Bob Ross's

The Joy of Painting

S17E06 - A Mild Winter'S Day

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Hey, welcome back.

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Certainly glad to see you today.

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I thought today we'd just do a

fantastic little winter scene.

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I think you'll enjoy this one.

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So I'll tell you what, as usual,

let's start out and having run all

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the colors across the screen that

you need to paint along with me

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at home while they're doing that.

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Let me just show you here.

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I've got the standard old canvas up

here and we've just covered it with a

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nice thin even coat of liquid white.

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It's all wet.

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Slick.

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It's ready to go.

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So let's go out today.

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We'll start with a.

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Hmm, the big old two inch brush.

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I'll go right up in here and get a little

touch of the cadmium, yellow, our cat,

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yellow, whatever you want to call it.

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Let's just make a beautiful, warm little.

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Sky up here, just using

a little bit of yellow.

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A lot of times a winter scenes can be

so cold that they're almost distracting.

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So I thought today would make one

that's very warm and very pleasant.

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Okay.

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Now then without cleaning the

brush, go right back into a

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small amount of yellow ochre.

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Just load a little bit into the bristles.

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You don't need much to

sort of tap it in there.

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That's fine.

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Hey, we'll go right into here there, just

to add a little bit of that golden color.

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Like, so wherever you want to tell you

what, let's have some water in here.

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Maybe we'll have a happy

little pond in here.

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What the heck?

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So we'll take the same color.

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Let's take a little bit yellow.

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Come right down here directly below

it and just do something like that.

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Shoot.

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Just have fun.

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Just pull it down.

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Then bacteria, yellow ochre a

little bit on each side more there.

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Everybody knows water is not like that,

unless it's a waterfall, but we'll

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play with it here in just a second.

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I'm going to go right into a little touch

of the bright red, very small amount.

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It's very strong and it'll set your

whole world on fire and just a heartbeat.

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Maybe right out here on the

edge, just a little touch of

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the red, just to make it warm.

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Red's a very, it's a very warm

color makes you feel good.

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Here we go.

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A little bit.

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Maybe on the other side,

we don't want it left out.

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We just sort of blend

all that together there.

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Now then.

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Take a little that red.

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I would just put it right

there on the sides here.

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Like, so see that continually

mixes with the liquid, right.

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It's here and you get this

beautiful blending effect without

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even trying shoot, let the canvas

work, let the liquid white work.

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Painting should be fun.

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And we try to make it fun for you there.

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Just sort of let those

colors blend together.

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Should we have a masterpiece for

the museum of modern art already?

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We can stop right here.

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There.

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We'll call it acid rain.

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That'll be the title of this one.

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Okay.

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Now then.

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I need something in the top up here.

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So let's take tiny, tiny bit

of thalo blue retread appear.

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Get a little bit of black.

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So we have blue and black or black

and blue, whichever you prefer.

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We don't need much color.

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So just a little tap into the bristles.

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There we go.

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And the little crisscross strokes, we'll

just fill in the remainder of this guy.

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They're very nice, sort of a grayish blue

color sort of let that all blend together.

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Now that we can put that here,

whatever let's wash your old brush.

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As the screen in the bottom, I hear that

I scrubbed the bristles against shake them

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off and just beat the devil out of them.

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Now with a clean, dry brush,

just blend this together.

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That brush clean is the most fun

part of his whole technique can

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take out all your frustrations

there very lightly, very lightly.

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Now down here.

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Oh, we want to do here.

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Knock off the excess paint.

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Let's just blend this out.

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Like, so it'll all come together and

then it will begin looking like water.

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When we get a little further into the

painting, we don't know exactly where

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we want the water to be at this point.

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And we really don't care.

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All we're trying to do is just

lay a little color on there.

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Maybe what's your, what's your what's.

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You have an idea.

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Maybe there'll be a nice

bright streak in there.

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So we'll take it.

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What does he use a fan brush here

and just really mash in here a little

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bit of straight titanium white.

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It's really getting tough with it.

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Yeah, go across.

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See that sheen will remain in there.

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It'll be in there when we're all finished

there and it'll be very bright right now.

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It doesn't show up much, but why do

we put some dark colors around there?

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Okay.

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I'm going to take an old,

we use a one inch brush.

