Bob Ross's

The Joy of Painting

S24E12 - The Footbridge

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Hey, welcome back.

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Certainly glad you could join us today.

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It's a fantastic day here and I

hope it is wherever you're at.

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So I tell you what, let's start out

today and have him run all the colors

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across the screen that you need to paint

along with us while they're doing that.

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Let me show you what

I've gotten done up here.

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Have my standard old pre

stretched double prime canvas.

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And today I've just covered it with a

very thin even coat of liquid white.

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So it's all wet and slick and ready to go.

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So shoot, let's just do a,

just us do a little painting.

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It's a lot of fun.

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I thought we'd start with this little

tiny breast, a little, a little two

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inch brush, and let's go into a small

amount of Indian, yellow day, the heck,

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just a little tiny bit of Indian yellow,

and we'll go right up here and lightly.

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I'm just going to make some

little crisscross strokes thought.

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Maybe today.

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We're just, we just do a, a little

painting that just makes you feel good.

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Just a very nice one

little painting, maybe.

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Maybe a little same it's

back in the woods and stuff.

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And I'm such a fanatic for

nature in the woods and all

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the trees and verses and stuff.

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That's really what I like to paint.

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So let's do that today.

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Without cleaning the brush, maybe the

least little touch of a yellow ochre,

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not much, very, very little color.

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I want to keep this guy

quite subdued and quiet.

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So you don't really notice

it unless you look for it.

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There we go.

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Shoot, let me maybe the least little

touch of the bright red too, doesn't

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matter, but very, very small amount.

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Just a little pink in the sky.

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I don't want to set the sky on fire and

very quickly you can do that chance.

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Want to give it a, a

nice little pinkish hue.

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Maybe a little touch more over in

here, there, something like that.

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All right.

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And then just gently going

across the entire canvas.

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Just blend out all the

little brush strokes.

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Here we go.

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Okay.

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Maybe, maybe a wash this brush.

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What the heck?

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I just really liked to wash brushes.

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It keeps my, it keeps my

crew here on their toes.

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All right.

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Now then good clean driver.

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I should, I'm gonna go right into a little

bit of the, a little bit of the midnight

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black don't want a whole lot of paint.

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Just a little.

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All right, let's go back up in here

and right on the top, it's gonna

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take a little bit of that black.

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And begin making little, little

crisscross strokes, still something

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about like, so there we go.

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It'd be here and there, there's a

happy little, little floater in there

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wherever you think they should be.

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That's exactly where they should be.

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They're a little bit more color

on the brush right in my cabin,

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but this is just midnight black.

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Just knock off any excess color there.

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Cause I want to keep it quite dark.

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Maybe.

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Why not?

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Why not have another little

cloud right about here?

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And all we're doing is just sort of

tapping downward, but there's two inch

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brush, maybe this little cloud shoot.

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Maybe it comes we out here.

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I don't know wherever you want it.

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Where every near world, you can

do anything that you want to do.

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Any old thing that you'd want to do.

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We'll put another one there.

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Maybe over in here on this side,

maybe there's a couple more over here.

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Just whatever painting should be.

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Very individual.

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Everybody will see nature through

different eyes and that's what you

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should paint the way you see it

and wash the old brush off again.

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Shake off the excess.

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And there we go again.

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Now that was a clean, dry

brush and a very gently here.

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I'm just going to blend all this together.

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Just blend it all together.

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It'll end up fantastic way of

making some money clouds that

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just jumped right out at you.

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And you can do this, even if you've never

painted before this, you can do, she can

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do we try to make painting simple enough.

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That everybody can do it in and

really achieve fantastic results.

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Even with very limited

amounts of practice there.

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And of course the more you practice, the

easier it gets in the better you get.

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I want to take a little,

I must use a little black.

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Maybe I'll put the least little touch of.

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At least little touch it,

they load blue into it.

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Also mostly black though, a little bit.

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I'm going to have a little water

in this painting, so we will

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have water maybe right here.

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I don't know.

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It really doesn't matter.

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At this point you just put

in some color and whatever.

