Bob Ross's

The Joy of Painting

S22E03 - Around the Bend

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Hi, welcome back.

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I'm certainly glad you

could join us today.

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And I thought today would do one

of my favorite candidate paintings,

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where we use the black Jesso.

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So I tell you what, let's start out,

having run all the colors across the

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screen that you need to paint along with

us at home while they're doing that.

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Let me show you what

I've got prepared today.

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As I say this black Jessel is one of

my favorite ways to paint and today.

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I've taken black Jeff's so you

can plainly see and just paint the

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bottom with a little foam brush.

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And I've used a little brush and

just made some indications here that

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looked like little distant trees.

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This is one of the neatest sneakiest

ways of making little distant trees

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that look like they're far away.

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And it'll save you a lot

of time in your painting.

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So I think you'll enjoy this one.

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So let's, let's get started.

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I'll start out there with the old

two inspiration, a little bit of the.

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We use little fellow blue today.

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What the heck is such a fantastic day.

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Let's use some bright colors that just,

they make you, they make you happy.

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Just tap the bristles into the cover

to just make sure that you have a

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nice even distribution of color all

the way through the brush Kings.

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Go up here now.

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I've got the top cover

with liquid white as usual.

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The bottom of this canvas I've covered

totally and completely with a thin even

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coat of liquid clear on top of that, then

we've just put a little SAP green and

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put a little Vandyke Brown to dull it.

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Then you can see they sort

of blended together already.

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You have a Misty effect.

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Watch here.

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We'll take a little dip.

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They little blue, just make

little crisscross strokes.

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Start at the top as usual.

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And we work all the way across.

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Just allowing that color to blend

and this blending of the liquid

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white that's on the top here.

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And we'll just bring it right on down and

just let these, all of these little colors

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just come together that easy, that easy.

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Neat already though.

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It gives the impression that there's trees

far back in the distance and you can see

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beautiful little Mistier is in there.

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This black Jessa was one of the neatest

things that we've ever developed.

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There.

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Okay.

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And then very lightly, we can just go

across to take out the brush, strokes and

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blend everything together and that easy.

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We have a fantastic little sky and our

distant trees already, and it only takes

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a matter of a minute or two to do this.

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Try this you'll really like it.

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Now then let's begin building

something in the foreground.

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Let's take, we'll make some big

evergreen, so we'll take some black.

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I want to use some

pressure and blue today.

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I like that pressure and blue

and they look green and maybe

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a little lizard in Crimson.

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What the heck?

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As long as they're good dark colors.

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And I want to.

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A blue greenish base to it.

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So anything that comes out

looking that way will work fine.

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Can let me wipe the knife off here.

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We just wiped the knife on a paper

towel and I'll find a, find a little

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fan brush, number six, fan brush.

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And we loaded full of color.

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A lot of pain in the

bristles, both sides there.

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Okay.

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Let's go up here to the canvas.

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Now, then we have to make

some big decisions where to,

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where does Evergreen's live.

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So we'll just pick a point here and start.

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All you do is touch.

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Make us a little center line and just let

it, just let it run right down like that.

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Use a corner of the brush as you work down

the tree applied more and more pressure.

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So that tree gets bigger, stronger,

fuller, because it works downward.

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Look there.

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Okay.

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Now then maybe we'll

give him a little friend.

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We're going to cover up a lot

of these little background trees

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that were made with a black Jesso.

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But we're going to leave some of

them showing through and you will

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not believe the distance that you

can create in a painting just by

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doing little tricks like that.

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Okay.

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I like to paint these little evergreens.

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They're a lot of fun and this

will give you a lot of practice.

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Maybe we'll do them all the

way across the canvas here.

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This would be a nice place

for modal squirreled lift.

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And the last show we, we

showed you a little squirrel.

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That we called pea pod,

the pocket squirrel.

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And we've had so many people writing

called by the owner to show him again.

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Maybe we can introduce him to you

again in case you missed him last time.

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Yeah.

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We called him a pocket squirrel

because he would absolutely, I

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think live in my pocket continually.

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There he is.

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Isn't he?

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The sweetest little thing.

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It's just a little baby gray squirrel

and he can climbs down in my pocket at

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home and rides around there all day.

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And then sometimes he even falls asleep

in the old pocket and he'll stay there for

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hours and hours or fall out into there.

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I'm just making some little evergreens

while you've watched his, seeing

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him when he clams down the pocket.