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Take the touch of the lizard, Crimson

a little bit of thing, a little blue.

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Like so much more Crimson than

blue proportionately and they

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haven't cleaned the knife off.

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Take our one inch brush,

take a touch of this.

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And maybe we'll just come right along

in here and very gently, very gently.

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It's just rubbing a

happy little cloud here.

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They're just making little circles.

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Okay.

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And we'll use this lavender color because

you can get away with putting it against

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the yellow, without attorney bright green.

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If USDA use pure blue, we'd be

in agony city right now because

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we'd have a bright green sky.

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And in this particular

painting, we don't want that.

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Okay.

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Now we'll take a clean brush, two inch

brush just to rub this a little bit.

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That removes the excess paint.

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It's all we're doing.

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Just sort of blending it together.

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And removing some of

the excess paint there.

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Yeah.

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Then she was old fan brush.

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Ooh, fan brush.

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Okay.

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We'll take some titanium whiten.

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I'll reach down here.

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Be right back.

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Don't go away there.

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Get a little touch of the

bright red doesn't take much.

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It's very strong.

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There we are.

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Just a nice.

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Nice hot pink color.

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Let's go right up in here.

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Now.

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Maybe it's a little highlight lives

right up here on top of this cloud.

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There we go.

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Just a little, just a little,

just to warm this Kaia.

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We did a seascape in this series

that had a sky that started

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like this same basic idea.

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Same basic idea.

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So if you did that one with me,

this one would be a snap for you.

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There all we're doing is just

putting a highlight color on there.

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Maybe, maybe just a happy little thing.

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It floats right along here.

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I don't know.

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I don't know.

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Clouds are so free.

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Just sort of let them go

wherever they want to.

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And we use just the top

corner of the brush.

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Just, just blend that there.

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All we're blending is the

base of the highlight there.

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Round and around and around,

we go nearly RC, just blended,

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blended, blended blended.

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Then we'll fluff it up a little

bit there and very lightly.

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Let's see, it looks like a big circle

of crowds, just floating around.

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They're having a good time.

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It's a very nice and effective little sky.

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I think you'll like it.

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I hope you try that way now then

maybe back in here, there's a

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bunch of little trees and stuff.

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All kinds of happy things.

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Shoot.

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Let me get a, we use a round brush today.

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Let's start out.

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Let me take a little bit of

Vandyke Brown, little dark Sienna,

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shoot, little lizard in Crimson.

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It didn't matter.

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We just mainly looking for a dark color.

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Be right back.

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I had a little bit of white

Intuit, mostly Browns, tap the

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brush firmly into the painter.

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There we go.

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Now that you have to make a big decision.

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This is, this is one of

your first big decisions.

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Decide where your little tree

shapes are going to live.

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I just begin tapping into

some very basic little shapes.

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All we're looking for.

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Basic basic shapes, nothing else.

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Very, very basic.

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We'll come back.

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We'll add some nice highlights.

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This point.

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We're only looking for basic

shapes just to block in color.

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There we go.

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Maybe it goes way over here.

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I don't know wherever you want it to go

make a big decision and drop it in there.

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Can we just take the knife here?

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And there was scraping the indication

branch and a twig and a stick and

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all those little things that live

deep in the trees and the bushes.

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How does she use the same old brush?

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No, go into little yellow.

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Oh, yellow ochre.

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Don't touch the bright red,

little Indian, yellow, but the

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mix, the color on the brush.

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That way you have a multitude of

things happening on the brush.

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Let's go up here.

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And then begin picking out little

individual tree sheets, just tap it

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slightly, slightly above the dark.

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So that way you don't have

any shadows on the top.

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You want the shadows to be

in the tree that on the top,

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maybe this little rascal right here.

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Would work in layers.

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So you have distance and

depth in your painting.

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We don't want this, some old flat thing

laying out here, the distance in here.

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That's what makes your painting stand out?

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Makes it special.

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There we go.

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That'll bit in here, just wherever

you want this whole round brush.

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We'll just jump right in there and make

hundreds of little trees that easy.

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See the depth in here is caused

because you leave dark areas.

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See that dark area.

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So most important.

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It's valuable.

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It's a good friend.

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Don't kill it.

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Take care of it.

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Talk to it.

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Sorry to people.

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Look at you.

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Like you're a little strange.

