Bob Ross's

The Joy of Painting

S20E08 - The Old Oak Tree

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Hi, welcome back.

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Certainly glad you could join me today.

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You're ready to do a

fantastic little painting.

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It's quite different.

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Good.

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Tell you what, let's start out and

having run all the colors across the

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screen that you need to paint along

with me while they're doing that.

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Let me show you this crazy

thing I got going up here today.

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Today I've taken some black Jesso,

just plain old black Jesso, and I've

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sort of drawn out a little design here.

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Ooh, I'm glowing.

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As you can see here, I'm going to have

the old Oak tree right here or something.

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And I've just put a little design there.

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Let the black Jesso dry

completely, totally dry.

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Cause the Jesso is an acrylic

base after that's totally dry.

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I've covered the entire canvas with a

thin, very thin even coat of liquid clear.

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And while that's still wet, I've just

taken a little tiny bit of a low blue.

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I'll put the clear on there only so

that when we put the fellow blue on

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there, we can put like a glaze, a

very, very small amount of color.

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If you don't have the clear on there,

it's difficult to put a tiny little bit.

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Okay.

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And with that, let's have some fun

what the heck, what the heck has to

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be a crazy painting in every series

and maybe in this series, this is it.

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We'll start with little titanium

white on our two inch brush

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and just load a little color.

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Let's go up in here.

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Now.

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I want to have backlighting

in this particular painting.

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I wouldn't like to be shining

from behind and coming through and

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making some spectacular effects.

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Let's start right here and here,

we'll just take this titanium white

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and just make little crisscross

strokes and begin blending outward.

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So, this is the reason here that we only

want a small amount of that fallow blue.

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If you have a great deal, when you

put this white on there, it's just

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going to turn brilliant dark blues.

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And in this case, all we're looking

for is a glow coming through, but

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starting the lightest area and workout.

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Automatically it'll pick up this darker

color and it gets darker, darker,

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darker as it comes out that the canvas

and the liquid clear in the paint.

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Do the work for you.

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This is, this is a lazy

man's way of painting.

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Okay.

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Now a little more of the white and

I want some more light coming from

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this side of the tree over here.

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So we'll come right up to here.

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It doesn't matter if you get

a little on the tree, cause

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we're going to paint it anyway.

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Was still just plain titanium white

though, but it's mixing with it.

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They look blue and liquid clear that's

on there and you get this beautiful glow

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and it almost happens automatically so

simple when you use this flag, Jess.

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So that's one of the neatest

things we've ever invented.

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Shoot.

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Since we introduced this since it's

being used all over the country

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now, Just amazed that somebody

hadn't done it a long time ago.

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It's almost a psychological,

if you have white.

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Yes.

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So you were to have black Jessup

and you can do this as many times

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as you want to achieve a desired

lightness, so you can fill it.

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And it gives the indication sort

of like slight raising him through.

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Just box pulling there.

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Maybe I'll put a little

more on this side too.

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I want it a little brighter.

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When you do yours, you decide

how bright you want it.

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Something like that.

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Yeah.

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I'm going to mix up, mix

up and get the knife here.

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Take some fellow blue

and a lizard Crimson.

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Okay.

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And proportionately much more Crimson and

blue because the blue is so strong there.

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Okay.

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I'm looking for a lavender color,

but to the blue side, sorta to

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the blue, that's good right there.

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That'll do what we want.

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Wipe off her knife.

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Tell you what?

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Just use the same old brush.

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We got it going.

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And it's working well, no, you stop and

tap a little color into the bristles.

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There we are.

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Just a little, yeah, let's go right

up in here and make some big decision.

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Maybe in our world.

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There lifts some happy

little trees back here.

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Just start thinking about some

very basic little shapes though.

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And I'm using just the

corner of the brush.

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And with that, we'll begin tapping in

all the little branches that are hanging.

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We back in there and want to

leave some little light areas.