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We don't want to be watered

with just paint right over

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it, because this is our world.

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And we literally literally can do

anything that we want to do in this world.

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You have total and complete power here.

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Tell you what?

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We'll just keep using that

same old brush on this.

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Put a little bit more of the black on it.

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So it has black and at least a little

touch of blue, but mostly black and

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not a lot of color on the brush.

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Okay.

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Maybe in our world, back in here.

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Okay.

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Let's just do something.

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I can go back to my wife, a little

that paint off a little more.

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No, that's better.

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I want it to vary.

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Quiet.

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Just take the side of the brush and

we'll put the indication of some little

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things that live we're back in the

distance, little indications of trees.

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I don't want a lot of detail.

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It's too far away, too far away.

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Just want some little indications

here and there, there, wherever.

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Sometimes you can just tap down.

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And if you want to make them look like

little, maybe little evergreens far

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away, you can just do the brush by cap.

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There we go.

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Softer and softer and softer.

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They just basically disappear out here.

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Very quiet.

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Very subdued.

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There we are.

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Okay.

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Now then.

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I'm going to take a

clean and very dry brush.

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And I want to just tap the base of this.

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I want to create the illusion and

this down here and assault and

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all this up to this softening,

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then lift gently up just soft.

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That is now that tapping and lifting

will push all those little things

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far, far back in the distance.

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You can go right over the top of

some of them to really soften them.

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Yeah,

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we're going to see very, very little

of that sort of, not interested in a

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lot of detail back there at this point.

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Later on.

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We'll worry about it,

but not now, not now.

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We just have fun now, right

into a little bit of black.

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And maybe there's an

indication here in there.

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Just a few little bushes, a little

closer, so there'll be a little

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darker, but once again, I'm not looking

for a lot of detail yet too soon.

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When we get further into the foreground,

then we'll begin seeing more.

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Right now I'm just interested in.

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Getting a few little things up here.

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Something maybe about like,

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okay, now thought today let's

have a little bit of fun shooting.

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Maybe we'll make we'll paint

something a little different.

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Get a brush.

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Nice and clean and ready.

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Maybe an hour away back here.

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Sort of visualize these and allow the

visualizations to happen in your mind.

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Maybe we'll have water running back

through here and maybe there's a

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little, maybe there's a little bridge

that goes right over the water.

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So let's do the bridge first and then

we'll put things in the foreground.

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Let's start with Vandyke Brown, maybe

even a little dark Santa mixed with it.

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Cut off our little roll of

paint and it should live right

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on the edge of the knife.

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See there now, where should our bridge be?

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Let's have it.

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Right about here.

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You have to make your first major decision

and all you do just touch that little roll

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of paint will pull right off your knife.

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There.

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Maybe that's just the top rail

of the bridge and you could make

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any kind of bridge you want.

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I think today I'll just make a

very simple, easy little one to do,

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even if you've never done a bridge.

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This is very easy there with

there's the here's the bridges

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floor or the bottom of the bridge.

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So that's a little thicker

than the rail up there.

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And let's see, we'll put some little,

some little support doers in here.

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We'll put one in and

maybe there's some little.

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Yep.

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See you there.

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We're just using the small

edge of the knife where you

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could just use a small knife.

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I'm just too lazy to pick it up there.

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It looks like.

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And as a kid I used to with

string make Jacob's ladders.

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This looks like that sorta, maybe

this Jacob's bridge, who knows, I

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don't even know who Jacob is there.

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See there that easy little

knife will do fantastic things.

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We'll put one little arm right here.

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Take a little quiet, a little bit.

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Dark Santa, maybe a little

touch of the bright red into it.

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Ooh, it's nice.

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One put a little yellow ochre to the

Lorell of paint and right up here

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on the top, the lights is hanging

down on top of our little bridge.

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So we have a little highlight

right up here on top, right

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there and here and there.

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And they're in here.

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See right.

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There might be a little coming

on this side of the post.

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Maybe our lights coming

from the left today.

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It's up to you wherever, wherever,

wherever you want your son to be.

