Bob Ross's

The Joy of Painting

S22E12 - Country Creek

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Hi, welcome back.

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Certainly glad you could join us today.

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And today.

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I think we'll just do a fantastic little

painting that I'm sure you'll enjoy.

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So let's start out having run

all the colors across the screen

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that you need to paint along

with us while they're doing that.

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Let me show you what you

caught me doing up here today.

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I have standard old

pre-stretch canvas up here.

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And as you can see, I've covered

this whole area with black Jesso

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allowed it to dry completely.

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And then on top of that, I've put

a thin, let me say that again.

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A thin coat of liquid clear,

just a very thin coat.

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And on top of that, then we've

added a mixture of SAP green.

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And Vandyke Brown.

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I put the Vandyke Brown there, just a

dull down to the green a little bit.

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So it's not quite so bright.

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And up here, I was just putting in

a little liquid wider right in this

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little spot that has no Jeff's so on.

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It is let it blend back.

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It just literally blends right

on back and begins to mix with

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that mixture of SAP green and

Vandyke Brown diddly have appear.

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I love these canvases with a black Jesel.

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It's so fantastic.

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What you can do.

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All right now, then just

mix up a little more paint.

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And as I say, we're using just

Vandyke Brown here in SAP green

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about an equal proportions.

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Just sorta just sort of get it,

the flavor that you want it.

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All right.

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Let me wipe off my whole knife

and back here in the background.

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I want to put the indication of

a lot of little trees and stuff

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that live far back we back.

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So I've taken a little white,

a little titanium, white and

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mixed it with this nice Brown and

green color that we have here.

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All right, let's go up here now, then

we'll begin picking out little things.

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Now we can take the brush, use it,

sidewards touch, give a little push.

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For example.

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Let's see how that makes

the indication of just.

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Gorgeous little tree

that lives, we back here.

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And we don't want a lot of detail

cause these are too far away,

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too far away at this point.

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And the other thing is you have made

some little things back here for

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the black Jess, so that also sort of

resemble a little trees in the distance.

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The paint is still transparent enough

that you'll see some of those through

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there and people will thank you.

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Just work yourself to death,

trying to put them in.

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Don't you tell him any different

that's our secret there and here

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and there, we can just take the

brush and tap in some bigger shapes,

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something like, so, all right.

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You maybe a little thing here and

there, wherever you want them.

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This is going to be background

material that's far, far away.

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So we're not looking for detail.

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I say that over and over.

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Because it's almost as bad

to have too much detail far

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away as no detail close up.

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If all that makes sense.

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I hope so.

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There did the corner of a brush

into a small amount of the titanium

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white, very small amount with that.

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Come on, creep like little Misty

areas down here at the base of this.

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Just little soft Misty areas.

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It just sort of floated around there,

something like that, but that's just a

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little titanium or he'd write on the brush

and tapping only with the top corner of

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the brush there, but it's unbelievable

what you can make, even that if you play

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with a little bit, you can even make

that look like a lot, a little foliage.

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That's just hanging around back here.

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Okay.

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Maybe a little touch we're right in here.

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A little mist at the base of all these

little trees that are back here in

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the distance and the more you tap it,

the more it will pick up that color.

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That's on the black.

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So, and it'll just disappear if

you tap it enough, there we go.

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Very gentle, but isn't that a neat way of

making out a lot of little trees and it

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looks like background material, so simple.

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All right, let's get crazy today.

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Already in this one.

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Let's have some fun.

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Let me clean off my palette a little bit.

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Now I'm going to take,

we'll just use that same.

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Got black Brown puts for SAP green.

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How about a little bit of pressure and

blue let's mix all those together there.

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No one thing I do want to do

here, I'll take a little bit,

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I see a little spot up here.

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I'm gonna take a little bit

of paint, a little blue.

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Let's just put the indication

that there's a little.

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Little cash.

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You went through there.

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What the heck, almost

forgot to do that, man.

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It looks sort of nice up there.

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Something about like, yeah, just

to give a little indication.