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We'll let some light glow

show through my trees there.

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I like these paintings that

have the backlighting in it.

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My partner, Nick, she thinks

these are the neatest paintings

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when they have backlighting.

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So maybe we'll dedicate this one

to her and that this one's for you.

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There we go.

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Just drop that in, but all you're worried

about now is just basic form and shape.

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We're not concerned with much

anything else at this point later on.

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We'll worry about things right now.

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We're just having fun.

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Just having fun there now then let's take,

let's take, let's take, let me grab the

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old liner brush, put paint thinner on it.

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And we want to, we want this paint

to be thin, like ink or water.

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Very thin though.

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Turn the bristles when you

take it out saying so it brings

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it to a nice sharp point.

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Now then with that, I want to put

the indication here and there.

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Uh, some little twigs and sticks

and just little things that live

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inside of these trees that hold

them all up and keep them together.

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They're just a few here and there

wherever you think they should live.

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It's exactly where they should be.

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All right.

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Now, if you had trouble making

this paint flow, chances are you

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need to add a little more thinner.

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You have enough thinner in

there it'll flow right over

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the top of that thick paint.

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Okay.

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Let me see.

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I have, I have several brushes going

to be grabbing another one here,

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take a little bit of that lavender

color, same lavender color, and go

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into the titanium white and I want

to load some color into the bristles.

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Push the brush, push it.

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See that little Ridge

of paint right there.

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There's a Ridge just like that

on the end of the bristles.

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And that's what we're looking for.

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Give it a little shove,

little push can screw up here.

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Now that I'll put some highlights, think

of that light zinging through there.

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See there just the corner of the brush,

just the corner and begin shaping

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all your little things in there.

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Look at that.

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Look at that.

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It's that easy though.

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Thank you about individual limbs and

all kinds of little things there.

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Same here's one wherever

you want, wherever you want.

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Oh, that was sparkle.

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Cause the lights just

singing through them.

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Okay.

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Now, as I go back, I want

them to get a little darker.

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So I'm gonna take that same color.

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And I had the least little amount

of the thalo blue, same color, white

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with a little halo, blue in it.

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Push once again to get that

little Ridge of paint there.

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Just give it a little push now then

we'll start the next layer of trees here.

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But because this has the blue in

it, it's a little touch darker,

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and it'll give the impression that

not as much light's hitting it.

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There

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we go.

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Well, once again, work on little

individual shapes and forms.

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See there, how you can make all

those little doors in there.

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This is one of the easiest

ways I've ever found it.

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We're making a lot of

little trees real easy.

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Let's go back to the brush.

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It has a dark color on it.

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We're working in layers here, and I

want the next layer to be a little

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darker, but leave me, put a little of

them up there, right through that tree

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right there, right through the branch.

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We can see some of those.

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Just create the next tree branch

in there, whoever, and every

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painting is going to be different.

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So look at your painting.

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Don't just try to copy this one.

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Look at your painting and decide

what makes it look the best.

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A little more of that same basic color.

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Make it a little touch,

darker a little more of that.

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We're going to go back up here.

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Oh, that's nice.

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That's nice.

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There we go.

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And just work these back and forth,

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create the illusion of all

kinds of things in here.

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There's one comes right

out from behind the tree.

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Once again, don't worry.

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If you get a little pain on the

trunk, cause we're going to come

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back in there and paint all of that.

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Maybe there's some big old

hanging down things right there.

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PayGo bushes, just

heavily items at hangover.

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They're all those little

individual things.

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So that's what makes

her painting beautiful.

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Now I'm going back to my liner, brush

a little bit of that lavender color.

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Let me get a little more paint thinner.

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You want to stand once again?

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Almost like ink.

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Very thin though.

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You see, it's almost

running on the pallet here.

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Turn that brush.

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Now we can go back in here and begin

picking out a few little individual

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things better, make it a little darker.

