Bob Ross's
The Joy of Painting
S20E02 - New Days Dawn
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Hi, welcome back.
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I'm glad you could join me today.
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And today I have one of
my little friends here.
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That's having lunch
while we're doing this.
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So I thought I'd share her with you.
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This is a little baby POCs squirrel, and
she's just having a little lunch with me.
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Ooh, what's hair too much.
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Huh?
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There isn't she something she's only a few
weeks old and just as cute as a button.
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I thought I'd show her to you today.
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They're all ready.
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None of that.
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This is just one of my many friends.
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I'm going to sit her down.
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Hey, we'll get started here.
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Okay.
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If I can get her off my shirt there,
they have it, but 9,000 claws and
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they can all seem to grab your once.
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Alrighty, tell you what.
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Come on up to the canvas.
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Let me show you what I've got done today.
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Today we have our standard old 18 by 24
inch canvas or any size that you want.
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And I've done something a
little bit different today.
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I've taken.
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And this area here, the white
area, this is a mixture of
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liquid clear and liquid white.
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I put the clear in there because
I want some transparency today.
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And then the rest of it, I've just covered
with a little bit of liquid black and
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just sorta swirled it around a little
bit to sort of let them blend together.
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So we have liquid white and
liquid clear mixture and liquid
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black and just blended together.
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So let's just have some fun today.
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I thought we'd just do a
happy little painting now.
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If you don't have all three of these
mediums, what you can do, you can
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do this with liquid white, but you
won't have the transparency and the
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bottom will be a little bit more
difficult, but you could do it.
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Let's go into a tiny, tiny,
little bit of the yellow ochre.
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Maybe add a little CAD yellow into it.
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Just mix them up together here.
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Like, so we're going to run all the
colors across the screen, so you'll know
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exactly what we're using here, there.
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All right, let's go up in here.
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Make a big decision.
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Maybe you need to be right up in here.
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We'll put just a little bit of this color
and just blend a little bit of it on.
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Something like, so just using little
crisscross jokes, little exes now,
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then not even going to clean the
brush, but I'm going to go right into
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a small amount of a lizard Crimson.
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And the Crimson is strong enough that
you don't have to clean the brush.
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It'll go right over it there.
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Now then let's just go
right around the edges here.
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Like, so.
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Just to add a little touch of that
Crimson there and let it blend outward.
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We don't want to go back
into this bright color.
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We want to save that.
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Just let this blend right on.
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There we go.
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Sorry.
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We have a masterpiece for the museum
of modern art right there, right there.
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Now then take a little bit of
the Crimson and dark Sienna.
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I'm still using the same brush.
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I haven't washed the chip mostly,
mostly though dark Sienna, and I'm
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going to come right around these, this
area and just begin blending it up.
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Now this will begin mixing with
the liquid black it'll get darker
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and darker and darker out here.
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And that's exactly what we're looking for.
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They're over here a little bit more.
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It's just mainly dark Sienna with
a little bit of a lizard Crimson.
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There we go.
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Hope you liked the little squirrel.
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I'm so crazy about these little
devils that I like to share them with.
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You damn.
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They are absolutely precious.
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We have four of them
here in the studio today.
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They came from Diana Schaefer,
the bird lady here in Muncie, and
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she takes care of these little
fellers when they've been orphaned.
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And I think she's doing
a fantastic thing there.
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All right.
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Now then that's wash the old brush.
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That's the fun part of this.
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It's just scrub it.
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There's a screen down here in the bottom
of the can and I scrubbed the bristles
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against to remove the paint was shake off
excess and just beat the devil out of it.
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Now, then.
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With a nice clean and dry brush.
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Be sure it's dry though.
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It needs to be dry.
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We want to start blending.
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Yes.
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Just blending.
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Linda T you can't tell her one color
stops and the next color starts.
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There we go.
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Now sometimes when you're doing
these little paintings, you'd
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like to make this area in here.
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Brighter shine here, there.
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So I tell you what, I have
several brushes going.
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Let me just grab another clean one here
and we'll take a little bit of titanium
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white, right on the old two inch brush.
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Just tap a little in there.
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Let's go back up here and right it here.
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We'll start with a fight
and just begin blending and
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blending and blending lending.
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Start from the light
area you blend outward.
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Now this will really brighten this area.
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It'll just make it shine.
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And you can do this as many times
as you want to achieve a desired
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lightness or brightness there
very lightly just go across.
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But now when you're doing this
sometimes step back and take
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a look, see at your painting.
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It's very difficult when you're
standing real close to it.