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Now we can see, we can see a little

scar just sneak in right through there.

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All right.

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Okay.

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Now let's see here on the

mic and a good dark color.

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And that's fine.

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The fan brush, we'll use the

old fan brush to do this little

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lot of coloring to the brush.

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A lot of color.

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All right, let's go up in here.

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All right.

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Up in here, live in our world.

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So nice little evergreen trees.

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Just make a line of the brush and

then use the corner of the brush, work

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back and forth, pushing harder and

harder as you work down in the tree.

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I tell you what let's do.

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Let's have a bunch of trees up in here.

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And if you wanna make the indication of

a lot of trees, just tap downward, let's

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see how that dark stands out against

that other color that we put up there.

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And this will help create the illusion

of many, many planes in this painting.

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Many planes are there.

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Okay.

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How about.

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In our world, maybe you're

right, right there, right there.

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This is another book.

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I think I'll put a bunch

of little trees in here.

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What the heck?

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All the way across may be a good

place for my little squirrel to play.

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He loves to run around in tree fact.

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Let me, let me show

you my little squirrel.

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One more time.

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I'm so crazy about that little rascal.

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I'm just going to be putting

out a few trees here.

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This is what I call my, my peek-a-boo

squirrel, but didn't that the cutest

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little thing watch what's in there.

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What is it peekaboo?

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He likes to sleep in my hand back to

once you feed him that little rascal

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asleep, just about anywhere you put

him, but look at the size of his foot.

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It's no wonder.

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They're so agile in trees and stuff

that a foot that big, you can run up

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and down any opening they're okay.

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But I like to just watch

him sleep like at some time.

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He's so pretty.

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There we go.

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And I'm just adding more and more trees

in here wherever you think they should

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be, or however many you want in your

world completely and totally up to you.

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Maybe over here.

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One goes all the way to the top.

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Maybe it goes off the canvas right

there, wherever, but these, these

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old trees just live right here.

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Do fan brushes, just sorta push them out.

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Once again, as you work down the

tree, add more and more pressure to

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your brush, make those bristles and

the band let's go back over here.

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Put one right there.

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Right there.

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Okay.

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Just work down once again, once again,

maybe this one's got a little crooked him.

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He didn't stand perfectly straight.

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We'll just put a few indications.

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There we go.

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Something like that.

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Now let's take the old knife.

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A little bit of flag, a little bit

of the dark Sienna makes it together,

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cut off our little tiny role of paint.

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Very small role.

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Now, here and there and there in here,

we'll just put the indication of a few

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little tree trunks and not everyone has to

have a trunk and you won't see the entire

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trunk, but just a few here and there.

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You can even have a few that don't have

a tree on it because maybe they'll tree

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passed away, but the trunk still there.

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This whole big one needs

something here to there.

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Yeah.

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I have several fan brushes.

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Let me grab another one here.

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And let's put some green and

some of that same tree color.

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I mean, some, some of that tree color

with yellow and we'll make green.

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There we go.

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Sometimes the old mind goes and

I forget what I'm saying, but

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we'll get it back together here.

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Some nice green load,

both sides of the brush.

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We can go up here.

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And here's our light sources zinging

right through there, there, we

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just put the indication here and

there of a few highlights on these.

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I want to keep this quite dark though.

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Don't want it to get too bright on

me cause he's are we back in there?

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But I see the light coming

right through there.

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There.

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Okay.

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Just a few things and think about

where your light's coming from

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and this particular painting.

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It looks like it's coming from the right.

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So we need more emphasis on the right

side, on the left for you all these little

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Rascals here, we don't want him left out.

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Nothing worse than an angry tree

that's after you there come a little

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on that little, little leaner there.

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They're leaner reminds me of horse shoes.

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When I was young, I used to play

horseshoes a lot cause we lived we

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out in the woods and that was about

the only thing there was to play.

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We didn't, we didn't have any

video machines or Pac-Man or any

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of those good things to play.

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So we would play horseshoes and take

a little bite, just tap right in here.

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Back to I became the champion

of my, my school there.

