Bob Ross's

The Joy of Painting

S19E04 - Snowy Morn

Here's the .srt which was extracted from the Speech-to-Text website.

Proofreading is required, editing, grammar.

Begin .srt file.

00:00:14,820 --> 00:00:16,050

Hi, welcome back.

00:00:16,259 --> 00:00:17,790

Certainly glad you could join me today.

00:00:18,240 --> 00:00:20,369

You know, we get hundreds

and hundreds of letters here

00:00:20,550 --> 00:00:22,170

concerning the joy of painting.

00:00:22,770 --> 00:00:26,040

And one of the things that we hear

over and over again is people feel

00:00:26,070 --> 00:00:30,480

intimidated or they're a little nervous

about putting the first stroke on canvas.

00:00:30,870 --> 00:00:34,080

So I thought we'd devote this entire

show today to teaching you how to

00:00:34,080 --> 00:00:37,980

just sort of loosen up and, and

take life easy and enjoy painting.

00:00:38,340 --> 00:00:40,710

We're going to use a very limited

palette and maybe I'll just use

00:00:40,710 --> 00:00:42,150

something like a two inch brush and.

00:00:42,690 --> 00:00:46,500

Maybe a pallet knife, very simple,

but I want to show you how to get

00:00:46,500 --> 00:00:48,870

over this fear of your first painting.

00:00:49,200 --> 00:00:51,840

So let's have run the colors that

I'm going to use across the screen.

00:00:52,230 --> 00:00:53,550

And let's just have some fun today.

00:00:53,560 --> 00:00:57,690

Just drag out the old easy chair and

get you a big glass of ice tea to

00:00:57,690 --> 00:00:59,610

kick back in and sort of enjoy this.

00:00:59,880 --> 00:01:02,670

If you have your paintbrush out,

I invite you to paint along with

00:01:02,670 --> 00:01:05,700

us, and I think you'll enjoy doing

something this a little different.

00:01:05,700 --> 00:01:10,230

It's very free, very relaxed, and it gets

you over this tightness or this fear.

00:01:10,575 --> 00:01:11,655

Of your first painting.

00:01:12,345 --> 00:01:15,075

So I'm just putting a little

liquid light on the canvas.

00:01:15,855 --> 00:01:21,135

And basically here, all we're looking for

is just a nice even coat of the liquid

00:01:21,135 --> 00:01:23,475

medium all the way across the canvas.

00:01:23,475 --> 00:01:25,545

It's just makes the canvas wet and slick.

00:01:25,905 --> 00:01:27,855

It's what allows color to blend on here.

00:01:27,855 --> 00:01:29,445

And maybe we can really demonstrate today.

00:01:29,865 --> 00:01:31,845

How colored blends on this liquid white.

00:01:32,755 --> 00:01:34,274

Now this is a pre-stretch canvas.

00:01:34,274 --> 00:01:35,295

It has give to it.

00:01:36,375 --> 00:01:39,015

It's it's not, it's not a canvas board.

00:01:39,015 --> 00:01:42,435

We don't recommend those because

they, uh, they have cardboard

00:01:42,435 --> 00:01:44,774

in the center and what happens.

00:01:44,774 --> 00:01:46,125

They'll absorb this liquid white.

00:01:46,225 --> 00:01:49,315

And very rapidly, your surface

will become dry and it's no

00:01:49,315 --> 00:01:50,425

fun to paint on it anymore.

00:01:51,074 --> 00:01:52,785

This is where you need

it to stay that way.

00:01:53,595 --> 00:01:56,535

All right, let's take a little yellow

ochre and I'm just going to play today.

00:01:56,565 --> 00:01:59,085

Let's just have fun little

yellow ochre be right back.

00:01:59,085 --> 00:02:01,604

Don't go away a little, a little

touch of the black Intuit.

00:02:02,744 --> 00:02:03,494

Very little.

00:02:03,955 --> 00:02:07,425

We just make a, a light little

color, like so, and we still

00:02:07,425 --> 00:02:08,834

have liquid white on the brush.

00:02:10,020 --> 00:02:11,250

So we're just letting that blend.

00:02:11,250 --> 00:02:15,060

We're going to make a very soft, maybe

a little muted area in the background

00:02:15,060 --> 00:02:19,050

back here and just play with color.

00:02:19,850 --> 00:02:24,140

You know, maybe one of the hardest things

to do in painting is to, is to get over

00:02:24,140 --> 00:02:26,900

this fear of canvas it's it's natural.

00:02:27,680 --> 00:02:30,800

And if it bothers you a little bit to

jump up here and then start throwing

00:02:30,800 --> 00:02:32,150

a bunch of color on the canvas.

00:02:33,045 --> 00:02:34,035

It means you're normal.

00:02:34,095 --> 00:02:36,645

You're just like me and everybody

else that's ever painted.

00:02:36,765 --> 00:02:38,895

You go through this until

you get over this fear.

00:02:40,455 --> 00:02:42,795

So that's what we want to,

we want to play with them.

00:02:42,795 --> 00:02:44,715

We'll take a little touch

of the pressure and blue.

00:02:45,825 --> 00:02:51,095

So this begins to get a slight green

issue to it, but not much, not much.

00:02:52,085 --> 00:02:53,945

And let's just begin playing with color.

00:02:55,415 --> 00:02:56,285

Just play maybe.

00:02:57,125 --> 00:02:59,075

Oh, we are to decide what

season it's going to be.

00:02:59,075 --> 00:03:00,905

At least before we get too far involved.

00:03:02,535 --> 00:03:05,595

And maybe, maybe, maybe

something in the winter colors.

00:03:05,595 --> 00:03:06,465

That's always fun.

00:03:07,635 --> 00:03:12,945

A little bit more of the Prussian

blue and black little touch of yellow

00:03:12,945 --> 00:03:15,075

over, but mostly just blue and black.

