Bob Ross's

The Joy of Painting

S24E13 - Snowbound Cabin

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Hi, welcome back.

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I'm certainly glad you

could join us today.

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Today was the last show

of the 24th series.

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So I have to be able to just do

something that's really nice.

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Let's try that and have other couples

across the screen that you need to paint.

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not sure if I got up here

today, I have my standard.

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They were pretty straight to canvas

and I've covered the entire canvas.

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But black Jesso and lab

out to dry completely.

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On top of that, after the gesture was

dry, I've added a very, very thin coat

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of liquid clear, and then I've taken a

paper towel and wiped off out of excess.

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There is going to be the paper towel.

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Right?

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The other thing is because some of the

people had moved and told me that they

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were putting too much color on the canvas.

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And what's easy to do.

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If you take a paper towel and wipe it off.

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What's left is just right.

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And the problem is it's cooler.

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So we can't tell exactly

how much he had been.

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I'm ready.

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So we got that straightened out.

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Let's have some fun, I'll take the

two inch brush and we rode over to

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the new little white mixed together.

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We just mix it right on the brush.

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That's fine.

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And that's a good period in the sky.

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Maybe we'll just start in here

with a little touch of that.

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Just bouncing in a little bit of color

here and there, wherever you would like to

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have it there, make something like that.

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We don't care

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if you want it to come back

and just apply in less pressure

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and a lot more on the back.

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Just so to show through.

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It's all you have to do.

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It looks so fantastic.

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There we are.

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Move up in the sky.

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Let's talk a little bit interesting

that they have the heck.

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What the heck a last minute,

little bit, you're saying it's

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a little, little different.

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I'm going to put up there for

blue, the brush, shake it off.

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Good.

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Let's just keep using the two inch

brush, a little bit of a tag-team

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like just putting titanium white.

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And I'm just going to tap the top

corner, running into a little bit

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of paint and go back up in here

and just use in the top corner

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and some little cloud

shapes here and there.

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Something about like,

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I don't know, float around

and have a good time.

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They're going to pick up the, and

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actually gets darker.

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There's less and less paint.

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Maybe something about like, this is the

easiest way to make it a fluffy clouds

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and I've used it to wrap the series there.

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We walked through two weeks.

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I don't have another one here.

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That's nice and clean.

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And we're going to sort of

tickle it just a little bit.

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Just enough to store it up a little bit.

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Not much, not much little tiny, tiny exes.

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There and wouldn't fluff it a little bit.

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Barely grazing the canvas.

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I just can't tell you

what a light touch that.

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Yes.

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See, there

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will be, this little club

has a friend right here.

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That's a good time.

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The first things me, there we go.

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It's up to

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the brush, shorter to change

the shapes just disappeared.

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And back to the edit brush

that's coming and dry.

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So they're using two, two inch

brushes here, paint the other.

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One's very clean, very lightly.

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Give it a little fluff and barely grazed.

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The canvas stickies, making

some effective little clowns.

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You can do it.

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Can we do with

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bluish color?

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Maybe we'll put some dark clouds on

top of that might not show you how

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to do some nice little dark clouds.

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Can you wash the brush again?

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I just like to wash the brush.

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Okay.

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Let's make a mixture, some

blank, put a little pressure.

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And it was real creams

and some of them blank.

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Moon Crimson.

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There we go.

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Life here.

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Yeah, I guess she was the same Bush.

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Tap a little cover in the same way.

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I don't have to make some big decisions.

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Some big looking clouds appear in the sky.

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It could mean maybe there's a little

bit of a snow storm coming there.

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James dropped

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the bright, just allows you

to do this extremely quick.

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Fix a little color.

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Maybe, maybe they just

sort of float out of here.

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You can bring them lined out across these

to push those lichens back sometimes

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kind of a little bit dark close in, but

you can look through and see, you can

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see the good, the good times right back.

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There we go.

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That's what we're going

to try to accomplish.

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It was, to me, it looked like in

the distance here, you can see

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the storms are coming.

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There we go.

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Just tapping a few, little basic shapes.

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So I'm looking for right now, just very

basic little shapes back to a clean brush.

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I'm just burning back and forth

between dirty brush, clean brushes.

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He was in just the top corner.

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Very gently.

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I'm going to store these up.

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This one was blamed them.

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So you can see light through

the, when settled black.

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There

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paint there.

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When he says he going to

be on me, he knows Scott.

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See him coming down there.

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Just knocking off the paint.