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That's what he looks

like when he's asleep.

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I want you to see what he looks like

up close and he something, of course,

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he's got huge foots for his size.

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He's been with me now for about a

month and he'll be ready to go in.

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Just a few more weeks,

maybe a few more months.

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Sometimes I keep them a little longer

than actually I have to, to make sure

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they got the best possible start in life.

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And then we turn them

loose and off they go.

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And pretty soon they have their own

little squirrels and little condo

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in Miami and car payments of BMW.

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No, all this regular problems

that the rest of us have.

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There.

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I'm just still making little

evergreen trees using the

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corner of the old fan brush.

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And in your world, you put as

many, or as few as you want.

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It's up to you.

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Totally and completely up Telus, but a

little baby one right in between there.

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There just a little guy that's from my

little squirrel and then we need a couple

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of big, strong ones for the big squirrels.

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All right.

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I say, just put as many

or as few as you want.

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And they all shouldn't be perfect.

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Trees are like people, some of

them have flaws just like I do.

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There we are.

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So when you're painting trees, if one

of them doesn't come out just perfect.

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That's a nice tree.

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Don't don't always worry about them

being just perfect because it makes

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your painting look more realistic.

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Well, let's see.

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I'll show you.

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Watch here.

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Let me finish this one real quick.

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We just dropped in something.

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Maybe let's go right here.

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It didn't matter.

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Maybe this tree.

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I had a bad year and nothing grew right

there and we leave a little place naked

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and got no clothes on right there.

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Then maybe again here.

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But you can see a little bit

of the trunk showing through.

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Let's see how interesting

making a tree like it is.

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It just, it adds a little more life to

your painting, a little more realism.

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And if you're out selling paintings

and of course, none of us are

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interested in those happy books, but

if you, if you're out selling your

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paintings, this is what will make your

painting sell over your competitors.

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Sometimes just the fact that

you put little details in

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here that add to the realism.

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All right.

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We painted the whole forest

here just a minute or two.

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Okay.

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This is one of the nicest neatest

ways of making the indication

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of depth in your forest.

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Because of those trees that were made

with the Blake GSL back here and the

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pain's transparent enough that they

still show through a lot of times,

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evergreens like to grow in clumps.

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So we'll just put us a

clump or two here and there.

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Okay.

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Tell you what?

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Let's take a look.

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I have some trunks in our

little evergreens for that.

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I'll take a little titanium, white,

a little bit of the dark Sienna.

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Let me just make some that like,

so, so they're marbled me, wipe the

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knife off and you can see it better.

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Now we cut through that.

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Just cut through.

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We get a very small roll of paint,

right on the edge of the knife.

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If we can go up here and we just begin

deciding where our little trunks are,

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and we're not going to see all of

the trunk just here and there, you're

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going to see little, little pieces.

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Cause there's trees in front of trees.

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There's limbs.

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There's all kinds of things in here.

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Okay.

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Wherever you think they should be.

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Okay.

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So maybe we'll see all the

way down here to the bottom.

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A little more paint.

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Yeah.

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This one here, we can see quite a bit of

trunk right in there and there and there.

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Give him a little top, not gone down

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there that quick, you can put

the indication of a lot of

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little tree trunks in there.

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And with what's on your knife, you

could just pull through like it and

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it'll make it look like there's a lot of

trees where you've only painted a few.

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There then let's take,

I would just use that.

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Well, fan brush.

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It has some color on that has blue in it.

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So if we go into yellow naturally, we're

going to have a beautiful green color.

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We'll reach up here.

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Be right back, get a little black.

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I want to dull it down,

so, Oh, that's better.

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I want a very dark green.

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Okay.

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Now then let's go up in here.

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Let's begin putting in some nice little

highlights on our evergreen trees

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where you think a light would strike.

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You have to make a

determination at this point.

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Where are your lights coming from?

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Right side left side, straight on above.

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Wherever.

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Okay.

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I'm right-handed so I normally have the

light coming from the right side and

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you will find if you're right-handed

that normally is the easiest way.

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I see.

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I'm going to leave that one without

any highlights in my mind, he's sort

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of back in the background and maybe

these large trees have swiped the light.

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They've got it all.

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And he has none.

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She has to break it up a little,

just a little bit on there.

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There have to want this little guy

there, lift it up a little bit on here.

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Now when you're doing this,

sometimes it starts working so good.

