Bob Ross's

The Joy of Painting

S17E08 - View From The Park

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Hi, welcome back.

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I'm certainly glad you could join me

today because today is a very special day.

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Recently.

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I had the opportunity to travel

to New York city and work

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with channel 13 there w E T.

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And they have what they

call kids day in the park.

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And we were invited to come there

and participate and meet all the

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fantastic people from New York.

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So I thought today we'd do

a show dedicated to all my

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friends in New York city.

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So I tell you what, let's start

out, having run all the colors

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across the screen that you

need to paint along with me.

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And while they're doing that,

let me show you what I've done.

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I have a design cut out of contact

paper and stuck on the canvas today.

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And then I've covered this area

with just liquid white and it's all

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wet and slick and it's ready to go.

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Yo, so let's go start out today.

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Well, two inch brush, a small

amount of filo blue, just a small

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amount on the two inspiration.

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Just tap it in Kings, go back up here.

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Now we'll just use our old standard

crisscross strokes, just like so,

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and we just put in a happy little

sky, just a happy little sky.

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And by using the crisscross

strokes, starting at the top

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and working downward the color.

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We'll continually, continually

blend with the liquid white.

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And as we work down, they'll get

lighter and lighter in value.

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And that's exactly what we're

looking for in the landscape.

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We want it to get lighter and

lighter toward the horizon.

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There, we don't need a lot of stuff.

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Okay.

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This I'm going to put all kinds

of big trees and buildings there.

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The demonstration that we did was in

central park and it's so pretty there.

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It's beautiful.

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You can look over and see

the city and son of a gun.

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What a city, what a city now, then.

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Without cleaning the brush.

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I can go back into a small amount

of a fade, a little blue and reach

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up here and get a little touch.

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Let me say that again.

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A little touch of halo.

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Green takes very, very little, very strong

color, little Tayloe green fellow blue.

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Just mix them on the brush.

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And let's have a little water.

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I'm going to do a scene from central

park looking toward the city.

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There we go.

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So we need a little water here.

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Shoot.

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We get crazy today just

to have a good time there.

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And that's about all we need.

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I'm going to leave a little

area light here in the center.

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So that'll look like a sheen

of light coming across the

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water when we're all done.

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Okay, let me wash the old brush.

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And did you know we wash the

brushes with odorless dinner?

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Be sure.

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Totally.

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So you'll be working a little, shake

it off, covering everybody in the

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studio and we're in business now

very lightly, very lightly here.

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Just want to blend this together.

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And if we have a little sky and

a little bit of water, we're not

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worried about anything at this time.

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Because anything that we don't

like, we'll just cover it up.

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Okay.

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Let's mix up some colors.

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I'm going to start with titanium white.

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Oh, make a couple of piles with this mix.

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A lot of color here.

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Take a little midnight

black and add to this.

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Maybe a little bit more, we're

looking for a gray color, nice

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gray color, something about like,

so maybe a little touch darker.

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Now then I'm going to divide

this into two different piles.

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Take part of it.

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We'll put over here about half and

I'll reach up here, get a little white

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and I'm going to lighten this one.

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Just lighten it up there.

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So it's several values

lighter than this one.

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Same color.

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Just lighter.

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Let me clean the knife off here.

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Okay.

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Light gray and a darker gray.

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And the other one, I'm going to

take dark Sienna and mix with

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it and a little touch of black.

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So we hit the dark Sienna, a

little bit of black and white.

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Okay.

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Same thing again, though.

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I want a light and a dark value.

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So we'll take a little more CNN.

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Black can put in this one once

again, though, it's the same

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color, only different values.

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Now then nah, we can have some fun.

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Let's start out.

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I'm going to start with this light color

of gray and let's go right up here.

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We have to immediately make

a big decision to come.

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Rick, come at up here.

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Now you have to decide where our

building's going to live and if it's

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going to live right along in here.

