Wednesday, December 30, 2020

S20E02 - New Days Dawn

Bob Ross's

The Joy of Painting


S20E02 - New Days Dawn

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Hi, welcome back.


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I'm glad you could join me today.


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And today I have one of

my little friends here.


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That's having lunch

while we're doing this.


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So I thought I'd share her with you.


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This is a little baby POCs squirrel, and

she's just having a little lunch with me.


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Ooh, what's hair too much.


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Huh?


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There isn't she something she's only a few

weeks old and just as cute as a button.


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I thought I'd show her to you today.


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They're all ready.


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None of that.


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This is just one of my many friends.


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I'm going to sit her down.


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Hey, we'll get started here.


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Okay.


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If I can get her off my shirt there,

they have it, but 9,000 claws and


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they can all seem to grab your once.


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Alrighty, tell you what.


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Come on up to the canvas.


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Let me show you what I've got done today.


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Today we have our standard old 18 by 24

inch canvas or any size that you want.


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And I've done something a

little bit different today.


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I've taken.


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And this area here, the white

area, this is a mixture of


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liquid clear and liquid white.


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I put the clear in there because

I want some transparency today.


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And then the rest of it, I've just covered

with a little bit of liquid black and


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just sorta swirled it around a little

bit to sort of let them blend together.


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So we have liquid white and

liquid clear mixture and liquid


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black and just blended together.


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So let's just have some fun today.


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I thought we'd just do a

happy little painting now.


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If you don't have all three of these

mediums, what you can do, you can


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do this with liquid white, but you

won't have the transparency and the


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bottom will be a little bit more

difficult, but you could do it.


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Let's go into a tiny, tiny,

little bit of the yellow ochre.


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Maybe add a little CAD yellow into it.


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Just mix them up together here.


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Like, so we're going to run all the

colors across the screen, so you'll know


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exactly what we're using here, there.


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All right, let's go up in here.


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Make a big decision.


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Maybe you need to be right up in here.


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We'll put just a little bit of this color

and just blend a little bit of it on.


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Something like, so just using little

crisscross jokes, little exes now,


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then not even going to clean the

brush, but I'm going to go right into


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a small amount of a lizard Crimson.


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And the Crimson is strong enough that

you don't have to clean the brush.


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It'll go right over it there.


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Now then let's just go

right around the edges here.


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Like, so.


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Just to add a little touch of that

Crimson there and let it blend outward.


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We don't want to go back

into this bright color.


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We want to save that.


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Just let this blend right on.


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There we go.


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Sorry.


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We have a masterpiece for the museum

of modern art right there, right there.


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Now then take a little bit of

the Crimson and dark Sienna.


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I'm still using the same brush.


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I haven't washed the chip mostly,

mostly though dark Sienna, and I'm


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going to come right around these, this

area and just begin blending it up.


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Now this will begin mixing with

the liquid black it'll get darker


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and darker and darker out here.


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And that's exactly what we're looking for.


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They're over here a little bit more.


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It's just mainly dark Sienna with

a little bit of a lizard Crimson.


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There we go.


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Hope you liked the little squirrel.


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I'm so crazy about these little

devils that I like to share them with.


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You damn.


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They are absolutely precious.


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We have four of them

here in the studio today.


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They came from Diana Schaefer,

the bird lady here in Muncie, and


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she takes care of these little

fellers when they've been orphaned.


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And I think she's doing

a fantastic thing there.


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All right.


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Now then that's wash the old brush.


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That's the fun part of this.


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It's just scrub it.


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There's a screen down here in the bottom

of the can and I scrubbed the bristles


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against to remove the paint was shake off

excess and just beat the devil out of it.


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Now, then.


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With a nice clean and dry brush.


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Be sure it's dry though.


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It needs to be dry.


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We want to start blending.


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Yes.


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Just blending.


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Linda T you can't tell her one color

stops and the next color starts.


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There we go.


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Now sometimes when you're doing

these little paintings, you'd


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like to make this area in here.


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Brighter shine here, there.


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So I tell you what, I have

several brushes going.


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Let me just grab another clean one here

and we'll take a little bit of titanium


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white, right on the old two inch brush.


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Just tap a little in there.


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Let's go back up here and right it here.


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We'll start with a fight

and just begin blending and


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blending and blending lending.


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Start from the light

area you blend outward.


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Now this will really brighten this area.


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It'll just make it shine.


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And you can do this as many times

as you want to achieve a desired


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lightness or brightness there

very lightly just go across.


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But now when you're doing this

sometimes step back and take


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a look, see at your painting.