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To tell if you haven't blended
enough, you want it to be very soft.
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You don't want to see
distinct lines in here.
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All right.
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Strokes.
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When we're in business, I tell you
what all we have that all brush going.
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Hm.
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Let's just have some fun.
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We'll go right into this dark.
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And I'm just going to
tap the top bristles.
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Just, just tap it right into a
little touch of that dark CNN.
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Let's go back up here.
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And with this, let's begin putting
in the indication here and there.
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They're in here of some little, little
shapes for little bushes and trees
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that live we're back in the distance.
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And we're not looking for detail.
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You'll put detailed in
the foreground back here.
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We just want it just the indication,
a little things happening.
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Let your imagination go.
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Just let it go up in here.
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We can't hardly even see them.
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Just let it go there.
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I mentioned earlier, and the reason we put
that liquid clear in the background is to,
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to make this a little more transparent,
just a little more transparent.
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Abandoned the touch of
Vandyke Brown to the color.
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Now, as it gets further away,
we want it to get a little bit
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darker, but not much just to know.
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So it stands out a little bit.
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Maybe we'll have some nice tree
shapes all the way up to the top
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of the canvas over here, that easy.
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All right.
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Let's take our little liner,
brush a little paint thinner.
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Get a little more of that thinner and
we'll go right into that same dark
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Sienna, a lot of paint dinner though.
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This should be as thin as water
or ink should just literally run.
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So yeah, it just drips very, very thin.
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Okay.
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Now that here and there, I'm just going
to put the indication of a little trunk
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or a stale or whatever, some little,
little tree shapes here and there.
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Just to break it up.
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There maybe a few up in here, not
looking for a lot when things are
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far, far away, you don't want to
be able to see a lot of detail.
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There we go.
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All right.
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Now then wash the brush
and the liner brush.
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All I do is just wipe it on a paper towel.
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After I've washed it, let's use
our little oval breast today.
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What the heck?
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It's easy to tell the little oval
brush it has a black handle on it.
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All right, we'll take a little yellow.
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Be right back.
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Don't go away.
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Get a touch of the SAP green here.
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K, not a load.
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This brush.
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Give it a little push.
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Just give it a little push.
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Get a little touch of the yellow ochre.
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I don't want a lot of color.
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Just enough to, just enough to
spark that little, that Indian,
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yellow here and there too.
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Okay, let's go up here now.
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Then all you got to do with this
little brush is just tap, just tap.
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And we can begin making the
indication of little distance trees
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and bushes that live way back here.
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Lighter, lighter, lighter lighters.
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It comes down.
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So it looks like it a little
bit of the bright red here and
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there too tiniest little bit.
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Okay.
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Just decide where you
want these little things.
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Maybe there's a little
tree was right here.
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Where ever, there we go.
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There we are.
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Now then a little bit more
tell you what, right in here,
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that looks like a good spot.
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And when you're doing this, just sort
of look around and decide where you
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think a little tree would be happy
living, and that's where he should be.
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That's where it should be.
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And I'm still just using the same
colors, just varying back and forth.
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Have a little touch of the SAP,
green, a little Cadieux yellow ochre.
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Little touch of Indian,
yellow, even here in there.
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And once in a while, the
least, at least little touch of
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bright red don't much though.
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It's so strong.
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And the other way it gets here,
the less detailed, I don't want one
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to get dark darker back in here.
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Maybe even up in here, there's some
little, little things going on there.
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These are hiding.
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We back in the shadows.
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This is where all the little creatures
live, little bunny rabbits live back here.
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There we are.
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Okay.
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Shoot.
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That's about all we need for a
little background on that side.
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Now that we have put something over
here, tell you what let's take.
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Let's keep a lot of this
in the Brown tone state.
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That's so pretty nice earth tones.
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We'll use some dark sand, a little
Vandyke Brown, pick up a little yellow
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ochre, little yellow ochre there.
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Maybe my least little
touch of black in there.
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Oh, that's nice.
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That's what I'm looking.
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Let me wipe the knife off point, the old
knife off and we'll find this fan brush.
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There we go.
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There we go.
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Just loaded, full of color,
both sides, just back and forth.
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All right, let's go up in here.
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Maybe there's a little patch of
evergreen trees and they live right
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there to start with little line.
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Use the corner of the
brush, just the corner.
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Cause you worked down, apply
more and more pressure, more
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and more pressure there we are.
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Let them go like, so, okay.
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Now then let's give him, let's give
him a little friend there he is.
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There he is.