00:03:17,715 --> 00:03:22,455

And just let these colors sort of blend

together and play and have fun, but

00:03:22,455 --> 00:03:24,465

really, and truly, don't worry about it.

00:03:25,335 --> 00:03:27,375

The way to learn, how to, how to paint.

00:03:28,125 --> 00:03:31,515

It has to be relaxed and

enjoy and just let it go.

00:03:31,875 --> 00:03:33,945

Things work better for

you when you're relaxed.

00:03:33,945 --> 00:03:36,015

And you're, you're really

happy with what you're doing.

00:03:36,725 --> 00:03:38,765

So try and try to let it happen that way.

00:03:39,255 --> 00:03:41,705

Maybe on this side, we'll

put a little bit more of it.

00:03:42,940 --> 00:03:43,390

There.

00:03:44,570 --> 00:03:44,890

See what?

00:03:44,890 --> 00:03:47,110

Just sorta let these

colors come together here.

00:03:48,280 --> 00:03:51,070

Like so, but very loose, very loose.

00:03:54,330 --> 00:03:58,230

Can we let them go

wherever doesn't matter.

00:04:03,240 --> 00:04:04,140

Let's see that easy.

00:04:04,200 --> 00:04:07,470

You have a very nice little sky,

one of the best ways to do this.

00:04:07,994 --> 00:04:10,304

Nearly every time you do a

painting, you're going to have

00:04:10,304 --> 00:04:11,684

a bunch of color leftover.

00:04:12,480 --> 00:04:18,630

This is a super, super way of using up

that old color and enjoying the freedom

00:04:18,630 --> 00:04:23,219

of just, just painting and just letting

your imagination run wild with you.

00:04:23,610 --> 00:04:24,599

So try this.

00:04:24,900 --> 00:04:25,620

I'm serious.

00:04:25,620 --> 00:04:29,550

There's nothing that I know of that

will teach you looseness more than this.

00:04:30,780 --> 00:04:32,760

I won't make a side over

here a little bit darker.

00:04:33,570 --> 00:04:36,480

See, and as you begin painting,

you begin seeing things.

00:04:36,539 --> 00:04:38,340

All these little things

just sort of happen.

00:04:39,870 --> 00:04:45,330

So now automatically we have a light

area over in here just because we've

00:04:45,330 --> 00:04:47,700

made these sides a little darker

and we can even a little darker yet.

00:04:47,700 --> 00:04:48,179

What the heck?

00:04:48,479 --> 00:04:49,229

This is our world.

00:04:49,260 --> 00:04:50,729

So we can do it any way that we want.

00:04:51,735 --> 00:04:56,025

Just make little cross criss

strokes and we'll do it backwards

00:04:56,025 --> 00:04:59,655

today, even very lightly.

00:04:59,655 --> 00:05:04,445

I'll just sort of blend that out

a little so, and we have all kinds

00:05:04,445 --> 00:05:05,915

of things happening in this guy.

00:05:06,095 --> 00:05:06,815

That's simple.

00:05:07,415 --> 00:05:10,055

And if you want to blend it

more, just continue to blend.

100

00:05:10,055 --> 00:05:13,865

You can make it as soft as

Selker velvet just by doing that.

101

00:05:14,915 --> 00:05:17,705

And maybe in our world, maybe

we back here in the background.

102

00:05:18,720 --> 00:05:23,190

Maybe we can visualize some little

distant tree indications, just take

103

00:05:23,190 --> 00:05:27,570

the brush, lay it like that, give it a

little gentle push, but I want these to

104

00:05:27,570 --> 00:05:29,700

be very soft and very light far away.

105

00:05:29,910 --> 00:05:35,430

I see that the other side, these are

just little indications of things that

106

00:05:35,430 --> 00:05:36,990

are far back here in the distance.

107

00:05:38,235 --> 00:05:38,985

Far away.

108

00:05:39,555 --> 00:05:42,165

Don't let them get two distinct

or you earn that illusion of

109

00:05:42,165 --> 00:05:43,215

distance and your painting.

110

00:05:44,925 --> 00:05:47,385

And if we're just going

to play here, enjoy this.

111

00:05:48,605 --> 00:05:49,325

That had happened.

112

00:05:50,465 --> 00:05:51,335

That had happened.

113

00:05:51,365 --> 00:05:54,665

Maybe there's some other ones right there.

114

00:05:54,695 --> 00:05:56,315

I don't know wherever you want them.

115

00:05:57,900 --> 00:06:01,590

But this is mainly just a little midnight

black, a little pressure, and blue is

116

00:06:01,590 --> 00:06:03,210

a touch of yellow ochre left in it.

117

00:06:03,840 --> 00:06:06,510

You can add maybe at the least

little touch of Vandyke Brown,

118

00:06:06,539 --> 00:06:09,599

but the color should be very soft

and very muted at this point.

119

00:06:11,219 --> 00:06:12,630

Very soft and quiet.

120

00:06:13,109 --> 00:06:14,640

Maybe this one goes way up here.

121

00:06:14,669 --> 00:06:15,179

We don't know.

122

00:06:16,229 --> 00:06:21,390

Just push harder if you want it to

look like it's a bigger tree, but

123

00:06:21,390 --> 00:06:23,700

this background idea is, is a way.

124

00:06:24,525 --> 00:06:27,825

To make them very soft scenes that

you want to, you want to show a lot

125

00:06:27,825 --> 00:06:34,635

of distance in, and it's a very, very

simple and effective can, a little

126

00:06:34,635 --> 00:06:36,045

more of the color on the brush.

127

00:06:36,435 --> 00:06:36,915

Take you what?

128

00:06:36,945 --> 00:06:39,525

Maybe there's a tree

that lives right here.