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Okay.

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You tell them we gave you

permission because you need

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those dark areas in there.

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It's the only way you

make these stand out.

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There we go.

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Yeah.

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Then tell you what shoot.

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Let's get crazy.

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We'll take a two inch brush.

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I'm gonna go right into some titanium.

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White.

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Maybe there's some snow there.

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So we'll just take some white load,

a lot of white onto the large brush.

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You have to make another

major decision here.

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Where does your snow live?

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Maybe, maybe, yup.

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You're right in our world.

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It's going to be right there.

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So I got to do just lay it in now.

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We'll come back and begin blending,

just blend it all together.

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And it'll pick up a little

bit of that yellow and peach

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color and all that in here.

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That's wonderful.

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That is wonderful.

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Don't fight it.

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Use it, use it to your advantage.

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Allow all those colors just

to come together there to

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make your painting beautiful.

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Okay.

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Maybe over in here, he had to start making

some big decisions about where it is.

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Where did she snow live right along there.

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Okay.

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A clean brush and anything that you don't

want, you just pull it straight down and

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it'll blend right in with that color and

just becomes part of the reflections.

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Nah.

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We'll take our knife.

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We'll take least little touch to the

dark CA and a little bit of white, and

261

00:13:11,470 --> 00:13:15,260

I just want a light Brown color there.

262

00:13:15,920 --> 00:13:16,610

Pull it out flat.

263

00:13:16,820 --> 00:13:16,970

Okay.

264

00:13:17,000 --> 00:13:20,000

Across tiniest little roll of paint,

right on the edge of the knife,

265

00:13:20,810 --> 00:13:22,280

decide where your water line is.

266

00:13:23,480 --> 00:13:27,110

And just a very, very

small amount of paint.

267

00:13:27,180 --> 00:13:31,160

A lot of pressure, just

sorta lay in a little, little

268

00:13:31,160 --> 00:13:32,750

indication of a waterline there.

269

00:13:34,709 --> 00:13:36,599

They're just nice little dark color.

270

00:13:39,719 --> 00:13:40,380

There we go.

271

00:13:41,160 --> 00:13:43,290

Now we can take a fan brush if we wanted.

272

00:13:43,890 --> 00:13:47,550

Maybe we'll take a little, the colors

that we use, the reds and yellows.

273

00:13:49,110 --> 00:13:50,130

Just mix them together.

274

00:13:51,060 --> 00:13:56,339

Alexa, maybe they have some little areas

here and there, or there's some little

275

00:13:56,339 --> 00:13:59,310

bushes that grow right down into the snow.

276

00:14:01,320 --> 00:14:05,520

Just make a decision, decide where

they are in Papa man and your world.

277

00:14:05,610 --> 00:14:08,250

You can do anything that you want to do.

278

00:14:08,880 --> 00:14:09,000

Yeah.

279

00:14:09,030 --> 00:14:12,810

Grab that, pull it, blend the

base of it right into the snow.

280

00:14:14,310 --> 00:14:17,040

And it's that easy, that easy.

281

00:14:18,390 --> 00:14:23,070

Now it's time to start making

some big decisions here.

282

00:14:25,410 --> 00:14:26,640

What's on the sides of this.

283

00:14:27,570 --> 00:14:31,230

I went back and told my Browns and

lavender's and whatever color we got

284

00:14:31,320 --> 00:14:34,890

going here, we just tap them right in.

285

00:14:35,580 --> 00:14:37,410

Maybe there's an Ash tree

that lives over here.

286

00:14:39,000 --> 00:14:44,850

All we do again, as we did before a

tapping in a very basic little shape.

287

00:14:46,155 --> 00:14:47,955

Just a very basic little shape.

288

00:14:48,165 --> 00:14:49,485

That's all we're looking for.

289

00:14:53,805 --> 00:14:54,975

We're worried about details.

290

00:14:55,005 --> 00:14:58,995

When we put the highlights in

right now, all we're doing is

291

00:14:58,995 --> 00:15:00,315

painting the back of the tree.

292

00:15:00,345 --> 00:15:01,545

That's a good way to think about it.

293

00:15:01,575 --> 00:15:02,835

We're painting the back of the tree.

294

00:15:04,605 --> 00:15:07,845

We'll put a trunk in this one maybe,

and that'll be the center of the tree.