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Decide how many trees you think
should live in your world.
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Sometimes I like to do little
evergreen trees where you
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can see parts of the trunk.
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So maybe you can just tap
in the whole trunk because
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trees don't grow all perfect.
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They're like people, some of them are big.
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Some are small, some are skinny,
some are little heavier there.
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Maybe another one is right here
beside him, something like that.
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And you just decide how many trees live in
your world and put them in, put them in.
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Let's put a couple on
this side, over here.
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I like to make his little clumps of trees,
because a lot of times you see evergreens
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in nature, it looks like they all got
together and started a little community
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or something, having a party or something.
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I don't know.
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They ain't having a good time though.
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Okay.
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And that ought to be enough
for, for our little area.
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00:12:27,740 --> 00:12:30,470
But if you want more, when you
do yours, just drop them in.
244
00:12:32,130 --> 00:12:33,300
Nice clean, dry brush.
245
00:12:33,990 --> 00:12:36,900
And I want to create the
illusion of nest down here at
246
00:12:36,900 --> 00:12:39,810
the base then here at the base.
247
00:12:40,380 --> 00:12:47,069
And it's like, so they're just
tapping, just tapping and up
248
00:12:47,069 --> 00:12:49,709
here, we'll tap a softer cause
we don't want to destroy a pier.
249
00:12:49,980 --> 00:12:52,380
All we want to do, appears
to diffuse down here.
250
00:12:52,380 --> 00:12:56,130
We're getting a tough main,
cause we're destroying one creed
251
00:12:56,130 --> 00:12:59,460
softness, but here barely you
can probably hear the difference.
252
00:13:00,810 --> 00:13:05,850
Barely touching up here, gentle there.
253
00:13:06,420 --> 00:13:06,750
Okay.
254
00:13:07,800 --> 00:13:12,329
Now then we can take a knife, just
a little bit of that same color and
255
00:13:12,329 --> 00:13:17,069
just sort of pull it through here and
there and it'll make the indication.
256
00:13:17,880 --> 00:13:18,840
A little trunks.
257
00:13:19,020 --> 00:13:24,420
We're not really going to put a lot of
detail in these are too far away, but
258
00:13:24,420 --> 00:13:27,660
this'll turn a few trees into something.
259
00:13:27,660 --> 00:13:29,160
It looks like a lot of trees.
260
00:13:31,070 --> 00:13:31,640
There we go.
261
00:13:32,330 --> 00:13:35,840
Now then let's get crazy.
262
00:13:35,840 --> 00:13:36,530
This is our world.
263
00:13:36,530 --> 00:13:37,400
So we can do anything.
264
00:13:38,150 --> 00:13:40,100
Maybe there's a little
Bush that lives right here.
265
00:13:40,100 --> 00:13:41,600
We'll just go back to a little oval brush.
266
00:13:41,690 --> 00:13:42,440
Just happen.
267
00:13:43,430 --> 00:13:46,490
Indication of maybe one little
happy Bush that lives right there.
268
00:13:47,250 --> 00:13:55,250
Something like, so there to
tell you, what, what did she use
269
00:13:55,250 --> 00:13:56,479
this hole to enter brush here?
270
00:13:56,630 --> 00:13:59,989
What the heck you could use a one inch
brush or fabric, whatever, whatever.
271
00:14:00,859 --> 00:14:02,339
And I'm going to go into a
little bit of the yellow.
272
00:14:02,369 --> 00:14:02,900
Be right back.
273
00:14:02,900 --> 00:14:08,089
Get a little sappy green, just
mix all these different colors
274
00:14:08,119 --> 00:14:10,199
and give it a little push there.
275
00:14:10,339 --> 00:14:11,270
A good shot right there.
276
00:14:11,270 --> 00:14:15,349
Just a little, push it a little color,
right on the tips of the bristles.
277
00:14:15,734 --> 00:14:16,574
A little bit of color.
278
00:14:18,525 --> 00:14:20,915
All right, now then let's
make a big decision.
279
00:14:20,915 --> 00:14:23,944
Maybe we have, maybe there's
a nice grassy area now world.
280
00:14:23,944 --> 00:14:26,734
And he comes right down like it.
281
00:14:26,734 --> 00:14:29,435
And all you have to do is just tap.
282
00:14:30,395 --> 00:14:32,974
And the more that you tap, the
darker it'll become because
283
00:14:32,974 --> 00:14:34,744
it's going to mix with it black.