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It's very difficult when you're

standing real close to it.


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To tell if you haven't blended

enough, you want it to be very soft.


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You don't want to see

distinct lines in here.


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All right.


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Strokes.


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When we're in business, I tell you

what all we have that all brush going.


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Hm.


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Let's just have some fun.


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We'll go right into this dark.


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And I'm just going to

tap the top bristles.


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Just, just tap it right into a

little touch of that dark CNN.


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Let's go back up here.


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And with this, let's begin putting

in the indication here and there.


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They're in here of some little, little

shapes for little bushes and trees


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that live we're back in the distance.


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And we're not looking for detail.


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You'll put detailed in

the foreground back here.


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We just want it just the indication,

a little things happening.


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Let your imagination go.


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Just let it go up in here.


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We can't hardly even see them.


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Just let it go there.


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I mentioned earlier, and the reason we put

that liquid clear in the background is to,


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to make this a little more transparent,

just a little more transparent.


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Abandoned the touch of

Vandyke Brown to the color.


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Now, as it gets further away,

we want it to get a little bit


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darker, but not much just to know.


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So it stands out a little bit.


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Maybe we'll have some nice tree

shapes all the way up to the top


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of the canvas over here, that easy.


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All right.


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Let's take our little liner,

brush a little paint thinner.


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Get a little more of that thinner and

we'll go right into that same dark


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Sienna, a lot of paint dinner though.


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This should be as thin as water

or ink should just literally run.


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So yeah, it just drips very, very thin.


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Okay.


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Now that here and there, I'm just going

to put the indication of a little trunk


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or a stale or whatever, some little,

little tree shapes here and there.


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Just to break it up.


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There maybe a few up in here, not

looking for a lot when things are


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far, far away, you don't want to

be able to see a lot of detail.


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There we go.


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All right.


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Now then wash the brush

and the liner brush.


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All I do is just wipe it on a paper towel.


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After I've washed it, let's use

our little oval breast today.


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What the heck?


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It's easy to tell the little oval

brush it has a black handle on it.


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All right, we'll take a little yellow.


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Be right back.


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Don't go away.


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Get a touch of the SAP green here.


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K, not a load.


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This brush.


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Give it a little push.


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Just give it a little push.


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Get a little touch of the yellow ochre.


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I don't want a lot of color.


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Just enough to, just enough to

spark that little, that Indian,


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yellow here and there too.


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Okay, let's go up here now.


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Then all you got to do with this

little brush is just tap, just tap.


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And we can begin making the

indication of little distance trees


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and bushes that live way back here.


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Lighter, lighter, lighter lighters.


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It comes down.


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So it looks like it a little

bit of the bright red here and


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there too tiniest little bit.


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Okay.


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Just decide where you

want these little things.


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Maybe there's a little

tree was right here.


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Where ever, there we go.


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There we are.


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Now then a little bit more

tell you what, right in here,


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that looks like a good spot.


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And when you're doing this, just sort

of look around and decide where you


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think a little tree would be happy

living, and that's where he should be.


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That's where it should be.


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And I'm still just using the same

colors, just varying back and forth.


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Have a little touch of the SAP,

green, a little Cadieux yellow ochre.


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Little touch of Indian,

yellow, even here in there.


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And once in a while, the

least, at least little touch of


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bright red don't much though.


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It's so strong.


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And the other way it gets here,

the less detailed, I don't want one


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to get dark darker back in here.


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Maybe even up in here, there's some

little, little things going on there.


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These are hiding.


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We back in the shadows.


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This is where all the little creatures

live, little bunny rabbits live back here.


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There we are.


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Okay.


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Shoot.


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That's about all we need for a

little background on that side.


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Now that we have put something over

here, tell you what let's take.


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Let's keep a lot of this

in the Brown tone state.


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That's so pretty nice earth tones.


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We'll use some dark sand, a little

Vandyke Brown, pick up a little yellow


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ochre, little yellow ochre there.


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Maybe my least little

touch of black in there.


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Oh, that's nice.


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That's what I'm looking.


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Let me wipe the knife off point, the old

knife off and we'll find this fan brush.


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There we go.


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There we go.


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Just loaded, full of color,

both sides, just back and forth.


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All right, let's go up in here.


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Maybe there's a little patch of

evergreen trees and they live right


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there to start with little line.


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Use the corner of the

brush, just the corner.


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Cause you worked down, apply

more and more pressure, more


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and more pressure there we are.


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Let them go like, so, okay.