295

00:15:08,775 --> 00:15:12,135

And then we'll come back and we'll

paint the front of the tree, which is

296

00:15:12,135 --> 00:15:13,515

the highlights or the bright colors.

297

00:15:14,954 --> 00:15:15,704

There we go.

298

00:15:16,574 --> 00:15:20,025

No, I had to make a big decision, maybe

one part of this to be reflection.

299

00:15:20,035 --> 00:15:23,594

So take a large brush, grab

it and pull straight down.

300

00:15:23,925 --> 00:15:26,864

Just pull it down and go straight across.

301

00:15:28,350 --> 00:15:31,140

And we have instant reflections too.

302

00:15:31,180 --> 00:15:31,770

That was fun.

303

00:15:32,640 --> 00:15:34,020

That would be something

on the other side too.

304

00:15:34,530 --> 00:15:35,100

Let's do that.

305

00:15:35,110 --> 00:15:36,660

We'll take some of those same colors.

306

00:15:36,990 --> 00:15:42,630

Tap them into the Brown brush

here, maybe over here and lives.

307

00:15:43,140 --> 00:15:43,949

A big old tree,

308

00:15:47,100 --> 00:15:49,740

big tree sign of a guns

growing on me here.

309

00:15:50,805 --> 00:15:52,605

But that's the beauty

of painting this way.

310

00:15:53,625 --> 00:15:56,525

You just sort of let things

evolve, let them happen.

311

00:15:57,275 --> 00:15:58,055

Don't worry about it.

312

00:15:59,525 --> 00:16:00,515

Don't worry about it.

313

00:16:00,575 --> 00:16:02,045

Just get an idea in your mind.

314

00:16:03,215 --> 00:16:03,815

Let it go.

315

00:16:04,685 --> 00:16:05,885

Drop it in wherever you want it.

316

00:16:06,815 --> 00:16:08,285

Learn to create as you paint.

317

00:16:14,220 --> 00:16:17,550

Okay, right in here

318

00:16:23,610 --> 00:16:26,400

there tell you what, you

know, it's interesting.

319

00:16:27,540 --> 00:16:30,750

In the last series, in the last

series, we showed a little baby out.

320

00:16:30,750 --> 00:16:31,560

I hope you've seen that.

321

00:16:31,560 --> 00:16:32,820

He was about so big.

322

00:16:32,850 --> 00:16:34,650

He was just a little ball of fur.

323

00:16:34,650 --> 00:16:38,880

In fact, I think I remarked that he had

the same hairstylist as I do, because

324

00:16:38,880 --> 00:16:40,140

he was nothing but a ball of fire.

325

00:16:41,055 --> 00:16:45,435

We have got so many cards and letters

asking about that little rascal.

326

00:16:45,975 --> 00:16:49,575

I thought today, well, we took a

trip out to the bird lady's house.

327

00:16:49,635 --> 00:16:51,225

Let me show you how to do it.

328

00:16:51,705 --> 00:16:56,325

And I think you'll enjoy seeing

what's going on with him because

329

00:16:56,325 --> 00:16:57,525

he's no longer a little baby.

330

00:16:57,705 --> 00:16:58,695

Look at this rascal.

331

00:16:59,655 --> 00:17:01,065

He's now a full grown now.

332

00:17:01,694 --> 00:17:03,615

And he is absolutely beautiful.

333

00:17:04,635 --> 00:17:08,175

I sat and talked with him for a little

while and a little nervous getting

334

00:17:08,175 --> 00:17:11,565

into cage or that son of a gun to got

some big toes look at the clause there.

335

00:17:12,285 --> 00:17:15,045

And that was his way of

saying that's enough no more.

336

00:17:17,535 --> 00:17:22,415

And while we were there, we talked with

Diana Shaffer, the bird lady, and she had

337

00:17:22,415 --> 00:17:26,024

allowed us to look at some of the little

creatures that she had and you know,

338

00:17:26,024 --> 00:17:27,885

me, I immediately go for the birds and.

339

00:17:28,830 --> 00:17:30,120

I had to play with a little bird.

340

00:17:30,120 --> 00:17:31,350

This is some little sparrows.

341

00:17:31,680 --> 00:17:35,670

They're just very young, only a week or

two, not even probably a week or two old.