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Cause you will pick up

a little paint off here.

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Okay.

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Just barely touching the canvas though.

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You haven't blown this to any

degree of softness that you

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want to suffer because of it.

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If you blend it together, other

two, you lose the effect that

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there's a big storm coming.

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You can tap the tattoo men too.

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We have a lot of time with something

like this, and you can prove some of the

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most gorgeous shapes you've ever seen.

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There we go.

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fairly light.

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Let me just blow me in

tower sky to explained it.

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For for Roshe Scott.

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Oh my gosh.

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No, something's fixing to happen there.

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And it's a very, very simple when you

do it this way, the black Joseph on the

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canvas and the little bit of liquid core,

when it makes you life painting life at

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least much easier when he was on his duty.

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We just keep using that.

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I don't know, make some bread

on it for that miserable Crimson

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concepting about equal parts.

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As I mentioned to some of the other shows

in the series, you can take this to the

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world side or the green side, mostly I to

take it to the brother's side, but that's

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a personal preference strictly up to you.

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It's strictly up to you

there maybe a little bit more

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better than that over here.

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And that's what we're looking for.

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tap the in between that just, just

the corner of the brush remote.

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There, there somebody

in the back group, Kim.

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I only knew it was going to take

the top of the brush, tap in some

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little basic shapes back in here,

they come a little more color there.

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They should be.

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That's exactly what I'm looking for.

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A lot of detail.

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Don't want to detail yet.

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We'll have a lot of details before being

on the road, back here, the location, some

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happy new trees, and look back in there.

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I'm going back to them.

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Doing some black crushing didn't

make any difference, which I'm just

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going to tap the bullshit like that.

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No, I haven't, no, I don't have

a little footy Hill back here.

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A little Foothill that's right here.

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What just happened?

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And the limitation,

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I want the bottom to have

that little light area.

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And on the top, I'm going to lift

slightly up where it looks like

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a little trees for, for a week.

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And you could probably just do it,

like create the same effect, but just

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time, little short strokes, shortstop

color, same color, same color, but

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a little bit more to the blue side.

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Maybe the trees right back in here.

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They're like, yeah, let

me see indications, man.

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It's going to be hard to see that in

a few minutes, I'm going to put snow

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underneath there and you wouldn't

believe has also showed up a little bit.

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Dark brush.

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from the . I'm just going to put the

indication here and here, the few

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little trunks and some of these trees,

she wants to happy little trucks.

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Maybe even feel it Patroon right

up over the top, wherever there

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hope people see those doors.

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Yeah.

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That's the most important thing.

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And maybe that's good in cloth.

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Okay.

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Sure.

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Let's give crazy.

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Take back

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from Crimson

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there.

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Can we clean off the knife?

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Let's make us a few nice

evergreens that live back there.

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Maybe, maybe just a couple of maybe

just a couple of the Bush full of color.

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A lot of paint, a lot of paint

must go up in here and make

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a decision I ever been true.

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We won't just do it to make a

decision and drop it in lives.

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Right there.

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Start with just the corner of the mouth

as you work down the true pressure.

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It's a big fat tree.

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What the heck?

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I'm using the brush almost

straight on this time.

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They're heavy tree national

tree got a lot of character.

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It looks like a Christmas tree there.

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I'll just give you my friend.

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I don't want him to be lonely back here.

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There.

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Trey didn't want him to be alone.

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I can't

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let me wash the brush out here.

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Just wash this open on

a paper towel to clean.

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I want to talk some, mix it together.

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Nice.

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White right there.

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Yeah, something like that.

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Take the fan brush,

dip it into the liquid.

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Clear,

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clear.

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So this is quite a thing to paint now.

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But the big thing is, is it clear?

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We'll make it work different on canvas.

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It will look different.

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The scope in here that's come right along

in here and put some nice look at that.

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See, edit them down.

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Very beautiful, a little snow covered

branches out here in this tree.

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Darker, darker, darker

toward the base as always.

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And it's always back

in the background here.

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I don't want this tree

in the background to me.

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This is bright.

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I want you to want you

to notice it as much.

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I just want you to know it's there.

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So I'm using a darker color

and much less that you notice

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back here and you can see it.

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Hopefully he didn't stand up

and grab all the attention,

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but the liquid clear is fantastic.

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You want to highlight something

where you want them effect like that?

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It works extremely though.

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Okay.

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Take off any excess paint cause

we're going to be right in there.

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She was just so too much.