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Touch and begin laying

in some basic shapes.

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That's all we're going to do is

just lay in some basic shapes.

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We're not worried about a

lot of detail at this point.

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There we go.

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We'll do a big old skyscraper here.

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Now this guy's scraper may not look

exactly like the skyscrapers in

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New York, but they will give you an

idea of how you can do something.

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And the time frame that I have here,

it's very difficult to do an exact

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duplicate, but we'll do the best we can.

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Okay.

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Now then maybe it's come right up in

here and just pull angles are very

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important when you're doing buildings.

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Very, very important.

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If you don't have those angles, right.

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It shows like a sore thumb there.

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Just pull it right across

those angles arms so important.

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Okay.

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Now then I want to shadow right there.

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So I'll use the darker gray color

that I have and maybe a little

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shadow lives right along this edge.

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They're like, so we can

come right on along here.

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You put the other side of

this thing on just like that.

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We're not worried about the bottom.

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We're going to have some

other things on the bottom.

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We just cover up whatever we don't want.

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So don't worry much about the bottom.

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Now, this side of the building is

in shadow, so it's much darker.

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There we go.

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But notice the angle.

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So angles are what create the illusion.

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I have a building here.

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All right.

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That gives us a little basic shape.

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And I'm going to go into

the Brown color that ahead.

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And let's go right over in here.

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And maybe there's another

building come right up here.

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See, there it is.

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We start out with just a little line and

another one, just bring it right across.

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It's all there is to it.

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And every time you want to

change it a little bit, there.

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Okay.

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I'm going to change to the smaller

knife and get on that shadow side.

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It like, so say they're hazy.

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That is, and this will give us just

some very basic little shapes, maybe

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right along here, just a little touch.

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It goes right through like that.

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Just keep it a little pull.

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I remember, I think it was another

little building right here.

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I'm just trying to do this

basically from memory.

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So if I don't have him just

write don't, don't yell at me.

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They suggest.

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And interpretation.

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Here we go.

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Now, then there was another little

building right here in front.

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So let's take, this is still

just the Brown and white.

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I'm going to use.

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Get that little roll of

paint on, I pull it out.

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Very flat.

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Cut it off.

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Let's go right up in here.

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Right here.

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See, just give it a pull cross, like, so.

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Okay.

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And here comes a ride on up.

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Let's say to about there wherever you

want it, where ever you want to now take

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the lighter color and do the other side

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there.

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Okay.

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Then we need put a little top up here.

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This one's in front of that other one.

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So we need a little top,

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same color over here.

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There we go.

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But angles are very important

when you're doing these buildings.

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Very, very important.

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Now then ms.

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Going to take the knife.

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I'm just gonna make the end.

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I have a few little

windows here and there.

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I don't have time here to

paint each one a minute.

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So I'm just going to use

the cut with the knife.

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Just scraping some little indications.

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Now, when you're doing yours, maybe you

would like to come back and put a light

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on some of these windows here and there.

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There we go.

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Just pop them right out there

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a little bit over in here.

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Just say our day at the central park was

one of the most fantastic days of my life.

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In fact, Maybe we could share

a little bit of that with you.

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We took a video camera with us and we, we

took a few pictures while we were there.

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And this was our day in central park.

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And that night and Joanie, her

daughter who who's, the publisher

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of our newsletter, went with us.

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And she, we had a fantastic time there.

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We met some of the most

beautiful people in the world.

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People brought the

paintings to show us young.

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Oh, there is a net in

the daughter, Joan there.

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And we did a couple of paintings when

we get to talk with people and was one

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of the most fantastic days of my life.

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And if we get back there, I hope you come

and see us and spend the day with us.

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I'm still just putting in windows

while you're watching that.

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There we go look at there.

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There's Dana.

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He's one of her instructors

on the national staff.

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He went with us and

painted, painted jester.

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He's quite a character too there.

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Okay.