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I have to brag a little here.

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There we go.

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All I'm doing here is just creating the

illusion of a little mist right down at

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the basement, the basement to the bottom.

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I'm really having trouble

with their tongue today.

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Just happened a little bit

of that, something like that.

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Now we have to make

some more big decisions.

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What other kinds of

things can we put in here?

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I know let's do this.

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Let's do this.

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Let's take a little white,

maybe at least little touch of a

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yellowish green color in there.

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Little yellow and a little green, CAD

yellow, maybe a little yellow ochre too.

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I like it.

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Ooh, that's even better.

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Maybe I like the ochre

better than the Cadieux.

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But it's still just about white, just

about white and we'll take the fan

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brush and go right through there.

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And maybe, maybe right in here with the

lights coming through, the, maybe it's

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hitting a few little bushes right in here.

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Just can push up into the fan.

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Right.

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And they're just really

sparkling out here in the sun.

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Just beautiful little bushes that live in

here wherever you think they should be.

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But push upward with a fan brush

and you can create the illusion

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of all kinds of little things.

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I know maybe it's one way up in here.

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Yeah.

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And a neat, neat way of making all

kinds of beautiful little bushes.

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And you can do this in any color you want.

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Okay.

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I don't know what we need.

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Maybe let's have a big stone.

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I like to do big stones sometime.

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Let's take some black, one bandaid Brown,

maybe even a little dark Santa in there.

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Cut us off a little roll of paint.

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Maybe about right here, right here.

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Maybe we'll have us a little.

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Maybe we'll have a big stone.

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We can have any size stone

we want in our world.

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Maybe there's a big Boulder

that lays over here.

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This is no longer a stone.

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We just turned it into it.

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Boulder they're big healthy stone.

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And one of the neatest ways of making a

very effective little stone, let's take

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a little white, a little touch of the

blue in there and Prussian blue there.

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Get a little bit of color right

on, right on the end of the

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fan brush and scope in here.

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How about just tapping?

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You can sorta just create

all the shapes you want.

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Yes.

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But just tap.

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Okay.

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And let the natural bend to

the fan brush work for you too.

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Sometimes that works out very well.

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Well, very well, but just tap.

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Think about shape and form.

249

00:13:44,765 --> 00:13:45,035

Thank you.

250

00:13:45,165 --> 00:13:45,635

Combative.

251

00:13:45,665 --> 00:13:48,604

Don't just, don't just tap it random

because that's all you'll end up with.

252

00:13:48,635 --> 00:13:49,834

Think about what you're trying to do.

253

00:13:51,584 --> 00:13:54,375

There and here and there on

the edge, we can see a little

254

00:13:54,375 --> 00:13:55,694

light coming down the side,

255

00:13:58,714 --> 00:14:02,015

just wherever, wherever

it goes all the way out.

256

00:14:02,525 --> 00:14:07,175

Now, then with a clean, dry

two inch brush, one hair and

257

00:14:07,175 --> 00:14:13,415

some air gently, gently, gently

just blend that very gently.

258

00:14:14,704 --> 00:14:15,485

There we go.

259

00:14:17,704 --> 00:14:19,505

And this is one of the

easiest ways of making it.

260

00:14:19,845 --> 00:14:23,115

Just a happy little stone and you can

put a little highlight on, they would

261

00:14:23,115 --> 00:14:27,975

take a little bright red, little white,

just a little bright red and white,

262

00:14:27,975 --> 00:14:31,275

same thing, and pick out where you

think that light would really strike.

263

00:14:33,045 --> 00:14:35,745

And you can put the indication here

and there of a little highlight.

264

00:14:35,775 --> 00:14:39,965

Not much though, not

much overdue real quick.

265

00:14:40,835 --> 00:14:42,995

And then once again, barely touch it.

266

00:14:42,995 --> 00:14:44,405

Whisper there.

267

00:14:49,725 --> 00:14:50,085

Hmm.

268

00:14:50,115 --> 00:14:50,415

Okay.

269

00:14:51,255 --> 00:14:51,705

Yeah.