129

00:06:39,795 --> 00:06:40,395

Maybe this one.

130

00:06:41,145 --> 00:06:43,815

Maybe there's some sort of crooked

there and it goes all the way off the

131

00:06:43,815 --> 00:06:47,655

canvas who cares and your world, you

can make it any way that you want to.

132

00:06:50,745 --> 00:06:55,604

These are just once again, distant

indications of things that are happening.

133

00:06:57,099 --> 00:07:00,940

Very soft and muted, quiet,

peaceful little places.

134

00:07:02,679 --> 00:07:05,200

It's just where all the little

creatures would live and have fun.

135

00:07:07,289 --> 00:07:07,799

Fair.

136

00:07:10,030 --> 00:07:10,409

I above them.

137

00:07:10,409 --> 00:07:16,590

You can hardly see in

there so far there maybe.

138

00:07:20,030 --> 00:07:20,390

Barely.

139

00:07:22,180 --> 00:07:25,240

Let's see, we said this was going to be

winter, so we need to keep that in mind.

140

00:07:26,170 --> 00:07:28,630

I mess right here and forget what

season I said it was going to be.

141

00:07:30,104 --> 00:07:30,885

There we go.

142

00:07:34,955 --> 00:07:39,844

And here at the base, you're still

using the same colors, the same colors

143

00:07:40,594 --> 00:07:43,594

we can tap in a few little happy

bushes that live right down in here.

144

00:07:45,155 --> 00:07:46,805

This is just a tiny bit darker.

145

00:07:47,255 --> 00:07:49,205

So it indicates that it's a little closer.

146

00:07:50,015 --> 00:07:51,515

Now this is our light source here.

147

00:07:51,790 --> 00:07:52,990

Less pressure on the brush.

148

00:07:53,020 --> 00:07:56,860

Let it get lighter, lighter, very gentle.

149

00:07:57,610 --> 00:08:01,960

Just sort of fade right into that

where you want it to be darker.

150

00:08:02,920 --> 00:08:08,770

Just get a little tougher push

go right on welfare summer.

151

00:08:10,420 --> 00:08:11,290

There we go.

152

00:08:12,610 --> 00:08:13,600

Maybe over in here.

153

00:08:14,715 --> 00:08:15,195

Tell you what?

154

00:08:15,225 --> 00:08:17,385

Maybe, maybe there's a few little trees.

155

00:08:17,555 --> 00:08:18,425

Yeah, you're right.

156

00:08:19,415 --> 00:08:23,825

We have right here, just little

indications of little things

157

00:08:28,715 --> 00:08:31,985

and you can just turn the brush

in different directions to

158

00:08:31,985 --> 00:08:33,215

create all types of effects.

159

00:08:33,245 --> 00:08:33,664

Excellent.

160

00:08:39,195 --> 00:08:40,685

Just sort of look at it once again.

161

00:08:41,310 --> 00:08:45,130

This is such a fantastic way of

painting because you have no, you

162

00:08:45,150 --> 00:08:47,880

don't trace a painting up here

and you don't have any guidelines.

163

00:08:48,645 --> 00:08:51,735

The only thing that restricts

you here is your imagination,

164

00:08:52,905 --> 00:08:54,915

gesture, imagination, nothing else.

165

00:08:55,515 --> 00:08:57,645

And imagination is like anything else.

166

00:08:58,245 --> 00:08:59,475

It's like a muscle in your body.

167

00:08:59,475 --> 00:09:02,775

If you practice with it, you

exercise your imagination.

168

00:09:02,805 --> 00:09:03,795

It gets stronger.

169

00:09:04,635 --> 00:09:05,175

Very soon.

170

00:09:05,175 --> 00:09:07,725

You're able to visualize more

and more things in your mind.

171

00:09:09,855 --> 00:09:10,425

Use it.

172

00:09:11,385 --> 00:09:12,585

God gave you this gift.

173

00:09:13,350 --> 00:09:14,430

Take advantage of it.

174

00:09:16,110 --> 00:09:21,120

We may be the only creature on earth

that has a vivid imagination there.

175

00:09:21,810 --> 00:09:24,079

And again, we may not, I don't know.

176

00:09:25,230 --> 00:09:28,740

Don't know that it matters there.

177

00:09:30,090 --> 00:09:30,990

I'm going to start adding.

178

00:09:31,740 --> 00:09:36,740

Um, we'll take a little more of the black

and the blue and Brown, maybe a little

179

00:09:36,740 --> 00:09:40,400

touch of the dark sand here and there,

but that as we work for real, I want this

180

00:09:40,400 --> 00:09:44,540

color to begin getting a little darker

and see I'm just loading the brush.

181

00:09:44,990 --> 00:09:46,370

I just was going back and forth.

182

00:09:46,790 --> 00:09:47,780

Doesn't matter how you load it.

183

00:09:49,280 --> 00:09:49,940

Doesn't matter.

184

00:09:51,500 --> 00:09:55,340

They're little blue and black

little Vandyke Brown, all those

185

00:09:55,340 --> 00:09:57,020

beautiful, beautiful colors.

186

00:09:57,680 --> 00:09:58,370

Now then maybe.

187

00:09:59,025 --> 00:10:02,145

Watch your C all you gotta do is

take his brush and push upward.

188

00:10:02,325 --> 00:10:04,365

Like it to me, look at that.

189

00:10:05,565 --> 00:10:06,465

See that easy.

190

00:10:06,645 --> 00:10:10,095

You can make the illusion of little,

little grassy areas back in here.

191

00:10:12,105 --> 00:10:16,215

Just like, so shoot, maybe

we'll have some over here.

192

00:10:17,970 --> 00:10:20,670

And we're going to sort of change

the lay of the land here a little.