284
00:14:34,744 --> 00:14:38,555
It's already on the canvas and
that'll happen automatically
285
00:14:38,555 --> 00:14:40,505
for you automatically.
286
00:14:42,125 --> 00:14:42,844
There we go.
287
00:14:43,805 --> 00:14:46,824
Now, once in a while, Make a
little sparkle add at least little
288
00:14:46,824 --> 00:14:51,525
touch of titanium white, but very
little, if you use too much, you'll
289
00:14:51,525 --> 00:14:53,115
lose the effectiveness of this.
290
00:14:53,115 --> 00:14:57,765
So it looks like it's a little light
just singing right through that and that
291
00:14:57,765 --> 00:15:01,725
as we go down, get darker and darker
back in here, it's in the shadows.
292
00:15:01,725 --> 00:15:02,985
We don't want much back in here.
293
00:15:04,545 --> 00:15:08,025
Very quiet back in there, but you
just put layer after layer, after
294
00:15:08,025 --> 00:15:09,435
layer of little grassy areas.
295
00:15:11,910 --> 00:15:13,020
The hair, you know what?
296
00:15:14,370 --> 00:15:14,580
Shoot.
297
00:15:14,580 --> 00:15:16,140
This is such a beautiful little spot.
298
00:15:17,820 --> 00:15:20,160
Maybe tell you what let's do.
299
00:15:20,610 --> 00:15:21,510
Let's do shoot.
300
00:15:21,510 --> 00:15:22,080
I'm going to do it.
301
00:15:23,220 --> 00:15:24,480
I want a little house right here.
302
00:15:24,840 --> 00:15:28,350
If this was, if this is my world,
I'd want to live right in here.
303
00:15:28,800 --> 00:15:29,760
So let's just take a night.
304
00:15:29,820 --> 00:15:30,420
What the heck?
305
00:15:30,480 --> 00:15:31,320
And we'll scrape out.
306
00:15:32,550 --> 00:15:37,170
All I'm doing here is scraping out basic
design for a little house, a little bit.
307
00:15:38,580 --> 00:15:40,470
I can even be a little chalet type thing.
308
00:15:40,500 --> 00:15:41,430
I don't know, whatever.
309
00:15:41,490 --> 00:15:41,700
Yeah.
310
00:15:41,700 --> 00:15:42,540
Both have it lower.
311
00:15:43,890 --> 00:15:46,110
Just make a decision and drop it in.
312
00:15:46,620 --> 00:15:47,790
You could do anything here.
313
00:15:47,820 --> 00:15:49,140
A little bit of Vandyke Brown.
314
00:15:50,580 --> 00:15:52,230
We'll put the back even first.
315
00:15:52,560 --> 00:15:53,580
Just that's easy.
316
00:15:54,360 --> 00:15:54,750
Okay.
317
00:15:54,810 --> 00:15:55,740
Here comes the front.
318
00:15:57,570 --> 00:15:59,040
I straight-edge right on there.
319
00:16:00,030 --> 00:16:00,780
There it goes.
320
00:16:01,350 --> 00:16:03,450
And I'm pushing this pain into the fabric.
321
00:16:03,540 --> 00:16:04,530
Don't worry about the bottom.
322
00:16:05,625 --> 00:16:07,935
We'll do a cabin ectomy when
we get to that point and then
323
00:16:07,935 --> 00:16:09,135
we will make big decisions.
324
00:16:10,905 --> 00:16:11,505
There we go.
325
00:16:11,835 --> 00:16:13,515
Just whack it right off.
326
00:16:13,515 --> 00:16:18,515
When we get ready to stay
there and taking, and we need
327
00:16:18,515 --> 00:16:19,625
the other side of the roof.
328
00:16:21,875 --> 00:16:22,505
There it is.
329
00:16:22,965 --> 00:16:24,365
It comes to about there.
330
00:16:24,425 --> 00:16:27,425
I don't know wherever you
want it to be wherever.
331
00:16:28,605 --> 00:16:29,925
Some sides over here.
332
00:16:32,025 --> 00:16:32,265
Let's go.
333
00:16:32,265 --> 00:16:33,145
Let's really get crazy.
334
00:16:33,145 --> 00:16:39,255
They, maybe this guy put a little,
put a little room out here on this
335
00:16:39,255 --> 00:16:41,805
little house so we can do that too.
336
00:16:42,135 --> 00:16:43,725
Maybe it comes from right here.
337
00:16:44,005 --> 00:16:48,345
See, got another little area that easy.
338
00:16:50,084 --> 00:16:51,704
That's what's so fantastic about this.
