Bob Ross's

The Joy of Painting

S21E04 - Serenity

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Hi, welcome back.

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Certainly glad you could join us today

because it's a fantastic day here

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and I hope it is wherever you're at.

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I tell you what let's get right

to it today and have him run all

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the colors across the screen that

you need to paint along with us.

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And they'll come across as usual

in the same order as I have on the

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pallet, starting with titanium white

and working around, but you load your

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palette, however it makes you happy.

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All right, let's see what

we have appear today.

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Today, I've got my standard old 18 to

24 inch canvas, but any size will work.

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Just use that size for

the television cameras.

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And I've covered this whole area with

black Jesso, as you can see, and allowed

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that to dry completely on top of that,

then I've taken a thin, thin coat of

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liquid clear covered the entire canvas.

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And then we've taken the little blue and

the lizard Crimson and mixed it together

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and just made a little lavender color

here and a little bit just right over

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the top of that liquid clear, I use

the clear, because you can put a very

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small amount of paint that on top of

the canvas, if you, if you didn't have

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it there, it would take a lot of paint.

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And when you hit it with

white, it is too much color.

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We just wanted a little bit today.

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I like these paintings because

they're, they work so easy.

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And so well, and it's, I

like to, I like to do this.

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Backlighting.

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So let's start off and just have some fun.

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We'll start with the old two inch

brush, take a little, a titanium

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white and just put a little

on both sides of the bristles.

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That's all we're looking for.

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Something like that.

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Now we can go up in here.

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And in my world, I think I'll have

the light right behind this tree

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so that it comes out of both sides.

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So we'll start right here and it

doesn't matter if you get a little

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bit on this tree, because we're going

to come back and put some color back

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on top of it, make little exes, and

then just start blending outward, and

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automatically, automatically, it's

going to pick up that beautiful color.

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That's on the canvas and

you'll get this glow.

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It's one of the neatest nicest effects.

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Which you've ever seen.

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And if you're painting for people that,

that are just going to watch you put

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the color on the black first, I get a

little more white on talking and don't

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let him see you put all this color on it.

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And all they see is you take a little

white paint and start doing this.

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And it's like, magic happens.

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It will excite your friends or

family who was watching you do this.

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Well, they're really excited

when they see all this happen.

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But that easy, you can

make that beautiful.

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Backlighting something like, so, and

you can do this as many times as you

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want to achieve a desired lightness or

brightness, it's up to you to sort of

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stand back and take a look, see, and

then decide if that's what you want.

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We could always add a little more.

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There we go.

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Something like that very

gently would just go across.

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And that takes out all of her little

Bryce strokes brings it all together.

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But look at that glow happening

behind the tree already.

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Isn't that fantastic.

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This black Jew Jessa was one

of the neatest things that

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we've ever come up with.

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I, I invented this several

years back and I don't know.

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I don't know why it hadn't

been done many times before.

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I'm going to put a little

bit of glow right here.

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There.

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Now we'll have a little glow

coming out of the top there too.

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Just decided that'd be a

good place to ask them.

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All right.

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Okay.

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Now then.

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Let's take, we'll just

take that same old brush.

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This is the color I put it on the canvas.

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It's just a lizard

Crimson and fallow blue.

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And I'm going to tap, tap the brush

right into a little bit of that.

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Just want a little paint right on the end.

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Let's go up in here and begin making

some little trees and bushes and all

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kinds of little things that live.

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We back here in the distance.

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We don't want a very

dark color at this point.

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It's too bright, too much

light hitting things.

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Just the corner of the brush.

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Just tapping, tapping.

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And just sort of put in some very basic

little shapes, basic little thing.

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Let's go on the other side over

here and give him a couple of here.

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There he is.

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I don't want this.

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I left out here.

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He'll get upset.

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We want everybody to be happy

in our world, so we'll give

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him some little trees on.

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Over here on this side.

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Okay.

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They are.

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But once again, all we're looking

for here is very basic little shapes.

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We're not looking for a lot of detail yet.

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We'll work on that later.

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Right now.

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We're just putting in some little

background, shrubbery and trees.

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This is one of those scenes,

like you're walking deep in

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the woods and you come upon.

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So places like this, when you're

in the woods or the light shining

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through, and they're gorgeous.

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They're absolutely beautiful.

