Bob Ross's

The Joy of Painting

S21E02 - Tranquil Dawn

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Hi, welcome back.

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Certainly glad you could join us

today because day I thought we'd just

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do a fantastic little winter scene.

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It's very simple and I

think you'll enjoy it.

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So let's start out and hammer on all

the colors across the screen that

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you need to paint along with me.

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Are there doing that?

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Let me show you what

I've gotten done up here.

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Have our standard old pre-stretch

canvas up here and I use an 18

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by 24 inch, but you use whatever

size is convenient for you.

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And we've covered the

entire canvas with a thin.

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Even coat of liquid white and liquid

clear, I've mixed them together.

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So there's a little bit of each

and I want a little transparent

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up here and we'll have a little

glow in the sky thinking for that.

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I put a little bit of the liquid

clear with a white, so let's do that.

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Let's start out today with how

we'll use the old two inch brush.

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In a very small amount of the

yellow ochre, just a little

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can, let's go up in here.

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Now we have to make our first

major decision right here, where

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we're going to have a little glow

in the sky where where's it going

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to live maybe into our world.

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It live right about there.

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And that's basically all we have to do is

just sort of draw a little oblong circle.

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Like, so wherever you want, if you want

to just let it sort of blend out where,

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but there's not much color on the canvas,

very little color, and we're going to

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come back and we're going to add white

in there to make it even brighter.

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But right now we're just

applying a little color.

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I want to take her.

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Very small amount of dark Sienna,

very small amount and go right

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back into that yellow ochre.

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So it's a little bit darker, but not

much just a little be right back there.

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Dark Sienna, yellow ochre.

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And we can go up in here and right

around that first little layer of color.

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We'll we'll add that, Mike.

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So same thing again.

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Okay, we'll come over here.

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Just however, get a little bit more

of the color on the brush here.

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Same color, dark Sienna,

yellow ochre mixed together.

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But notice we're starting

out here and working back.

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So the lightest areas in here,

because in the meantime, it's mixed

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with the liquid white and it has

become lighter and lighter in value.

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So that happens automatically for you.

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And this is a lazy man's way of painting.

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Yeah.

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Now then let's take, we'll take, I will

take a little bit, they little blue,

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same old, dirty brush, they little blue

alizarin Crimson, and we'll begin making

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a lavender color and even a little bit

of that dark sand is still in it there.

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Okay.

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Let's go up in here now and we'll

just begin putting this on here

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and it'll make sort of a, sort

of a cold grayish color there.

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We'll just fill the canvas up with it.

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What the heck?

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We don't care anything.

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We don't like, we'll turn it into

a happy little tree or something.

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Because as you know, we all make mistakes.

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We just have happy accidents

and very quickly, when you're

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painting this, you learned.

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You learn to work with anything that

happens, anything happens, same color

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we use on the other side, we'll just

lay in a little color around that.

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Okay.

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Wash the old brush.

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And we wash our brushes with odorless

paint, thinner, shake off the excess

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and just cover everybody around.

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That's the fun part.

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Yeah, we'll just blend this out.

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If you clean brushes like this at home,

I might recommend that you get a little

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brush beader rack put in the bottom

of a wastepaper basket or something.

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It will certainly go a long way as

far as preserving your happy home.

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Because if you do this procedure

in your living room, your spouse

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is probably going to ask you to

find someplace else to dwell there.

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So a little brush speeder wrecks on a

couple of bucks and you drop it in there.

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Trash Canada, it'll save your home

and your marriage and certainly

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worth the investment there.

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Now we can smooth it out.

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And as we mentioned earlier, we

want a nice bright spot right

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here in the center of this.

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Someone take titanium wipe

just a little titanium way come

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right up in here without them.

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Pure white and just begin working outward.

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Start in the lightest area in work,

always outward, always outward.

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This will make like a glow in the sky.

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Very bright and it'll show up even more.

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When we get darker colors around, it

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looks nice already there in a

very lightly three hairs and some

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air just gently blend in Paris.

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That's all we're looking for.

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And sometimes it's fun just

to put a little sun in there.

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You can take a little white on your finger

and just make a little circle, like, so.