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It doesn't show up well enough.

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They're old.

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Oh, that's better.

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Had to change the flavor, a

little had to change the flavor.

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And this is your world.

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So you can do it any way that you want.

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Maybe there's a larger, which tree

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got to make those little

noises or it won't work.

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There came a little more color.

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Let's put a few little arms on this

tree, push it way back in there.

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There may be.

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Discipline comes right over in front.

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You just have arms coming out the

side, let someone go across the

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front of the tree behind the tree.

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Otherwise it looks like somebody

took a big razor blade and

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just cut your tree in two.

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And all you see is half of it.

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Little knocked off

branches here and there.

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That's coming out.

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Pretty good.

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Take let's go over another side

here and I'm gonna do basically

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the same thing over here.

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On the other side, we'll start with

some of the lighter lavender color.

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I began thinking about little individual

shapes and forms there, tell you what,

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while we're doing this, because it's going

to be just like we did on the other side.

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Let me share a couple of more,

more little creatures with you.

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I mentioned earlier in one of the shows

that I'd met a fantastic lady in Florida

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by the name of Carmen Shaw, and she's

allowed me to come out and film some

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of her animals and she has some of the

most beautiful little Florida deer here.

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Aren't those beautiful little characters.

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I don't know how anybody

could shoot Bambi.

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I like these little characters.

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I don't want to take them all home with

me, almost moving in the house with me.

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But these are the most gentle little

creatures in both of these have been

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injured to the point that they'll

never be able to be released again.

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I'm just putting in the same old trees

while you watching the deer there.

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It's interesting.

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These deer, for some reason, took a liking

to my hair and pulled it off nearly.

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This is a little bitty raccoon,

just a tiny little baby.

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When she had just got in, he was a mess.

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But he's a cute little devil by the time

you see this, he'll probably be growing

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up and going off and have his own family.

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Okay.

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And they're cute though.

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I like these little creatures in there.

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I really hope you enjoy seeing them too.

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I'm going to take a little of paint

thinner and a little bit of color.

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And just over here, I'm doing exactly

the same thing I did on the other side,

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just putting in a few indications of some

tree trunks, limbs, branches, sticks,

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twigs, whatever you want to call them.

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There we go.

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Getting few little things here and there.

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All right, let's take, I go back to

this brush has mostly white on it.

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A little bit of the titanium white and

just like we did on the other side,

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let's put a few little highlights

in here just to make them a little

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Rascals to sparkle in this there.

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Okay.

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And once again, pay attention to shape

and form and all those little things

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when you're doing your own painting.

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I know you get tired of hearing me

say that, but it is so important.

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So important there because I

want you to be happy with this.

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And if it works well for you, then

you will going back to my brush.

246

00:13:31,345 --> 00:13:34,064

It has a dark color on it and

put in another layer here.

247

00:13:36,765 --> 00:13:40,485

Each layer is getting a little darker

and as it comes out of this bright,

248

00:13:40,485 --> 00:13:44,895

intense light, maybe it will begin

seeing a little color in some of these.

249

00:13:46,935 --> 00:13:47,625

There we go.

250

00:13:51,255 --> 00:13:53,895

Just think about the shape that

you want this tree to be, and

251

00:13:54,015 --> 00:13:55,335

the limbs that are hanging over,

252

00:13:59,564 --> 00:14:01,515

let's say I really like his black canvas.

253

00:14:01,515 --> 00:14:05,505

This black Jessup is one of the

neatest things that I've ever seen.

254

00:14:08,265 --> 00:14:11,714

It's one thing about a

television show here.

255

00:14:11,714 --> 00:14:16,334

It's allowed me to introduce a lot

of ideas into the art world that

256

00:14:16,334 --> 00:14:20,295

I've had for a long time and this

way I get to show them to people.

257

00:14:22,324 --> 00:14:23,015

There we go.

258

00:14:23,824 --> 00:14:25,055

Some of them pretty good ideas.