342

00:17:35,670 --> 00:17:38,940

It's probably a few days

old and they were fantastic.

343

00:17:38,940 --> 00:17:41,340

I had to, I had to spend a

couple of minutes with Elman.

344

00:17:42,090 --> 00:17:42,390

Of course.

345

00:17:42,390 --> 00:17:43,380

Give them a little something to eat.

346

00:17:43,560 --> 00:17:46,950

Here's Diana, Diana loves all animals.

347

00:17:47,640 --> 00:17:50,310

She's one of the few people I know

that would take a baby Groundhog

348

00:17:51,030 --> 00:17:54,450

that had been orphaned and take

care of that little rascal.

349

00:17:55,185 --> 00:17:57,854

And she plays with it like a

little kitten and said during this

350

00:17:57,854 --> 00:17:59,024

thing, I think I've ever seen.

351

00:17:59,774 --> 00:18:05,294

And he's very, very cute, very

tame and just, just a joy to play

352

00:18:05,294 --> 00:18:12,824

with this beautiful Hawk hair came

from Alaska and he lost a wing.

353

00:18:12,915 --> 00:18:16,635

I hate to say, this is a wild

Turkey that Diane is raising.

354

00:18:17,385 --> 00:18:19,844

And she has a male and

a female wild Turkey.

355

00:18:20,564 --> 00:18:22,425

Her husband, John is

quite a Turkey Hunter.

356

00:18:23,594 --> 00:18:26,985

Now this everything's not great in life.

357

00:18:27,105 --> 00:18:31,185

And this was a little Robin that

was born with no eyes, he's blind.

358

00:18:31,334 --> 00:18:32,294

So I had to see him.

359

00:18:32,865 --> 00:18:33,794

And here's my little friend.

360

00:18:33,794 --> 00:18:37,544

Again, these little sparrows is some

of the cutest little things and nothing

361

00:18:37,544 --> 00:18:40,125

but mouth and they eat continually.

362

00:18:40,935 --> 00:18:42,284

It'll certainly give you something to do.

363

00:18:42,284 --> 00:18:43,605

If you're taking care of one of those.

364

00:18:44,910 --> 00:18:45,150

Yeah.

365

00:18:45,180 --> 00:18:45,810

Oh, Hutto.

366

00:18:45,810 --> 00:18:52,050

He's he's grown by the time you see

this show, he will have been turned

367

00:18:52,050 --> 00:18:54,510

loose and you'll be long gone.

368

00:18:54,600 --> 00:18:57,030

He's probably by the time you

see this, he'll probably have a

369

00:18:57,030 --> 00:19:01,170

little condo in Miami and house

payments of BMW in the driveway.

370

00:19:02,250 --> 00:19:06,900

It'd be like the rest of us all

trapped with responsibilities.

371

00:19:06,900 --> 00:19:11,430

He may even have children of his own and

just using a little bit of Brown here.

372

00:19:12,130 --> 00:19:15,120

Little paint, thinner, putting

in some little tree trunk

373

00:19:15,120 --> 00:19:18,300

indications back here far, far away.

374

00:19:19,710 --> 00:19:20,190

Okay.

375

00:19:21,270 --> 00:19:23,220

Tell me what we need a

little snow under there.

376

00:19:23,220 --> 00:19:24,570

So I'll just take out a big brush.

377

00:19:25,620 --> 00:19:26,340

Come right in here.

378

00:19:27,150 --> 00:19:32,760

Maybe there's a little, little

snowy area right there, right there.

379

00:19:32,880 --> 00:19:34,500

Just sort of drop it in

wherever you want it.

380

00:19:34,800 --> 00:19:35,610

And don't worry about it.

381

00:19:35,610 --> 00:19:36,120

Anything.

382

00:19:36,510 --> 00:19:37,830

They didn't come out just right.

383

00:19:38,610 --> 00:19:41,340

All you have to do is turn it

into part of the reflections.

384

00:19:42,240 --> 00:19:45,690

Just take a clean brush,

grab it and pull down.

385

00:19:46,800 --> 00:19:51,420

And that easy turns it into

just instant reflections.

386

00:19:52,410 --> 00:19:54,000

It becomes very pretty in your painting.

