Bob Ross's

The Joy of Painting

S19E07 - Covered Bridge Oval

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Hey, welcome back.

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Certainly glad you could join me today.

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I thought today we'd do the little, the

little painting that you see that at

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the beginning of each show, the little.

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And the little covered bridge.

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So I tell you what, let's start

out, having run all the colors

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across the screen that you need to

paint along with me, and they'll

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come across as usual in the same

order as I have them on the pallet.

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So tell you what, let me tell you

what I've already done up here.

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I've got my standard old pre stretched

canvas up here and I've just taken and

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cut an oval out of a piece of contact

paper and just stuck it on there.

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Then I've covered the center of

it with liquid white and it's

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wet and slick and ready to go.

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So let's just have a good time today.

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Let's start maybe with a little small,

small amount of the CAD yellow, and I'm

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gonna put a little tiny, tiniest little

amount of the yellow ochre in with it.

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Tiny little bit of color, and let's

go right up in here and up in the sky.

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Let's just put in a little

bit of that yellow color.

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Now we want to do a scatter day.

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That's very nondescript.

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It just, it doesn't pull your eye away

from the center of interest, but we

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do need something in the background.

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So this is a simple way of doing a very

nice little sky that you won't even

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notice is in the painting when it's done.

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Okay.

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I need the brush.

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That's going to a very, very small

amount of the midnight black.

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It takes very little.

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Just a tiny bit there.

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That's good.

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Let's go back up here and right at the

top, we'll put in a little bit of that

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black color and just let it blend right

down into the red, into the yellow ochre

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and CAD yellow that we have on here.

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It's very quiet there.

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Tap in indication of a little,

little stringy cloud here and there.

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But once again, if this gets too much

going on, it's going to, it's going

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to distract you from the main interest

in this, but issues at same old brush.

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Heck we go right into a

little bit more of that black.

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Very very small amount.

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Now you could do this with a

round brush or one inch brush.

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I'm going to use a two inch since

I have it tap a little bit of color

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right into the top bristles here.

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We want to make some little trees that

are far back here in the distance,

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middle back, ground shrubbery.

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So basically all we're doing.

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Just some little background

things like so very, very quiet.

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Non-descriptive once again, you

should hardly even notice these

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are in the painting, but you need

something back there behind you.

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A little covered bridge there.

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That'll touch more on color and

wherever you want them there, where

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we filmed the show was in Indiana.

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There's a lot of beautiful

covered bridges here in Indiana.

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In fact, I've worked at that's

demonstrations that a couple of covered

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bridge festivals that they have here.

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Give us just some very subdued

little indications, right?

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Her right.

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Let's take, let's take

the old liner brush.

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I won't take the least, least amount.

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The dark Sienna on the line

of brush and this paint should

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be thin like ink or water.

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Very, very thin.

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I don't want much color in it.

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Turn the bristles.

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That brings them to a nice sharp point.

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Here we are.

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Let's go up here and maybe here

and there in our world, we're going

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to put the indication of just a

little stick in a twig and a trunk.

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And you know, those little things in here.

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Don't worry about a lot of detail.

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Just want the indication

here and there, wherever.

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There.

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Okay.

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And I'd quickly, we've

really got all we need.

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If we get too much more, it's going

to distract the eye and that's

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not what we're looking for today.

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We want this to be very

subdued and very quiet there.

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Now we had a little snow in that painting.

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Let's take well, I'm

using the same old brush.

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I had such a small amount of color on it.

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We can go right into the

white and it won't even show.

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Let's go right back in here and decide

we've got the titanium white on the brush.

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Let's decide maybe who

are where the snow is.

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Just grab it and pull

somewhere right over in here.

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There's a little stream because that's

the reason there's a covered bridge there.

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So remember that the lay of the land

is probably going to go down like that.

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So that should to always be in your

mind when you're putting the sand.

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It doesn't show much now, but

as we put other colors in there,

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then it'll begin to show on this.

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Hi, maybe it comes over and

drops down over here somewhere.