270

00:14:52,935 --> 00:14:54,885

Let's have a little Bush like

that in the front here too.

271

00:14:54,975 --> 00:14:55,305

I don't know.

272

00:14:55,335 --> 00:14:59,985

I don't want a couple in front

of that big stone right there.

273

00:15:00,075 --> 00:15:04,365

Since we decided this was the basement

down here, basement of the painting.

274

00:15:04,395 --> 00:15:10,275

That's a new one there, but that's the

way new terms come about is half the time.

275

00:15:10,275 --> 00:15:11,115

They're mistakes.

276

00:15:12,825 --> 00:15:13,725

We don't make mistakes.

277

00:15:13,725 --> 00:15:17,385

We have happy accidents, maybe.

278

00:15:17,885 --> 00:15:18,585

Right open here.

279

00:15:18,585 --> 00:15:20,505

Some little things that

just live right in here.

280

00:15:22,845 --> 00:15:23,115

Right?

281

00:15:23,115 --> 00:15:23,775

Little Rascals.

282

00:15:24,185 --> 00:15:24,575

Take her.

283

00:15:25,535 --> 00:15:31,985

Let me take her little liner, brush a

little touch of the paint, thinner, a

284

00:15:31,985 --> 00:15:33,845

little Brown, little white mixed together.

285

00:15:34,895 --> 00:15:37,535

Make this paint very,

very thin, very thin.

286

00:15:37,745 --> 00:15:39,425

It should literally run on your palette.

287

00:15:39,425 --> 00:15:42,575

Like see it dripping should be that thin.

288

00:15:43,685 --> 00:15:45,485

Now with that, we can come back in here.

289

00:15:46,140 --> 00:15:49,589

And go right over the top of that

from paint and put in all kinds

290

00:15:49,589 --> 00:15:52,530

of little sticks, twigs and little

happy things that live back here in

291

00:15:52,530 --> 00:15:55,790

the woods, see them there they are.

292

00:15:58,010 --> 00:16:00,199

And just wherever you

think they should live.

293

00:16:02,000 --> 00:16:06,349

There's one right in front of

our big stone, big stone lives

294

00:16:06,349 --> 00:16:10,610

down here in the basement there.

295

00:16:11,839 --> 00:16:15,199

So when you do your basement painting,

you can have a big basement cellar.

296

00:16:15,750 --> 00:16:17,579

So all your works and start over again.

297

00:16:21,060 --> 00:16:21,689

Okay.

298

00:16:23,040 --> 00:16:25,550

Now then I have to make

some big decisions.

299

00:16:26,780 --> 00:16:27,740

What are we going to do with this?

300

00:16:27,740 --> 00:16:31,970

That's the first big decision and I tell

you what, this have some grass in there.

301

00:16:32,569 --> 00:16:38,720

We use some green, green, little bit of

CAD yellow, Indian, yellow, yellow ochre.

302

00:16:40,280 --> 00:16:43,130

Just make a variety of color

right here on the brush.

303

00:16:45,105 --> 00:16:45,825

Push that paint.

304

00:16:45,825 --> 00:16:48,465

So you get that little Ridge though,

most important when you're loading your

305

00:16:48,465 --> 00:16:54,915

brush for this, push it now, then think

about how you want the land to flow.

306

00:16:56,445 --> 00:16:59,235

And with this black canvas

here, it will show up.

307

00:16:59,265 --> 00:17:00,975

So fantastic.

308

00:17:02,445 --> 00:17:03,795

You'll just jump right out at you.

309

00:17:05,415 --> 00:17:11,354

There leave some dark areas here

and there and it'll look like it'll

310

00:17:11,354 --> 00:17:13,334

look like deep recessed areas.

311

00:17:15,405 --> 00:17:16,004

There we go.

312

00:17:16,905 --> 00:17:19,665

But pay very close attention

to the lay of the land.

313

00:17:20,895 --> 00:17:22,694

In other words, the way the land flows.

314

00:17:25,155 --> 00:17:26,324

There's a little Hill here.

