back and I've covered

the entire canvas with a very,

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very thin coat of liquid clear.

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Then over the clear I've taken a

little thalo blue and Taylor green

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mixed together and painted up to here.

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And then here, I've just used a little,

the little blue and black and very

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little paint on top of the liquid clear.

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I just want enough.

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So it sort of stains the canvas a little

and that's really all we're looking for.

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So we have the black Jesso, but clear.

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And then a little bit of color on top.

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So let's go ahead and just have some

fun show you how fantastic this can be.

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Let's start with our old two inch

brush today in a small amount of

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the titanium white they're right

up here above the waterfall.

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I want to have a nice little.

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Soft light area coming out.

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So we take this white, can

we go right up in here?

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And we just begin making little Xs,

little crisscross strokes, right above

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the waterfall, something about like,

so you can just let it blend back

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into the what's going to end up being

big trees and stuff back in here.

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I can't see all that.

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The little black Jessup things

still show through and it looks

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like you've worked yourself to death

and you've done very, very little.

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That's the beauty of this black chair.

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So it may be one of the neatest things

that we've ever come up with there.

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And you can make that as

bright as you want it to.

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Maybe you want it a little

brighter right in there.

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You can take them several times.

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It's up to you.

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You can add just a little more of

the titanium white and work it out.

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Something like, so.

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To whatever degree that you want there

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tell you what the fun part of this

painting is the old waterfall.

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So why don't we, why don't

we jump right in and do that?

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Let's do that right off.

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Okay.

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Let me watch the old breasts.

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That's the fun part of this

also keeps our crew on his toes.

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There Jake.

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And one of the earlier shows, I, I showed

you the camera man over here that he

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wears a rain coat behind the camera.

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That way we were sure

not to getting too wet.

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Okay.

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Now let's do the waterfall.

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And for that today, I'm going to just

use the old fan brush and I'm going to

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dip the fan brush into a little bit of

a liquid clear don't need a great deal.

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And then.

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With a clear on the brush, go

right into a little titanium.

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White don't go, I'll be right back.

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I'm gonna get the least little touch it.

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They look blue and put in there

just to flavor it a little.

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So we have little liquid clear

white and a least little touch

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of the little blue scope here.

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Now I want to make a, a stroke

comes across and then down, it'll

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give the impression that the

water started flowing and then.

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Somebody pulled a stopper out and down.

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It went.

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So we go over and we go

tune, try to do it fast.

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If you do it, slow your hands

going to wiggle and you get

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a waterfall that do it fast.

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It really works better if you do it

fast and you decide how big you want

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that waterfall to be, maybe like it now.

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Nice waterfall.

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Now we're going to push it.

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We back into the background.

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You can also let's do it with the two

inch brush, take the two inch brush

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and pull up and blended in and it'll

soften and bring all that together.

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I see.

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You can look right through

that waterfall and see stones

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and rocks that are behind it.

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There that's sort of sneaky admit.

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All right, let's mix up.

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Let's mix up some black.

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A little bit of depression, blue,

little van Dyke, Brown lizard,

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Crimson, maybe a little SAP green, too.

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What the heck?

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Whatever good dark color

you can come up with.

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Okay.

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Let me wipe off the little knife.

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Now we'll just continue to

use the old two inch brush.

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I'm going to load a little bit

of this color into the two inch

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brush by just pushing things

out, brushes sort of sliding.

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See there's a little Ridge of paint.

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There's one just like it on the brush.

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And that's what we paint with.

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Okay.

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Now that maybe in our world,

there's some big trees.

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Here they come there.

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They can just use the corner of the

brush and begin forming some basic

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shapes for some nice big trees that

are just sort of hanging out here.

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Sort of hang in

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there.

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Alright.

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And right along in here, I don't know.

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Maybe on this side, over here, there

comes some big old doors hanging out and

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all I'm looking for right now, some basic

shapes to give me some ideas of where.

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All these trees will end up

being for not committed yet.

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We're looking for just basic

shapes, just little basic shapes.

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So don't be too concerned there.