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But all we're doing is just

basically applying a little bit

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of white fall into the canvas.

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There.

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Okay.

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And we'll worry about

fixing that all later.

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It's just that we want this behind the

bridge, so we need to put it in first.

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Now, then at this point, I'm going to take

and start scraping out a basic idea of

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where this covered bridge is going to be.

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Maybe he's going to live

right in here somewhere.

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That'll be as.

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Ruth over in here, they're kind of split

Eve on the far side, it's just like making

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a big cabin, something like, so maybe if

I put a little tiny, tiny bit of color

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on the knife, you can see that better.

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I can see it here, but I don't know

if you can see it at home on the TV.

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Maybe it comes right out something

like, so the only reason we're doing

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this it's because I'm going to put

some big, huge evergreens in here.

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And I don't want that color

to get up here on the roof.

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That's going to be quite covered

with snow, because if it does, then

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you don't end up with green snow.

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That's the only thing that's worse

than yellow, snow green, snow.

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So you could just go right on like yes.

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And, and lay in the whole basic idea.

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The little bridge here we are

now, then let's go back in here.

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I'll take some black, let's use some

pressure and blue Prussian blue, very

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strong, dark color, little Vandyke,

Brown, even a little lizard in Crimson.

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We'll just mix all that in there.

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There we are.

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Can we clean off my knife?

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Just wipe the knife on.

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On the old paper towel there

slowed the fan brush full of color.

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And notice I did not put any green in this

at this point, because once again, I do

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not want a lot of green in this painting.

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Now, then we have our basic structure.

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I think we had one tree

that was about here.

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So you can, you can put

in a center line now.

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Push upward with a brush.

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These are great big full trees.

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So push upward there, create all those

beautiful branches that stick out here.

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Push quite firmly and think

about the individual branches.

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Just protrude out from

the side of the tree.

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Now we're getting close here, so just

sort of work around it doesn't matter

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if you get a little in there, but we

don't want this whole big GABA color.

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Stuck right out here on our building

a little bit up in here, there isn't a

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supernatural way of making a big old tree.

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It's very easy.

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You can do this.

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Just push it up there.

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Kay.

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We need for this tree to have a friend,

let's say this friend lives right there.

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Once again, push upward there.

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I like this painting because it's

dark, dark contrast here stands out

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like a sore thumb, and that's what

makes your painting interesting.

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The play of light against dark and dark

against light and on and on and on.

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That's what really makes

your painting special.

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Now we can take a little touch of white

little dark Sienna mixed in it, and we can

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go up here and we'll put the indication

of a little trunk here and there.

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See, that's all you need.

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So really all we need.

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Now, if we wanted to put a little green

on here, what we'll do, I just leave

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us dark color on the fan brush and I'll

go right into, so the yellow ochre and

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little kid yellow, but I don't know.

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I want a lot of green in this painting.

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Once again, winter scenes, I try to

avoid a lot of them green, but it's a

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very, very dark green, very dark green.

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Now we can go in here and just pop in.

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Pushing upward the same way,

a few highlights on these.

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Don't overdo them once again, you'll lose

that beautiful, beautiful darkness that's

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here and with a painting that has snow and

it, and all this much white it's this dark

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that really makes these trees stand out.

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They're on this whole tree.

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Phew.

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They're like, so there we are.

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Okay.

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I think that's about all

we need on that shoot.

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Now, then we can take our brush that has

the white on it, and we'll come right

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down here at the bottom of this big tree.

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And I want to pull a little touch

of that color, very small amount

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of it out and think about the angle

here that we had for our snow.

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Just a small amount of that color.

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So it looks like is a

shadow under that tree.

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There it is because the canvas is wet.

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You can move that.

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Okay.

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Let's go back in here and begin adding in.

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And he, and all of our Browns and stuff,

and all we're doing here is just, just

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laying in color, just laying in color.

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Yeah.

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Okay, now then we can come right

down to, this is where the fun

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starts, because this, you could do

any old way that you want to do.

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You're really just blocking it in here.

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Just throw it in to those, throw it in.