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And it usually looks a little

better if it's around square, sun

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seemed to bother a lot of people.

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I don't understand that, but

they do always go and that'll

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give us the indication of just

a little sun up here in the sky.

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Tell you what let's have some,

let's have some real fun here.

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I'm going to take some blue alizarin,

Crimson, proportionally, much

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more Crimson than blue because the

blue is many, many times stronger.

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And a little bit of that

same dark CNI in there.

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Same basic color was using this guy.

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Just mixing up a little

larger batch of it here.

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Now, then maybe in our world, there's

some nice trees that live back here in

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the background and they just sort of.

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Let's just do it and see what happens.

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Let's just see what happens.

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That's the beauty of it, uh,

painting this way because we

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use no patterns or no tracings.

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We learned very quickly

to just let things happen.

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That's when you experienced the joy of,

uh, freedom and creativity, you're not

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just tracing something that we've done and

following along and filling in the blocks

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here, you actually learned creativity.

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There.

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And that's where it's fun.

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That's when it's fun.

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Thinking about a big old tree that

lives right here, maybe just sorta

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looks out over all of this and think

about these things in your mind.

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You've paint a mental pictures and then

you put them on canvas quite frequently.

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I'm asked how much our practice

before I do one of these shows on TV.

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Normally, I don't do a lot of practice.

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I think about the painting

in advance mentally.

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And I paint a basic scene that I'm

thinking about over and over in my mind.

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And then when you come

here to do it, it's easy.

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It's like athletes practice.

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If they're going to do a big jump

or something, they'll practice that

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mentally over and over and over.

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And it's the same here.

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Just think about what you want to paint.

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Just let your mind go there.

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Anything that you believe you can do, you

can do, if you believe strong enough and

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you're willing to practice, you can do it.

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They're just layer after layer here of

all kinds of little things that live

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back in here, wherever you want them.

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Canvas have something on the other side.

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Shoot.

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We don't want it left out.

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This side will get jealous.

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If I don't put something here,

I'll tell you what maybe.

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Yeah.

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Maybe there's a happy little tree that

lives right there, right there, but

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just using the corner of the brush and

that easy you can build trees there.

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About making this color a little darker

it'll look like it's closer to you.

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So you already, it's beginning to look

layered and intentionally we've left these

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light areas here because we want the sun

to shine through when you're doing yours.

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Don't don't kill all these.

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This will excite people

when you're doing it.

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And of course, I know nobody's

interested in selling paintings,

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but what if you're out there selling

paintings, these little extras.

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That's what that's got to bring

that happy buck com there.

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Okay.

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Now let's take a liner,

brush some paint thinner.

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I want to thin this down to this.

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As thin as ink or water.

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In fact, you can see it running

right there on the pallet.

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See you there.

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It's very thin.

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Turn the brushes.

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You pull it back off the pallet, turn it.

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So it comes to a very sharp point.

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Let's go up there and

make some big decisions.

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There's got to be tree trunks and sticks

and limbs and all those things in here.

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Take the brush and just begin putting

them in just all kinds of things,

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wherever you think they should live.

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And maybe you don't see the entire tree.

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Maybe there's something in the front here.

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There some little doers that live out in

here wherever may being, see a few little

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things there and here and here and there.

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Just sort of let your imagination go.

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Let your imagination go there.

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Okay.

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Maybe over in here.

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Another thing that I get a lot of letters,

people are continually writing and

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asking if we edit these shows, there is

absolutely no editing done to these shows.

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No editing.

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What you see is exactly

the way it took place.

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We don't.

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And I know there are other shows that do,

but this is exactly the way it happened.

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If I did anything different without

telling you I'd feel like I was cheating.

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All right.

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Even the mistakes we leave on here.

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Okay.

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Let's go on the other side here.

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Now this whole tree here needs a nice

trunk and it's something to hold it up

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and we'll give it a wiggle here and there.

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So it's not just a straight trunk.

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It's got some character to it.

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We don't want them to just

look like a telephone pole.

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Somebody stuck up there with

leaves on it down there.