315

00:17:28,125 --> 00:17:28,875

There we go.

316

00:17:32,735 --> 00:17:34,325

nah, just tap.

317

00:17:34,475 --> 00:17:35,585

All we're doing is tapping.

318

00:17:35,885 --> 00:17:39,695

The more you tap, the more it'll

mix with a color it's underneath.

319

00:17:41,075 --> 00:17:44,795

Now in my mind, lights coming

through there, that same

320

00:17:44,795 --> 00:17:45,805

color we made the bushes out.

321

00:17:45,805 --> 00:17:49,835

I'm going to add a little bit to the tip

of the brush here and there, the chest.

322

00:17:49,835 --> 00:17:52,264

So we can show that strong, strong light.

323

00:17:53,045 --> 00:17:56,225

It's just zipping right through

there and sparkly and all these

324

00:17:56,225 --> 00:17:58,535

little things, but don't overdue.

325

00:17:59,070 --> 00:18:01,889

The only thing that makes us effective

is that there's very little of it in

326

00:18:01,889 --> 00:18:04,530

the painting, this very bright area.

327

00:18:05,399 --> 00:18:06,780

And this is where the eye will go.

328

00:18:06,780 --> 00:18:07,800

When this painting's finished.

329

00:18:07,800 --> 00:18:11,340

There's no doubt in my mind

that this is going to end up

330

00:18:11,459 --> 00:18:12,929

drawing your eye right there.

331

00:18:13,139 --> 00:18:17,760

No matter what you try to look at,

you're going to see this and that's good.

332

00:18:17,850 --> 00:18:18,840

That's what we want today.

333

00:18:19,620 --> 00:18:23,340

Let's take, let's take a

little bit of titanium white.

334

00:18:23,370 --> 00:18:24,929

We'll just use it on

the same old brush here.

335

00:18:26,380 --> 00:18:26,850

Maybe.

336

00:18:28,080 --> 00:18:28,700

Yeah, why not?

337

00:18:30,080 --> 00:18:31,460

Maybe this is water.

338

00:18:34,040 --> 00:18:38,810

Just pull straight down, allow it to mix

with a color that's already on the canvas.

339

00:18:40,500 --> 00:18:43,760

Let me get a clean, dry brush and

we'll go right over the top of that.

340

00:18:44,890 --> 00:18:46,390

Ray had to get in there and pull it down.

341

00:18:46,460 --> 00:18:48,970

See it makes them have that second

green and Brown is under there.

342

00:18:50,580 --> 00:18:51,030

There

343

00:18:54,070 --> 00:18:55,180

they pull firmly down.

344

00:18:55,180 --> 00:18:57,250

I want it to mix with those colors.

345

00:18:58,120 --> 00:19:01,690

You can even pick up a little dark and

add it back in there, here and there.

346

00:19:02,110 --> 00:19:07,240

So you have a variety of things

happening and I go across, even though

347

00:19:07,240 --> 00:19:09,880

this goes uphill, go straight across.

348

00:19:10,210 --> 00:19:13,450

Otherwise it won't look

right straight across.

349

00:19:15,720 --> 00:19:17,280

Instant water that easy.

350

00:19:19,409 --> 00:19:26,360

Now, maybe, you know me, I like

to get a little crazy here.

351

00:19:26,360 --> 00:19:31,159

Let's take some liquid white dark

Santa Vandyke Brown mix them together.

352

00:19:31,189 --> 00:19:37,129

I will make a very thin, thin paint

here very thin, but you can see it's

353

00:19:37,129 --> 00:19:39,679

almost, almost like liquid whites.

354

00:19:40,159 --> 00:19:40,610

Very thin.

355

00:19:40,639 --> 00:19:42,320

Let me get a brush.

356

00:19:44,470 --> 00:19:46,350

Not choose the old Filbert brush today.

357

00:19:47,370 --> 00:19:51,149

And then we'll take it through the Vandyke

Brown of the dark Sienna, both sides.