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All right.

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Yeah.

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Then decide where the front of this is.

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Hey, we'll just do a bridge ectomy.

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So he comes right across, like yet it

gives us a basic shape for a bridge.

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Now, then this is going to

be the side of the bridge.

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We'll start filling it in

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there.

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Just pull it down.

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Now we'll go back to here, pull that down.

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Now we need the bottom of this to

be nice and straight and smooth.

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So for that, I'm going to touch it and

pull up, or sort of have an idea of where

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the bottom is, touch it and pull there.

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Okay.

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That gives us a nice straight

edge along the bottom.

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Then all we have to do it

was just sort of fill it up.

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Fair.

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Okay.

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Now underneath that, we had some very

dark color because there's some stones and

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stuff under here that hold all that up.

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It comes under something like,

so, and then we had a little

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water under here that's reflected

right down into the water.

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So you can just continue that.

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This is basically just

Vandyke Brown there.

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And our water's going to live

right along in here somewhere.

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I don't know exactly yet.

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Somewhere right along here.

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Yeah.

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There, like whatever's going to be water.

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We'll just grab the big brush

and pull that straight down and

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that'll end up being our water area.

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Okay.

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Gently go across.

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And we already is beginning to

have that impression of water.

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Okay.

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See, maybe this brings out a little

further here and there's a bank over on

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the side and it sort of comes around.

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All right.

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Yeah.

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Then we can start having

some real fun here.

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I want a dark in that one

area a little bit underneath.

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Ooh, that's much better.

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I like it better.

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See, now you can see that reflection.

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Okay.

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Let's make this a combination of some

bright red of dark Sienna, a little

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touch of yellow ochre and maybe a

little bit of white, but don't, overmix

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it leave it sort of marble like that.

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Take our little rule of paint

and let's go right up here.

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And just touch and begin pulling down

very gently, very, very gently there.

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And from down here, I'm going to gently

do the bottom and pull up once again.

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I need a nice straight edge at the bottom

here, so I don't want to lose that.

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Just sort of pull it up, just

like, so see, grab it and go up.

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Or you can go either direction.

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Upward, downward.

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They're little from here in town.

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Nah, it's up to Mike.

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So I'm to take just a touch, the yellow

ochre, just highlighted here and there

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may be a little touchy white here.

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Oh, that's nice.

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That's nice.

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That looks like old wood already.

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Older wood.

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Leave it.

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Old looking like that.

246

00:14:04,710 --> 00:14:05,460

Don't overdue.

247

00:14:06,300 --> 00:14:09,000

Now then on the other side, I'm

going to have the same color moment.

248

00:14:09,000 --> 00:14:13,070

I had a little dark, uh, I mean,

Vandyke Brown to it, to dull it.

249

00:14:13,490 --> 00:14:21,110

I want this side to be less bright,

not as bright as the other there.

250

00:14:23,570 --> 00:14:25,160

Just pull it down, let it break.

251

00:14:25,160 --> 00:14:26,450

Just like you're painting mountains.

252

00:14:27,860 --> 00:14:28,670

So all there is to it.

253

00:14:32,870 --> 00:14:35,240

We had a, you got to have an

entranceway to get in here.

254

00:14:35,600 --> 00:14:40,250

So basically figure out where

that's at and we can just begin

255

00:14:40,250 --> 00:14:42,050

scraping and I'll tell you what,

I'm going to get the little knife.

256

00:14:42,050 --> 00:14:42,710

I like it better.

257

00:14:42,710 --> 00:14:43,790

It gets in these little areas.

258

00:14:44,540 --> 00:14:46,310

We got a door like, so it comes over.

259

00:14:49,400 --> 00:14:50,090

There we go.

260

00:14:53,400 --> 00:14:54,329

Here's a doorway.

261

00:14:55,369 --> 00:14:57,229

Now we need to fill it

up full of dark color.

262

00:14:57,290 --> 00:15:01,339

So it looks like it's very

dark inside there, but a lot

263

00:15:01,339 --> 00:15:02,239

of lights going to get him.