259

00:14:25,055 --> 00:14:28,505

There's a lot of, a lot of companies

now that are making different

260

00:14:28,505 --> 00:14:29,915

colored USO's and et cetera.

261

00:14:34,055 --> 00:14:34,625

Enjoy it.

262

00:14:34,655 --> 00:14:35,464

Let's take a little bit of that.

263

00:14:36,305 --> 00:14:36,964

They love blue.

264

00:14:38,699 --> 00:14:39,750

Can come right along in here.

265

00:14:40,740 --> 00:14:42,230

Just put it a few little things in there.

266

00:14:42,260 --> 00:14:44,420

I will start getting into

some color very quickly.

267

00:14:45,650 --> 00:14:52,370

So I just want a few little tips

sticking out there really about all.

268

00:14:52,370 --> 00:14:56,120

And I want maybe tell you what, let's make

some individual little bushes right here

269

00:15:01,310 --> 00:15:03,800

and we'll give them a little friend

that lives right about there.

270

00:15:06,120 --> 00:15:11,580

But you can create just layer after layer,

after layer, try to do one Bush at a time.

271

00:15:12,780 --> 00:15:14,850

I know sometimes it looks

like, cause we're in a hurry.

272

00:15:15,390 --> 00:15:18,270

It looks like we just jump up here

and knock in about 50 of them at once.

273

00:15:18,810 --> 00:15:23,970

But normally, normally we only do one

little Bush at a time and each one does as

274

00:15:24,090 --> 00:15:29,670

an individual, I'm going to go right into

the least little touch of the CAD yellow.

275

00:15:29,940 --> 00:15:31,380

And now we have blue on the brush.

276

00:15:32,160 --> 00:15:37,980

So that's going to make a nice light

yellow, green color, and that's how

277

00:15:37,980 --> 00:15:39,650

we begin getting into color pure.

278

00:15:41,060 --> 00:15:42,170

Ooh, look at that.

279

00:15:42,550 --> 00:15:42,970

Look at that.

280

00:15:45,290 --> 00:15:46,850

We've got some color in our leaves.

281

00:15:49,220 --> 00:15:52,040

Just a little, maybe I'll add at least

a little touch of SAP green to that.

282

00:15:52,040 --> 00:15:53,210

Bill it down a little bit more.

283

00:15:54,410 --> 00:15:54,770

Oh yeah.

284

00:15:54,850 --> 00:15:55,520

I kept better.

285

00:15:57,830 --> 00:15:58,490

There we are.

286

00:16:00,780 --> 00:16:05,820

Kenny little black, black, Odell it

down and make a very dark deep green.

287

00:16:06,240 --> 00:16:08,490

And we'll use that a little

further on back in here.

288

00:16:10,050 --> 00:16:12,780

Just midnight black, the yellow.

289

00:16:14,490 --> 00:16:15,060

There we go.

290

00:16:17,070 --> 00:16:17,330

Okay.

291

00:16:17,330 --> 00:16:18,630

Maybe it comes right down.

292

00:16:19,995 --> 00:16:24,344

In there, something like that.

293

00:16:25,834 --> 00:16:29,765

Let's take a liner brush, put us

in a few little trunks and sticks

294

00:16:29,765 --> 00:16:33,995

and twigs paint thinner there.

295

00:16:34,084 --> 00:16:38,584

Think, just let some of these

show through and look at it all.

296

00:16:39,305 --> 00:16:42,844

And that sort of gives it to a

much nicer little feel to it.

297

00:16:43,714 --> 00:16:46,235

Cause you always have all these

little sticks that are showing out.

298

00:16:49,580 --> 00:16:55,130

All of maybe, maybe, maybe,

maybe over in here you can make

299

00:16:55,130 --> 00:16:58,190

out and there's one right there.

300

00:16:58,580 --> 00:16:59,420

You knew it was there.