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If you have trouble with your paint

flowing, it only means that you don't

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have it thin enough, because if you paint

with me before, you know, our golden

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rule is a thin paint will stick to a

thick paint, but you can't reverse that.

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And this technique, it doesn't work well.

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Okay.

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Let's put some nice

little highlights at hand.

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We'll take a little bit of titanium,

white, a little bit of the CAD,

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yellow, not much just a small amount,

a little touch of a lizard Crimson.

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Maybe even a little yellow

ochre and dark sand, but there's

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a multitude of colors here.

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It's not one flat, dead, old color.

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I want a lot of things happening

in this little pile of color.

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Push the brush, give it a little

push that loads color right

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out on the tip of the bristles.

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Okay.

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Now then we can go up in here and just

using that little corner, you can begin

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putting in all kinds of little shapes.

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Now you can do this with a one inch.

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Brush me, get a little

more color going here.

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Do it with one inch

brush or two inch brush?

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It doesn't matter.

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Just whatever's convenient.

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I like the two inch brush.

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Cause it seems to work a little

better for me personally.

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I would put a little, a little

Indian yellow in there too.

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Oh, that's what I'm looking for.

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That's nice.

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There we are.

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Again, thinking about

shape and form of hair.

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Don't just hit it random.

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Don't hit it random.

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There tell you what, you know,

in the last series I showed him a

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couple of little baby squirrels.

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They were so small, they looked

like little drown rats, and we've

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got so many calls about them.

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I won't show you what

they look like today.

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These little devils are about grown and

they're almost ready to be released.

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And this is one of my little friends here.

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He said, no, Mark, almost set T

eating a little cherry tomato.

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And they are the most gorgeous

little creatures, and I

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have so much fun with them.

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Hope you enjoy seeing those as much,

as much as I enjoy showing them to you,

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but they really are precious there.

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I have one little squirrel at the

veterinarian has told me that it probably

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has epilepsy, so it has to live in the

house with me and we give it medication.

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And the whole nine yards, just like

it was a little puppy or something.

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And it sorta has free run in the house.

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He just runs around and plays.

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Actually.

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It's a, she, there, maybe one of

the other shows in this series

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off, I'll bring some footage in and

show you what she looks like too.

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Cause she's cute.

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Little devil.

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There we are.

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And I'm just laying in just

some indications here and there.

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Nice highlights on these trees.

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Thank where you were light with strike

here in some, the little bright ones in

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there, and that had light zing through.

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She didn't just let your imagination go.

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00:14:05,250 --> 00:14:06,750

He was just the corner

of the brush though.

245

00:14:08,220 --> 00:14:15,140

There maybe even down in here, we

can see a little bit, a little.

246

00:14:17,775 --> 00:14:20,834

Now then let me get a little more color

here and let's go to this one on the other

247

00:14:20,834 --> 00:14:28,994

side and give him a little highlight or

two, just a little highlighter to there.

248

00:14:31,484 --> 00:14:31,935

Okay.

249

00:14:31,994 --> 00:14:33,104

A little bit right in there.

250

00:14:36,435 --> 00:14:40,275

So you want to leave some dark

areas in your tree, so it's deep.

251

00:14:40,395 --> 00:14:42,614

Otherwise there won't be

any depth in the tree.

252

00:14:42,614 --> 00:14:43,964

If you cover up all of those nice.

253

00:14:45,225 --> 00:14:46,395

This nice dark area.

254

00:14:46,395 --> 00:14:46,875

Save them.

255

00:14:47,115 --> 00:14:48,015

They're your good friend.

256

00:14:49,574 --> 00:14:51,735

They really will make

your painting special.

257

00:14:53,670 --> 00:14:54,990

Can down in here.

258

00:14:55,050 --> 00:14:59,819

Maybe there's a little stuff going on

in there a little bit more that Indian,

259

00:14:59,819 --> 00:15:03,480

yellow, we can cover them for right there.

260

00:15:03,480 --> 00:15:05,099

There we are, see a little Bush.

261

00:15:05,099 --> 00:15:05,819

He lives there.

262

00:15:06,060 --> 00:15:06,660

You can do that.