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That's where it can be in the painting.

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I hope you saw my son in the last program.

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Little devil's quite a character.

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I mean, he really can paint them.

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Thank you, sir.

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As of the date of this taping,

I think he's 24 years old.

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He travels all over the country.

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Just teaching the painting

method that you see here.

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Maybe if he gets to your town doing

demonstrations or something, he works

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with a lot of the PBS stations, et cetera.

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Maybe I'll get out to see him.

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There we go.

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If you see them hassling a little

bit and tell him I sent you.

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There now we need something

underneath and we get the small knife.

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I need something to keep this bridge

out of the water right now with

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fall right in the water, because

there's no little support doers.

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Maybe, maybe there's a little

post that lives right there.

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I guess he need a pretty good

sized post to hold up the bridge.

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So we we'll make it a little bigger.

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Something like that.

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A bit of our little highlight

color, not much touch there.

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Sort of gives an indication of

a little that'll do her there.

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Maybe we need some of the

support brackets on it there.

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Why waste a bridge was

really that easy to bill.

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Let's reflect that right into the water.

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Grab it, pull down and we'll

take her two inch brush.

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Pull that down and just

go across that easy.

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It just made a little reflection there.

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I'm going to take a little bit of the

liquid white and mix it with a little

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of the titanium white, just to make

this a little thinner than normal.

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And we put a little ripple of

water right around the foot

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there sort of cleans it all up.

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Gives the impression that maybe

the water is moving slowly, very

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slowly by this little bridge.

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Little slow river stream here.

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Big old fish is laying right into

there and rest and taking life easy.

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I like to fish though.

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I'm not a very good fishermen shooter

catch deal fishing, put a bandaid on his

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mouth and Pat him on the to, to put him

back in the water and wishing well, and

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maybe, maybe I'll be lucky and get the

chance to, to catch him again one day.

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Okay.

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Take a little black depression, blue

fallow green, put some Crimson in there.

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There we go.

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Mix them all up.

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Home mix.

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Pretty good pile of paint.

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I'm gonna make some evergreen trees.

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What the heck?

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And some big bushy trees.

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We're gonna wipe off the knife there.

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Let's start maybe.

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Hmm.

252

00:13:30,140 --> 00:13:31,339

Ready to make a big decision.

253

00:13:32,180 --> 00:13:33,109

Maybe in our world.

254

00:13:34,880 --> 00:13:36,410

Just sort of stand back and look.

255

00:13:37,710 --> 00:13:38,310

Maybe yep.

256

00:13:38,550 --> 00:13:39,180

Right about there.

257

00:13:39,240 --> 00:13:40,350

We'll have a big Bush.

258

00:13:41,040 --> 00:13:44,370

I'm going to push both ends of

this Brady back into the bushes.

259

00:13:44,370 --> 00:13:47,130

So we don't have to worry

about it right then and there.

260

00:13:48,270 --> 00:13:53,340

And maybe there's a big tall bank right.

261

00:13:55,520 --> 00:13:56,150

There we go.

262

00:13:59,150 --> 00:13:59,570

There.

263

00:14:00,930 --> 00:14:01,920

Right out in the water,

264

00:14:06,370 --> 00:14:07,950

take a little bit of Brown and white.

265

00:14:10,470 --> 00:14:12,150

Just highlight a little

bit here and there.

266

00:14:13,320 --> 00:14:16,200

Maybe I'll put a lot of bushes on there,

so we don't really care at this point.

267

00:14:17,190 --> 00:14:22,080

We don't even know some of

this was show a lot of it want.

268

00:14:23,460 --> 00:14:27,660

Now we can come back in here and drop

in the indication just to all kinds

269

00:14:27,660 --> 00:14:31,050

of, well, I'll tell you what, let's

just bring it right on around here.

270

00:14:31,199 --> 00:14:32,340

Let your imagination go.

271

00:14:33,600 --> 00:14:35,069

Just let it all imagination go.

272

00:14:35,069 --> 00:14:36,900

Maybe comes there.

273

00:14:37,199 --> 00:14:39,630

What the heck you get crazy.

