Bob Ross's

The Joy of Painting

S19E03 - Final Embers Of Sunlight

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Hi, welcome back.

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Certainly glad you could join me today

because it's a fantastic day here

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and I hope it is wherever you're at.

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So tell you what, let's do a fantastic

little painting together, and let's start

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out having run all the colors across the

screen that you need to paint along with

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me and they'll come out right down there.

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Okay.

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They come out in the same order

that I have them on the pallet,

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starting with a white working around.

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But when you set your pallet

up, you do it any way.

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That's comfortable for you.

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Let me show you what

I've gotten done up here.

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I've got standard old pre stretched

canvas, and I've put a little

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contact paper cutout up here.

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This is just contact paper.

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You buy at the hardware

store or something.

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I've stuck that on.

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And then I've painted the center

here with black Jesso, just a nice

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at the end coat of black Jesso,

allowed that to dry completely.

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Once that's dry, then we've added some

transparent colors and I'll tell you what

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colors I've added, because I thought they

would do a little sunset and right across

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here, I've put Indian yellow in Indian.

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Yellow is a transparent yellow.

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So it works very well.

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You may get a little green issue when

you put it on, but don't worry about it.

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As soon as we add some color, it'll

pop right in there, right across here.

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I've added a little bit of a lizard in

Crimson and then on the top and the entire

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bottom is alizarin Crimson and fallow

blue, which makes a nice lavender color.

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And we just sort of

blended that a little bit.

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So it's all ready to go and up here.

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Oh, this is fun.

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I was, I was drawing a couple of

pictures of our camera people.

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This is, this is Richard.

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And over on the other side

over here, then we have Kathy.

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These are.

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These are two of our camera people.

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They give me a hard time.

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So I thought I'd put their

picture up there today.

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I hope you enjoy that.

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That's was one of my early

loves was doing cartoons.

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And a lot of times for my young

friends, I'll sit and do cartoons

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and show them how to do it.

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Maybe we'll do that on the air one day.

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If you'd like, let's start out the day

with the old two inch brush and we'll

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use a little titanium white and just load

some color into the brush, both sides.

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It doesn't matter.

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Not like so there we are.

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I gotta watch what I'm doing now.

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Then let's go right in here

and we have to make a decision.

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Where is our horizon going to be?

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And I think mine will be about

right here and you can hit home.

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When you do this, you can see where the

yellow and the lavender sort of meat.

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We don't want to get

into the lavender yet.

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Just the yellow decide where the lightest

area in this sunset is going to be.

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And you start in here and just start

doing little crisscross strokes.

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I get a lot of letters from people

all over the country who want

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a very simple and easy little

sunset to do that's effective.

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So I thought today we'd do

something that's nice and easy.

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Anybody can do this.

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Yeah.

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Start with the lightest

area and blend out.

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We're always blending

outward there going outward.

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No.

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And it was just you blend upper deck.

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Then you're going to get into

all these other beautiful colors.

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Look at there.

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There and just keep blending

and blending and blending.

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There we go.

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Now automatically that goes from light to

dark and you've done basically nothing.

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Let's wash the brush.

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And did you know, we wash our

brushes with odorless paint thinner.

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Be sure it's odorless.

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It's not odorless.

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It's not odorless.

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You're going to be the most

unpopular person in the house.

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And we'd never use turpentine,

turpentine who, Oh my gosh.

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One thimbleful or run everybody

in the neighborhood out.

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I want to make this a little brighter.

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So I'm going back into the titanium white

load, the brush exactly the same way.

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Let's go back up here once again,

find your light spot and have this

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lightest spot a little bit off center.

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In other words, not dead in the center.

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It'll just look a little better.

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Composition wise that way.

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Start in this light area.

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I begin blending outward, but you

need to clean the brush every time.

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Otherwise you'll, you'll bring this dark

color down in here and you'll lose this.

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Beautiful.

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And that's what we're looking for.

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There we go.

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Jess Lexa and just work it out and

you can do this as many times as you

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want to achieve a desired lightness,

you could do it three, four times

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if you wanted to, but each time it's

going to get brighter and brighter.

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But once again, I suggested every

time you do it, you wash the brush

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and start with a nice clean brush.

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Otherwise, you're going to pull that

dirty color right down in there.

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Now going across just very

lightly removes the brush strokes.