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Now then let's give him, let's give

him a little friend there he is.


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There he is.


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Decide how many trees you think

should live in your world.


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Sometimes I like to do little

evergreen trees where you


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can see parts of the trunk.


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So maybe you can just tap

in the whole trunk because


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trees don't grow all perfect.


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They're like people, some of them are big.


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Some are small, some are skinny,

some are little heavier there.


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Maybe another one is right here

beside him, something like that.


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And you just decide how many trees live in

your world and put them in, put them in.


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Let's put a couple on

this side, over here.


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I like to make his little clumps of trees,

because a lot of times you see evergreens


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in nature, it looks like they all got

together and started a little community


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or something, having a party or something.


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I don't know.


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They ain't having a good time though.


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Okay.


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And that ought to be enough

for, for our little area.


243

00:12:27,740 --> 00:12:30,470

But if you want more, when you

do yours, just drop them in.


244

00:12:32,130 --> 00:12:33,300

Nice clean, dry brush.


245

00:12:33,990 --> 00:12:36,900

And I want to create the

illusion of nest down here at


246

00:12:36,900 --> 00:12:39,810

the base then here at the base.


247

00:12:40,380 --> 00:12:47,069

And it's like, so they're just

tapping, just tapping and up


248

00:12:47,069 --> 00:12:49,709

here, we'll tap a softer cause

we don't want to destroy a pier.


249

00:12:49,980 --> 00:12:52,380

All we want to do, appears

to diffuse down here.


250

00:12:52,380 --> 00:12:56,130

We're getting a tough main,

cause we're destroying one creed


251

00:12:56,130 --> 00:12:59,460

softness, but here barely you

can probably hear the difference.


252

00:13:00,810 --> 00:13:05,850

Barely touching up here, gentle there.


253

00:13:06,420 --> 00:13:06,750

Okay.


254

00:13:07,800 --> 00:13:12,329

Now then we can take a knife, just

a little bit of that same color and


255

00:13:12,329 --> 00:13:17,069

just sort of pull it through here and

there and it'll make the indication.


256

00:13:17,880 --> 00:13:18,840

A little trunks.


257

00:13:19,020 --> 00:13:24,420

We're not really going to put a lot of

detail in these are too far away, but


258

00:13:24,420 --> 00:13:27,660

this'll turn a few trees into something.


259

00:13:27,660 --> 00:13:29,160

It looks like a lot of trees.


260

00:13:31,070 --> 00:13:31,640

There we go.


261

00:13:32,330 --> 00:13:35,840

Now then let's get crazy.


262

00:13:35,840 --> 00:13:36,530

This is our world.


263

00:13:36,530 --> 00:13:37,400

So we can do anything.


264

00:13:38,150 --> 00:13:40,100

Maybe there's a little

Bush that lives right here.


265

00:13:40,100 --> 00:13:41,600

We'll just go back to a little oval brush.


266

00:13:41,690 --> 00:13:42,440

Just happen.


267

00:13:43,430 --> 00:13:46,490

Indication of maybe one little

happy Bush that lives right there.


268

00:13:47,250 --> 00:13:55,250

Something like, so there to

tell you, what, what did she use


269

00:13:55,250 --> 00:13:56,479

this hole to enter brush here?


270

00:13:56,630 --> 00:13:59,989

What the heck you could use a one inch

brush or fabric, whatever, whatever.


271

00:14:00,859 --> 00:14:02,339

And I'm going to go into a

little bit of the yellow.


272

00:14:02,369 --> 00:14:02,900

Be right back.


273

00:14:02,900 --> 00:14:08,089

Get a little sappy green, just

mix all these different colors


274

00:14:08,119 --> 00:14:10,199

and give it a little push there.


275

00:14:10,339 --> 00:14:11,270

A good shot right there.


276

00:14:11,270 --> 00:14:15,349

Just a little, push it a little color,

right on the tips of the bristles.


277

00:14:15,734 --> 00:14:16,574

A little bit of color.


278

00:14:18,525 --> 00:14:20,915

All right, now then let's

make a big decision.


279

00:14:20,915 --> 00:14:23,944

Maybe we have, maybe there's

a nice grassy area now world.


280

00:14:23,944 --> 00:14:26,734

And he comes right down like it.


281

00:14:26,734 --> 00:14:29,435

And all you have to do is just tap.


282

00:14:30,395 --> 00:14:32,974

And the more that you tap, the

darker it'll become because


283

00:14:32,974 --> 00:14:34,744

it's going to mix with it black.