339
00:16:51,704 --> 00:16:54,255
You can change your mind, do anything
that you want, make up little
340
00:16:54,255 --> 00:16:56,265
stories, just let these things happen.
341
00:16:57,045 --> 00:17:00,735
That he'd come down and all we're
doing is just blocking in color.
342
00:17:00,855 --> 00:17:02,175
It's really all we're doing.
343
00:17:04,035 --> 00:17:07,635
That's all we're doing there.
344
00:17:10,454 --> 00:17:10,785
King.
345
00:17:10,785 --> 00:17:16,305
Now let's take, let's take
some bright red, right?
346
00:17:16,305 --> 00:17:19,785
Red, some dark Sienna, and
let's mix those together.
347
00:17:20,655 --> 00:17:23,204
Like, so I'm going to put a little
touch of yellow ochre in there too.
348
00:17:23,204 --> 00:17:23,625
It's such a.
349
00:17:24,120 --> 00:17:25,140
Beautiful day here.
350
00:17:25,170 --> 00:17:26,370
I hope it is where you're at.
351
00:17:27,780 --> 00:17:29,370
We'll just sparkle this up.
352
00:17:30,060 --> 00:17:31,440
Cut off our little roll of paint.
353
00:17:31,830 --> 00:17:36,300
Just a small roll of paint and
let's begin coming right down here.
354
00:17:36,840 --> 00:17:37,740
Barely touching.
355
00:17:38,550 --> 00:17:43,500
Barely, barely touching, no
pressure, no pressure at all.
356
00:17:44,520 --> 00:17:49,270
Like, so maybe even a little
touch, more the yellow ochre.
357
00:17:49,270 --> 00:17:50,910
And she will even put a little white.
358
00:17:50,970 --> 00:17:52,530
I want this to spark a little more.
359
00:17:53,415 --> 00:17:54,075
Oh, that's it.
360
00:17:54,255 --> 00:17:54,735
That's it.
361
00:17:54,735 --> 00:17:55,155
That's it.
362
00:17:56,385 --> 00:17:57,825
That's what we're looking for.
363
00:17:59,025 --> 00:17:59,655
Look at that.
364
00:17:59,685 --> 00:18:01,605
Isn't that something, there we go.
365
00:18:02,895 --> 00:18:06,225
And over in here put a
little bit right in there.
366
00:18:07,065 --> 00:18:07,155
Okay.
367
00:18:07,535 --> 00:18:09,695
Maybe there's a little dark
area between these two.
368
00:18:09,875 --> 00:18:10,535
You can do that.
369
00:18:11,765 --> 00:18:12,125
Yeah.
370
00:18:13,085 --> 00:18:14,435
Kind of put something
on the roof for that.
371
00:18:14,880 --> 00:18:17,400
I'm just going to take some
black and titanium white.
372
00:18:18,300 --> 00:18:19,290
Just mix it together.
373
00:18:20,040 --> 00:18:21,600
I had a little bit of
the Bandag Brown there.
374
00:18:21,600 --> 00:18:24,330
Just to give it, Oh, leave it marbled.
375
00:18:24,420 --> 00:18:25,290
Don't overmix it.
376
00:18:26,840 --> 00:18:28,040
And we'll come right down here.
377
00:18:29,000 --> 00:18:29,090
Okay.
378
00:18:29,180 --> 00:18:33,080
And all you do is touch and just let
it bounce can make a little noise.
379
00:18:33,080 --> 00:18:33,830
So it don't work.
380
00:18:34,490 --> 00:18:38,210
Just touch it and let the knife just
bounce as it works right down here.
381
00:18:39,570 --> 00:18:44,180
Look at that, it's all there is
to it on this part of the roof,
382
00:18:44,270 --> 00:18:46,250
since it comes this way, touch.
383
00:18:46,700 --> 00:18:48,560
And once again, let it bounce.
384
00:18:49,190 --> 00:18:53,629
Let it bounce right on down right now.
385
00:18:55,399 --> 00:18:55,940
There we go.
386
00:18:57,050 --> 00:18:57,470
All right.
387
00:18:58,250 --> 00:19:04,460
Now this is a much darker color
and we'll come right in here.
388
00:19:04,790 --> 00:19:06,020
Same color, but darker.
389
00:19:06,735 --> 00:19:11,295
And put in the front of this rascal
and sometimes on these edges, it's
390
00:19:11,295 --> 00:19:13,515
nice to put up nice, bright area.
391
00:19:14,025 --> 00:19:15,225
So they really stand out.