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I'm just putting in a few, little

window indications, something

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like, so now that, that gives you

a very basic idea of how to do it.

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Do some little buildings and you

can put a lot more detail at them.

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And when you do them at home, okay.

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Tell you what you clean off my

pallet and get a place to work here.

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Let's have some fun.

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We'll take some black little

pressure blue, a little bit

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of that failed green in there.

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What the heck?

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A little Crimson.

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You can throw some

Bandak it doesn't matter.

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As long as it's good and dark.

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Okay.

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I clean the knife off here.

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We use the old round brush today.

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Let's go right in here.

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Tap in a little bit of color.

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And let's just make a big decision.

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Maybe need to be right along in here.

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Lives, happy little tree.

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We don't know.

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So very long in here.

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All we're doing right now, it's just

throwing in some dark cover shoot.

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I should scrape in a few little windows

in this building to almost forget him.

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Don't want to have left up people in here.

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Couldn't see there.

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Okay, right along here.

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If this is going to be water, tell

you what let's grab the base of this

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Publix straight down and create the

illusion of a reflection there that easy.

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There we are very lightly go across.

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We have instant reflections.

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And let me see here.

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I've got a couple of words.

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Round brush is going.

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So let's take TAF.

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This went into a little bit of yellow.

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Be right back.

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I'm gonna reach a peer,

get a little SAP green,

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nice green color, and just tap this.

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Just want to load a little pain in it.

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A little yellow ochre, a little

Indian, yellow here and there.

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Okay.

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Let's go up here.

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And maybe, maybe there's some Nash

highlights right out here on these all

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kinds of little things happening wherever

you want, where ever you want to.

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Yeah, this particular little contact

paper cut out that I have today is

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designed for all my friends in New York.

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But if you don't live in New York

and you would like to do this shoot,

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you can take and cut all types

of designs out of contact paper.

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And just make beautiful things.

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I live in Florida.

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Most of the time.

257

00:13:35,055 --> 00:13:38,385

Now you can take like, and cut a map of

Florida out of contact paper and put it

258

00:13:38,385 --> 00:13:40,005

on there and paint a mass Florida scene.

259

00:13:40,455 --> 00:13:42,345

And when you peel it off, it's beautiful.

260

00:13:42,855 --> 00:13:43,365

Beautiful.

261

00:13:44,685 --> 00:13:47,535

And I know we're not interested in

selling paintings, but if you should be

262

00:13:48,495 --> 00:13:50,445

those kinds of things sell like crazy.

263

00:13:52,005 --> 00:13:52,815

And he was a little Brown.

264

00:13:52,815 --> 00:13:56,385

I hear a little Vandyke Brown,

just put a little dirt on there.

265

00:13:56,385 --> 00:13:58,035

I don't want much, this is too far away.

266

00:13:58,945 --> 00:14:02,385

Scratch it a few little sticks and

twigs and just happy things going on.

267

00:14:04,425 --> 00:14:04,695

Okay.

268

00:14:04,705 --> 00:14:07,035

We can take a fan brush

a little bit of that.

269

00:14:07,035 --> 00:14:12,885

Same color, yellow ochre, green,

Indian, yellow, bright red touch.

270

00:14:12,945 --> 00:14:13,635

Just a touch.

271

00:14:15,015 --> 00:14:15,315

Okay.

272

00:14:15,645 --> 00:14:16,425

Now we can go up here.

273

00:14:16,695 --> 00:14:20,535

Give it a little upward push, put

some little grassy things growing

274

00:14:20,535 --> 00:14:23,955

right down here, like in there.

275

00:14:25,875 --> 00:14:29,715

And then a little touch of the liquid,

like a little dark Sienna in it, just to,

276

00:14:30,255 --> 00:14:33,585

just to dial it down and we cut across.

277

00:14:33,885 --> 00:14:34,215

Okay.

278

00:14:35,535 --> 00:14:36,315

Now we can go up here.