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You can even take the black Jesso and

mix it with white, just so and make all

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kinds of gorgeous effects before you

ever paint the first stroke and people

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they'll go crazy trying to figure out

how you've made some of these things.

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Fix that's our secret.

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Now then something to

contain our waterfall.

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We got an idea where

the trees are gonna be.

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So let's take, we use old Vandyke

Brown and dark Sienna mixed together,

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pull it out, flat, cut across, and

we get our little roll of paint lives

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right around the edge of the knife.

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Now I'm going to put a big, big,

old rock that lives right there.

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See that gives it, gives us some

boundaries on that waterfall.

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So it didn't just hang there.

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There we go.

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And this rock is in front of that

rock because I want that rock hair

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to be back behind the waterfall,

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something like that.

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All right.

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All right.

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Now we'll take a little touch of white, a

little bit of dark Shannon Brown into it.

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Maybe middle East, a little touchy,

yellow ochre, maybe a little more.

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I like it just enough to

flavor it a little cut across

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or a little reel of paint.

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We'll come right up here on the

top of this big stone rock cliff,

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whatever you want to call it.

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And just barely touching.

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We want to make us look flat

on top because this is where

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maybe there's a little Fox that

lives out here in these woods.

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And he sits right here

and he watches everything.

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So he needs a little flat spot.

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And it didn't hurt to make up little

stories like it, to give reason for

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things being the way they are there.

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Now, no paint grabbed

the edges and pull down.

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I want this to remain quite dark.

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Maybe the least little.

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There we go.

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At least when I touch a

paint, almost no paint.

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There put a lot of grassy things in here.

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This is going to cover

that and push it back.

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So don't worry about it at this point.

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Don't even worry about it.

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Maybe a little show

through here and there.

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So we've just put some spots here and

there that maybe, maybe some of the

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little grass areas we'll share through.

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All right.

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Looks like little stones

showing through already.

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So I say this blank,

just so I guess so neat.

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And it makes your painting

life so much easier.

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Now let's go back through

all two inch brush.

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Maybe over here, let's decide

where these big branches hang.

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Maybe they hang right over

in front of the waterfall.

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That's scary.

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Isn't it.

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After you do such a

waterfall is it's so nice.

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Then you start dragging all these

big tree limbs right over the

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front of it, but that's all right.

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You know, it's back here and if

you learn your time is not wasted.

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It also helps create that illusion

of distance because it looks like the

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waterfalls we'd back behind these trees

and that's what we want to do there.

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It takes very little paint.

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Once again, the black Jessel

has done most of the work for

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you that didn't work for you.

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Shoot the lazy.

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Maybe there's something that

comes out over here, even

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wherever you think it should be.

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Okay.

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I don't want to cover up

all these little areas here.

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I want to leave some of

them showing you through.

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So when it's done, it'll look like

you can look through there once

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again, see some of the little stones.

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Of course, if you cover them

up, we can always go back

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and add them right back here.

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Very easy.

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Okay.

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I'm going to grab another

clean two inch brush.

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I have several of them going.

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I'll take the least, least, little

bit of titanium white tapped,

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right on the right on the corner.

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Just a little teeny,

teeny bit right there.

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And down here at the base of the

waterfall waterfall this far, it

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would, it would churn and create

a tremendous amount of mist.

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So let's just do the same thing.

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We'll take the top corner of

that brush and begin tapping.

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Just have just basically titanium

pipe and you start tapping here.

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I want to create a nice Misty effect.

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Right?

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And you can fluff it a

little bit, very gently.

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Now the water hits and you have

that nice area down in there.

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All right.

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Back to my brush with the old tree

color of it, treat them color.

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Cause I want some of these limbs

to be in front of the mist.

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And think about what's in the

foreground and what's behind it.

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Try to paint the thing.

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That's the farthest away

first and work forward.

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I know you say it sounds logical

and it is, it's really just common

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sense painting as far as the way

first and worked forward there.

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Wherever.

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Now let's take a little liner brush.

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Little louder brush brush brush.

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We use that same color and I want to

make this paint thin, like ink, very

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thin, turn the bristles in the paint.

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That brings it to a nice sharp point.