274

00:14:41,850 --> 00:14:42,870

That's what makes it fun?

275

00:14:44,790 --> 00:14:45,630

What makes it fun?

276

00:14:47,760 --> 00:14:48,390

There we are.

277

00:14:49,199 --> 00:14:51,449

Now we was going to paint some

evergreens a long time ago, and

278

00:14:51,449 --> 00:14:54,180

I got carried away with rocks

and stones and all those things.

279

00:14:54,180 --> 00:14:58,530

So let's make in our

world, hold their lives.

280

00:14:59,020 --> 00:15:02,880

Does now the evergreen tree right

there use a corner of the brush.

281

00:15:02,940 --> 00:15:06,720

As you work down the tree,

push harder and harder, forcing

282

00:15:06,720 --> 00:15:07,920

the bristles to bend downward.

283

00:15:08,400 --> 00:15:09,000

There they go.

284

00:15:10,770 --> 00:15:14,850

A little bit of fallow green in there

just gives it sort of, it gives it sort

285

00:15:14,850 --> 00:15:20,220

of a flavor, almost like blue spruce,

which is one of the most beautiful

286

00:15:20,220 --> 00:15:23,790

evergreen trees there ever was there.

287

00:15:25,620 --> 00:15:26,100

Okay.

288

00:15:27,150 --> 00:15:32,250

Maybe I'll just put a couple in here,

you know, it's interesting over there.

289

00:15:32,670 --> 00:15:34,860

Years and a long time we've

been doing this period.

290

00:15:35,190 --> 00:15:37,050

I've had so many little

creatures and stuff.

291

00:15:37,500 --> 00:15:40,800

And I thought maybe today, I just, when

I'm putting these trees on for them, it's

292

00:15:40,980 --> 00:15:44,400

put my, I just show you a quick bunch

of little photographs of some of them, a

293

00:15:44,400 --> 00:15:46,650

little creatures and let you take a look.

294

00:15:46,660 --> 00:15:48,120

See, maybe I'll remember some of them.

295

00:15:49,290 --> 00:15:50,880

Cause they're very special to me.

296

00:15:51,330 --> 00:15:55,050

They play a very important

role in my life and I just

297

00:15:55,260 --> 00:15:56,850

absolutely love the little devils.

298

00:15:57,750 --> 00:15:59,070

That's girly, girly Brown.

299

00:15:59,329 --> 00:16:01,699

Hmm, she's quite a character.

300

00:16:01,730 --> 00:16:05,480

And is Danielle does the Crow he

belonged to and young, one of the

301

00:16:05,480 --> 00:16:09,590

bird ladies that lives very close

to me, there he's a character.

302

00:16:10,515 --> 00:16:11,655

He's all grown up and going.

303

00:16:11,665 --> 00:16:14,025

Now there's carbon show and her dear.

304

00:16:14,984 --> 00:16:17,594

Hey Bob store, we went

sail fishing together.

305

00:16:18,464 --> 00:16:19,604

Of course we let him go too.

306

00:16:19,964 --> 00:16:22,964

And there's my little red

coat and these happen.

307

00:16:23,505 --> 00:16:25,094

There's another picture

of squirrely girly.

308

00:16:25,665 --> 00:16:26,594

She's something else.

309

00:16:27,824 --> 00:16:28,814

She's still with me.

310

00:16:29,145 --> 00:16:29,834

Really girly.

311

00:16:30,974 --> 00:16:32,805

She's almost ready to turn loose now.

312

00:16:34,425 --> 00:16:35,295

I'm almost ready.

313

00:16:35,775 --> 00:16:37,485

We did not keep any of these animals.

314

00:16:38,265 --> 00:16:41,955

We don't try to make the pet side of

it because they are wild creatures

315

00:16:41,955 --> 00:16:44,535

and God meant for him to be outside.

316

00:16:45,315 --> 00:16:50,475

The only thing that I want to do and all

the people who help them is just to give

317

00:16:50,475 --> 00:16:53,295

them the best, possible chance to survive.