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Take a little paint, thinner liner brush.

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What makes them very thin color here?

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Almost like Hank turn the brush

brings it to a nice sharp point.

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Okay.

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And then let's go up in here and

maybe right in here lives a little

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tree trunk, little tree trunk.

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There is, but a few little arms zoning

there and wherever you think they

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should be, but very light, very light.

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Don't overdue there just a few little

things you decide where they should be.

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And how many strictly up

to you strictly up to you?

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Let's put a few over here on the other

side, just a few over here on the other

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side, we don't want it left out again.

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There it is.

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There it is.

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Okay.

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Maybe there's one right there.

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We don't know.

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I don't know that we really care

just wherever they should be.

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Okay.

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As we've mentioned before, that's,

what's so fantastic about this

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technique of painting that allows you

to actually compose your painting as

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you're doing it, as you're doing it

that way, you look at each painting

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and you see different things in it.

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And we try not to teach you just to copy.

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We really want to teach you.

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Teach you how to do a technique and

then turn you loose on the world air.

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Go back into we'll take a little more

of that titanium white reach up here and

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get a touch of alizarin, Crimson, just a

touch and the least little touch of blue.

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Not, not yet, not much.

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I want it to the pink side.

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Tap a little color right on that brush.

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So you give it a little push.

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That's what puts a little Ridge of

paint right on the edge of the bristles.

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And we can go up here and let's

just begin highlighting some

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of this back here in my mind.

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This would be very bright because

a lot of sunlight striking this,

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a lot of sunlight don't want a

great deal of detail back here.

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Either.

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If you put too much detail, it'll

ruin that illusion of distance.

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Harrison.

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Nice little Bush there, you

little rascal lives right there.

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Little more color.

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Very nice.

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Very soft and gentle.

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There we go.

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All right.

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Maybe right there is another way.

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You'd make the decision.

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Where do you think they should live

wherever you think they should live?

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That's exactly where they should live.

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There.

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Okay.

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Maybe I'm going to add a little

bit more blue to my color.

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Not much, but just a little

and begin toning it down.

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As it works back here, little

cooler blue will make it look like

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it's a little more in the shadow,

a little more in the shadow.

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There they are.

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See all those little doers.

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They live right there in your

brush and it's just the corner.

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That's what makes all those

little shapes the corner there.

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We think about little individual

branches and little individual

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shapes inside of each Bush.

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Take a little bit more color

maybe down in here, their lips.

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Yep.

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There's another one.

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Okay.

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But began working in layers.

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These layers will create the illusion

of depth in your painting distance.

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That's what we're looking for.

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All right, let's go on the other side.

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Let's go over here and there,

the side, back to her, we use a

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little lizard, Crimson and white,

make us a nice pinky color.

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And then, then, then with

that, That's the same thing.

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As before on the other side,

there it's been a good place

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for my little squirrel to live.

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He was speaking to my little squirrel.

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We showed him a series or two back

and he was just a little tiny baby.

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I want you to look at him now, this

rascal, when I showed him to you the

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first time he looked like a little

drowned rat, but look how big he's got.

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And he is the most fun and he

lives in, he lives in my house.

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Believe it or not, the little

devil sort of runs around loose

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about half the time and a net.

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And I just, we just sort of let him

run around when she's there with me

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writing the books and et cetera, we just

let this little rascal run around and

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she even, she even lets it run on her

computer sometime of course we've had

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some little accidents on her computer too.

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We won't talk about those there.

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Okay.

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But it's all fun.

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I hope you enjoy seeing the little

critters, like a little bright

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red and put it in there too.

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Not much.

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Very strong.

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These little animals are a

very important part of my life.

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I just about my best friends.

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Here we go.

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Tell you what let's go pick up here.

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We'll start here.

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You have to sort of decide where to go.

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I'm putting a little more of the blue

in and we'll start dropping this back.

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Okay.

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So it gets darker and darker there.

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Okay.

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Maybe right in there

wherever you want them.

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It's up to you, but just think about

all the little individual shapes and

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pop them in, just pop them in there.

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Tell you what let's do.

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Let's take another brush.

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I have several of them going.

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And let's begin working forward.

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And as we come forward, each layer

should get a little darker and

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value a little bit darker as it

comes forward, forward forward.

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And that way it'll once again,

create that illusion of depth

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and distance in your painting.