284

00:14:34,744 --> 00:14:38,555

It's already on the canvas and

that'll happen automatically


285

00:14:38,555 --> 00:14:40,505

for you automatically.


286

00:14:42,125 --> 00:14:42,844

There we go.


287

00:14:43,805 --> 00:14:46,824

Now, once in a while, Make a

little sparkle add at least little


288

00:14:46,824 --> 00:14:51,525

touch of titanium white, but very

little, if you use too much, you'll


289

00:14:51,525 --> 00:14:53,115

lose the effectiveness of this.


290

00:14:53,115 --> 00:14:57,765

So it looks like it's a little light

just singing right through that and that


291

00:14:57,765 --> 00:15:01,725

as we go down, get darker and darker

back in here, it's in the shadows.


292

00:15:01,725 --> 00:15:02,985

We don't want much back in here.


293

00:15:04,545 --> 00:15:08,025

Very quiet back in there, but you

just put layer after layer, after


294

00:15:08,025 --> 00:15:09,435

layer of little grassy areas.


295

00:15:11,910 --> 00:15:13,020

The hair, you know what?


296

00:15:14,370 --> 00:15:14,580

Shoot.


297

00:15:14,580 --> 00:15:16,140

This is such a beautiful little spot.


298

00:15:17,820 --> 00:15:20,160

Maybe tell you what let's do.


299

00:15:20,610 --> 00:15:21,510

Let's do shoot.


300

00:15:21,510 --> 00:15:22,080

I'm going to do it.


301

00:15:23,220 --> 00:15:24,480

I want a little house right here.


302

00:15:24,840 --> 00:15:28,350

If this was, if this is my world,

I'd want to live right in here.


303

00:15:28,800 --> 00:15:29,760

So let's just take a night.


304

00:15:29,820 --> 00:15:30,420

What the heck?


305

00:15:30,480 --> 00:15:31,320

And we'll scrape out.


306

00:15:32,550 --> 00:15:37,170

All I'm doing here is scraping out basic

design for a little house, a little bit.


307

00:15:38,580 --> 00:15:40,470

I can even be a little chalet type thing.


308

00:15:40,500 --> 00:15:41,430

I don't know, whatever.


309

00:15:41,490 --> 00:15:41,700

Yeah.


310

00:15:41,700 --> 00:15:42,540

Both have it lower.


311

00:15:43,890 --> 00:15:46,110

Just make a decision and drop it in.


312

00:15:46,620 --> 00:15:47,790

You could do anything here.


313

00:15:47,820 --> 00:15:49,140

A little bit of Vandyke Brown.


314

00:15:50,580 --> 00:15:52,230

We'll put the back even first.


315

00:15:52,560 --> 00:15:53,580

Just that's easy.


316

00:15:54,360 --> 00:15:54,750

Okay.


317

00:15:54,810 --> 00:15:55,740

Here comes the front.


318

00:15:57,570 --> 00:15:59,040

I straight-edge right on there.


319

00:16:00,030 --> 00:16:00,780

There it goes.


320

00:16:01,350 --> 00:16:03,450

And I'm pushing this pain into the fabric.


321

00:16:03,540 --> 00:16:04,530

Don't worry about the bottom.


322

00:16:05,625 --> 00:16:07,935

We'll do a cabin ectomy when

we get to that point and then


323

00:16:07,935 --> 00:16:09,135

we will make big decisions.


324

00:16:10,905 --> 00:16:11,505

There we go.


325

00:16:11,835 --> 00:16:13,515

Just whack it right off.


326

00:16:13,515 --> 00:16:18,515

When we get ready to stay

there and taking, and we need


327

00:16:18,515 --> 00:16:19,625

the other side of the roof.


328

00:16:21,875 --> 00:16:22,505

There it is.


329

00:16:22,965 --> 00:16:24,365

It comes to about there.


330

00:16:24,425 --> 00:16:27,425

I don't know wherever you

want it to be wherever.


331

00:16:28,605 --> 00:16:29,925

Some sides over here.


332

00:16:32,025 --> 00:16:32,265

Let's go.


333

00:16:32,265 --> 00:16:33,145

Let's really get crazy.


334

00:16:33,145 --> 00:16:39,255

They, maybe this guy put a little,

put a little room out here on this


335

00:16:39,255 --> 00:16:41,805

little house so we can do that too.


336

00:16:42,135 --> 00:16:43,725

Maybe it comes from right here.


337

00:16:44,005 --> 00:16:48,345

See, got another little area that easy.


338

00:16:50,084 --> 00:16:51,704

That's what's so fantastic about this.