301

00:16:59,420 --> 00:17:02,060

Didn't you give him an arm too?

302

00:17:02,090 --> 00:17:02,930

We don't want him left out.

303

00:17:05,625 --> 00:17:06,495

Something there.

304

00:17:06,915 --> 00:17:10,035

And by putting these in the foreground,

it helps push everything else back.

305

00:17:11,115 --> 00:17:11,444

Okay.

306

00:17:11,474 --> 00:17:12,885

Let me wipe off the old brush.

307

00:17:14,235 --> 00:17:18,105

Let's go into some of her midnight,

black, little yellow, and make a darker

308

00:17:18,105 --> 00:17:23,985

green now loading the breast the same

way pushing to has pushing like it.

309

00:17:24,795 --> 00:17:31,545

Maybe in our world right here lives

a little tree there, just like that.

310

00:17:33,990 --> 00:17:34,890

There he is.

311

00:17:39,960 --> 00:17:40,920

Okay, good.

312

00:17:44,730 --> 00:17:47,390

Darker, darker down here wants

to feed right into nothing.

313

00:17:48,440 --> 00:17:49,610

Then I'll go back to my liner.

314

00:17:49,610 --> 00:17:53,540

Brush, pick up a little

bit of that dark paint.

315

00:17:53,810 --> 00:17:59,000

It we'll put the indication down here

of some little sticks, twigs trunks.

316

00:17:59,310 --> 00:18:02,429

Liam's whatever, once again,

that you can see here in there.

317

00:18:05,600 --> 00:18:05,960

Okay.

318

00:18:06,980 --> 00:18:10,220

Sometimes it's nice to take a little

light color, maybe like a little of the

319

00:18:10,220 --> 00:18:18,409

titanium white and have some back in

here that are much lighter, much lighter.

320

00:18:19,580 --> 00:18:21,080

They're going to dull

that down a little bit.

321

00:18:21,110 --> 00:18:26,000

A little fellow blue is too bright King.

322

00:18:26,060 --> 00:18:27,020

I have a few of those.

323

00:18:27,930 --> 00:18:28,710

Wherever you want them.

324

00:18:30,860 --> 00:18:35,340

You want to maybe a few back in here

in this little rascal, but just sort

325

00:18:35,340 --> 00:18:39,660

of play back and forth with color

and get it the way you want it.

326

00:18:42,510 --> 00:18:43,650

Put all those little Rascals.

327

00:18:45,600 --> 00:18:46,439

I think it's time.

328

00:18:46,709 --> 00:18:50,639

We came down to the bottom of that

and began putting in, putting him,

329

00:18:51,209 --> 00:18:53,100

we make a little darker green here.

330

00:18:53,100 --> 00:18:55,560

I'm going to add some

yellow ochre to that.

331

00:18:56,370 --> 00:19:00,209

Maybe even a little Indian,

yellow, quite dark coat.

332

00:19:00,240 --> 00:19:03,209

Now getting into some

deeper shadows down in here.

333

00:19:06,260 --> 00:19:07,669

They are last Bush.

334

00:19:08,659 --> 00:19:09,889

The Bush lives in there.

335

00:19:10,459 --> 00:19:12,649

He's got a friend named

Harriet lives right there.

336

00:19:14,085 --> 00:19:14,564

We are

337

00:19:20,504 --> 00:19:21,314

one in there.

338

00:19:22,335 --> 00:19:25,534

Just wherever you want them little

Rascals, just living your breasts

339

00:19:25,544 --> 00:19:27,905

or you just shake them out sometime.

340

00:19:28,415 --> 00:19:30,095

Now let's start working

on this old big tree.

341

00:19:30,304 --> 00:19:31,534

That's the fun part of this.

342

00:19:32,044 --> 00:19:35,855

Let's use a fan brush go right

into Vandyke Brown, dark Santa.