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It feels good.

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And it just take off on you.

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You cover the whole tree with highlights.

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Be very careful that we don't lose

all that beautiful dark, dark.

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Color in these may be more important than

the light treasure at your good friend.

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Take care of it.

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There we go.

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I guess we better decide what we're

going to put on the bottom of this.

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Maybe, maybe we'll do a little,

like a little, maybe a little river

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today that sort of flows around.

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I don't know.

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We'll see.

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That's that's really the beauty

of this type of painting.

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You don't have to make all

the decisions immediately.

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The only thing that you need to know

basically is the time of day and the

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time of year and off you go, anything

you need from there as a little

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imagination, some practice, and just

a sort of a dream and off, off, you

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can go to any place that you want to

be anywhere that you want to be there.

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Kenny, maybe a little right in there.

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I don't know wherever you

want it, something like that.

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And that gives us a whole group of trees,

but look at the amount of distance that

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we have in these trees from just doing

this because of the black, just so you

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have all these little things in the

background and you can take your time

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and, and make these much more distinct

and more like trees, if you want it to

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I'm sort of lazy and was in a hurry.

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And I just sorta throw them,

throw them on with a foam brush.

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Okay, let's go into, we'll just

keep using that same old, dirty

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two inch brush that we were using.

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And we'll tap in a little color here.

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We're going to use some yellow ochre,

CAD yellow, and in yellow here and

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there a little bit of the bright red

and at that bright red, I believe

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you're not going to put with green

makes Brown and it's a dollar.

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You would think it would turn everything

red, but it actually does the color.

248

00:12:40,815 --> 00:12:41,745

And maybe in our world.

249

00:12:43,800 --> 00:12:46,050

There's some nice little grassy

areas that float out here.

250

00:12:46,050 --> 00:12:47,310

If we're going to have a little river.

251

00:12:48,600 --> 00:12:50,620

We need some little

grassy areas on the bank.

252

00:12:50,640 --> 00:12:56,660

I always liked to sit on the bank

and watch the river go by there.

253

00:12:57,920 --> 00:12:58,790

So we'll do that.

254

00:12:59,000 --> 00:13:03,079

But all you have to do

is just tap, just tap.

255

00:13:03,860 --> 00:13:06,860

And the more you tap, the darker

this will get, because it's picking

256

00:13:06,860 --> 00:13:09,829

up that SAP green and Vandyke

Brown mixture of this underneath.

257

00:13:11,204 --> 00:13:16,964

So that will happen automatically,

automatically just make all

258

00:13:16,964 --> 00:13:25,035

these little grassy areas here,

wherever the, there we go.

259

00:13:25,714 --> 00:13:28,775

And if you hear a brush tapping, it's

just loading a little more color into it,

260

00:13:31,954 --> 00:13:33,214

but think about angles here.

261

00:13:33,245 --> 00:13:35,735

Think about how you want the

land to flow in your world.

262

00:13:36,574 --> 00:13:37,925

It's very important that.

263

00:13:39,100 --> 00:13:41,500

We'll go back with a little

touch, a highlight color.

264

00:13:41,860 --> 00:13:44,199

And once in a while, I'm going

to add a least little touch of

265

00:13:44,199 --> 00:13:45,520

the liquid white to my brush.

266

00:13:45,910 --> 00:13:46,900

I want to do two things.

267

00:13:46,900 --> 00:13:48,579

I want them to paint and brighten it.

268

00:13:49,510 --> 00:13:49,600

Okay.

269

00:13:49,949 --> 00:13:54,120

So it'll stand out as a highlight

on top of these little grassy areas.

270

00:13:54,260 --> 00:13:56,540

Hi there.

271

00:13:57,590 --> 00:13:59,230

Yeah, we can begin bringing it together.

272

00:14:00,280 --> 00:14:04,270

Once again, the more you tap this,

the softer it becomes delicate.

273

00:14:04,690 --> 00:14:05,260

Absolutely.

274

00:14:05,260 --> 00:14:06,700

Be made to look like velvet.

275

00:14:07,150 --> 00:14:07,930

That's smooth.

276

00:14:13,900 --> 00:14:15,760

No, that we got this old brush.

277

00:14:15,790 --> 00:14:16,270

Go and shoot.

278

00:14:16,840 --> 00:14:18,520

Maybe we just use the corner of it.