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And instantly you can see that glow.

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It goes from the brightest

all the way up to the dark.

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And that's one of the simplest most

effective ways I've ever came up with

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of making a very national sunset sky.

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And if we're going to work

in this guy, tell you what,

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let me grab a fan brush here.

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Let's make a little cloud

out here in the sky.

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They're always a lot of fun

and they're very effective.

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And of course we're never interested

in selling paintings, but, but if you

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should want to sell your paintings,

these little extras, like clouds and

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all kinds of little things like that,

that'll make your painting sell.

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Let's take a little lit the little

blue little lizard Crimson would

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just mix them together on the brush.

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I think so a little bit to the reddish

side, you can make a lavender color here.

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That's to the blue side

or to the red side.

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I want to go slightly to the

red side, but not a great deal.

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And you can mix this on a

brush and just load both sides

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with a little bit of paint.

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And then you have to make a

big decision in your world.

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Where does your cloud live?

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Maybe, maybe, maybe in our world,

our cloud lives right about here.

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And we use just the corner of the brush.

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And think about the shape.

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Maybe this is going to be a big old cloud.

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It just sort of floats

around here has a good time.

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As I've mentioned before, in other

shows and clouds are extremely free,

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but just sort of float around and

he just enjoyed it being there.

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And when you paint

clouds, think about that.

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Think about the basic shape

that you want this cloud to be.

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Don't just throw in a bunch of colored

and, and hope that a cloud appears.

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This is very simple, but you do

have to put in a basic change.

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There we go.

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I will give them a little leg here, there.

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Okay.

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Just think about how you'd

like his cloud to be.

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If you were a cloud, what

would you like to look like?

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You'd like to have a lot of nice designs

and shapes and beautiful little forms

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and that's what we're looking for.

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They're okay.

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And you can get carried away

and cover up the whole canvas

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if you'd like, that's all right.

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If you learn from it, maybe in

here tell you what let's get crazy.

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Maybe there's some little stringy

clouds in here and all you have to do

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is just fold the brush back and forth.

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Let it barely touch.

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You make all kinds of little clouds.

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I've got a little, little more of

the Crimson here, so it's a little

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bit more into the red side than

even this cloud is only because

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it's a little lower and I think.

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There'd be a little more light hitting it.

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Want it to just shine a little more,

but just barely grazing to canvas.

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Barely.

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There we go.

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Now then let's take a clean,

dry two inch brush and we want

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to very gently blend this.

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Now there's two reasons.

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One to sort of mix the color

up most important though, is

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to take off the excess paint.

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Watch here.

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Watch here.

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Just use the corner of the brush.

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And just make tight little round

circles, tight little circles, just

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like so, and that'll lift any loose

paint off of the canvas there.

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And you can just blend that if

you blend it enough, it'll just

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eventually go right into the other

color and sort of disappeared and

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just become a, a big dark shape there.

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Don't do that.

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Don't do that.

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There we are.

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And we'll beat the brush.

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And all that does is just

remove the paint off the brush.

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Very gently.

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All right.

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Now you can fluff this cloud a little.

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If you'd like very gently to hair,

some air that light, this will

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lift it and make it look fluffy.

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And then very lightly, very lightly.

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Just go across it.

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And this removes all the brush marks

and blends it all together, but didn't

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that a fantastic way to make a big

old cloud it's up here in your sunset.

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Now, these little thin ones that we

made down here, they're the easiest of

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all, because all you have to do here is

just very lightly with a clean brush.

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Be sure it's clean.

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You can go across and you can pull that

if you want to give it a little pool

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and you can bring it together that easy.

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There we are.

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Isn't that an effective little

sky to be made that easy.

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And you really can't do this, even

if you've never painted before.

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This is a very simple one to do.

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Now there must mix up a little, Oh,

we'll take some lesbian Crimson little

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let's use a little pressure and blue.

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We'll make a dark lavender color

more to the blue side this time.

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She can throw a little bit of Vandyke

Brown there, not a great deal.

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Just a little, just to

dial it down a little.

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I use Brown as a color

to dull other colors.

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A lot of times when I don't do

this, just so it's not too bright.

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Let me clean the knife.

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There we are.

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And we'll just use the

old two inch brush again.

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Shoot.

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That's a lot of fun.

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So often we avoid this brush because it's

so large, but it'll do fantastic things.