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So let's go right on back here to

the same lavender color that we use

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to cover the back is just a lizard,

Crimson, little, a little blue.

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Let's just go right in here, drop

in some very basic little shapes.

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Very basic, just to give the indication of

some big limbs that are hanging out here.

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We have the black Jesso back in here,

so we don't have to do much back here.

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It's just where we want

them to protrude over.

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That's about all we have to worry about.

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Okay.

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Maybe even, maybe there's a nice

little bullshit was right there.

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I don't know that it really

matters where ever you want to

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just put one on the other side too.

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Once again, we don't

want that side left out.

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Let me grab a little more paint,

Crimson, a little bit of blue

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and just make some on the brush.

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It doesn't matter.

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There we go.

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See there's another little tree

just hangs right out over here.

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Has a good time.

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Yeah, my little squirrel would

have a ball in here though.

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He could, he could run and hide.

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He'd get in more trouble.

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Of course, that little devil

gets some more trouble now

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than you can believe there.

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Okay.

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Let's take, let's take

reuse the old liner brush.

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You learn her brush.

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Take a little dark CNN put in there.

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Ooh, that's nice.

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I want this color to be very

thin though, Kangas correct.

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Appear.

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Now that maybe there's a little

trunk that lives right in there

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who put, shows up well enough.

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Maybe I'll add a little white

to that just to brighten.

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And so you can see it a little bit better.

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Yeah.

250

00:13:08,689 --> 00:13:09,890

That's better now.

251

00:13:09,890 --> 00:13:14,120

You can see it much

better, much better maybe.

252

00:13:14,600 --> 00:13:14,900

Yeah.

253

00:13:14,900 --> 00:13:17,030

You know me, I think everybody

has to have a friend.

254

00:13:18,660 --> 00:13:19,829

Put another one in there.

255

00:13:20,520 --> 00:13:22,020

Put a few little arms on him.

256

00:13:23,870 --> 00:13:24,800

Just a few.

257

00:13:24,980 --> 00:13:28,790

Yes, they are there.

258

00:13:30,800 --> 00:13:31,160

Okay.

259

00:13:31,220 --> 00:13:37,250

Maybe there is one, some middles

bumps and sticks and twigs, these

260

00:13:37,250 --> 00:13:38,360

little things make your painting.

261

00:13:38,360 --> 00:13:38,870

Interesting.

262

00:13:38,870 --> 00:13:41,180

Even though we're going to put leaves

on here and cover up a lot of them,

263

00:13:41,630 --> 00:13:42,770

a few of them will show through.

264

00:13:44,145 --> 00:13:46,425

And they really do help make

your painting more interesting.

265

00:13:46,425 --> 00:13:47,265

How do we get that color?

266

00:13:47,265 --> 00:13:53,055

Going to just take a little of the

lavender that we had back here?

267

00:13:54,525 --> 00:13:56,505

Put a few little sticks

and stuff in there.

268

00:13:58,695 --> 00:13:59,385

Okay.

269

00:14:01,335 --> 00:14:05,735

Don't want a lot, just a few came.

270

00:14:05,735 --> 00:14:07,905

Maybe I'm a couple of short

over here on this side too.

271

00:14:08,115 --> 00:14:10,005

Not many, not many.

272

00:14:10,335 --> 00:14:11,685

Now as we're moving back.

273

00:14:12,180 --> 00:14:15,750

We begin to see more color when

light is this intense and strong,

274

00:14:15,750 --> 00:14:17,370

it almost washes color out.

275

00:14:17,910 --> 00:14:23,969

But as we moved back from it, hopefully,

hopefully it will get a little bit darker

276

00:14:23,969 --> 00:14:27,439

and we can begin to see color someone

take a little, Oh, we'll put a little.

277

00:14:28,275 --> 00:14:31,185

SAP green and a little

bit of yellow ochre here.

278

00:14:31,605 --> 00:14:34,035

I want to begin getting

a little greenish flavor.

279

00:14:34,305 --> 00:14:37,005

I'm right into that little

lavender that I had on the

280

00:14:37,005 --> 00:14:39,765

palette, but a light green color.

281

00:14:40,235 --> 00:14:40,655

Okay.

282

00:14:41,314 --> 00:14:41,735

Now then.