264

00:15:07,609 --> 00:15:08,390

Okay.

265

00:15:12,189 --> 00:15:12,390

Okay.

266

00:15:13,189 --> 00:15:13,430

Well, yeah.

267

00:15:13,729 --> 00:15:14,280

Let me see here.

268

00:15:14,380 --> 00:15:18,170

I had a little yellow ochre,

little tattoo Brown and white.

269

00:15:18,170 --> 00:15:19,939

We'll make the side

there so you can see it.

270

00:15:21,405 --> 00:15:25,185

See a little cross the top

there, just a little outlet.

271

00:15:25,995 --> 00:15:27,255

Now you got an entranceway.

272

00:15:28,785 --> 00:15:29,954

I want a window back here.

273

00:15:31,155 --> 00:15:33,645

So to make a little window

back here, I'm just going to

274

00:15:33,645 --> 00:15:36,704

take and pull, just pull it up.

275

00:15:37,635 --> 00:15:39,735

There is our little window right there.

276

00:15:42,015 --> 00:15:44,025

Just like, so you can

see right through that.

277

00:15:44,444 --> 00:15:47,865

And they have a little window that

we take a little of our highlight

278

00:15:47,865 --> 00:15:49,635

color and just go around the edges.

279

00:15:51,345 --> 00:15:56,765

There now let's take a

little van Dyke Brown.

280

00:15:57,665 --> 00:16:01,535

And in here, I want to make us

look like old board's taste.

281

00:16:01,535 --> 00:16:02,785

Take a little Brown and touch here.

282

00:16:07,475 --> 00:16:08,135

There we are.

283

00:16:12,395 --> 00:16:13,685

Let's have some windows out here.

284

00:16:14,045 --> 00:16:15,425

Let's have one right here.

285

00:16:16,775 --> 00:16:17,525

Just pull it down.

286

00:16:19,065 --> 00:16:23,805

I think so now in my mind, in this

window here, you couldn't see anything.

287

00:16:24,105 --> 00:16:27,735

There would be no light, hardly

coming through it because

288

00:16:27,735 --> 00:16:28,845

it's dark right in there.

289

00:16:29,835 --> 00:16:33,185

Now that maybe we'll I have a second

wind, a lot of these whole covered

290

00:16:33,185 --> 00:16:35,615

bridges have windows in them.

291

00:16:35,675 --> 00:16:41,135

Maybe there's another, the one

here, but now in my mind, because

292

00:16:41,135 --> 00:16:43,835

you're looking through a sort of

an angle there, you would see a

293

00:16:43,835 --> 00:16:45,035

little bit of light coming through.

294

00:16:45,065 --> 00:16:47,495

So we'll just a little light in there.

295

00:16:48,240 --> 00:16:49,350

Little light in my window.

296

00:16:51,240 --> 00:16:54,300

It was hit a light in my window

and not what everybody wants.

297

00:16:56,470 --> 00:16:59,000

Leaner, man.

298

00:17:01,640 --> 00:17:02,930

Let's put some snow on the roof.

299

00:17:03,380 --> 00:17:08,329

If it's winter time, there's going

to be a little snow there now,

300

00:17:08,390 --> 00:17:09,920

which has come right along here.

301

00:17:10,369 --> 00:17:12,619

So this is the reason we didn't

want to get those trees all

302

00:17:12,619 --> 00:17:15,740

down and in the roof area.

303

00:17:16,875 --> 00:17:19,875

Cause when we pulled the snow

down with ended up with a

304

00:17:19,875 --> 00:17:21,885

tremendous amount of this color.

305

00:17:22,665 --> 00:17:26,235

So be sort of careful there when

you do that, make you unhappy.

306

00:17:26,235 --> 00:17:30,465

If you end up with a bright green

roof on your covered bridge and they

307

00:17:30,465 --> 00:17:34,575

have very gently following the angles,

you can just pull that right down.

308

00:17:34,575 --> 00:17:36,915

This whole knife will do

fantastic things for you.