193

00:10:21,689 --> 00:10:25,589

So it has had some interesting

things happening in here.

194

00:10:25,589 --> 00:10:27,000

It's just not all the same.

195

00:10:28,680 --> 00:10:30,300

Let these little things just happen.

196

00:10:32,790 --> 00:10:36,030

They're all kinds of little doers.

197

00:10:37,590 --> 00:10:38,400

Maybe over in here.

198

00:10:38,400 --> 00:10:44,580

Again, you begin seeing these

little doers, but just pushing

199

00:10:44,580 --> 00:10:47,069

upward, bend the brush very hard.

200

00:10:47,430 --> 00:10:49,740

You're not going to hurt the

brush, but it makes all these

201

00:10:49,740 --> 00:10:51,240

little grassy looking effects.

202

00:10:51,420 --> 00:10:52,290

They're very simple.

203

00:10:53,030 --> 00:10:53,810

And you can do them.

204

00:10:55,400 --> 00:11:00,410

I know you can do cause you can

do anything that you want to do as

205

00:11:00,410 --> 00:11:01,699

long as you believe you can do it.

206

00:11:03,120 --> 00:11:06,660

Anything that you believe

you can do, you really can do

207

00:11:06,690 --> 00:11:08,430

let's take a two inch Bryson.

208

00:11:08,430 --> 00:11:11,280

I have several two inch brushes, so I

don't have to spend all of my time here.

209

00:11:11,280 --> 00:11:12,300

Just washing brushes.

210

00:11:13,020 --> 00:11:15,630

It's going to pull through a

little bit of that titanium white.

211

00:11:16,890 --> 00:11:20,210

This is going to be winter,

maybe, maybe an arrow.

212

00:11:20,460 --> 00:11:23,310

There's a little snow laying

back here, but I want this note

213

00:11:23,310 --> 00:11:26,160

to reflect some shadows from

whatever it is we have in here.

214

00:11:26,970 --> 00:11:29,490

So go up into the color

a little and grab it.

215

00:11:29,940 --> 00:11:30,840

And begin pulling.

216

00:11:31,410 --> 00:11:32,490

Now watch here.

217

00:11:32,520 --> 00:11:33,390

Let's just mess something up.

218

00:11:33,420 --> 00:11:35,820

If you mess up the top of this

one, don't worry about it.

219

00:11:36,120 --> 00:11:40,110

You can either completely wipe it out or

you can go back and very simply drop it

220

00:11:40,110 --> 00:11:44,730

in because you know, if you've painted

with me before we don't make mistakes,

221

00:11:45,420 --> 00:11:49,770

we have happy accidents because there's

nothing that you can do on this canvas.

222

00:11:49,830 --> 00:11:51,720

That with a little practice you can't fix.

223

00:11:52,680 --> 00:11:54,090

Think about the lay of the land now.

224

00:11:55,470 --> 00:11:55,890

Watch here.

225

00:11:55,920 --> 00:11:57,150

Let me grab this other old brush.

226

00:11:57,270 --> 00:11:58,470

You can go right back in here.

227

00:11:58,949 --> 00:12:00,569

See here, pop that right back here.

228

00:12:01,260 --> 00:12:03,990

And that's nice because not, it

looks like your snow behind it.

229

00:12:04,120 --> 00:12:06,449

See these little things worked for you.

230

00:12:07,260 --> 00:12:08,640

So you could put one over here.

231

00:12:10,020 --> 00:12:16,210

I can see, and it looks like your

snow back in there, there, and you can

232

00:12:16,210 --> 00:12:19,010

make this just as smooth and peaceful.

233

00:12:20,060 --> 00:12:21,140

Maybe I'll grab that.

234

00:12:23,324 --> 00:12:24,824

So we've got quite a bit of color there.

235

00:12:25,275 --> 00:12:25,814

That's nice.

236

00:12:25,814 --> 00:12:30,094

That'll make a very

nice shadow area there.

237

00:12:30,135 --> 00:12:31,454

Just sort of bring it together.

238

00:12:34,094 --> 00:12:37,064

This whole two-inch brush

would just do wonderful things

239

00:12:37,064 --> 00:12:40,334

for you and tastic things.

240

00:12:40,994 --> 00:12:44,584

And already though, look at the

depth and you've really done

241

00:12:44,584 --> 00:12:46,505

nothing you really don't know.

242

00:12:46,655 --> 00:12:49,925

Instead of just taking a two inch

brush and play a little less tape.

243

00:12:50,370 --> 00:12:51,690

That same color we're using.

244

00:12:51,780 --> 00:12:53,640

Take a little paint

thinner on the liner brush.

245

00:12:54,000 --> 00:12:56,030

Maybe we'll have a few little

sticks and twigs isn't there.

246

00:12:57,560 --> 00:13:01,520

Maybe if you just pull this out, turn it.

247

00:13:01,970 --> 00:13:03,680

So it brings it to a very sharp point.

248

00:13:03,800 --> 00:13:04,100

Okay.

249

00:13:05,000 --> 00:13:07,220

Now we want these to be

very subdued and quiet.

250

00:13:07,310 --> 00:13:16,490

We don't want these to be too bright, two

strong, very subdued hair, few little,

251

00:13:16,580 --> 00:13:18,350

little things that live back in here.

252

00:13:19,785 --> 00:13:21,285

Ooh, that's what I'm looking for.

253

00:13:21,345 --> 00:13:23,145

You almost can't see

them, but they're there.

254

00:13:24,405 --> 00:13:25,035

They're there.

255

00:13:25,305 --> 00:13:25,935

You'll see them

256

00:13:32,495 --> 00:13:35,464

see, and just pick out where

you think a little twig would

257

00:13:35,464 --> 00:13:39,214

live in, drop it in, drop it in.

258

00:13:42,525 --> 00:13:42,615

Yeah.