283

00:14:43,355 --> 00:14:44,255

Oh, that's nice.

284

00:14:44,615 --> 00:14:45,515

That's nice.

285

00:14:46,505 --> 00:14:48,875

Now we began making out a

little bit of color here.

286

00:14:50,405 --> 00:14:51,185

There it comes.

287

00:14:51,635 --> 00:14:53,074

Think about shaping for him again.

288

00:14:53,105 --> 00:14:56,675

I know you get tired of hearing

that, but it's most important.

289

00:14:57,180 --> 00:14:58,680

Anybody can just hit it random.

290

00:14:59,370 --> 00:15:02,520

But the thing that makes your

painting special is that you pay

291

00:15:02,520 --> 00:15:04,050

attention to these little details.

292

00:15:05,220 --> 00:15:10,350

And if you just get in the habit

of doing it, it comes natural comes

293

00:15:10,350 --> 00:15:14,490

natural, but just practice a little bit.

294

00:15:14,490 --> 00:15:20,610

When you first start, then it gets easy

and you really do experience the joy.

295

00:15:22,470 --> 00:15:23,070

There we go.

296

00:15:24,975 --> 00:15:26,324

Maybe something like kit.

297

00:15:26,535 --> 00:15:34,085

Oh, I had a little bit more

yellow kid yellow right there.

298

00:15:34,105 --> 00:15:35,145

My cabin, a little brighter.

299

00:15:35,145 --> 00:15:36,675

I'm going to add a little

Indian, yellow to that.

300

00:15:36,704 --> 00:15:41,685

Well, that really that'll make it really

sparkle because in my mind, light's going

301

00:15:41,685 --> 00:15:47,115

to zing right through there and really

make those little bushes sing in the sun.

302

00:15:48,610 --> 00:15:51,060

Seems like he used to be a

song about that years ago.

303

00:15:51,540 --> 00:15:53,490

Now, now I'm dating myself a better hush.

304

00:15:55,830 --> 00:15:56,580

There we are.

305

00:15:57,360 --> 00:15:57,510

Sure.

306

00:15:57,510 --> 00:15:58,590

It was a pretty song though.

307

00:16:00,270 --> 00:16:00,660

Okay.

308

00:16:01,650 --> 00:16:02,030

Okay.

309

00:16:02,040 --> 00:16:06,810

It's a little diverse, maybe back in here.

310

00:16:07,350 --> 00:16:07,920

Who knows?

311

00:16:07,920 --> 00:16:10,260

Maybe, maybe right back in here.

312

00:16:13,830 --> 00:16:14,970

Get a little more color here.

313

00:16:15,569 --> 00:16:17,040

Maybe there we are.

314

00:16:18,329 --> 00:16:20,430

Maybe there's a little

land living right in here.

315

00:16:21,510 --> 00:16:23,490

So nice, soft little grass here.

316

00:16:23,520 --> 00:16:26,730

This one in places you could

take your shoes off and let your

317

00:16:26,730 --> 00:16:27,930

feet running naked through there.

318

00:16:28,740 --> 00:16:29,430

That's nice.

319

00:16:30,079 --> 00:16:31,949

Feels good on your bottom of your foot.

320

00:16:33,850 --> 00:16:38,730

That's a very nice little yellow

ochre and Indian, yellow candy aisle.

321

00:16:38,790 --> 00:16:40,560

Maybe even a little touch

of the bright red hair now.

322

00:16:41,280 --> 00:16:41,970

Oh, look at that.

323

00:16:42,060 --> 00:16:42,390

See,

324

00:16:45,540 --> 00:16:45,960

dang it.

325

00:16:46,490 --> 00:16:49,190

20, 30,000 paintings, probably at least.

326

00:16:50,210 --> 00:16:52,340

And I still get excited

when I see this work.

327

00:16:53,270 --> 00:16:57,650

It is so fantastic because for

so many years I agonized over

328

00:16:57,650 --> 00:17:00,980

paintings, just agonized tokens.

329

00:17:00,980 --> 00:17:01,760

They weren't fun.

330

00:17:01,940 --> 00:17:03,230

They really were not fun.

331

00:17:04,400 --> 00:17:05,150

This is fun.

332

00:17:07,290 --> 00:17:10,710

There maybe there's a happy

little Bush lives right there.