279

00:14:37,485 --> 00:14:39,585

Put the indication of a

happy little waterline.

280

00:14:41,145 --> 00:14:41,955

There it is.

281

00:14:47,345 --> 00:14:49,055

I'd like to put a little

bridge right here.

282

00:14:49,695 --> 00:14:52,185

And you're looking out over the bridge

and you can see where you beckoned.

283

00:14:52,185 --> 00:14:57,765

So let's take, let's just use a little

bit of black and Brown dark Sienna.

284

00:14:58,725 --> 00:14:59,655

Just mix them together.

285

00:14:59,685 --> 00:15:00,345

We don't care.

286

00:15:01,575 --> 00:15:03,795

This is your bravery test

in this particular painting.

287

00:15:04,125 --> 00:15:07,125

Take a small roll of paint, right

on the edge of the knife there.

288

00:15:08,235 --> 00:15:08,475

Okay.

289

00:15:08,505 --> 00:15:12,435

Maybe our bridge lives lives lived here.

290

00:15:12,435 --> 00:15:15,885

It goes right there.

291

00:15:17,085 --> 00:15:17,685

Right there.

292

00:15:17,835 --> 00:15:18,615

Just be brave.

293

00:15:19,500 --> 00:15:21,510

Drop it in Toronto.

294

00:15:22,339 --> 00:15:22,699

Okay.

295

00:15:23,120 --> 00:15:26,329

And this is, I remember this

bridge had a nice curve in it.

296

00:15:26,630 --> 00:15:26,959

Sure.

297

00:15:27,500 --> 00:15:29,990

I can't just like it.

298

00:15:31,490 --> 00:15:31,780

Fuck it.

299

00:15:31,790 --> 00:15:32,000

They're

300

00:15:40,390 --> 00:15:40,900

there

301

00:15:43,910 --> 00:15:44,719

now then.

302

00:15:46,319 --> 00:15:48,089

That gives us a basic

shape for our bridge.

303

00:15:48,120 --> 00:15:52,410

The other thing it's so neat here, maybe

it was reflected right into the water.

304

00:15:52,620 --> 00:15:54,420

So we just take a, pull a

little bit of that paint.

305

00:15:55,380 --> 00:15:57,719

We're just looking for a very

basic little shape under here.

306

00:15:57,719 --> 00:15:59,250

Just really push that in.

307

00:16:00,959 --> 00:16:01,469

And normally.

308

00:16:01,949 --> 00:16:04,350

When we're doing reflections,

we pull straight down this time.

309

00:16:04,920 --> 00:16:07,199

Let's just very gently go back and forth.

310

00:16:08,370 --> 00:16:12,959

Just want to distort it a

little bit and then go across.

311

00:16:15,300 --> 00:16:19,410

And when we're all done, that'll give

us an indication of a nice reflection

312

00:16:19,410 --> 00:16:20,790

of that little bridge into the water.

313

00:16:22,050 --> 00:16:25,260

Now, then we have to make

some big decisions here.

314

00:16:26,850 --> 00:16:29,850

Part of this, you're going to see a

little bit of the base underneath part.

315

00:16:31,620 --> 00:16:33,690

So the least little touch

of light cover here.

316

00:16:33,690 --> 00:16:36,220

Just the least little touch

you don't want to overdue, but

317

00:16:36,220 --> 00:16:37,410

the light shines through there.

318

00:16:39,920 --> 00:16:43,520

Bring this right around.

319

00:16:46,250 --> 00:16:49,460

We can make out just the indication.

320

00:16:50,420 --> 00:16:53,980

Maybe there's all kinds of little

stones that made this up, but

321

00:16:53,980 --> 00:16:55,250

I want it to stay quite dark.

322

00:16:55,280 --> 00:16:57,110

So I'm just touching, just touch.

323

00:16:57,140 --> 00:16:58,700

Let the paint pull off what it wants.