309

00:17:38,235 --> 00:17:39,735

Just follow those angles though.

310

00:17:41,815 --> 00:17:42,195

Yeah.

311

00:17:48,195 --> 00:17:54,185

Okay, right on down a little more color.

312

00:17:54,215 --> 00:17:57,274

Now you can take a knife and just

start to smooth that all out.

313

00:17:59,284 --> 00:17:59,915

All right.

314

00:18:00,455 --> 00:18:00,784

Good.

315

00:18:02,345 --> 00:18:02,855

That easy.

316

00:18:02,855 --> 00:18:05,105

You can make a nice snow covered roof.

317

00:18:05,105 --> 00:18:06,065

When you covered bridge.

318

00:18:06,815 --> 00:18:07,294

What does that say?

319

00:18:07,294 --> 00:18:12,935

It's basically just like making a cabin

only big, certainly as a big cabin.

320

00:18:14,895 --> 00:18:19,785

Nah, we could take a little bit of our

dark color and just very carefully fill

321

00:18:19,785 --> 00:18:26,325

in these little areas here that, so

the tree fits right up against, sir.

322

00:18:27,705 --> 00:18:28,635

Can you look at that?

323

00:18:30,015 --> 00:18:30,645

Take her knife.

324

00:18:30,675 --> 00:18:34,935

Then we're put a little snow on

this side of the roof and that

325

00:18:34,935 --> 00:18:41,685

brings it all together at easy,

easy, have a very nice little thing.

326

00:18:43,379 --> 00:18:43,770

There.

327

00:18:45,690 --> 00:18:46,260

All right.

328

00:18:47,160 --> 00:18:52,940

Now, then over here, let's have some

stones that hold all this up for that.

329

00:18:52,940 --> 00:18:55,580

I'll just take some white, a

little bit of midnight, black.

330

00:18:55,670 --> 00:18:55,910

Okay.

331

00:18:59,060 --> 00:19:01,580

A little tiny touch to fellow blue.

332

00:19:01,670 --> 00:19:06,530

Not much, not much, mostly black and

white, maybe a little tight there.

333

00:19:06,530 --> 00:19:07,460

That's what I'm looking for.

334

00:19:07,520 --> 00:19:08,080

Something like.

335

00:19:09,465 --> 00:19:12,795

Now take the little edge of the knife

and let's just put in the indication

336

00:19:12,795 --> 00:19:17,865

here of a few little stones on

basically straight across the front.

337

00:19:19,585 --> 00:19:20,655

He's just dropped them in.

338

00:19:21,945 --> 00:19:24,795

I can't and make them

sort of different sizes.

339

00:19:24,795 --> 00:19:28,754

Who'd when these old covered bridges

were built, they'd use whatever size

340

00:19:28,754 --> 00:19:30,525

stone they happened to be laying around.

341

00:19:34,395 --> 00:19:35,175

Over in here.

342

00:19:35,205 --> 00:19:36,405

We'll just put the indication.

343

00:19:36,405 --> 00:19:37,725

This is in shadow underneath.

344

00:19:38,520 --> 00:19:40,800

So you're not going to see

many stones on here, though.

345

00:19:40,800 --> 00:19:46,670

You might get the impression here

and there one or two, maybe even the

346

00:19:46,670 --> 00:19:47,990

least little touch of yellow ochre.

347

00:19:47,990 --> 00:19:50,660

Cause there'd be a little light

coming through side over there.

348

00:19:52,190 --> 00:20:01,550

They're just enough to spark

the little they're very nice.

349

00:20:02,840 --> 00:20:03,470

Okay.

350

00:20:05,685 --> 00:20:10,025

And if you want to really make that

look like stones, take our liner brush.

351

00:20:10,025 --> 00:20:13,625

And we're going to a little bit of

titanium, white, dark Sienna mixed

352

00:20:13,625 --> 00:20:19,295

together, and a little black put some

black in there to gray it down real.

353

00:20:19,355 --> 00:20:20,435

Ooh, there we are.