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I'm just tapping.

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Was tapping like, so there you are.

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Just give it a little push.

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It creates a little Ridge

of paint there, so you okay.

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That's what we're looking for now,

then back in here, you have to been

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thinking about what lives back here,

and I'm just using the corner of the

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brush and we're not committed here.

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All we're doing is begin laying in

some, some general ideas, like, so.

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Just where these colors

come together there.

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Kayla, that gives us a

very basic little horizon.

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A little more color.

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There we are.

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Now that now we can begin thinking

about little individual trees and bushes

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that live in here, maybe in our world.

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There is now maybe there's a big tree

that lives right here, but that easy,

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just using the corner of a two inch brush.

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You can put in a very basic little shape.

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For a nice tree.

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And sometimes this is a little

scary if you've never tried it.

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So just practice this two inch brush

is fantastic, but if you're a little

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more comfortable with a one inch

progression, feel free to use it.

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The only thing we want you to do here

is to be happy with what you've done.

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If you're happy with your

results, then it's good.

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Let's go from the other side here.

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We don't want it left out.

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Maybe we can have another little tree.

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He lives with you on up

here, almost up in the cloud.

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There,

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there we go.

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Maybe he's got a friend over here.

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Everybody needs a friend.

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Boom.

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You want to cover up that nice part of the

cloud that is beautiful and maybe a little

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something in there wherever you want.

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There

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see, and that easy already, you

begin to make out all kinds of

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little things that live in there.

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Let's take, let me find

my little liner brush.

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Okay.

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Dip it in the little,

little of the paint thinner.

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We'll go back into that same

color, but the paint is very thin.

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Almost like ink.

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Almost like he turn that brush in there.

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This is a script liner brush.

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It has very long hair.

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So it comes to a very sharp point there.

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You can see it right there.

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Very sharp point though.

248

00:12:22,545 --> 00:12:26,715

Now, then we can go up in here and we

can begin putting the indication, uh,

249

00:12:26,725 --> 00:12:30,915

some little trunks in here, little

sticks and trunks and all the little

250

00:12:30,915 --> 00:12:32,475

things that live inside your tree.

251

00:12:33,615 --> 00:12:37,635

The little squirrels have to

have a place to play there.

252

00:12:39,240 --> 00:12:42,360

And if you've watched the series before,

you know, I'm sort of a fanatic for little

253

00:12:42,360 --> 00:12:48,690

creatures and, uh, I just have a special

liking for little squirrels, I guess,

254

00:12:48,690 --> 00:12:52,320

since there's so many around where I

live and I've raised quite a few of them

255

00:12:53,870 --> 00:12:59,690

and there a lot of fun, not a fun there.

256

00:13:03,320 --> 00:13:05,780

Sometimes I get angry at them,

but we call them tree rats.

257

00:13:07,845 --> 00:13:11,415

There, because if he shaved his tail,

you wouldn't let him in the house.

258

00:13:13,595 --> 00:13:14,225

There we are.

259

00:13:16,385 --> 00:13:16,655

That's cool.

260

00:13:16,655 --> 00:13:23,315

On the other side, over here, put some

little things and these trees have you

261

00:13:23,345 --> 00:13:25,115

have trouble making his paint flow.

262

00:13:25,895 --> 00:13:28,115

You just need to add a little

more paint thinner to it.

263

00:13:28,385 --> 00:13:28,985

Thin paint.

264

00:13:29,834 --> 00:13:31,665

We'll slide right over the

top of this thick paint.

265

00:13:31,665 --> 00:13:36,135

And the paint that we use here is

very dry and very firm, very thick.

266

00:13:37,574 --> 00:13:41,444

And that's what allows you to do this

one layer after another, on top of each

267

00:13:41,444 --> 00:13:43,005

other, without becoming a mud mixer.

268

00:13:44,175 --> 00:13:50,834

If you use a thin oily paint, then you're

in trouble and you're in trouble because

269

00:13:50,834 --> 00:13:52,334

your paints will just mix together.

270

00:13:55,650 --> 00:13:55,710

Yeah.

271

00:13:55,770 --> 00:13:58,580

If you're going to use a thin paint,

then I recommend you allow the

272

00:13:58,580 --> 00:14:00,200

paint to dry between each layer.