318

00:16:53,865 --> 00:16:55,485

A lot of times they get orphaned or hurt.

319

00:16:56,865 --> 00:16:57,975

And that's all we're trying to do.

320

00:16:58,905 --> 00:17:02,865

We put some trees over

in this side, there.

321

00:17:06,974 --> 00:17:12,704

Maybe a little tree right there because

I really think wild animals, they

322

00:17:12,704 --> 00:17:18,944

should be wild and they shouldn't be

wild, but sometimes like everything

323

00:17:18,944 --> 00:17:20,055

else, they need a little help.

324

00:17:21,315 --> 00:17:25,815

And if I can help him and give

him a little head, start on life.

325

00:17:26,895 --> 00:17:27,885

That's fantastic.

326

00:17:29,595 --> 00:17:30,645

It's fantastic.

327

00:17:30,645 --> 00:17:31,335

There we go.

328

00:17:32,910 --> 00:17:34,530

But some of them, I get very attached to.

329

00:17:34,530 --> 00:17:35,820

It's awful hard to turn them loose.

330

00:17:35,820 --> 00:17:36,420

After a while.

331

00:17:38,490 --> 00:17:39,180

There we are.

332

00:17:41,010 --> 00:17:44,400

I guess my love of animals was

probably instilled by my mother.

333

00:17:45,090 --> 00:17:46,520

She always loved animals and.

334

00:17:47,850 --> 00:17:49,800

She helped me raise a

little squirrely girl.

335

00:17:49,800 --> 00:17:56,520

In fact, her and an F between the three of

us, we got up in the middle of the night

336

00:17:56,520 --> 00:17:58,409

and we fed them and we took care of them.

337

00:17:58,929 --> 00:18:00,510

And it's very rewarding.

338

00:18:01,649 --> 00:18:03,870

I'm going to take a little

bit of that same color.

339

00:18:04,725 --> 00:18:06,524

Maybe we'll have a little lamb

that comes right down here.

340

00:18:06,524 --> 00:18:07,784

We got to do something with all this.

341

00:18:07,784 --> 00:18:13,305

So I'll just tap in some dark color,

just using the old two inch brush

342

00:18:18,024 --> 00:18:18,465

there.

343

00:18:22,305 --> 00:18:24,855

And you could fill this up

here with a, you could use a

344

00:18:24,855 --> 00:18:25,905

paint roller doesn't matter.

345

00:18:28,055 --> 00:18:30,795

It's sort of a good place to practice

and get the feel of your brush.

346

00:18:31,770 --> 00:18:34,470

Maybe over in here, this comes,

we'll have this one come right down

347

00:18:34,470 --> 00:18:38,460

to the edge of the water and don't

worry if you get something in there

348

00:18:38,460 --> 00:18:39,930

because we need a reflection in there.

349

00:18:39,960 --> 00:18:44,220

Anyway, if it didn't happen

automatically, you'd have to

350

00:18:44,220 --> 00:18:45,360

go back in there and paint it.

351

00:18:45,360 --> 00:18:46,230

So don't worry about it.

352

00:18:47,070 --> 00:18:50,940

See if you just grab it and pull

it down and need that reflection to

353

00:18:50,940 --> 00:18:52,200

set it right down into the water.

354

00:18:52,410 --> 00:18:52,470

Yeah.

355

00:18:52,550 --> 00:18:55,220

Go across that easy.

356

00:18:56,090 --> 00:18:56,810

There we are.

357

00:18:57,995 --> 00:19:00,795

And then grab her a little fan brush.

358

00:19:00,795 --> 00:19:04,665

It had that color on it since there's

was blue in it green, and that we can

359

00:19:04,665 --> 00:19:06,435

go right into the yellow, yellow ochre.

360

00:19:06,555 --> 00:19:10,695

The Linden yellow can make

a nice dark green color.

361

00:19:11,115 --> 00:19:15,465

Maybe I'll get to lead them a

little black, little sip green too.

362

00:19:15,465 --> 00:19:15,945

I like it.

363

00:19:16,005 --> 00:19:16,305

Ooh.