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We'll go up in here and here and there

and there, and here, we'll just put the

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indication of a few little sticks and

twigs and all kinds of little things that

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we can see sticking out through there.

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Say there already.

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It gives the impression that

there's all kinds of little

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Liams and things happening.

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And you've done very, very little

little there, wherever, wherever, maybe

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on the other side, we'll put a couple

also, we don't want him left out.

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Who'd get mad at you there.

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Maybe there's even some old wiggly

ones that hang right over here.

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There they are.

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If you have trouble making the paint flow,

just add a little more paint than or two.

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It just means that it's

not quite thin enough.

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There.

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Sometimes there is some, there

is right out over the waterfall.

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There, but all these little things that

are in front of the waterfall helped

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give that illusion that it's behind.

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And that's what we're trying to do.

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We want to make it, we back in

there today, I'll just use that same

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old brush go right into little CAD

yellow, Indian, yellow, yellow ochre.

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Once in a while, I'm going to

bump a little that bright red.

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Let me grab a little

black on the brush there.

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Kim, just tap, push.

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So you haven't brushed, pushes

that little Ridge of paint up.

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That's what we're looking for.

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Let's go up in here now.

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Let's begin putting in the sparkles,

the icing on the cake right here.

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This is all the little highlights.

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Think about the shape and the form

and how all these little lambs

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grow in clumps little branches.

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It's just, these are just a collection

of bushes that got together and

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grew big to make a big tree.

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Think about little individual

bushes live living here.

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There we go.

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A little more color

248

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there, there, so you can

do fantastic things for the

249

00:14:23,250 --> 00:14:24,570

great big old two inch brush.

250

00:14:25,095 --> 00:14:26,355

Can you just give it a little chance?

251

00:14:26,655 --> 00:14:29,985

So it needs a little chance.

252

00:14:32,175 --> 00:14:32,925

Okay.

253

00:14:34,645 --> 00:14:35,985

I don't over waterfall.

254

00:14:39,120 --> 00:14:42,329

All right there.

255

00:14:42,920 --> 00:14:46,099

Maybe here's another happy

little tree he lives right there.

256

00:14:47,030 --> 00:14:47,959

Well, he has some view.

257

00:14:47,959 --> 00:14:48,290

Doesn't he?

258

00:14:49,069 --> 00:14:53,479

Wouldn't it be a nice place if you

retreat live that always be nice and

259

00:14:53,479 --> 00:14:54,770

damp and you'd have plenty of water.

260

00:14:58,490 --> 00:14:59,839

I'd like to have a little house here.

261

00:15:01,640 --> 00:15:04,160

I think a waterfall is one

of the most beautiful sounds.

262

00:15:06,675 --> 00:15:07,305

There we go.

263

00:15:08,344 --> 00:15:11,535

My mother used to love to

listen to the waterfalls.

264

00:15:12,464 --> 00:15:16,814

That was one of her favorite things

she might've noticed on the shows.

265

00:15:16,905 --> 00:15:21,344

I've dedicated this series to

her since the last few I lost my

266

00:15:21,344 --> 00:15:26,175

mother and my brother, Jim, and

I miss her very much, but this is

267

00:15:26,175 --> 00:15:27,675

the kind of scenes that she liked.

268

00:15:32,115 --> 00:15:32,834

All right.

269

00:15:36,255 --> 00:15:37,395

All kinds of good or something

270

00:15:41,675 --> 00:15:42,275

you have to decide.

271

00:15:42,275 --> 00:15:43,474

What's going to be down

here at the bottom.

272

00:15:43,474 --> 00:15:45,125

We can get crazy and just keep going.

273

00:15:45,604 --> 00:15:46,505

Let's put a little bit on that.

274

00:15:46,954 --> 00:15:49,115

Just a few little things on

the other side over here too.

275

00:15:51,185 --> 00:15:51,964

There we go.

276

00:15:56,464 --> 00:15:58,265

I really like his kind of paintings.

277

00:15:58,635 --> 00:16:00,045

I really like them.

278

00:16:01,215 --> 00:16:05,535

And they're so easy to do with the

Blake Jessa before we had the blank.