279

00:14:18,880 --> 00:14:22,690

Maybe there's a happy little Bush or two

that lives right here below the trees.

280

00:14:23,265 --> 00:14:23,685

See you there.

281

00:14:24,525 --> 00:14:25,335

It's all there is to it.

282

00:14:26,535 --> 00:14:30,965

Maybe he's got a friend named

Harry lives right there.

283

00:14:33,305 --> 00:14:33,755

Okay.

284

00:14:33,795 --> 00:14:35,045

Little change of color.

285

00:14:35,075 --> 00:14:37,145

Maybe we'll add the least

little touch of the bright red.

286

00:14:37,865 --> 00:14:38,255

Whoa.

287

00:14:38,285 --> 00:14:38,855

Look at that.

288

00:14:40,175 --> 00:14:45,455

This guy as envy the neighborhood here,

he has gotten one beautiful coat on, give

289

00:14:45,465 --> 00:14:46,805

him a little friend lives right there.

290

00:14:48,125 --> 00:14:51,395

So you can create the illusion of

layers of little trees and bushes.

291

00:14:51,855 --> 00:14:54,435

Just a little things.

292

00:14:54,555 --> 00:14:56,115

This is where all the

little creatures live.

293

00:14:56,265 --> 00:14:57,255

They hide back in there.

294

00:14:58,905 --> 00:14:59,535

Maybe.

295

00:15:00,165 --> 00:15:01,575

I don't know, one more

little one right in here.

296

00:15:06,875 --> 00:15:09,485

Very soft, very quiet little places.

297

00:15:11,525 --> 00:15:16,055

Can we take the liner brush

and take a little bit of, Oh,

298

00:15:16,055 --> 00:15:17,575

we'll use a little bit of Brown.

299

00:15:18,135 --> 00:15:20,535

White, maybe here and there.

300

00:15:20,535 --> 00:15:25,905

There's just indication of a little,

little tree or stick it lives in

301

00:15:25,905 --> 00:15:29,685

there that easy just to drop it.

302

00:15:29,685 --> 00:15:29,835

Yeah.

303

00:15:31,709 --> 00:15:34,079

Now then time to make some big decisions.

304

00:15:34,500 --> 00:15:38,550

Let's go right into titanium white

here, just load a little on a clean two

305

00:15:38,550 --> 00:15:40,709

inch brush, just pure titanium white.

306

00:15:41,760 --> 00:15:44,219

And this is fun to do if you're

demonstrating for friends because they

307

00:15:44,219 --> 00:15:48,600

might not know that you've put color into

here and all they'll see is you load white

308

00:15:48,600 --> 00:15:50,550

paint and begin pulling straight down.

309

00:15:51,815 --> 00:15:54,785

And all of a sudden, it's going to

mix with the color that's underneath

310

00:15:55,895 --> 00:15:57,275

and things will begin happening.

311

00:15:58,415 --> 00:16:02,735

So I say this is a marvelous way

of shocking friends or relatives.

312

00:16:02,735 --> 00:16:07,055

If, if you're doing a little

demonstration for them, cause

313

00:16:07,055 --> 00:16:08,345

it'll just jump right out at you.

314

00:16:10,525 --> 00:16:11,275

There we go.

315

00:16:15,235 --> 00:16:17,785

We have instant water underneath there.

316

00:16:18,970 --> 00:16:20,440

And then let's take a little touch.

317

00:16:20,590 --> 00:16:24,340

I will use a Vandyke Brown, dark

Sienna mixed together, whatever.

318

00:16:25,000 --> 00:16:26,230

Cut off a little rolled with paint.

319

00:16:27,670 --> 00:16:30,910

Now then let's think about maybe

there's a little bank right here.

320

00:16:32,340 --> 00:16:33,510

Just a little bank.

321

00:16:34,980 --> 00:16:35,700

There we are.

322

00:16:37,330 --> 00:16:38,020

Okay.

323

00:16:41,055 --> 00:16:43,005

Do you like seeing the little squirrel?

324

00:16:44,095 --> 00:16:45,585

He is some kind of character.

325

00:16:46,635 --> 00:16:47,055

It's not to say.

326

00:16:47,055 --> 00:16:49,425

We call him Pete pod, the pocket squirrel.

327

00:16:50,295 --> 00:16:52,725

Cause that little rascal

absolutely loves pie.