273

00:14:01,560 --> 00:14:05,000

The one thing it's so fantastic

about this is the fact that you

274

00:14:05,000 --> 00:14:06,260

can do it all while it's wet.

275

00:14:07,460 --> 00:14:08,510

Find a clean brush there.

276

00:14:09,710 --> 00:14:14,480

All right, let's take, let's

take a little SAP green.

277

00:14:14,510 --> 00:14:18,890

I mean, I had a little yellow, the

yellow ochre, so we have CAD yellow.

278

00:14:21,645 --> 00:14:23,685

Indian, yellow, all

those beautiful colors.

279

00:14:23,685 --> 00:14:25,995

Let me get a little more of the

SAP green on dark and add a little

280

00:14:25,995 --> 00:14:29,355

more, maybe a little black there.

281

00:14:32,205 --> 00:14:32,535

Okay.

282

00:14:32,745 --> 00:14:34,515

Now just give it a little push once again.

283

00:14:34,515 --> 00:14:37,305

We want to create that little,

see that little right there.

284

00:14:37,455 --> 00:14:42,375

That little Ridge of paint push there.

285

00:14:42,375 --> 00:14:43,755

That's what makes us work?

286

00:14:44,595 --> 00:14:45,315

Just push.

287

00:14:46,440 --> 00:14:47,610

Okay, let's go right up in here.

288

00:14:48,060 --> 00:14:50,850

Now there may, maybe this tree right in

here, we want to put some highlights.

289

00:14:50,850 --> 00:14:51,810

Here's our light source.

290

00:14:52,590 --> 00:14:59,340

So all you do is come slightly above the

dark and begin thinking about your basic

291

00:14:59,850 --> 00:15:06,320

form and shape in this tree and just let

all these little things happen there.

292

00:15:07,760 --> 00:15:10,580

But mixing color on the brush,

you have a lot of things that

293

00:15:10,580 --> 00:15:11,720

are happening in the brush.

294

00:15:14,415 --> 00:15:14,564

Here.

295

00:15:14,564 --> 00:15:21,215

We are just layer after layer and you

can create some of the most spectacular

296

00:15:21,215 --> 00:15:22,925

little trees like this you've ever seen.

297

00:15:24,545 --> 00:15:25,865

And it's very, very simple.

298

00:15:26,375 --> 00:15:29,314

Sometimes you add at least

little touch of paint thinner.

299

00:15:30,334 --> 00:15:33,095

If you have trouble making it

stick, just like with a liner brush,

300

00:15:33,155 --> 00:15:37,535

all you do is add a little bit of

dinner, needle, stick at least little

301

00:15:37,535 --> 00:15:38,765

touch of bright red to this one.

302

00:15:39,545 --> 00:15:40,415

Ooh, nice.

303

00:15:41,265 --> 00:15:41,865

It's nice.

304

00:15:44,085 --> 00:15:48,275

When that little Rascals got character,

he's sitting out here watching the

305

00:15:48,275 --> 00:15:49,775

sun sink right behind that Hill.

306

00:15:50,975 --> 00:15:52,685

So he's got the best view of all.

307

00:15:54,965 --> 00:15:56,255

Now, how we have that going here?

308

00:15:56,255 --> 00:16:00,065

We can begin thinking about little

things that live underneath here, cause

309

00:16:00,065 --> 00:16:04,175

you always have all kinds of little

happy bushes and trees and plants.

310

00:16:04,175 --> 00:16:04,925

The grew in here.

311

00:16:06,750 --> 00:16:06,930

Yeah.

312

00:16:07,170 --> 00:16:10,050

If you're a little more comfortable

with a one inch brush, this will work

313

00:16:10,050 --> 00:16:11,880

just as well with a one inch brush.

314

00:16:13,260 --> 00:16:17,110

I just started like this one tram, both.

315

00:16:17,150 --> 00:16:19,050

See which one you feel

the most comfortable with.

316

00:16:19,710 --> 00:16:22,710

And off you go, let's go get

a side over here and put some,

317

00:16:23,100 --> 00:16:24,180

put some nice things in there.

318

00:16:25,200 --> 00:16:28,890

There we are just once again,

using the corner of the brush,

319

00:16:29,850 --> 00:16:30,930

this is our light source.

320

00:16:32,565 --> 00:16:38,925

So it will be highlighted more on the

other side of the tree there always think

321

00:16:38,925 --> 00:16:40,305

about where your light's coming from.