279

00:16:05,564 --> 00:16:09,255

Jessel this was, this was something that

I wanted to paint, but I couldn't figure

280

00:16:09,255 --> 00:16:13,725

out how to do it in the timeframe that

they give us for television, because

281

00:16:13,725 --> 00:16:17,564

actual painting time is only 26 and a

half minutes or something like that.

282

00:16:19,155 --> 00:16:20,444

And I have a Mino director.

283

00:16:20,505 --> 00:16:22,965

Boy, if I don't, I don't

stop right on the money.

284

00:16:22,965 --> 00:16:27,045

She gets mad and comes out here and

yells and screams treats me rough.

285

00:16:28,620 --> 00:16:29,160

Not really.

286

00:16:30,060 --> 00:16:30,510

Okay.

287

00:16:34,950 --> 00:16:35,490

There we go.

288

00:16:39,110 --> 00:16:40,190

Let's see all those little things.

289

00:16:40,190 --> 00:16:42,170

You can just make layer

to layer, to layer.

290

00:16:42,830 --> 00:16:42,920

Okay.

291

00:16:46,280 --> 00:16:48,950

Each one of these would help

push that waterfall further and

292

00:16:48,950 --> 00:16:50,360

farther back into the background.

293

00:16:52,280 --> 00:16:52,820

There we are.

294

00:16:57,104 --> 00:17:02,854

They're a little bit right in

there that it makes some decisions.

295

00:17:02,854 --> 00:17:04,685

What's down at the bottom of

this waterfall pretty soon.

296

00:17:04,685 --> 00:17:07,325

And we'll fiddle the whole cabinets

up full of beautiful little trees.

297

00:17:07,385 --> 00:17:11,284

Cause I like to do these little

trees like yes, but make them

298

00:17:11,284 --> 00:17:12,605

darker and darker down in here.

299

00:17:12,964 --> 00:17:14,254

It's my shadow area down here.

300

00:17:14,254 --> 00:17:15,575

You don't want a lot of light down there.

301

00:17:17,794 --> 00:17:18,155

Okay.

302

00:17:18,514 --> 00:17:20,014

Let's make some decisions.

303

00:17:20,284 --> 00:17:22,954

School would mandate Brown, a

little dark Sienna mixed together.

304

00:17:24,510 --> 00:17:27,720

Maybe in our world,

their lives, their lives.

305

00:17:30,430 --> 00:17:32,600

I mean, there's a stone right there.

306

00:17:32,690 --> 00:17:33,140

I don't know.

307

00:17:34,970 --> 00:17:38,270

So you just sort of look and

everybody's painting would be different.

308

00:17:38,390 --> 00:17:40,250

Don't just try to copy

what we've done here.

309

00:17:40,880 --> 00:17:46,130

Look at your painting paintings

should not just be copying it

310

00:17:46,130 --> 00:17:48,230

should be doing your own thing.

311

00:17:49,140 --> 00:17:50,430

That's really what makes it fun?

312

00:17:52,860 --> 00:17:56,160

And that's the person you

need to please is yourself.

313

00:17:57,210 --> 00:18:01,110

If you're happy with what you've

done, that's, what's important.

314

00:18:02,310 --> 00:18:04,260

That's really, what's important.

315

00:18:05,190 --> 00:18:07,320

It's not what somebody else

tells you should be done.

316

00:18:08,760 --> 00:18:09,870

Not in painting anyway.

317

00:18:11,100 --> 00:18:12,840

Maybe there's a big cliff over here.

318

00:18:17,565 --> 00:18:22,175

Okay, just fell all over

that because it's dark here.

319

00:18:22,175 --> 00:18:22,985

We don't have to split much.

320

00:18:26,915 --> 00:18:30,695

We'll take some of our Brown and white

little tiny roller paint on the night.

321

00:18:31,325 --> 00:18:33,545

I just started let it

bounce along here and play.

322

00:18:35,735 --> 00:18:36,725

Where are we wanting

323

00:18:40,515 --> 00:18:41,155

the knife off?

324

00:18:41,205 --> 00:18:43,625

You can come back and just sort

of bring all that together.