364

00:19:16,395 --> 00:19:17,415

That's what I was looking for.

365

00:19:17,415 --> 00:19:23,465

A sample gray there let's go back

up in here now then let's begin

366

00:19:23,825 --> 00:19:25,355

highlighting some of these trees.

367

00:19:26,370 --> 00:19:29,640

Just figure out which one's in the

foreground, which ones in the background

368

00:19:30,270 --> 00:19:34,710

do the one that's in the background

first there and then let the other

369

00:19:34,710 --> 00:19:36,000

one come right over the top of it.

370

00:19:37,650 --> 00:19:38,250

Here we are.

371

00:19:39,210 --> 00:19:43,950

There is another one, just like, so

are you doing, is tapping, letting

372

00:19:43,950 --> 00:19:45,600

the bristles been slightly downward?

373

00:19:46,440 --> 00:19:51,629

Slightly down right there that

don't get darker and darker

374

00:19:51,629 --> 00:19:55,129

as they are work down there.

375

00:19:55,129 --> 00:19:55,399

Here.

376

00:19:56,690 --> 00:19:56,930

Okay.

377

00:19:56,960 --> 00:20:00,410

Let's go on the other side, we've got

to give these little tree something too.

378

00:20:00,440 --> 00:20:01,580

We don't want them left down.

379

00:20:02,629 --> 00:20:04,190

That old tree would be upset with us.

380

00:20:04,490 --> 00:20:05,300

We don't want that.

381

00:20:07,100 --> 00:20:08,180

I did the one on both sides.

382

00:20:08,180 --> 00:20:12,530

Cause I think I want the one in the

middle to be in front of the other two.

383

00:20:12,590 --> 00:20:14,600

So you do those first

and didn't do that one.

384

00:20:15,555 --> 00:20:18,075

And it'll give the impression

that it's it's in the foreground.

385

00:20:19,965 --> 00:20:20,535

There we go.

386

00:20:20,685 --> 00:20:23,235

She didn't know he was going to paint

a whole forest today, but we did.

387

00:20:23,835 --> 00:20:24,315

It's all right.

388

00:20:25,425 --> 00:20:26,145

It's a lot of fun.

389

00:20:26,325 --> 00:20:28,005

We got a lot of practice,

so it wasn't wasted.

390

00:20:29,115 --> 00:20:33,765

Take an old two inch oppression go right

into that greens, a SAP green, the Indian,

391

00:20:33,765 --> 00:20:38,535

yellow, yellow ochre, little touch of

the bright red and now, and then only

392

00:20:40,095 --> 00:20:41,805

load some color right onto the bristles.

393

00:20:41,835 --> 00:20:42,465

Let's go up here.

394

00:20:43,710 --> 00:20:46,770

Now that let's begin

making big decisions here.

395

00:20:48,030 --> 00:20:49,590

That's having a little grass area.

396

00:20:49,590 --> 00:20:50,790

It comes right down my cat.

397

00:20:52,770 --> 00:20:58,110

They're just tap and the more you tap,

the more that base color that you'll

398

00:20:58,110 --> 00:21:01,020

pick up and the darker it'll become,

it'll just disappear after a while.

399

00:21:02,340 --> 00:21:05,910

You have to decide there.

400

00:21:08,310 --> 00:21:08,730

Okay.

401

00:21:10,170 --> 00:21:13,380

And you can do this over and

over till it gets just as soft.

402

00:21:14,024 --> 00:21:17,205

It's silk looks like

velvet crass laying there.

403

00:21:17,205 --> 00:21:17,805

If you want to.

404

00:21:18,975 --> 00:21:20,925

And the more you tap it,

the software to become

405

00:21:27,825 --> 00:21:29,445

just layer after layer, after layer.

406

00:21:31,695 --> 00:21:32,145

They're

407

00:21:35,625 --> 00:21:36,555

right down in here,

408

00:21:39,945 --> 00:21:40,305

right?

409

00:21:40,305 --> 00:21:40,815

I'm down.