358

00:19:51,209 --> 00:19:55,649

And then I'm going to take and go down

here and just pull one side, just one

359

00:19:55,649 --> 00:19:57,300

side, see through the light color.

360

00:19:57,330 --> 00:20:02,669

So we have dark on-site light on the

other, and maybe in our world right up

361

00:20:02,669 --> 00:20:08,370

in here lives, all kinds of happy, little

stones and rocks and pebbles and shoes.

362

00:20:08,399 --> 00:20:10,230

Maybe they live on out here in the water.

363

00:20:10,260 --> 00:20:11,070

We don't know.

364

00:20:11,940 --> 00:20:13,260

We don't know, this is your world.

365

00:20:13,290 --> 00:20:19,650

So you do it any way that you think

you want it, but that's a nicest way of

366

00:20:19,650 --> 00:20:21,510

making a lot of little stones and rocks.

367

00:20:21,510 --> 00:20:27,360

So easy there, another one, maybe some

little ones back here in the background.

368

00:20:28,920 --> 00:20:29,610

All right.

369

00:20:32,220 --> 00:20:33,240

Let's have some fun here.

370

00:20:33,360 --> 00:20:34,560

Let me find a fan brush.

371

00:20:35,280 --> 00:20:36,450

I'll put liquid white on it.

372

00:20:37,590 --> 00:20:42,389

Go into the titanium, white, the

liquid whites there only to thin it.

373

00:20:42,780 --> 00:20:48,090

And then we'll go into a small amount

of low blue, very small amount.

374

00:20:48,120 --> 00:20:48,750

Let's go up here.

375

00:20:52,189 --> 00:20:54,980

I just see with all these

rocks, it'd be a perfect place.

376

00:20:55,730 --> 00:20:57,169

Just to have a happy little stream.

377

00:20:57,169 --> 00:20:59,600

It just sort of flows and

meanders along through here.

378

00:21:00,590 --> 00:21:01,939

It has a good time out here.

379

00:21:03,409 --> 00:21:03,830

There.

380

00:21:04,785 --> 00:21:07,335

Just plays through the

rocks and falls over.

381

00:21:09,945 --> 00:21:14,985

It comes right through those

rocks there, those flash here, and

382

00:21:15,775 --> 00:21:22,635

they're there to make us a little

noises or it just won't work.

383

00:21:24,285 --> 00:21:27,645

I say that all the time, but I

think it will work if you don't

384

00:21:27,645 --> 00:21:31,245

do that, it just sort of helps me.

385

00:21:32,700 --> 00:21:36,360

But maybe you don't need

little noises there.

386

00:21:36,360 --> 00:21:41,720

We are funny what a net and I

grew up teaching or demonstrating,

387

00:21:42,110 --> 00:21:43,220

and that's one of my partners.

388

00:21:43,680 --> 00:21:44,610

And she travels with me.

389

00:21:44,620 --> 00:21:48,510

We, we do demonstrations

and teach us a lot of times.

390

00:21:48,510 --> 00:21:51,210

They'll especially my young

friends will come up and they'll

391

00:21:51,270 --> 00:21:52,950

imitate the noises that we've made.

392

00:21:53,850 --> 00:21:57,210

So we have youngsters all over

going blip, things like that.

393

00:21:59,100 --> 00:22:03,149

I just did a demonstration for

a class in New Jersey, just

394

00:22:03,149 --> 00:22:04,800

recently of high school students.

395

00:22:04,800 --> 00:22:07,590

They were some of the nicest

youngsters I've ever met.

396

00:22:08,659 --> 00:22:09,290

There we go.

397

00:22:10,970 --> 00:22:11,360

Okay.

398

00:22:11,540 --> 00:22:11,870

Maybe.

399

00:22:12,345 --> 00:22:12,794

Tell you what?

400

00:22:12,794 --> 00:22:16,155

Let's get a little crazier, take

a little Vandyke, Brown and white.

401

00:22:17,475 --> 00:22:23,175

Maybe there's a little, maybe, maybe

there's a little sandbar right in there.

402

00:22:24,435 --> 00:22:24,975

Yes.