343

00:19:35,855 --> 00:19:37,115

Just mix them on the brush here.

344

00:19:38,195 --> 00:19:40,774

Do you ask, mix them on the brush

load, both sides full of color.

345

00:19:41,265 --> 00:19:45,575

Whatever, let's go up here and

all I'm going to do, first of all,

346

00:19:45,635 --> 00:19:47,165

it just go right over the Jesso,

347

00:19:51,755 --> 00:19:52,535

just right.

348

00:19:52,535 --> 00:19:52,985

Like, yeah,

349

00:19:56,225 --> 00:19:58,805

because the Jessel's there

and it's already dark.

350

00:19:59,435 --> 00:20:01,475

You don't have to worry if you

miss a little area or something.

351

00:20:03,785 --> 00:20:08,945

This is big tree here, big old Oak

tree or whatever kind of tree you want.

352

00:20:08,945 --> 00:20:09,845

Maybe where you live.

353

00:20:10,380 --> 00:20:17,370

This would be a Sycamore or whatever,

like maple over hanging tree.

354

00:20:20,670 --> 00:20:24,120

I think that's what one of the engineers

here in the studio called us when he

355

00:20:24,120 --> 00:20:28,600

saw it said, Oh, hanging tree, man.

356

00:20:28,950 --> 00:20:32,760

It's going to take a little, little touch

of light color, little white, little

357

00:20:32,760 --> 00:20:35,580

dark Sienna, but a little bit lighter.

358

00:20:36,600 --> 00:20:41,220

And with that, is this where you pays

to have a nervous hand that it just

359

00:20:41,220 --> 00:20:46,110

wiggled and jiggled and carry on and

tap all these little things it'll make

360

00:20:46,680 --> 00:20:51,690

maybe hard to see on here, but you'll

get all kinds of little actions going on.

361

00:20:53,520 --> 00:20:54,870

All kinds of hope.

362

00:20:54,870 --> 00:20:59,520

You can see how that's beginning to

show up, but we want this to stay very

363

00:20:59,520 --> 00:21:02,100

dark because the lights behind the tree.

364

00:21:05,070 --> 00:21:10,620

This is, I say, this, this painting is

the light is from behind this back lip.

365

00:21:13,080 --> 00:21:13,800

There we go.

366

00:21:15,360 --> 00:21:19,680

But that's really about all you need

makes painting a big tree trunk.

367

00:21:19,680 --> 00:21:22,890

So easy, so very easy.

368

00:21:23,880 --> 00:21:27,360

And did you know this is a

lazy man's way of painting?

369

00:21:28,200 --> 00:21:31,860

Take some SAP green here,

little SAP, green, little, a

370

00:21:31,860 --> 00:21:33,600

little bit of the CAD yellow.

371

00:21:33,870 --> 00:21:34,050

Yeah.

372

00:21:34,050 --> 00:21:38,850

The ochre hearing there, the tiniest

little amount of the bright red, you

373

00:21:38,850 --> 00:21:42,930

put red in there because it's the

opposite of green and middle it dulls.

374

00:21:43,260 --> 00:21:44,670

The red X is a dollar.

375

00:21:46,070 --> 00:21:50,910

No, it doesn't make sense sometimes,

but it dolls now then let's go up here.

376

00:21:51,780 --> 00:21:52,860

Maybe in our world.

377

00:21:52,890 --> 00:21:55,410

There is a little bit of, yep.

378

00:21:55,440 --> 00:21:55,890

You're right.

379

00:21:57,180 --> 00:22:00,540

Let's just tap in just a

happy little grassy area right

380

00:22:00,540 --> 00:22:02,520

there, but it come right up.

381

00:22:04,110 --> 00:22:10,340

Maybe like, see there,

darker, darker, dark.

382

00:22:10,380 --> 00:22:13,980

Now the more you tap this, the darker it's

going to become, because there's going

383

00:22:13,980 --> 00:22:19,140

to pick up the color that's underneath

and it's going to get darker and darker.