339

00:16:51,704 --> 00:16:54,255

You can change your mind, do anything

that you want, make up little


340

00:16:54,255 --> 00:16:56,265

stories, just let these things happen.


341

00:16:57,045 --> 00:17:00,735

That he'd come down and all we're

doing is just blocking in color.


342

00:17:00,855 --> 00:17:02,175

It's really all we're doing.


343

00:17:04,035 --> 00:17:07,635

That's all we're doing there.


344

00:17:10,454 --> 00:17:10,785

King.


345

00:17:10,785 --> 00:17:16,305

Now let's take, let's take

some bright red, right?


346

00:17:16,305 --> 00:17:19,785

Red, some dark Sienna, and

let's mix those together.


347

00:17:20,655 --> 00:17:23,204

Like, so I'm going to put a little

touch of yellow ochre in there too.


348

00:17:23,204 --> 00:17:23,625

It's such a.


349

00:17:24,120 --> 00:17:25,140

Beautiful day here.


350

00:17:25,170 --> 00:17:26,370

I hope it is where you're at.


351

00:17:27,780 --> 00:17:29,370

We'll just sparkle this up.


352

00:17:30,060 --> 00:17:31,440

Cut off our little roll of paint.


353

00:17:31,830 --> 00:17:36,300

Just a small roll of paint and

let's begin coming right down here.


354

00:17:36,840 --> 00:17:37,740

Barely touching.


355

00:17:38,550 --> 00:17:43,500

Barely, barely touching, no

pressure, no pressure at all.


356

00:17:44,520 --> 00:17:49,270

Like, so maybe even a little

touch, more the yellow ochre.


357

00:17:49,270 --> 00:17:50,910

And she will even put a little white.


358

00:17:50,970 --> 00:17:52,530

I want this to spark a little more.


359

00:17:53,415 --> 00:17:54,075

Oh, that's it.


360

00:17:54,255 --> 00:17:54,735

That's it.


361

00:17:54,735 --> 00:17:55,155

That's it.


362

00:17:56,385 --> 00:17:57,825

That's what we're looking for.


363

00:17:59,025 --> 00:17:59,655

Look at that.


364

00:17:59,685 --> 00:18:01,605

Isn't that something, there we go.


365

00:18:02,895 --> 00:18:06,225

And over in here put a

little bit right in there.


366

00:18:07,065 --> 00:18:07,155

Okay.


367

00:18:07,535 --> 00:18:09,695

Maybe there's a little dark

area between these two.


368

00:18:09,875 --> 00:18:10,535

You can do that.


369

00:18:11,765 --> 00:18:12,125

Yeah.


370

00:18:13,085 --> 00:18:14,435

Kind of put something

on the roof for that.


371

00:18:14,880 --> 00:18:17,400

I'm just going to take some

black and titanium white.


372

00:18:18,300 --> 00:18:19,290

Just mix it together.


373

00:18:20,040 --> 00:18:21,600

I had a little bit of

the Bandag Brown there.


374

00:18:21,600 --> 00:18:24,330

Just to give it, Oh, leave it marbled.


375

00:18:24,420 --> 00:18:25,290

Don't overmix it.


376

00:18:26,840 --> 00:18:28,040

And we'll come right down here.


377

00:18:29,000 --> 00:18:29,090

Okay.


378

00:18:29,180 --> 00:18:33,080

And all you do is touch and just let

it bounce can make a little noise.


379

00:18:33,080 --> 00:18:33,830

So it don't work.


380

00:18:34,490 --> 00:18:38,210

Just touch it and let the knife just

bounce as it works right down here.


381

00:18:39,570 --> 00:18:44,180

Look at that, it's all there is

to it on this part of the roof,


382

00:18:44,270 --> 00:18:46,250

since it comes this way, touch.


383

00:18:46,700 --> 00:18:48,560

And once again, let it bounce.


384

00:18:49,190 --> 00:18:53,629

Let it bounce right on down right now.


385

00:18:55,399 --> 00:18:55,940

There we go.


386

00:18:57,050 --> 00:18:57,470

All right.


387

00:18:58,250 --> 00:19:04,460

Now this is a much darker color

and we'll come right in here.


388

00:19:04,790 --> 00:19:06,020

Same color, but darker.


389

00:19:06,735 --> 00:19:11,295

And put in the front of this rascal

and sometimes on these edges, it's


390

00:19:11,295 --> 00:19:13,515

nice to put up nice, bright area.


391

00:19:14,025 --> 00:19:15,225

So they really stand out.