259

00:13:42,915 --> 00:13:45,755

I mentioned, we get a lot of letters

from people who are a little nervous

260

00:13:45,755 --> 00:13:47,045

about trying the first painting.

261

00:13:47,375 --> 00:13:51,485

We also get a lot of letters from people

who are painting and they're doing some

262

00:13:51,485 --> 00:13:53,525

of the most fantastic things imaginable.

263

00:13:53,915 --> 00:13:58,564

Maybe in this series, we'll show you some,

but people who have never painted just

264

00:13:58,564 --> 00:14:03,214

from watching the show have picked up a

brush and they're doing marvelous things

265

00:14:03,515 --> 00:14:05,165

and maybe more important in the painting.

266

00:14:06,395 --> 00:14:07,985

It's the fact that they can do it.

267

00:14:09,000 --> 00:14:13,380

It's the fact that you can achieve

a creative process like this.

268

00:14:14,160 --> 00:14:18,300

And it's a nice way of, Oh, I think

everybody has sort of an urge to

269

00:14:18,300 --> 00:14:22,050

be creative and it's a nice way

of letting that urge come out and.

270

00:14:23,025 --> 00:14:24,015

And it's so enjoyable.

271

00:14:24,135 --> 00:14:25,585

That's one of the reasons

we like to share it.

272

00:14:25,695 --> 00:14:26,535

Shoot, let's get crazy.

273

00:14:26,535 --> 00:14:27,255

I talk too much.

274

00:14:27,255 --> 00:14:30,945

Sometimes let's go back into

some of our blue and black.

275

00:14:32,085 --> 00:14:32,835

Get a little Brown.

276

00:14:32,835 --> 00:14:33,705

Be right back here.

277

00:14:36,395 --> 00:14:36,715

Same.

278

00:14:36,715 --> 00:14:38,765

I have a little more

Brown, little dark Sienna.

279

00:14:39,005 --> 00:14:41,915

I mean, reach over here and get the

least little touch of a lizard Crimson.

280

00:14:43,085 --> 00:14:44,015

Oh, nice.

281

00:14:44,245 --> 00:14:44,675

Nice.

282

00:14:45,755 --> 00:14:47,915

Or it gets too dark on you

or you think it's too dark.

283

00:14:47,915 --> 00:14:48,635

You can reach right over.

284

00:14:48,635 --> 00:14:49,565

Pick up a little white.

285

00:14:50,115 --> 00:14:52,455

Enlighten it up because

you can do anything.

286

00:14:53,415 --> 00:14:56,295

Let's load the brush up, take

pointless, load it to a chisel edge.

287

00:14:56,325 --> 00:14:59,265

And this really have some fun chisel edge.

288

00:14:59,415 --> 00:15:01,845

Let me turn it around here so

you can see how sharp that is.

289

00:15:02,385 --> 00:15:04,725

So it comes to a beautiful,

sharp chisel edge.

290

00:15:05,595 --> 00:15:06,135

There we go.

291

00:15:06,555 --> 00:15:09,495

But you must put enough paint into

the bristles to stick the bristles

292

00:15:09,495 --> 00:15:11,055

together, to make the chisel edge.

293

00:15:11,115 --> 00:15:11,895

Let's go back up here.

294

00:15:12,825 --> 00:15:17,295

Maybe in our world, there lives

a little tree or big tree.

295

00:15:17,325 --> 00:15:18,314

Maybe this is a big tree.

296

00:15:19,860 --> 00:15:22,890

And we can, if it helps you put

in a little center line, like cat,

297

00:15:23,730 --> 00:15:28,740

get a little more color here now

then think about where you are.

298

00:15:28,790 --> 00:15:30,530

It would have nice branches living here.

299

00:15:30,530 --> 00:15:35,510

Just take the corner of the brush and

just put out a branch here in there.

300

00:15:37,160 --> 00:15:38,030

Just let them go.

301

00:15:39,290 --> 00:15:40,250

Chill, slam, go.

302

00:15:41,000 --> 00:15:43,910

And maybe they, they aren't all

just even, maybe these aren't

303

00:15:44,120 --> 00:15:45,860

all potential Christmas trees.

304

00:15:47,340 --> 00:15:49,860

They're just trees that grew any

way that they wanted to grow.

305

00:15:51,600 --> 00:15:54,650

All evergreen trees are not

going to be Christmas trees.

306

00:15:54,650 --> 00:15:55,770

Someone was going to be crooked.

307

00:15:56,400 --> 00:16:01,970

Some of them is going to be sort of,

they're going to be sorta poor there.

308

00:16:03,590 --> 00:16:04,790

Look more paint there.

309

00:16:06,050 --> 00:16:06,230

Yeah.

310

00:16:06,230 --> 00:16:08,630

Just to have a general idea of

where we're going and this just

311

00:16:08,630 --> 00:16:09,950

take a corner of the brush.

312

00:16:10,890 --> 00:16:18,300

Once again, they're just tap in

some very basic little shapes.

313

00:16:20,310 --> 00:16:20,970

Here we go.

314

00:16:22,230 --> 00:16:25,439

Maybe even we can see a little touch

of the trunk here now who cares?

315

00:16:26,340 --> 00:16:27,210

This is your world.

316

00:16:27,360 --> 00:16:29,520

You do it anyway that you want to do it.

317

00:16:30,510 --> 00:16:32,810

So maybe this tree had a

bad year right in here.

318

00:16:33,780 --> 00:16:34,710

It didn't grow too hot.

319

00:16:37,140 --> 00:16:41,250

Maybe when he was littler, maybe

some hungry creature decided

320

00:16:41,280 --> 00:16:43,170

to chew on him a little bit.

321

00:16:44,040 --> 00:16:44,819

We don't know.