354

00:20:20,495 --> 00:20:21,335

That's what I'm looking for.

355

00:20:22,655 --> 00:20:23,825

That's what we're looking for.

356

00:20:23,825 --> 00:20:24,065

Okay.

357

00:20:24,095 --> 00:20:24,695

Let's go up here.

358

00:20:25,175 --> 00:20:28,805

Then you take Atlanta brush and just sort

of very quickly go around each stone.

359

00:20:29,855 --> 00:20:33,065

And that will give you the illusion

of stones that are put together.

360

00:20:34,770 --> 00:20:35,250

There

361

00:20:38,459 --> 00:20:41,300

now this one's been in the opening

of every show in this series

362

00:20:41,870 --> 00:20:43,370

with a little cartoon character.

363

00:20:43,699 --> 00:20:46,070

You know, it takes a couple of minutes

to paint it, but it takes a lot of

364

00:20:46,070 --> 00:20:49,159

fantastic people, a long time to

make that beautiful little opening.

365

00:20:49,159 --> 00:20:51,320

So I really hope you enjoy it.

366

00:20:53,389 --> 00:20:54,020

I hope you enjoy.

367

00:20:54,020 --> 00:20:56,090

I hope you like that little

cartoon character too.

368

00:20:57,139 --> 00:20:57,820

I hope you like it.

369

00:20:58,090 --> 00:20:59,570

We're thinking about making maybe.

370

00:21:00,195 --> 00:21:03,285

Full length cartoon out of him,

turned him loose on the world.

371

00:21:03,855 --> 00:21:05,175

If you'd like to see that, let me know.

372

00:21:06,405 --> 00:21:09,885

I'd be interested in knowing if you'd like

to see my young friends, especially if

373

00:21:09,885 --> 00:21:11,595

they'd like to see cartoons made with him.

374

00:21:12,275 --> 00:21:18,575

Let's come right up in here and grab

this and we'll take least little touch

375

00:21:18,575 --> 00:21:20,255

of the black, mostly titanium white.

376

00:21:20,885 --> 00:21:20,975

Okay.

377

00:21:21,005 --> 00:21:22,655

And we'll put a little

shadow over in here.

378

00:21:22,685 --> 00:21:26,945

You need that shadow so you can put

a layer of white right here and it'll

379

00:21:26,945 --> 00:21:29,165

show now we'll take pure titanium white.

380

00:21:30,135 --> 00:21:33,405

And we'll make the other side see

now because you have that shadow

381

00:21:33,405 --> 00:21:38,655

that stands out and bring it red

on down, almost down to the water

382

00:21:38,655 --> 00:21:41,955

there, right down to the water.

383

00:21:41,955 --> 00:21:42,794

There we are.

384

00:21:44,915 --> 00:21:45,245

Okay.

385

00:21:45,274 --> 00:21:50,975

And then just smooth it

out there, over here now.

386

00:21:51,795 --> 00:21:52,755

That's grabbed this.

387

00:21:53,805 --> 00:21:56,465

I had a little bit of black there.

388

00:21:59,675 --> 00:22:03,845

We can begin making her little road here

that goes right up to our covered bridge.

389

00:22:09,365 --> 00:22:09,635

Yeah.

390

00:22:10,475 --> 00:22:12,095

Let's have a Hill that

comes over this way.

391

00:22:12,275 --> 00:22:16,145

So just by changing this angle

here, maybe the snow comes down

392

00:22:16,145 --> 00:22:18,095

and it goes right across like that.

393

00:22:18,285 --> 00:22:18,725

See there.

394

00:22:20,070 --> 00:22:22,470

I will take at least little touch

to that fatal blue and add right

395

00:22:22,470 --> 00:22:25,500

in here, least little touch though.

396

00:22:25,590 --> 00:22:27,659

Smallest, smallest amount possible.

397

00:22:28,860 --> 00:22:31,980

And when we come back over that,

that'll look like a little shadow

398

00:22:31,980 --> 00:22:36,629

area in there to make a little

recessed area there in the snow.