392

00:19:17,385 --> 00:19:20,715

It just stand out from each other dark.


393

00:19:20,715 --> 00:19:21,465

And this one a little bit.


394

00:19:23,585 --> 00:19:24,065

There we are.


395

00:19:26,315 --> 00:19:27,785

We've got a heck of a little house there.


396

00:19:28,445 --> 00:19:29,675

That's coming along pretty nice.


397

00:19:29,675 --> 00:19:33,605

We'll take a little bit of the

vendetta Brown and just make the


398

00:19:33,605 --> 00:19:35,075

indication of some boards here.


399

00:19:36,930 --> 00:19:37,530

There we are.


400

00:19:38,510 --> 00:19:39,080

You see, I use it.


401

00:19:39,080 --> 00:19:41,450

You can make it look like it's old boards.


402

00:19:42,920 --> 00:19:47,180

Now, if you want to soften that, if you

want to make it look very soft and smooth,


403

00:19:47,210 --> 00:19:49,730

you can take the large brush lightly.


404

00:19:50,150 --> 00:19:54,740

Barely, barely, barely caressing

the canvas, just pull gently down.


405

00:19:56,060 --> 00:20:02,240

She had to lay down, you know what

we need, we need a door, got to have


406

00:20:02,240 --> 00:20:04,010

a way to get in there so that easy.


407

00:20:04,815 --> 00:20:08,055

We'll put us in a little door there.


408

00:20:08,375 --> 00:20:10,655

Just cut right around there with

a little bit of light color.


409

00:20:11,195 --> 00:20:15,065

Just to make that little

door stand out, shoot to you.


410

00:20:15,065 --> 00:20:16,385

Hunt over here.


411

00:20:16,385 --> 00:20:17,345

Maybe there's a window.


412

00:20:18,215 --> 00:20:21,485

When he put that section of the house

in, maybe he wanted the way to look


413

00:20:21,485 --> 00:20:24,665

out, see all this beautiful scenery.


414

00:20:26,435 --> 00:20:26,975

There we go.


415

00:20:28,925 --> 00:20:30,665

A few little board indications over here.


416

00:20:34,955 --> 00:20:36,425

And a little touch of roof.


417

00:20:36,425 --> 00:20:38,554

On the other side, you

got to have that there.


418

00:20:38,615 --> 00:20:40,084

So it stands out.


419

00:20:42,155 --> 00:20:42,425

Sure.


420

00:20:45,125 --> 00:20:46,685

That's not a bad looking little house.


421

00:20:46,955 --> 00:20:50,074

I sort of like it sort of like it.


422

00:20:50,104 --> 00:20:51,455

Now we'll do our cabinet ectomy.


423

00:20:51,485 --> 00:20:54,935

This is where you make the big

decisions and decide where everything's


424

00:20:54,935 --> 00:20:58,324

at and fix up your perspective

and your shape and shoot it.


425

00:20:59,129 --> 00:21:02,159

All right there.


426

00:21:02,580 --> 00:21:06,090

Now we go back into our brush that has the

greens and the yellows and all that on it.


427

00:21:07,379 --> 00:21:12,209

There we are just tap, load the brush

with color and we'll come right up here.


428

00:21:13,230 --> 00:21:13,649

Look at there.


429

00:21:14,370 --> 00:21:18,360

Maybe we can begin laying in some little

grassy areas, all around the little cabin.


430

00:21:19,500 --> 00:21:22,709

There, there we go.


431

00:21:23,520 --> 00:21:24,480

I sort of let them happen.


432

00:21:24,629 --> 00:21:25,590

Very dark back here.


433

00:21:28,169 --> 00:21:30,480

Yeah, this guy's like, but he

don't cut his yard very well.


434

00:21:33,270 --> 00:21:35,490

I'm a world's worst yard keeper.


435

00:21:37,260 --> 00:21:37,889

There we go.


436

00:21:39,780 --> 00:21:43,500

You know what we need in here

need a way to get to that place.


437

00:21:44,070 --> 00:21:46,070

Shoot him, put him out there

and leave him deserted.


438

00:21:46,070 --> 00:21:47,360

So let's take some Vandyke Brown.


439

00:21:47,360 --> 00:21:48,409

We just use a fan brush.


440

00:21:49,580 --> 00:21:50,750

You could use a knife and do this.


441

00:21:50,750 --> 00:21:52,310

If you wanted to honestly use a fan brush.


442

00:21:52,310 --> 00:21:53,899

Cause I have one laying

here and it's dirty.