410

00:21:43,510 --> 00:21:45,419

Let's go on the other side

and put a little over there.

411

00:21:46,409 --> 00:21:50,490

Maybe it comes right down my cat

sneaks right out of those trees.

412

00:21:52,370 --> 00:21:53,060

You can do it.

413

00:21:54,889 --> 00:21:55,879

You can do it.

414

00:21:59,270 --> 00:21:59,990

Okay.

415

00:22:01,610 --> 00:22:01,870

Thanks.

416

00:22:01,870 --> 00:22:03,439

Some Vandyke Brown dark Sienna.

417

00:22:05,149 --> 00:22:08,629

Let's go put a little indication

of a little soil Lew dirt, right

418

00:22:08,629 --> 00:22:09,949

down here at the water's edge.

419

00:22:11,025 --> 00:22:12,465

Something maybe about like cat.

420

00:22:12,465 --> 00:22:18,825

I don't want a lot, just a little, just

a little, little bit Brown and white.

421

00:22:18,975 --> 00:22:21,345

Give it a little tiny bit

of highlight doing much.

422

00:22:23,425 --> 00:22:27,045

And I can take it a little fun, little fan

brush and just pop in some little bushes

423

00:22:27,045 --> 00:22:30,435

right down here, brings it all together.

424

00:22:32,205 --> 00:22:36,885

A little bit of the liquid white

from white and mixed together.

425

00:22:40,200 --> 00:22:41,430

Come right back in here

426

00:22:45,990 --> 00:22:48,780

and just put us in a little,

little watery line there.

427

00:22:49,560 --> 00:22:50,070

Okay.

428

00:22:50,820 --> 00:22:51,420

Shoot.

429

00:22:51,720 --> 00:22:54,120

I need to play a way to get to

this little bridge back here.

430

00:22:55,080 --> 00:22:58,110

So that's taken a little Bandag

and dark sand and mixed together.

431

00:22:59,745 --> 00:23:06,765

And just put the indication of a little,

little path right in there to take

432

00:23:06,765 --> 00:23:15,605

some point, maybe even a little bright

red or yellow, be brave, barely touch

433

00:23:15,695 --> 00:23:17,315

sledding started graze across there.

434

00:23:20,795 --> 00:23:24,935

They're right on now.

435

00:23:26,675 --> 00:23:27,665

All right.

436

00:23:29,355 --> 00:23:33,965

Now then take our brush with a

little grassy colors and just bring

437

00:23:33,965 --> 00:23:35,315

some right up to the edges here.

438

00:23:36,575 --> 00:23:42,845

Something about like feeling a little

more distinct wishes as we get closer.

439

00:23:44,195 --> 00:23:46,685

We'll use the fan brush and just pop up.

440

00:23:46,715 --> 00:23:46,955

Okay.

441

00:23:50,705 --> 00:23:51,365

There we go.

442

00:23:54,215 --> 00:23:57,155

Now let's find a nice one inch brush.

443

00:23:58,544 --> 00:24:03,695

I'll dip it right into a little

bit, a little bit of the liquid

444

00:24:03,695 --> 00:24:06,274

white go into some green and yellow.

445

00:24:07,324 --> 00:24:08,375

Pull it in one direction.

446

00:24:09,425 --> 00:24:14,735

Yeah, let's take nice highlights

and all these little things here.

447

00:24:15,814 --> 00:24:17,344

Let's start with the one as usual.

448

00:24:17,495 --> 00:24:19,504

It's the farthest away and work forward.

449

00:24:20,915 --> 00:24:22,084

Always working forward.

450

00:24:23,725 --> 00:24:25,514

I'm just hanging right

out over the bank here.

451

00:24:27,435 --> 00:24:29,985

There, there are all

kinds of little things.

452

00:24:32,115 --> 00:24:33,255

One little bushel time.

453

00:24:33,255 --> 00:24:34,095

They don't get greedy.

454

00:24:34,755 --> 00:24:35,685

I know it's tempting.

455

00:24:36,645 --> 00:24:39,645

I know it's tempting one at a time.