322

00:16:42,585 --> 00:16:42,975

Okay.

323

00:16:43,005 --> 00:16:46,815

Maybe little touch of the

bright red edit to that.

324

00:16:48,105 --> 00:16:50,235

Ooh, give it a nice orangy flavor.

325

00:16:51,975 --> 00:16:52,575

There we are.

326

00:16:54,975 --> 00:16:55,425

We are.

327

00:16:58,005 --> 00:17:01,694

Okay then our little undergrowth,

little things underneath here, we

328

00:17:01,694 --> 00:17:03,224

just put in all kinds of little doers.

329

00:17:05,024 --> 00:17:05,565

There's one.

330

00:17:08,984 --> 00:17:11,474

But notice that we're leaving

some of these dark areas in here.

331

00:17:11,474 --> 00:17:13,754

These little dark areas

are very important.

332

00:17:14,024 --> 00:17:17,234

Sometimes you get doing this and it

starts working so well and it feels good.

333

00:17:17,984 --> 00:17:21,555

And you just, you get carried away

and you cover up all the dark.

334

00:17:21,944 --> 00:17:25,185

And if you do, then your painting

is going to look very, very flat and

335

00:17:25,185 --> 00:17:26,325

you're going to be unhappy with it.

336

00:17:28,365 --> 00:17:29,625

And we want this to work for you.

337

00:17:30,015 --> 00:17:33,315

So be conscious of these dark

areas and don't lose them.

338

00:17:34,245 --> 00:17:34,785

Sometimes.

339

00:17:34,785 --> 00:17:37,725

I believe there, they may be more

important than the light areas

340

00:17:38,265 --> 00:17:41,205

for creating the illusion of depth

and distance in your painting.

341

00:17:43,425 --> 00:17:43,995

Okay.

342

00:17:43,995 --> 00:17:47,295

I'm going to get a little touch of the

black and add to my yellow makeup last.

343

00:17:48,120 --> 00:17:53,010

Darker green and this think about

maybe there's some nice, soft

344

00:17:53,010 --> 00:17:54,360

little grassy areas in here.

345

00:17:55,709 --> 00:17:56,580

Very gently.

346

00:17:56,699 --> 00:18:00,030

I'm going to get a, you get another

brush here on a clean brush to do that.

347

00:18:01,889 --> 00:18:08,100

So it's a little darker

there, there that's better.

348

00:18:09,120 --> 00:18:13,980

Don't want this to get too bright on us

and darker, darker, darker back over in

349

00:18:13,980 --> 00:18:16,679

here can actually just about fade away.

350

00:18:19,125 --> 00:18:23,235

Just to fade away, like all soldiers do.

351

00:18:24,495 --> 00:18:25,305

I'm an old soldier.

352

00:18:25,305 --> 00:18:27,045

I spent half my life in the military.

353

00:18:28,875 --> 00:18:33,315

I say all soldiers and every

day they just fade away there.

354

00:18:33,675 --> 00:18:36,015

So the same thing here, you

just allow that to fade.

355

00:18:37,065 --> 00:18:38,685

Now, notice these angles.

356

00:18:38,685 --> 00:18:42,825

This is how you create the lay of the

land just by changing these angles.

357

00:18:43,470 --> 00:18:48,480

You can totally change the way that the

land flows or what's happening in your

358

00:18:48,480 --> 00:18:50,820

painting just by changing those angles.

359

00:18:53,270 --> 00:18:58,110

I go darker, darker,

darker, maybe down in here,

360

00:19:01,230 --> 00:19:02,640

but look at the depth that's in here.

361

00:19:02,760 --> 00:19:06,540

And just because of all these

little different planes and then a

362

00:19:06,540 --> 00:19:08,100

super way to make a little sunset.

363

00:19:09,990 --> 00:19:16,320

And even if you've never painted this

one is so simple, you can do this.

364

00:19:16,320 --> 00:19:19,110

Black Jessa was one of the neatest

things that I've ever developed.

365

00:19:20,070 --> 00:19:21,060

I hope you enjoy it.

366

00:19:23,580 --> 00:19:24,090

There.

367

00:19:26,520 --> 00:19:27,000

Okay.

368

00:19:28,410 --> 00:19:33,390

So these little cartoon characters

I showed you up at the top of here,

369

00:19:34,170 --> 00:19:36,750

when I was young and in school,

I used to do these all the time.