263

00:15:08,010 --> 00:15:08,620

You can that

264

00:15:12,209 --> 00:15:15,780

another one, just as many or as

few little bushes as you want.

265

00:15:17,745 --> 00:15:20,084

If you don't have a lot of

paint, you can actually see

266

00:15:20,084 --> 00:15:21,645

the trunk right through there.

267

00:15:21,855 --> 00:15:23,055

And to me, that's sort of neat.

268

00:15:23,055 --> 00:15:23,625

I like that.

269

00:15:23,655 --> 00:15:23,745

Yeah.

270

00:15:23,834 --> 00:15:24,574

Sort of special.

271

00:15:26,314 --> 00:15:26,944

There we go.

272

00:15:28,355 --> 00:15:31,805

And Harrison, the other one, but work

in the layers, doing the one that you

273

00:15:31,805 --> 00:15:36,785

think is fathers to way and the always

working forward, forward, forward, leaving

274

00:15:36,785 --> 00:15:40,925

then dark areas in between once again,

that's what makes your painting special?

275

00:15:42,535 --> 00:15:45,064

Get the least little touch-up

alizarin Crimson owner.

276

00:15:45,450 --> 00:15:50,400

Oh, one has got a little more pink,

a little more pink right there,

277

00:15:51,820 --> 00:15:54,810

little warm spot, right down where

the sun's shining through there.

278

00:15:57,960 --> 00:16:01,290

But in yours you decide where you

think all these little Rascals

279

00:16:01,290 --> 00:16:03,060

should live and then drop them in.

280

00:16:04,950 --> 00:16:08,010

And if you notice some of them

here, I have done nothing to I've

281

00:16:08,010 --> 00:16:13,350

left them dark, and that looks like

ones that are back here in shadow.

282

00:16:13,844 --> 00:16:14,895

Hmm, sneaky.

283

00:16:15,765 --> 00:16:20,234

Let's take a pure titanium

white on a two inch brush.

284

00:16:20,234 --> 00:16:21,615

And we said this was a winter scene.

285

00:16:21,615 --> 00:16:23,145

So we need a little snow in it, maybe.

286

00:16:23,984 --> 00:16:25,935

And maybe our snow starts right here.

287

00:16:26,354 --> 00:16:28,005

Take the brush touch.

288

00:16:28,515 --> 00:16:29,955

And just let it go.

289

00:16:30,045 --> 00:16:31,995

Let it go wherever you

want it to go see it here.

290

00:16:35,115 --> 00:16:39,605

And if it picks up something, this color,

that's a plus, don't get upset about it.

291

00:16:39,695 --> 00:16:41,465

Enjoy it, enjoy it.

292

00:16:41,465 --> 00:16:42,065

Let it happen.

293

00:16:42,995 --> 00:16:43,715

Let it happen.

294

00:16:45,695 --> 00:16:48,545

That's what makes it beautiful

because it looks like shadows.

295

00:16:48,695 --> 00:16:48,845

Yeah.

296

00:16:51,785 --> 00:16:54,635

Applying snow with a two inch

brush is one of the easiest

297

00:16:54,635 --> 00:16:56,015

things in this whole technique.

298

00:16:57,230 --> 00:16:59,969

One of the easiest and it works so well.

299

00:17:00,569 --> 00:17:05,220

We'll put a little Bush, it hangs right

out here on the snow and see what happens.

300

00:17:05,220 --> 00:17:07,619

It makes it look like you're

as a plane behind there.

301

00:17:08,730 --> 00:17:12,420

And it creates that illusion of depth

and distance on your painting again.

302

00:17:14,670 --> 00:17:17,460

And we're grabbing a little in touch

with him on the bottom polit across.

303

00:17:18,615 --> 00:17:20,805

And now you can see a little

tiny highlight right there.

304

00:17:21,224 --> 00:17:22,514

Just enough to separate.

305

00:17:23,714 --> 00:17:24,734

That's what we're looking for.

306

00:17:33,045 --> 00:17:34,335

Yeah, let's get crazy.

307

00:17:35,685 --> 00:17:39,255

If you've painted a me before, you

know, I always like to do these wild,

308

00:17:39,315 --> 00:17:41,085

crazy things sometimes in the paintings.