325

00:18:45,699 --> 00:18:50,629

Hair make a big old

mean stone, right there.

326

00:18:53,120 --> 00:18:55,429

All kinds of little things

that live back in here.

327

00:19:02,060 --> 00:19:02,389

Okay.

328

00:19:02,399 --> 00:19:03,139

Mix up a little bit.

329

00:19:03,139 --> 00:19:04,879

Touchy calendar, almost ran out of color.

330

00:19:07,490 --> 00:19:08,209

There we go.

331

00:19:14,490 --> 00:19:17,670

And then just take her other

colors and bounce them around.

332

00:19:18,180 --> 00:19:21,390

Let the knife just touch bounce,

jump, move, carry on like that.

333

00:19:22,200 --> 00:19:25,800

And that's, it'll make all these

beautiful, rough, rough places.

334

00:19:26,520 --> 00:19:27,510

That's what the doggy says.

335

00:19:27,510 --> 00:19:27,930

It's rough.

336

00:19:33,110 --> 00:19:34,070

Bounce it across here.

337

00:19:34,280 --> 00:19:35,000

Just bounce it.

338

00:19:36,170 --> 00:19:41,870

Put a spring on the India back and

just let it play thing over here.

339

00:19:44,585 --> 00:19:45,675

Same, same old.

340

00:19:47,044 --> 00:19:49,175

Maybe there's a big cliff that

comes right out through here.

341

00:19:49,175 --> 00:19:54,995

We don't know where and comes to town.

342

00:19:55,835 --> 00:19:57,575

Maybe this is sort of

washed out underneath.

343

00:19:57,695 --> 00:19:58,115

Here we go.

344

00:19:59,555 --> 00:20:00,635

See how you can see things.

345

00:20:00,635 --> 00:20:05,705

So maybe it's sort of washed out

lights, just seeing them through there.

346

00:20:18,570 --> 00:20:20,280

Okay, good.

347

00:20:21,899 --> 00:20:25,180

Now let's get crazy.

348

00:20:25,180 --> 00:20:28,370

I'm gonna take my fan brush, taking

the fan brush a little bit of

349

00:20:28,370 --> 00:20:31,970

the liquid clear, go back to the

titanium white and get a little

350

00:20:32,270 --> 00:20:34,010

fatal blue and fellow green on there.

351

00:20:34,190 --> 00:20:34,850

Get on both of them.

352

00:20:35,969 --> 00:20:36,570

Not much.

353

00:20:36,870 --> 00:20:41,310

It's very strong, a little tiny bit

of liquid clear just to soften it

354

00:20:41,310 --> 00:20:43,530

up and make it slide across here.

355

00:20:43,530 --> 00:20:44,129

A little easier.

356

00:20:44,699 --> 00:20:47,159

And back in here, maybe the

water is coming along here.

357

00:20:48,149 --> 00:20:48,899

It goes, Pune.

358

00:20:49,169 --> 00:20:50,370

See there fell over.

359

00:20:53,145 --> 00:20:55,125

Maybe there's a little stone

back in there in a little spot.

360

00:20:58,385 --> 00:21:00,545

You don't have to make

those noises, but it helps.

361

00:21:01,895 --> 00:21:02,525

It does help.

362

00:21:05,675 --> 00:21:07,715

Maybe, maybe there's another little thing.

363

00:21:07,745 --> 00:21:09,585

Maybe, maybe stones all

over the place here.

364

00:21:14,129 --> 00:21:20,570

We don't know, but the color underneath

has come constantly coming through all.

365

00:21:20,590 --> 00:21:25,679

So we've had fatal green, yellow,

blue, underneath all that comes.

366

00:21:27,649 --> 00:21:31,969

Maybe I like all these

little watery phones.

367

00:21:34,995 --> 00:21:35,355

There

368

00:21:39,635 --> 00:21:42,335

isn't that fantastic that you

can make water, just move like

369

00:21:42,965 --> 00:21:44,165

any way that you want it to.

370

00:21:46,805 --> 00:21:50,825

It just pours right out of there

and off it goes on a long journey.

371

00:21:51,365 --> 00:21:52,295

We don't know where it's going to go.