370

00:19:36,750 --> 00:19:40,830

When I was supposed to be doing my, my

lessons, I would sit and draw cartoons.

371

00:19:40,830 --> 00:19:46,140

And for many, many years I wanted to be a

cartoonist, but it just never worked out.

372

00:19:48,870 --> 00:19:50,220

But this is the next best thing.

373

00:19:51,070 --> 00:19:54,490

But it's a super way for

young people to get into it.

374

00:19:54,850 --> 00:19:55,270

Everyday.

375

00:19:55,270 --> 00:19:57,580

I get letters from people all

over the country, and a lot of

376

00:19:57,580 --> 00:20:00,300

my young friends send me letters

and they draw cartoons for me.

377

00:20:01,060 --> 00:20:01,780

They're beautiful.

378

00:20:02,139 --> 00:20:04,870

You can't believe what's happening.

379

00:20:06,310 --> 00:20:09,670

And I feel so fortunate that this

show has got so many young people

380

00:20:10,389 --> 00:20:16,600

interested in art, and I know some

of them are going to be fantastic.

381

00:20:17,440 --> 00:20:19,450

You know, whether you do it

for a living or for pleasure.

382

00:20:20,685 --> 00:20:24,015

As I've said so many times, art is one of

those things that should make you happy

383

00:20:24,105 --> 00:20:25,965

if it makes you happy, then it's good.

384

00:20:27,225 --> 00:20:27,815

Let's go over here.

385

00:20:27,815 --> 00:20:30,915

I want to put a little bit

yellow ochre over here too.

386

00:20:30,915 --> 00:20:31,575

It looks so nice.

387

00:20:31,575 --> 00:20:33,855

On the other side of the

sides, getting jealous.

388

00:20:35,535 --> 00:20:36,315

There we go.

389

00:20:39,449 --> 00:20:43,080

I mean, that's a beautiful place to

have a little path or, or happy little

390

00:20:43,080 --> 00:20:44,219

stream coming right through there.

391

00:20:44,520 --> 00:20:47,129

And these things, if you come

from each side, this will just

392

00:20:47,129 --> 00:20:48,510

sort of happen automatically.

393

00:20:49,139 --> 00:20:52,560

Don't don't just try to copy when

you're doing these, look at your

394

00:20:52,560 --> 00:20:55,709

painting and look at what happens

because every painting in the

395

00:20:55,709 --> 00:20:57,480

world is going to be different.

396

00:20:58,245 --> 00:21:00,315

There are no two paintings

that will ever be alike.

397

00:21:00,615 --> 00:21:04,065

So look at your painting and you

pick out little things like yes.

398

00:21:04,575 --> 00:21:06,375

And follow them, go with them.

399

00:21:06,965 --> 00:21:07,985

Let the canvas work.

400

00:21:08,105 --> 00:21:09,995

I, gosh, that's what, Oh, that's fun.

401

00:21:10,685 --> 00:21:14,845

That's when you really experienced the

joy, let's take a little dark Sienna, a

402

00:21:14,845 --> 00:21:16,475

little Vandyke Brown, a little touch here.

403

00:21:16,835 --> 00:21:17,105

White.

404

00:21:17,105 --> 00:21:18,185

I don't want this real dark.

405

00:21:19,835 --> 00:21:21,005

What does use a fan brush?

406

00:21:21,695 --> 00:21:22,145

Let's go ahead.

407

00:21:22,145 --> 00:21:22,535

Up in here.

408

00:21:23,425 --> 00:21:27,375

If you wanted the middle path, all

you have to do is just take a fan

409

00:21:27,375 --> 00:21:31,695

brush and work it back and forth

in here, make it small in the back.

410

00:21:32,235 --> 00:21:36,585

And then as it gets closer to you,

that would get darker, darker, darker,

411

00:21:36,735 --> 00:21:42,705

darker, darker, but I'm sort of doing

this I'm exaggerating now, but like, so,

412

00:21:43,035 --> 00:21:47,075

so that way it'll look like the around

sort of been wore down a little from all

413

00:21:47,075 --> 00:21:48,665

the little creatures or people maybe.

414

00:21:49,025 --> 00:21:50,585

I don't know, maybe there's

a little pond over there.