333

00:17:12,150 --> 00:17:13,980

Just a little cute little devil.

334

00:17:15,930 --> 00:17:16,620

There we go.

335

00:17:19,290 --> 00:17:23,730

Let me make it a little darker back in

there, right around that area there.

336

00:17:23,890 --> 00:17:24,150

See.

337

00:17:26,534 --> 00:17:28,334

And that's super nice grassy area.

338

00:17:28,365 --> 00:17:29,264

Let's go on the other side.

339

00:17:30,955 --> 00:17:35,235

Don't want to leave this side

out and this old tree right here,

340

00:17:35,415 --> 00:17:41,774

there it comes here comes a nice

leaves that are hanging right over.

341

00:17:43,485 --> 00:17:46,395

And once in a while, maybe a near

mine, maybe the sun, really things

342

00:17:46,395 --> 00:17:49,034

through, you can put a little white

with a green, not much, not much.

343

00:17:49,635 --> 00:17:53,295

A little bit of a fight, titanium

white and sparkling, like your

344

00:17:53,295 --> 00:17:56,745

son striking right across the

top of those nice leaves there.

345

00:17:56,775 --> 00:17:59,115

So, yeah, but don't overdo this.

346

00:17:59,115 --> 00:18:05,445

If you overdo it, it will lose its

effectiveness and B be stingy with this.

347

00:18:08,475 --> 00:18:08,925

There.

348

00:18:12,630 --> 00:18:12,780

Okay.

349

00:18:12,830 --> 00:18:17,030

It gets darker and darker as it moves

back out of the light to stand more

350

00:18:17,030 --> 00:18:20,420

of the SAP green or put a little

black with it because black and yellow

351

00:18:20,420 --> 00:18:22,010

make a beautiful greenish color.

352

00:18:23,960 --> 00:18:29,450

Can you maybe a little yellow ochre,

another little Bush that lives there.

353

00:18:29,810 --> 00:18:30,890

Put a little bright red with that.

354

00:18:31,520 --> 00:18:31,940

I like it.

355

00:18:31,940 --> 00:18:32,360

Bright red.

356

00:18:32,450 --> 00:18:32,720

Ooh.

357

00:18:32,780 --> 00:18:33,290

Look at that.

358

00:18:33,410 --> 00:18:33,740

Isn't that?

359

00:18:33,740 --> 00:18:36,680

A firecracker beautiful little Bush.

360

00:18:38,310 --> 00:18:39,660

That's where my little squirrel would go.

361

00:18:39,930 --> 00:18:41,520

He's attracted to bright colors.

362

00:18:42,540 --> 00:18:45,090

He'd go right there, right there.

363

00:18:45,090 --> 00:18:51,000

I know that little devil will take

a little bit more of the green.

364

00:18:51,480 --> 00:18:56,070

Maybe over here on this side, we'll have

a little land area, some little software.

365

00:18:56,070 --> 00:18:58,590

I don't want that left out

some little soft areas that

366

00:18:59,820 --> 00:19:04,350

Sam just sorta let them flow.

367

00:19:05,210 --> 00:19:10,350

Think about the lay of the land,

that's most important just to keep

368

00:19:10,350 --> 00:19:12,120

in mind the way the land flows.

369

00:19:12,570 --> 00:19:13,139

That's what we mean.

370

00:19:13,170 --> 00:19:16,910

When we say lay of the land there,

371

00:19:22,250 --> 00:19:25,160

just by changing the angle of

the brush, you can change the

372

00:19:25,160 --> 00:19:30,680

direction that the land flows there,

little highlights here and there.

373

00:19:30,860 --> 00:19:31,670

Make them sparkle.

374

00:19:32,625 --> 00:19:35,955

Make them sparkle there.

375

00:19:41,564 --> 00:19:41,925

Shoot.

376

00:19:41,925 --> 00:19:45,074

I tell you what I, I think it's

time where you've worked on this

377

00:19:45,074 --> 00:19:46,695

big old tree I've been saving it.

378

00:19:46,695 --> 00:19:48,495

Cause it's the fun part

of this whole painting.

379

00:19:49,155 --> 00:19:52,875

Let's go period to we'll use

some Vandyke Brown, some dark

380

00:19:52,875 --> 00:19:55,844

Santa, just to gather here.