372

00:21:52,325 --> 00:21:54,665

Well, we do know where it's kind of,

what's going to end up in the ocean.

373

00:21:55,415 --> 00:21:59,105

We just don't know what, there we go.

374

00:22:01,485 --> 00:22:08,405

Now tell you what this would be a

super, yeah, I think, I think maybe I

375

00:22:08,405 --> 00:22:13,295

don't want to do this very often, but

in nature you always have old trees

376

00:22:13,295 --> 00:22:14,945

that have fell off into the water.

377

00:22:16,085 --> 00:22:18,875

And sometimes we avoid putting

them in here, but why not have one?

378

00:22:20,435 --> 00:22:23,195

Here's an old tree I'm just

using Vandyke around right now.

379

00:22:26,784 --> 00:22:29,745

Little Brown and white

here mixed together.

380

00:22:31,845 --> 00:22:36,014

Came right back in here and

just touch, just touch, put

381

00:22:36,014 --> 00:22:36,975

a little highlight on that.

382

00:22:36,975 --> 00:22:37,605

Rascal.

383

00:22:38,385 --> 00:22:41,264

This old trees just fell off into

the water and it's laying here.

384

00:22:44,705 --> 00:22:46,235

Some of the bark still left on it.

385

00:22:48,554 --> 00:22:53,885

I take her little script liner brush

go right into her Vandyke Brown.

386

00:22:55,920 --> 00:22:57,420

Maybe there's a big old layout in here.

387

00:22:59,190 --> 00:23:00,420

Put it on with Brown.

388

00:23:00,810 --> 00:23:02,490

Maybe there's some little ones out here.

389

00:23:04,530 --> 00:23:10,290

I can't wherever, a

little Brown and white.

390

00:23:10,830 --> 00:23:11,970

So we have a little highlight.

391

00:23:14,690 --> 00:23:16,070

I won't tell them to show up.

392

00:23:20,270 --> 00:23:21,350

Never even know.

393

00:23:21,500 --> 00:23:21,890

Maybe.

394

00:23:23,310 --> 00:23:25,320

Maybe, maybe this is real low right here.

395

00:23:25,320 --> 00:23:29,070

And the water is literally coming

over that, but this pain, I, the it

396

00:23:29,070 --> 00:23:30,810

with a little bit of liquid white.

397

00:23:31,439 --> 00:23:34,409

So it's very thin almost the

consistency of liquid white.

398

00:23:35,310 --> 00:23:38,490

And that way you can go right

over the top of that thick Brown

399

00:23:39,240 --> 00:23:40,649

without it all mixing together.

400

00:23:41,639 --> 00:23:45,090

So now we have a little place where the

water just comes right over the old tree.

401

00:23:45,090 --> 00:23:50,030

That's laying out hair, maybe.

402

00:23:51,945 --> 00:23:53,205

Shoot, we having so much fun.

403

00:23:53,205 --> 00:23:56,495

Let's just, let's get a

little crazier here, maybe.

404

00:23:59,195 --> 00:23:59,465

Yep.

405

00:23:59,675 --> 00:24:01,775

Maybe there's a big old tree here.

406

00:24:05,105 --> 00:24:05,345

Hmm.

407

00:24:05,375 --> 00:24:06,995

Once camp got to make those little noises.

408

00:24:07,445 --> 00:24:09,275

I'm just using the liner

brush, but you could do this

409

00:24:09,275 --> 00:24:10,715

with a fan brush or whatever.

410

00:24:10,805 --> 00:24:11,705

It didn't much matter.

411

00:24:12,965 --> 00:24:15,755

Doesn't much matter, whatever,

whatever you're comfortable with,

412

00:24:17,495 --> 00:24:18,935

but a few little arms on him.

413

00:24:21,689 --> 00:24:23,970

Uh, still feel a little arms.

414

00:24:26,070 --> 00:24:29,490

Somebody wrote a while back and said,

you've really, you've really lost it.

415

00:24:29,490 --> 00:24:33,179

Now, Bob, you've given the trees

arms and the next series, we're

416

00:24:33,179 --> 00:24:34,230

going to give them the legs.