324

00:17:00,255 --> 00:17:01,005

There we go.

325

00:17:02,055 --> 00:17:02,685

Just touch.

326

00:17:04,315 --> 00:17:06,405

It'll take off what it

wants, gives you back.

327

00:17:06,405 --> 00:17:07,004

What's left.

328

00:17:07,425 --> 00:17:11,115

As I mentioned, some of the other series

is just like the tax man where he takes

329

00:17:11,115 --> 00:17:12,405

off what he wants to give you back.

330

00:17:12,405 --> 00:17:14,805

What's left my trouble.

331

00:17:14,805 --> 00:17:15,615

There's never much later.

332

00:17:19,325 --> 00:17:19,385

Yeah.

333

00:17:19,444 --> 00:17:21,305

Maybe there's a little rail right up here.

334

00:17:21,305 --> 00:17:22,744

We take a little bit lighter Brown.

335

00:17:24,405 --> 00:17:27,405

Just drop that on, just to give

an indication of the little rail,

336

00:17:28,514 --> 00:17:33,195

little lip that lives right in

there and that easy, we have a.

337

00:17:34,215 --> 00:17:38,774

We have the indication of an old

bridge there and the particular

338

00:17:38,774 --> 00:17:42,825

place where I was at, there was some

nice trees they have right here.

339

00:17:42,855 --> 00:17:47,715

Some bushes you taking poop, the

one cover whole building here.

340

00:17:49,215 --> 00:17:50,504

They came right along here.

341

00:17:51,764 --> 00:17:55,504

Big tree lived here and

he watched the park.

342

00:17:55,814 --> 00:17:57,105

Everything that was going on.

343

00:18:01,575 --> 00:18:02,054

Beautiful.

344

00:18:02,054 --> 00:18:02,504

Big tree.

345

00:18:05,235 --> 00:18:08,325

And all we're doing here is just

dropping in a very basic shape

346

00:18:16,075 --> 00:18:16,995

with this little round brush.

347

00:18:16,995 --> 00:18:17,895

You just tap it in.

348

00:18:17,985 --> 00:18:18,735

Don't worry about it.

349

00:18:18,795 --> 00:18:23,325

Just tap it wherever you want it.

350

00:18:24,615 --> 00:18:26,415

Reflect a little bit of

it down into the water.

351

00:18:28,065 --> 00:18:30,315

Now then now, then let's

go over to the other side.

352

00:18:31,095 --> 00:18:36,015

Over here, big bushes and

trees over here to shoot.

353

00:18:36,015 --> 00:18:39,495

Maybe they'd come all the way

up, right over the front of

354

00:18:39,495 --> 00:18:40,425

the building a little bit.

355

00:18:43,155 --> 00:18:43,635

There

356

00:18:47,835 --> 00:18:50,625

just sort of look around and make some

big decisions and decide where you

357

00:18:50,625 --> 00:18:52,845

want all these things and drop them in.

358

00:18:56,504 --> 00:18:57,254

We own up here.

359

00:18:58,815 --> 00:18:59,835

Big, beautiful tree.

360

00:19:02,970 --> 00:19:05,940

You know, you're so shocked when

you go to New York and see all

361

00:19:05,940 --> 00:19:08,370

the skyscrapers and everything.

362

00:19:08,370 --> 00:19:11,640

And then, and then you find some place

like central park, and it's almost like

363

00:19:11,640 --> 00:19:13,680

you were, you were back with nature.

364

00:19:13,680 --> 00:19:15,540

Again, we really enjoyed our day.

365

00:19:15,540 --> 00:19:18,330

There really enjoyed it.

366

00:19:18,540 --> 00:19:23,250

And I've never met so many

fantastic people in my life park.

367

00:19:23,250 --> 00:19:26,150

Police told us that nearly a

quarter of a million people.

368

00:19:30,270 --> 00:19:33,300

Okay, now then I want some reflections.