381

00:19:55,844 --> 00:19:58,395

Maybe even grab a little

black to darken it up there.

382

00:19:58,455 --> 00:19:58,695

Good.

383

00:19:59,804 --> 00:20:00,584

Let's go up in here.

384

00:20:01,800 --> 00:20:04,440

Now then we can just sort of

follow our little outline.

385

00:20:04,440 --> 00:20:08,130

We put in here with a black

Jesso, but I want the edge of

386

00:20:08,130 --> 00:20:10,170

this tree here to be bumpy.

387

00:20:10,740 --> 00:20:11,670

I guess that's a good word.

388

00:20:12,150 --> 00:20:12,720

Gnarly.

389

00:20:13,920 --> 00:20:16,110

I want it to have some things

happening and I just don't want

390

00:20:16,110 --> 00:20:18,930

to old street tree standing there.

391

00:20:18,930 --> 00:20:21,990

This old tree is about to fall over.

392

00:20:23,010 --> 00:20:24,960

It'll make a big crash

out there in the forest.

393

00:20:26,570 --> 00:20:29,570

There got a little arm there.

394

00:20:32,939 --> 00:20:39,169

There we go, just give that

little tree, some arms there we

395

00:20:39,169 --> 00:20:44,959

are one over here, wherever you

want them completely up to you.

396

00:20:45,860 --> 00:20:48,199

Painting is as individual as people are.

397

00:20:50,840 --> 00:20:55,850

So you paint the kind of rural that you

see and that's the kind that's right.

398

00:20:57,300 --> 00:20:59,760

Maybe there's an old bump, big root there.

399

00:21:03,910 --> 00:21:04,060

Yeah.

400

00:21:04,070 --> 00:21:08,960

Then Ted, cause I want this to stay quite

dark and it's the contrast that keeps

401

00:21:08,960 --> 00:21:10,790

that tree in that light looking so good.

402

00:21:10,790 --> 00:21:13,700

Is that dark contrast

against the light area.

403

00:21:14,060 --> 00:21:15,980

So I don't want to kill

this beautiful dark.

404

00:21:16,040 --> 00:21:21,590

I'm gonna take just a little white and

just really bounce right along the edges.

405

00:21:22,340 --> 00:21:22,430

Okay.

406

00:21:23,595 --> 00:21:26,115

Make it look like ruffled bark in there.

407

00:21:28,345 --> 00:21:28,875

Let it bounce.

408

00:21:28,875 --> 00:21:34,514

Don't overdue once again, if you lose

all that nice darkness, your tree's

409

00:21:34,514 --> 00:21:38,385

going to just sort of flow into

the background and what makes it so

410

00:21:38,385 --> 00:21:43,004

beautiful is the fact that it sort

of stands out here all by itself.

411

00:21:43,605 --> 00:21:44,595

Oh, I got that brush going.

412

00:21:44,595 --> 00:21:44,895

Look here.

413

00:21:44,895 --> 00:21:45,455

Look, you're looking at.

414

00:21:46,890 --> 00:21:47,340

I'm sorry.

415

00:21:47,340 --> 00:21:47,970

I get excited.

416

00:21:48,270 --> 00:21:50,130

Watch, watch it right here.

417

00:21:50,460 --> 00:21:56,040

So you take a little bit of white

and Brown and just start going.

418

00:21:56,040 --> 00:22:03,710

Like, so look at that happy little path,

maybe right down by this big old tree.

419

00:22:05,660 --> 00:22:07,640

I think it just comes right

on down in there somewhere.

420

00:22:09,075 --> 00:22:09,605

Shoot.

421

00:22:09,615 --> 00:22:11,415

I'll tell you what, let

me grab another fan brush.

422

00:22:12,465 --> 00:22:17,865

I know what as you paint, you see things

and as you see them, don't fight them.

423

00:22:17,875 --> 00:22:18,465

Let them happen.

424

00:22:18,465 --> 00:22:20,715

Natural things seem to

happen in paintings.

425

00:22:21,794 --> 00:22:23,445

A lot of times people

say hi, I'm the world.

426

00:22:23,445 --> 00:22:25,725

You keep developing all these

paintings because there's nearly

427

00:22:26,504 --> 00:22:28,754

270 shows and we get finished here.