328

00:16:52,755 --> 00:16:55,095

I have an old ragged robe

that I wear around when I'm at

329

00:16:55,095 --> 00:16:57,194

home and he climbs in there.

330

00:16:59,055 --> 00:17:00,584

And he just rides around.

331

00:17:00,584 --> 00:17:02,944

And when I take a shower, I just

hang the robot for something.

332

00:17:02,964 --> 00:17:04,625

He stays in there while I'm showering.

333

00:17:05,474 --> 00:17:07,784

When I come out and he's waiting

on me, ready to go for another

334

00:17:07,784 --> 00:17:15,065

ride, take a little Brown and

white, put a little touch of color.

335

00:17:15,125 --> 00:17:17,345

Just a little highlight right

along the top of some of

336

00:17:17,345 --> 00:17:21,545

those there, something I can.

337

00:17:23,585 --> 00:17:25,204

Now this grab another fan brush.

338

00:17:25,204 --> 00:17:26,284

I have several going here.

339

00:17:27,030 --> 00:17:31,139

Take a little liquid white going

to the right into some titanium,

340

00:17:31,139 --> 00:17:33,480

white liquid whites in there

only to make it a little thinner.

341

00:17:34,649 --> 00:17:40,639

Let's go up in here and just begin, barely

grazing the canvas right below that Brown.

342

00:17:45,510 --> 00:17:47,959

Just make it look like there's

a little movement in this water.

343

00:17:48,139 --> 00:17:48,889

Little shimmer.

344

00:17:50,584 --> 00:17:51,754

Little things happening.

345

00:17:58,615 --> 00:18:01,764

Just some very nice little

spots that happen in there.

346

00:18:02,814 --> 00:18:06,054

Now, then this band let's use a

little Filbert brush, show you a

347

00:18:06,054 --> 00:18:07,885

little trick, take some liquid wine.

348

00:18:08,875 --> 00:18:11,485

If you've paid with me before

you've seen this would take a little

349

00:18:11,485 --> 00:18:13,014

dark sand, a little Vandyke Brown.

350

00:18:13,830 --> 00:18:15,510

And we'll mix that with a liquid flight.

351

00:18:15,540 --> 00:18:20,879

So we have a very thin paint,

very thin, just a little

352

00:18:20,879 --> 00:18:22,709

thicker than, than liquid white.

353

00:18:23,310 --> 00:18:25,560

And we'll take the brush

through van Brown, a little dark

354

00:18:25,560 --> 00:18:26,850

Sienna, just mix them together.

355

00:18:27,449 --> 00:18:28,860

A lot of color, both sides.

356

00:18:28,860 --> 00:18:30,389

And we go up here.

357

00:18:31,169 --> 00:18:33,870

I come right back down here

and only one side, we're going

358

00:18:33,870 --> 00:18:34,919

to go through this STEM paint.

359

00:18:34,919 --> 00:18:40,260

So we have them on top and

dark on the bottom light, dark.

360

00:18:40,725 --> 00:18:41,625

Then click.

361

00:18:41,895 --> 00:18:42,165

Okay.

362

00:18:42,854 --> 00:18:46,125

Now that we want to make some little

stones, take the brush, go in here

363

00:18:46,185 --> 00:18:48,375

and just give it a little by cat.

364

00:18:48,435 --> 00:18:49,004

Isn't that neat.

365

00:18:50,024 --> 00:18:51,225

Watch the little stones.

366

00:18:51,435 --> 00:18:51,824

How many?

367

00:18:51,824 --> 00:18:56,205

One 10, 20, a hundred

slip to you up to you.

368

00:18:56,205 --> 00:18:58,784

You can have as many or as

few as you want in your world.

369

00:19:00,315 --> 00:19:03,795

But just like, so when it makes the

highlight and shadow in one stroke

370

00:19:04,745 --> 00:19:10,235

hand brush and we clean up the bottom

of them, put a little ripple around

371

00:19:10,235 --> 00:19:12,485

his foot and we're in business.

372

00:19:14,315 --> 00:19:17,615

That's one of the things neatest,

nicest ways I've ever seen to making.

373

00:19:18,155 --> 00:19:18,215

Yeah.

374

00:19:19,035 --> 00:19:20,325

Making little stones.

375

00:19:20,835 --> 00:19:21,165

Okay.

376

00:19:21,255 --> 00:19:23,085

Let's have some fun time to get crazy.