403

00:22:25,514 --> 00:22:26,865

A little darker color behind it.

404

00:22:26,865 --> 00:22:28,064

And then we'll sort of

blend them together.

405

00:22:29,585 --> 00:22:33,875

They're just a little,

something like that.

406

00:22:37,774 --> 00:22:39,095

And we can take our brush with that.

407

00:22:40,335 --> 00:22:44,445

With a white on it, go in here

and clean up the edges a little.

408

00:22:46,365 --> 00:22:48,435

Maybe we'll have a stone or

two out here on this thing.

409

00:22:48,805 --> 00:22:50,475

Same way we did them before,

410

00:22:54,675 --> 00:22:55,935

but another one right in there.

411

00:22:55,935 --> 00:22:57,315

And then they're in there.

412

00:22:57,315 --> 00:22:59,264

And however many stones

you want your room?

413

00:23:01,995 --> 00:23:03,135

A little bit of the blue and white.

414

00:23:03,975 --> 00:23:08,865

And once again, just clean up the base

of the stones, something like that.

415

00:23:10,995 --> 00:23:11,445

Okay.

416

00:23:11,625 --> 00:23:13,095

We need to speak in the stones.

417

00:23:13,095 --> 00:23:20,045

Let's put up, maybe there he comes,

put some dark color in there.

418

00:23:20,165 --> 00:23:22,175

I'm going to have a huge stone over here.

419

00:23:23,375 --> 00:23:24,514

Maybe it comes all the way down to there.

420

00:23:24,845 --> 00:23:26,345

I don't care wherever you want.

421

00:23:28,504 --> 00:23:28,865

Janice.

422

00:23:28,865 --> 00:23:29,555

The big old stone.

423

00:23:32,699 --> 00:23:34,560

Back to her brush with

a little color on it.

424

00:23:35,250 --> 00:23:36,959

A fan brush got a little

bit blue and white.

425

00:23:37,949 --> 00:23:41,070

And once again, just sort of

form the top of your stone,

426

00:23:41,070 --> 00:23:45,709

but tapping, just tapping hair.

427

00:23:47,750 --> 00:23:50,179

I hope you like seeing that little

squirrel, it needs something the way

428

00:23:50,179 --> 00:23:51,830

he lays up there in your hand sleeps.

429

00:23:53,810 --> 00:23:55,760

He's just so special to me.

430

00:23:57,020 --> 00:23:59,570

And if you haven't been with us

before in this series, his name is.

431

00:24:00,270 --> 00:24:01,980

Pea pod, the pocket squirrel.

432

00:24:02,160 --> 00:24:09,120

So what we call him, Hopi pod

now clean drag two inch brush.

433

00:24:09,120 --> 00:24:12,270

Once again, barely, barely

caressed the canvas.

434

00:24:12,390 --> 00:24:13,620

Just barely caress it.

435

00:24:15,740 --> 00:24:16,430

There we go.

436

00:24:18,080 --> 00:24:18,620

All right.

437

00:24:20,360 --> 00:24:23,330

I tell you what we got a minute left here.

438

00:24:24,080 --> 00:24:24,830

Let's get crazy.

439

00:24:25,010 --> 00:24:25,520

What the heck?

440

00:24:25,820 --> 00:24:26,720

Take some black.

441

00:24:27,645 --> 00:24:31,545

Prussian blue Crimson SAP green

would just mix all those together

442

00:24:33,585 --> 00:24:35,655

and take a two inch brush.

443

00:24:37,905 --> 00:24:39,135

This is your bravery test.

444

00:24:41,025 --> 00:24:43,815

Take the old two-inch

brush loaded full of color.

445

00:24:44,115 --> 00:24:45,285

Bring it to a chisel edge.

446

00:24:45,345 --> 00:24:46,185

Very sharp.

447

00:24:47,205 --> 00:24:51,375

Very sharp must go up in here

maybe right in here lives.

448

00:24:53,040 --> 00:24:56,219

Just crazy big old tree stands here.

449

00:24:57,540 --> 00:25:00,090

Watch this what's going on there.