428

00:22:30,524 --> 00:22:34,784

A lot of times, I just take a canvas and

start painting on it and sort of step

429

00:22:34,784 --> 00:22:36,345

back and look at it and stare at it.

430

00:22:36,720 --> 00:22:40,440

And I know that sounds sort of

silly, but, but by staring at it,

431

00:22:40,440 --> 00:22:42,960

you can find all kinds of things.

432

00:22:44,040 --> 00:22:47,220

I'm just going to bring out old tree right

down to a little bit of grass, right down

433

00:22:47,220 --> 00:22:51,800

here to path shoot, maybe right here.

434

00:22:51,800 --> 00:22:55,430

Maybe there's a little more right in

there wherever you think it should

435

00:22:55,430 --> 00:22:58,820

be some little grass, but this is

how you can help form the indication

436

00:22:58,820 --> 00:23:00,950

of big, old, gnarly roots and stuff.

437

00:23:00,950 --> 00:23:02,450

It's growing out of bottom of this tree.

438

00:23:03,885 --> 00:23:05,205

Putting little patches of grass.

439

00:23:05,235 --> 00:23:06,165

Oh, I see something.

440

00:23:07,365 --> 00:23:08,415

We got a minute left here.

441

00:23:08,475 --> 00:23:09,255

I'm going to get crazy.

442

00:23:10,455 --> 00:23:12,765

Take a little liquid white,

mix it with a titanium.

443

00:23:12,765 --> 00:23:13,425

White don't go away.

444

00:23:13,425 --> 00:23:14,115

I'll be right back.

445

00:23:14,235 --> 00:23:17,085

I'm gonna reach up here and get

at least little touch fellow blue.

446

00:23:18,625 --> 00:23:19,335

You let's go back up.

447

00:23:20,795 --> 00:23:25,565

You know me, I try to hear what

happens maybe in our world to me.

448

00:23:27,285 --> 00:23:32,504

Watch that little, little waterfall

lives read along in their head counts.

449

00:23:33,135 --> 00:23:34,215

Oh, it fell over again.

450

00:23:35,655 --> 00:23:37,575

Maybe there's a happy

little stone right there.

451

00:23:39,015 --> 00:23:39,495

Look at that.

452

00:23:39,585 --> 00:23:40,635

Look at that sand.

453

00:23:42,075 --> 00:23:42,955

Isn't that exciting?

454

00:23:43,165 --> 00:23:44,475

That happens like him.

455

00:23:45,795 --> 00:23:46,695

And you can do this.

456

00:23:46,695 --> 00:23:48,675

There are no secrets here

that we don't give you.

457

00:23:50,115 --> 00:23:50,625

Look at that.

458

00:23:51,645 --> 00:23:52,604

And you never know.

459

00:23:52,784 --> 00:23:53,205

Look at there.

460

00:23:53,235 --> 00:23:58,965

There's another little other little place

it fell over, but see how easy you can

461

00:23:58,965 --> 00:24:03,794

make all these little things and it's

picking up that color it's underneath.

462

00:24:03,794 --> 00:24:05,475

And these things just happen for you.

463

00:24:06,975 --> 00:24:08,385

All these beautiful colors.

464

00:24:08,445 --> 00:24:09,254

Let's have some fun.

465

00:24:10,574 --> 00:24:13,514

I'm going to take just liquid

white and reach up here and get up.

466

00:24:14,535 --> 00:24:15,735

Some dark Sienna.

467

00:24:17,205 --> 00:24:18,315

Just mix it in here.

468

00:24:19,005 --> 00:24:21,495

We're making a very, very thin paint.

469

00:24:21,825 --> 00:24:22,545

Very thin.

470

00:24:23,475 --> 00:24:23,865

Okay.

471

00:24:24,045 --> 00:24:25,185

Let me wipe the knife.

472

00:24:27,105 --> 00:24:27,435

Okay.

473

00:24:27,435 --> 00:24:29,325

Now we'll take, we'll use

the old Filbert brush.

474

00:24:29,355 --> 00:24:33,675

I can go right through the

Vandyke Brown dark Sienna.

475

00:24:33,675 --> 00:24:34,605

Just mix them together.

476

00:24:35,055 --> 00:24:36,735

Then I'm going to go through one side.

477

00:24:37,485 --> 00:24:39,495

We're going to go right

through that light color.