309

00:17:41,085 --> 00:17:43,605

We'll take some blue,

some crims and same color.

310

00:17:44,175 --> 00:17:45,255

Just going to mix more of it.

311

00:17:46,485 --> 00:17:50,555

We'll have some dark sand and we'll put

some Vandyke Brown down in there to shoot.

312

00:17:50,765 --> 00:17:52,115

Let's darken it down a little bit.

313

00:17:52,175 --> 00:17:52,955

Oh, that's nice.

314

00:17:54,035 --> 00:17:55,055

That's nice.

315

00:17:56,675 --> 00:17:57,095

Okay.

316

00:17:57,095 --> 00:17:58,955

Let me, let me grab another brush.

317

00:17:59,705 --> 00:18:00,545

Maybe we'll do some.

318

00:18:02,620 --> 00:18:04,350

I don't know, let's have some fun.

319

00:18:04,800 --> 00:18:10,230

Let's do some trees with, I'll start

with a fan brush, little leather

320

00:18:10,230 --> 00:18:13,290

color, and let's make some trunks.

321

00:18:14,159 --> 00:18:16,500

With a fan brush cause

it'll make nice sharp edges.

322

00:18:16,500 --> 00:18:18,800

And maybe some of these trucks

will show through this one.

323

00:18:20,149 --> 00:18:22,550

There, I have a little tree there.

324

00:18:23,030 --> 00:18:24,889

Maybe, maybe there's a

big tree lives there.

325

00:18:24,919 --> 00:18:26,419

It's like, Oh, you're

doing this just tapping.

326

00:18:27,500 --> 00:18:29,000

And I like to sort of tap downward.

327

00:18:29,000 --> 00:18:31,050

So it makes these little

fuzzy things on the side.

328

00:18:31,070 --> 00:18:34,699

To me, evergreens usually have

little fuzzies on the side.

329

00:18:36,290 --> 00:18:37,580

They're not real straight.

330

00:18:37,639 --> 00:18:39,350

I got a rough bark on them.

331

00:18:42,345 --> 00:18:43,814

Okay, we're gonna have

another one going off.

332

00:18:43,814 --> 00:18:44,745

What the heck is your world?

333

00:18:45,385 --> 00:18:46,274

Do whatever you want.

334

00:18:47,445 --> 00:18:47,985

There we are.

335

00:18:48,225 --> 00:18:51,945

Now let's take, I'm going

to grab an oval brush.

336

00:18:51,975 --> 00:18:52,655

I like those.

337

00:18:53,855 --> 00:18:58,475

And, uh, the oval brush makes

nice trees that, that the limb

338

00:18:58,495 --> 00:19:00,335

sort of hang down like the tired.

339

00:19:01,335 --> 00:19:06,375

And sometimes under the weight of snow

or we're just old age tree gets tired

340

00:19:06,375 --> 00:19:07,935

and sort of hangs a little bit like me.

341

00:19:08,835 --> 00:19:11,055

This oval brush does that very well.

342

00:19:11,254 --> 00:19:16,305

A lot of color, and let's go right

up in here and we start by just

343

00:19:16,815 --> 00:19:21,465

taking just the sided touchy and

begin thinking about shape and form.

344

00:19:21,465 --> 00:19:21,735

Here.

345

00:19:22,305 --> 00:19:22,905

There we go.

346

00:19:23,715 --> 00:19:24,735

Shape and form.

347

00:19:24,735 --> 00:19:27,945

See automatically though, this

brush makes those nice hangie downs.

348

00:19:29,955 --> 00:19:33,945

They're still hanging down Wells.

349

00:19:35,955 --> 00:19:36,764

There they are.

350

00:19:37,305 --> 00:19:37,965

There they are.

351

00:19:38,835 --> 00:19:40,655

I say, these are fun

to making this series.

352

00:19:40,655 --> 00:19:42,935

I think I'm gonna use this

over brush several times.

353

00:19:42,935 --> 00:19:44,555

Show you some different

things you can do with it.

354

00:19:46,534 --> 00:19:47,075

I like it.