417

00:24:34,379 --> 00:24:35,310

What the heck?

418

00:24:35,760 --> 00:24:38,250

I think in your world,

you can do anything.

419

00:24:38,760 --> 00:24:41,399

If you want your trees to have

arms or toes, it doesn't matter.

420

00:24:43,280 --> 00:24:43,639

There.

421

00:24:48,300 --> 00:24:49,199

Right out here.

422

00:24:50,429 --> 00:24:53,429

Maybe there's just a little, little

grass grows right around this little

423

00:24:53,429 --> 00:24:58,889

foot you use there, sea grass right now.

424

00:24:59,490 --> 00:25:00,060

Come in on there.

425

00:25:00,060 --> 00:25:04,439

And like it, maybe there's a

few leaves on that little tree.

426

00:25:04,439 --> 00:25:11,310

Still use a little yellow ochre and

just put the indication here and there

427

00:25:11,610 --> 00:25:13,350

just a couple of little highlights.

428

00:25:13,379 --> 00:25:14,760

I don't want a whole bunch on that tree.

429

00:25:16,140 --> 00:25:18,870

Don't want it to cover up all the

fantastic things that are behind him.

430

00:25:20,260 --> 00:25:21,600

Just a few little things.

431

00:25:23,820 --> 00:25:24,450

There we go.

432

00:25:29,310 --> 00:25:33,870

Now, dip the brush into the least

little amount of the paint thinner.

433

00:25:33,960 --> 00:25:34,830

I just want to send this.

434

00:25:34,830 --> 00:25:39,150

We're getting quite a few layers of paint

now, so we need to keep the last layer.

435

00:25:39,160 --> 00:25:44,700

The thinnest little green made by

SAP green, a little, little yellow.

436

00:25:45,750 --> 00:25:51,180

And down in here, I can put the indication

of a few little bushes and stuff that

437

00:25:51,180 --> 00:25:53,010

live right along here at the water's edge.

438

00:25:54,660 --> 00:25:56,129

They set up here on these big rocks.

439

00:25:58,110 --> 00:26:03,800

They're just like, stay there.

440

00:26:04,050 --> 00:26:05,250

You sort of have them over.

441

00:26:08,340 --> 00:26:12,840

We can take a little Brown and white in

here and there, you know, if you have a.

442

00:26:13,230 --> 00:26:16,170

Something that hangs over, like it says

always little roots and stuff and hang

443

00:26:16,170 --> 00:26:20,520

over the edge and you can make all kinds

of little doors and hang off like that.

444

00:26:21,870 --> 00:26:23,790

And it helps give a little

realism to your painting.

445

00:26:25,520 --> 00:26:26,150

There we are.

446

00:26:33,230 --> 00:26:33,560

All right.

447

00:26:33,560 --> 00:26:36,800

I think we're about to the point we

have a painting that's enough finished.

448

00:26:36,800 --> 00:26:39,830

I'm going to take a little paint,

thinner, a little bright red.

449

00:26:41,400 --> 00:26:44,400

And I think we'll sign this one

once again, when you're signing your

450

00:26:44,400 --> 00:26:46,460

painting, make this paint look at there.

451

00:26:46,520 --> 00:26:49,370

It's literally running off

so you can see it dripping.

452

00:26:49,850 --> 00:26:50,540

It's that thin.

453

00:26:51,290 --> 00:26:51,500

Okay.

454

00:26:51,560 --> 00:26:51,710

No.

455

00:26:51,710 --> 00:26:55,310

Where I have letters from people to

say it's hard to sign, keep it thin.

456

00:26:56,690 --> 00:26:57,860

Let's sign that rascal.

457

00:26:58,220 --> 00:26:59,660

Luckily I have a very small name.

458

00:27:00,320 --> 00:27:01,310

You can do it very quickly.

459

00:27:02,120 --> 00:27:04,460

I hope you've enjoyed this

one from all of us here.

460

00:27:05,030 --> 00:27:08,180

I'd like to wish you happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S24E08 - Graceful Waterfall

Bob Ross's

The Joy of Painting

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