399

00:22:38,879 --> 00:22:39,520

All right.

400

00:22:39,520 --> 00:22:41,220

Let's just take the

brush and smooth it out.

401

00:22:43,620 --> 00:22:44,040

Okay.

402

00:22:45,659 --> 00:22:47,159

Take a little gray on the knife.

403

00:22:47,820 --> 00:22:51,460

And you can put an indication of

maybe the snow's a little higher,

404

00:22:53,990 --> 00:22:58,280

just bring it right up there.

405

00:22:58,970 --> 00:23:00,710

When I have that going, I'm

gonna take a little bit of that

406

00:23:01,220 --> 00:23:04,310

titanium white with the indication.

407

00:23:04,310 --> 00:23:09,140

Maybe this is frozen, who knows,

who knows a little bit of water

408

00:23:09,980 --> 00:23:13,100

line right out through here,

little over in this side too.

409

00:23:13,220 --> 00:23:14,580

I should have put that in before then.

410

00:23:14,580 --> 00:23:14,870

This.

411

00:23:15,420 --> 00:23:16,080

But that's all right.

412

00:23:17,250 --> 00:23:18,710

We'll just take the big brush here.

413

00:23:19,860 --> 00:23:20,850

Bring it right back in.

414

00:23:21,210 --> 00:23:22,320

So we don't make mistakes.

415

00:23:22,350 --> 00:23:23,550

We just have happy accidents.

416

00:23:25,550 --> 00:23:33,050

Nah, let's take our liner

brush liner, brush line brush a

417

00:23:33,050 --> 00:23:35,000

little touch of Vandyke Brown.

418

00:23:35,630 --> 00:23:38,540

And maybe over in here, we

can see come right up in here.

419

00:23:38,660 --> 00:23:42,150

We can see a little bit of the fence too.

420

00:23:42,370 --> 00:23:44,300

This is just to keep, sometimes we.

421

00:23:45,240 --> 00:23:48,720

We partied a little too much and

maybe it wasn't for a little fence

422

00:23:48,720 --> 00:23:51,360

here and we come through the bridge

would sort of fall down in the water.

423

00:23:51,389 --> 00:23:52,139

You know how that goes.

424

00:23:54,149 --> 00:23:54,720

All right.

425

00:23:54,810 --> 00:24:01,020

Let me take a, some liquid height,

a little yellow ochre, the dark

426

00:24:01,020 --> 00:24:03,449

Sienna in it, and just mixed up.

427

00:24:03,480 --> 00:24:05,429

It's very, very thin, very thin.

428

00:24:07,590 --> 00:24:11,610

And we'll take our liner brush, dip it in

paint thinner, go into the Vandyke Brown.

429

00:24:12,405 --> 00:24:14,535

Then I'm going to take your

other side and go right through

430

00:24:14,535 --> 00:24:15,645

that thin paint that we made.

431

00:24:15,645 --> 00:24:17,565

So we have dark on one

side, light on the other.

432

00:24:18,035 --> 00:24:23,254

Let's come right up in here and

let's put in our little fence on

433

00:24:23,254 --> 00:24:26,135

this side and we'll let it get bigger

and bigger as it works out here.

434

00:24:30,215 --> 00:24:36,665

Say there are yes, just a little, I

don't think there are, there's always

435

00:24:36,665 --> 00:24:40,595

a few little weeds grow around these

because can't cut real close to the post.

436

00:24:41,685 --> 00:24:44,415

And he liked me and the lazy,

he looked for a reason not to.

437

00:24:46,395 --> 00:24:46,784

Okay.

438

00:24:46,815 --> 00:24:49,225

Same old double loaded brush

and come right back in.

439

00:24:49,325 --> 00:24:49,595

Okay.

440

00:24:52,325 --> 00:24:55,235

A little rails there they are.

441

00:24:58,725 --> 00:25:00,034

Sure, sure.

442

00:25:01,754 --> 00:25:04,625

Maybe some of these are almost down

in the snow there because the snow's

443

00:25:04,625 --> 00:25:07,235

deep, there's an Indiana covered bridge.