355

00:19:48,294 --> 00:19:49,415

It's easy to distinguish.

356

00:19:49,415 --> 00:19:51,995

It has a black handle where

other brushes have white handles.

357

00:19:53,794 --> 00:19:55,475

So, and that's the reason we've done that.

358

00:19:55,475 --> 00:19:56,495

So it's easy to tell.

359

00:19:57,585 --> 00:19:58,545

Let's do this one here.

360

00:19:58,995 --> 00:19:59,745

Here's what it lives.

361

00:19:59,745 --> 00:20:00,765

We appear in this guy.

362

00:20:02,265 --> 00:20:03,185

We appeared those.

363

00:20:03,215 --> 00:20:04,935

I don't know if the canvas, what the heck?

364

00:20:07,545 --> 00:20:08,345

What the heck?

365

00:20:08,395 --> 00:20:10,275

We just let it live wherever it wants to

366

00:20:13,785 --> 00:20:17,625

there kind of give us old trees and arms,

367

00:20:20,625 --> 00:20:22,605

reach out here and grab some sunlight.

368

00:20:25,950 --> 00:20:26,730

There we go.

369

00:20:26,730 --> 00:20:28,350

There's one right out there.

370

00:20:34,050 --> 00:20:40,050

There, if you have trouble going over the

snow, we're not having any trouble, David.

371

00:20:40,050 --> 00:20:40,830

Sometimes you do.

372

00:20:41,670 --> 00:20:44,670

If you have a lot of snow back here

and you have trouble making that

373

00:20:44,700 --> 00:20:48,420

paint stick, add a little bit of

paint, thinner to your, to your

374

00:20:48,420 --> 00:20:50,610

brush, and then go through the paint.

375

00:20:50,640 --> 00:20:54,030

It will thin the paint and it allow it

to stick right over that solid of white.

376

00:20:54,030 --> 00:20:57,360

For example, if you wanted to do,

and we're having troubles, don't do

377

00:20:57,360 --> 00:20:58,830

that unless you absolutely have to.

378

00:21:00,600 --> 00:21:05,490

We want to keep this pain as thick as

we possibly possibly can, so we can

379

00:21:05,490 --> 00:21:07,110

put thinner colors over the top of it.

380

00:21:07,170 --> 00:21:09,360

I'm going to leave a little bit

of the trunk show and right there,

381

00:21:09,360 --> 00:21:13,140

maybe sort of naked there didn't have

any didn't have any leaves on it.

382

00:21:15,660 --> 00:21:16,290

Bad year.

383

00:21:16,410 --> 00:21:18,420

Maybe, maybe on this tree was a little.

384

00:21:19,465 --> 00:21:26,455

Maybe a big old bear came by and

stepped on it hurting, but he did.

385

00:21:26,455 --> 00:21:26,935

Okay.

386

00:21:27,415 --> 00:21:28,105

He's all right.

387

00:21:28,105 --> 00:21:33,685

Now, if you make up little

stories like it, and the paintings

388

00:21:33,685 --> 00:21:34,945

are they're much happier.

389

00:21:35,665 --> 00:21:40,405

And as you've heard us say over and over

in the show, if painting does nothing else

390

00:21:41,035 --> 00:21:46,315

should make you happy, should teach you to

see nature through different eyes and make

391

00:21:46,315 --> 00:21:48,235

you appreciate some of God's creations.

392

00:21:48,615 --> 00:21:52,495

And I think painting does that for

everybody who tries it, I'll take a little

393

00:21:52,495 --> 00:21:58,095

bite, little, little tiny amount of the

dark Sienna, and I'm just going to touch

394

00:21:58,265 --> 00:22:02,355

sort of give a little pull here, maybe

this old tree here, maybe it's dead.

395

00:22:02,685 --> 00:22:06,895

So we'll just see a little light singing

through there, just here and there though.

396

00:22:06,935 --> 00:22:09,345

Don't want a whole lot of

trunks showing just enough.

397

00:22:13,615 --> 00:22:13,885

Okay.

398

00:22:13,895 --> 00:22:16,355

Now then I have several.

399

00:22:17,370 --> 00:22:18,390

Oval brush is going.