415

00:21:50,585 --> 00:21:51,875

Everybody goes over and fishes.

416

00:21:53,340 --> 00:21:56,040

But from animals or people

walking in here, it sorta

417

00:21:56,490 --> 00:21:59,070

has a little round this area.

418

00:22:00,840 --> 00:22:03,930

And see if you decide you want to move

the path over here, just go right over.

419

00:22:03,930 --> 00:22:04,680

Whatever's there.

420

00:22:06,710 --> 00:22:08,190

You have tremendous power here.

421

00:22:08,190 --> 00:22:10,500

You can do anything that

you want to do here.

422

00:22:10,500 --> 00:22:13,139

You can change this any

way that you want to.

423

00:22:13,770 --> 00:22:16,050

And if you want to show a little

highlight, take a little white

424

00:22:16,050 --> 00:22:19,110

on your brush and very lightly.

425

00:22:19,950 --> 00:22:21,510

Very lightly, just let it graze.

426

00:22:22,980 --> 00:22:25,560

And you can create the illusion of a

little light and zinging through your

427

00:22:25,560 --> 00:22:32,190

path that easy, but darker, darker,

darker down here toward the foreground.

428

00:22:33,480 --> 00:22:36,390

But a lot of distance can be

created just by doing that.

429

00:22:36,450 --> 00:22:37,320

Let's have some more fun.

430

00:22:37,410 --> 00:22:39,390

She grabbed that fan brush again.

431

00:22:40,590 --> 00:22:43,710

I go right into some, Oh,

let's take some black and some

432

00:22:43,710 --> 00:22:45,000

Vandyke Brown, mix it together.

433

00:22:45,030 --> 00:22:48,480

I want a dark, dark color, very dark.

434

00:22:49,110 --> 00:22:54,899

Maybe in our world, their

lives right here, right here.

435

00:22:55,110 --> 00:22:56,399

This is your bravery test.

436

00:22:57,000 --> 00:23:00,090

Maybe their lives, a big tree right there.

437

00:23:01,379 --> 00:23:06,540

Maybe he's got an Armani tree

needs an arm too like that.

438

00:23:08,280 --> 00:23:13,500

And you know, me, I think everybody, even

a tree should have a friend, so let's

439

00:23:13,500 --> 00:23:17,939

put another one right there, right there.

440

00:23:19,500 --> 00:23:21,660

Give him, maybe we'll

give him a little arm.

441

00:23:21,660 --> 00:23:23,690

It's crooked up that way.

442

00:23:24,050 --> 00:23:24,770

Hey, I reward them.

443

00:23:27,440 --> 00:23:30,379

Take a little, that same color on

the liner brush with paint thinner.

444

00:23:32,330 --> 00:23:37,790

Let's go up in here, but the indication

here and there, some little limbs,

445

00:23:37,910 --> 00:23:41,240

little tree needs some little

finger sticking out his arms here.

446

00:23:43,010 --> 00:23:43,340

There.

447

00:23:44,820 --> 00:23:48,750

I got a letter one time from somebody that

told me that I had really lost it now.

448

00:23:48,750 --> 00:23:53,070

And I was telling everybody the

trees had arms and legs and foots,

449

00:23:54,830 --> 00:23:57,050

which, you know, painters are

expected to be a little weird.

450

00:23:57,890 --> 00:23:58,610

So that's all right.

451

00:23:59,450 --> 00:24:03,800

If it helps you in your painting to

make up little stories, even if they're

452

00:24:04,580 --> 00:24:06,200

little silly and people laugh at you.

453

00:24:06,830 --> 00:24:07,430

It's all right.

454

00:24:08,715 --> 00:24:13,405

Anything that works for you is a

wonderful, now we'll take it at

455

00:24:13,405 --> 00:24:16,774

least little touch of the bright

red then down and just go run right

456

00:24:16,774 --> 00:24:22,625

down these edges here a little

bit, just a beautiful sparkles.

457

00:24:22,965 --> 00:24:26,705

Just enough to let that stand

out a little don't want a lot

458

00:24:26,824 --> 00:24:28,564

just, Oh, isn't that something.

459

00:24:29,375 --> 00:24:30,725

And just let it fade right back.

460

00:24:32,430 --> 00:24:35,480

Now then let's go back to our two inch

brush that has the dark color on it.