369

00:19:33,690 --> 00:19:38,250

So just make that decision, pull

it down, just pull it down and go

370

00:19:38,250 --> 00:19:40,980

gently across an instant reflections.

371

00:19:47,270 --> 00:19:47,990

Okay.

372

00:19:49,310 --> 00:19:55,220

Over here, maybe a little reflection

polit across, straight down and across.

373

00:19:57,650 --> 00:19:57,920

Yeah.

374

00:19:59,400 --> 00:20:02,820

I want to use the old liner brush

with a little paint thinner on it.

375

00:20:04,440 --> 00:20:08,490

Hey, we'll find a, some vendetta

Brown, a little bit of white

376

00:20:08,910 --> 00:20:10,920

paint thinner than this down.

377

00:20:10,950 --> 00:20:11,550

Very thin.

378

00:20:11,610 --> 00:20:12,720

Almost like ink.

379

00:20:13,710 --> 00:20:14,250

Very thin.

380

00:20:14,280 --> 00:20:15,780

Turn the brush, get a lot of paint on it.

381

00:20:16,430 --> 00:20:22,860

Maybe there's a tree trunk

lives or right there, right

382

00:20:22,860 --> 00:20:26,450

there wherever you want there.

383

00:20:26,450 --> 00:20:26,810

Yes.

384

00:20:29,640 --> 00:20:32,070

And he's got some big

arms and come out here.

385

00:20:33,730 --> 00:20:37,590

If you have trouble making your

paint flow, all you need to do is

386

00:20:37,590 --> 00:20:41,760

add a little bit more of the paint

thinner because a thin paint will

387

00:20:41,760 --> 00:20:43,260

flow right over this thick paint.

388

00:20:43,380 --> 00:20:46,320

Very easy, very, very easy.

389

00:20:48,465 --> 00:20:49,814

I can't take a little touch.

390

00:20:50,195 --> 00:20:52,215

The liquid white go right into.

391

00:20:52,334 --> 00:20:56,084

I'm going to then this paint a little

that's all the liquid white does this,

392

00:20:56,084 --> 00:20:58,094

then this right into the yellows.

393

00:20:58,094 --> 00:20:58,844

Be right back.

394

00:20:58,875 --> 00:21:01,574

Get a little, some more green there.

395

00:21:02,925 --> 00:21:03,524

All right.

396

00:21:03,705 --> 00:21:05,115

Beautiful ochre.

397

00:21:05,834 --> 00:21:06,854

Just mix them all together.

398

00:21:07,574 --> 00:21:08,415

Let's go right up here.

399

00:21:09,795 --> 00:21:11,445

I had the lights play right through here.

400

00:21:12,875 --> 00:21:14,525

Think about shape and form.

401

00:21:14,615 --> 00:21:19,475

When you're doing these trees

there, there's another one.

402

00:21:20,855 --> 00:21:23,765

See there's clumps or

big bunches in there.

403

00:21:24,185 --> 00:21:27,485

There's a limb right there that

holds up that whole big one section.

404

00:21:27,875 --> 00:21:29,435

Think about it and make friends with it.

405

00:21:30,425 --> 00:21:30,995

There we are.

406

00:21:33,075 --> 00:21:35,045

There's all those little

individual things in there.

407

00:21:36,525 --> 00:21:40,485

Make friends with each one and then

your tree you'll just jump alive.

408

00:21:41,695 --> 00:21:42,675

It has character.

409

00:21:43,035 --> 00:21:45,885

It's not just a dead old

flat thing out there.

410

00:21:46,125 --> 00:21:49,575

It has round this, both

this way and this way.

411

00:21:50,145 --> 00:21:53,355

And that's what makes

your tree interesting.

412

00:21:54,255 --> 00:21:57,405

We went a little Indian, yellow, a

little tiny touch of the bright red.

413

00:22:00,060 --> 00:22:00,270

Ooh.