400

00:22:18,390 --> 00:22:19,350

So let's take another one.

401

00:22:20,160 --> 00:22:23,160

I'm going to dip it into the

liquid clear because I want to thin

402

00:22:23,160 --> 00:22:25,050

the color that's going on there.

403

00:22:25,050 --> 00:22:33,210

And we'll take, grab a little

titanium, white, a little bit of CAD

404

00:22:33,210 --> 00:22:37,560

yellow ochre, and some of that red

color, same colors we've used before.

405

00:22:37,980 --> 00:22:39,120

Little Indian, yellow too.

406

00:22:39,210 --> 00:22:39,930

Ooh, that's good.

407

00:22:40,590 --> 00:22:40,680

Okay.

408

00:22:41,294 --> 00:22:44,534

Let's get a little roll of paint, right

on the edge of that brush there, pushing

409

00:22:44,534 --> 00:22:48,405

that, create that little rule and

let's come in here and let's make some

410

00:22:48,405 --> 00:22:54,524

trees that light's just zinging through

and it's having a good time out here.

411

00:22:55,544 --> 00:22:56,294

There they go.

412

00:22:56,955 --> 00:22:57,735

There they go.

413

00:22:59,745 --> 00:23:01,485

But that's just where

the liquid clear in it.

414

00:23:01,485 --> 00:23:05,235

And the clear all it does is then

the color little don't get carried

415

00:23:05,235 --> 00:23:08,715

away and kill all the dark though.

416

00:23:08,715 --> 00:23:13,485

As we said before, At dark is

so important to a good friend.

417

00:23:14,385 --> 00:23:18,825

Now, back in here, I'm going to add a

little least little touch of the thalo

418

00:23:18,825 --> 00:23:23,534

blue to it, just to cool it down there.

419

00:23:24,165 --> 00:23:27,735

Just enough to cool it down a little,

and it sort of gives it a green

420

00:23:27,735 --> 00:23:29,595

issue without really painting green.

421

00:23:29,595 --> 00:23:34,274

Cause we don't, we don't want green

snow, the only thing worse than yellow.

422

00:23:34,274 --> 00:23:34,605

So.

423

00:23:37,140 --> 00:23:38,910

Don't want to make me

snow cream out of that.

424

00:23:40,970 --> 00:23:43,880

Of course, I have a good friend

here that told me he never noticed

425

00:23:43,880 --> 00:23:49,940

the difference there, but he said

he never could get new his friends.

426

00:23:50,000 --> 00:23:51,170

He didn't have this snow cream.

427

00:23:52,670 --> 00:23:53,480

Okay.

428

00:23:55,350 --> 00:23:56,180

More of the color.

429

00:24:00,190 --> 00:24:01,970

We'll put a few little

highlights on this trip.

430

00:24:02,000 --> 00:24:05,060

We don't want it left out,

but just, just drop them in.

431

00:24:06,210 --> 00:24:07,200

This little oval brush.

432

00:24:07,230 --> 00:24:08,820

It almost happens automatically.

433

00:24:08,820 --> 00:24:10,650

And once you try it, you'll

understand what I'm saying.

434

00:24:10,650 --> 00:24:15,090

It's sort of hard to explain, but

because of the shape, it almost

435

00:24:15,090 --> 00:24:19,520

happens automatically darker, darker,

darker down here toward the base.

436

00:24:20,840 --> 00:24:21,500

All right.

437

00:24:22,220 --> 00:24:24,530

Let's take her breast that

has the titanium white on it.

438

00:24:25,230 --> 00:24:27,320

Want to grab the bottom

of this and pull it.

439

00:24:27,410 --> 00:24:29,840

I want to intentionally pick

up a little, this dark color.

440

00:24:31,280 --> 00:24:33,380

That's going to end up

being nice shadows in here.

441

00:24:34,340 --> 00:24:35,760

That's going to be my shadows

442

00:24:43,500 --> 00:24:45,630

and maybe pan brush.

443

00:24:45,630 --> 00:24:46,740

We'll use the old fan brush.