461

00:24:35,960 --> 00:24:40,190

We go right into a little black, a

little black, maybe be right back with

462

00:24:40,190 --> 00:24:41,690

the lizard, Crimson mixed together.

463

00:24:42,020 --> 00:24:42,470

There we are.

464

00:24:43,185 --> 00:24:43,965

Let's go right up here.

465

00:24:44,445 --> 00:24:46,005

We need a few little leaves on this.

466

00:24:47,595 --> 00:24:48,705

Just drop in a few.

467

00:24:48,735 --> 00:24:54,135

We don't want a whole bunch just

sort of silhouettes don't want to

468

00:24:54,135 --> 00:24:57,525

get too many or we'll lose all of our

beautiful clouds and stuff back here.

469

00:24:59,385 --> 00:25:02,175

But even if you lose them,

when you do yours, at least

470

00:25:02,175 --> 00:25:03,135

you learn how to make them.

471

00:25:03,555 --> 00:25:04,695

So the time's not wasted.

472

00:25:04,695 --> 00:25:06,465

I want to add a little bright

red to that same color.

473

00:25:07,740 --> 00:25:12,990

We'll let that the black

color on there we'll dull it.

474

00:25:14,280 --> 00:25:23,640

So it is very dull there, but just enough

to give you a little hint of color there.

475

00:25:29,220 --> 00:25:30,120

Okay.

476

00:25:31,754 --> 00:25:32,385

Soundbar gun.

477

00:25:32,415 --> 00:25:35,475

That makes a nice little silhouette that

we can go back to our two inch breasted.

478

00:25:35,534 --> 00:25:38,655

We made grass with a little

collar on it and we want to clean

479

00:25:38,655 --> 00:25:40,155

up his little flips down here.

480

00:25:41,024 --> 00:25:44,235

There I go again, giving them feet

and arms and hands and all that stuff.

481

00:25:45,705 --> 00:25:55,095

So you hear that easy back so you can

just create all of those illusions just

482

00:25:55,095 --> 00:25:56,835

by tapping with a great big old brush.

483

00:25:58,665 --> 00:26:02,265

Tell you what I think the

moment of truth is here.

484

00:26:02,715 --> 00:26:03,855

Let's bring the camera up here.

485

00:26:03,945 --> 00:26:09,465

That goes on a little cartoons by Richard,

which is take this contact paper off.

486

00:26:10,485 --> 00:26:11,835

And this is when it's really fun.

487

00:26:12,345 --> 00:26:16,655

This is when you get to see

if what you done worked.

488

00:26:17,345 --> 00:26:17,435

Okay.

489

00:26:17,555 --> 00:26:20,765

Sometimes in some of these, and

I like to, to take an extend

490

00:26:20,765 --> 00:26:22,175

the painting outside the oval.

491

00:26:22,665 --> 00:26:23,054

Today.

492

00:26:23,504 --> 00:26:25,215

I'm pretty satisfied

with it the way it is.

493

00:26:25,935 --> 00:26:29,114

So I tell you what take the old

liner, brush a little paint,

494

00:26:29,145 --> 00:26:33,225

thinner, some bright red, make

the paint thin like water or ink.

495

00:26:34,125 --> 00:26:37,695

And let's sign this one,

sign it right down here.

496

00:26:38,235 --> 00:26:38,324

Okay.

497

00:26:38,584 --> 00:26:41,764

Another question I get all the

time is how do I sign the painting?

498

00:26:41,764 --> 00:26:43,534

What do I use for a signature?

499

00:26:43,985 --> 00:26:45,125

Anything it makes you happy.

500

00:26:45,125 --> 00:26:47,495

You can use a first name,

but last name initials.

501

00:26:48,004 --> 00:26:49,985

I've even known people

who signed with a symbol.

502

00:26:50,610 --> 00:26:51,870

Each person is different.

503

00:26:51,929 --> 00:26:54,990

So you make up your own way of signing

it and it becomes your personal

504

00:26:54,990 --> 00:26:56,909

signature from all of us here.

505

00:26:57,000 --> 00:26:58,980

I'd like to wish you happy painting.

506

00:26:59,310 --> 00:26:59,879

God blessed.

507

00:26:59,879 --> 00:27:01,379

And I look forward to

seeing you next time.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S19E03 - Final Embers Of Sunlight

Bob Ross's

The Joy of Painting

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