456

00:24:40,515 --> 00:24:41,745

That's all we're looking for.

457

00:24:43,335 --> 00:24:43,965

Drop a man.

458

00:24:45,585 --> 00:24:47,145

Maybe even over here.

459

00:24:47,235 --> 00:24:47,655

She was two.

460

00:24:47,655 --> 00:24:51,945

So one little, two little, three little

bushes right there, whatever you want.

461

00:24:52,514 --> 00:24:55,064

There's something to sort of break

it up a little, maybe back in here.

462

00:24:55,064 --> 00:24:59,625

There's a few, can you even

have one or two right in here?

463

00:25:01,544 --> 00:25:02,145

There we are.

464

00:25:03,014 --> 00:25:04,185

Let's grab an old van brush.

465

00:25:04,185 --> 00:25:04,425

Shoot.

466

00:25:05,145 --> 00:25:07,965

You know me, I always have

to have that big tree.

467

00:25:09,165 --> 00:25:15,195

Let's take some of the Browns, both

Browns areas, your bravery tests.

468

00:25:17,475 --> 00:25:18,435

It goes a little noises.

469

00:25:19,425 --> 00:25:22,844

There's a little tree and

there's his little brother.

470

00:25:24,195 --> 00:25:27,105

So we got to give him kind of

give him a little free up there.

471

00:25:27,415 --> 00:25:28,784

Don't want him to get lonely out here.

472

00:25:30,014 --> 00:25:32,955

I'm just going to touch a little

highlight to the edge of these little

473

00:25:32,955 --> 00:25:40,455

Rascals, just a little, we'll take

her little script liner brush, dip

474

00:25:40,455 --> 00:25:41,834

it into a lot of paint thinner.

475

00:25:41,865 --> 00:25:45,344

I want it to be as thin as ink.

476

00:25:45,930 --> 00:25:48,180

Very very thin look at there.

477

00:25:48,180 --> 00:25:50,220

It just absolutely drips right off there.

478

00:25:50,790 --> 00:25:53,340

Nice soupy cans go up in here.

479

00:25:54,540 --> 00:25:57,060

Now with that, we can come

back in here because it's a

480

00:25:57,060 --> 00:25:58,740

very thin paint it'll slide.

481

00:26:00,150 --> 00:26:02,730

We can just run it right over the

top of all these little doers,

482

00:26:04,260 --> 00:26:08,790

put us all kind of little branches

and limbs and things like that.

483

00:26:08,790 --> 00:26:09,210

On here.

484

00:26:10,440 --> 00:26:11,730

Maybe these old trees.

485

00:26:12,525 --> 00:26:13,215

Maybe they're dead.

486

00:26:13,275 --> 00:26:17,765

Maybe we just kept naked

lambs out here there.

487

00:26:20,465 --> 00:26:22,745

If you wanted to put a few

leaves off, you certainly could.

488

00:26:22,865 --> 00:26:23,435

It's up to you.

489

00:26:23,735 --> 00:26:29,945

I think today I'm going to just leave

him sorta hanging around something about

490

00:26:29,945 --> 00:26:36,305

like, something about like, can there.

491

00:26:38,235 --> 00:26:41,115

And you could just take a knife and

here and there and they're in here,

492

00:26:41,774 --> 00:26:44,895

this is great than a few little

sticks and twigs, things like that.

493

00:26:46,215 --> 00:26:47,145

And you're about to the point.

494

00:26:47,145 --> 00:26:48,345

You have a little finished painting.

495

00:26:49,605 --> 00:26:50,554

Hope you try this one.

496

00:26:51,544 --> 00:26:53,615

It'll really, you know, you'll enjoy it.

497

00:26:54,034 --> 00:26:55,685

So give it a try and send me a photo.

498

00:26:55,685 --> 00:26:56,855

Let me see how you do with it.

499

00:26:57,155 --> 00:26:59,524

And from all of us here, I'd

like to wish you happy painting.

500

00:27:00,125 --> 00:27:01,264

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S24E12 - The Footbridge

Bob Ross's

The Joy of Painting

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