444

00:24:46,740 --> 00:24:51,060

And we just go in here, pop in a

few little bushes and stuff that

445

00:24:51,060 --> 00:24:55,290

live right around the bottom of all

of these, just a few little things.

446

00:24:55,620 --> 00:24:58,080

And with a clean fan

brush has to be clean.

447

00:24:58,830 --> 00:25:00,630

You can grab that and pull it.

448

00:25:01,410 --> 00:25:02,550

It's also a super way to make.

449

00:25:03,120 --> 00:25:06,960

Little sand dunes and seascapes,

same, same identical way.

450

00:25:08,399 --> 00:25:10,260

You can create all kinds of little things.

451

00:25:11,820 --> 00:25:12,689

Can miss to see.

452

00:25:13,920 --> 00:25:14,760

Let's go back here.

453

00:25:14,850 --> 00:25:16,620

Take a little bit of her darker color.

454

00:25:19,020 --> 00:25:19,780

Not too dark.

455

00:25:20,580 --> 00:25:21,720

Just come right along in here.

456

00:25:22,890 --> 00:25:27,720

Just pop in a few little indication

of a Bush or two that lives down here.

457

00:25:29,970 --> 00:25:36,450

Then we go back to our lighter color,

a little yellow, white, little Crimson,

458

00:25:37,590 --> 00:25:40,320

yellow ochre, Indian, yellow, all the

little colors that we've been using.

459

00:25:40,860 --> 00:25:41,520

Same thing.

460

00:25:44,145 --> 00:25:50,355

Just pop in some highlights and all

these little bushes, but that easy

461

00:25:51,155 --> 00:25:55,905

corner of the two inch brush, you

can just do fantastic little things.

462

00:25:56,084 --> 00:25:57,975

Change the flavor a

little bit here and there.

463

00:26:01,054 --> 00:26:02,324

Don't all look just the same

464

00:26:06,675 --> 00:26:07,725

back to her brush with it.

465

00:26:08,205 --> 00:26:09,045

Titanium white.

466

00:26:09,525 --> 00:26:11,145

We can grab this and pull it again.

467

00:26:12,045 --> 00:26:15,815

And each time you do this, it creates

another plane or another level in your

468

00:26:15,815 --> 00:26:20,285

painting really makes it special to you.

469

00:26:20,285 --> 00:26:22,175

What do you know me?

470

00:26:23,165 --> 00:26:24,155

I like him big tree.

471

00:26:24,175 --> 00:26:24,875

So let's do one.

472

00:26:24,875 --> 00:26:27,245

That's going to Vandyke

Brown and dark sand.

473

00:26:27,785 --> 00:26:28,865

Just mix them on the brush.

474

00:26:30,215 --> 00:26:32,825

Yeah, I think we were

to do it right there.

475

00:26:35,010 --> 00:26:37,710

Just drop on you just Brown.

476

00:26:37,770 --> 00:26:38,820

Maybe we'll give them an arm.

477

00:26:39,780 --> 00:26:44,040

I get a big old tree and it sits

out here and it just watches this

478

00:26:44,040 --> 00:26:46,170

beautiful little scene all by itself.

479

00:26:47,340 --> 00:26:53,290

Take a little paint thinner on the

liner brush and come back in here,

480

00:26:53,910 --> 00:26:58,920

put the indication of some little

lambs and sticks and twigs and all

481

00:26:58,920 --> 00:27:00,150

those things that live on there.

482

00:27:01,845 --> 00:27:08,135

Just like, so I think with that, we're

about to have a finished painting.

483

00:27:08,135 --> 00:27:09,635

I think I'll put one

more little limb there.

484

00:27:10,955 --> 00:27:11,975

We'll call this one, done.

485

00:27:12,905 --> 00:27:14,165

Hope you've enjoyed this painting.

486

00:27:14,165 --> 00:27:17,254

It's it's very easy and bring

a lot of good things to your

487

00:27:17,254 --> 00:27:18,455

heart from all of us here.

488

00:27:18,665 --> 00:27:19,355

Happy painting.

489

00:27:20,024 --> 00:27:21,075

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S21E02 - Tranquil Dawn

Bob Ross's

The Joy of Painting

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