322

00:16:45,530 --> 00:16:46,850

Don't know that we even care.

323

00:16:47,840 --> 00:16:50,810

Can you, as the trees come closer,

they should get a little darker.

324

00:16:51,470 --> 00:16:54,140

So I may add a little bit more of that

pressure and blue and a little Vandyke

325

00:16:54,140 --> 00:17:01,970

Brown, dark Sienna, but they begin taking

on a darker tone, black, blue, Brown.

326

00:17:03,870 --> 00:17:04,470

There we are.

327

00:17:05,109 --> 00:17:06,540

Sounds like my body condition.

328

00:17:06,540 --> 00:17:09,839

When I stay out too late,

black, blue, and Brown.

329

00:17:09,839 --> 00:17:10,380

That's what I get.

330

00:17:10,380 --> 00:17:13,170

When I get home, here we go.

331

00:17:13,170 --> 00:17:16,050

Maybe in our world lives

another little tree right there,

332

00:17:22,200 --> 00:17:24,990

but just let these little trees

just fall right off the brush,

333

00:17:25,290 --> 00:17:29,640

wherever, wherever it doesn't matter.

334

00:17:30,899 --> 00:17:35,550

Black blue and Brown that's when

it goes all the way off the canvas.

335

00:17:35,669 --> 00:17:36,149

What the heck?

336

00:17:38,700 --> 00:17:40,290

Strong, tall tree.

337

00:17:43,230 --> 00:17:47,129

But if you've practiced this

painting very loose, you will not

338

00:17:47,129 --> 00:17:49,290

believe number one, what you can do.

339

00:17:49,409 --> 00:17:53,460

Secondly, it'll create a looseness

and a freedom in your painting that

340

00:17:53,460 --> 00:17:54,929

you've never experienced before.

341

00:17:55,665 --> 00:17:58,605

And I think you will find

that very refreshing, very

342

00:17:58,655 --> 00:17:59,955

refreshing in your painting.

343

00:18:01,815 --> 00:18:05,415

I have a lot of people who've

painted for many years, that take

344

00:18:05,415 --> 00:18:09,555

classes with me and my son, Steve,

and the other teachers that we have.

345

00:18:11,024 --> 00:18:15,885

And they take classes in this technique

mainly tells you learn to be loose

346

00:18:15,885 --> 00:18:20,175

with their painting because it's very

easy to get tight and stiff and used

347

00:18:20,175 --> 00:18:25,274

to staying in the lines and just, just

drawing little pictures and following

348

00:18:25,274 --> 00:18:28,415

those, this will give you freedom.

349

00:18:31,445 --> 00:18:32,614

Absolute freedom.

350

00:18:33,754 --> 00:18:38,614

There let's go to the other side here,

a little blue, black bacteria Brown.

351

00:18:39,555 --> 00:18:40,365

Dark Sienna.

352

00:18:40,455 --> 00:18:41,415

Just mix them together.

353

00:18:43,785 --> 00:18:46,905

They're wiggle that Bristol that

brings the paint right up to the end.

354

00:18:47,565 --> 00:18:48,645

We can make it sharp.

355

00:18:49,185 --> 00:18:49,665

All right.

356

00:18:50,415 --> 00:18:53,315

Maybe look at what a sharp line that is.

357

00:18:53,865 --> 00:18:54,015

Yeah.

358

00:18:54,035 --> 00:18:54,375

Sharp.

359

00:18:54,375 --> 00:18:59,235

You can make it line and then

just a corner of the brush.

360

00:19:01,065 --> 00:19:02,745

Let's put in some little

things here and there.

361

00:19:09,659 --> 00:19:10,530

You can do this.

362

00:19:10,830 --> 00:19:13,290

You really can't do this there.

363

00:19:14,700 --> 00:19:20,040

Let's give him a friend, you

know, me, I think everything and

364

00:19:20,040 --> 00:19:22,110

everybody should have a friend.

365

00:19:24,075 --> 00:19:27,315

Friends may be the most valuable

commodities that we have

366

00:19:28,995 --> 00:19:30,405

treasure and take care of them.

367

00:19:30,495 --> 00:19:31,215

Treat them good.

368

00:19:33,915 --> 00:19:34,155

Are

369

00:19:38,205 --> 00:19:39,784

maybe look, just push up or.

370

00:19:40,229 --> 00:19:43,260

See, maybe there's a whole nother thing.

371

00:19:43,260 --> 00:19:43,860

It comes right out.

372

00:19:43,860 --> 00:19:44,250

Like, yeah.

373

00:19:45,209 --> 00:19:46,800

Just start pushing up with a brush.

374

00:19:47,790 --> 00:19:53,250

You can create that illusion just

by giving a little upward push.

375

00:19:53,729 --> 00:19:54,540

Let's go back to the brush.

376

00:19:54,540 --> 00:19:55,590

It has some white on it.

377

00:19:56,639 --> 00:19:58,320

And by that let's come back in here.

378

00:19:59,745 --> 00:20:02,355

They would lay in a little snow

once again, pick up some of this

379

00:20:02,355 --> 00:20:04,035

color though, and drag it out there.

380

00:20:04,095 --> 00:20:06,915

Get tough with it because a canvas is wet.

381

00:20:06,945 --> 00:20:08,235

You can move this cover.

382

00:20:08,835 --> 00:20:10,035

This was a drag canvas.

383

00:20:10,575 --> 00:20:14,415

You might be able to move it, but it

would be very difficult and you'd work

384

00:20:14,415 --> 00:20:15,915

yourself half the death turn to do it.

385

00:20:17,895 --> 00:20:18,555

There we go.

386

00:20:18,615 --> 00:20:22,635

Maybe on this side, once again,

though, figure out how the lay of the

387

00:20:22,635 --> 00:20:26,295

land is here, how the, how it flows.