443

00:21:55,290 --> 00:21:58,770

We'll just lay in a little Brown, have

a little path that comes right out here.


444

00:22:00,000 --> 00:22:00,600

I'm going to show you.


445

00:22:00,690 --> 00:22:01,140

I'll show you.


446

00:22:01,260 --> 00:22:06,450

Let me take a knife, take a little

bit of the Browns and whites and very


447

00:22:06,450 --> 00:22:09,210

gently, very gently, very gently.


448

00:22:09,390 --> 00:22:13,020

Just caress, jazz bear harass.


449

00:22:13,030 --> 00:22:17,790

Just enough to give a little color there.


450

00:22:19,605 --> 00:22:24,335

All right now, then back

to our old two inch brush.


451

00:22:24,995 --> 00:22:25,085

Okay.


452

00:22:26,429 --> 00:22:31,830

Just begin tapping, tapping, and

thinking about the lay of the land.


453

00:22:31,830 --> 00:22:33,120

Now that's very important.


454

00:22:34,709 --> 00:22:35,219

Here we go.


455

00:22:37,800 --> 00:22:38,040

Okay.


456

00:22:38,100 --> 00:22:39,179

Just fill these areas.


457

00:22:39,179 --> 00:22:39,360

Yeah.


458

00:22:41,790 --> 00:22:42,270

Okay.


459

00:22:42,340 --> 00:22:44,669

Once again, the more you tap

this, the darker it become.


460

00:22:45,179 --> 00:22:47,909

But if you work with this a little

bit, you can make it as smooth as


461

00:22:47,909 --> 00:22:52,740

velvet, like just like little soft

grassy areas where like you want to


462

00:22:52,740 --> 00:22:54,090

take your shoe off and run through the.


463

00:22:55,155 --> 00:22:59,925

Run through there with naked foot grass

feels good when it touches on your foot


464

00:23:01,935 --> 00:23:03,645

over on this side, don't want it left out.


465

00:23:05,865 --> 00:23:09,195

Just begin putting in little

things to bring it all


466

00:23:09,195 --> 00:23:10,755

together, maybe here and there.


467

00:23:10,755 --> 00:23:14,805

There's a little bump just by changing

the angle, or you can make the


468

00:23:14,805 --> 00:23:18,045

indication of a little bump right there.


469

00:23:20,505 --> 00:23:22,035

All kinds of little Hills here and there.


470

00:23:23,820 --> 00:23:24,389

There we go.


471

00:23:25,889 --> 00:23:28,649

Now tell you what, let's take it.


472

00:23:29,110 --> 00:23:32,840

We use our little script liner brush

a little bit of the, we use a little


473

00:23:32,840 --> 00:23:40,070

titanium, white, maybe there's a little

Birch tree that lives right there too.


474

00:23:40,100 --> 00:23:41,629

Maybe there's a little clump Birch trees.


475

00:23:41,629 --> 00:23:46,250

We don't know, just put two or

three little trees or however


476

00:23:46,250 --> 00:23:47,330

many you want in your world.


477

00:23:49,460 --> 00:23:50,090

There they go.


478

00:23:52,065 --> 00:23:52,325

Mike.


479

00:23:52,335 --> 00:23:56,675

So now that we can just, we'll

just use that oval brush again.


480

00:23:56,735 --> 00:23:57,004

Shoot.


481

00:23:57,004 --> 00:23:58,145

That's working so well today.


482

00:23:59,764 --> 00:24:02,735

A little bit of color, and we just

put the indication here and there.


483

00:24:02,825 --> 00:24:03,275

Look at that.


484

00:24:04,245 --> 00:24:05,825

See a few little leaves on that tree.


485

00:24:05,855 --> 00:24:09,754

Don't even let down this side

needs something over here.


486

00:24:10,055 --> 00:24:11,705

Tell you what we got a minute left here.


487

00:24:12,785 --> 00:24:13,504

Maybe over here.


488

00:24:14,195 --> 00:24:16,475

There's a big old posts.


489

00:24:16,504 --> 00:24:18,095

Maybe there was a fence here at one time.


490

00:24:19,409 --> 00:24:21,899

And it's still there too.


491

00:24:23,639 --> 00:24:27,360

Maybe there's a couple

posts, maybe three posts.


492

00:24:28,169 --> 00:24:28,889

We keep going here.


493

00:24:28,889 --> 00:24:32,580

We will have our fence back

won't we think we'd have a little


494

00:24:32,580 --> 00:24:33,449

light playing through here.