392
00:19:17,385 --> 00:19:20,715
It just stand out from each other dark.
393
00:19:20,715 --> 00:19:21,465
And this one a little bit.
394
00:19:23,585 --> 00:19:24,065
There we are.
395
00:19:26,315 --> 00:19:27,785
We've got a heck of a little house there.
396
00:19:28,445 --> 00:19:29,675
That's coming along pretty nice.
397
00:19:29,675 --> 00:19:33,605
We'll take a little bit of the
vendetta Brown and just make the
398
00:19:33,605 --> 00:19:35,075
indication of some boards here.
399
00:19:36,930 --> 00:19:37,530
There we are.
400
00:19:38,510 --> 00:19:39,080
You see, I use it.
401
00:19:39,080 --> 00:19:41,450
You can make it look like it's old boards.
402
00:19:42,920 --> 00:19:47,180
Now, if you want to soften that, if you
want to make it look very soft and smooth,
403
00:19:47,210 --> 00:19:49,730
you can take the large brush lightly.
404
00:19:50,150 --> 00:19:54,740
Barely, barely, barely caressing
the canvas, just pull gently down.
405
00:19:56,060 --> 00:20:02,240
She had to lay down, you know what
we need, we need a door, got to have
406
00:20:02,240 --> 00:20:04,010
a way to get in there so that easy.
407
00:20:04,815 --> 00:20:08,055
We'll put us in a little door there.
408
00:20:08,375 --> 00:20:10,655
Just cut right around there with
a little bit of light color.
409
00:20:11,195 --> 00:20:15,065
Just to make that little
door stand out, shoot to you.
410
00:20:15,065 --> 00:20:16,385
Hunt over here.
411
00:20:16,385 --> 00:20:17,345
Maybe there's a window.
412
00:20:18,215 --> 00:20:21,485
When he put that section of the house
in, maybe he wanted the way to look
413
00:20:21,485 --> 00:20:24,665
out, see all this beautiful scenery.
414
00:20:26,435 --> 00:20:26,975
There we go.
415
00:20:28,925 --> 00:20:30,665
A few little board indications over here.
416
00:20:34,955 --> 00:20:36,425
And a little touch of roof.
417
00:20:36,425 --> 00:20:38,554
On the other side, you
got to have that there.
418
00:20:38,615 --> 00:20:40,084
So it stands out.
419
00:20:42,155 --> 00:20:42,425
Sure.
420
00:20:45,125 --> 00:20:46,685
That's not a bad looking little house.
421
00:20:46,955 --> 00:20:50,074
I sort of like it sort of like it.
422
00:20:50,104 --> 00:20:51,455
Now we'll do our cabinet ectomy.
423
00:20:51,485 --> 00:20:54,935
This is where you make the big
decisions and decide where everything's
424
00:20:54,935 --> 00:20:58,324
at and fix up your perspective
and your shape and shoot it.
425
00:20:59,129 --> 00:21:02,159
All right there.
426
00:21:02,580 --> 00:21:06,090
Now we go back into our brush that has the
greens and the yellows and all that on it.
427
00:21:07,379 --> 00:21:12,209
There we are just tap, load the brush
with color and we'll come right up here.
428
00:21:13,230 --> 00:21:13,649
Look at there.
429
00:21:14,370 --> 00:21:18,360
Maybe we can begin laying in some little
grassy areas, all around the little cabin.
430
00:21:19,500 --> 00:21:22,709
There, there we go.
431
00:21:23,520 --> 00:21:24,480
I sort of let them happen.
432
00:21:24,629 --> 00:21:25,590
Very dark back here.
433
00:21:28,169 --> 00:21:30,480
Yeah, this guy's like, but he
don't cut his yard very well.
434
00:21:33,270 --> 00:21:35,490
I'm a world's worst yard keeper.
435
00:21:37,260 --> 00:21:37,889
There we go.
436
00:21:39,780 --> 00:21:43,500
You know what we need in here
need a way to get to that place.
437
00:21:44,070 --> 00:21:46,070
Shoot him, put him out there
and leave him deserted.
438
00:21:46,070 --> 00:21:47,360
So let's take some Vandyke Brown.
439
00:21:47,360 --> 00:21:48,409
We just use a fan brush.
440
00:21:49,580 --> 00:21:50,750
You could use a knife and do this.
441
00:21:50,750 --> 00:21:52,310
If you wanted to honestly use a fan brush.
442
00:21:52,310 --> 00:21:53,899
Cause I have one laying
here and it's dirty.