388

00:20:27,345 --> 00:20:29,955

And it's sort of nice to have a

little recessed area right in here.

389

00:20:29,955 --> 00:20:32,805

It just gives you a nice place

for the animals to walk and

390

00:20:34,274 --> 00:20:35,475

just good things to happen.

391

00:20:37,305 --> 00:20:41,085

But any of these little bushes and

stuff here that you don't like, just lay

392

00:20:41,085 --> 00:20:43,425

snow over them, just like nature does.

393

00:20:50,735 --> 00:20:52,985

And then we can take

some of that same color.

394

00:20:54,315 --> 00:20:57,975

On our knife and here and there, if

you wanted to, you could just add the

395

00:20:57,975 --> 00:20:59,835

indication of a little stronger trunk.

396

00:21:01,365 --> 00:21:02,835

Depends on what you're looking for.

397

00:21:04,905 --> 00:21:08,385

Once again, very loose, very relaxed.

398

00:21:10,695 --> 00:21:11,415

Just let it go.

399

00:21:13,514 --> 00:21:14,175

This is fun.

400

00:21:14,175 --> 00:21:14,565

Painting.

401

00:21:16,665 --> 00:21:22,245

There, you know, this would be a

super place to have a little cabin.

402

00:21:22,485 --> 00:21:23,025

Let's do that.

403

00:21:23,175 --> 00:21:27,645

I think we have enough time and a lot

of people have problems with the cabin.

404

00:21:27,645 --> 00:21:29,385

So let me show you, let's

go right up in here.

405

00:21:29,385 --> 00:21:33,075

Decide where your cabin lives and let's

just scrape out a very basic little shape.

406

00:21:33,105 --> 00:21:34,185

Maybe we'll have a big cabin here.

407

00:21:34,185 --> 00:21:35,055

It shows up better.

408

00:21:36,285 --> 00:21:40,095

So you just take a knife

and scrape out basic shape.

409

00:21:41,879 --> 00:21:43,889

No right there is where

the stretcher bar is.

410

00:21:43,889 --> 00:21:44,670

Don't worry about that.

411

00:21:44,670 --> 00:21:45,330

We'll cover that up.

412

00:21:46,620 --> 00:21:49,830

Now, one of the things that you're

looking for when you're doing

413

00:21:49,830 --> 00:21:51,450

a cabin is your perspective.

414

00:21:51,870 --> 00:21:55,290

If you're going to have a cabin like,

so one of the most important things

415

00:21:55,290 --> 00:21:58,649

you can do is have this part of the

roof a little bit higher than the back.

416

00:21:59,840 --> 00:22:01,100

Otherwise it won't look right.

417

00:22:02,930 --> 00:22:04,610

Try to keep that a little bit higher.

418

00:22:04,610 --> 00:22:07,280

If you put that a little lower,

which is almost a natural tendency,

419

00:22:07,879 --> 00:22:09,320

it'll look like your cabin is sorta.

420

00:22:10,290 --> 00:22:12,960

Well, maybe the front of

it fell down into a hole.

421

00:22:13,620 --> 00:22:17,970

I live in Florida and sometimes there's,

we have sink holes there and almost looks

422

00:22:17,970 --> 00:22:20,490

like you cabin fell into a sinkhole.

423

00:22:22,550 --> 00:22:22,970

All right.

424

00:22:23,030 --> 00:22:27,410

Let's just put a little, we'll

just use dark CNN and Dyke

425

00:22:27,410 --> 00:22:28,700

Brown, Muslim Vandyke Brown.

426

00:22:30,260 --> 00:22:31,130

Let's just lay in.

427

00:22:31,490 --> 00:22:36,170

All I'm doing is laying in some

color now just laying in some color.

428

00:22:37,815 --> 00:22:41,945

There, you could do

this with a meant trout.

429

00:22:42,005 --> 00:22:45,725

It didn't matter, little,

something like that.

430

00:22:47,225 --> 00:22:51,275

And the bottom at this point, don't

be concerned with, cause you can come

431

00:22:51,275 --> 00:22:54,935

along here with your knife and do a

cabin ectomy and decide exactly where

432

00:22:54,935 --> 00:22:57,395

everything should live that easy.

433

00:22:58,535 --> 00:23:01,685

And maybe we said this was going

to be a log cabin or something that

434

00:23:01,685 --> 00:23:03,065

gives you the impression of a log.

435

00:23:03,095 --> 00:23:03,455

Kevin.

436

00:23:05,055 --> 00:23:08,565

So we'll take a little Brown and white

and let's just come along in here and

437

00:23:08,955 --> 00:23:10,275

think about this angle right here.

438

00:23:10,875 --> 00:23:13,605

And let's just tap in some little

indications here and there.

439

00:23:15,305 --> 00:23:15,695

See you there.

440

00:23:17,885 --> 00:23:18,665

All right.

441

00:23:20,525 --> 00:23:21,275

Okay.

442

00:23:21,335 --> 00:23:25,865

Just drop it in there.

443

00:23:26,615 --> 00:23:27,695

We can take that dark color.

444

00:23:27,695 --> 00:23:28,745

We've picked up earlier.

445

00:23:30,020 --> 00:23:39,650

Can go back and help create that

illusion there we're in here.

446

00:23:39,740 --> 00:23:41,330

This is going to be

very dark on this side.

447

00:23:41,330 --> 00:23:43,550

We don't want much color over here.

448

00:23:45,050 --> 00:23:46,010

I think I'll put a tree there.

449

00:23:46,010 --> 00:23:51,110

What the heck, but then the case

now, the end of the logs, just

450

00:23:51,110 --> 00:23:52,190

using the point of the knife.

451

00:23:55,094 --> 00:23:56,564

Easy, maybe we got a door in here.