377

00:19:24,075 --> 00:19:27,045

We use a one inch brush and maybe

in our world is going to live.

378

00:19:27,315 --> 00:19:27,525

Yep.

379

00:19:27,735 --> 00:19:28,155

Right here.

380

00:19:29,745 --> 00:19:30,855

Nice Bush lives here.

381

00:19:32,185 --> 00:19:37,275

It's a beautiful place for a

Bush to live right in there.

382

00:19:38,235 --> 00:19:40,815

And he just uses this dark to

put in some background color.

383

00:19:42,645 --> 00:19:44,955

This could just about be

done with anything you could.

384

00:19:45,405 --> 00:19:46,665

You could put this on with your shoe.

385

00:19:46,665 --> 00:19:47,505

It didn't matter.

386

00:19:48,345 --> 00:19:49,185

Really doesn't matter.

387

00:19:50,145 --> 00:19:54,405

All you're looking for is some

basic shapes here just for us here.

388

00:19:56,325 --> 00:19:56,595

389

00:19:59,625 --> 00:20:04,125

okay, man, I have several

one inch brushes going.

390

00:20:05,610 --> 00:20:06,300

Let's take this one.

391

00:20:06,300 --> 00:20:09,720

I'll dip it into a little touch of the

liquid white once again, just to thin

392

00:20:09,720 --> 00:20:17,370

the color and we're going to yellow,

yellow, yellow, green, green, and they're

393

00:20:17,460 --> 00:20:21,840

all kinds of little yellow ochre, little

Indian, yellow, just back and forth.

394

00:20:22,380 --> 00:20:25,290

But that way you get a multitude

of colors happening in the brush.

395

00:20:25,920 --> 00:20:28,050

Can this go up here now?

396

00:20:28,050 --> 00:20:30,480

We have to make big

decisions in our world.

397

00:20:30,480 --> 00:20:31,560

There's a Bush that bibs.

398

00:20:32,385 --> 00:20:32,955

Right here.

399

00:20:33,135 --> 00:20:38,745

It's barely pushing up or just enough

to bend the bristles a little bit and

400

00:20:38,745 --> 00:20:43,695

begin thinking about shape and form and

what makes us a little Bush and India.

401

00:20:45,815 --> 00:20:46,445

There we go.

402

00:20:47,885 --> 00:20:50,764

If in your mind, you turn

each Bush into an individual.

403

00:20:52,050 --> 00:20:54,540

Then you work one Bush at a time.

404

00:20:54,990 --> 00:20:57,510

Think about that little, re-ask

go give them a name if necessary.

405

00:20:57,570 --> 00:20:58,020

Shoot.

406

00:20:59,399 --> 00:21:00,750

Some of your friends might look at you.

407

00:21:00,750 --> 00:21:04,530

Like you're a little strange, but, but

if you're a painter that's expected.

408

00:21:04,889 --> 00:21:05,580

That's okay.

409

00:21:07,470 --> 00:21:08,790

I had a little to bright red to that.

410

00:21:08,790 --> 00:21:11,340

Yellow ochre will make us a fireball.

411

00:21:12,205 --> 00:21:12,825

It's right there.

412

00:21:16,485 --> 00:21:20,225

You just, I'm just very in back

and forth between those colors.

413

00:21:21,995 --> 00:21:25,355

Here we are, but work in

layers, always work in layers.

414

00:21:25,985 --> 00:21:28,985

Then that way you can

drop another layer right.

415

00:21:28,985 --> 00:21:29,165

In.

416

00:21:30,435 --> 00:21:35,195

And it separates, it looks

different and it gives you dimension

417

00:21:35,195 --> 00:21:36,365

and depth to your painting.

418

00:21:36,365 --> 00:21:40,745

It's not, it's not just

all flat painting there.

419

00:21:42,095 --> 00:21:42,965

This is one of the things.

420

00:21:42,965 --> 00:21:47,705

When we're teaching instructors, we work a

great deal with teaching them how to make

421

00:21:47,705 --> 00:21:52,295

these little individual things, because

it's easy just to hit them at random, but.

422

00:21:53,880 --> 00:21:55,260

Your painting would look special.

423

00:21:55,650 --> 00:21:59,310

If you put these little efforts into

it and little extras, let's go back

424

00:21:59,310 --> 00:22:00,750

to her Vandyke Brown, a little dark.

425

00:22:00,750 --> 00:22:00,900

See?