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Brush what the heck I was calling

to titanium white made quite a bit.

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Just like we were moving

it to a chosen here.

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in here, got to make a big decision.

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What does this look like?

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I think right into this tree went right

across just like that she wants to look

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at because a little bit of clues in there

thought a slide, just like the last.

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This was a dry canvas.

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You'd have a hard time

making that paint slide.

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It wouldn't be smooth.

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Like, yes, that's.

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So soon there you at stands out

against that dark color shoot.

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I got to play a little bit more.

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Take a little bit of Brown,

get some paint there.

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So I have just been, um,

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and then we come up a little pile

here and it's just basically white

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with a nice little bit of, excuse me.

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Let me get a little touchy,

the paint thinner in that too.

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My, these colors to me.

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Yeah.

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We'll take her around the Bush and

we'll go through this color first.

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Then we'll go through this one and

just get covered my mom's side, maybe.

258

00:17:10,710 --> 00:17:15,000

Yeah, maybe there's a nurse tree lives

here and we can do both sides of the tree.

259

00:17:15,240 --> 00:17:20,010

At one time, we got the light

side and dark side it one stroke,

260

00:17:20,550 --> 00:17:21,780

but a few little mammals on him.

261

00:17:21,869 --> 00:17:24,270

Not many, not many.

262

00:17:26,025 --> 00:17:27,165

Something maybe like

263

00:17:31,545 --> 00:17:34,035

maybe we got another little

tree that's right there.

264

00:17:34,845 --> 00:17:35,535

That's just for him.

265

00:17:37,545 --> 00:17:38,155

It's his frame.

266

00:17:39,375 --> 00:17:41,145

I'm gonna put a finger arms on him.

267

00:17:45,605 --> 00:17:46,325

All right.

268

00:17:47,075 --> 00:17:47,825

Just a little tree.

269

00:17:48,750 --> 00:17:53,550

Sit in the back, like, yeah, I think

let's do a little cabin right in there.

270

00:17:53,640 --> 00:17:56,880

That's such a lovely place,

like right there with the tree.

271

00:17:58,140 --> 00:18:01,620

One of the easiest ways I've

found, take your knife, scrape

272

00:18:01,620 --> 00:18:05,730

off a basic shape, the tree.

273

00:18:06,480 --> 00:18:06,840

Sorry.

274

00:18:07,110 --> 00:18:07,920

We know how to make him.

275

00:18:08,160 --> 00:18:08,820

Maybe it was a little.

276

00:18:10,215 --> 00:18:11,895

Mommy's got a little porch in the back.

277

00:18:12,795 --> 00:18:15,225

No, he's not in the cabin or something.

278

00:18:15,225 --> 00:18:15,675

I don't know.

279

00:18:15,764 --> 00:18:18,375

I don't really want it to

be, we'll make a decision,

280

00:18:21,495 --> 00:18:26,595

just go through the excess

cover sort of thing.

281

00:18:27,045 --> 00:18:30,795

We'll just blocking him color

Jasper working on color.

282

00:18:32,295 --> 00:18:34,514

I'm not too concerned about

anything at this point.

283

00:18:36,495 --> 00:18:37,485

Can you take some.

284

00:18:39,570 --> 00:18:46,379

Some of the little touch of creams and

into it just ended up a little kind of

285

00:18:46,379 --> 00:18:47,910

cross, get her a little bit of paint.

286

00:18:49,170 --> 00:18:55,440

Very lightly, barely touching would

make the front of the cabin that

287

00:18:55,440 --> 00:19:01,860

easy, take a little bit of dark

Brown and then make the indication

288

00:19:01,860 --> 00:19:03,060

of a little bit of words in there.

289

00:19:03,060 --> 00:19:07,080

Just by touching tattoos, put a door.

290

00:19:07,815 --> 00:19:10,725

Right there got one more for his house.

291

00:19:11,445 --> 00:19:11,895

Now,

292

00:19:18,325 --> 00:19:19,965

a new side, Justin.

293

00:19:20,205 --> 00:19:20,865

I hint.

294

00:19:22,125 --> 00:19:23,925

It's just too much.

295

00:19:24,585 --> 00:19:26,895

It's much, much too dark over here.

296

00:19:26,895 --> 00:19:29,625

This over in the side.

297

00:19:29,625 --> 00:19:30,555

There's Virgin light.

298

00:19:30,825 --> 00:19:34,935

Now don't take pure titanium whenever

you want it to bounce along here.