414

00:22:00,300 --> 00:22:01,530

Nice one nice one.

415

00:22:02,520 --> 00:22:03,030

Nice one.

416

00:22:03,030 --> 00:22:05,850

That one stands out very

pretty against that bridge.

417

00:22:10,200 --> 00:22:13,230

So you think just layer after

layer, maybe there's a nice Bush.

418

00:22:13,260 --> 00:22:17,639

It lives here wherever you

want it, wherever you want it.

419

00:22:18,340 --> 00:22:19,290

It's up to you.

420

00:22:20,790 --> 00:22:21,629

There's another little one.

421

00:22:24,960 --> 00:22:26,250

Now that we need some land.

422

00:22:26,670 --> 00:22:28,020

So I take a little band-aid Brown.

423

00:22:28,850 --> 00:22:29,660

Let's go right up here.

424

00:22:30,950 --> 00:22:31,040

Okay.

425

00:22:31,420 --> 00:22:36,740

Need a little bit of land

for that to hang on to, okay.

426

00:22:37,820 --> 00:22:40,040

I've touched your dark sand and white.

427

00:22:41,780 --> 00:22:43,310

Make us a little highlight on top.

428

00:22:48,149 --> 00:22:50,070

Yeah, take a, we'll take a two inch brush.

429

00:22:50,070 --> 00:22:51,510

You just tap a little color into it.

430

00:22:53,159 --> 00:22:56,550

Anyway that we can put in

just a soft little area here.

431

00:22:59,340 --> 00:23:04,679

Lot of beautiful grassy areas in

central park, a lot of people come

432

00:23:04,679 --> 00:23:10,649

out and enjoy nature and spend some

time shooters, little squirrels

433

00:23:10,649 --> 00:23:11,939

and stuff everywhere there too.

434

00:23:15,555 --> 00:23:17,625

Waterline, just liquid white.

435

00:23:19,785 --> 00:23:23,435

Now on the other side, I want

the other side over here.

436

00:23:24,045 --> 00:23:24,975

To be more in shadow.

437

00:23:24,975 --> 00:23:28,335

If the lights coming from that

way, it's dark in that color.

438

00:23:28,545 --> 00:23:34,155

A great deal, very dark green, but

still on the round brush, but very dark.

439

00:23:35,085 --> 00:23:39,795

I just want the indication of a little

highlight on these ones out here.

440

00:23:41,475 --> 00:23:42,435

Not very much though.

441

00:23:42,435 --> 00:23:43,155

Don't overdue.

442

00:23:43,395 --> 00:23:47,085

Keep this one very dark, very dark.

443

00:23:47,895 --> 00:23:48,975

So there's a contrast.

444

00:23:48,975 --> 00:23:50,955

So, you know, the lights

coming, seeing through there.

445

00:23:52,575 --> 00:23:53,745

Got to make those little noises.

446

00:23:54,465 --> 00:23:56,385

You don't have to be crazy

to be a painter, but it's

447

00:23:56,385 --> 00:23:59,465

certainly it helps there,

448

00:24:02,465 --> 00:24:04,865

even if you can't see those

very well, they are in, there

449

00:24:06,034 --> 00:24:07,175

are little things in there.

450

00:24:08,945 --> 00:24:10,595

Can we take a little bit of Brown?

451

00:24:10,965 --> 00:24:13,905

Liquid white mixture, not much.

452

00:24:13,905 --> 00:24:17,325

And just putting the indication of

a little borderline right there.

453

00:24:18,075 --> 00:24:20,925

Now I'm going to get a one inch brush,

just playing a one-inch brush would

454

00:24:20,925 --> 00:24:23,504

take a little black pression blue.

455

00:24:24,750 --> 00:24:26,909

Hey, little green, Brown.

456

00:24:26,909 --> 00:24:27,419

It doesn't matter.

457

00:24:27,449 --> 00:24:28,139

Dark colors.