384

00:22:20,370 --> 00:22:21,090

There it goes.

385

00:22:21,300 --> 00:22:24,810

Follow the old tree roots, like, so.

386

00:22:25,215 --> 00:22:25,754

Wherever.

387

00:22:29,955 --> 00:22:30,465

Okay.

388

00:22:31,065 --> 00:22:33,495

And you can change the lay of the land.

389

00:22:36,135 --> 00:22:37,965

You get a little more

of that black on here.

390

00:22:39,389 --> 00:22:39,780

What's here.

391

00:22:39,899 --> 00:22:41,639

What's here maybe right in here.

392

00:22:41,790 --> 00:22:43,290

We want a little Hill that comes down.

393

00:22:44,280 --> 00:22:45,659

You can change it that easy.

394

00:22:48,090 --> 00:22:48,810

There we go.

395

00:22:52,230 --> 00:22:53,370

Darker, darker, darker, darker.

396

00:22:54,840 --> 00:22:57,780

And when you do yours, you make it

this dark or as light as you want it.

397

00:23:00,524 --> 00:23:00,705

Hmm.

398

00:23:00,715 --> 00:23:01,004

Okay.

399

00:23:01,095 --> 00:23:02,504

This is a brush that has a lavender.

400

00:23:02,865 --> 00:23:07,985

I'll put the indication right here, some

little bushes that live back here and all

401

00:23:07,985 --> 00:23:10,895

you have to do is just tap on the colors.

402

00:23:10,895 --> 00:23:13,235

Like it, that's all it amounts to.

403

00:23:14,254 --> 00:23:16,264

I started destroyed my

edge on a sharp that bad.

404

00:23:16,385 --> 00:23:16,595

Yep.

405

00:23:17,915 --> 00:23:19,295

You can do that, dad easy.

406

00:23:21,485 --> 00:23:23,495

Maybe over here.

407

00:23:23,795 --> 00:23:25,235

I'll have this come this way.

408

00:23:27,105 --> 00:23:28,065

A little bit this way.

409

00:23:30,825 --> 00:23:31,155

410

00:23:34,845 --> 00:23:39,045

what angles are most, most

important, and this needs to stay

411

00:23:39,045 --> 00:23:44,175

very dark to make that light in the

background really, really stand out.

412

00:23:45,015 --> 00:23:47,895

It's that contrast that makes

us such an interesting painting.

413

00:23:48,705 --> 00:23:49,485

I'll take a fan brush.

414

00:23:49,485 --> 00:23:50,745

It has the Browns on it.

415

00:23:51,959 --> 00:23:53,790

This looks like a natural place to me.

416

00:23:55,110 --> 00:23:55,800

Yeah, you're right.

417

00:23:55,980 --> 00:23:57,330

I'm going to have a happy little path.

418

00:23:57,360 --> 00:24:00,270

You'd have to come down here

and see this beautiful tree.

419

00:24:01,080 --> 00:24:03,149

So you need a little path

to get back into the woods.

420

00:24:04,939 --> 00:24:05,209

Okay.

421

00:24:05,270 --> 00:24:07,790

A little the white, not much though.

422

00:24:07,820 --> 00:24:11,780

I don't want this to get too

bright little bike with a touch

423

00:24:11,780 --> 00:24:13,040

of the fellow blew into it.

424

00:24:13,820 --> 00:24:15,129

So it was cool color.

425

00:24:17,360 --> 00:24:18,530

Nice, cool color.

426

00:24:19,105 --> 00:24:23,925

Few little touch-ups here and there,

over in there, wherever you want it.

427

00:24:25,545 --> 00:24:27,435

And then let's go back.

428

00:24:27,435 --> 00:24:28,455

Turtle liner brush.