299

00:19:34,935 --> 00:19:35,775

I want this to look like.

300

00:19:38,775 --> 00:19:39,585

Ragged.

301

00:19:41,635 --> 00:19:45,105

You want it to look smoother,

making a single stroke?

302

00:19:46,485 --> 00:19:48,285

I want to look like it's just a really,

303

00:19:52,005 --> 00:19:52,725

some holes in

304

00:19:57,975 --> 00:20:00,615

something about like

yet take the small man.

305

00:20:03,695 --> 00:20:06,405

occasion of a couple little, little

lives right over there on that side,

306

00:20:08,895 --> 00:20:19,095

some gray brush with some gray indication

of a couple of windows like that

307

00:20:22,605 --> 00:20:23,475

back to her brush.

308

00:20:23,475 --> 00:20:24,485

It has the light on it.

309

00:20:25,845 --> 00:20:29,475

I got to put some sun

right around this in here.

310

00:20:32,415 --> 00:20:33,254

There we go.

311

00:20:38,145 --> 00:20:38,595

There

312

00:20:42,315 --> 00:20:52,125

like that we can touch them

crude a little shut shadow there.

313

00:20:52,345 --> 00:20:52,705

This little

314

00:20:57,774 --> 00:20:58,585

girl, she doesn't take her.

315

00:20:58,585 --> 00:21:00,385

The second thing was

dropped these Rascals.

316

00:21:00,475 --> 00:21:00,774

I don't know.

317

00:21:03,445 --> 00:21:03,774

There,

318

00:21:06,965 --> 00:21:11,875

maybe it takes a minute painter

319

00:21:15,355 --> 00:21:16,284

fence out here.

320

00:21:19,915 --> 00:21:20,395

There.

321

00:21:20,970 --> 00:21:23,070

Few little rails and

322

00:21:26,550 --> 00:21:33,270

like, so a little bit of the liquid

heart, but the indication of little

323

00:21:33,270 --> 00:21:34,770

snow right up on top of those.

324

00:21:36,570 --> 00:21:39,660

And there's a little over the

top of the fence, no snow.

325

00:21:39,660 --> 00:21:42,060

It was just laying up there

arresting, taking life.

326

00:21:42,090 --> 00:21:42,450

Easy

327

00:21:46,350 --> 00:21:50,220

to come off a little bit about point

snow right around his foot's here.

328

00:21:53,879 --> 00:21:56,550

Just a little there.

329

00:21:56,610 --> 00:21:58,149

Maybe it's piled up right in there.

330

00:22:00,000 --> 00:22:00,540

Okay.

331

00:22:06,270 --> 00:22:06,870

That's pretty big.

332

00:22:06,899 --> 00:22:07,110

True.

333

00:22:07,410 --> 00:22:14,160

Besides, you know, me making big little

trees and he lives in her rooms right

334

00:22:14,160 --> 00:22:17,760

there at your baby testing right there.

335

00:22:19,395 --> 00:22:19,695

Okay.

336

00:22:19,755 --> 00:22:24,345

Let's drop him in, put

some bushes and some rooms.

337

00:22:24,345 --> 00:22:28,095

And when I went to there for

him, his little flips, I'll just

338

00:22:28,095 --> 00:22:33,645

use the top corner, two inch

brush, tapping a little things

339

00:22:40,065 --> 00:22:40,395

there.

340

00:22:45,465 --> 00:22:51,525

Maybe, maybe there's a booby trap lives

there too little baby tree right there.

341

00:22:53,685 --> 00:22:56,295

So just doing those things,

just sort of looking at them,

342

00:22:57,225 --> 00:22:58,995

make up your mind, drop them in.

343

00:22:59,775 --> 00:23:01,935

Maybe there's some little sticks

and twigs and good things.

344

00:23:01,965 --> 00:23:04,675

I can't right.

345

00:23:08,285 --> 00:23:11,165

As I'm watching, this is the show.

346

00:23:11,775 --> 00:23:13,095

Of the 24th series.

347

00:23:13,365 --> 00:23:19,245

I really hope you've enjoyed this series

unless I mentioned in one of the series,

348

00:23:22,125 --> 00:23:25,035

the series, because some of the people

have moved and said, I haven't got to see

349

00:23:25,035 --> 00:23:27,015

all the shows and there's over 300 shows.

350

00:23:27,015 --> 00:23:30,255

How can we see them Excel, et

cetera, with a little bit of blur.