495

00:24:33,449 --> 00:24:34,290

There's a light source.


496

00:24:34,290 --> 00:24:36,750

So we know exactly where the light's

coming from in this painting.


497

00:24:36,750 --> 00:24:44,340

Just touch and begin putting a little

bit of highlight on that side a little


498

00:24:44,340 --> 00:24:46,020

bit on this window, on him, left out.


499

00:24:49,200 --> 00:24:53,940

And Oh, number three here,

maybe on top of our posts,


500

00:24:53,970 --> 00:24:55,290

we'll put a little touch or red.


501

00:24:57,950 --> 00:24:58,220

Yeah.


502

00:24:59,450 --> 00:25:01,250

And we can go back to our liner brush.


503

00:25:02,180 --> 00:25:05,300

We'll use a little Brown, whatever.


504

00:25:06,560 --> 00:25:07,820

See if that stands out enough.


505

00:25:08,940 --> 00:25:11,150

Now I'm going to add a

little white to them too.


506

00:25:11,150 --> 00:25:12,140

Dark there.


507

00:25:12,830 --> 00:25:15,200

Just to put the indication that

maybe there's still a little


508

00:25:15,200 --> 00:25:16,370

wire hanging through here.


509

00:25:18,375 --> 00:25:19,305

There we go.


510

00:25:22,085 --> 00:25:23,165

That's just Brown and white.


511

00:25:23,165 --> 00:25:25,595

So it stands out a little to you.


512

00:25:25,595 --> 00:25:25,775

What?


513

00:25:25,805 --> 00:25:26,795

Oh, we got that old brush go.


514

00:25:26,795 --> 00:25:29,255

And we're still using Vandyke Brown.


515

00:25:29,765 --> 00:25:31,055

There's a fans back here, maybe.


516

00:25:32,345 --> 00:25:32,645

Yep.


517

00:25:32,675 --> 00:25:33,155

You're right.


518

00:25:33,545 --> 00:25:36,815

He was a fence here and it

goes right over the Hill.


519

00:25:36,875 --> 00:25:37,855

We don't know where it goes.


520

00:25:39,605 --> 00:25:40,895

Don't know that we care.


521

00:25:42,755 --> 00:25:45,635

She we'll put some nice old

rails across there June.


522

00:25:47,670 --> 00:25:50,490

There they go right on maybe it's three.


523

00:25:52,550 --> 00:25:52,820

Yeah.


524

00:25:56,840 --> 00:25:59,600

And we can put the least little

touch of color up on top of that.


525

00:26:00,980 --> 00:26:01,610

Something like.


526

00:26:06,450 --> 00:26:07,409

There now.


527

00:26:08,800 --> 00:26:09,480

Okay.


528

00:26:09,689 --> 00:26:13,800

Let's just take on, he was a little

green, a little bit, a little bit black.


529

00:26:14,700 --> 00:26:17,639

I'll get at least little touch if

they look blue and put in there to go.


530

00:26:17,669 --> 00:26:21,330

Yeah, that makes a nice

dark, nice dark green.


531

00:26:22,439 --> 00:26:27,389

And we'll just add, Oh yeah, little Tayloe

blue, really sparkled it a little touch


532

00:26:27,389 --> 00:26:28,740

right down here at the base of that.


533

00:26:29,700 --> 00:26:31,500

So the little post has

something to set on.


534

00:26:32,340 --> 00:26:33,120

I want it left out.


535

00:26:34,575 --> 00:26:35,055

Tell you what?


536

00:26:37,295 --> 00:26:38,315

Take a little paint thinner.


537

00:26:39,004 --> 00:26:40,774

We'll go right into some bright red here.


538

00:26:41,465 --> 00:26:42,815

And I think we'll sign this one.


539

00:26:42,875 --> 00:26:43,835

It's about finished.


540

00:26:44,945 --> 00:26:50,165

Luckily I have a very short name,

so it's quite easy to do, but make


541

00:26:50,165 --> 00:26:52,685

you paint as thin as ink once again.


542

00:26:53,885 --> 00:26:55,415

So I hope you've enjoyed this painting.


543

00:26:55,415 --> 00:26:57,274

It's quite interesting.


544

00:26:57,274 --> 00:26:58,625

And it'll give you a little challenging.


545

00:26:58,995 --> 00:27:00,645

And let you use all of the equipment.


546

00:27:00,855 --> 00:27:03,524

So from all of us here, I'd

like to wish you happy painting,


547

00:27:03,975 --> 00:27:05,115

and God bless my friend.


End .srt file.



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