387

00:19:55,530 --> 00:19:58,440

A little bit of the Brown

had a little land in there.

388

00:20:00,150 --> 00:20:02,790

There we go.

389

00:20:03,390 --> 00:20:03,870

Take you out.

390

00:20:03,900 --> 00:20:04,650

Let's get crazy.

391

00:20:05,580 --> 00:20:10,470

Maybe that comes right on out here,

wherever you want it and your world, you

392

00:20:10,470 --> 00:20:14,460

just sort of make a big decision and drop

it in to where ever you want it to be.

393

00:20:15,480 --> 00:20:16,980

That's exactly where it should be.

394

00:20:18,750 --> 00:20:19,440

There we go.

395

00:20:21,600 --> 00:20:23,760

Now then bring it right on down.

396

00:20:23,850 --> 00:20:26,730

So it just goes, I don't know if

the canvas, she would probably

397

00:20:26,730 --> 00:20:27,450

get that going to school.

398

00:20:27,450 --> 00:20:28,140

And the other side here.

399

00:20:28,800 --> 00:20:30,450

I need a little snow right in here.

400

00:20:31,830 --> 00:20:35,700

Once again, don't worry about it being

perfect because anything that you don't

401

00:20:35,700 --> 00:20:38,670

like, you just grab it, go straight down.

402

00:20:38,910 --> 00:20:43,530

And it becomes part of the

reflections that happy accidents

403

00:20:44,010 --> 00:20:45,300

they ended up being very pretty.

404

00:20:46,860 --> 00:20:47,879

Very very pretty.

405

00:20:48,090 --> 00:20:49,229

I'm finding all round brush.

406

00:20:49,229 --> 00:20:55,409

Here we go back to some of her colors,

yellows, yellow ochre, and all those

407

00:20:55,959 --> 00:20:57,240

little bright red here and there.

408

00:20:57,270 --> 00:21:01,439

Little Indian, yellow, very

subdued, just a few little

409

00:21:01,439 --> 00:21:02,909

things happening back in here.

410

00:21:03,600 --> 00:21:04,139

There we go.

411

00:21:06,945 --> 00:21:08,115

But I want this very subdued.

412

00:21:08,115 --> 00:21:09,225

I'm gonna put a tree in front of it.

413

00:21:09,225 --> 00:21:09,555

I think.

414

00:21:09,555 --> 00:21:09,705

So.

415

00:21:09,705 --> 00:21:14,135

I want this to be quiet, but as

far back in there, there we are,

416

00:21:18,625 --> 00:21:21,095

see there's a little Bush

who's right out here.

417

00:21:21,635 --> 00:21:23,045

And his son's playing across him.

418

00:21:24,660 --> 00:21:27,090

It's a nice place to live everywhere here.

419

00:21:27,450 --> 00:21:31,530

Another one in your world, you

just decided however many you

420

00:21:31,530 --> 00:21:33,330

want make layers of them though.

421

00:21:33,330 --> 00:21:38,370

That's what gives you painting

depth and distance at all those

422

00:21:38,370 --> 00:21:39,480

little things just happen.

423

00:21:41,730 --> 00:21:43,740

There we are caves.

424

00:21:43,740 --> 00:21:44,820

Go on the other side over here.

425

00:21:45,960 --> 00:21:47,520

We don't want this tree left out.

426

00:21:48,870 --> 00:21:52,050

Take the liner, brush a little paint,

thinner, a little bit of the Brown.

427

00:21:53,175 --> 00:21:57,435

Just pull in the indication of a little

trunk and this is, it helps here.

428

00:21:57,435 --> 00:22:00,465

If you, if you had a little nervous,

let your hand sort of wiggle and

429

00:22:00,465 --> 00:22:04,635

jiggle that way you end up with a

tree that has some character to it.

430

00:22:04,635 --> 00:22:10,475

It's just not an old

street orange tree there.

431

00:22:12,785 --> 00:22:12,995

Okay.

432

00:22:13,115 --> 00:22:17,015

Well, I really hope you enjoyed seeing

hoot and the other little creatures.

433

00:22:18,755 --> 00:22:20,495

We, as I say, we have got so many.

434

00:22:21,255 --> 00:22:25,365

So many cards and calls wanting

to know about hoot and how he did.