443
00:21:55,290 --> 00:21:58,770
We'll just lay in a little Brown, have
a little path that comes right out here.
444
00:22:00,000 --> 00:22:00,600
I'm going to show you.
445
00:22:00,690 --> 00:22:01,140
I'll show you.
446
00:22:01,260 --> 00:22:06,450
Let me take a knife, take a little
bit of the Browns and whites and very
447
00:22:06,450 --> 00:22:09,210
gently, very gently, very gently.
448
00:22:09,390 --> 00:22:13,020
Just caress, jazz bear harass.
449
00:22:13,030 --> 00:22:17,790
Just enough to give a little color there.
450
00:22:19,605 --> 00:22:24,335
All right now, then back
to our old two inch brush.
451
00:22:24,995 --> 00:22:25,085
Okay.
452
00:22:26,429 --> 00:22:31,830
Just begin tapping, tapping, and
thinking about the lay of the land.
453
00:22:31,830 --> 00:22:33,120
Now that's very important.
454
00:22:34,709 --> 00:22:35,219
Here we go.
455
00:22:37,800 --> 00:22:38,040
Okay.
456
00:22:38,100 --> 00:22:39,179
Just fill these areas.
457
00:22:39,179 --> 00:22:39,360
Yeah.
458
00:22:41,790 --> 00:22:42,270
Okay.
459
00:22:42,340 --> 00:22:44,669
Once again, the more you tap
this, the darker it become.
460
00:22:45,179 --> 00:22:47,909
But if you work with this a little
bit, you can make it as smooth as
461
00:22:47,909 --> 00:22:52,740
velvet, like just like little soft
grassy areas where like you want to
462
00:22:52,740 --> 00:22:54,090
take your shoe off and run through the.
463
00:22:55,155 --> 00:22:59,925
Run through there with naked foot grass
feels good when it touches on your foot
464
00:23:01,935 --> 00:23:03,645
over on this side, don't want it left out.
465
00:23:05,865 --> 00:23:09,195
Just begin putting in little
things to bring it all
466
00:23:09,195 --> 00:23:10,755
together, maybe here and there.
467
00:23:10,755 --> 00:23:14,805
There's a little bump just by changing
the angle, or you can make the
468
00:23:14,805 --> 00:23:18,045
indication of a little bump right there.
469
00:23:20,505 --> 00:23:22,035
All kinds of little Hills here and there.
470
00:23:23,820 --> 00:23:24,389
There we go.
471
00:23:25,889 --> 00:23:28,649
Now tell you what, let's take it.
472
00:23:29,110 --> 00:23:32,840
We use our little script liner brush
a little bit of the, we use a little
473
00:23:32,840 --> 00:23:40,070
titanium, white, maybe there's a little
Birch tree that lives right there too.
474
00:23:40,100 --> 00:23:41,629
Maybe there's a little clump Birch trees.
475
00:23:41,629 --> 00:23:46,250
We don't know, just put two or
three little trees or however
476
00:23:46,250 --> 00:23:47,330
many you want in your world.
477
00:23:49,460 --> 00:23:50,090
There they go.
478
00:23:52,065 --> 00:23:52,325
Mike.
479
00:23:52,335 --> 00:23:56,675
So now that we can just, we'll
just use that oval brush again.
480
00:23:56,735 --> 00:23:57,004
Shoot.
481
00:23:57,004 --> 00:23:58,145
That's working so well today.
482
00:23:59,764 --> 00:24:02,735
A little bit of color, and we just
put the indication here and there.
483
00:24:02,825 --> 00:24:03,275
Look at that.
484
00:24:04,245 --> 00:24:05,825
See a few little leaves on that tree.
485
00:24:05,855 --> 00:24:09,754
Don't even let down this side
needs something over here.
486
00:24:10,055 --> 00:24:11,705
Tell you what we got a minute left here.
487
00:24:12,785 --> 00:24:13,504
Maybe over here.
488
00:24:14,195 --> 00:24:16,475
There's a big old posts.
489
00:24:16,504 --> 00:24:18,095
Maybe there was a fence here at one time.
490
00:24:19,409 --> 00:24:21,899
And it's still there too.
491
00:24:23,639 --> 00:24:27,360
Maybe there's a couple
posts, maybe three posts.
492
00:24:28,169 --> 00:24:28,889
We keep going here.
493
00:24:28,889 --> 00:24:32,580
We will have our fence back
won't we think we'd have a little
494
00:24:32,580 --> 00:24:33,449
light playing through here.