450

00:25:00,540 --> 00:25:04,139

All we're doing is putting in some

dark we'll come back and highlight it.

451

00:25:05,540 --> 00:25:06,959

It's right there behind that rock.

452

00:25:08,520 --> 00:25:13,020

Okay, here comes another one for forgive

him a friend, but then I'm going to

453

00:25:13,020 --> 00:25:17,399

leave some of these little areas up in

here or light shedding between them.

454

00:25:19,919 --> 00:25:21,149

Can you let's have one on the other side?

455

00:25:21,149 --> 00:25:22,080

I don't want it left out.

456

00:25:22,605 --> 00:25:23,325

Maybe over here.

457

00:25:24,705 --> 00:25:26,175

Well, that one's going

to really be a big one.

458

00:25:28,425 --> 00:25:29,175

There we go.

459

00:25:30,445 --> 00:25:33,525

It really doesn't much matter

because the highlights are where

460

00:25:33,525 --> 00:25:35,145

you bring this out right now.

461

00:25:35,205 --> 00:25:37,185

All we're doing is just

putting in some base color.

462

00:25:38,175 --> 00:25:42,075

It's really the highlights

that make this tree show up.

463

00:25:44,295 --> 00:25:46,815

Maybe we'll have it set in a

little peninsula right there.

464

00:25:47,865 --> 00:25:49,004

So we'll put some dark in.

465

00:25:58,110 --> 00:26:00,030

Okay, got another two

inch brush go in here.

466

00:26:00,030 --> 00:26:02,399

And this got a little green

on it, yellow and green.

467

00:26:03,750 --> 00:26:04,800

So let's go up in here.

468

00:26:07,199 --> 00:26:07,439

Nice.

469

00:26:07,439 --> 00:26:10,470

Just begin putting the indication

of all kinds of little happy

470

00:26:10,470 --> 00:26:13,110

things out here on these.

471

00:26:13,830 --> 00:26:14,490

There they come.

472

00:26:16,035 --> 00:26:18,885

Sam just layer after layer.

473

00:26:19,335 --> 00:26:21,855

So now you know why it didn't

matter what the dark look like.

474

00:26:22,245 --> 00:26:27,285

This is where you create the

illusion of a big tree right in here.

475

00:26:29,535 --> 00:26:30,225

There he is.

476

00:26:30,625 --> 00:26:35,115

It comes his friend darker,

darker, darker down here.

477

00:26:35,625 --> 00:26:39,615

And on the other side, you need

to give him some nice leaves.

478

00:26:40,830 --> 00:26:43,800

There we go just a few.

479

00:26:46,920 --> 00:26:47,670

All right.

480

00:26:50,640 --> 00:26:51,420

Wherever you want it.

481

00:26:52,170 --> 00:26:53,730

Darker, darker, darker down here.

482

00:26:55,740 --> 00:26:56,310

Okay.

483

00:26:56,700 --> 00:26:57,780

Take that same brush.

484

00:26:58,110 --> 00:26:58,920

Maybe down in here.

485

00:27:00,090 --> 00:27:03,570

We'll just put in a Bush or two there.

486

00:27:03,630 --> 00:27:08,220

Just push upward, create the illusionists

and little bushes down here at his foot.

487

00:27:10,409 --> 00:27:11,610

Little touch of color in there.

488

00:27:11,610 --> 00:27:12,720

So we have a reflection.

489

00:27:13,100 --> 00:27:14,520

We about to have a finished painting.

490

00:27:18,080 --> 00:27:20,330

There looks like it's

reflecting in the water.

491

00:27:20,840 --> 00:27:22,790

I think with that, we'll

call this one finished.

492

00:27:22,879 --> 00:27:25,399

And from all of us here, I'd

like to wish you happy painting.

493

00:27:25,909 --> 00:27:26,929

And God bless my friend.

End .srt file.

Bob Ross' The Joy of Painting

Wednesday, December 30, 2020

S22E12 - Country Creek

Bob Ross's

The Joy of Painting

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