426

00:22:00,900 --> 00:22:00,960

Yeah.

427

00:22:02,690 --> 00:22:05,210

And do this to put us

a little land in here.

428

00:22:07,010 --> 00:22:08,480

I won't show too much yet.

429

00:22:08,540 --> 00:22:08,900

It will.

430

00:22:08,960 --> 00:22:10,340

We're going to put some highlights on it.

431

00:22:11,270 --> 00:22:13,490

All we're doing once again is

putting in a little base color.

432

00:22:15,045 --> 00:22:16,785

And tell you what?

433

00:22:16,875 --> 00:22:17,685

Go back to that brush.

434

00:22:17,685 --> 00:22:18,675

It had a little white on it.

435

00:22:19,185 --> 00:22:22,065

Let's put us a little reflection

right underneath here.

436

00:22:22,155 --> 00:22:27,885

Grab it, pull it straight down again,

straight down all the way up to here.

437

00:22:30,575 --> 00:22:36,245

Straight down, go gently across

just enough to give it a watery.

438

00:22:36,245 --> 00:22:36,575

Feel

439

00:22:45,185 --> 00:22:45,575

great.

440

00:22:47,445 --> 00:22:50,705

Now back to my little fan brush

and we'll go right in here.

441

00:22:50,705 --> 00:22:53,764

This is just white for the liquid

white and titanium and liquid.

442

00:22:54,675 --> 00:22:55,635

Just mix them together.

443

00:22:56,145 --> 00:22:58,965

And that thin painting will slide right

over the top of your thicker pane.

444

00:23:00,135 --> 00:23:03,165

Without S my son says I

would have solution together.

445

00:23:05,264 --> 00:23:09,135

There I go back to our little Philbrick.

446

00:23:09,165 --> 00:23:10,604

Let's put some more

little stones in there.

447

00:23:10,695 --> 00:23:13,395

I like, I like those little stones

in the water, and they're so easy to

448

00:23:13,395 --> 00:23:16,574

make this way, maybe in our world too.

449

00:23:17,115 --> 00:23:17,715

There we go.

450

00:23:18,314 --> 00:23:21,104

There's a happy little stone and

the other one right in there.

451

00:23:22,530 --> 00:23:25,110

There is one, some right,

that appear on the bank.

452

00:23:27,150 --> 00:23:28,920

And you put as many as

you want in your world.

453

00:23:31,155 --> 00:23:35,475

Lester reminds me of some of the

scenery that I used to enjoy in Alaska.

454

00:23:35,504 --> 00:23:40,754

I lived there for over a dozen years

and it's one of the most gorgeous

455

00:23:40,784 --> 00:23:42,284

places on the face of the earth.

456

00:23:43,905 --> 00:23:47,415

I like to tell people God was having

a good day when he made Alaska,

457

00:23:47,895 --> 00:23:49,034

everything went right for him.

458

00:23:50,594 --> 00:23:52,995

Now, then a little touch

of that Brown and white.

459

00:23:53,114 --> 00:23:56,564

We can go back in here and

put the indication of a little

460

00:23:56,564 --> 00:23:58,395

highlight right along in here.

461

00:24:00,705 --> 00:24:02,794

There they touching the canvas.

462

00:24:02,794 --> 00:24:07,534

If you painted mountains, you know,

this is just barely Grazie, barely,

463

00:24:07,534 --> 00:24:10,175

barely grazing pick our fan brush.

464

00:24:10,205 --> 00:24:11,975

It has a little green and yellow in it.

465

00:24:13,085 --> 00:24:15,845

Pop in a few little things at

work their way, right down the

466

00:24:15,845 --> 00:24:17,645

side here, it sort of cleans up.

467

00:24:17,645 --> 00:24:19,774

Everything gets rid of that

straight line across there.

468

00:24:21,274 --> 00:24:23,855

Just makes it a little more

pleasing to take the knife.

469

00:24:25,020 --> 00:24:29,100

Go in here and scraping a few little

sticks and twigs, since that was black,

470

00:24:29,100 --> 00:24:30,750

these sticks will come out, looking dark.

471

00:24:32,280 --> 00:24:39,510

Sometimes it's nice to take a

little touch of light color and

472

00:24:39,510 --> 00:24:43,080

put in a few little, little white

ones here and there that show up.