458

00:24:29,129 --> 00:24:31,110

There was a little walkway

here where I was standing.

459

00:24:31,379 --> 00:24:36,510

So let's put in some beautiful little

grassy things that live right out here.

460

00:24:37,139 --> 00:24:37,280

Okay.

461

00:24:37,310 --> 00:24:37,620

They are.

462

00:24:39,530 --> 00:24:45,870

So we just dropped the Zen, take

some Vandyke Brown, a little

463

00:24:45,870 --> 00:24:48,659

dark Sienna, put in some dirt.

464

00:24:51,840 --> 00:24:59,879

There we go, little light and

dark Sienna and just barely touch.

465

00:25:00,330 --> 00:25:03,960

Just highlight that just

enough to let it graze it.

466

00:25:07,800 --> 00:25:08,730

Another one inch brush.

467

00:25:08,730 --> 00:25:09,780

I have several of them going.

468

00:25:10,920 --> 00:25:12,540

We'll take a little yellow and green.

469

00:25:12,600 --> 00:25:13,500

Just mix it together.

470

00:25:14,400 --> 00:25:18,720

We'll put a little highlight

on these right out here.

471

00:25:18,750 --> 00:25:20,190

See, look how that shows up.

472

00:25:21,090 --> 00:25:26,160

It's just beautiful little bushes right

out here may grow right back in here.

473

00:25:27,030 --> 00:25:28,410

This was a little walk as a say.

474

00:25:28,410 --> 00:25:32,040

And there was a, like a

little rail let's do that.

475

00:25:32,070 --> 00:25:35,430

I think I have enough time to

do that to just come across

476

00:25:38,460 --> 00:25:40,530

like so black.

477

00:25:41,790 --> 00:25:42,630

Put that down.

478

00:25:45,000 --> 00:25:49,130

Gotta make those little noises,

a little bit of highlight color.

479

00:25:49,130 --> 00:25:51,350

It's just Brown and white and come across.

480

00:25:51,350 --> 00:25:57,140

So it looks like there's a little, little

rail right there, or a little they edge.

481

00:25:59,000 --> 00:25:59,600

There we go.

482

00:26:02,330 --> 00:26:02,810

Nice

483

00:26:05,870 --> 00:26:06,590

paint thinner.

484

00:26:08,790 --> 00:26:10,920

On the liner brush, go into

a little bit of the green.

485

00:26:11,880 --> 00:26:15,380

Just put the indication here and there a

few little things that are sticking out.

486

00:26:16,400 --> 00:26:18,470

Just having a good time too.

487

00:26:18,560 --> 00:26:21,200

I think we're about ready now.

488

00:26:21,200 --> 00:26:24,950

Then I net cut this beautiful design

out for me, so let's pull it off

489

00:26:24,950 --> 00:26:26,390

and let's see what happens here.

490

00:26:29,090 --> 00:26:32,180

There we are hidden then.

491

00:26:32,210 --> 00:26:33,140

Fantastic.

492

00:26:34,439 --> 00:26:35,610

And you can do this too.

493

00:26:36,030 --> 00:26:41,250

So I'll take a little paint thinner,

go right into Marib and we'll sign

494

00:26:41,250 --> 00:26:43,590

this, but I'm going to call it

finished with it right out here,

495

00:26:43,860 --> 00:26:44,939

right out here in the bushes.

496

00:26:46,560 --> 00:26:49,560

But once again, I hope all my

friends in New York enjoy this.

497

00:26:49,949 --> 00:26:55,409

And for people who live other places,

try cutting out all kinds of designs and

498

00:26:55,560 --> 00:26:57,840

you will not believe what you can make.

499

00:26:58,935 --> 00:27:01,575

I really hope you've enjoyed

this from all of us here.

500

00:27:01,815 --> 00:27:05,265

I'd like to wish you happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S17E08 - View From The Park

Bob Ross's

The Joy of Painting

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