452

00:23:56,564 --> 00:23:57,314

Let's put a little door.

453

00:23:57,344 --> 00:23:58,665

We've got to have a way to get in and out.

454

00:23:59,985 --> 00:24:00,915

That's all there is to it.

455

00:24:02,534 --> 00:24:06,675

I did a little door, little

light around the door.

456

00:24:09,215 --> 00:24:12,995

Now we need a little, let's put a

little snow up here on the roofs,

457

00:24:15,544 --> 00:24:18,574

say there, but just pull it down.

458

00:24:20,430 --> 00:24:21,360

Just pull down.

459

00:24:21,420 --> 00:24:23,550

We said, we'd have a tree in

front of it, so we don't have to

460

00:24:23,550 --> 00:24:24,780

worry much about the back of it.

461

00:24:24,780 --> 00:24:25,410

At this point.

462

00:24:26,730 --> 00:24:29,790

We do need a little bit

of snow over on this side.

463

00:24:30,540 --> 00:24:32,219

Just so there's snow, both sides.

464

00:24:33,510 --> 00:24:35,280

Now let me go back to my brush here.

465

00:24:35,899 --> 00:24:36,439

Let's take them.

466

00:24:36,469 --> 00:24:37,669

Watch how you can move trees.

467

00:24:37,669 --> 00:24:41,929

Let's take some of our Brown,

I'm black and blue, a little dark

468

00:24:41,929 --> 00:24:44,149

Sienna Kings, go back up here.

469

00:24:44,870 --> 00:24:44,990

Now.

470

00:24:44,990 --> 00:24:50,899

Maybe let's take this tree right here,

Brian here, and let's make a big decision.

471

00:24:50,899 --> 00:24:53,270

This tree lives on this side of the cabin.

472

00:24:53,270 --> 00:24:54,379

See how you can change your mind.

473

00:24:55,800 --> 00:25:03,750

You can pull this tree right over

here in front that easy, that easy on

474

00:25:03,750 --> 00:25:05,970

this canvas, you have unlimited power.

475

00:25:08,070 --> 00:25:12,930

Maybe say there, little grass

growing over here, maybe a

476

00:25:12,930 --> 00:25:15,060

little right in here, whatever.

477

00:25:16,140 --> 00:25:18,660

Let's take a brush with a white on it.

478

00:25:18,870 --> 00:25:20,460

Come right up to the bottom of the cabin.

479

00:25:21,930 --> 00:25:22,410

There we go.

480

00:25:24,625 --> 00:25:25,875

Little snow right in there.

481

00:25:27,675 --> 00:25:31,635

Watch your touch, push in the bristles.

482

00:25:33,524 --> 00:25:36,825

Just do this in layers,

continually in layers though.

483

00:25:37,965 --> 00:25:42,105

Grab the bottom, give it

a little pause like that.

484

00:25:42,975 --> 00:25:44,685

See how that just all comes together.

485

00:25:46,365 --> 00:25:47,385

She would tell you what maybe.

486

00:25:47,820 --> 00:25:49,410

Maybe there's a little spray right here.

487

00:25:50,610 --> 00:25:52,740

And that way it looks

like your stuff behind it.

488

00:25:54,510 --> 00:25:54,870

Yeah.

489

00:25:56,840 --> 00:25:57,050

Shoot.

490

00:25:57,050 --> 00:26:01,190

I tell you what, let's go on the other

side over here, maybe over here in our

491

00:26:01,190 --> 00:26:03,230

world, their live or their does now.

492

00:26:04,580 --> 00:26:06,350

Maybe there's a little

dirt lives right out here.

493

00:26:08,930 --> 00:26:14,210

Now once again, take a little titanium

height, grab that and just let it flow.

494

00:26:19,950 --> 00:26:20,639

And easy.

495

00:26:21,480 --> 00:26:25,020

Maybe see how you can break it up.

496

00:26:25,020 --> 00:26:27,659

And it creates the

illusion of depth in there.

497

00:26:29,659 --> 00:26:31,310

We've missed her in here

in about half a painting.

498

00:26:31,310 --> 00:26:32,120

It's not half bad.

499

00:26:32,120 --> 00:26:35,510

And I was just going to show

you how to relax and enjoy this,

500

00:26:36,320 --> 00:26:40,189

but I really hope you've tried

something like, yes, because it's.

501

00:26:40,545 --> 00:26:41,565

It's a great deal of fun.

502

00:26:41,565 --> 00:26:43,095

It teaches you how to use the equipment.

503

00:26:43,545 --> 00:26:47,835

It gives you confidence with the

equipment, and once you have the

504

00:26:47,835 --> 00:26:50,885

confidence, then you can do anything.

505

00:26:51,095 --> 00:26:53,375

You can do anything.

506

00:26:53,405 --> 00:26:55,715

I think we'll put a few little

sticks here and there there's one.

507

00:26:57,275 --> 00:27:00,065

And you can just go around in

here and they're tapping a few.

508

00:27:00,815 --> 00:27:01,355

My clap.

509

00:27:02,435 --> 00:27:04,865

That's really all there is to it

wherever you think they should be.

510

00:27:07,620 --> 00:27:09,060

And I think we'll call this finished.

511

00:27:09,450 --> 00:27:12,090

I really hope you've enjoyed this

experiment and I hope you try it.

512

00:27:12,120 --> 00:27:13,950

Let me hear from you from all of us here.

513

00:27:14,100 --> 00:27:14,730

Happy painting.

514

00:27:15,379 --> 00:27:16,139

God bless

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S19E04 - Snowy Morn

Bob Ross's

The Joy of Painting

No comments:

Post a Comment

FREE DOWNLOAD Bob Ross' The Joy of Painting Subtitles .srt Files FREE DOWNLOAD!

Report Abuse