429

00:24:29,505 --> 00:24:34,845

I'm gonna go right into, I'm gonna

tell you what let's use black paint,

430

00:24:34,845 --> 00:24:38,445

thinner black, maybe in our world.

431

00:24:38,445 --> 00:24:39,945

There lives a big old tree.

432

00:24:40,785 --> 00:24:41,085

Oops.

433

00:24:41,325 --> 00:24:47,115

Ran out of paint, but more on her,

right about there, right about there.

434

00:24:48,900 --> 00:24:50,370

Give him some nice arms.

435

00:24:50,370 --> 00:24:58,920

Maybe it's another one there, wherever,

wherever, maybe this old trees did.

436

00:24:59,010 --> 00:25:00,450

There's a lot of dead trees in nature.

437

00:25:00,450 --> 00:25:04,770

So when you're painting, sometimes it

makes it look more natural and real.

438

00:25:06,750 --> 00:25:10,890

Don't be afraid to put a dead painting

in your painting or dead tree.

439

00:25:10,890 --> 00:25:12,210

And you're paying what I messed that up.

440

00:25:12,960 --> 00:25:14,850

Sometime your tongue gets

Soviet eye teeth, and you

441

00:25:14,850 --> 00:25:15,960

can't see what you're saying.

442

00:25:18,465 --> 00:25:26,225

They're like, so, and you can

take your time, put a lot of

443

00:25:26,225 --> 00:25:27,455

little tiny lambs in there.

444

00:25:28,595 --> 00:25:29,735

Really make it look nice.

445

00:25:31,595 --> 00:25:35,615

Tell you what let's do we need some,

we need some leaves on that big

446

00:25:35,645 --> 00:25:40,985

tree, but I want them very dark, very

subdued, dark green, very dark green.

447

00:25:41,735 --> 00:25:42,455

Let's come in here.

448

00:25:43,604 --> 00:25:48,195

And just begin picking out some little

individual limbs and shapes and forms,

449

00:25:50,235 --> 00:25:53,354

but you need to keep this very dark

or it's going to lose its effect.

450

00:25:54,155 --> 00:25:57,725

Very dark, very dark.

451

00:25:59,854 --> 00:26:02,645

Look at all those big

limbs hanging off there.

452

00:26:05,375 --> 00:26:08,495

If you try this painting, it is one

of the neatest little paintings.

453

00:26:09,555 --> 00:26:12,585

And it's very simple, very, very simple.

454

00:26:12,615 --> 00:26:16,065

Even if you've never painted

before this one, you should have

455

00:26:16,095 --> 00:26:19,865

pretty good success with it there

456

00:26:23,615 --> 00:26:24,785

a little bit over on this side.

457

00:26:24,905 --> 00:26:30,665

Don't want him to have down once

again, think about shape and form.

458

00:26:31,085 --> 00:26:33,725

Don't just throw these in at random

because you won't be happy if you do.

459

00:26:34,710 --> 00:26:35,910

Try this black Jesso.

460

00:26:35,970 --> 00:26:36,810

I think you'll find it.

461

00:26:36,810 --> 00:26:40,830

One of the neatest things that

you've ever used does a wonderful,

462

00:26:40,830 --> 00:26:41,790

wonderful little things.

463

00:26:43,379 --> 00:26:43,889

See you there.

464

00:26:44,190 --> 00:26:47,639

Now we had that big old tree it's full

of leaves and it's hiding back here.

465

00:26:47,970 --> 00:26:50,250

That's where my little squirrel's

going to live for when I let him go.

466

00:26:50,250 --> 00:26:50,970

When he grows up.

467

00:26:52,110 --> 00:26:54,480

Shoot, I think we about have

a finished painting here.

468

00:26:55,200 --> 00:26:57,720

We're going to call that one

done from all of us here.

469

00:26:57,810 --> 00:27:01,200

I'd like to wish you happy

painting and God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S20E08 - The Old Oak Tree

Bob Ross's

The Joy of Painting

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