495
00:24:33,449 --> 00:24:34,290
There's a light source.
496
00:24:34,290 --> 00:24:36,750
So we know exactly where the light's
coming from in this painting.
497
00:24:36,750 --> 00:24:44,340
Just touch and begin putting a little
bit of highlight on that side a little
498
00:24:44,340 --> 00:24:46,020
bit on this window, on him, left out.
499
00:24:49,200 --> 00:24:53,940
And Oh, number three here,
maybe on top of our posts,
500
00:24:53,970 --> 00:24:55,290
we'll put a little touch or red.
501
00:24:57,950 --> 00:24:58,220
Yeah.
502
00:24:59,450 --> 00:25:01,250
And we can go back to our liner brush.
503
00:25:02,180 --> 00:25:05,300
We'll use a little Brown, whatever.
504
00:25:06,560 --> 00:25:07,820
See if that stands out enough.
505
00:25:08,940 --> 00:25:11,150
Now I'm going to add a
little white to them too.
506
00:25:11,150 --> 00:25:12,140
Dark there.
507
00:25:12,830 --> 00:25:15,200
Just to put the indication that
maybe there's still a little
508
00:25:15,200 --> 00:25:16,370
wire hanging through here.
509
00:25:18,375 --> 00:25:19,305
There we go.
510
00:25:22,085 --> 00:25:23,165
That's just Brown and white.
511
00:25:23,165 --> 00:25:25,595
So it stands out a little to you.
512
00:25:25,595 --> 00:25:25,775
What?
513
00:25:25,805 --> 00:25:26,795
Oh, we got that old brush go.
514
00:25:26,795 --> 00:25:29,255
And we're still using Vandyke Brown.
515
00:25:29,765 --> 00:25:31,055
There's a fans back here, maybe.
516
00:25:32,345 --> 00:25:32,645
Yep.
517
00:25:32,675 --> 00:25:33,155
You're right.
518
00:25:33,545 --> 00:25:36,815
He was a fence here and it
goes right over the Hill.
519
00:25:36,875 --> 00:25:37,855
We don't know where it goes.
520
00:25:39,605 --> 00:25:40,895
Don't know that we care.
521
00:25:42,755 --> 00:25:45,635
She we'll put some nice old
rails across there June.
522
00:25:47,670 --> 00:25:50,490
There they go right on maybe it's three.
523
00:25:52,550 --> 00:25:52,820
Yeah.
524
00:25:56,840 --> 00:25:59,600
And we can put the least little
touch of color up on top of that.
525
00:26:00,980 --> 00:26:01,610
Something like.
526
00:26:06,450 --> 00:26:07,409
There now.
527
00:26:08,800 --> 00:26:09,480
Okay.
528
00:26:09,689 --> 00:26:13,800
Let's just take on, he was a little
green, a little bit, a little bit black.
529
00:26:14,700 --> 00:26:17,639
I'll get at least little touch if
they look blue and put in there to go.
530
00:26:17,669 --> 00:26:21,330
Yeah, that makes a nice
dark, nice dark green.
531
00:26:22,439 --> 00:26:27,389
And we'll just add, Oh yeah, little Tayloe
blue, really sparkled it a little touch
532
00:26:27,389 --> 00:26:28,740
right down here at the base of that.
533
00:26:29,700 --> 00:26:31,500
So the little post has
something to set on.
534
00:26:32,340 --> 00:26:33,120
I want it left out.
535
00:26:34,575 --> 00:26:35,055
Tell you what?
536
00:26:37,295 --> 00:26:38,315
Take a little paint thinner.
537
00:26:39,004 --> 00:26:40,774
We'll go right into some bright red here.
538
00:26:41,465 --> 00:26:42,815
And I think we'll sign this one.
539
00:26:42,875 --> 00:26:43,835
It's about finished.
540
00:26:44,945 --> 00:26:50,165
Luckily I have a very short name,
so it's quite easy to do, but make
541
00:26:50,165 --> 00:26:52,685
you paint as thin as ink once again.
542
00:26:53,885 --> 00:26:55,415
So I hope you've enjoyed this painting.
543
00:26:55,415 --> 00:26:57,274
It's quite interesting.
544
00:26:57,274 --> 00:26:58,625
And it'll give you a little challenging.
545
00:26:58,995 --> 00:27:00,645
And let you use all of the equipment.
546
00:27:00,855 --> 00:27:03,524
So from all of us here, I'd
like to wish you happy painting,
547
00:27:03,975 --> 00:27:05,115
and God bless my friend.
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