435

00:22:26,085 --> 00:22:26,865

Was he, okay.

436

00:22:27,285 --> 00:22:29,655

I just wanted to show

you how he's doing today.

437

00:22:31,725 --> 00:22:35,115

He is one of the most beautiful

creatures I've ever had the honor of

438

00:22:35,295 --> 00:22:37,935

knowing and showing you on the program.

439

00:22:39,585 --> 00:22:43,065

And I feel sort of like, he's sort

of like these one of mine because

440

00:22:43,065 --> 00:22:48,225

I watched him grow up and hopefully

I'll get to see him released.

441

00:22:49,500 --> 00:22:56,970

All field go and people like the bird

lady here, they devote a tremendous

442

00:22:56,970 --> 00:22:59,730

amount of their time and energy

to taking care of these creatures.

443

00:23:00,810 --> 00:23:01,770

And she's not paid.

444

00:23:02,310 --> 00:23:04,110

She does all this out of her own pocket.

445

00:23:06,730 --> 00:23:08,280

The world needs people like that.

446

00:23:08,610 --> 00:23:09,270

They're special.

447

00:23:10,890 --> 00:23:11,970

They're special.

448

00:23:15,350 --> 00:23:15,920

There we go.

449

00:23:15,950 --> 00:23:16,940

A little Brown down here.

450

00:23:20,590 --> 00:23:20,770

Yeah.

451

00:23:22,460 --> 00:23:25,190

Pick your little fan brush and we

can pop in a few little things here

452

00:23:25,190 --> 00:23:26,780

just to break up that straight line.

453

00:23:27,200 --> 00:23:28,550

So it's not quite so boring.

454

00:23:31,820 --> 00:23:36,860

Take a knife, put in some sticks and

some twigs and all those happy little

455

00:23:36,860 --> 00:23:38,570

things that you would have in your world.

456

00:23:39,470 --> 00:23:40,160

Some over here.

457

00:23:42,410 --> 00:23:45,860

And normally these little sticks and twigs

go into dark areas, not the light areas.

458

00:23:45,920 --> 00:23:47,180

They go in the dark areas.

459

00:23:49,410 --> 00:23:53,520

And you know me how he's

like, he's big trees.

460

00:23:53,550 --> 00:23:54,480

I get in more trouble.

461

00:23:54,480 --> 00:23:58,410

These big trees, sometimes director

comes out here and yells at me for

462

00:23:58,410 --> 00:23:59,820

waiting till the last minute to do this.

463

00:23:59,820 --> 00:24:01,710

But I like big trees.

464

00:24:01,710 --> 00:24:03,750

And if you don't want this in your

painting, don't worry about it.

465

00:24:03,840 --> 00:24:04,350

Leave it out.

466

00:24:05,460 --> 00:24:08,610

I think there would be a

big tree right here though.

467

00:24:09,000 --> 00:24:14,430

I like these trees and paintings

because they push everything back.

468

00:24:16,395 --> 00:24:18,135

Just makes your perspective different.

469

00:24:18,915 --> 00:24:22,425

I think it's very exciting to

have these in and it's also,

470

00:24:23,535 --> 00:24:25,065

it's also your brave retest.

471

00:24:26,265 --> 00:24:28,935

Can we take a little touchy, white,

at least little touch and dark

472

00:24:28,935 --> 00:24:32,925

CNN it, and let's just go along

here and let the knife just tap.

473

00:24:33,195 --> 00:24:33,705

Just tap.

474

00:24:34,395 --> 00:24:36,225

The canvas will take off what it wants.

475

00:24:37,155 --> 00:24:37,755

Give you back.

476

00:24:37,755 --> 00:24:38,415

What's left.

477

00:24:39,045 --> 00:24:40,005

It's all you have to do.

478

00:24:41,295 --> 00:24:43,305

Let the knife and the canvas work.

479

00:24:45,210 --> 00:24:46,110

Let it work.

480

00:24:46,830 --> 00:24:47,370

There

481

00:24:50,550 --> 00:24:50,910

we go.

482

00:24:51,440 --> 00:24:55,940

I'm going to try put some, some more

pictures of, of who to in her newsletter.

483

00:24:56,360 --> 00:24:59,780

So you can see, see him from the

time he was just a little baby

484

00:25:00,290 --> 00:25:01,550

till the time he's released.