478

00:24:39,495 --> 00:24:41,445

So you got light on one

side, dark on the other.

479

00:24:41,445 --> 00:24:46,595

Now watch, watch something to

contain this waterfall there.

480

00:24:46,805 --> 00:24:47,105

Okay.

481

00:24:47,105 --> 00:24:49,325

Here, look at here, here.

482

00:24:49,325 --> 00:24:51,725

We're just going to put all

kinds of little stones and

483

00:24:51,725 --> 00:24:55,145

rocks that quick, that quick.

484

00:24:56,075 --> 00:25:00,155

And you put as many or as few as you

want all along the edge here in a

485

00:25:00,155 --> 00:25:01,575

single stroke though, you could make.

486

00:25:02,310 --> 00:25:05,050

Both the dark and the

light side of the rocks.

487

00:25:05,070 --> 00:25:08,520

Let's do some on the other

side now, right there.

488

00:25:10,740 --> 00:25:13,860

Look at all the little Rascals and

they live out here in the water a

489

00:25:13,860 --> 00:25:17,040

little bit to wherever you want them.

490

00:25:17,820 --> 00:25:19,980

Maybe there's one right there.

491

00:25:20,639 --> 00:25:25,320

Some appear all over the place.

492

00:25:28,155 --> 00:25:28,695

There we go.

493

00:25:29,525 --> 00:25:29,795

Let's see.

494

00:25:29,795 --> 00:25:33,245

Now we have something sort of hold

that water in so it doesn't get

495

00:25:33,245 --> 00:25:34,775

away in and run out of the painting.

496

00:25:35,764 --> 00:25:37,415

Cause it will, it'll run

all over the painting.

497

00:25:37,415 --> 00:25:38,225

Get your floor wet.

498

00:25:38,975 --> 00:25:42,455

Let's take a little black little SAP green

and mix it together on this big brush.

499

00:25:43,955 --> 00:25:44,345

Shoot.

500

00:25:44,375 --> 00:25:46,475

We got to do something up

here in this whole big tree.

501

00:25:46,895 --> 00:25:48,155

Let's put some nice Liam's that?

502

00:25:48,155 --> 00:25:51,065

Hang over on this tree there.

503

00:25:53,280 --> 00:25:57,659

There he comes, hangs right over

the top of these beautiful little

504

00:25:57,659 --> 00:26:00,929

tree, just using black and separate.

505

00:26:02,879 --> 00:26:05,909

Now we use the same old brush.

506

00:26:06,600 --> 00:26:09,120

I want a dark green color though,

a little bit on the bristles

507

00:26:09,720 --> 00:26:10,560

and we can go up in here.

508

00:26:10,620 --> 00:26:13,500

I begin picking out some

little individuals, but I

509

00:26:13,500 --> 00:26:15,510

want this to stay very dark.

510

00:26:15,899 --> 00:26:16,409

Very dark.

511

00:26:16,409 --> 00:26:17,699

Don't want it to get too light.

512

00:26:19,530 --> 00:26:21,750

This is, this is the grandpa tree up here.

513

00:26:23,600 --> 00:26:30,379

There areas a little bit right there.

514

00:26:33,260 --> 00:26:33,590

Okay.

515

00:26:34,340 --> 00:26:38,899

I think about form and shape, even in this

big old tree, don't just hit it random.

516

00:26:39,620 --> 00:26:39,889

I know.

517

00:26:39,889 --> 00:26:41,169

Sometimes it looks like we're just.

518

00:26:41,565 --> 00:26:44,895

Throwing this up here, I try

to make it look like there's

519

00:26:45,254 --> 00:26:48,794

things hanging all around and

really bringing it all together.

520

00:26:49,125 --> 00:26:50,294

The little things right there.

521

00:26:52,004 --> 00:26:52,485

Shoot.

522

00:26:52,544 --> 00:26:53,865

We bought him a finished painting.

523

00:26:53,895 --> 00:26:54,555

What do you think?

524

00:26:57,044 --> 00:26:58,274

I think we're going to call that one.

525

00:26:58,274 --> 00:26:59,685

Done opiate.

526

00:26:59,685 --> 00:27:01,575

Enjoyed it from all of us here.

527

00:27:02,055 --> 00:27:05,355

I'd like to wish you happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S21E04 - Serenity

Bob Ross's

The Joy of Painting

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