444

00:25:07,235 --> 00:25:08,105

It's really deep.

445

00:25:09,930 --> 00:25:14,580

Okay, little touch of the liquid white,

but a little snow right up on the

446

00:25:14,580 --> 00:25:17,160

top of these little Rascals chassis.

447

00:25:19,320 --> 00:25:21,120

And then we'll go right

back into the Brown.

448

00:25:22,860 --> 00:25:27,360

Maybe we had a, I think we had a couple

of trees that lived right up through here.

449

00:25:28,770 --> 00:25:31,860

There they go to some happy

little trees that live here.

450

00:25:33,990 --> 00:25:35,970

Few little branches here and there.

451

00:25:37,830 --> 00:25:41,030

There they are the old tree here.

452

00:25:41,330 --> 00:25:42,530

He's had a rough life.

453

00:25:43,860 --> 00:25:44,570

He like me.

454

00:25:44,570 --> 00:25:45,920

He's really hit a rough one.

455

00:25:47,570 --> 00:25:49,160

Maybe he had a friend from remember.

456

00:25:49,460 --> 00:25:50,000

Yeah.

457

00:25:50,120 --> 00:25:51,379

Friend goes right up through here.

458

00:25:53,720 --> 00:25:57,830

There, there we are.

459

00:25:57,920 --> 00:25:58,550

It comes right.

460

00:25:58,550 --> 00:26:02,420

I don't know lot of pink Tinder though.

461

00:26:02,420 --> 00:26:03,440

And this will just flow.

462

00:26:05,655 --> 00:26:09,794

Put you in some branches and lounge,

sorta scary going right over you, your

463

00:26:09,794 --> 00:26:13,304

little bridge that you've worked so

hard, but that's about it and make it

464

00:26:13,304 --> 00:26:15,584

really nice down at the bottom here.

465

00:26:16,274 --> 00:26:19,574

We'll put a few little weeds

and stuff out here there.

466

00:26:20,564 --> 00:26:22,754

Tell you what, this is a moment of truth.

467

00:26:22,784 --> 00:26:24,524

Let's take a contact paper off.

468

00:26:24,675 --> 00:26:25,455

See what we have.

469

00:26:28,034 --> 00:26:29,235

Ah, there it is.

470

00:26:29,235 --> 00:26:31,574

Isn't that something

that maybe in our world.

471

00:26:32,385 --> 00:26:32,775

Tell you what?

472

00:26:32,805 --> 00:26:34,935

Maybe there's another post

that lives outside here.

473

00:26:35,985 --> 00:26:38,085

He stands right out,

just outside the oval.

474

00:26:39,405 --> 00:26:40,155

He got away.

475

00:26:41,835 --> 00:26:44,565

Take a little touch of the liquid

white that right up on top.

476

00:26:46,965 --> 00:26:49,515

Maybe a little, little weed out here too.

477

00:26:49,515 --> 00:26:52,725

Who knows something like, so shoot.

478

00:26:52,725 --> 00:26:54,225

I think we about have a finished painting.

479

00:26:54,765 --> 00:26:55,545

Take a little red.

480

00:26:56,715 --> 00:26:57,765

Let's come right along in here.

481

00:26:58,740 --> 00:27:00,840

And we'll sign this little

Resco hope you've enjoyed it.

482

00:27:00,840 --> 00:27:03,899

We'll give you a little challenge,

especially if you do it in 30 minutes,

483

00:27:04,770 --> 00:27:06,120

but at home you can take your time.

484

00:27:06,510 --> 00:27:07,830

Let me, let me hear from you.

485

00:27:07,860 --> 00:27:09,030

Let me know how this goes for you.

486

00:27:09,030 --> 00:27:09,360

Okay.

487

00:27:09,720 --> 00:27:12,389

You have a super day and from

all of us here, happy painting.

488

00:27:12,950 --> 00:27:13,920

God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S19E07 - Covered Bridge Oval

Bob Ross's

The Joy of Painting

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