351

00:23:31,500 --> 00:23:33,899

Series called the best of that.

352

00:23:33,899 --> 00:23:34,639

You already painting.

353

00:23:34,980 --> 00:23:38,580

I've lived through it and picked

out my favorite paintings from

354

00:23:38,580 --> 00:23:40,800

the last couple of hundred shows.

355

00:23:41,840 --> 00:23:46,199

I never put those together,

random crude, a whole new series

356

00:23:46,199 --> 00:23:47,610

called the best of the painting.

357

00:23:47,610 --> 00:23:52,139

So you can see the painting series from

the time it started telling the, if you'd

358

00:23:52,139 --> 00:23:55,409

have to Sue, but you must have gotten

a call telling me interested in it.

359

00:23:56,400 --> 00:23:59,010

I'm gonna take a little better

and just bring a touchless,

360

00:23:59,310 --> 00:24:03,020

give it a little sandwich there.

361

00:24:04,880 --> 00:24:07,580

No, one's going to get close

to the end of this series.

362

00:24:10,130 --> 00:24:14,300

Some of the people that had left to thank

for making this possible, I just don't

363

00:24:14,350 --> 00:24:20,540

have the time to think everybody, but

there's some really special people and

364

00:24:20,540 --> 00:24:21,950

I don't want to mention just a couple.

365

00:24:23,055 --> 00:24:28,605

We're partners and that Kolsky writes

all of a mix and puts them together.

366

00:24:29,355 --> 00:24:31,335

She's a fantastic owner in room, right?

367

00:24:35,745 --> 00:24:35,835

Okay.

368

00:24:36,215 --> 00:24:40,565

Super, super new that

has been moved to me.

369

00:24:43,735 --> 00:24:45,665

And she's helped me kind of as possible.

370

00:24:47,465 --> 00:24:47,795

John.

371

00:24:47,805 --> 00:24:48,725

Thank you very much.

372

00:24:50,700 --> 00:24:54,840

I'm gonna take some on some paint

them mix together around and brush

373

00:24:55,020 --> 00:24:56,580

scoping and put some names on here.

374

00:24:58,440 --> 00:25:02,480

And the people here at the

station here, WIP moon got on

375

00:25:06,390 --> 00:25:08,790

the phone, his group of

people I have ever known.

376

00:25:10,500 --> 00:25:14,670

I talk about the me, no director,

but she's not really hard at me.

377

00:25:15,420 --> 00:25:16,050

Maybe she is.

378

00:25:17,235 --> 00:25:20,925

But very nice lady and she's

made all this possible.

379

00:25:21,075 --> 00:25:22,845

Her talents are in every show.

380

00:25:23,715 --> 00:25:26,535

It was a couple of people here that

have been here since the very beginning.

381

00:25:26,625 --> 00:25:33,165

Richard Collins, Julie Martin,

remember this, and I'd like to publicly

382

00:25:33,195 --> 00:25:41,355

thank all of you and drastic from a

domestic job, maybe most important.

383

00:25:41,835 --> 00:25:43,005

They've become friends.

384

00:25:45,015 --> 00:25:46,695

Just put all kinds of little names here.

385

00:25:49,755 --> 00:25:50,445

There we go.

386

00:25:54,915 --> 00:25:55,665

Tell everybody.

387

00:25:55,665 --> 00:25:56,625

Thank you personally.

388

00:25:58,605 --> 00:26:01,695

What does, not that you know

who you are know that I cure.

389

00:26:04,185 --> 00:26:04,845

There we go.

390

00:26:08,385 --> 00:26:08,775

Okay.

391

00:26:09,075 --> 00:26:11,595

Tell me about Cruz

cruising here in the Bush.

392

00:26:17,115 --> 00:26:19,485

if it picks up, makes it

look like little shadows.

393

00:26:25,625 --> 00:26:33,245

I mean, part of a fence right there, but

was still a couple of things are closer.

394

00:26:34,804 --> 00:26:39,245

I don't how daddy just to touch, like, so.

395

00:26:42,975 --> 00:26:44,235

A little smoother.

396

00:26:45,314 --> 00:26:48,314

I think we've ever finished

penny and the finished series.

397

00:26:49,155 --> 00:26:52,004

And from my levels here, I love

to, when she happy painting, I look

398

00:26:52,004 --> 00:26:55,514

forward to seeing them then take

care of my friend and God bless.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S24E13 - Snowbound Cabin

Bob Ross's

The Joy of Painting

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