485

00:25:02,630 --> 00:25:04,670

So maybe you'll get a

chance to see him in there.

486

00:25:05,150 --> 00:25:10,400

We'll take a little touch of the thing,

a little blue and white, quite dark.

487

00:25:10,935 --> 00:25:14,145

And I'm just going to indicate a

little shadow of reflected light

488

00:25:14,265 --> 00:25:20,835

on the opposite side, a little

dark right in there, Vandyke Brown.

489

00:25:23,265 --> 00:25:25,575

We'll add all that in just by tapping.

490

00:25:25,635 --> 00:25:29,085

It'll all blend together and you can

make it as dark or as light as you want,

491

00:25:29,625 --> 00:25:34,245

but that creates that illusion of around

this in your tree that helps create it.

492

00:25:35,355 --> 00:25:35,985

Okay.

493

00:25:36,375 --> 00:25:37,695

Find my liner brush here.

494

00:25:38,145 --> 00:25:38,655

There it is.

495

00:25:39,375 --> 00:25:40,305

I have to watch his brushes.

496

00:25:40,305 --> 00:25:41,655

Sometimes they sneak off on you.

497

00:25:43,385 --> 00:25:45,635

They're little paint,

thinner, a little Brown.

498

00:25:47,195 --> 00:25:51,245

Now then maybe, maybe there's

an arm on this old tree lifts

499

00:25:51,695 --> 00:25:54,905

right there, just an old arm.

500

00:25:56,555 --> 00:25:58,805

And this has done with

an extremely thin paint.

501

00:25:59,165 --> 00:26:02,825

When you do this, if you have trouble

making it slide across the canvas.

502

00:26:03,585 --> 00:26:05,385

Chances are, it's not thin enough.

503

00:26:05,655 --> 00:26:09,345

Add some more paint thinner

and it'll work for you.

504

00:26:10,965 --> 00:26:11,595

There we go.

505

00:26:11,955 --> 00:26:13,185

Maybe here and there.

506

00:26:13,185 --> 00:26:18,075

There's just the indication that Nolan

liquid black works extremely well for just

507

00:26:18,525 --> 00:26:20,235

laying in a little tree lamps and stuff.

508

00:26:20,235 --> 00:26:21,435

Let's take some dark paint.

509

00:26:21,525 --> 00:26:26,355

We'll just use some black and some

blue and some Crimson, whatever.

510

00:26:28,905 --> 00:26:33,225

Round brush we'll tap in

some nice lens up in here.

511

00:26:34,995 --> 00:26:35,815

There we go.

512

00:26:36,395 --> 00:26:39,845

This dark is only, so our lighter

color will show up when we put it

513

00:26:39,845 --> 00:26:43,325

in not much, I don't want to lose

all that nice background that we

514

00:26:43,325 --> 00:26:44,315

worked so hard to get in there.

515

00:26:45,365 --> 00:26:45,635

Okay.

516

00:26:45,695 --> 00:26:47,435

I'm going to dip the

brush into liquid white.

517

00:26:48,005 --> 00:26:51,455

So another round brush and then

go into my yellows and all that.

518

00:26:52,115 --> 00:26:53,075

Just tap color.

519

00:26:54,305 --> 00:26:57,155

And with that, let's put

a few highlights on here.

520

00:26:58,320 --> 00:26:58,920

Shoot.

521

00:26:58,920 --> 00:27:01,980

I think we're about, about to

have a finished painting here.

522

00:27:02,760 --> 00:27:03,960

I hope you've enjoyed this one.

523

00:27:05,160 --> 00:27:07,970

I also hope you enjoyed seeing

hoot and all of his friends.

524

00:27:09,440 --> 00:27:11,120

And I look forward to

seeing you next time.

525

00:27:11,510 --> 00:27:13,940

Neil Clark on the world tells

me a better levy for the day.

526

00:27:15,050 --> 00:27:17,600

So we'll call this one, finished, try it.

527

00:27:18,110 --> 00:27:20,180

I believe you'll like

it from all of us here.

528

00:27:20,300 --> 00:27:21,050

Happy painting.

529

00:27:21,440 --> 00:27:22,460

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S17E06 - A Mild Winter'S Day

Bob Ross's

The Joy of Painting

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