473

00:24:43,950 --> 00:24:47,430

You find these in the woods all

the time, your dad's interest to

474

00:24:47,430 --> 00:24:48,480

your painting when you do that.

475

00:24:49,740 --> 00:24:50,040

Okay.

476

00:24:50,130 --> 00:24:50,880

Let's get crazy.

477

00:24:51,330 --> 00:24:51,900

You know, mean.

478

00:24:52,530 --> 00:24:54,990

I like to do these big tree things.

479

00:24:55,080 --> 00:25:00,030

Let's take, let's take the Browns,

both Browns, put them on a fan brush

480

00:25:01,230 --> 00:25:02,700

and we'll come right over here.

481

00:25:03,090 --> 00:25:05,580

And I'm going to once again, take

one side through that light color.

482

00:25:06,510 --> 00:25:07,860

Maybe we'll put our light side over here.

483

00:25:07,860 --> 00:25:11,820

We don't think it really matters

too much in this particular painting

484

00:25:12,870 --> 00:25:16,080

by double loading it brush we'll

make both sides of the tree trunk.

485

00:25:16,620 --> 00:25:17,340

At one time.

486

00:25:18,960 --> 00:25:19,590

There we are.

487

00:25:21,105 --> 00:25:24,335

See the light in the

dark side all at once.

488

00:25:25,155 --> 00:25:25,545

Tell you what?

489

00:25:25,545 --> 00:25:26,024

That was fun.

490

00:25:26,085 --> 00:25:26,745

Let's do another one.

491

00:25:27,885 --> 00:25:28,815

Maybe in our world.

492

00:25:29,055 --> 00:25:29,835

Let's get crazy.

493

00:25:30,795 --> 00:25:33,825

Maybe there's a great big one

here that sort of fell over right

494

00:25:33,825 --> 00:25:36,524

through the pretty Bush that's okay.

495

00:25:36,555 --> 00:25:38,175

We know he's there and

we know how to make it.

496

00:25:38,175 --> 00:25:47,295

If we need him again, let's make

us a big tree, big old tree there.

497

00:25:49,465 --> 00:25:52,064

The light coming down the side,

but just tap with a fan brush.

498

00:25:52,064 --> 00:25:56,925

You'd be, you'll be amazed at what

beautiful tree trunks you can make

499

00:25:56,925 --> 00:25:58,425

just by tapping with the old fan.

500

00:25:58,425 --> 00:25:58,574

Right.

501

00:26:00,364 --> 00:26:05,705

All that you have to do back to my liner.

502

00:26:05,705 --> 00:26:07,804

Brush paint, thinner.

503

00:26:09,584 --> 00:26:11,524

I'm to go right into a

little bit Brown color.

504

00:26:12,185 --> 00:26:15,094

We'll put the indication here

and there are some little limbs.

505

00:26:17,284 --> 00:26:17,824

Yeah.

506

00:26:19,065 --> 00:26:26,625

Just like, so just a few here and there

might be back here in the background,

507

00:26:27,825 --> 00:26:29,715

use a fan brush, some of that dark color.

508

00:26:30,495 --> 00:26:33,135

Maybe there's a few gold

leaves hanging on this tree.

509

00:26:34,905 --> 00:26:39,254

Just a few little highlight.

510

00:26:40,530 --> 00:26:46,159

I'm right in here, but the indication

of a few little, little sparkers

511

00:26:46,159 --> 00:26:53,780

on this tree and this last old

tree here, maybe it's dead for it.

512

00:26:53,990 --> 00:26:56,929

We'll just put the indication of a fuel

lambs that are hanging around here,

513

00:26:59,960 --> 00:27:04,370

there, but isn't that a fantastic

way of making a very effective little

514

00:27:04,370 --> 00:27:06,860

scene, just using the blank Jessa.

515

00:27:06,919 --> 00:27:07,909

It works so well.

516

00:27:08,235 --> 00:27:10,635

And you can do it, give it a try.

517

00:27:10,935 --> 00:27:13,304

I think you're absolutely

fallen in love with it.

518

00:27:14,235 --> 00:27:16,995

And with that, I think we

have a finished painting.

519

00:27:17,024 --> 00:27:18,165

Hope you've enjoyed this one.

520

00:27:18,645 --> 00:27:20,985

And from all of us here, I'd

like to wish you happy painting

521

00:27:21,495 --> 00:27:22,574

and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S22E03 - Around the Bend

Bob Ross's

The Joy of Painting

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